Bryan Burrough - The Gunfighters: How Texas Made the West Wild

17 Aug 2026 · 1 h 10 min · 26 chapters

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In short

The “gunfighter era” in American history (1865–1901) and how Texas helped create and spread Old West gunfighting through Southern honor culture, post–Civil War violence, revolver technology, open carry, cattle ranching, and gambling.

Guest

Brian Burrough, New York Times bestselling author/co-author of eight books; former reporter for The Wall Street Journal (Dallas, Houston, Pittsburgh, New York) and longtime Vanity Fair special correspondent; University of Missouri journalism graduate.

Key claims

  • The first famous gunfight (Bill Hickok vs. Davis Tutt, Springfield, Missouri, July 21, 1865) became a media-made “gunfighter” myth via Harper’s Weekly.
  • Texas dominated known gunfighters because Texas created the open-range cattle business and exported Longhorns and violent cowboy culture via trails (Chisholm, etc.).
  • Gunfighting spread through Southern honor code expectations, postwar “open rebellion”/guerrilla violence in Texas, surplus guns (about 1.3 million), and gambling disputes over cheating.

Notable examples

  • John Wesley Hardin (killed for insults; Chisholm Trail; prison; later killed after release).
  • Sutton–Taylor feud (15 years; Harden involved).
  • Hickok vs. Hardin in Abilene (no gunfight; Hickok disarms; sarsaparilla).
  • Wyatt Earp’s longevity and later fame; Doc Holliday’s tuberculosis and loyalty at the OK Corral.

Written by AI. May contain mistakes. Listen to the episode to check what was said.

Chapters

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Transitioning from Wall Street to the Wild West

2:04 to 3:53

Discussion about Burrough's career shift from business to writing about American history.

“My wife makes fun of me because I like wearing cowboy boots.”

The Gunfighter Era Begins

3:53 to 9:48

Burrough explains the historical significance of the first gunfight and its media coverage.

“So, you know, by my third or fourth book, which was a book called Public Enemies, I really decided to pursue my first love, which is American history.”

Texas as the Epicenter of Gunfighting

9:48 to 11:38

Discussion about why Texas played a crucial role in the rise of gunfighting.

“That is one of the main, maybe the main theme of the book is the importance in Texas around the rise and spread of the gunfighting phenomena.”

The Evolution of Duels to Gunfights

11:38 to 14:03

Exploration of the transition from dueling practices to the gunfighting phenomenon in America.

“You touched on this really quickly, but I just want to make sure our listeners understand this.”

The Evolution of Dueling to Gunfighting

14:03 to 19:50

Explore how dueling evolved into gunfighting in Texas post-Civil War.

“And basically the two of you would go out into a field someplace with a bunch of your buddies.”

The Evolution of Dueling to Gunfighting

19:55 to 20:28

Explore how dueling evolved into gunfighting in Texas post-Civil War.

“At our firm, we are stock market investors.”

Violence and Reconstruction in Texas

20:28 to 28:00

Discuss the violent aftermath of the Civil War and its effects on Texas society.

“You also talk about, you know, there is, and this has been going on, you know, forever.”

John Wesley Hardin: The Rare Gunfighter

28:00 to 28:42

Explore the life of John Wesley Hardin, a notable gunslinger who served time and faced violence.

“They tackled him and brought him back to Texas.”

The Sutton-Taylor Feud

28:42 to 30:09

Learn about the Sutton-Taylor feud and its implications in Texas violence.

“And if, you know, when I first thought of feuds, I always think of Appalachia, the Hatfields and McCoys.”

Cattle Industry and Violence

30:09 to 31:58

Discover how the cattle industry facilitated the spread of violence across the West.

“And, you know, that was the type of behavior that once Texans began moving, moving their herds into New Mexico, into Wyoming, into Arizona, that was the type of behavior that you began finding in other states.”
Show all 26 chapters

The Rise of Cow Towns

31:58 to 33:03

Examine the establishment of cow towns and their significance in American history.

“The first ones go from Texas to Kansas because Texas needed to get all these excess cattle up to these new stockyards opening in Chicago.”

Wild Bill Hickok and John Wesley Hardin

33:03 to 35:36

Delve into the fascinating encounter between Wild Bill Hickok and John Wesley Hardin.

“that at that point Americans ever heard of, which is Wild Bill Hickok, who got all that publicity four years before.”

The Legacy of Gunfighters

35:36 to 36:51

Understand the evolution of gunfighter notoriety and its cultural significance.

“We, we have, you know, all these guys had TV shows back in the early days of television.”

The Legacy of Gunfighters

38:47 to 39:06

Understand the evolution of gunfighter notoriety and its cultural significance.

“You know, we work hard putting together this show, but we work even harder for our investors at Smead Capital Management.”

The Legacy of Gunfighters

39:10 to 39:29

Understand the evolution of gunfighter notoriety and its cultural significance.

“Investing involves risks, including loss of principle.”

Wyatt Earp: The Complex Lawman

39:31 to 42:00

Explore the multifaceted character of Wyatt Earp and his controversial legacy.

“So Wyatt Earp obviously is a big character in the book, as he is with a lot of the Old West.”

The Legacy of Wyatt Earp

42:00 to 44:48

Explore Wyatt Earp's enduring legacy and character in the Old West.

“There was this huge boom in interest around the Old West and Wyatt Earp found himself in the middle of it.”

Doc Holliday's Role in the Gunfight

44:48 to 47:15

Discuss Doc Holliday's character and his unexpected involvement in the OK Corral.

“Um, you know, how, how, how much, uh, of what we associate with doc?”

Reinvention in the Old West

47:15 to 48:28

Analyze the appeal of the Old West as a space for personal reinvention.

“You know, the Old West was – look, it was appealing to American men for a lot of reasons.”

Gambling Culture in the Old West

48:28 to 51:27

Examine the prominence of gambling and its connection to violence in the West.

“You know, as you're saying that, it makes you think of even today.”

Bat Masterson: From Gambler to Sports Writer

51:27 to 55:52

Trace Bat Masterson's unique journey from gunfighter to a respected sports writer.

“This was an open, empty territory without radio, TV, Internet or much to do.”

Media Narratives and Gunfighters

55:52 to 56:03

Understand how media shaped the narratives of famous gunfighters like Jesse James.

“He obviously was in Virginia City at the time of the Comstock mine.”

The Role of Press in Shaping Gunfighter Legends

56:03 to 59:25

Explore how the media influenced the fame and perception of gunfighters like Jesse James and Billy the Kid.

“And I visited there and that's kind of like a classic old Western tourist trap now.”

Debunking Myths of Old West Violence

59:25 to 1:02:45

Discuss the historical accuracy of violence in the Old West compared to popular media portrayals.

“Do you have a – is that really the beginning of the end for the gunslinger?”

Contemporary Reflections on Gun Violence

1:02:45 to 1:07:13

Consider the implications of historical gun violence and how it relates to modern perceptions.

“When you drill down into it, you know, there are gunfighters here that like, as we mentioned, like Wyatt Earp and Doc Holliday, who measure up to their myths.”

Wrapping Up with Cultural Insights

1:07:13 to 1:08:45

Reflect on the cultural heritage of the Old West and its lasting influence on society.

“Anybody who's ever been to Austin knows Deep Eddy.”
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Transcript

Automatic transcript. May contain errors.

