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Podcast Summary: 10% Happier with Dan Harris - Episode with Melissa Febos
Episode Details
- Title: How To Rewrite Your Story, Make Peace with the Past, and Break Old Patterns
- Host: Dan Harris
- Guest: Melissa Febos
- Date: Not specified in the transcript
Overview In this episode, Dan Harris speaks with bestselling author and professor Melissa Febos about the power of personal narratives. They discuss methods to audit and rewrite our internal stories to overcome past traumas, break old patterns, and foster real change in our lives. Febos shares her own experiences with addiction, relationships, and the process of self-reflection as a memoirist.
Key Concepts The Importance of Personal Narrative
- Self-Storytelling: Febos emphasizes how the stories we tell ourselves can lead to suffering.
- Negative narratives can be self-deprecating ("I am unworthy") or self-aggrandizing ("Why does everything bad happen to me?").
- Potential for Change: The good news is that we can learn to revise and upgrade these narratives.
Steps for Rewriting Your Story
- Become Aware of Your Story
- Reflect on the personal narratives shaping your life.
- Use journaling or voice notes to externalize thoughts.
- Conduct an Audit
- Analyze past experiences to identify how they relate to current behavior.
- Ask specific questions to reveal hidden truths.
- Revise Your Story
- Integrate new information to fill gaps in your previous narratives.
- Acknowledge both strengths and weaknesses in your behaviors.
- Decide How You Want to Be Different
- Develop a "to-do" list of actionable changes.
- Implement new behaviors by planning ahead and perhaps role-playing.
- Share with Trusted Others
- Involve a support system to hold you accountable and provide encouragement.
- Acknowledge that healing happens in relationships and community.
Community and Vulnerability
- Febos stresses the significance of community and vulnerability in the change process. She highlights that it’s often harder to evolve when trying to do it alone, and sharing struggles can foster deeper connections.
Personal Experiences
- Febos discusses her journey with addiction and her relationships, explaining how she has applied the discussed methods to her life.
- She shares insights from her own memoirs, connecting her writing to her personal growth and recovery.
Key Takeaways
- Narrative Awareness: Recognizing the stories we tell ourselves is crucial to personal growth.
- Community Support: Engaging with others and sharing vulnerabilities enhances the change journey.
- Actionable Steps: Change involves not just awareness but also specific, actionable changes for personal development.
- Personal Growth is Possible: Febos' experiences serve as proof that change is achievable, even from deeply ingrained patterns.
Recommended Resources
- Links to Melissa Febos's books, including:
- *Girlhood*
- *Body Work: The Radical Power of Personal Narrative*
- *The Dry Season*
Closing Thoughts This episode serves as a motivational guide for listeners interested in personal development, emphasizing that while rewriting our narratives can be challenging, it is entirely possible and transformative. The dialogue between Dan Harris and Melissa Febos is both insightful and empowering, offering practical advice alongside personal anecdotes.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Chapters
Tap a time to open that second in VOThe Power of Personal Narratives
0:46 to 1:30
Exploring how personal stories shape our identities and experiences.
“And today we're going to talk to somebody who has a playbook for doing this and has run this playbook many times in her own life to great success.”
Introduction to Melissa Febos
1:31 to 2:26
Dan introduces Melissa Febos, discussing her background and expertise.
“New Year's Meditation Challenge over on my new app, 10 % with Dan Harris.”
Memoirists and Self-Reflection
2:27 to 4:44
Melissa shares her perspective on memoirists and the challenge of introspection.
“Folks who don't write or don't know any memoirists intimately tend to assume that we're kind of inherent oversharers, right?”
The Stories We Tell Ourselves
4:45 to 6:25
Discussion on how the narratives we create can lead to personal unhappiness.
“And self-reflection is definitely not one of those things.”
Revising Our Self-Story
6:26 to 10:00
Melissa discusses the importance of revising personal narratives for better outcomes.
“And I think there's a purpose to that story.”
Personal Experiences of Storytelling
10:01 to 13:24
Melissa reflects on her own experiences with storytelling and self-discovery.
“And obviously the process is like much longer than just asking that question, but that question is the start.”
The Challenge of Change
13:25 to 14:02
Exploring the difficulty of recognizing and implementing personal change.
“And I'm actually working on a chapter in my next book now where it's like, I do incredibly dumb shit in this chapter.”
The Challenge of Change and Awareness
14:02 to 14:58
Explore the difficulties of change and the necessity of awareness in rewriting personal narratives.
“Just making a decision and being like, I want to do this.”
Understanding Agency and Storytelling
14:59 to 17:41
Learn how rewriting our stories can enhance our agency and change our self-perception.
“So the first step is definitely looking at what is actually happening, looking at the story that you're telling yourself, becoming willing to see something that I haven't been seeing.”
The Importance of Willingness in Change
17:42 to 19:15
Discuss the vital role of willingness in the process of changing one's narrative and self-view.
“I mean, this is such good news because, I mean, these stories we're telling about ourselves, positive or negative stories, they are just massively limiting.”
Show all 30 chapters
Influences of Therapy and Memoir on Self-Understanding
19:16 to 22:44
Discover how different therapeutic models and writing memoirs contribute to personal insights and change.
“I just want to promise the listener again that we're going to get pretty granular and it does not require you having to write a memoir.”
Daily Inventories: Maintaining Mental Hygiene
22:45 to 25:38
Understand the practice of daily inventories in recovery and personal growth.
“They have these really common elements of us surveying our past, telling the truth to other people, and then trying to do something different, right?”
Steps to Rewrite Your Story
25:39 to 28:00
Explore actionable steps for individuals to become aware of and rewrite their personal narratives.
“You literally took the words out of my brain.”
Understanding Your Relationship with Stories
28:00 to 29:20
Learn how to critically assess your personal narratives and their impact.
“This process of, you know, becoming aware of your stories does not require writing a memoir, which is a titanic pain in the ass, as you and I both know.”
Conducting an Inventory of Your Experiences
29:20 to 31:54
Explore how to conduct a thorough audit of your past experiences and choices.
“So this is basically the inventory, right?”
The Complexity of Self-Blame
31:54 to 34:08
Understand the pitfalls of self-blame and how it affects personal growth.
“I think, what if one of my students or a friend of mine or my younger sibling came to me with this problem and described it as I've described it to myself?”
Redefining Relationships and Responsibility
34:08 to 37:48
Discuss how to navigate personal dynamics and acknowledge shared responsibility.
“I mean, it's so painful, but there is a way that it's convenient to blame yourself.”
Revising Your Personal Narrative
37:48 to 40:07
Learn how to update your personal story with newfound insights for better relationships.
“Okay, so step one, become aware of the story.”
Writing as a Tool for Self-Discovery
40:07 to 42:01
Discover how treating yourself as a character can help clarify your life narrative.
“And so I had this very new story, which was much less flattering, but showed a lot of room for improvement, which was good news.”
The Writing Process and Personal Reflection
42:01 to 45:15
Learn how externalizing writing can provide clarity and perspective on personal experiences.
“I think it really is sort of like you kind of have to go through the process that we're talking about here, right?”
Changing Behaviors: Strategies for Success
45:16 to 49:58
Discover effective strategies to replace negative behaviors with positive ones.
“Coming up, Melissa Fibos talks about the last two steps for rewriting your story.”
The Importance of Community in Change
49:59 to 55:37
Understand why involving trusted others is crucial for personal transformation.
“I hate doing it too, but they force me to practice conversations.”
Wounding and Healing in Relationships
55:38 to 56:01
Explore the concept that both wounding and healing occur within relationships.
