ENCORE The Kidnapping of Patty Hearst | The Negotiation | 2

1 Jan 2026 · 41 min · 10 chapters

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In short

The Symbionese Liberation Army’s kidnapping of Patricia Hearst and the SLA’s escalating “negotiation” with the Hearst family, including her captivity, propaganda, and eventual participation in an SLA bank robbery and shootout.

Guest backgrounds

No named podcast guests appear in the transcript. The episode is narrated/dramatized with historical figures (Sin Q/Seng Kiu, Patricia Hearst, Randy and Catherine Hearst, FBI agent Charlie Bates, SLA members Nancy Ling Perry, Jelena, Cujo, Tico/Bill Harris, Yolanda/Emily Harris, Steve Weed).

Key claims

SLA frames Hearst as a POW under the Geneva Convention; demands $70 of groceries for every needy Californian; later demands an additional $4 million; Hearst is trained to fight and is used for media propaganda; negotiations collapse when Randy cuts off talks; SLA stages bank robbery to cement her “radical” image.

Notable examples

burning the SLA safe house after comrades are arrested; Hearst’s closet confinement; audio tapes to radio/FBI; bank robbery with a camera planted on her; sporting-goods-store shoplifting leading to a shootout where Hearst fires from a van; LAPD raid ending in the house burning.

Written by AI. May contain mistakes. Listen to the episode to check what was said.

Chapters

Tap a time to open that second in VO

The Rise of the Symbionese Liberation Army

0:09 to 6:05

Learn about the formation of the SLA, their motivations, and first actions.

“and may not be suitable for a younger audience.”

Patricia Hearst's Kidnapping

6:47 to 14:00

Explore the shocking details of Patricia Hearst's kidnapping and her initial experience.

“By the time she was 19, Patricia Hurst had already begun breaking away from her family.”

Patricia Hearst's Captivity and Initial Demands

14:00 to 17:00

Explore the early days of Patricia Hearst's kidnapping and the demands made by her captors.

“Everyone in the SLA once lived just like her, a bourgeois lifestyle with no real understanding of the world.”

The Complex Relationship with Her Captors

17:00 to 23:08

Understand the evolving dynamics between Patricia Hearst and the SLA members during her captivity.

“And even with his mansion and summers at the castle, Randy Hearst isn't as flush as most people think.”

Patricia's Transformation and Final Photo

23:08 to 28:00

Witness Patricia Hearst's transformation under captivity and the striking image that signified her new identity.

“she has no choice but to continue following their orders.”

The Radio Station's Big Break

28:00 to 31:12

Learn how a DJ discovers an audio tape and photo of Patricia Hearst, leading to sensational news coverage.

“He'll never again call her Marie Antoinette, and neither will anyone else in the SLA.”

Patricia Hearst's Transformation

31:12 to 35:18

Explore Patricia Hearst's drastic shift in allegiance and her involvement in a bank robbery.

“She says the SLA is not hurting her, and that the real threat is from the FBI and her parents' indifference to the poor.”

Law Enforcement and the Hurst Family

36:17 to 42:01

Witness the tension as the Hurst family learns about Patricia's situation and the police standoff.

“It's May 16th, 1974, and Bill Harris is walking through the aisles of a sporting goods store in Inglewood, California.”

Tense Standoff: The Family's Fear

42:01 to 43:01

Experience the emotional turmoil of Patty Hearst's parents during a tense standoff.

“demanding that those inside come out with their hands up.”

The House Engulfed in Flames

43:01 to 43:33

Witness the dramatic escalation as a house fire unfolds during the standoff.

“The moment is tense and nothing is certain.”
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Transcript

Automatic transcript. May contain errors.

0:00This episode previously aired in 2022. A listener note, this episode contains descriptions of violence and references to sexual assault and may not be suitable for a younger audience.

0:23It's late in the morning on January 11, 1974. Sin-Q M. Tume is tossing and turning on an old musty bed in Concord, California. He has a splitting headache, and his mouth is hot and parched. And as the sunshine slants in through broken blinds, it feels like Sin-Q is being hit on the head with a baseball bat. Sin-Q rubs his eyes and tries to shake off the misery. He's in the throes of another brutal hangover, the predictable result of staying up late, drinking bottles of wine with his comrades, and talking until the early morning about how they're going to change the world. There was a lot of conversation about the need to overthrow America's systems of oppression and greed.

1:05And there were a lot of big promises about actions the group is planning to take. But for Seng Kiu, making promises has never been enough. He founded the Symbionese Liberation Army, a left-wing organization to push for real change. And recently, Seng Kiu led a dangerous mission that got the whole Bay Area talking. Sin Q and two of his comrades attacked the superintendent of Oakland's public schools, a man named Marcus Foster. The superintendent wanted to station armed security guards in the area's schools, a move that Sin Q believed was an act of fascism. So one night, after creeping through the shadows, Sin Q and some others charged at Foster and then gunned him down in cold blood.