0:02You're listening to A Book With Legs, a podcast presented by Smead Capital Management. At Smead Capital Management, we advise investors who play the long game. You can learn more at SmeadCap.com or by calling your financial advisor.

0:22Welcome to A Book With Legs podcast. I'm Cole Smead, CEO and Portfolio Manager here at Smead Capital. At our firm, we are readers, and we believe in the power of books to help shape informed investors. In this podcast, we speak to great authors about their writings. The late, great Charlie Munger prescribed using multiple mental models and analysis. We analyze their work through the lens of business, markets, and people. I think I've got to start off by saying, howdy. Today, we will look at the American West and the men who made it wild. We will think about how a Southern honor code, a new piece of technology, and a broken generation of Civil War veterans collided in one state, some would say one republic, to produce three decades of what we could look at as violence or chaos on some level.

1:09About how journalism turned killers into folk heroes. Joining us is Brian Burrow, who returns to the podcast after we discussed his more well-known book, Barbarians of the Gate. But we will be discussing The Gunfighters, How Texas Made the West Wild. If you don't know who Brian is, I'll give a quick background to him, which he needs no introduction. Brian is a New York Times bestselling author or co-author of eight books, including Wall Street Classic, like I mentioned, Barbarians of the Gate, which we had the privilege of discussing with on the podcast a few seasons ago. He also has some other titles like The Big Rich, The Rise and Fall, The Greatest Texas Oil Families, and Forget the Alamo.

1:49He spent nearly a decade as a reporter for The Wall Street Journal in Dallas, Houston, Pittsburgh, and New York. He has been a longtime special correspondent for Vanity Fair. And I might also note he is a graduate of the University of Mizzou School of Journalism. Brian, good to see you again. Cole, great to be here, man. This will be fun. I loved this. My wife makes fun of me because I like wearing cowboy boots. I like wearing cowboy hats. I'm from Seattle, Washington. It's a little odd. I get it. So when I started going through this book, you just got so many great characters to work on and really good American history, good regional history to it too.

2:27But the question is, how do you go in your career from beat writing for The Wall Street Journal, talking about R.J.R. Nabisco and Wall Street Corporators, to then opening up to being deep in the weeds of Southern sentiment and gunfighters in the West? Well, you know, it was an accident that I ended up at the Wall Street Journal writing about Wall Street in the first place. When I graduated from the University of Missouri, the great journalism school there, you know, I just went to the Wall Street Journal because it was the best job offer I had. Actually, I had two good offers, one from the New York Times and one from the Wall Street Journal.

3:02And the Times would only hire you to be an intern, you know, and help the other reporters. And I'm like, screw that. The Journal would actually hire me to be, you know, an actual reporter. I was 21 and my dad, who is a bank president, small town bank president, was like, what? You don't know anything about business. I'm like, no, but it looks like they're going to teach me. So, you know, I did pretty well at the journal. I came out. My first book was a number one bestseller. But at that point, I was able to kind of go in any direction I wanted because of the success of the book. So after a few years, I wrote less and less about business.

3:40It's something I knew, I'm comfortable with, but I can't say my heart was really in it, unlike maybe you and a lot of your audience. I love investing in the market, but I don't need to read and write about it all the time. So, you know, by my third or fourth book, which was a book called Public Enemies, I really decided to pursue my first love, which is American history. And also, you know, I'm a kid of the 60s and 70s, and there used to be an awful lot of good cops and robbers on TV. And I like, you know, I like cops and robbers, always have. And the wonderful thing about growing old in this business is that, you know, if you've been – I've been writing books now for, God, 37 years.

4:27And if you've been doing it that long, eventually they just let you do what you want. And so this was really the first book where I just said, I don't care what anybody wants me to do. I've been fascinated with Old West gunfighters since I was like 11, since I was in sixth grade, since I first saw Butch Casting the Sundance Kid. And so I just said, screw it. I'm going to write a book about it. And that's what happened. That's great. Yeah, no, and I also as a proud Arizona and myself, you know, obviously this, you know, we cross over into the Southwest and you do a great job of telling, you know, some of the history and story to that.

5:03And these characters, I mean, these are all big name characters. Let's kick off with our first. So you opened the book on July 21st, 1865, while Bill Hickok and Davis Tutt facing off in Springfield, Missouri, which for a lot of your book, that's kind of north for a lot of this book. A lot of this happens, you know, further in the south or southwest of Texas area. You know, what was unique about this scene that you start out with? Well, to set the scene of the scene, the book is intended to be a narrative history of what I'm calling the gunfighter era. that is from the first publicly famous Old West-style gunfight, this one, in 1865, until Butch and Sundance get on the freighter for South America in 1901.

5:54So the aim is to tell the story of all the gunfighters you've ever heard of, from Wild Bill Hickok and Wyatt Earp to Billy the Kid. So that era actually has a beginning. It's often called the first gunfight of the Old West. It wasn't. It was just the first gunfight that got the attention of newspapers. This was a, it involved these two guys, Bill Hickok and a guy named Davis Tutte. And they were nobodies, absolute nobodies. But they had both been in the war on different sides and they were trying to be gamblers. This was four months after Appomattox, right after the end of the war. They got into an argument when Davis Tutte snatched up Hickok's gold pocket watch to pay a debt.

6:43And Hickok wanted his watch back. And so what happened was on a Friday afternoon, Friday evening, 6 p.m., there in Springfield, Missouri, they meet up in the town square, like out of a movie, like 50, 60 yards apart, with crowds of people on either side who've come to watch what everybody realizes kind of feels like a duel. Like an old Southern duel, except now it's going to be with pistols, which is kind of a new thing. But what happens is Davis Tutt pulls his gun and fires from the hip, like you see everybody do in the movies. Yeah. Which smart gunfighters know is kind of a bonehead move because if you read the few interviews that men like Wyatt Earp and Billy the Kid, or not Billy the Kid, Hickok gave, they realized accuracy was far more important.

7:37So Davis Tut pulls, gun, fires, it goes wild. While Bill Hickok has an 1861 Navy Colt revolver, he pulls it. At the same time, he extends his left arm and he puts the revolver across his forearm, allowing him to aim the weapon, shoots Tut flush in the chest. So just, you know, another gunfight, no big thing, except that out of nowhere, for reasons we've never been able to explain, a magazine correspondent for Harper's Weekly discovers that this happened, swoops in, debriefs Hickok, and a little later comes out with this tremendously long article, like you see in The New Yorker, that not only tells all about the gunfight, but carries the claim that this Wild Bill Hickok has killed over 100 white men in gunfights.

8:31Now, the precise number would appear to be two, but the truth of it really doesn't matter because this one article creates the whole idea that had never existed in America before of the gunfighter. This idea that there were people out there on this new western and frontier that were busy shooting each other for pleasure and business. And it caught on because there's an awful lot of truth to it. Even though while Bill Hickok was a pretty much a total fraud at that moment, the idea that he embodied held a lot of truth to it. And so the gunfighter became a thing. Sure. When, as you're, as you're pointing out, like in using those numbers as an example, I mean, the old axiom is like, everything's big in Texas.

9:21that kind of fits the mantra of what we all hear and know and think of Texas um Bill O 'Neill I think in your book you you discuss Bill O 'Neill identifying like 589 gunfights on the post-war frontier 160 of them happened in Texas from what you quoted 10 of the deadliest 15 gunfighters spent most of their careers there what was like why why did Texas play this epicenter role in all this That is one of the main, maybe the main theme of the book is the importance in Texas around the rise and spread of the gunfighting phenomena. Yes, this first nationally known one was in Missouri. But when you look at these numbers, Texans dominated the ranks of known gunfighters.