“He has like three different groups, a creativity group, a support group, another kind of activity group.”
Initiating Vulnerable Conversations
56:01 to 56:56
Learn how to create intimacy through open conversations in relationships.
“But I would also just encourage people, if you don't have folks that you have this kind of intimate relationship with, the only thing you have to do is initiate it.”
The Journey of Recovery and Change
56:56 to 58:48
Explore the speaker's personal recovery journey and belief in change.
“you've talked about the stories you were telling yourself at work and in your family and in relation to exercise and in relation to your relationships.”
The Possibility of Change
58:48 to 59:28
Discuss how change is attainable for those who truly desire it.
“went through the process again, writing a memoir about it.”
Building a New Blueprint for Relationships
59:28 to 1:02:22
Understand the process of redefining personal narratives in relationships.
“I used to be an obsessive record shopper back when records and CDs were, you know, before.”
Navigating Exercise and Health
1:02:22 to 1:03:49
Learn about adapting exercise habits for better health and balance.
“Like I kind of can't believe that it worked out the way it did, but it has.”
Exploring Memoir and Personal Experience
1:03:49 to 1:05:40
Discover the significance of personal narrative in writing and healing.
“Like I got my mileage in and now I do like much more sort of balanced like middle-aged lady things like Pilates and walking briskly uphill and weight training.”
The Impact of Podcasting on Personal Life
1:05:40 to 1:07:26
Hear how the podcast influenced the guest's life during challenging times.
“Oh, I never had a super strong Boston accent.”
Transcript
Automatic transcript. May contain errors.0:04This is the 10 % Happier Podcast. I'm Dan Harris.
0:18Hey, hey, how we doing, everybody? One of the most potent sources of human suffering is the stories we tell ourselves about ourselves. Sometimes these stories are damning and demeaning. You know, I'm a bad person. I'm gross. I'm unworthy, whatever. However, sometimes they're self-aggrandizing or victim-oriented. Why does bad stuff always happen to me? But the good news is you can learn how to revise and upgrade the stories you tell yourself. In other words, you can change. And today we're going to talk to somebody who has a playbook for doing this and has run this playbook many times in her own life to great success.
0:56Melissa Fibos is a professor at the University of Iowa and a renowned memoirist who has written several books, including Bodywork. and the dry season. We talk about how to audit your personal narrative with some simple questions, her five-step method for rewriting unhelpful stories, why community and vulnerability are required for real change. In other words, why it's much harder to do this work alone. And we talk about Melissa's own experiences running this playbook, as I said earlier, with regard to her relationships and her addictions. Just a quick reminder, it's not too late to sign up for the New Year's Meditation Challenge over on my new app, 10 % with Dan Harris.
1:37The challenge is free and it's led by the renowned teacher, Joseph Goldstein. You can sign up for the app at danharris.com. We'll get started with Melissa Fibos right after this.
1:51Melissa Fibos, welcome to the show. Thanks for having me. Pleasure. I've been reading this, as you probably know, I get a prep doc or a preparation doc before every interview. And you and Marissa Schneiderman, who's our senior producer, and she's producing this episode, put together a great document to help prepare me for this conversation. And I read with interest that you in some ways are not a natural memoirist in that like left to your own devices. You're not particularly introspective. It's true. It's true. I think that's actually a great misconception of a lot of memoirists. Folks who don't write or don't know any memoirists intimately tend to assume that we're kind of inherent oversharers, right?
2:38Or we love attention, or we can't wait to tell you all of our secrets. But actually, I think it's usually the opposite. Memoirists are some of the most secretive people I've ever met. And I think what happens is we tend to be the kind of folks who conceal parts of ourselves and are very careful about sort of what we let other people see, in addition to sort of keeping real secrets. And over time, that gets kind of exhausting and heavy to carry. So we start to slowly develop this kind of counter impulse to want to put it all down or say the unspeakable thing. I think all people have that impulse, right?
3:11We kind of want to say the unspeakable thing just as much as we fear it. And so writing memoir is kind of the perfect antidote to that lifestyle because you get to tell everyone everything, but you do it totally alone in a room with no one watching you. And you can take like 10 years to do it if you want to. I'm trying to think if that describes me. I guess maybe I'm a memoirist. I've written one and I have another one coming out. I would say you are. I would say you are. Yeah. I am actually a little bit more of a exhibitionist and oversharer by nature that spills into my memoir. But I guess if I think about the two books, one written, the other almost written, And I am actually revealing things that I have not hitherto revealed.
3:58So there's something there. Yeah, it makes sense. I mean, there's obviously variation across the genre, but I do think for a lot of us, the juiciest parts, like the fun parts of writing, are also kind of the scary parts where we're revealing something. And maybe we're looking at it for the first time ourselves and we're like, oh, wow, I've actually always known that about myself. Yes. But I also didn't know it at the same time because I never put words to it. I would also say that I identify as an addict. I've been clean and sober for over 20 years. And so I have a really strong instinct toward what feels good.
4:34And obviously that sort of applies to all people. But to me, it's like to a catastrophic degree where I really sort of anything that sort of gets my yummy brain chemicals going, I want to do it until something breaks. Like external, internal, whatever. I'll just keep doing it. And self-reflection is definitely not one of those things. Self-reflection is like slow. It offers only longitudinal rewards. It takes a lot of work. Like it's not a high, you know? So I've had to really sort of build it into my life for my own survival, which I think is also what I mean about being a memoirist being kind of counterintuitive for me.
5:13No, that all lands. Just to be clear, I was laughing at your description of doing things that feel good until everything breaks, not because I was judging you, but just because I see myself in that. That was my assumption. I could tell the quality of the laughter was recognition. I was laughing with you, not at you, for sure. One of your main contentions that comes through in the notes I have in front of me that you and Marissa worked on is that most of our pain as an individual comes from the shitty stories we're telling to ourselves about ourselves. You know, this has proved true across my whole life, but also, you know, I work with memoirists and writers and people who want to write their own stories.
5:57And I've also seen it in that form revealed over and over and over again, as well as just my friends, the people I know, my family members. I mean, a lot of times it is a shitty story, but sometimes it's an aggrandizing story, too. I've definitely had, like, stories I've told myself about myself that were eliding the problematic behaviors that I had or the ways that I was complicit in my own unhappiness, right? And I think it's just kind of the way the psyche works, right, is that as we're living, we're constructing a narrative of our experience, you know, and especially when there's patterns, we make a story out of it and we say, oh, I just can't find the right person in my love life.
6:37Or everybody always takes advantage of me at work and I get totally overworked and burnt out and I get used up, you know, and we sort of cast ourselves in a familiar role and then sort of lacquer over that with future retellings and more and more retellings. And I think there's a purpose to that story. It helps us survive difficult experiences. It sort of helps us in a momentary way. And it gives us a solid sense of our identity, right? But I don't think it's necessarily the truest version of our story. I think in the interest of helping us survive an experience, it leaves out some of the painful parts or the compromising parts, and sometimes even the parts that make the people we love look bad, who we don't want to hold accountable, whatever we don't want to look at or think we can't handle in the moment.
7:25But when we hold on to that story long term, it compromises us because it sort of forecloses the other possibilities for how we might be living or who we might be. And we really never get to look at those parts that we left out in the kind of initial draft in our mind. Maybe you already listed some examples, but are there examples of unconstructive stories, either aggrandizing or deprecating that you were telling yourself historically about yourself? You mentioned something about something professional and something romantic. Were those actually bits of memoir? Oh, yeah. I mean, how much time do you have?