1:47The local police quickly launched a manhunt to find the suspects, and the story was all over the news. After taking public responsibility for the crime, Sinh Kieu predicted that he and his comrades would be seen as heroes fighting for justice. But instead, the SLA faced widespread condemnation, and Sinh Kieu was left searching for another action that could rehabilitate his group's image. After some discussion, the group settled on a plan. They decided to kidnap Patricia Hurst, the granddaughter of newspaper magnate William Randolph Hurst, and an heiress to a media empire. Sin Q believes the kidnapping will deal a symbolic but important blow to America's culture of privilege and wealth.

2:28And as long as he can shake off this hangover and get his head straight, Sin Q shouldn't have any trouble organizing the mission.

2:39Sin Q sits up and rubs his temples. It's clear this hangover isn't going away anytime soon. So he gets out of bed and starts getting dressed. As Sin Q puts on a shirt, the bedroom door opens a crack. Hey, Sin, are you awake? Yeah, I'm up. You can come in. A white woman with brown hair and thick eyebrows steps into the bedroom. Her birth name is Patricia Siltisic, but like other members of the SLA, she's adopted a new name to represent her radical identity. Ms. Moon, tell me you got some coffee in the pot. Yeah, we do, but Sin, nah, we'll talk when I wake up. Sin Q scoots past his comrade, but Ms.

3:17Moon stops him, laying a hand on his shoulder. Oh, Sin, we have to talk now. Joe Romero and Russ Little were arrested last night. Arrested? What for? I don't know, but they were sitting out in their van, and some cops showed up. Turned into a shootout. The police got both of them. Oh, are you kidding me? No, Sin, this is real. Sin Q looks down, processing the news. Well, Romero and Little, they're soldiers. They're not going to talk. Well, that's not what I'm worried about. It's the leaflets. They had stacks of them in the van. The cops are already looking for us after that Marcus Foster thing.

3:52Now they know Ramiro and Little are connected to the SLA. It's only a matter of time before they track us down. And that worries you. Yeah, Sin, I've never been to prison and I don't think I can do it. Nah, you're not going to prison. None of us are. When I broke out, I made a promise I was never going back. So what do we do? How do we get out of this? Sinh Kue spends a moment thinking. Their safe house is filled with incriminating evidence, and if the cops do show up, he's sure he'll be arrested for the murder of Marcus Foster. Sinh Kue knows he needs a plan, so he heads out to the living room to survey the rest of the group for ideas.

4:29After some anxious discussion, SLA member Nancy Ling Perry speaks up, suggesting they get rid of all the evidence at once. Sin Q shoots her a confused look, but Perry pulls out a lighter and grins. They can burn down the house, along with all the evidence, take care of all their problems in one fell swoop. Sin Q drums his fingers on the table, thinking, it's a reckless plan, burning down an entire house, but it would get the job done before the cops have a chance to show up. So Sin Q gives Perry the approval, and he and his followers get to work. They cover the inside of the safe house in gunpowder and gasoline.

5:07Sin Q sets up a six-inch fuse. After lighting it, the group dashes out of the house and piles into a beat-up Oldsmobile. As soon as the doors are shut, Sin Q lays his foot on the gas, speeding down the street, glancing in the rearview mirror. Soon, their safe house will be nothing more than a heap of charred wood and ashes. The police won't know where to find the Symbionese Liberation Army, and Sin Q and his followers will be able to finish their next mission and kidnap Patricia Hurst.

6:05www.armandhammer.com simple, powerful, clean. I heard a rumour that the CIA poisoned my granddad. Gordon Banks, the world's number one goalkeeper. It happened in Mexico, supposedly, at the World Cup in 1970. Sounds crazy? I'm an investigative journalist on the hunt for evidence. We needed to do some extraordinary things to counter the Soviets. This is Foul Play, an unbelievable tale of sports, spies and family secrets. Listen now wherever you get your podcasts or early and ad-free on Audible.

6:46From Wondery, I'm Lindsey Graham, and this is American Skin.

7:10By the time she was 19, Patricia Hurst had already begun breaking away from her family. She was intent on building a life of her own, one that wasn't defined by her grandfather's legacy or her parents' wealth. Hurst began studying as an undergrad at UC Berkeley, and she got engaged to an older man working on a PhD in philosophy. But Hearst's dreams of independence would be cut short. A group known as the Symbionese Liberation Army targeted her for kidnapping. The political radicals planned a brazen assault, which they believed would strike at the heart of American capitalism, sexism, and racism.

7:47And in the aftermath of the crime, the Hearst family found itself at the center of a national media sensation, one that raised questions about what had really happened to Patricia Hearst. This is Episode 2, The Negotiation.

