07/12/2026: The Vatican's Orphans, Sealand, Christopher Nolan

12 Jul 2026 · 42 min · 19 chapters

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In short

A 60 Minutes episode covering (1) the Catholic Church/Vatican’s “orphan visa” program that sent non-orphan Italian children to the U.S. without proper consent, (2) Sealand, a micronation on a WWII fort in the North Sea, and (3) an interview with director Christopher Nolan about his film The Odyssey.

Guest backgrounds

  • Maria Lerino: author who researched the Vatican orphan program using hundreds of documents from church archives in New York; wrote The Price of Children.
  • John Campitelli (born Piero Davi): American adoptee reunited with his Italian birth mother after 28 years; documents show he was declared an orphan despite having a living mother.
  • Mary Rolato: Ohio-born adoptee who later met her birth mother in Italy; discusses stigma and poverty-based relinquishment.
  • Sealand guests: Prince Michael Bates and Mike Barrington (Sealand’s immigration/customs and only permanent resident); Prince James and Prince Liam (internet/data ventures); Princess Penny (nearby Botox clinic).
  • Christopher Nolan: filmmaker; plus producer Emma Thomas and Nolan’s brother Jonathan.

Key claims

  • Belgium (1950s) and the Vatican (1950–1970) separated children from unwed mothers; Pope Francis apologized for Belgium’s forced adoptions.
  • U.S. “orphan” law broadened eligibility, enabling thousands of Italian children to be shipped as “orphans” though many had living parents.
  • Consent was allegedly forged/misrepresented; some mothers were told children died.
  • Sealand is portrayed as a sovereign state founded in 1967 after pirate-radio actions and armed confrontations; it survives via online title sales and e-citizenship.

Notable examples

  • John Campitelli’s case: his mother Francesca was forced to surrender him; his records were altered and he was sent to the U.S.; reunion in 1991.
  • Mary Rolato: met birth mother Anna Maria in 1992; years later learns why she was given away; also discusses a brother allegedly told dead but later found alive.
  • Sealand: 1978 coup attempt by German/Dutch plotters; British plans to take Sealand by force; Sealand’s “e-citizenship” and “noble titles” revenue model.
  • Nolan: discusses making The Odyssey “100% in IMAX,” his audience-in-the-maze approach, and his filmmaking process (writing/directing, practical effects).

Written by AI. May contain mistakes. Listen to the episode to check what was said.

Chapters

Tap a time to open that second in VO

Mary Rolato's Journey of Discovery

0:09 to 0:33

Mary Rolato's search for her birth mother and understanding her past.

“Mary Rolato grew up in Ohio longing for a large family, only to find out that she had one.”

Arrival in Sealand: A Unique Nation

0:33 to 1:00

An intriguing introduction to the independent monarchy of Sealand.

“Enter some countries, you arrive in style.”

Christopher Nolan: A Visionary Director

1:00 to 1:34

Overview of Christopher Nolan's career and upcoming projects.

“Welcome to Sealand, a monarchy that declared its independence in 1967.”

The Vatican's Adoption Crisis

1:34 to 1:55

Exploration of the Catholic Church's forced adoptions in Belgium and Italy.

The Orphan Visa Scandal

1:55 to 2:58

Revelation of the orphan visa program that misclassified thousands of children.

“During the 1950s, the Catholic Church in Belgium separated thousands of newborns from their unwed mothers and put them up for adoption, often without the mother's consent.”

John Campitelli's Reunion Story

2:58 to 4:08

John Campitelli's emotional journey to reunite with his birth mother.

“American adoptee John Campitelli was 28 years old when he was reunited with his Italian birth mother.”

The Impact of Adoption on Identity

4:08 to 5:00

Discussion on how adoption affects identity and family connections.

“A lie John Campitelli has spent his life unraveling.”

Tragedy of Misled Mothers

5:00 to 6:27

Accounts of mothers deceived into giving up their children.

“The church arranged the visas, helped by a 1950 U.S.”

The Church's Justification for Orphan Program

6:27 to 7:20

The rationale behind the church's orphan program and its consequences.

“there were women who were told their child had died.”

Demand for Adopted Children

7:20 to 8:05

Exploration of the demand for adopted children in America and its effects.

“If I cannot again see my children, I will shorten my life.”
Show all 19 chapters

John Campitelli's Search for Truth

8:05 to 10:44

John's obsessive search for his birth mother and the truth about his past.

“The church charged$475 per child, about$4 ,500 today.”

Mary Rolato's Reunion Experience

10:44 to 11:33

Mary Rolato's emotional encounter with her birth mother and the pain of separation.

“To this day, the church insists the orphan program was the only chance for a new life for these children.”