8:02I've been through this process many, many times. Most of my research is empirical, right? You know, I'm a serial sort of memoirist and personal essayist. And I would say everything I've ever written sort of fits into this rubric and is an experience that was difficult while I was living it. I created a certain story about it. I stuck to the story and I kept living the same kind of unpleasant or unhappy experience until I hit a kind of breaking point. And then I thought something's wrong here. Like the common denominator is actually me. Whatever the story I'm telling, like what I am living, it's not quite matching up.
8:40The ones I was referring to was, you know, my most recent memoir is a book called The Dry Season. And it's about a year that I spent celibate after 20 years of nonstop monogamous relationships. And I had a story about myself that was actually like a pretty happy story. The story was, I'm a great partner. I work really hard in my relationships. I've been to a lot of therapy and 12-step recovery, but my relationships just weren't working out. And I had this one particularly catastrophic relationship that was really like a hurricane that swept through my life. And on the heels of it, I was in my mid-30s.
9:15I thought, okay, I do feel tired, but that doesn't mean I've been doing the right kind of work in my relationships. Let me take a look at this story I've been telling myself and see if it's actually true, if it actually matches up with what I've been doing for these last 20 years. And like, to my sort of surprise, it wasn't true at all. I had been working really hard, but kind of in the wrong direction. I've had a lot of issues around work for this. But I would say probably the one that comes first to mind is that I used to kind of have a story about myself that I'm such a hard worker. I always end up being sort of indispensable in my jobs and people depend on me a lot.
9:55And then there's too much pressure and I feel unappreciated. and then the only option is for me to like quit and run away and it sort of always ends badly you know this was sort of a similar story as the way I related to my romantic relationships to you unsurprisingly and I hit a point where I was like you know what I have a great job I have pretty great colleagues like I don't think I have an extreme situation here like what am I doing that's contributing to the story I'm telling myself and how might I revise it so that I can behave differently and have a different kind of experience. And obviously the process is like much longer than just asking that question, but that question is the start.
10:35We're going to get into the process. There are five steps, at least from what I can see, that I'm really interested in. Before we get into that, you were talking about this in a light way, this realization that your story, and in these cases, they're somewhat self-aggrandizing stories, that they weren't true. Like that's a monumental achievement to be able to see that. And I just don't want to let that go uncommented upon. Thank you. Yeah. I mean, in the moment, it's actually pretty devastating. Sure. I mean, it's sort of like a door opens, right? It's hopeful too, because if I've been wrong about the story I'm telling myself, then there's other options, right?
11:18Then I might be able to have some control over the experience that I'm having. But at the same time, it's a bit mortifying and scary to have been lying to yourself, you know? And I think we all do, but it's still quite shocking when we face it and we've been really committed to something and our sort of denial starts to fall away a little bit. I mean, these are really intense reckoning points in my life that I probably could never have imagined writing about in the moments when they were happening because I felt so humbled and sometimes ashamed. And it usually isn't until years later that I'm comfortable being like, let me go talk to a bunch of strangers about this experience.
11:56You know, I mean, I've been through similar experiences and you say humbled and ashamed and I can see myself in both of those. But often for me, and this is not flattering, it's a protracted and by protracted could be many years long period of defensiveness, too. Yeah, yeah, absolutely. And that's kind of the worst part, right? It's like when you're awake to what's happening and you have some degree of self-awareness, but you're fighting it. It's like having surgery with no anesthesia. At least when you're in denial, you're like, God, I'm just a hapless victim. Why does this keep happening to me?
12:33And you can really feel like the hero of your story. When you know that you're culpable, then it can be quite excruciating. And I've definitely sat in that phase for a long time, too. I heard someone say recently that the distance between not knowing that you need to change and changing is so much greater than the distance between knowing that you need to change and changing, right? Going from not knowing you need to change and knowing you need to change is like the hardest part in many ways or the longest distance. And even if it gets really uncomfortable after that, I think if you're a person who's open to that in any way, it's sort of inevitable that it will happen eventually.
13:14Yeah, I would agree that the longest distance is going from denial to self-awareness. But yeah, there's this cultish stage, this awkward stage that you're pointing at between self-awareness and like, I might be misusing this term, but like self-actualizing or like, you know, where you operationalize the insights. And I'm actually working on a chapter in my next book now where it's like, I do incredibly dumb shit in this chapter. And I know I'm doing dumb shit. And like in the earlier chapters, I didn't know. So it was embarrassing in hindsight. But this was like dramatic irony. But I'm both the audience and the character.
13:55Yeah. Yeah. No, it's brutal. I mean, you're definitely writing memoir because that is what memoir is made of. Yeah, I've had that experience a lot of times. Just making a decision and being like, I want to do this. I want the short-term benefits of doing this. I know it's probably going to blow up in my face because it has before, and I'm going to do it anyway. You know, like I'm not proud of it, but like as someone, as I said before, who has a really addictive personality, when I get into a habitual behavior or way of like coping with something, I can spin my wheels for a really long time trying to get out of that.
14:31Even if there are just like pretty minor short term benefits to it, and sometimes even none, I will just keep doing it for a while after that. Like it's really, change is not easy. I need like a system in order to do it. But one of the things I was really interested in in reading up on you is what you have to say about how this process of rewriting your story works on a psychological level to change us. From what I can tell, the model seems to be like awareness leads to agency. Agency leads to urgency. Am I understanding that correctly? And if so, can you unpack it? So the first step is definitely looking at what is actually happening, looking at the story that you're telling yourself, becoming willing to see something that I haven't been seeing.
15:21You know, like there really is that willingness is sort of key. People can, as we were just saying, be really, really uncomfortable and still be unwilling to change. We've all seen it. We can stay in it for years. We really have to be willing to like do something different. And then I think we can look at the past and look at the story that we're telling ourselves and see if they really match. And usually they don't, right? If we're having a repetitive, unpleasant experience, they don't quite match up. We're either telling the story is aggrandizing us or sometimes it's degrading us too much, which is also like grandiose in a different kind of way.
15:56But we're leaving something out. And then that's when the agency comes in, because first we can sort of update the story of ourselves, our understanding of our situation. We can put in the thing that we're leaving out. Like for me, this might be, oh, I'm like volunteering too much at work. I am obsessed with becoming indispensable because it makes me feel needed. And I like that feeling. Right. But here I am blaming other people for using me. or like I am being overly accommodating in my relationships and trying to be perfect. And then I'm blaming my partners for like controlling me when I'm leaving out the part that like I'm making some choices here about what I'm doing.
16:36Nobody's forcing me to do it. And when I fill that part in, it gives me more agency because I see the choices I'm making and I'm able to make different choices. And I would say, you know, if I can generalize in kind of a broad way, the story we tell ourselves is usually like much more black and white, much more sweeping and more complacent, right? We see ourselves as a victim when actually we're making choices that are contributing to the experience that we're having, right? And I think like once we go through the awkward phase of trying to implement different behaviors, it all starts to work together in a way that updates our whole sense of ourselves and our self-image and our identity really kind of changes.
17:22And I stopped thinking of myself as someone that people use and don't appreciate. And I think of myself as someone who values her own time and makes conscious choices about how she wants to be of service to other people. It's a very different story and one that has a lot more sort of power of decision-making and choice in it. I mean, this is such good news because, I mean, these stories we're telling about ourselves, positive or negative stories, they are just massively limiting. And the fact that you can see through them and update them as shitty as it may be, as painful and awkward as it may be, is just, I think, massively good news.