8:04It's the night of February 4th, 1974, and Patricia Hearst is lying in the trunk of a vintage white Chevy. Her wrists are bound with rope. She's blindfolded and gagged. And although the pain is excruciating, Hearst keeps gyrating her hands against the rope, trying to break free. She doesn't understand how it came to this. Just an hour ago, she was curled up on the couch, watching television with her fiancé, Steve Weed. There was a knock on the door, and when they answered, they found a woman in the hallway who said she accidentally ran into someone's car and was hoping to use the phone. It didn't seem like anything to think twice about.

8:43But then, in the blink of an eye, a pair of armed intruders burst into the apartment. Hearst's fiancé fled out the back, leaving Hearst by herself, outnumbered and held at gunpoint. At first, the crime didn't make any sense. But it didn't take long before Hearst realized that she was the target, that the intruders wanted to kidnap the granddaughter of media mogul William Randolph Hearst. So she was dragged out of her apartment, thrown into the trunk of a car, gagged with a cloth and blindfolded. And then the car sped away. Lying in the dark trunk, Hearst keeps moving her hands, trying to find some way out of the ropes.

9:23If she can get her hands free, she can take off the blindfold and maybe find a latch to open the trunk from the inside. When the car comes to a red light, she'll be able to jump out and make a run for it and pray that her captors don't open fire. For several minutes, Hearst works patiently, getting closer and closer, and finally, she manages to free one of her wrists. Hearst takes off the blindfold and began searching frantically for the latch to open the trunk. But as she glides her hand over the dark metal, suddenly the car slows down and pulls over. A car door slams. And before she can put her blindfold back on, the trunk swings open, and Hearst comes face to face with a man with a short afro.

10:06The man yells out, asking how the hell the blindfold came off. He asks for assistance, and right as Hearst tries to leap up, someone else rushes over and grabs a hold of her. She begins thrashing, but her two captors lift her up and then toss her into the backseat of another car. The man with the afro hops in after her and snarls at Hearst, telling her not to make a single noise and threatening to shoot her if she does. Hearst can tell the man is serious, and with her mouth still gagged, she just nods her head and doesn't make another sound. For a while, the car continues driving through the streets of Berkeley, And when it begins to slow down on a residential street, one of the men reaches over to Hurst and puts a blindfold back on.

10:51Then he tells her to get up and get out. Hurst is led into what seems to be a house. She's taken on a winding tour until finally she's shoved forward into another room. The door shuts and locks behind her. When Hurst begins feeling around, she realizes she's in some kind of tiny space, maybe only a few feet wide. Hurst starts to panic. Feels like she's in a coffin. She begins knocking into the walls, trying to find her way out, trying to get back into the light. When a man's voice calls out from the other side, telling her to stop. It's just a closet. Her slumps to the ground, feeling defeated.

11:30But as she rubs her hand along the perimeter of the closet, she notices something strange. The walls are padded, almost as though the space was prepared for a person. Someone who might have to stay in this closet for a long time.

11:46The next morning, Patricia Hearst sits up in the dark closet. She's still gagged and blindfolded and didn't get a minute of sleep all night. Hearst has no idea where she is or who kidnapped her. But what she does know is that right now she needs to use the bathroom. Outside the closet, loud music is blaring. Hearst kicks the closet door as hard as she can, trying to get someone's attention. No one seems to notice, so Hearst keeps kicking until finally the music cuts and the closet door swings open. With her blindfold on, she can't see the person standing in front of her. But when she hears the voice, it sounds like the man with the afro, the one from the car.

12:25The man takes the gag out of her mouth and asks why Hearst keeps kicking the door. Hearst responds that she needs to use the restroom. The man grumbles and then grabs a hold of her, saying he'll take her. Hearst recoils. There's no way she wants one of her kidnappers standing over her while she's blindfolded on the toilet. But the man says that's her only option. She's a prisoner of war, and she's speaking to SYNCUE, the General Field Marshal of the Symbionese Liberation Army. The SLA is fighting a war against capitalism, fascism, and oppression. And as a POW in this conflict, Hearst will be treated in accordance with the Geneva Convention.

13:06Hearst has no idea what this man is talking about. He sounds unhinged. But right now, she is more concerned with relieving her bladder than anything else, so Hurst asks again if she can use the restroom alone. Sin Q mutters a curse, but offers a compromise. A woman named Jelena will accompany her instead. A moment later, someone else approaches, and she sounds familiar too, like the woman who knocked on Hurst's door just last night, saying she'd hit a car in the garage. There's a bit of back and forth, but finally Hurst is taken to the bathroom, And while she's grateful not to be watched there by a man, she still feels exposed and humiliated to be seen like this, even by a female kidnapper.

13:49But she manages to use the toilet with a woman by her side. When Hearst is led back to the closet, Jelena explains that this is an opportunity for Hearst to grow as a person. Everyone in the SLA once lived just like her, a bourgeois lifestyle with no real understanding of the world. They were the kind of people who would never really see the meaning of revolutionary action, like the recent shooting of Marcus Foster. Hearst knows the name Foster. He was the school superintendent in Oakland, gunned down in a parking lot. And now she suddenly makes the connection to the name Symbionese Liberation Army.