10:13For the longest time, I just couldn't figure that out. Not just in Texas, but Texans killing people in Kansas, in New Mexico, in Arizona, in Wyoming. And I just didn't understand what Texans were doing all over until I realized that Texas created and spread across the Old West, the first dominant Old West business, which was open range cattle ranching, which existed only in Texas before the Civil War. And then as Texans first pushed their cattle up the Chisholm and other cattle trails to Kansas to sell them in the north. And then later, every ranch that got cattle in the Old West between 1865 and 1885, all of them came, all those cattle were Longhorns that came from Texas and were herded there by Texas cowboys who often stayed and who often shot stuff up because that's just the way Texas was back in those days.

11:10So one of the themes here is how Texas spread this phenomenon of gunfighter-style violence across the Old West via the cattle business. Sure, yeah, because you mentioned there was a lot of the storytelling where it's like, cool, do something, terrorize someplace, and then disappear working as a ranch hand or cattle driving for a season, let's call it, before they do their next planning of an assault on something. And so that was – it was kind of in and out of that ranch world even for these gunslingers. You touched on this really quickly, but I just want to make sure our listeners understand this.

11:47So you were talking about like the idea of a duel. Can you – there's really like the spectrum of where this started from. These are – a lot of these are not nobles. These are not aristocrats that are gunslinging. But that's really where the duel started was – it was kind of like a genteel, gentlemanly thing. One of the challenges you have, if you're going to write about this as a phenomena, is trying to figure out where the heck this comes from. Because gunslingers and gunfighting doesn't really happen in America before 1865. It happens a little in California, but two things to note. One is, you know, all of this was made possible because of the invention of the revolver.

12:32which, you know, the revolver first appears in 1836, of course, created, invented by Samuel Colt, the inventor. It's a massive flop. Colt goes out of business until the revolver is discovered by Texans, Texas Rangers. And the Texas Rangers are the first to use the initial Colt revolvers against the Comanche. It's one of the Rangers, a guy, a kid named Sam Walker, who goes back east and reinvents, working with Samuel Colt, reinvents the revolver to make it smaller, easier to use. And that's the gun really from the 1840s that spreads across the West and begins bringing serious gun violence to the West.

13:17Before that, of course, we're talking about flintlock pistols, you know, fire and then take 10 minutes to reload it. Yeah. But the phenomena of gunfighting, as you point out, I trace, when you're looking for where the heck gunfighting came from, The obvious place to me, although no one else has gone here before this, was to dueling, which those of you who don't know a lot about dueling, it was a way that European aristocrats for centuries tended to solve their disagreements. in an age in which they didn't have conventional law enforcement, they didn't really have a court system. If you and I have an argument, if I call you butt ugly or your daughter, your wife, butt ugly, you say, I challenge you to a duel, sir.

14:03And basically the two of you would go out into a field someplace with a bunch of your buddies. You would, you know, someone would count to 10 and say, fire. And with luck, one of you would get shot. That's a duel. Duels existed in America from Plymouth Rock, really from the beginning. During the Revolutionary War, for a number of reasons, they became a real thing. Some of you may remember, if only from the musical Hamilton, that Alexander Hamilton, the first great commerce secretary, was killed in a duel by the vice president in 1804. And after that - And also the Got Milk commercial too, right?

14:41That'd be where everybody else knows it too. After that dueling all but disappears from the north. But it becomes a really big thing in the south, especially in the first half of the 1800s. And so I trace the evolution of the duel into a gunfight really is completed in Texas. Because in the years after the Civil War, Texas becomes a very violent place for a number of reasons. And the men, and it's all men that we're talking about, that grow up there during and after the Civil War, grow up at a time of extreme violence. Sure. You were talking about the Rangers and obviously using these Colt guns.

15:29I think the quote that I loved out of that, a Comanche chief later says, quote, I will never again fight Jack Hayes, who has a shot for every finger on the hand, end quote. OK, to your point, just the quickness and the ability they didn't have to dismount from their horses. You you also point out like a very interesting thing that, you know, unless people to your point had not done their work on this like you had. But, you know, I'll call this gun inflation. After the Civil War, the government auctions off 1.3 million surplus guns. So they just don't have a use for it post-Civil War. They auction it off to the public.

16:09And what do you have? You just have all these guns out in the hands of, to your point a second ago, men for the first time in many cases privately, I assume. Yeah. Yeah. The phenomenon that we call today open carry, carrying a gun on you, typically outside your clothes, it wasn't unknown in America before the Civil War. You can find memoirists and travelers commenting on it, typically in rural areas and in the South. But the very fact that they were commenting on it, the point was always, oh, how funny. We've never seen this before. Sure. Well, in the 12, 24 months after the Civil War, first off, a lot of veterans bring home sidearms from the Civil War.

16:51But to your point, the federal government has all these guns it no longer needs. So they auction off something on the order of 1.3 million sidearms to Americans. And at that point, something different happens. Suddenly you see this, everybody commenting on men began, especially in the West and the South, begin wearing guns, typically on their belt, you know, maybe strapped to their thigh. In the way today we wear ties or glasses. It just became something you wore with your clothes. And I, you know, I, by the way, and I'm totally, this is not a gun, a book that has anything to do with conventional modern gun policy or anything.

17:36I'm totally neutral. I'm writing about historical phenomena, but I don't think it's a stretch to say when suddenly half the men in America are wearing guns on their, on their, on their, on their hips, that a lot more of those guns are going to get used. And so I certainly think that also – Especially when they're drinking, gambling, putting emotion into it. I mean as your book lays out, a lot of this is just kind of classic stupid things that run amok. When you look at why duels happened, it was always one guy insulted another guy. I spend a lot of time in the book – I won't bore you with all this right here – talking about the Southern Honor Code, the way men in the South – And I think evidence shows in the frontier, you know, part of a key component of that code, in addition to bravery and courtesy and all that, was that you had the obligation to respond to an insult with violence, even deadly violence.

18:36That was expected of men in the South and the Old West. And I think those behaviors flowed from the South out into Texas and then from Texas across the Old West. And I think that, look, Texans don't have a monopoly on Old West violence, but if you read the literature, they're in like 60 or 70 % of every significant gunfight from Tombstone to Dodge City to everywhere. And I think that honor code and a lot of the violence that was prevalent in Texas after the war, especially in the cattle business, a very violent business. I think that explains a lot of the Old West gunfighter violence. When you lay out also in the book, they're coming right out of the Civil War, which, you know, depending on their experience in that, could have left them with various forms of trauma or PTSD, et cetera.

19:32You know, it's the bloodiest battle we've ever had as a country, full stop. And then you pivot to saying, hey, here's guns and you can kind of, you're free to move about the country, as they say on the Southwest. What's to go wrong? Hi, I'm Cole Smead, CEO and Portfolio Manager here at Smead Capital Management and host of this podcast. If you enjoy this podcast, I'd like to invite you to check out SmeadCap.com. At our firm, we are stock market investors. We advise investors who play the long game with a discipline that has proven success over long periods of time. Learn more about our funds at SmeadCap.com.

