


23 Sep 2026 · 16m · 7 chapters

New Balance’s “private company” freedom as a driver of long-term strategy—patient athlete marketing, continued investment in made-in-USA/UK manufacturing, and collaborations that create cultural “halo” rather than simple scarcity.
Matt Welty (Complex Associate Editor), Chris Davis (New Balance CMO and Brand President), Ronnie Feig (Kith Founder, CEO, Creative Director; ~15 years partnering with New Balance).
being privately held lets New Balance “play the long game” (not chasing quarterly trends), enter sports categories with 10-year plans (break even around years 7–8), and keep craft-focused production even when expensive. Collaborations succeed when partners already understand the brand’s product and values.
mule sneakers; made-in-USA/UK; Miu Miu women’s high-fashion collab (e.g., $1,500–$2,000 range); Loro Piana luxury materials collab; Kith’s Made in USA work; Joe Fresh Goods’ 9060 and bootleg/TikTok chatter as a popularity barometer.
Written by AI. May contain mistakes.
Explore the benefits of New Balance being privately held and its long-term strategy.
“New Balance is one of the few major sports brands that is privately held.”
Discuss how New Balance's family ownership fosters a long-term vision and pride in manufacturing.
“I believe that New Balance has exercised patience through their journey, consistency, and discipline.”
Learn about New Balance's approach to athlete marketing and its cultural connections.
“Chris, just start a bit broader, if you will, and talk about where athlete marketing fits into the overall New Balance business strategy.”
Understand New Balance's commitment to local manufacturing and its impact on brand identity.
“For New Balance, one of those choices was manufacturing.”
Hear Ronnie Feig share his personal history and the evolution of New Balance into a lifestyle brand.
“You have been there in some ways, not just from the beginning, but overseeing and a big part of what I think has been a transformation of the New Balance brand.”
Examine how New Balance utilizes scarcity in collaborations to create desirability without losing brand essence.
“You know, for the longest time, there really wasn't fake New Balance sneakers.”
Understanding how a strong point of view contributes to brand success.
“Having a clear, distinct point of view remains, I think, the most important part of a brand's success, let alone the partnerships that a brand has.”

Get the gist, explore an idea or ask about something said.
On A Different Take with Linda Boff, what are the key points of this episode?
Automatic transcript. May contain errors.
0:00UKG is the workforce operating platform with unified HR, payroll and workforce management. Built to solve the unique challenges of frontline work. Powered by People First AI and decades of labor data, UKG turns workforce intelligence into real-time decisions around staffing, pay, compliance and productivity. Enabling every worker to confidently take action as work happens. Because when work works, everything works. Learn more at ukg.com slash work. UKG. HR, pay and workforce management. What one of the biggest advantages a brand can have is time. New Balance is one of the few major sports brands that is privately held.
0:42What does that mean? They don't have to answer to the public shareholders every quarter, and it gives the company and their leadership something most brands don't have, the ability to play the long game. But being private doesn't automatically make a company patience, and patience doesn't automatically make a brand successful. So the real question is, what did New Balance do with that freedom? I sat down with Complex Associate Editor Matt Welty, New Balance CMO and Brand President Chris Davis, and Kith Founder, CEO, and Creative Director Ronnie Feig to find out more. I'm Linda Boff, and you're listening to A Different Take.
1:33I believe that New Balance has exercised patience through their journey, consistency, and discipline. Not easy things in a company trying to produce a great product and make some money along the way. Do you think being private has helped that? I think that having a family still own a company like this, you're not as beholden to all the shareholders and you're not chasing trends. They've been able to stick true to their tradition. And where I think that if they were a publicly traded company, people would have forced them to change and do new trends. Obviously, they're hopping on some of the trends like mule sneakers are popular, New Balance will make a mule.
2:20but I think that maybe if they aren't independently owned, number one, I think that those made in USA factories go away long time ago. Hey, these things are too expensive. They're not adding to our bottom line. And it's always the people who aren't in it for the long run because they're just like transactional employees and they make a decision that like shifts what the company means. But if you have the family owning it, They're like, no, we're going to own these things. And I feel like they have a lot of pride in owning these made in USA factories.