14:26This group put out a statement taking responsibility for the murder. Hearst tries not to show any fear. But as she's thrown back in the closet, she's hit with a wave of panic. Her captors aren't run-of-the-mill political radicals. They're murderers. And if they are capable of killing Marcus Foster, Hearst might be next.

14:48A week later, Patricia Hearst's father, Randy, steps into the living room of his mansion in Hillsborough, California. He looks across the room where his wife, Catherine, is leaning against a wall. In a leather armchair, Steve Weed, Randy's soon-to-be son-in-law, is running a hand over his black eye. And sitting beside a portable tape player is FBI Special Agent Charlie Bates, who is here to play a pair of audio tapes for the Hursts. The agent loads up the machine as Randy collapses onto a sofa. He's drained and hasn't slept ever since he got word that his daughter Patricia had been kidnapped. Night after night, Randy has stayed up late, waiting for any updates, any reason to be hopeful.

15:30He can't stop worrying that his daughter might already be dead. But just recently, there was a development. An envelope arrived at the local radio station with these two audio tapes from Patricia's captors. The station got in touch with the FBI, and the agent brought the tapes over to the Hursts so they could listen together. My name is Sin Q, and to my comrades I am known as Sin. I hold the rank of General Field Marshal in the United Federated Forces of the Sinbanese Liberation Army. Today, I have received an order from the Symbionese War Council, the court of the people, to the effect that I am ordered to convey the following message, that Patricia Campbell Hurst is alive and safe.

16:18Hearing this news, Randy Hurst's body goes slack with relief. His daughter is okay, and it's not too late to get her back. But the man calling himself Sin Q continues with a deranged rant, saying the SLA arrested Patricia for crimes that her parents committed against oppressed people through their fascist media empire. Sin Q says the SLA would like to negotiate for Patricia's return, but first they have a demand. The Hursts have to give away$70 worth of groceries to every needy Californian. Randy shakes his head, stunned. The Hearst Corporation is an exceedingly rich business, but this demand could add up to hundreds of millions of dollars.

17:00And even with his mansion and summers at the castle, Randy Hearst isn't as flush as most people think. And when he discusses the demand with Bates, the FBI agent suggests that negotiating a ransom isn't a good idea in the first place. By distributing these tapes to a radio station, the SLA is creating an unwinnable situation for the Hearsts. the political group is creating a public spectacle. And if the Hursts try to negotiate, they could find themselves backed into a corner, with the SLA issuing larger and larger demands. Randy knows the agent has a point, but this is his daughter they're talking about.

17:38At the same time, if Randy is going to negotiate with violent radicals, he wants some assurance that his daughter is doing all right. So Randy asks the FBI agent to play the second tape. Dad, I'm okay. I had a few scrapes and stuff, but they've washed them up and they're getting okay. And I'm not being starved or beaten or unnecessarily frightened. Randy has to hold back sobs hearing his daughter's voice. Patricia is alive, but in the recording, his daughter goes on to issue a warning, saying they're going to have to follow the SLA's orders and she hopes her father will do what they ask and do it quickly.

18:25The tape stops playing and Randy exchanges a look with his wife. He understands why it might be a bad idea to negotiate a ransom but they don't have any other options, do they? They need to bring Patricia back home.

18:42Several weeks later, Patricia Hearst turns over on the floor of the closet that's become her prison. Outside her small space, she can hear what sounds like beer bottles clanking together. Somebody else is making lunch. Or maybe it's breakfast or dinner. It's hard to keep track of time. But for weeks, these muffled sounds have been her entire world. Hearst is sat listening to members of the SLA constantly getting drunk, arguing about how they're going to overthrow the system, even having sex in a revolving door of romantic partners. It's a small and claustrophobic existence, only made a little better when the SLA allows her to watch TV.

19:21Hearst has seen the national media coverage of her kidnapping. She's watched her father publicly negotiate for her release, staging press conferences and working to meet the SLA's demands. Randy Hearst hasn't yet raised all the money the SLA requested. He's only managed to gather together a couple million dollars. But through some kind of miracle, he did pull off a food giveaway program. It didn't go smoothly, with residents rioting over meat and produce, but Randy Hurst was able to feed thousands of people. And while launching these programs, Patricia's father sent a message to his daughter. Hang tight.

19:57They were going to get her back. So Hurst began to feel optimistic that she was going to make it out of this nightmare. But then the saga took another turn, when SINQ increased his demands and asked for another$4 million for the food giveaway. After that escalation, Randy Hurst appeared to cut off talks, saying the Hurst Corporation would only pay the money if his daughter was first released. Otherwise, the matter of his daughter's kidnapping was out of his hands. Hearing that announcement, Hurst was left feeling hopeless. Hurst sits, peering through a crack in the closet door. When she hears footsteps approaching, Hurst wraps the blindfold back over her face and waits as the door opens.