20:06Past performance is not indicative of future results. Investing involves risks, including loss of principal. Please refer to the prospectus for important information about the investment company, including objectives, risks, charges, and expenses. Read and consider it carefully before investing. Smead funds distributed by Smead Funds Distributors, LLC, not affiliated. Let's talk about Reconstruction, Texas. You also talk about, you know, there is, and this has been going on, you know, forever. I mean, I think I think of Kansas. I think of like the northern and southern pieces to Kansas that were their pre-war and their post-war.

20:45200 ,000 freed black people wandering herded into refugee camps. Forty two unionists hanged near Sherman in 1862. You have all these factions of the war is over. But what side were you on is still going on at that point. You quoted a Cincinnati journalist who said you cannot pick up a paper in East Texas without reading of murder, assassinations, and robbery. How bad was this? When I allude to Texas being violent, it was – Texas went through for about five years after the war something like an open rebellion that I don't think is largely appreciated in the rest of the country. But remember, Texas was a very proud state.

21:28It had not been invaded, and it did not feel particularly defeated. at the end of the Civil War. So when blue-coated soldiers, many of them men of color, came and occupied the state, let's just say Texans didn't take it very well. They basically went into open rebellion. You know, if you were a Union soldier in Texas, the best you could hope for is somebody would spit on you and curse you. Because, you know, Texas, it broke out in something like guerrilla warfare, uh, open, uh, uh, open, uh, battles with, uh, uh, union troops, you know, going on for several years, um, you know, nighttime raids, clans, Ku Klux Klan and, and Klan adjacent.

22:10It was just, it was just nasty, uh, uh, hundreds, thousands of dead. And I, I, I argue that that type of violence, it inured a generation of Texas men to the cost of deadly violence. It just became a way of life. Also, at the very same time, you have the rise and the spread of the cattle business, which as you know, open range business of any type of livestock going back centuries has always been violent because you're putting your stock out in an open field with no fence. The only way you keep it is by branding. Well, that is a recipe for theft. And so cattlemen, like shepherds going back to Mongolia, compensated by being violent.

23:02If you were even, let's just say not a lot of cattle rustlers in Texas ever went on trial because their trial was a bullet to the head or a noose over a limb. So that type of violence was also prevalent in Texas. And that's really what Texas men marinated in. And I think that goes a long way to explain the type of gunfighter violence that we saw once those Texans began moving into Kansas and other states, moving those herds. Sure. How do you draw the distinction between the honor code that you talked about from this genteel background out to instead, you know, what is the cowboy code, right? It's kind of like you go from nobility and honor to, all right, those have been left a long time ago.

23:51This is about ego and pride and about who I'm known to be or to your point, what my property is or isn't. Do you draw a distinction at some point? Was there a date or was there an event that you say that probably tipped the line? You know, I don't know that there's a single moment in terms of the behavior of men in the mid-1800s, but you can see it evolve to a period of—in the Old West, it was about pride. It was about, look, men in the Old West didn't have conventional ways of measuring their manhood. Most of them didn't have college degrees. They don't have bank accounts. The way you measured yourself was by your manliness, your honor.

24:44And if anybody dissed you, if anybody insulted you, if you didn't reply, punching him in the nose or shooting him, your social status declined precipitously. And so you had a lot of men, especially young men, especially young men eager to prove themselves, who were very prickly about their honor and the way they were treated. If you, you know, I've got examples in the book of men being shot for bumping each other. Well, let me, let me, let me, let me jump in because let's use John Wesley Harden. Okay. Kill the man who beat him at cards. He killed a man who jostled him in a crowd. He killed a man for snoring.

25:26I think you, you had a biographer that you talk about who diagnosed him as narcissistic personality disorder. Yeah. I think it was just a psychopath. Yeah. But then he becomes like a Bob Dylan album title and gets, you know, is called a friend to the poor. What's the gap between, to your point, this arrogance and pride and then this mythological nature to these individuals? Well, John Wesley Harden, listeners, watchers, was the first great gunfighter. And he came out of that Texas violence. He was a product of it. Uh, by the time he was 21 years old, the bet, my best guess is he killed 26 people and, and he claimed, uh, once to have killed 42.

26:13So he was a violent kid who came out of Texas. He went up on a cattle trail, the Chisholm, to Abilene in the summer of 71 and got there in mid-May. By the time he left in mid-August, he killed seven people, including the guy he shot through a room, a hotel room wall at Ford and Ford. Yeah, Charles Cougar. For snoring. So yeah, Hardin was the poster boy of the touchy, young, trying to prove himself Texan. Sure. It falls in the vein of like he's trying to rebuild Southern Confederacy honor. So he kind of follows that perfect. He is like the iconoclastic person for a lot of the themes of the book too.

27:01He embodies almost all of it because his life, he believed, you know, he killed his first man, a black man when he was 15, and he became a wanted man. And he blamed, you know, the authorities, the federal authorities who were persecuting Texans and persecuting him. And so his whole life was, you know, a reaction against Yankee oppression, if you will. So, you know, he didn't just have a chip on his shoulder. He had a boulder on his shoulder. And there were an awful lot of young men like that in Texas in those days. But Harden was, he was, he was crazy. I mean, he was just nuts. And, you know, he they finally got him.

27:48He fled the state after, you know, shooting a guy who shooting a sheriff's deputy. And they finally found him playing cards in Tallahassee, Florida. A bunch of a number of lawmen working with the Rangers. They tackled him and brought him back to Texas. And Harden was John Wesley Harden was that rare gunslinger. So very few of them ever went to jail, ever went to prison for any of this. Because back in the 1900s, if it was a fair fight, there was rarely any type of criminal prosecution. But Hardin was the rare gunfighter who served time, 17, 18 years before he got out. And I think he lasted about two years before a guy shot him in the head.

28:31Well, you also talk about the Sutton-Taylor feud, right? Because you get into like – you kind of do your Hatfield-McCoy routine and then talk about some of these familial fights that go down. um you know you have the taylors getting arrested you have them going back and forth you have jim taylor you know involved in this uh as well um you know harden kills him with a shotgun you know was this just personal enmity or or were there a lot more examples of these you know me and my cousins or my brothers we need to we need to settle this well the framework here is that the violence in Texas, much of it played out in the form of feuds.

29:14And if, you know, when I first thought of feuds, I always think of Appalachia, the Hatfields and McCoys. That's the famous one. In fact, by body count, the Hatfields and McCoys don't rank in the top five. By my count, eight of the 10 bloodiest feuds in American history played out in Texas between the end of the Civil War and World War I. And the longest one was this Taylor Sutton one, Sutton Taylor one that you mentioned, out in the middle of cattle country, east of San Antonio. And it kicks off around 1865 and it goes off and on for 15 years. John Wesley Harden was in the middle of some of that violence.

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29:55His side won the feud in part because he won it for them by killing the leaders of the other side. And so, you know, that was the type of violence that, that feud, you know, you could point to 12 others like it in Texas during those years. And, you know, that was the type of behavior that once Texans began moving, moving their herds into New Mexico, into Wyoming, into Arizona, that was the type of behavior that you began finding in other states. I'm not saying Texans created that cattle industry and adjacent violence, but they certainly did more to spread it than anybody else on the old frontier.