The Struggles of Mothers and Children

11:33 to 14:00

The enduring struggles of mothers who lost their children to adoption.

“American adoptee Mary Relato travels often to Italy to see her birth family.”

The Vatican's Orphan Program

14:00 to 15:10

Discover the emotional fallout from the Vatican's orphan program.

“So what was it like for you when you found that Christian was in fact alive?”

Exploring Sealand: The World's Smallest State

15:39 to 28:00

Uncover the unique history and current status of Sealand as a micronation.

“It's planted opposite Europe, sitting proudly on the other side of the North Sea.”

Sealand: A Unique Micro-Nation

28:00 to 29:24

Learn about the quirky royal family of Sealand and their e-citizenship initiative.

“Princes James and Liam run a business harvesting cockles.”

Christopher Nolan: The Visionary Director

29:24 to 37:31

Explore Christopher Nolan's filmmaking process and his ambitious adaptation of The Odyssey.

“His blockbusters have won 18 Academy Awards and hauled in more than$6 billion.”

Innovations and Challenges in Filmmaking

37:31 to 41:47

Discover Nolan's commitment to practical effects and the use of IMAX technology in film.

“Nolan's Odyssey brought Matt Damon and thousands of cast and crew to Greece, Iceland, Morocco, Italy, and Scotland.”

Reflections on Filmmaking Legacy

42:04 to 42:32

Learn about the aspirations of filmmakers to contribute to cinematic history.

“I'd love to feel that I had added something to the body of work of all the filmmakers I have admired and that great film history that's developing.”
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Transcript

Automatic transcript. May contain errors.

0:07Bella Familia, Mamma Mia.

0:09Bill Whitaker:Mary Rolato grew up in Ohio longing for a large family, only to find out that she had one. Bella Familia. In Italy. It was years before she could ask her birth mother the most painful question of all. Why was she given away? The church convinced her that it was the best thing for her. And so instead of helping her, it was better for them to make money selling babies. So am I angry at the church? Hell yeah.

0:38Enter some countries, you arrive in style. Here, you arrive in what's basically a backyard swing hoisted by a crank 60 feet above the North Sea. And if you're wondering about the safety regulations, yeah, us too. Then again, when you are a sovereign nation, you, by definition, set your own rules. That's a hell of a way to get into a country. The only way to travel. Welcome to Sealand, a monarchy that declared its independence in 1967. Just wait till you hear this story. I feel a real responsibility to try and get as much on screen for the audience as possible. Action! Christopher Nolan is one of the great directors of our time.

1:24Oppenheimer, Dunkirk, Interstellar, and next, The Odyssey. I mean, it was the hardest movie I've ever done, by far. I mean, not even close. I'm Leslie Stahl. I'm Bill Whitaker. I'm John Wertheim. I'm Anderson Cooper. I'm Scott Pelley. Those stories tonight on 60 Minutes.

1:55Bill Whitaker:During the 1950s, the Catholic Church in Belgium separated thousands of newborns from their unwed mothers and put them up for adoption, often without the mother's consent. The women were shamed into surrendering their babies by their families and a powerful church. In 2024, Pope Francis apologized for those forced adoptions. But Belgians weren't the only victims. From 1950 to 1970, the Vatican sent 3 ,500 Italian children to America on something called an orphan visa. The trouble was, most were not orphans. Like their Belgian counterparts, they too were the children of unwed mothers. Many mothers later went searching for their children, only to discover they had been sent across an ocean.

2:44Bill Whitaker:As we first reported in 2024, thousands of American adoptees are still struggling to piece together their lost lives. It was a day he'll never forget. American adoptee John Campitelli was 28 years old when he was reunited with his Italian birth mother. He'd been searching for her for more than a decade, a mother he'd been told had abandoned him. My mom said, you know, 28 years have gone by. I've never been able to bake a cake for you for your birthday. She says, I don't care what month it is. I'm going to bake you a cake. We need to celebrate because our prodigal son has finally come home. John Campitelli was born Piero Davi in 1963 in Italy.

3:29Bill Whitaker:His mother, Francesca, was unmarried and forced by her family to give him up. He was sent to a Catholic-run institution for the children of unwed mothers, Shunned and disgraced, Francesca handed her baby to the nuns. Immediately, her name was stripped from the birth records. With the stroke of a pen, Piero Davi became an orphan. Campitelli showed us the church documents that changed his life. It says here, they have been in the since birth, and their whereabouts are unknown. They knew damn well where my mom was. I mean, she showed her documents when she handed me over. So this is an outright lie.

