Sam Rockwell

9 Jun 2025 · 1 h 41 min

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In short

Podcast Episode Notes: Armchair Expert with Dax Shepard - Sam Rockwell

Episode Overview In this episode, Dax Shepard interviews Academy Award-winning actor Sam Rockwell. The conversation delves into Rockwell's upbringing, his journey in acting, and the intricacies of human behavior, charm, and vulnerability. The episode highlights themes of growth through challenges, the actor's experiences in the industry, and personal anecdotes that reveal deeper truths about life and creativity.

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Key Themes and Discussions

  1. Personal Background and Journey
  2. Upbringing in San Francisco:
  3. Rockwell grew up in the Tenderloin, a challenging area of San Francisco.
  4. His parents were both involved in the arts - his mother as a painter and his father who had a tumultuous career.
  5. Early exposure to theater and performance through his mother.
  • Acting Beginnings:
  • Rockwell began performing plays and improv with his mother at age 10.
  • His breakthrough came after he completed a two-year Meisner program, emphasizing the importance of method acting.
  1. Vulnerability and Charm
  2. Charm as a Tool:
  3. Rockwell discusses how charm can be both a gift and a curse in human interactions and acting.
  4. The conversation touches on how charm can lead to laziness and entitlement if not policed by awareness.
  • The Role of Vulnerability:
  • Dax and Sam share insights on vulnerability in their lives and careers, emphasizing its attractiveness and importance.
  1. The Craft of Acting
  2. Character Development:
  3. Rockwell describes his process of character building with his long-time acting coach.
  4. The importance of collaboration and the idea of listening in acting, drawing parallels to therapy.
  • Influential Figures:
  • Mentions of influential people in Rockwell's life, such as Philip Seymour Hoffman and Eric Bogosian, and how they shaped his acting philosophy.
  1. Industry Insights
  2. Recognition in Hollywood:
  3. Rockwell shares experiences of being recognized in public, especially during his early career.
  4. The highs and lows of success in the film industry are discussed, highlighting the constant quest for stability and security.
  • The Illusion of Safety:
  • The conversation reflects on the fleeting nature of success and the perpetual fear of instability in an actor's career.
  1. Humor and Anecdotes
  2. Light-hearted Stories:
  3. The discussion includes humorous anecdotes from both Rockwell and Shepard, such as their experiences with therapy and memorable moments with fellow actors.
  4. Touching on the absurdity of some experiences that come with life in Hollywood.
  1. Personal Reflections
  2. Dynamic Conversations:
  3. The episode closes with reflections on personal growth, the nature of friendship, and the importance of connection amidst life's challenges.
  4. Humor as a Coping Mechanism:
  5. Both guests utilize humor to navigate their lives and careers, finding solace in shared laughter.

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Key Takeaways

  • Vulnerability and charm play significant roles in human connection and personal growth.
  • The acting profession is filled with challenges, yet it offers profound opportunities for self-exploration and understanding.
  • The importance of mentorship and collaboration in honing one's craft is underscored.
  • Personal stories, humor, and authentic interactions enrich the listening experience, showcasing the complexities of being human.

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Final Thoughts This episode of *Armchair Expert* illustrates the richness of storytelling in both life and art. Dax Shepard's ability to foster deep discussions paired with Sam Rockwell's insightful reflections provide a nuanced look at the messiness of being human, ultimately celebrating growth, connection, and the shared experiences that unite us all.

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Transcript

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0:28Welcome, welcome, welcome to Armchair Expert. I don't know. I'm going to put him in a top five, like most comfortable in their own skin. I don't know who the other. I know Snoop's there. Sure. He might be number one. But that's a nice quality. Okay. On a scale of one to a hundred, where do you put you? Comfortable in my own skin. And I'm going to, let's just arbitrarily give Rockwell 92. Okay. We'll give Snoop 100. Okay. I'll go 88. Yeah. I think you're very comfortable in your skin. Most of the time. Yeah. Yeah, I have my moments, but. Well, talking to Snoop, funny enough. Sure. I get so insecure.

1:05That's how this works. If you talk to people who are above you on the scale. They shine a light on the 12 % that's uncomfortable. Okay, three billboards outside of Ebbing, Missouri. The Green Mile, Jojo Rabbit, Moon, Charlie's Angels. So memorable White Lotus Season 3. And then, and this is a bit of an update. I ended up after this interview just tagging along with him. Oh, nice. To go watch The Bad Guys 2. It wasn't a premiere. It was just for the cast. Oh, fun. And I went. And it was so fun. And I loved the movie. Oh, great. Did you see the first one? No, what I watched. They do actions so well.

1:47That's the unique thing about this particular franchise. Yeah. Is the actions off the charts. And it was great. The Bad Guys 2. And that is out in theaters August 1st. Take your loved ones. You'll love it. Please enjoy Sam Rockwell.

2:21I'm thrilled. I got you some chocolate. Dax is undressed. I don't know if you're into it. It's gorgeous. I don't know which ones you want to trade. No, both seem so. I took the one with the almond, sorry. Yeah, I would have had the one with the almond, too. What is this place? Maru. It's on Hillhurst. God damn. They really know what they're doing. Yeah, during Matra? Yeah. You want to pull off that, too? Wow. Let's see how fucking... How much caffeine can you intake in a day? We're going to need a pack of cigarettes at some point. It's been a long time for me. I had a cigarette recently. Oh, you did?

2:54And I had one in seven years. On the deck of a boat or? On Easter Island. Okay, so not a terrible guess. What were you doing on Easter Island? I was doing a movie. Oh, we're recording, aren't we? We're always recording. We're always recording. And we're going to miss out on an Easter Island story. I was with John Malkovich, and we just were hanging, avoiding people, and we started talking about cigarettes, and then, you know. You needed one. Yeah. When's the last time you smoked a cigarette? I know exactly, because I had to quit. You know, I was a very happy smoker. So in September, 20 years. 20 years.