18:02Yeah, it is. It is. But I think that willingness part is really key too, because most people don't think of themselves as telling themselves a story. That feels offensive to a lot of people, right? They're like, no, this is my life. This is my experience. This is my truth. Right. But you're also choosing that. And I think this is where my perspective as a memoirist really comes in, because writing memoir makes you realize there are so many ways you can tell a story. And I think we know this a little bit intuitively because for every event, think of like family history. For every big family holiday or big family fight, there are as many true versions of that story as there were people present.
18:42And they're not wrong, even though they might contradict each other, because truth is subjective. We all tell ourselves a story about what happened. Even now, as you were saying, I'm talking about this in kind of a lighthearted way, because I've made friends with this process. But that's not how I saw it when it happened. When it happened, I thought my life was over, like many, many times. I thought I could never change. I was devastated. I thought I was a terrible person. But like, the story can change. realizing that opening ourselves up to that is scary and humbling. But I think you're right.
19:13It is really, really good news. We're so much more empowered if we're looking at it that way. I just want to promise the listener again that we're going to get pretty granular and it does not require you having to write a memoir. But let me just stay at a higher level just for a second before we get into the nitty gritty. I understand you've been pretty deeply influenced and you referenced your sobriety by both 12-step and a kind of therapy called internal family systems. Can you say a little bit about each? I was raised by a psychotherapist, so I've had a lot of different kinds of therapy. And I've always been interested in psychology, even when I wasn't interested in self-reflection.
19:50I'm just interested in how people's minds work. IFS, internal family systems therapy, it's the kind of therapy that my mother practices and trains people in, and we've done workshops together. And it really sort of draws upon lots of previous models of therapy. You can find traces of it in Freud and Jung. And I think probably most models of therapy have some version of thinking about how to mediate between what might be called the unconscious or the parts of our psyche that we are unaware of, but that are contributing to our actions. and in IFS we might call these exiles. They're sort of the parts of us that were wounded when we were children and that we sort of sent away inside of ourselves because they were scary and we chose not to deal with them.
20:41But a lot of our adult behaviors end up being guided by these parts that were sort of exiled, right? And the way the therapy model works is the therapist helps the patient try to go into sort of dialogue and conversation with the different parts of their psyche. And in addition to exiles, there are also managers, firefighters, there's a few different parts, right? But the goal is to sort of draw in the parts of ourselves that have been exiled and integrate them into the psyche so that we can be led by our higher self, so that we aren't being sort of driven by the parts of ourselves that are kind of hidden in the dark.
21:19And that very much sort of speaks to my experience of 12-step recovery, which is, you know, I'm in multiple 12-step programs and have worked the 12 steps a lot of times. I would describe that process also of sort of surveying our past and our past behavior so that we can fill in the gaps of our own agency. Where did I hurt other people? How was I complicit in the end of these relationships? that sort of thing. And then we sort of tell our story to another person and make it visible to someone we trust. And then we go about trying to amend our behavior. And sometimes that means like apologizing to people from our past.
22:01A lot of times it just means practicing awareness of what in 12-step language are called character defects or character defenses. And that might be workaholism, people-pleasing, competitiveness. Those are just some of mine. And then over time, we sort of turn the volume down on the character defenses that have caused us problems in the past, and we try to replace them with more positive behaviors, right, that aren't going to create wreckage or hurt us or other people. And so I think the way that I think about personal change and the way that it's been reflected in my experience of writing memoir draws pretty heavily on both of those models.
22:43And I've been really interested in the way that I see sort of models for change across discipline and culture and time. They have these really common elements of us surveying our past, telling the truth to other people, and then trying to do something different, right? Whether you're looking at psychology or religion or creative practice. Well said. Notwithstanding my history of cocaine use, I have never done 12-step work. And over the last couple of years, I have a newish friend. I won't say his whole name because there's a reason why they use the word anonymous in these programs, but Danny is his first name, a really good friend.
23:23And he has really lifted the curtain for me on because we'll have dinners together and he'll tell me about what's going on in his various 12 step programs. And there's this thing that you'll be familiar with that I wasn't really familiar with, like inventories. And so it's not like I mean, maybe it's something you do early on, but Danny's been in recovery for decades. This is really like for active issues that may not have anything to do with the original addiction, per se. You're doing an inventory. Can you describe what that is? Absolutely. I do a daily inventory. And I think when you first come into recovery from whatever it is, the first inventory is sort of the mother load, right?
24:05Because you've never done one. So you're doing an inventory of your whole life. But the idea being that after you've sort of done that and kind of cleaned house, you keep it up as a regular practice for the rest of your life, basically, so that you catch things before they start kind of warping your thinking and you develop your little story around it, you know. So for me, I have a little text thread with a couple friends of mine, and we do a little inventory, and there's a series of questions we ask ourselves. And the questions include, did I tell any lies today? Did I act on any sort of bad behaviors today?
24:40Did I do any esteemable acts today? Did I keep any secrets today? There's like eight or nine questions, and we answer them. And then, you know, there's always a little something, right? Sometimes there's a big something and then that's a little sort of alarm, right? Because then you go take some action. If I find that I was a lot of times it'll just be, you know, I was a little snippy with my wife when we were traveling yesterday because I was tired, right? And I'll be like, all right, I guess I'll go apologize. or I've been really avoiding my email because I don't want to respond to this person.
25:17And like, it becomes harder to keep doing that once I've admitted it to myself and to another person, you know? So the inventory is sort of like psychological and maybe to some extent, like an ethical hygiene that keeps me from collecting the grimy sort of feeling bad about myself, harmful behaviors that can really accrue over time. You literally took the words out of my brain. I was thinking interpersonal and intrapersonal hygiene. It's like a haircut. You're just not letting it grow out. Yeah. And it prevents conflict with other people, too, because it forces me to admit to myself, oh, I've been withdrawing from this friend of mine because we have this dynamic that I don't love.
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26:04And it just forces me to be like, all right, what do I actually want to do about this? Do I want to talk to them? Do I want to end the relationship? Do I want to get over it? What can I do here that has a little more integrity than just avoiding? Because avoiding is one of my old behaviors that has caused a lot of problems in my past. Yeah, but it is so seductive. I mean, I find myself sliding into the warm bath of avoidance all the time. Oh my God. So tempting. It's really my go-to. Like, oh, could I just not do anything and deal with it that way. Yum. But it just causes more problems down the road.
26:39I've seen it in my own life over and over again. Okay. Now, as promised, we're going to get into Melissa's five steps for rewriting your story. We have covered some of these, but my experience, I suspect you would share this view when it comes to personal development. Repetition is your friend. And so first step from what I'm seeing, easier said than done, but it is to become aware of the story you're telling about yourself. Yeah, that's right. I think the first step is just looking. Like, stop acting. I am like a person who is very busy. I like to be in action. I've been told that I'm a human doing, not a human being.
27:21And so for me, the key is like, stop. Stop doing and just look. Right? And for me, because I'm a writer, I like to write it out. And this is not writing a memoir. This is like just writing in my journal, which I think is a good tool for this. Not required. Talking through it with another person can be really helpful. I think externalizing it is useful because then we actually can like look at it. But in any case, the main sort of meat of this step is just sort of telling ourself what we've been telling ourself, but with awareness. so here's the way I see this part of my life where I see this area whether it's work or it's dating or it's my relationship with the parent or with a child this or for me with exercise was a big one for me what is the story what is my relationship to this and what's been happening and just sort of lay it out and then actually look at it and think okay can I just look at this as a person who's divested a bit from it being true and just kind of critically read it maybe for the first time.