4:08Bill Whitaker:A lie John Campitelli has spent his life unraveling. As soon as he was declared an orphan, he was eligible for adoption and a U.S. visa. He says his mother told him she had no idea. She had every intention of coming back for him. She said, I never signed a paper anywhere saying that I was willing to give you up. She thought placing you in the institution was temporary? She thought that it would be her right to be able to get me back someday once she got her life together. She never signed you away? No. She said, I placed you because I couldn't keep you at that point in time because of the family situation, but I never consented to the adoption or to the fact that you would leave Italy and you'd be far from me for the rest of my life.

4:55Bill Whitaker:Piero Davi was one of thousands of children born out of wedlock that the Vatican repackaged as orphans. The church arranged the visas, helped by a 1950 U.S. law that broadened the definition of orphan to include a child with one parent, but one who couldn't provide care. With that leeway, the orphan program boomed. For Piero's mother and thousands like her, it was devastating to learn the child she'd entrusted to the church had disappeared. It seems that many of these mothers had no idea that their children were being sent to the United States. Could they do anything about it? No, absolutely not.

5:37You can't send a baby to the United States and then tell the adoptive parents that the birth mother wants the child.

5:44Bill Whitaker:Author Maria Lerino uncovered the Vatican's orphan program in her book, The Price of Children. She pieced the story together from hundreds of documents in the church's own archives in New York. Loreno told us the program hinged on a consent form the mothers were supposed to sign severing all rights to the child. But Loreno told us doctors or lawyers sometimes signed the consent without telling the mother. Others were deliberately misled. There were women who were trapped into this situation and tremendous pressure to relinquish their children. there were women who were tricked, who signed forms they didn't understand.

6:25And in the worst cases, there were women who were told their child had died.

6:30Bill Whitaker:Told their child had died. Yes. What do you make of that? Yeah, it's so horrible. The thinking, I've been told, was that it was an easier psychological closure to tell a birth mother that her child had died than to let her know that her child had been given up for adoption. So representatives of the church were telling these mothers that their children had died when in fact they had not and they had been sent to the United States. Yes. Loreno told us many more women were told they could get their children back. She found letters from distraught mothers pleading for their return. Now these are letters that were found in the archives?

7:16That's correct. This is a letter to Reverend Landy, Monsignor Landy. I beg that my children be repatriated. If I cannot again see my children, I will shorten my life. I find myself deceived, and I do not even know how.

7:30Bill Whitaker:Monsignor Landy was Andrew Landy, an American priest living in Rome who ran the orphan program. Landy's boss had the ear of the Pope. In 1951, Pope Pius XII personally saw the first children off. thousands more would follow. How could they be defined as orphans if they still have a mother, or in many cases a father, still alive? Yes, and to talk to the adopted children today, they get very angry to say, I'm not an orphan. You know, I spent years searching for my parents. But it was a linguistic construction. The church charged$475 per child, about$4 ,500 today. But Lerino told us the demand from eager American Catholics grew so fast that Monsignor Landy sent local priests to scour the countryside for more children.

8:25The correspondence shows that they traveled throughout Italy looking for cases for children to send. Literally looking for babies born out of wedlock.

8:36Bill Whitaker:Yes. It actually turned into a machine. Yes. Looking for babies to send to the United States. Right. John Campitelli told us he had a loving family in New York. But when he found out he was adopted, he says he became obsessed with finding his birth mother. There were few clues. Even his surname, Davi, was a dead end, invented by the state to cut all ties. Finally, he persuaded an Italian newspaper to publish his story. And then, a breakthrough. Someone knew his mother. In 1991, he spoke to her for the first time. She said, all right, are you Piero? I said, well, no, I'm John. Oh, no, I'm really Piero.

9:22Okay, I'm your son. So you were nervous, I told you. I was really nervous, because it's something that I always wanted to do, but when the moment comes, you're like...

9:31Bill Whitaker:Kind of tongue-tied. Yeah, yeah, I was tongue-tied. I finally get to talk to the person that actually gave birth to me, that held me, that had breastfed me for two or three days in the hospital. So I know that she loved me. What was her voice like to you? It brought me to tears, I must admit. And we said we were never going to let go of each other from then on. Two months later, he was on a flight to Italy. We had exchanged photographs, but I said, I didn't need a photograph because I saw that lady there in front of me. And I said, that's my mom. She looks identical to me. and after 28 years I could say that, you know, I just ran over to her and I embraced her and I said, Mom, finally, I kissed her.

10:12I said, Mom, no one had to tell me who you were. I knew who you were. I just had to look at you.