20:40Patricia, you can take off the blindfold. Hearst recognizes the voice. It's Sin Q, the man leading the SLA. Hearst removes the blindfold and finds her captor standing over her, wearing a ski mask. Okay, what is it? Has something happened? Oh yeah, something big is happening. Your family, those capitalist pigs, they decided they cared more about money than their own daughter. What are you talking about? Negotiations are done. Your father made it official. No, he's got to be just bluffing. He's trying to force your hand to get you to back down. I don't think so. No, I know them. They're business people.

21:17That's what they do. No, no, no, my little Marie Antoinette. Let me tell you something. Your father has cut off negotiations. It's over. No, no, no. Yeah, yeah. And you better believe it. What does that mean? What are you going to do with me? Sin Q pulls back his jacket and takes out a shotgun. No, no, no. No, he was playing hardball. I know my father. You'll get the money. Come on out. No, please, don't hurt me. Come on out. No, don't do this. Hearst shuts her eyes, waiting. She's certain that this is it, the end. But even as she trembles in fear for her life, Sin Q starts to laugh. He tells Hearst he's not going to hurt her.

22:02He's going to train her to be a fighter. Hearst opens her eyes, dumbfounded. Sinh Kieu goes on, saying the FBI wants nothing more than to raid their house and kill all of them. That's what law enforcement does. So the SLA took a vote. If and when that day comes, everyone needs to be ready to fight, and that includes Hearst. Hearst blinks, still shocked. A second ago, she thought she was about to be killed. But now her captors want her to carry a weapon? Sinh Kieu nods and offers the shotgun. He adds that Hearst is as much a part of the struggle as anyone in the SLA. She just hasn't woken up yet.

22:40Hearst doesn't know what to do. Her captors are guilty of murder. Without any remorse, they shot down the Oakland school superintendent. At the same time, her family seems to have abandoned her. It's a twisted reality that the SLA might be all she has. So still stunned and confused, Hearst steps out of the closet, grabs the shotgun. She doesn't know what's going to happen. or whether this is all just a big mind game. But Hearst does know that from here on out, she has no choice but to continue following their orders. It's the only way she's going to survive.

23:18As Americans, we're constantly grappling with the fundamental question. Do we settle for the world as it is, or do we strive to create the world as it should be? Our answers tend to ebb and flow through the decades. But once, just after a war that nearly tore us apart, we came as close as we've come to answering it. And it's a story worth a closer look. I'm Michelle Obama, and I'm proud to announce Higher Ground's new podcast, Reconstruction, The Unfinished Promise. Guided by best-selling author Malcolm Gladwell and featuring my husband, Barack Obama, This limited series uncovers the untold stories of Reconstruction, what they mean for us today, and how our past can shape the future we choose to build.

24:09Reconstruction, the unfinished promise, is available now on Audible or wherever you get your podcasts. You there! Tis I, Queen Mortuana of the Night Realm, a.k.a. Kate McKinnon. and her Raven minion Jojo, a.k.a. Emily Lynn. If you do not download and binge my show, Heads Will Roll, Air Apparent, on Audible, I will cut off your head! Oh no, maybe just tell them about the guest stars, like Richard Kind, Carrie Coon, Jimmy Fallon, et al. But they were in it, and if you don't listen to them, then I will cut off your tongue, then cut off your head, and then put the tongue in the head hole. Aw, you tried.

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24:53Listen now exclusively on Audible and Dental of the Audible app today, or off with your head! I'm kidding.

25:13It's the spring of 1974 in Daly City, California, and Patricia Hurst is leaning against the wall of her closet, listening to one of her captors reading from the Communist Manifesto. The man calls himself Cujo. He's wearing a ski mask to hide his identity. And as he continues reading from the famous Communist text, Hearst feels herself growing groggy and falling into a stupor. It's been a long day. Hearst began by training with SYNCUE on the use of firearms. After that, she sat for what's become a strange routine as Julina, the woman who first broke into her apartment, sat bathing Hearst and then brushing her wet hair.

25:53Hearst has grown increasingly entangled with his group, talking at length about revolutionary politics and even sharing a toothbrush with her captors. While Hearst tells herself she's only humoring the SLA, that she doesn't believe in their so-called re-education sessions, she still can't help but feel drawn in by Cujo's quiet, earnest voice. It can be very lonely sitting by herself in a dark closet day after day. It feels good to have some company. Any company. Still, even though she's become more a part of the group, something has been bothering Hearst. Something she wants to bring up. Hearst interrupts Cujo in his reading of the Communist Manifesto, and she tells him that she's tired of the way they keep calling her Marie Antoinette.