28:34So I think that's pretty much step one. And thank you for saying this. I should have said it earlier. This process of, you know, becoming aware of your stories does not require writing a memoir, which is a titanic pain in the ass, as you and I both know. You know, it could be journaling. It could be, you didn't say it here, but I believe you've said in the past, it could be voice notes, voice memos. It could be talking to a friend. It's just trying to get some sort of the best of your ability journalistic take on what your inner tales are. I think that's the key, the journalistic take to just be like, can I look at this sort of coldly without my emotional attachment to it and just see what is the narrative that I'm holding here and let me take a look at it.
29:18Okay. So step number two is conducting an audit. What does that mean? So this is basically the inventory, right? This is sort of what actually happened, whether it's in the past or it's ongoing. Can I actually describe what happened in a way that is separate from that narrative? Like slow down and try to fill in the pieces that have been missing. And we might need some questions for this. Like, that's why then the inventory that I use in my 12-step work has questions. Because if I just ask myself, like, did I do anything today that I should think about? I'm very happy to be like, I don't think so.
30:02But if I ask myself, did you tell any lies today? That's very specific, right? And I'll be like, oh, you know what? I actually gave some false praise to a bunch of people today because I was just schmoozing or whatever. You know what I mean? And like, maybe that's okay, but I don't love it. So this is good to come up with some questions maybe ahead of time. Some good questions are, how was I complicit in my experience? What are the choices that I made here? How have I been making them? Am I letting anyone else off the hook who is accountable for their own behaviors? What am I avoiding? Maybe what is the lie I've been telling myself?
30:43In my inventories, it's always what is the lie? What is the truth? Those are the last questions I answer for myself. What is the lie I've been telling myself? Which sounds presumptuous, right? But I will say that almost every time I've asked myself that question, I already know. Like, I already know there's something I'm leaving out. Because it's always the same kind of thing. It's like I'm blaming other people when I am the person who keeps volunteering or choosing something. I'm acting like something has been compulsory when actually I'm choosing it. That's usually the thing for me, right? or I'm telling myself I'm doing something for one reason when actually it's another.
31:22Like I have this past experience I referred to earlier where I told myself for years that I exercised a lot because I was a really healthy person. Like I was exercising for my health and I wasn't. I was exercising because of the way it made me feel psychologically, right? And I actually compromised my body in many ways by doing that. So sometimes you have to dig a little bit to get to this, but sometimes you don't. Sometimes it's right there and it's really obvious. And the key here, I think, is to like think about yourself like another person. Sometimes when I'm trying to see something I'm missing in my own behavior or experience, I think, what if one of my students or a friend of mine or my younger sibling came to me with this problem and described it as I've described it to myself?
32:10what would I see that they can't see? And sometimes that little mind trick works for me because it pops me out of my emotional attachment to how I've been framing things. I have found very useful. You have a question in here. How was I complicit in my own experience? My executive coach, Jerry Colonna, often phrases it, how am I complicit in the conditions I claim I don't want? Yes, that is good. It's really good. Having said that, what if you are somebody with, I don't know if I'm using the terminology correctly here, but low self-esteem or you have a tendency to blame yourself to a catastrophic extent.
32:49Are questions like this perhaps not for you? No, I think the same questions actually apply because I think that's a story, right? I'm the worst. It's all my fault. I am unlovable. Those things are almost never true. I would even say that they're probably never true. Like what happens between people intrapersonally is always a collaboration between the people. It's never just one person's fault or very, very rarely, if ever so. Right. And so I think the ways that someone with low self-esteem or a negative story about themselves is complicit is that they are heaping all the blame onto themselves.
33:30It's not all their fault. Sometimes they have to admit to themselves that other people are also playing a part in it. And maybe some work needs to be done in those relationships. Maybe the job needs to be changed. Maybe the lack of confidence is the problem here. Whether it's a positive story or a negative story, it's still a same problem of sort of scale and grandiosity, right? It's this black and white kind of thinking that is almost never sort of what actually holds the truth of a situation. A friend of mine, her dad was in having some struggles and really down on himself and she baked him a cake and put the words fuck everyone on it, which I think helped get him out of it's all my fault.
34:16It's really true. I mean, it's so painful, but there is a way that it's convenient to blame yourself. I've actually had this in the past. There were a few situations, both when I was kid and then also when I was early in my teaching career where I just didn't like the idea of being a victim. It felt vulnerable and scary to me. I didn't like the idea of someone else having control or power mistreating me. And so I had a story that it was my fault when that happened. I had a colleague who was kind of a bully early in my career, and she would make these kind of like passive aggressive digs at me and do weird undermining competitive things.
35:00And for six months, maybe I would say, I don't know, the energy is kind of weird between us, but maybe I'm not communicating myself clearly or maybe I did something. And I had a therapist at the time that was like, I can see that you're really reluctant to admit that this person is mistreating you. But until you face up to that fact, you're not going to be able to change it or demand better behavior. It really comes out of experience that I say this because only when we sort of put everyone's behavior where it actually goes and hold other people, everyone, all the adults in the room responsible for their own behavior, that's when we can really change the situation.
35:39Can we sidebar for a second on something you said a couple of minutes ago about how you notice giving out a lot of false praise? I find that terrifying, not only because I do it, But because how do you as an individual know what to believe about your work or your place in the world when people are giving out false praise as a kind of currency all the time? I know. It's really, really tough. I mean, it's really also the kind of plasma that we're all swimming in. I've had this conversation with other writers because the people who review books are mostly writers. And so we're all kind of in the mix, getting reviewed, reviewing each other's books.
36:17And it's really obvious that it sort of behooves everyone to just be nice all the time, right? But then you can't really trust anyone. I don't have a perfect answer for this, but what I do know is that the people I give false praise to or the people who I suspect of giving it to me, they're like three rings out in terms of like my spheres of intimacy, right? They're not my close people. My close people who I talk to on the phone and spend actual time with and go to when I have a real question, these are people that I have cultivated real honesty with and where I know that they know that they can trust me not to punish them if they say something to me that's hard for me to hear.
37:00cultivating at least that small cohort of people who are willing to tell you the thing that's going to hurt you know and usually those are people I would say I love where we have mutual intimacy and we love each other right where the relationship can weather saying I think you can do better or like you know what you weren't being your best self in that moment and like I love you and I want you to be your best self the people who I can sort of communicate with like that As long as I have them, then I feel like the world isn't constructed of lies. But I still don't love the feeling of going out and being like, oh, my God, I loved your book, which I haven't actually read.
37:38Like, you know, everybody does it at least a little bit and doesn't contribute to my self-esteem. I will say that. No, it's a great thing to monitor. I'm glad you brought it up. Okay, so step one, become aware of the story. Step two, conduct an audit. Step three, revise your story to integrate new information. Yeah. Basically, in this part, we're filling in the holes of the things we've missed. We've done our inventory. We've asked ourselves the questions. Almost certainly, we've come up with some things that we've left out. some part like I'm blaming myself all of the time when actually someone else at work has been mistreating me or I'm blaming my partners for being controlling, but actually I'm being overly accommodating before they're even asking me to do so.
38:27And I update that story. And so in my recent book, The Dry Season, I went through this process in a pretty explicit way during that year of celibacy. This was way before I was writing a memoir about it. When I went and did the inventory, I thought, oh, wow, I've been pursuing and seducing people that aren't actually great matches for me because I like how it feels. I like the psychological high. And then once I'm in relationships, I'm doing a lot of over-functioning, people-pleasing kind of codependent behaviors. And then I'm feeling suffocated and miserable and like the other person's trying to control me.
39:05And I have no choice but to break up with them and run away from them. and the story I've been telling myself, if you remember, was that I was a great partner and I worked so hard in my relationships and I had this huge emotional vocabulary like, what was wrong with these people? So I fill in the holes and I think, you know what, I do work really hard at relationships, but I work really hard at jobs that no one is asking me to do and that actually compromise who I am and hide what I actually need in order to have a sustainable, happy relationship. And so I had to really update this story, which was pretty aggrandizing.