10:18Bill Whitaker:Campitelli moved to Italy and learned Italian to speak to his birth family, but he told us that didn't undo the suffering the church had caused. I felt that my whole life was based on a lie. They told her that they would take care of me and that was a lie. They got rid of me. They didn't take care of me. They cut all relationship that I could possibly have with my birth family and they shipped me overseas. I became a package for them. To this day, the church insists the orphan program was the only chance for a new life for these children. Lerino told us Monsignor Landy, who ran the program, died in 1999 without ever expressing any regrets.

11:01I think that But he believed in the merit of the program, that they were bringing children to good Catholic homes and that these children would be raised well in the United States.

11:13Bill Whitaker:How does that explanation sit with you now? Terribly. I mean, because this is how women were treated. And this is why I think of them as disposable women. Disposable. Yeah. It's a terrible thing to give up your child. But nobody was thinking about these women then. Bella familia, mamma mia. American adoptee Mary Relato travels often to Italy to see her birth family. She told us she had a happy life growing up in Ohio, but she says she longed for a large family, only to find out she had one. It was 1992 when she first met Anna Maria, her birth mother. The only thing I could do was stare and look at every inch of her for at least an hour.

12:00And you're dumbfounded. Not only does she look like me, but she acts like me. I act like her. We're the same weight. It's almost like this is my twin, but older. I know exactly what I'm going to look like when I get older. So now I pay attention to my health.

12:16Bill Whitaker:Mother and daughter say they're still learning about each other. Rolato told us it was years before she could ask the most painful question of all. Why was she given away? I just needed to know her story, her truth, because no mother gives up their child so willingly without grief. Do you now understand why she gave you up? Because she didn't have a piece of bread she said to give us. Poverty. She didn't have clothes for us. She was in a desperate situation, you know. So instead of the church helping her maintain a house and feed her children, instead they took her children. Anna Maria is now 83.

13:04Bill Whitaker:She agreed to speak with us if we withheld her last name. Even decades later, the stigma of having children out of wedlock remains. She told us about her other child, Christian, who was sent to a church-run institution when she became ill. But when she went to pick him up, she says the nuns told her he had died.

13:31Bill Whitaker:I went into depression, Ana Maria told us. I searched for him everywhere. How did he die? Where was he buried? Nobody could tell me. Did you believe that your son was dead? Something inside me didn't feel right, but I could do nothing about it. But Christian had not died. He told us he learned the truth about his mother at age 40. Ana Maria says the church had put him up for adoption without telling her. It was a swindle, she told us. They stole the child that they wanted. So what was it like for you when you found that Christian was in fact alive? I have no words, she told us. There were lots of tears and hugs.

14:28Bill Whitaker:The Vatican's orphan program ended in 1970, but the fallout continues, rippling across generations. Mary Rolato told us she never should have been sent to America. I think the church convinced her that it was the best thing for her. And so instead of helping her, it was better for them to make money selling babies. That's all I can think of. So am I angry at the church? Hell yeah, I am. I would have a different life too. And while it might have been difficult, I still would have survived it without this kind of grief that I have inside of me now.

15:09Hey, it's Jen Hatmaker. Here's what I've learned in midlife. Joy isn't the reward you earn after all the work is done. Joy is the work. That's what this new series on For the Love is all about. The sacred yes. It's choosing delight, rest, and pleasure on purpose. Because saying yes to yourself, that's the thing that finally lets you fill your table with everybody else. Come find Your Sacred Yes with me. Follow and listen to For the Love wherever you get your podcasts.

15:44Okay, name that country. It's planted opposite Europe, sitting proudly on the other side of the North Sea. It's a monarchy that features its own currency, postage stamps, constitution, national anthem, love of tea, and a pair of handsome princes born two years apart. We speak of Sealand. A crumb of real estate off the English coast that declared its independence in 1967, Sealand has a full-time population of one. It has a landmass the size of roughly two tennis courts. Its leading export might be the national mythology, a history of piracy, coups, countercoups, rogues, and offshore internet schemes.

16:22It may make tiny Liechtenstein look like China by comparison, But as we found out in 2023, by rights, Sealand is a sovereign nation. Join us as we compile some notes from a truly small island. We can see Sealand over there, by the way, now. You see that? Oh, there she is. Yeah, yeah. On a starboard bow. Behold, the world's smallest state. It's a micronation in the extreme, a principality which sits, or stands, only seven miles off the coast of England. Its self-described reigning monarch is this guy, Prince Michael Bates. Here we are. Yeah. A platform and a couple of concrete husks. Yeah. This is a state.

17:08Yeah. Enter some countries, you arrive in style. Here, you arrive in what's basically a backyard swing hoisted by a crank 60 feet above the North Sea. And if you're wondering about the safety regulations, yeah, us too. Then again, when you are a sovereign nation, you, by definition, set your own rules. That's a hell of a way to get into a country. The only way to travel. On the plus side, there's no long line at the arrivals hall. I'm following you to passport control. Mike Barrington fills various roles and positions on Sealand. Right now, it's immigration and customs. He also happens to be the only permanent resident.