26:38She gets it. They think she's spoiled, like the famous French queen. But she doesn't want to hear it anymore. She's not just a sheltered rich girl. Before the SLA kidnapped her, she was exploring other ways of living. She took a job at a department store. She smoked marijuana. One might even say she was in her own form of class conflict with her parents. When Hurst is done, Cujo smiles and points out that she just used the phrase class conflict. She's been listening, and it's clear she's got a strong mind. Hurst smiles back, unsure whether he's being serious or sarcastic. It's the first time anyone at the SLA has shown her any real respect.

27:15In some ways, it's more than she got from her fiancé, Steve Weed. Hurst startles, though, when loud music starts blaring in the other room. Cujo rises and says he'll ask them to turn it down so they can keep talking. After he steps away, the SLA member Jelena bounds over. Like Cujo, she's wearing a ski mask, and sounding a little giddy, she tells Hurst that Cujo is interested in her. Does Hurst want to sleep with him? Hearst is thrown off by this sudden development, and she fears what would happen if she said no. So Hearst remains silent, even as Jelena gives her a knowing smile. And then she says she'll send Cujo back in.

27:57A few minutes later, Cujo returns, still wearing a ski mask. He tells Hearst his mind is made up. He'll never again call her Marie Antoinette, and neither will anyone else in the SLA. Hearst remains silent, wondering what's coming next. Kuja reaches toward her with a faint smile, and slowly he begins removing his shirt.

28:22It's April 3rd, 1974, in San Francisco, California. In the headquarters of a radio station, a DJ walks to the front of the office and checks the mail slot. He grabs a small package, and as he tears it open, he finds an audio tape and a photograph, an image that seems so over-the-top it almost looks fake. The photo shows a woman with brown hair and a black beret. She's standing in combat gear and posing in front of the red and black flag of the Symbionese Liberation Army. Her expression is blank. She's carrying a submachine gun. And looking closely at the photo, there's no mistaking her identity.

28:59It's Patricia Hearst. The DJ stands looking at the photo, trying to gauge its authenticity. Someone just called into the station, saying they had mailed over the package. The caller claimed to be part of the SLA. And while the DJ couldn't verify the caller's identity, he does now have this photo. And the longer he looks at it, the more he gets a sense that it's real and that he's just stumbled on a major development in a national news story. Like everyone else in America, the DJ has been closely following the saga of Patricia Hearst. It began with real news coverage, the story of a crime targeting one of the most important families in America.

29:39But in the weeks since, the coverage of the kidnapping has turned into a circus. Journalists have published conspiracy theories, false leads, off-color jokes, and tasteless headlines. It's increasingly obvious that the media is less interested in practicing responsible journalism and more focused on milking the story for profit. But this radio station is in the business of news, too. And with a hot lead sitting right in his lap, the DJ knows he has to go speak with his producer and figure out a plan. The DJ walks down the hallway and finds his producer hunched over a newspaper. The DJ doesn't say a word.

30:17He just slides over the photo of Patricia Hearst. The producer glances at the photo and does a double take. Then he asks who else has seen this. The DJ responds that he hasn't shown it to anyone. And he didn't just get a photo. Whoever sent this also included an audio tape. The producer sits up, suddenly looking animated. In radio news, tape is a golden commodity. So the producer tells the DJ to load it up, and they'll decide whether to broadcast it on air, maybe even in the next few minutes. The DJ nods, now aware they're under the gun. He takes the tape out of the envelope and gets it set up.

30:55And when it begins playing, he and his producer hear the unmistakable voice of Patricia Hearst, a voice that's already been broadcast on radio stations and TV networks across the country. But something about Hurst on this tape sounds different. The media heiress begins by condemning her family. She says the SLA is not hurting her, and that the real threat is from the FBI and her parents' indifference to the poor. Then Hurst makes a startling announcement. I've been given the choice of, one, being released in a safe area, or two, joining the forces of the Symbionese Liberation Army and fighting for my freedom and the freedom of all oppressed people.

31:35I have chosen to stay and fight. The tape stops playing and the producer looks up at the DJ. This is sensational. Patricia Hearst has joined her captors. They have to air the tape right away. The DJ doesn't know what to say. Before broadcasting the tape, maybe law enforcement should hear it first. Or maybe the Hearst family should have some say in the matter too. But the producer reminds the DJ that a half dozen other stations could have already received the same package. If the station waits too long, they could get beat to the story. The DJ nods and gets ready to broadcast the tape.

32:17Two weeks later, Patricia Hearst looks out the window of his station wagon as it drives down the streets of San Francisco. She gazes at a series of tall, white Victorian homes. There's a web of electrical lines connecting San Francisco streetcars, And everywhere she looks, people are out walking alone, strolling by themselves, free to go wherever they want. It's a disorienting feeling, being back out in the world. And Hearst knows that if anyone saw her, they'd think she looks like a freak. She's wearing a dark wig, and her skin is pale from weeks spent in a closet. Hearst is grateful for the opportunity to get out of the closet, to see the world and other people.