39:41And the news story was that I was actually quite codependent. I was sort of capitulating and manipulating people, trying to avoid conflict and appear perfect. And it was totally sinking my relationships. And there was good stuff in there, too. I was a thoughtful partner. I did work hard, but the sort of toiling at the center of my dynamic was actually preventing real intimacy from happening. And so I had this very new story, which was much less flattering, but showed a lot of room for improvement, which was good news. Yes. Which brings us to the to-do list. We'll talk about that in a second, but I do want to reference something you say or that I'm reading about you in my notes in front of me, which is actually, this is where, even though I can't stress strongly enough, nobody has to write a memoir if they don't want to, treating yourself as a character in your own book can be really helpful.
40:40Yeah. I don't know if you've had this experience. I'm interested to hear if you have, but I think it's like when we're walking around and telling ourselves the narrative of our lives, we're totally blended with that character. But when I'm writing a memoir, I want it to make sense to other people. I don't want my readers to see things that I don't see about myself, which means I have to get to like a higher level of self-awareness than maybe I hold myself to in my daily life. And so I really have to look at it as if I was reading someone else's story and thinking, what does this person not see?
41:15What is this person missing? And what could she do differently to have a different experience? And it's pretty surprising because there is always something. Like our friends come to us and they complain about the same things and we tell them what we see, but it's careful and loving, you know, but you can see them really clearly. You can be like, well, if they just stopped picking these unavailable people or if they just stopped volunteering to pick up extra shifts, they wouldn't be so tired all the time. You know, it's usually pretty obvious. And I think the tricky part isn't recognizing the thing that we're not seeing.
41:49The tricky part is looking at objectifying ourselves, Like looking at ourselves like a character, looking at ourselves as if we were someone else who was not sort of wed to the story we're telling ourselves about it. You can't just flip a switch, right? I think it really is sort of like you kind of have to go through the process that we're talking about here, right? And I do think for me externalizing it is really helpful because when I'm reading my notes, I'm literally looking at something else. It's not me. I'm over here reading. So it's something I've gotten better at over the years of writing.
42:23But I don't know, when you're writing, do you ever have moments where you're like, oh, man, Dan really messed up here? Or like, wow, he really could have handled that one differently or something as you're writing the story? Yeah, I can't emphasize enough. I'm actually a pretty inexperienced writer, and I didn't write my first book until my early 40s. And I'm in my mid-50s now. So I'm pretty new to this. And I've spent eight years on my memoir, which hopefully fucking comes out sometime in the next 18 months. It's been a nightmare. And what has allowed me to have some scintilla of optimism about the fact that it might come out is a very good friend of mine.
43:05I've been writing these like drafts that are crazily long and boring and stupid and no structure. And a friend of mine, Jonathan Glick, came in and really helped me clean it up. And he will often I was talking to him yesterday because he'll just check in on me. I'll send him a chapter and he'll often say, like, what is your character thinking in this moment? And just those words, what is your character thinking is really helpful and I think could be scalable from writing a memoir to. Totally. Journaling and thinking about how to do life better, your own life. That is such a good tip. Yeah, I feel like, you know, the meat of a memoir class and any creative writing class is sort of everyone reading one person's work and commenting on it.
43:48And in my classes, I'm very strict about everyone has to refer to the narrator as the character and never by the writer's name or you. We're always talking about the character, the mother character, the brother character, the partner, you know. And it's been such great conditioning for me because then when I go to my own work, and I know this happens for my students too, then I'm thinking the character, right? And it's actually worked sort of in this amazing, almost like a kind of crystal ball in a way. I remember I was writing my second book once. I was in this horrible relationship, but I was like really trying to make it work.
44:26And I was writing the story of it in a memoir. And I was trying to write it into a happy ending. And I was trying to live it into a happy ending, too. It was terrible. It was never going to work out. But I did not know that yet. And as I was writing, I was just fully in the process, you know, like really forgot about sitting in the chair, was just working the way that people imagine writing always feels, but how it almost never feels. And I had this moment where I was like, oh, my God, this character really needs to end this relationship. This is never going to work out. And then I stopped and I was like, weird.
44:59That's so funny, because I am clearly going to ride this thing into the sunset. And I went back to trying to force it, but it got in there like a little seed of it. And of course, when it didn't work out, I was like, oh, interesting. The writer brain could see the truth while the person living it wasn't ready yet. Yep. Funny how that works.
45:20Coming up, Melissa Fibos talks about the last two steps for rewriting your story. Plus, we get into some examples of how she applied all five steps in her own life.
45:36Okay, step number four. So once you've revised your story, you need to decide how you want to be different. So this is the aforementioned to-do list. Yeah, this is where the rubber really sort of meets the road. When we've sort of filled in the blanks, we understand where we have agency, what we are actually doing that's participating in creating our own experience. We are an active player now. We're not a victim. Things haven't just been happening to us. We've been collaborating in them in some way, whether it's the story we've been telling ourselves that it's all our fault or a behavior that we're doing that is contributing to whatever outcome we want to change.
46:21I think the key here is that we can't just stop doing something. I think this is a mistake. A lot of people sort of get to this point kind of intuitively or through their self-help books or whatever, and they think, all right, I just need to stop doing this thing. But I have never been able to just stop doing something, especially not when it's wedged into my life in a really integral way. I have to replace it with something like immediately. The vacuum will just suck the old behavior right back into its place. And so I think some strategies that I've used for changing behavior and replacing one behavior with another are having little index cards, making a list of index cards with the behaviors I want to change on one side and what I want to replace them with on the other side.
47:07And like choosing one every morning and choosing to just try to cultivate awareness of when I'm doing one and then try to replace it with the other. It's very simple, but it's really, really worked for me. The other thing is to think ahead and really look at sort of our days, like who am I going to interact with at work? When are the opportunities for me to do things the old way going to crop up and to not leave myself in a position where I'm going to have to react in the moment because I'm going to do the old thing in the moment. That's just how it works. You know, my neural pathways are all arranged for me to do the old thing.
47:46So for me, it's really helpful to think ahead, even write out a little script for myself if It's a communicative sort of interactive thing. I've done this with family things that I wanted to change where there was a particular dynamic or a kind of interaction that I was always having in my family that left me feeling miserable afterwards. And I have written out a little script of the new thing I want to say is like, I need to take some alone time from the family so that I can enjoy the time we spend together or something like that. Right. And I think of very simple, very straightforward. I memorize it.
48:20I bring it into the situation and I just say it as many times as I need to. And really sort of setting myself up for success and not just flinging myself into a situation hoping I'm just going to do it differently, but to really plan ahead. And I think, you know, I hate doing this, but it's really helpful doing role plays with people. I was terrible at breaking up with people for most of my life. The people I was breaking up with would always talk me out of it. And somehow I would end up still in the relationships I wanted to end like it was a nightmare. I would hurt people way more doing it my way, which was avoidant.
48:54Once I started doing role plays with this one friend of mine, figuring out exactly what I was going to say, I would go into the conversation and I would actually have the outcome that I wanted, right? And role playing is so cringy. It's really uncomfortable, but it actually does work because it builds a frame of reference that we can draw upon when we're in the actual situation. You know, they say in recovery, people, places, and things are the things that sort of trigger you when it comes to addictive behaviors. And the way that sober people deal with that is they plan ahead. They bring, even now I'm like 21 years sober, I still always bring a six-pack of seltzer to the party because I want something to drink.