2:56Chris, just start a bit broader, if you will, and talk about where athlete marketing fits into the overall New Balance business strategy. In the early 90s and 2000s, we were the brand that was endorsed by no one. That was our mantra. We were reinvesting our research and development dollars into making superior product for runners. And that was the game plan. And as time progressed, we realized that there was a ceiling to that. And we knew that we had to enter the sports marketing landscape, but we had to do so on our own terms. And doing it the New Balance way with a challenger brand mentality.
3:34Part of our growth strategy was not only entering the new sport categories, but connecting with the culture of those sports. And that's a very big difference. So when we talk about basketball, world football, tennis, baseball, skate, American football, all of those categories have business plans. They're 10-year business plans. And this goes back to having the luxury of being a privately owned organization. our goal in those categories is not to make money right away. It's to break even around year seven or eight and then start making money year nine, ten, eleven. But we immediately have to enter those categories with credibility, authenticity, and the right products for the culture of the sport.
4:21But long-term thinking only matters if you're willing to make choices that prove it. For New Balance, one of those choices was manufacturing. the company continued investing in made-in-the-USA and made-in-the-UK production, even when those products were more complicated and expensive to make in those markets. And then there's another place where patients became visible, their collabs. Because a great collaboration isn't really about pulling two logos onto a single sneaker. It's about whether two points of view have something to say to each other. Ronnie Feig has been working with New Balance for nearly 15 years.
5:08And his story gives us a very different way of understanding what makes these partnerships work. UKG is the workforce operating platform with unified HR, payroll, and workforce management. Built to solve the unique challenges of frontline work. Powered by People First AI and decades of labor data, UKG turns workforce intelligence into real-time decisions around staffing, pay, compliance, and productivity, enabling every worker to confidently take action as work happens. Because when work works, everything works. Learn more at ukg.com slash work. UKG, HR, pay, and workforce management. Buy stocks to sell.
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6:18Ronnie has been proclaimed to be the person who the sneakerverse would not exist without. You have been there in some ways, not just from the beginning, but overseeing and a big part of what I think has been a transformation of the New Balance brand. Tell me a little bit of the origin story. My first experience with New Balance was a little bit over 31 years ago when I started working for a chain of shoe stores in New York called David Z. And I worked there for 15 years. I had the pleasure of selling New Balance product to basically to New York City locals and to tourists who were shopping the stores.
7:01but New York City was, I believe, the city that helped evolve and take New Balance for the walking and running company that it was and helped turn it into lifestyle. There are more than a few cities that have helped do that for the brand. Obviously, I think the UK was big in that and the DMV, but New York City, I think, was the epicenter of that where there was a combination of so many different cultures that were coming in and adopting what was an underground kind of movement outside of running and walking that started wearing the brand. So it started really for me in 1995 and then I got to see the evolution of the brand really expand and take lifestyle a lot more seriously throughout the years between then and now.
7:51There has to be an emotional tie and a passion for the reason of working on anything. And New Balance is such an important part of my history. And I believe that everything you really are passionate about and things you fall in love with between the ages of 13 and 18 are the same things you'd love for the rest of your life. Listen to what Ronnie is describing. Not a marketing campaign, not a product launch, a relationship, a shared history, a knowledge of the product that goes back years. And that's important because the most successful New Balance co-labs don't feel like someone was brought in to make the brand cooler.
8:32They feel like the brand found someone who already understood something about it and gave that person room to add something new.
8:45it's a very rewarding feeling when you have a global business and you're able to speak in a universal language that is product and have people respected on that level that's probably the most rewarding part of my job and um for new for new balance they've been great partners in helping that be the case globally you know what i mean it's like they've been a brand that have also grown exponentially globally. So we're growing at different rates, I would say, for sure. But at the same time, we're speaking to the same consumer on the highest level. I think that the partnership has been really incredible because it's mutually beneficial for both.
9:33But also what we built separately is special to look at, but what we built together is kind of like a business in its own. Collaborations create a fascinating tension because one of the easiest ways to make a product desirable is to make it hard to get. Let's face it, scarcity creates urgency, urgency creates conversation, and conversation can create height. But New Balance's approach is more complicated than simply making fewer shoes. because according to the company, scarcity isn't supposed to be the point.