32:56But she is feeling panicked. In a few minutes, Hearst is going to join several members of the SLA in a bank robbery. It's largely intended to be an act of political theater, targeting a steward of American capitalism. But there's a reason the SLA wanted Hearst to take part in the operation, an ulterior motive that's central to the plan.

33:20Soon, the car comes to a stop, and the group's leader, Sinh Kieu, turns to his comrades. All right, now remember, 90 seconds in and out. That's all we got. Tanya, you good on your part? Hurst is confused for a moment until she remembers Sin Q is talking to her. Tanya is her new adopted name in the SLA. Hurst nods. I've got it. All right, good. Let's roll. Hurst steps out of the car with a gun hidden beneath her long, dark coat. She and the others approach the entrance of the Hibernia Bank.

33:57When they step inside, Sin Q pulls out his gun and shouts at the customers. Customers shriek in fear and begin diving to the ground. As the SLA storms into the bank, Hurst finds a security camera and plants herself directly in front of it to enact her part of the plan. This is Tanya. You all know me as Patricia Hurst. Now, the first person who puts his head up, I'll blow it off. The customers shriek again in fear. Everyone is on edge. But with her back to the door, Hearst doesn't notice two new customers entering the bank. When the new customers startle one of the SLA recruits, she accidentally fires her gun, and the two new customers fall to the ground.

34:42Sinkyu shouts out an order. Let's go! Let's go! As Hearst races out of the bank, someone fires their gun again. The group piles back into the station wagon, and it peels out into the street. As she catches her breath, Hearst meets in Cue's eyes and nods. It's only going to be a matter of hours before the news breaks and everyone learns that Patricia Campbell Hearst robbed a bank. She'll be seen as a dangerous criminal, a true believer in the Symbionese Liberation Army. No matter what she says in the months and years to come, Hearst knows that she has crossed a line, one she can never come back from.

35:23I'm Raza Jaffray, and in the new season of The Spy Who, we open the file on Benedict Arnold, the spy who betrayed the American Revolution. America is fighting to free itself from the British Empire, and one of its foremost generals is Benedict Arnold. He's a smuggler turned battlefield hero and admired for his aggressive tactics. But when a war wound, a new wife, debts and politics test his loyalty to the max, He turns spy and devises a plot to shatter the revolution and help Britain capture rebel commander-in-chief General George Washington. And that plot would make him the most infamous traitor in US history.

36:07Follow The Spy Who now, wherever you listen to podcasts. You can also listen to the full season of The Spy Who Betrayed the American Revolution early and ad-free on Audible.

36:30It's May 16th, 1974, and Bill Harris is walking through the aisles of a sporting goods store in Inglewood, California. Harris has a thick mustache and a pair of aviator sunglasses perched on his nose. As he peruses the aisles, he knows he doesn't look conspicuous, just another guy out shopping on a Thursday. But for Harris, maintaining a low profile is key. He and his wife Emily are two of the core members of the Symbionese Liberation Army. They go by the names Tico and Yolanda. And they've worked side-by-side with the group's leader, SYNCUE, as the SLA has carried out a series of risky missions.

37:07Most recently, the SLA led a high-profile operation in the Bay Area, robbing a bank and making sure Patricia Hurst was caught on camera. The robbery was largely a work of theater. showing the world that Patricia Hearst had given up her allegiance to the ruling class and become a radical activist. As a work of propaganda, Harris will admit the operation was a success. Hearst's photo was printed in newspapers across the country. It kept her story front and center, giving the SLA another opportunity to publicize its message. Still, if Harris is being honest, he's begun to question SYNQ's leadership.

37:46He agrees it was smart to relocate to Los Angeles. Sin Q thought going to LA would make the group harder to track, and they've had a chance to get some fresh recruits in the new city. But beside growing the group and running away from the cops, Sin Q doesn't seem to have a coherent vision, no real strategy to bring about systemic change. Still, Sin Q is their leader, and Harris has agreed to follow orders. So today, it's his duty to pick up some basic supplies from a sporting goods store. He came down here with his wife and Patricia Hurst, who's waiting for them outside in the van, serving as a lookout.

38:24Harris gathers up supplies, trying to move fast. He doesn't want anyone to spot Hurst in the parking lot. But as he turns a corner, Harris spots a shotgun shell bandolier hanging from a rack. Harris pauses, staring at the belt. For months, he and his wife have been bouncing between safe houses. It's been a meager existence. And although Harris does object to the excesses of capitalism, sometimes he finds himself longing for material goods, like this bandolier sitting right in front of him. Harris knows he can't buy it. That might arouse suspicion. But he doesn't want to walk away from it either.