17:50How you all, sir? So now I'm official. You all? Welcome to Sealand. It wasn't always named Sealand, and it was never intended to be a country. Originally called His Majesty's Ruffs Tower, it was a hastily constructed nautical fort, one of several the British set up in the North Sea during World War II. Fire! Equipped with anti-aircraft artillery, these forts were designed to prevent German bombing raids on London. During the war, more than 100 Royal Marines were crammed into these towers for months on end. Descending the seven-story towers, it feels and smells like a cross between a treehouse and a diesel-soaked submarine.

18:37First up, the first-class bedroom suite. It's a nice one. Nice TV. Our claustrophobic tour continued downward. We're underwater at this point. So we've still got a couple floors to go. You hear ships going past. You hear the propellers going around. Ding, ding, ding, ding. Like many countries, there's a national cathedral. You have freedom of worship in Sealand. I think there's even the Koran here somewhere. On the bottom floor, the jail. Two days in the brig. Bread and mortar. I have to look at the Sealand Constitution and see what my rights are. Very limited. If you're wondering by now how this concrete island constitutes a country, Stick with us here.

19:21This is Radio Caroline on 199. Back in the 1960s, these same waters played host to the burgeoning, unlicensed commercial radio business that operated on ships and old fords, what the British government called pirate radio. It was the time of the Beatles, the Rolling Stones, the Kinks. But the stodgy BBC, which had a monopoly on broadcasting in Britain, gave the rock bands just an hour of airtime a week.

19:54The younger set in Britain, millions of them, tuned their radio knobs to the pirate stations. In 1965, Prince Michael's father, Roy Bates, an enterprising, swashbuckling World War II veteran, commandeered a fort where another pirate station operated. It was the Wild West on the North Sea. The DJs may not be highly experienced, but they certainly pull their weight. Bates set up Britain's first 24-hour outfit. He called it Radio Essex. You're in tune with Radio Essex broadcasting on 222 meters. We're doing a job that's needed. The public wants us to do the job. So do businesses. And I think while this demand is here, we'll remain in business.

20:35But not for long. The British government enacted a new law rendering all pirate radio stations illegal. Bates was forced to shut down. But true to his nature, he was something other than scared off. He just would not back down. Form of surrender, if he had said, you know what, I'm out? He wouldn't know that word, surrender. I mean, no. Far from surrendering, Bates seized another fort, Ruff's Tower, which was outside UK territorial waters. Instead of restarting Radio Essex, he did something bolder still. On September 2nd, 1967, he declared it an independent state. Sealand, and declared himself its prince.

21:17It was his wife Joan's birthday. And it was, of course, a hugely romantic gesture to make my mother a princess. In addition to taking you out to dinner, I'm going to make you a princess. He didn't take her out to dinner, but he just made her a princess, yeah. Prince Roy and Princess Joan, along with their two children, Michael and Penny, set up home on Sealand. The sheer novelty of their lifestyle was a constant source of amusement on the mainland. This newsreel is from 1969. The start of another day, even for the new royals, is no different than for millions of others, the request for a common cuppa.

21:53Mrs Bates, how is it possible to keep looking glamorous in conditions like these? It's no more difficult than anywhere else in the world. We're quite comfortable here. We have all the things I want. Look. Make-ups, brushes and things. At age 16, Penny was less convinced. It was freezing cold, and it had no electricity. To flush the toilet, you'd have to chuck a bucket over the side, drop it down about 80 feet, pull it up, and flush the toilet. That was your toilet. Yes. The Bates family had big ambitions to turn Sealand into a tax haven, a luxury island and casino. And they went all in on the trappings of statehood, fashioning a flag, stamps, currency, an anthem, even a national motto, Imare Libertas.

22:39From the sea, freedom.

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22:44As teens, Michael and Penny would spend months on sea land, holding down the fort, as it were, firing off warning shots and tossing Molotov cocktails overboard to fend off periodic attempts of invasion from rivals and buccaneers. When the press eventually came out and took photographs, my father called me down and he said, Now look, he said, how many times have I told you, you do not hold a gun like that? You weren't holding the gun the right way. And actually, if you look at the picture, the way I'm holding the guns is dreadful. Firmly settled on Sealand, the Bateses remained a nuisance to the British government.