30:39Yeah, and just to give our listeners a sense, like when we're talking about cattle rustling, I was just thinking of these numbers, but I think you mentioned there were 1.2 million cows in Texas alone in 1860. Five million. Oh, five million. Oh, no, 1.2 at the beginning of the war. By the end of the war, there were 5 million because they couldn't – they hadn't been able to move them during the war. OK. So Kansas opens up in 1867 and the Great Trail begins. You comment on this, but Chisholm, goodnight loving Texas Trail, right? Yeah. Cowboys ride to Abilene and Wichita and then Dodge, which the old saying is we better get out of Dodge.

31:16and that follows really the story of the Oregon Trail as well. Because colliding with this at the same time is we're hitting the manifest destiny story post-Civil War and people moving west. How do you think about legislative decision counter – the west is moving. These rustlers are getting ugly, and yet the economy of America over the next 100 years is going with all this too. Yeah. The spread of this Texas-born violence is largely via the cattle industry and the cattle trails. The first ones go from Texas to Kansas because Texas needed to get all these excess cattle up to these new stockyards opening in Chicago.

32:10But there were no northbound railroads in the first years after the Civil War. So the cattle needed to be herded physically to the nearest railroads, which were in Kansas. And so these Kansas cow towns spring up out of nowhere. They're basically to accept the Texas cattle, to entertain the Texas cowboys that come with them. So the first one was Abilene, which we just mentioned, which is like a Texas-themed amusement park. The bars are called the Longhorn and the Alamo. And, you know, it's all Texas themed. And these Texas cow, these Kansas cow towns during the 1870s, from Abilene all the way to the legendary Dodge City, these become the first place places where the rest of America starts to notice gunfights and gunfighter style behavior.

33:02And the reason that they noticed, amazingly, is because as luck would have it, the first, the marshal in Abilene in 1871 is the only gunfighter that at that point Americans ever heard of, which is Wild Bill Hickok, who got all that publicity four years before. And then he kind of disappears. But then suddenly in 1871 in Abilene, he's doing battle shooting with all these Texas cow, Texas cowboys. He and Harden almost come to a gunfight. I was going to say, so they run into each other, right? They meet, you know, Hickok, you know, disarms him, no fight. And like, it might be the greatest, like, man, what would have happened?

33:52The main gun fight ever. Yeah, the greatest scene that never had the climax that everyone would have written to the story. We only have one source on it, and that's Hardin, who wrote an autobiography while he was in prison. And what Hardin says is that Hickok came into a bowling alley. Yes, they had bowling alleys on the old west frontier where he and some buddies were drinking and hooping it up. They knew who they were. I mean, Hickok knew that Hardin had killed a bunch of guys, but at that point, small town sheriff's marshals didn't spend much time bringing in wanted men from other states. Yeah.

34:29But he went in and he said, now, John Wesley, y 'all need to calm down. You need to give me your guns because you're not supposed to be carrying them in town. And Hardin later claimed, and there's nobody who's ever officially doubted it, that he handed his guns to Hickok butt first, as you do, but then rolled them in a very difficult maneuver called the border roll. And so he rolled them in his hands so that suddenly the guns were facing Hickok, and he had Hickok covered. And amazingly, by all accounts, Hickok just said—Hickok's an older man, 15 years older—said, hey, calm down. Let's have a sarsaparilla.

35:14You don't need to do this. and Hickok who seemed to kill people, shoot people for every reason under the sun, for some reason allowed himself to be talked out of at that one time. And yeah, it's probably the greatest non-gunfight between, it is certainly the moment when the two most, where you had the most gunfighter fame, you know, where you had two real headline gunfighters come face to face and darn it, would you know they didn't have a gunfight yeah and and obviously what i loved about you telling all this the story about hickok is because you know hickok is known as a fighter but he might be more well known in today's popular culture as a gambler right and obviously he died you know what's known now known as dead man's hand which is aces and eights and i was talking to my younger colleagues i was like hey what's the you know what's dead man's hand what's wild bill hickok famous for and like no one knew i was like gosh you guys got to play some poker every once in a while.

36:12Um, well, you know, that was one of the whole reasons Cole to write the book was just when I was a kid 50 years ago, while Bill Hickok was a household name, you know, I mean, Bat Masterson was a household name and you know, they just aren't now. We, we have, you know, all these guys had TV shows back in the early days of television. That was one of the reasons they were still famous. But now you say while Bill Hickok to a group of 10 guys, I'm not sure nine of them know who he is. And so that was the fun of the book is trying to reclaim and reintroduce all these guys that just aren't known that much anymore.

36:48And I just, I think it's fascinating history, but they're each individually so different. You know, there's every flavor of gunfighter. There's good ones, there's bad ones, there's smart ones, there's dumb ones. And a gunfighter could be almost anything. He could be a feudist, a cowboy, a cattleman, a law enforcement officer, a conventional outlaw, a bank robbery. So the fun was weaving all those stories into one story. You mentioned Ben Thompson, who did two years in prison. And then he gets like this special note in the book, which is he gets a presidential pardon from Ulysses S. Grant. There's never been a full explanation for it to this day that I'm aware of.

37:31What's your best guess of the why for that? Well, Ben Thompson is probably the most famous gunfighter that no one's ever heard of. You know, back in the 1870s, you know, he was giving regular interviews to, you know, Eastern newspapers. He was a gambler who just got into a lot of gunfights. Tough guy. Before he was famous, yeah, he did two years in Huntsville, the Texas prison, and then suddenly gets out on a presidential pardon. The only thing we've ever had to explain that, the very cryptic comment that he made once, that it was illegal technicality. That's really all we know. Certainly he didn't have the heft, the power, or know anybody powerful that could have prevailed on a president.

38:10So it just, it seems like there was some type of appeal that has disappeared into the ethos. But, you know, Ben Thompson, one day he's in prison, the next he's up in Abilene becoming, you know, one of the best known gunfighters in Ellsworth. He basically, in the cattle town of Ellsworth, he basically, you know, faces down a whole town, practically, of people who want his head and survives. And, you know, he has a wonderful career that's fun to write about. We hope you're enjoying the podcast. You know, we work hard putting together this show, but we work even harder for our investors at Smead Capital Management.

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39:31So Wyatt Earp obviously is a big character in the book, as he is with a lot of the Old West. You know, he, as you lay out, you give a really good history of, you know, what he did in Kansas and what he did in other places. He was an escaped fugitive, federal fugitive, almost his entire career. You know, him and his brothers, while romanticized, it seems like they wanted to make a buck on anything they could, including prostitution. I think you – one person called them the fighting pimps, which is not something you'd normally hear. They're a little controversial in the Western oeuvre. Correct. So as like – I'm putting this together.

40:07It's like how does this man – like why Wyatt Earp? Is it just that he spread across so many of these locales? It was like, oh, everybody's ran into Earp. Everybody's ran into one of his brothers at some point. In other words, you think of like the six degrees of separation of Kevin Bacon. Was he Kevin Bacon in one way? He was. White Earp was, there is a serendipitous element to his fame. He was at a lot of places. He was there in Wichita, one of the first cattle towns. He was the marshal in Dodge City at the height of its violence. He, you know, at a time where an awful lot of gunfighters, from Ben Thompson to Clay Allison to Bat Masterson passed through Dodge City because it was the last great cattle town.

40:55And then famously, he moves, he, he moves down to Tombstone where he gets into the most famous gunfight in, in American history, the, the gunfight, uh, at the okay Corral. But, you know, so he was during his life, he was famous, but not household name famous. He was kind of regionally famous. He was well-known in the West. What gave, what handed him his, you know, title today of the most famous gunfighter was his longevity. He lived into his eighties. He lived, you know, he didn't die until 1927 during which he had been hanging around Hollywood sets, you know, giving interviews, having, you know, biographers come to him for several years by that point.