10:14One of the examples in the past few years that was a real surprise that you want to talk about, like the scarcity model that kind of changes footwear, was they had done the high fashion collaboration with Miu Miu for women. And even if you don't know what that shoe looks like in your head, you know, the average consumer, it's like, you know, that brown low top with the two different toned laces on it. And those shoes are like over a thousand, fifteen hundred, two thousand dollars. And you know, you see women in Soho wearing them, but every other brand has like knocked off that version of that shoe where you're just like, I know what that shoe looks like, even if I don't know, it's a Miu Miu shoe.
10:55So I feel like that scarcity of like introducing something like that that's cool and desirable does have like almost like a downriver effect where it kind of like shifts the market. Joe Fresh Goods he had this model called the 9060 which is like one of New Balance's most popular models. He was reposting a video of a girl who bought a fake pair online and she posted on her TikTok and everyone's like oh these shoes are so great where do I get them and they're not even like a real pair he's gone up to like vendors you know, where everyone's selling bootleg goods and just seeing tables of his bootleg shoes.
11:32You know, for the longest time, there really wasn't fake New Balance sneakers. And I feel like that's a good barometer of how popular your products are. Because I know brands do get upset with fake products. But if a Louis Vuitton bag wasn't so desirable, then you wouldn't go down a Canal Street and see tables with them, you know, on the side of the street. So you must be doing something right at this point, even if the things are so scarce, that's what makes them desirable. New Balance being able to find a way in that market, even though it probably upsets people internally, I think is a good sign of like that the brand has like really crossed over the mainstream culture.
12:13We don't necessarily believe to have scarcity for scarcity's sake. A lot of our collaborations are made in USA and made in UK products. And those products are extremely complicated to make. And when we're working with a brand like Lora Piana, who had never done a collaboration before in their history, they have a certain level of excellence that they would like to realize in their products. And our made in USA factories have had certain capabilities. Now when you take Lora Piana leathers in cashmere and you're trying to make them in an athletic footwear manufacturing facility that's focused on craftsmanship for athletics.
12:53You know, those are two worlds of luxury and athletics colliding that have never collided before. So to actually make these products is extremely complicated. And we were only able to make a certain amount of pairs, which wasn't scarcity for scarcity's sake. It was scarcity due to the craft, the time, the care that was taken. With Kif, we've done a ton of Made in USA collaborations, partially because Ronnie understands that craft, he's been to the factories, and he knows that our associates and craftsmen and crafts women across New England take such care and pride in that product. Now those products, we're not able to produce 20, 30 ,000 pairs of them.
13:37So when there's five or 10 ,000 pairs, That's how much we were able to make because the design process and the architectural process lended itself to that. I do believe scarcity is important, but I also believe that collaborations aren't about revenue generation. They're about perspective. They're about values communication. They're about storytelling and they're avenues to create a halo effect for your overarching brand. Having a clear, distinct point of view remains, I think, the most important part of a brand's success, let alone the partnerships that a brand has. So if we didn't have that, how important would the partnership look on the New Balance side to work with us if we didn't have such an important and unique point of view?
14:26And that's where the private company story comes full circle. Being private may have given New Balance the freedom to wait, but waiting alone doesn't create culture. The thing that made the waiting worthwhile was having a strong point of view and being disciplined enough to constantly protect it. And now, New Balance may have a new problem. It's no longer trying to become culturally relevant. It already is. The question is, can it stay that way? I'm Linda Boff, and you're listening to A Different Take.
15:28and decades of labor data, UKG turns workforce intelligence into real-time decisions around staffing, pay, compliance, and productivity, enabling every worker to confidently take action as work happens. Because when work works, everything works. Learn more at ukg.com slash work. UKG, HR, pay, and workforce management.
What if staying private is one of New Balance’s biggest competitive advantages?
In Episode 3 of A Different Take, host Linda Boff explores how New Balance’s independence allowed the 100-year-old brand to think differently—playing the long game, building meaningful collaborations, and creating cultural relevance without chasing every trend.
New Balance CMO Chris Davis joins creative visionary and New Balance collaborator Ronnie Fieg, alongside Complex Associate Editor Matt Welty, offering an outside perspective on the brand’s evolution, collaborations, and culture.
A Different Take is hosted by Linda Boff.
0:00 Introduction
1:02 Private Ownership
2:23 The Long Game
4:45 Ronnie Fieg
7:11 The Product Has a Memory
8:38 Scarcity Without The Hype Machine
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