23:21So much so, as a warning to the family, a team of royal engineers blew up a similar North Sea fort. At Sealand's National Archives, which doubles as Prince Michael's dining room table, we were shown declassified plans drawn up by the British Ministry of Defense to take Sealand by force. The following units are to be available to the execution of the operation. Royal Navy, two Wessex 5 helicopters, crafts from HM Naval Base Chatham, Portsmouth, Medway, and a clearance diving team. It's crazy, isn't it? But it wasn't just the British government that wanted to dislodge the family. In August 1978, a band of rogue German and Dutch lawyers and diamond merchants launched a coup d 'etat with designs of founding their own offshore casino.

24:15They arrived by helicopter with a film crew in tow, taking Prince Michael by surprise and then roughing him up. They tied my elbows together, my knees together, my feet together, my hands down to my knees. and they picked me up and I swans to the other in German, let's chuck this bastard over the side, he's too much trouble. You're a full-on political prisoner right now. Sealand had fallen. After three days, Michael was released. Did Michael and his father then return via helicopter, fully armed and flanked by a group of bruisers, to stage a successful counter-coup? Yes, yes they did. But I jumped and landed, crashed in the middle of the Germans.

24:56A sauner shotgun hit the deck. Boom! And all the Germans went like that. They surrendered. That's it. You've reclaimed your principality. Disarmed, the plotters were released, all except for one. His name was Putz. And he was made to clean the bathroom, make coffee, and imposed a fine for treason. $37 ,000. His imprisonment brought a German diplomat to Sealand. But if you have German emissaries coming here to try and negotiate the release of this prisoner, Doesn't that imply that Sealand is a state that's having relations? Absolutely. It's de facto recognition, isn't it? It happened, yeah. This diplomatic visit was critical for the Bates family.

25:40An international treaty signed in the 1930s established four requirements for statehood. One is recognition by another state. Sealand had already met the other tests. A government, check. A defined territory, check. And a permanent population, check thanks to Michael Barrington. So what's your position here? Well, I do most of the engineering work, electrically or whatever. Apparently I'm head of Homeland Security. What are you protecting this place from? The British government or anybody else that decides to take us over. We're our country after all, a small nation. You're ready to use weapons if you have to.

26:18If need be, yes. No hesitation. But in recent years, to keep Sealand afloat, the Bates family has updated their pirate radio sensibilities for the Times. In the early 2000s, they partnered with fringe Internet entrepreneurs who invested millions with designs of turning Sealand into an offshore data haven. Prince Michael's son, Prince James, showed us the old server room. We used to run things like gambling sites, porn sites. We had a few dubious people asking us to do things that we didn't really agree with. There was an organ transplant company like Human Organs that wanted to host out here, which my father was against.

27:00Gambling and porn is okay, but we draw a line at harvesting human organs. Yes, exactly. That venture failed dismally. But today, James and his younger brother, Prince Liam, are still harnessing the power of the Internet. The Bates family won't disclose the size of the national debt or the yearly budget, but it is serviced through the online sale of noble titles. Become a lord or lady for$30. $600 will make you a sea land duke or duchess. And people are buying these titles. What is that all about? I think it means so many things to so many different people. Some people love the act of political defiance.

27:39Some people love the love story that ran through it with my grandma and grandpa. Some people love David against Goliath. That national myth, the very idea of Sealand, has now far outgrown the country itself. As for the House of Bates, well, Roy and Joan have passed on. And the rest of the lineage lives in the small English resort town of South End-on-Sea. Princes James and Liam run a business harvesting cockles. Princess Penny runs a Botox clinic nearby And seven years ago, Prince Michael married and welcomed a new princess Mei Shi, a former artillery major in China's People's Liberation Army Six decades after founding their private little country The royal family remains committed to the bit Is this the golden age for Sealand?

28:33Hopefully The British Navy rolled up tomorrow and said it's time to reclaim Sealand. How do you respond? Well, first of all, I'm sure they wouldn't. But if they did, I'd just get the best China out and make them a nice cup of tea. The Royal Family's latest gambit? An e-citizenship program that's signed up thousands of people from 134 countries. Each pays$10 a month to help keep Sealand standing.

29:04Getting to and staying on Sealand. I'd be lying if I said it was the most comfortable night's sleep. At 60MinutesOvertime.com.

29:23Christopher Nolan is among the great Hollywood directors of his generation. His blockbusters have won 18 Academy Awards and hauled in more than$6 billion. Next, Nolan will release this summer his adaptation of the nearly 3 ,000-year-old story, The Odyssey. We met the 55-year-old British American in his office in L.A., where he wrote epics including Oppenheimer, Dunkirk, Inception, Interstellar, and The Dark Knight. A Nolan movie is a spectacle, big and loud at the limits of what's possible. But a Nolan story is grace, imperfect people revealing what it is to be human. The Odyssey is Nolan's most ambitious yet.