49:35And now it's not because I think I'm going to drink if I don't have it. It's just because I want something yummy. But when I was first getting sober, I just needed something in my hand, right? so that I wouldn't pick up something else, right? And just planning ahead, bringing a friend, writing a script, having your little index cards, whatever works. People can come up with their own strategies, but sort of having a little system in place for how we're going to replace the old behavior with a new behavior. All of that makes complete sense. I was just going to say that, and I've mentioned this many times on the show, so some listeners will have heard me say this, but I've been working for six or seven years with communications coaches, which should be a much more common thing than it is because communication is the main unit of exchange in human affairs and nobody really teaches us how to do it.
50:21I hate doing it too, but they force me to practice conversations. And then when I get into them, I can execute them much more skillfully. It's really amazing. I mean, I couldn't agree more. I feel like I wish I could just assign people communication coach. It's like all the English professors that But I work, you know, it's like people just don't, we don't learn. We just communicate the way we learned in our families, you know. And we all have these very different ways of communicating. So it's no wonder that it goes sideways so often. But yeah, that's really interesting. Good for you. I didn't do it because of a saintly impulse.
51:00I did it because I got feedback that I was being a schmuck. So we almost never do. But still, a lot of people don't take action. Sometimes people hear you're being a schmuck and they're like, no, you're a schmuck. Yeah, exactly. They don't do anything. So I think it takes a lot of character to hear people and take action. Just to be clear, my initial response was, no, you're a schmuck. Everything came slowly. Also very common, I think. Okay, so the fifth step, and you say this is a step that people often leave out, but is crucial, is to share with trusted others. I think that's the thing. It's almost like our national ethos in many ways.
51:39We want to do things alone. We want to pull ourselves up by our bootstraps and change. I understand it. I relate to that. I was religiously self-sufficient for a really long time. time change this whole process, admitting that something's wrong, admitting that you need to change, trying and failing. These are incredibly vulnerable experiences, right? I would very, very much like to do them in total privacy and have no one witnessing me making mistakes or admitting to making mistakes or trying and failing or resorting to my old ways and then having to recover. Like, it's so embarrassing to have someone see you in that kind of space.
52:24We're not really taught how to manage that. But it is so hard to do this alone. We're really not meant to. And it just doesn't work. Every single course of change I have tried to take in my life, I tried to do it alone first and failed. Every single thing I have ever needed to change about myself, truly tried to do it alone, failed miserably, usually a bunch of times. I was like, I'll figure it out and just failing over and over again. And now finally, I think I've been humbled enough by my experience that I know to bring other people into the process with me. And hopefully I have people in my life that I trust enough to be like, hey, I'm really struggling with something and I think I want to change it and I need to talk to somebody about that.
53:11Are you available? Maybe it's a therapist. It's kind of ideal if you can pay someone to be that person. But I've also found it's really, really so much easier to create lasting change in yourself, in your life, inside of a community. It is community work. And the beautiful thing is that it's mostly been my experience that when I share these kinds of struggles with other people, they identify with me. I mean, look at this conversation we've been having. Like there's been so much identification. And these are all things I couldn't even say out loud for a really long time because I was so mortified about them.
53:46I felt like such a failure. I felt like it might just be me. So there's just very rarely going to be something that we're alone in or that other people aren't going to relate to. And when I let other people into my process of change, I develop community. It binds me closer to those people. It deepens those relationships. Like, it really only does good. It's just sort of surmounting that initial resistance to it because I just want to, when I failed or I'm scared, I just want to go hide and lick my wounds. I don't want anybody looking at me at all, but I really have never been able to do this alone.
54:26So whether it's like a group, like a formal group, like a 12-step group, trust me, there's a program for everyone. or it could just be a group of friends or just one friend or a therapist, a partner and a friend. The more the merrier for sure, but at least letting one other person into the process who we can really be honest with about it has been absolutely the like deciding factor for me in a lot of situations. I think you've answered this question, but a lot of people may be at home wondering, you know, what do you do if you don't have trusted others? And I think your answer is you can pay a shrink.
55:03Or if that's too expensive, 12-step is free. And they have a program for everything and they're all over the place. They really do. And there are all sorts of, we're social animals, right? Even if we're people who have a tendency towards isolation, as I do, when I'm struggling, I want to isolate from other people. But we are instinctively drawn to move together, right? We are stronger together. And so whether it's 12-step or some other kind There are so many different kinds of support groups. My dad is struggling with a degenerative memory disorder right now. He has like three different groups, a creativity group, a support group, another kind of activity group.
55:45Whatever it is that we're struggling with, there are so many other people who are struggling with it. We just have to find them. You know, the internet is such an incredible resource for this. There are so many chat rooms and Zoom groups and whatever it is you're struggling with, there is a group. But I would also just encourage people, if you don't have folks that you have this kind of intimate relationship with, the only thing you have to do is initiate it. You have people in your life. Start the conversation. The worst thing that can happen is it doesn't take off. And, like, that's disappointing, but it's not the end of the world.
56:20And I think the odds of success are much greater than we think. All we have to do is share a part of ourselves that is vulnerable, and that invites the other person to do so. creating intimacy is just something we do by communicating, by sharing ourselves with others. I completely agree. I had an interviewee recently, Dr. Ingrid Clayton, I believe her name was, she said something that's been rattling around in my brain, which is that wounding happens in relationships. Healing also happens in relationships. And you just made a strong case for it. Yeah. Okay. So given what a skilled storyteller you are, you've actually planted several narrative threads throughout the course of this conversation, which I now want to follow up on as we draw or vector toward our conclusion here.
57:11you've talked about the stories you were telling yourself at work and in your family and in relation to exercise and in relation to your relationships. And I'm curious, where's all of that sit or stand? What's the right verb there now? I am in multiple places of recovery. I often like to joke that I get rid of my compulsions in the order that they're going to kill me, like in their order of lethality, right? And so I had to deal with like the heroin and cocaine first. And then I moved on to like disordered eating issues. And then I've moved through relationship issues, money issues, chronic pain, obsessive exercise, workaholism.
57:58I mean, it really just goes on and on. Honestly, I don't quite know what comes next, because I have just come off of a period of huge change in my relationship to my body and chronic pain kind of over the pandemic and since then. But what I will say is that I have been at such a low point in all of these experiences in terms of my health, in terms of my romantic relationships, in terms of my work life, and in terms of like multiple kinds of addiction, where it really felt helpless, where I really thought I will die of this. I will never get out of this. I will be unhappy for the rest of my life.
58:37I don't know what to do. And I went through some version of what we've talked about here. I've often ended up writing books about it afterwards, but usually I went through the process of change. And then I went through the process again, writing a memoir about it. And I am on the other side of every single one of those experiences. I don't struggle with any of the things that I have struggled with in the past, things that plagued me for years and years and years. So I am like living proof that this actually works. You hear sometimes when you're out there, people say the phrase, like, people don't change.
59:12People say that all the time. And nothing has been less true in my experience. Like, sometimes people don't change for a long time. Sometimes people never change. But if people want to change, they absolutely can. They can change almost any aspect of themselves or their lives. I really, truly believe that. I used to be an obsessive record shopper back when records and CDs were, you know, before. I was going to ask because I see the records behind you. Yes. Yes. These are all from the nineties back when I was a young person and back when records and CDs were like things you had to buy before streaming services.