39:00So looking both ways, he picks it up and slides it into his pocket. And then he heads to the register to buy a few things and get out of the store. But as Harris begins making his way to the exit, The clerk's voice pipes up behind him. The man asks whether Harris is planning to pay for the item he's clearly shoplifting. Harris turns and looks at his wife. He knows he's just made a huge mistake. But they can't let themselves be apprehended. Not only are both of them carrying concealed pistols, but the most infamous woman in America is waiting for them in a van across the street. Harris has only one option.

39:37He dashes out of the store, heading to the van. But the second he makes it to the sidewalk, Harris is slammed to the ground by the store clerk and another employee. Soon, other men from the store pile on in a heap of bodies. Harris can hear his wife yelling through the melee. It's a chaotic mess of grunting men and flailing arms, and Harris is about to give up. But suddenly, bullets begin sailing across Crenshaw Boulevard. The windows of the store crack and burst apart. And when Harris and the other men look up, they find Patricia Hurst unloading a submachine gun out of the window of the van. The men scramble up, scattering in every direction.

40:18Harris knows it's only a matter of minutes before the cops show up. So as soon as Hurst stops firing, Harris and his wife run toward the van. Harris jumps in the driver's seat, cranks the key, and guns the engine. As he takes off down Crenshaw, he lays his foot on the pedal, driving like a madman. only looking away from the road to steal a glance at Patricia Hurst, who's surrounded by a stockpile of guns and ammo, and staring out the window with a look of fury.

40:48A day later, Randy Hurst enters the den of his home in Hillsborough, California. He and his wife Catherine sit down with a group of FBI agents, men who've been living in their house full time. As Randy pours himself another drink, he launches back into a heated debate. telling the agents he doesn't believe the theories. His daughter Patricia is not a radical, and it doesn't matter what she said on some recording, or if she was party to some shootout at a sporting goods store. One of the agents begins to push back, noting the seriousness of the situation. His daughter is on record, saying she decided to stay with her captors.

41:24The writer's Randy is about to rehash his argument. The door to the den swings open, and the family's cook steps into the room, looking nervous. She sputters out something about the SLA. The police have found them, and it's all over TV. Randy and his wife Catherine exchange a look. Then Randy hurries forward and turns on the TV, flipping to a local news station. On the screen is live footage from Los Angeles. Hundreds of officers are on the scene. Helicopters are buzzing in the sky. And a police officer with a bullhorn is shouting at a run-down yellow house, demanding that those inside come out with their hands up.

42:04Catherine turns away from the screen, looking appalled. Oh, Randy, turn this off. Catherine, Patty could be inside that house. Yes, exactly. Turn it off. You don't want to see our daughter? Don't want to see our daughter get killed in a fight with the police. You think it's true that she's become one of them? You think she's going to stand there with her comrades firing guns at the police? Catherine shakes her head as a tear forms in her eye. I don't know what to think. Catherine, she's still our girl. She's been living with a gun to her head. And even if she was brainwashed by those lunatics, the ideas she may have picked up are not going to stick with her.

42:39We'll get our daughter back. I just don't want to watch. I can't do it. Catherine wipes away a tear and storms out of the room. Randy understands his wife's feelings. But he refuses to turn off the TV. Not when there's a chance his daughter might come out of that house alive and free. So he turns back to the TV and keeps watching. The moment is tense and nothing is certain. And then gunfire erupts on both sides, and the LAPD shoots tear gas into the house. And then the reporter cries out that the house is on fire. Thick black smoke begins curling up from the structure. And then flames erupt from the windows as the house is engulfed in an inferno, with everything burning.

43:28From Wondery, this is Episode 2 of The Kidnapping of Patty Hearst from American Scandal. In our next episode, law enforcement closes in on the remaining members of the SLA while the Hearst family grapples with the devastating laws. Follow American Scandal on the Audible app or wherever you get your podcasts. You can listen to all episodes of American Scandal ad-free by joining Audible. And to find out more about me and my other projects, including my live stage show coming to a theater near you, go to NotThatLindseyGraham.com. That's NotThatLindseyGraham.com. If you'd like to learn more about the kidnapping of Patricia Hurst, we recommend the books American Heiress by Jeffrey Toobin and Every Secret Thing by Patricia Campbell Hurst and Alvin Moskow.

44:16This episode contains reenactments and dramatized details. And while in most cases we can't know exactly what was said, all our dramatizations are based on historical research. American Scandal is hosted, edited, and executed, produced by me, Lindsey Graham, for Airship. Audio editing by Molly Bach. Sound design by Derek Behrens. Music by Lindsey Graham. This episode is written by A.J. Marisha, edited by Christina Malzberger. Our senior producer is Gabe Riven. Executive producers are Stephanie Chenz, Jenny Lauer-Beckman, and Marsha Louie for Wondery. Captions by Red Bee Media

From the publisher

Patricia Hearst confronts a deadly new reality. The Hearst family tries to strike a deal with the SLA.

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