30:18It had to be, he told us, because he imagines every film is the last he will ever make. I feel a real responsibility to try and get as much on screen for the audience as possible, to give the audience the fullest flavor, the fullest set of images and events that we can give them for a given story.

30:50What are the essential elements of a Christopher Nolan film? I always try to have a point of view on the story that's from inside the film. So I'm not looking at the characters from 30 ,000 feet. I'm trying to be in the race, in the maze with them.

31:10because I want to try and give the audience a sense of what a place would smell like, what it would feel like. But you're also trying to make the most involving, the most extreme version of a story possible.

31:30Nolan's Odyssey is an extreme version of the Bronze Age War fought by the soldier king Odysseus with his Trojan horse deception and 10-year struggle to return home. The Odyssey is Nolan's 13th film in 28 years, and unlike many directors, he writes the screenplays. When I'm writing, I'm visualizing the film as an audience member, as somebody experiencing the story. Then when I direct the story, I'm trying to take the audience there. So in the case of The Odyssey, I'm trying to put the audience into that horse.

32:13I try to put them on the deck of Odysseus' ship.

32:20You don't want the audience to watch the film. You want the audience to be in the film. Very much, yeah. I have a feeling of having connected with these characters, having lived in the world with these characters.

32:35Bill Whitaker:Action! We're sitting next to your desk. Yep. And I couldn't help but notice there's a book right next to me called How to Make Good Movies. So this is it. This is the secret. That's the secret, yeah. I tried to tidy up before you came and hide all my secrets. It looks like it was written in the 1950s, and there's a guy with a Super 8 camera. Very much about Super 8. Yeah, Super 8 movies. And I'm actually old enough to have started on Super 8. My family had a Super 8 camera instead of a video camera. My earliest memories literally are of Chris making movies. Nolan's younger brother, Jonathan, is a Hollywood director who told us that Chris was handed the family 8mm camera to keep him busy.

33:23Our take on Star Wars, of course, in the basement, blowing up some of my toys with firecrackers. Probably eight or nine years old at that point, I would have been three or four. What was it that fascinated him about the camera? I think he's just always been captivated by the idea that you could take this device and use it as a portal into another universe. It was like a door. Another universe, but a door that at first Chris Nolan had to batter through, like the astronaut in Interstellar.

34:02As a young man, you graduated with a degree in literature. you applied to film school, and they turned you down. How do you know that? Research. You know about research. Oh, yeah, absolutely. Yes. What did the film school tell you? Nothing. You just get a letter saying no thanks. I want to be a writer anyway. Despite no thanks, he kept shooting films on weekends with friends. Then, in 1999, a turning point, he made Memento. I don't remember. It's a complex mystery with an amnesiac investigator who remembers clues through tattoos. This was an early reveal of Nolan's trademark, an intricate plot of shifting timelines that challenges the audience to keep up.

35:00but movie executives feared it was confusing. Something doesn't feel right. No one wanted to distribute Memento. Yeah, we don't have to say it quite like that. It's quite so sternly. I mean, it had... The story has a happy ending. The story does have a happy ending and no, it was a lesson in humility. It was a lesson in patience of independent filmmaking which is, you know, you finish a film and you really feel you've achieved something but convincing the industry of that, the distributors of that, it can take a long time. It took a year to find someone to distribute Memento, but audiences found amnesia unforgettable, and the so-called confusing screenplay was nominated for an Oscar.

35:50Every no that he got just confirmed for him even more that he wanted to do this. Emma Thomas met Nolan first day of college. She's produced all of his films and their four children. They've been married 26 years. I cannot imagine Chris if he wasn't making films. And outside of, you know, family, which is probably the most important thing to him, no, genuinely the most important thing to him, it's horrifying to think how frustrated he would be if he wasn't able to tell stories via the medium of film. A medium, he prefers extra large. He collapsed an actual building in the dark night. Nolan uses computer animation, but not if the authentic is humanly possible.

36:49In the film Tenet, he bought a 747 and built a hangar to crash it into.

37:02In 2024, he blew up the Academy Awards. Oppenheimer won seven Oscars, including Nolan's first for Best Director and Best Picture. Seems to me you make movies the hard way. And the harder, the better, as far as you're concerned. The harder the better, right to the point of the Odyssey. And I think we pushed pretty hard on this one and maybe found some limits.

37:30Bill Whitaker:Let's go! Nolan's Odyssey brought Matt Damon and thousands of cast and crew to Greece, Iceland, Morocco, Italy, and Scotland.

37:46He shot two million feet of IMAX film.