59:46And there was a sign at Newberry Comics, my favorite record store in Boston, Massachusetts. Oh, are you from Massachusetts? Yeah, I'm from Newton, Massachusetts. Are you? Oh, interesting. I know Newton really well. I grew up on the Cape, but my mom used to split her time between the Cape and Newton. So I know it really will i was at jp licks last summer so yeah the ice cream store so where on the cape uh falmouth yeah sure sorry you were saying newberry comic yeah yeah yeah new and that was fun to learn newberry comics they had a sign over the door that would listed uh upcoming releases and then the some clever clerk wrote all dates can change so can you that always stuck with me i love that I love that.
1:00:30Okay. So you, you, I just want to drill down just one click on your various personal narratives. So in dry seasons, about a year of celibacy, but you did mention a wife. So you have gotten married. So there seems like a happy-ish ending there at least. Yeah, there is a happy ending there. I, um, I was a serial monogamist for many years, but none of my relationships lasted longer than like two at the very outside three years. And that was sort of my whole adult life. And then I spent this year basically doing what I've described here, and I developed a new sort of blueprint for relationships. I was like, this is actually the person I want to be in relationships.
1:01:10I want to take accountability for what I actually want and need and not be following some script that I didn't choose that doesn't really have anything to do with me. And at the end of that year, I met my future wife. And of course, like the hard work of actually being a different person happened in the context of that relationship and was really messy and scary and difficult at times. But we've been together for almost nine years now and married for five. And it's a really happy relationship. And I plan to be with her forever. So it really is. I mean, it was almost like too tidy in the book. In the first version of the book, I told my editor, look, I'm not going to write about my marriage.
1:01:51I'm not going to put my wife at the end. It's like a tidy little bow. And she was like, what are you talking about? That's literally what happened. Like, you have to put it in there. So I ended up doing that, but I didn't want that to be the point because I really did want it to be about the process of change of like hitting this kind of reckoning point and deciding to do something different and really taking the time to sort of learn how to live differently and be honest with myself about who I was. Like that was really the focus. It wasn't on the outcome, but you know, the outcome was also amazing.
1:02:22Like I kind of can't believe that it worked out the way it did, but it has. Awesome. Thank you. And then I'm just curious. So you had this period of time where your back pain was overwhelming and then you realized it's because you were over exercising. So where are you? What's your exercise habit look like now? Yeah, so I was a long distance runner for a really long time, probably from 16 until I was almost 40. I would run 10 miles at a shot and it got really bad in the sort of early pandemic. I was running upwards of 50 miles a week and kind of training for a marathon that was never happening, you know.
1:03:04And then I got a horrible sciatica and it took me a while to figure it out. But I had really violently ruptured one of my spinal discs from running. And I just had chronic pain for months and couldn't figure it out and was still running through it early on. I really missed having surgery just, just barely. and anyway it's a long story but I just sort of came to the conclusion that it wasn't just that I was like a healthy oriented person it was that my main mode of dealing with stress was running and I was doing it to such an extent that I was really abusing my body I don't run anymore I don't run at all anymore and I had to go through a kind of grieving period about that but also I definitely ran a lifetime's worth by the time I was 40.
1:03:51Like I got my mileage in and now I do like much more sort of balanced like middle-aged lady things like Pilates and walking briskly uphill and weight training. So I still do get my like endorphins flowing but I actually am oriented towards exercising for my health now. And it's okay. I'm into it. I get my thrills elsewhere or maybe I don't get thrills anymore but I'm actually happy and it's worth it. Well, this has been great. Is there anything that you were hoping we would get to that we didn't? No, this felt really comprehensive and fun and went really fast. I feel like we got it all in there.
1:04:28How about you? I feel great about it. Yeah, you've done awesome here. Can I get you, though, to you've referenced the dry season, but can you just give us the full bibliography before we let you go? Yeah, sure. So my first book was a memoir called Whip Smart, which was about the three and a half years that I spent working as a professional dominatrix and a time during which I also recovered from heroin addiction. Then I wrote a book called Abandon Me, which was about a lot of things, but it included an emotionally abusive relationship and having a sea captain for a father. And my third book was Girlhood, a collection of linked essays that look at adolescence and sort of use my experience of adolescence as a kind of touchstone to look at how experiences that we have during that time sort of play out over the rest of our lives.
1:05:19And then I wrote a book called Body Work, The Radical Power of Personal Narrative, which is all about writing memoir. If you are someone who is interested in memoir and do want to conduct this process through that form, this is definitely the book for you. And then finally, I wrote about the dry season, which was my year of celibacy that led to my marriage. Amazing. How did you lose your Boston accent? Oh, I never had a super strong Boston accent. Neither of my parents are from Massachusetts. They're both from Jersey. So I'll have like random words that I say in a Boston way. And then I'll have random words that I say in a Jersey way.
1:05:56Although the other day, my wife, I always claim I don't have a Boston accent. And then my wife was like, I don't know, I'm going to point it out the next time I hear something. And she got me the other day and it was extraordinary. That's an extraordinary book. And she was like, I'm pretty sure that's a Massachusetts way of saying it. How about you? I was a news anchor for 30 years, so it's all gone. And my dad was from Jersey. My mother was a kind of upper crusty North Shore Boston lady who didn't have much of an accent. So yeah, but all the guys I grew up with, all the people I grew up with have ridiculous accents.
1:06:33Yeah, I don't know if you have it too, but like when I was growing up, I didn't want it. And I sort of had like a now kind of embarrassing like superiority, like I don't really have it, but all these other people do. But now I absolutely love and borderline fetishize like I love watching movies with Boston accent, any movie that takes place in New England. I'm on it. There is something like super comforting and delightful about it to me now. So yes yes but most of them fuck it up it's unless it's matt damon or ben affleck like it's horrible to watch oh yeah i know they're so good at it because it's it's real yes i know i know it's true well this has been a pleasure thank you very much for doing it oh the pleasure is all mine and thank you i am a big fan of the podcast for actual real praise not false praise i actually really do I love it.
1:07:22Like my wife and I actually discovered you over the pandemic. You had this like meditation teacher come on and do this meditation that life was so stressful at that time. We listened to it every single day for like a year and a half. So, yeah, actually a fan. And yeah, it's been an honor. So thank you.
1:07:47Thanks again to Melissa Fibos. Really enjoyed talking to her. Don't forget, it's not too late to get involved with our free New Year's Meditation Challenge, seven progressive guided meditations led by my friend Joseph Goldstein, really a masterclass in Buddhist meditation, which is good for beginners and experienced meditators alike. You can sign up over at danharris.com. There you will find instructions for downloading my new app, 10 % with Dan Harris. Head on over to danharris.com and get the app and join the Meditation Challenge. It's free. And if you sign up, you'll get a 30 day free trial to check out everything we're doing on the app.
1:08:25Finally, I just want to thank everybody who worked so hard on the show. Our producers are Tara Anderson and Eleanor Vasili. Our recording and engineering is handled by the great folks over at Pod People. Lauren Smith is our managing producer. Marissa Schneiderman is our senior producer. DJ Kashmir is our executive producer. And Nick Thorburn of the band Islands wrote our theme.
1:08:49Thank you.
From the publisher
Practical ways to upgrade your narrative.
Melissa Febos is the national bestselling author of five books, including Girlhood, Body Work: The Radical Power of Personal Narrative, and a new memoir, The Dry Season. She is the recipient of awards and fellowships from the Guggenheim Foundation, the National Endowment for the Arts and others. Her work has appeared in The Paris Review, The New Yorker, The Best American Essays and others. She is a professor at the University of Iowa.
In this episode we talk about:
- How to "audit" your personal narrative with simple questions
- Melissa's five-step method for rewriting unhelpful stories
- Why community, and vulnerability are required for real change; in other words, why it's harder to do this work alone
- Melissa's own experiences running this playbook with regard to her relationships and her addictions.
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