41:42And while his memory was pretty crappy, during the 1920s, when a new generation of Americans kind of rediscovered the Old West, there was this famous magazine article whose first words were, who remembers Billy the Kid? You can't imagine writing that today. There was this huge boom in interest around the Old West and Wyatt Earp found himself in the middle of it. So they, he suddenly Hollywood begins making movies of him, but the, about him, but the real reason for his fame, I think, is that at a time where so many of these gunfighters are not particularly lovable, John Wesley Harden being example, uh, a, um, Wyatt Earp really stood for something.

42:27He was a genuinely good guy. If you look at his career, he was hardworking and honest at a time where an awful lot of lawmen in the West were corrupt, coward, or both. White Ope was the real deal. And yes, he's controversial in some corners because in Tombstone, he did become a vigilante and kill people outside the law who had attacked his brothers. I still think he's the real deal. I think he's straight up. And I think that accounts for the longevity. The fact that, you know, he's one of only a handful of lawmen whose names you could say in an Applebee's today. And most people in the bar are going to know who Wyatt Earp is, even if they only know it from a bad Kevin Costner movie back in 1993 or a good Kurt Russell movie in 1993.

43:20Yeah, I'm more the Kurt Russell guy. You gotta be. Yeah, you gotta be. And also Val Kilmore as Doc Holliday. I'm going to throw a shameless plug in. And as a child, I was born and raised in Seattle. My parents brought us down to Arizona. We went to Tombstone as a kid. So you're probably eight or nine years old. And you're just like, wow, this is incredible. I mean, this is like American history right in front of me. And you go to the OK Corral, and they represent the scene for you. And you're walking around this dirt road town that I think the closest town there is Sierra Vista, if my member serves me correctly.

43:57You know, like a good American father. I have also taken my kids there a few years ago while my daughter had a softball tournament there. And then we visit Bisbee, you know, which is obviously, you know, was important there in the region as well at the time. And to your point, I mean, like these places were there because there was money to be made. It was very pragmatic in that sense. And once there was money to be made, everyone else had a reason to be in town. you know it wasn't like they just pinpointed a random dirt town in Arizona and said let's set up shop and prostitute and fight and all that kind of stuff around here Doc Holliday you know you talk about his life you talk about his education in Latin and ancient Greek I mean like that Kurt Russell movie shows he was an intellectual you know his mother died of tuberculosis when he was 15.

44:45So, you know, he's on his own at an early age. Um, you know, how, how, how much, uh, of what we associate with doc? I mean, if you watch that movie, it was about consumption. Like he, he just was on something all the time. Is that, is that fair for him? And is there more that you took away in doing your research on doc? You know, people, um, in reviewing and talking about this book and I, you know, obviously the reception was very generous. I always want to say that the book is about myth busting, that I'm trying to, you know, bit, you know, tear down all these guys. And, and, and, and there are some of them like Hickok, like that, that aren't what they were cracked up to be, but there are others.

45:27And I would say Wyatt Earp is example is the first example. Doc Holliday is the second where I think the movies that we know got them pretty close to being right. You know, the, you know, Doc Holliday's dominant trait was the fact that he had consumption. He had tuberculosis. He was a sick man. He coughed like all the time and he was cantankerous and he was absolutely loyal to Wyatt Earp. The main, the most, one of the most incredible things about the gunfight at the OK Corral is there was absolutely no reason for Doc Holliday to be there other than the fact that he came up to Wyatt Earp and his brothers at a bar about 10 minutes beforehand and said, hey, what's going on?

46:06I just got up from a nap and they're like, well, we're going to go down and have a shootout. And he's like, and you didn't invite me? And when it's back to like a sense of honor, like, you know, it's portrayed in the movie. It's like, well, if you're going to be there, I'm going to be there with you. It was it. And I'm telling you so much of this stuff. When you know the history, you're like, that can't be true. Yeah. And so often it is. I mean, the idea that you would go down to a gunfight where you're outnumbered four to six to four just because your buddy is going. I mean, yeah, I think we'd all like to be that guy.

46:42But are you going to take a bullet for your buddy? Yeah. I love my buddy Jason in Dallas. If he's going down to the basketball court to shoot it out with another team, I'm going to call the cops. I'm not going with him. But Doc Holliday went with Wyatt Earp that day. And Doc Holliburty got shot for it and survived. It's probably Doc's most standalone scene from the movie, obviously, is when he pops out from the tree and says, I'm your Huckleberry, which is such a great movie line. Probably never happened. But to your point, you think of this person that's like they're there for the reasons they want to be there and they don't really care what everybody else thinks.

47:24There's a lot of that in this book. You know, the Old West was – look, it was appealing to American men for a lot of reasons. Yes, there were places like Dodge City and Tombstone that had a boom. There was a commercial reason to go there to make money. But the real appeal of the Old West was that it was a place that didn't seem to have the restrictions of the East. The law, the churches, everybody telling you what you should do. It was a place where you could go and be reinvented. And so it was especially like Texas, you know, before the war, after the war, the West was a place that if you had a business that failed, if you had debts, if you were wanted, if you'd had a bad divorce, you went out West.

48:14You didn't get a lot of Harvard and Yale men in Tombstone, if you know what I mean. Yeah. You had men that were there who were desperate, who needed money, who wanted to reinvent themselves. And, you know, they got into a lot of trouble. Yeah. You know, as you're saying that, it makes you think of even today. So like, you know, Texas is gathering a lot of people because if you're not aware of this and you're a listener, there's no income tax in Texas. That's right. I might say there's some high property taxes depending on who you talk to, but there's no income tax. We're seeing that same thing here in Arizona where it's like we have a 2.5 % flat income tax, the lowest of a state that has an income tax.

48:52And so we're collecting people and that same phenomena of like if you're a successful business person or you have a career that you want to bring there, you can kind of reinvent yourself. Like I moved from Seattle, right? We moved our business here and it's like – but it's not the same way. Like if you're a well-to-do business person, you might move to Texas and you got to figure out where you're going to join a country club. That might take you a few years nowadays. Back then, you didn't have to wait. There was no such thing as a country club, right? So some of these things hold true, and yet at the same time, there's something more stayed about Texas or more stayed about Arizona compared to the past.

49:26The other business you get into a lot in is gambling. I'm going to use a quote from Bat Masterson. Quote, gambling was not only the principal and best-paying industry of the town at the time, but it was also reckoned among its most respectable, end quote. You know, as I was thinking about this gambling phenomena, you also give some of the history of the riverboat, which I'd love you to mention too. But, I mean, we're at a time that that's kind of a similar question. I saw a stat the other day that says there is more online sports betting going on than like 12 categories of Americans' consumer spending.

50:00Okay? And we're kind of seeing this like back off of regulation of gambling altogether. And it's proliferating in American culture, not Western culture, just kind of going on everywhere. And guess who it's dominated by? Men. How do you think about some of these analogous things in the West versus what we're seeing today? Well, you are seeing the second great gambling boom because the old West was the first. Look, Americans have always gambled. going back to Jamestown, going back to Plymouth Rock. But, you know, beginning with the Pilgrims, they persecuted. It often, as for most of the 20th century, was obliged to be underground.