38:02Ha! Unbelievable! What do you think when you see that? You've seen it a hundred times. I've seen it a thousand times. I mean, I think it's a lot of work by a lot of people. I have the sense that you don't think of yourself as the most important person on the set. I mean, I think it's a lot of work by a lot of people. I think of myself as the representative of the audience on set. That's my North Star. That's how I have to be looking at the film. So in a sense, I am the most important person on the set because I'm the audience. In taking on The Odyssey, it does become a bad scale. It needed to be the biggest film that we had done.

38:39It needed to be challenging to all of us because that's the nature of the story.

38:49Looks like you nearly drowned Matt Damon. He suddenly put him through his paces. I mean, it was the hardest movie I've ever done, by far. I mean, not even close. This is Damon's third Nolan film, after Interstellar and Oppenheimer. The first meeting I had with him, at the end of the meeting, he said, this movie's going to be hard. I kind of looked at him like, I've made, I don't know, 100 movies or whatever. I looked at him like, yeah, I know. And he looked at me and went, no, this movie's going to be really hard. Nolan often returns to his stars, including Cillian Murphy in the Batman films, Dunkirk, and Oppenheimer.

39:31He really understands what actors do and what is required of them to do it. He's an actor's director. As far as I'm concerned, yeah. People might not think of him that way because the canvas he paints on is so big, but look at the performances in his movies. Particularly in the case of actors, you're handing them a script and you're saying, okay, you go away and you become an expert on that character's perspective on the story. So then when I'm on set, they're informing me. They're bringing me information about how that character would see things, how that character plays. So, in a way, it's the opposite of what people think it is.

40:12I think what separates him from other directors is the stories he wants to tell are incredibly ambitious, and the way he wants to tell them is incredibly ambitious. In this case, he wanted to do it 100 % in IMAX, which had never been done. IMAX is Nolan's great ambition. It's really a wonderful way to retain the original image. The Odyssey is the first feature shot completely on the giant film format. When Nolan was 16, he saw an IMAX documentary at a museum and was spellbound by the five-story screen. But IMAX is expensive and cumbersome. Digital photography and editing are faster and cheaper, so almost no one does this anymore.

41:02Look at the splicing machine. It looks like it was made in the 1940s. It probably was. We watched the Odyssey being cut and glued together in the last film lab of its kind in the world. Why keep this ancient art alive? Well, the 70-millimeter IMAX frame has resolution, or image quality, up to three times higher than digital. Art the hard way. There it is. Oh, nice. Very clean. Hollywood could say IMAX isn't practical, screenplay shouldn't challenge the audience, and computers are cheaper than a 747. But the people we call artists are inspired by dreams, like a seven-year-old with a Super 8. How would you like Hollywood historians to describe your career?

42:04Long.

42:08I'd love to feel that I had added something to the body of work of all the filmmakers I have admired and that great film history that's developing. If I can play some part in moving the language of it forward somehow, that would be a great thing to be remembered for.

42:31Hey there, it's Jill Schlesinger. I'm launching a new show. It's called Money Moves, and your money is going to move. We're going to help you make better financial decisions. We're going to call out the BS you're finding all over social media. We're going to give you actionable guidance to make your financial life clearer, less stressful. We're going to answer your financial questions and take the mystery out of your financial life. Follow and listen to Money Moves with Jill Schlesinger wherever you get your podcasts.

From the publisher

From 1950 to 1970, the Vatican sent thousands of Italian children to eager American Catholics for adoption. The children entered the United States on orphan visas. The trouble was most of the children were not orphans. They were the children of unwed mothers, many of whom were alive and searching for their children. How the Vatican got into the orphan business is the subject of The Price of Children. Bill Whitaker speaks to author Maria Laurino and to American adoptees still struggling with the decades of separation from their birth families. Heather Abbott is the producer.
Correspondent Jon Wertheim journeys by boat (and winch) into the world’s smallest—and unlikeliest—state: the Principality of Sealand. Just off the English coast, and roughly the landmass of two tennis courts, it boasts a full-time population of one. It was built during World War II as a nautical fort, and later repurposed as a “pirate radio” station under its monarchs, the Bates family. Wertheim takes a tour of this micronation and its history of piracy, coups, countercoups and rogues. Michael Gavshon is the producer.
Legendary Hollywood director Christopher Nolan, whose blockbuster films have earned 18 Academy Awards, meets with correspondent Scott Pelley on his adaptation of Homer’s classic, “The Odyssey.” Pelley interviews Nolan and those who know him best about his filmmaking at a young age, his trademarks, and his most ambitious project yet. Nicole Young is the producer.

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07/12/2026: The Vatican's Orphans, Sealand, Christopher Nolan60 Minutes · 42 min
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