50:43In the Old West, what you had was, you know, gambling was very big, had been very big on riverboats. Sure. On the Mississippi River before the Civil War. But with the railroads, suddenly the riverboats went out of business. So all these professional gamblers just started going west, many of them originally to San Francisco. But across the West, there was wide open, unregulated gambling. This is before there were just anything like, you know, it obviously originated before there was anything like legal authority and just continued. You know, the popularity of gambling, I think much of it had to do with boredom.

51:32This was an open, empty territory without radio, TV, Internet or much to do. And so gambling was just a natural thing to do. Gamblers were present in every Western city. In many cities like Dallas, they practically ran the government. The question for me, Cole, had always been, gunfighting seems so associated with gambling. After the cattle business, the gambling business is where you see more gunfighting going on than any place. And I just didn't understand that. What is there to argue about when you lose a poker game? My aces beat your kings. Where's the argument? That's when I began to realize that there had been a huge controversy in America just before this over books and gamblers who went public talking about cheating.

52:28that divulge all the ways that professional gamblers were cheating you, the moms and pops. So when that broke, the old West suddenly was wide open, and everybody that sat down at a poker table, they were as keen to watch for cheating as they were to win the actual game. And so any accusation of cheating, to circle back to our very beginning, was an acute insult to your honor. and so that's why you got so many gunfights at and after the after um uh after the gambling table sure well and to come back back back to bat masterson i mean the other thing too is like whether it's erp or all these characters you know we we learned that some of these folks are jack of all trades i mean they can they can kind of recreate and invent themselves however they choose to.

53:21Masterson ends up as a New York sports writer, a friend of Teddy Roosevelt, probably the only gunfighter that ever stayed the night at the White House. Is it just the romance of these people that would cause someone to go from Dodge City to the White House? Did America want something? To your point, I agree with you. Gambling is done because of boredom, which what does that mean today? We're dying of boredom. Okay. We're dying of boredom today in America. I agree with that view, but you know, here's Roosevelt hosting Bat Masterson, gunslinger turned sports writer. Well, you got in, in the old West, you do see a lot of Jack of all trades.

54:06Um, you, you, there weren't a lot of jobs that lasted 20, 30, 40 years. Sure. You know, if you're in Tombstone or Dodge city, you're not getting a job with General Electric and staying there until you retire. You get a job at a saloon. And a lot of these guys also, let's face it, don't have any type of specialized learning. So you get outlaws who become sheriffs. I mean, Wyatt Earp had 16 different jobs over his career, from miner to saloon keeper to lawman. And he was only a lawman for maybe, what, 15 years. Sure. So Masterson was emblematic of that. And he was a little bit smarter, I think, clearly than a lot of men out West, such that when he went into gambling, he, like a number of others like Luke Short, had enough success that he was able to go into business and buy saloons.

54:59And then from there, the next step was to kind of become a gentleman traveling gambler. And as the West evolved away from toward when you get the introduction of horse racing in the late 1800s and the introduction of boxing and wrestling, gamblers become the first experts on sports because they're the ones who follow it the most. And so that becomes Masterson's trail from gambler to sports writer. And yeah, he spends the last 25 years of his life in New York as one of America's premier sports writers. It is an incredible life story. And yeah, he ends up palling around with Mark Twain and Teddy Roosevelt, one of the most famous, one of the more famous Americans when he dies in 19, I want to say 1921.

55:52Yeah. Twain's story is great on its own. He obviously was in Virginia City at the time of the Comstock mine. And I visited there and that's kind of like a classic old Western tourist trap now. But to your point, Twain got to see quite a few things. Jesse James is like really unhappy how things go down. So he's telegraphing the St. Louis paper after the Gadsill train robbery to make sure to get credit. So I think the other thing too is like there's the people, there's what they did, and there's how they want the story to be told. And obviously you're a paper writer. You need content, and this is interesting to your readers.

56:36you know this is kind of the social media of its day in some respects isn't it yeah I mean James was it's funny they all all the gunfighters had their own relationship with the press sure the press hardly knew of some of these guys I can cite you guys who killed more people than Wyatt Earp that you've never heard of because they just didn't make the newspapers enough sure Jesse James is a name that people may know today but what you may not know about Jesse James is he was America's first celebrity criminal. He was the first household name. He was a bank and train robber who operated from 1869 to 1882.

57:15And as I write in the book, Cole, you saw, I have, excuse me, deep ambivalence about putting Jesse James in this book because he was not an Old West gunfighter. He worked in Missouri, Tennessee, Ohio. There was nothing Old West about him. But the thing is, if you pick up this book and it doesn't have Jesse James about it in it, you're like thinking, I felt like I had to write about Jesse James, if only to explain his context. And because if nothing else, his career is kind of gunfighter adjacent. And he did have the one famous gunfight there in Northfield, Minnesota, in which his whole gang got shot up.

57:54But he did have a unique relationship with the press, which loved him, and he mostly loved it. The only outlaw, I think, whose relationship with the press rivaled that would be the next celebrity criminal of America, and that was Billy the Kid, who became famous in 1879, 1880. Billy the Kid wrote and talked with newspapermen. He wrote and talked with the governor of New Mexico, where he was at large, to try to get prosecutions put aside. So generally speaking, the fame or the infamy of gunfighters goes up and down almost exclusively based on their relationship with the press. when you look at the most famous five, the ones, you know, Billy, the kid Harden, West, um, uh, uh, uh, a couple of others, they were all written about extensively.

58:53And I can, I can tell you, I mean, you've never heard of Deacon Jim Miller. He probably killed more men than anyone in the West, probably 51. You've never heard of him because I don't know that he ever gave a, uh, uh, an interview to the press. I don't think he got a biography till the sixties. You mentioned when the Texas Rangers got revived under McNally and they start cracking skulls, if you will, right? Yeah. Kingfisher goes down. Sam Bass gets betrayed by his own gang member, Jim Murphy. Harden gets caught in a train in Alabama. I think I remember it was a deputy who lost money to him. Do you have a – is that really the beginning of the end for the gunslinger?

59:31The Texas Rangers, I think few people may appreciate how when they were reformed in 1874, many parts of Texas were still in anarchy and lawlessness was rampant. And boy, I'm not sure I can point to the rise of another American law enforcement entity that had more immediate effect than the Rangers did in taming Texas during the 1870s. And no, they didn't spread beyond Texas, but that was the type of law enforcement that, of course, would eventually come to the West, state by state, territory by territory, year after year. So that by 1900, 1901, Butch Cassidy really can no longer have a career as a train robber anymore.

1:00:20There's too much law. There's too many Pinkerton agents. And so the gunfighter era with the advance of civilization, with the advance of law enforcement by 1900 is pretty much over. Sure. The book covers about 36 years. Hickok's shootout was in 1865. And then you get all the way out to Butch Cassidy and the Sundance Kid boarding a steamer for South America, which actually crossed over in the 20th century, 1901. you know you you talk about the connection to journalism how that inflated or romanticized these myths um buffalo bills wild west and hollywood cemented that as well looking you know kind of through the the mosaic of all this high level what what did we all get right about that through all this and what are the things to your point that that that you had to kind of generally myth bust about and kind of break some mistruths?

1:01:15I think, you know, one of the biggest kind of debate about old West gunfighters has always been, and I think we've all had this thought, you're sitting there watching a movie, you're sitting there watching a TV show, all these shootouts in the old West, and you're thinking, come on, really? How much of this is true? This is what fascinated me when I was 11 years old. When I first watched Butch Cassidy and the Sundance kid. I didn't want to be a bank robber or a criminal, but I had to know how much of that is true. So beginning in the 60s, long story short, all these kind of long-haired academics, it became very fashionable to say that this violence was overblown, that the Old West was just not that violent.

1:02:00And it wasn't until the 2000s with the advent of really big data techniques, examining and reanalyzing homicide rates that we have come to believe, and I'll spare you the arcana of this debate, that in fact, the most violent places of the Old West from Dodge City to Tombstake were among the most violent places in American history and that they were every bit as violent as you'll see in some movies. You know, no, gunfighters didn't shoot it out in the streets of Dodge City every Saturday at four. Sure. But if you just look at the homicide rates, it's pretty clear they were astronomically violent places.

1:02:39So I think that's a big thing that kind of has gone back and forth that I think we can answer that question safely. When you drill down into it, you know, there are gunfighters here that like, as we mentioned, like Wyatt Earp and Doc Holliday, who measure up to their myths. and there are those like Wild Bill Hickok who don't Johnny Ringo famously you see him as one of the bad guys in Toonstone in every Wyatt Earp movie Johnny Ringo not a gunfighter you know was in one guy only fired his gun as far as we know twice once he got drunk and shot a minor in the foot shot a minor in a drunken brawl And another time he shot himself in the foot, you know, just he's famous because he got in one really bad argument with Doc Holliday.

1:03:37And then, you know, 60 years later, people began to claim he was this gunfighter. It's a great story. Yeah. But no truth to it. So, you know, it's the book basically takes you deep into this gunfighter era. It is not it does not demolish a ton of myths. It demolishes a handful. and it in just as many as it demolishes, it can point to and say, but that one we got right. And that's the fun of this is being able to resurrect all this in kind of the clear light of day and try to correct, you know, sift through all the stories and legends to find out the accuracy of history. Yeah. Um, final kind of idea, you know, we talked about the gambling nowadays.

1:04:18I was thinking a lot about that as it flows through to, you know, current day in society, You know, to this day, like the West is a place that there's just not as many rules. There's, you know, it's been really kind of the growth of the United States from a people, business, geography. Many of the biggest cities in America now sit in the West in a way that they weren't, you know, to your point, 200 years ago. You know, are there other higher level topics that as you're finishing up this book, getting ready to go out and tell people about your story that you think a lot about relative to things you see today?

1:04:51No. In fact, if anything, I really wanted to push back because on that idea that I'm not writing about anything to do with today in this book because my concern is people are going to see this book, which is a lighthearted, fun look at gun violence. Very fun. Very fun book. Yeah. But that's not the way we look at gun violence today. Sure. And so I thought, gosh, people are going to see this and think I'm being irresponsible. they're going to think that I'm trying to make some statement about how guns are bad or good or something. And I'm like, no, no, no, no, no. I'm just looking at it as a historical phenomena, trying to explain it and understand it.

1:05:31I've got, I'm making no parallels to anything today. I got no problem if you want to do it yourself, but I'm not doing it. Yeah. No, I, and I, I mean, cause like we, you know, we, we have high season here and I think of like, you know, what was high season back in the day in these towns? Cause what you see in phoenix is like you know you get around to the winter months and everyone and their brother comes rolling into town and everything that comes with that and that's the good the bad and the ugly come rolling into town for about four or five months and then it gets hot and what happens people almost and it's like in these towns when the cattle weren't there neither were the neither were the wrestlers for example right so so same same kind of things that we continue to see um brian uh outside of your books where can people follow you going forward uh you know i mentioned you're doing some writing for Vanity Fair, you know, where, where, do you have a website or anything or social media handle out there?

1:06:22I've closed the, I've closed the website and I've stopped journalism. Uh, just doesn't pay like it used to. Plus I turned 65 next month. So all I'm doing now, Cole, is I, I put a, I put a book out about every five years. Um, this one came out last year. It was a lot of fun. Uh, we're gonna, um, well, what am I saying? The, uh, I've sold it as a, as a movie to get Netflix, uh, with a name director, named screenwriter. I'm excited about that. And I'm going to be starting it as a, if you're not really a book guy, if you're a podcast guy, we're turning the book into a 26 episode podcast by the, if you know, the outfit up in Montana, Meat Eater.

1:07:01They do all the podcasts about hunting and fishing in Western history. Meat Eater and I are going to be turning this into a podcast called The Gun Fighters, tentatively scheduled to start in mid-September. Excited about that. Other than that, you know the next book will be um probably my last uh because you know at some point i don't need to be doing this into my 70s well so so to keep to keep in the ilk of all these great characters to talk about maybe a better way of asking that question brian would be what's your favorite watering hole for you to go get a drink or a beer at in texas my favorite dive dive bar in the country is in Austin and it's called Deep Eddy.

1:07:42E-D-Y. It's right by downtown. Anybody who's ever been to Austin knows Deep Eddy. And it just hasn't changed since 1967. It's great. Awesome. Well, I just wrote that down. I got that on my list. Thank you for joining me today, Brian. Your book, The Gunfighters, reminds me that culture and technology and the movement of people and flourishing really shape history in ways that outlast any single generation. All these characters, these legends that you talk about, not only is it fun, but we inherit it in some way. To your point, you inherited it as a child. I know I did myself. And the question is, is that the right version that we inherited?

1:08:23Also, in many cases, people on the wrong side of history often stayed there. what we celebrate as rugged individualism was often something far messier as we learn in your writing our listeners should go and buy a copy of the gunfighters if you enjoy this podcast go to Apple, Spotify, YouTube or wherever you listen to a book with legs give us a review tell others about the books and great authors like Brian Burrow that we have the opportunity to understand and study the world with and through for our tribe if you have a great book that you'd like to recommend email podcast at smeedcap.com that's podcast at SmeetCap.com you can also send your suggestions to us on X our handle is at SmeetCap thank you for joining us for a book with legs podcast we look forward to the next episode thank you for listening to a book with legs a podcast brought to you by Smeet Capital Management the material provided in this podcast is for informational use only and should not be construed as investment advice you can learn more about Smeet Capital Management and its products at SmeetCap.com or by calling your financial advisor.

1:09:56Thank you.

From the publisher

In this episode of A Book with Legs, Cole Smead, CEO and Portfolio Manager, welcomes back Bryan Burrough to discuss his book, “The Gunfighters: How Texas Made the West Wild.”

Bryan Burrough is a New York Times bestselling author or coauthor of eight books, including the Wall Street classic “Barbarians at the Gate,” which he previously discussed on A Book With Legs podcast, as well as “Public Enemies,” “The Big Rich,” and “Forget the Alamo.” He spent nearly a decade as a reporter for The Wall Street Journal and has been a longtime special correspondent for Vanity Fair.

The conversation traces how a Southern honor code, a new piece of technology, the Colt revolver, and a generation of traumatized Civil War veterans collided in one state to produce three decades of violence, and how journalism turned killers into folk heroes. Along the way: how Texas became home to 30% of all major postwar gunfights in America, the true origins of the gunfighter in Southern dueling culture rather than frontier life, and how legends like Wild Bill Hickok, Wyatt Earp, and Jesse James were built as much by newspapers as by their own actions.

“The Gunfighters: How Texas Made the West Wild,” published by Penguin Press, is available now.

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