3:26Wow. Yeah. Were you ever a heavy smoker? No, I was always a dilettante smoker. So. Yeah, you have this. It's a very enviable. You can do everything, but you're not addict-y, right? I mean, I'm a little addict-y with the gym. It's definitely a better addiction, as you know. Yes. Yes. Because you have a great gym. We just perused it. Yeah. Yeah. You push the sled. You pull the sled. I don't know. Is that how you hurt your back, pulling a sled? It's fucking Zoom and FaceTime training. A two-dimensional image with a trainer and they can't see your form. So I'm really so over Zoom, man. Even therapy, like I did therapy on FaceTime.

4:03I just got sick of it. Now I'm guessing you were already seeing that therapist in person, right? Because I started in COVID. Oh, you started in COVID. Therapy. Okay. And I started on FaceTime and I think that did a lot for me. It was another dude. Yeah. I'm not super trusting of other dudes. Yeah. And there was some distance. And I ended up loving that because I'm like, oh, this is great. I'm not like in a room with a man or I'm having all those weird things about being in a room with, you know, a dad. Yeah, yeah, yeah, yeah. Because the therapist is kind of your dad, right? If you have a male one.

4:37Sure, I have a female. I have a woman. And, you know, I've got some mommy issues. So it's good. It's probably good. It's all that transference stuff. You're projecting onto them. Yeah, and they can be anything. They can be your girlfriend, your brother, your sister, your mother, your father, whatever. You start treating them as if you treat those people. Yeah. Yeah, yeah, exactly. They're actors. Therapists. Yes, because they have you come in. They're like, oh, great, I'm Sam's mom. I got to remember that. And then some other gal comes in. She's like, okay, I'm the shitty sister, right? You kind of got to code switch and be different.

5:08Yeah, you do, I guess. I guess you have to be facile. Well, you have to listen. Yes, another key ingredient of acting. That's tough. So you've had the same client for like a decade, and they're still telling you about something. Same old broken record. So you've been only doing it a couple years. Got it. Okay. Yes. Yeah, I've been doing it like a while. How many years? Since I had a bad breakup in my 20s. And then I got kind of weird. I had a weird phase. And then I had to go to therapy. Like the movie Shame weird phase? Not quite like that. Like the monologue from White Lotus phase? Yes, I could have gone that road maybe, but not that weird.

5:48No, I got what you might call hypochondriacal, sort of neurotic. And it was kind of a post neuroses kind of thing. Throughout my 20s, I wasn't neurotic at all. And around 29, I had this breakup with a very serious girlfriend. And then I just got real sensitive and I had to go see a shrink. You thought you were sick all the time? I got really sensitive, like car noises. Oh, this sounds like an anxiety disorder. Yeah, exactly. Yeah, I had that panic disorder. Ding, ding, ding. when she worked at SoulCycle, which you were just telling me you loved. You worked at SoulCycle? I did the front desk. No shit.

6:21But I got so anxious. I had to quit. No shit. Yeah, of course. It's so fucking loud in there. You know, I'm like 25 years old and people would come out and be passing out and it was on us to like revive them. I was like, I don't have this skill. Passing out, of course. Because they're doing like three classes in a row and they're not hydrating. Yeah. Okay. Let's go over our history real quick. Yeah. Okay. Groundlings. Right? God. Great memory. Of the people who ever came backstage after a show, you were among them. Yeah. I want to say you were with Minnie Driver. I came to see Minnie. Had you done Idiocracy at that point?

6:52No, no, no. I had never been in anything. I didn't have a SAG card. I didn't have an agent. And I was already on the Sam Rockwell train. I got on very, very early, and I was already very obsessed with you. That's nice of you to say. Truly. I was like, look at this sparkly unicorn. Meanwhile, you're a trained improvisationalist, which is a big skill. Nicotine. Oh, nicotine. I thought we were going to make out or something. Well, we're not ruling that out. If this goes perfectly, that's where it'll end. But yes, you came backstage. Yeah. And we had just done an improv show. Yeah. And you were so complimentary.

7:25Again, I didn't have an agent. I was 28. I'm like, it's never going to happen. Just you being effusive about thinking I was funny and that you had seen me be funny. And I was a huge fan of yours. Literally bought me time. I was like, oh my God. It was like a little gift that was just fuel in the tank. How old am I? What are you saying is that I'm really old? No, me? And that you were a kid and I was already a senior. Fuck that. I was 28 and didn't have a SAG card or an agent. Time was ticking. That made my year. The fact that you had come to that show and you were so nice. You're such a generous dude.

7:58And then a couple of years ago, we were in England visiting Kristen on a movie. We hung out with Stanley. And Stanley Cucci, who we had interviewed. Invited us over for dinner. And you were there. and I exploded with excitement. We were cracking up. I remember you, me, and Stanley were giggling like 12-year-olds. Onoxiously so, perhaps. Yeah, yeah. Do you remember that Dax did a reading of Stanley's book at the dinner? Of course he did. Yeah. What did I do wrong? That scared you. I see you're a little traumatized. What was my take? I had a take? I think you were doing a voice and you were just really doing a full reading.

8:37Was he doing a Stanley impersonation? I thought it was a big swing. It's a big swing at a dinner, yeah. Yeah. The thing I most remember is you telling me about a time in your youth that you went to a sex club in San Francisco. Yeah. And that was on roller skates. Good segue to White Lotus, yeah. You said you got to this club and you're like, whoa, there's a lot going on, there's a lot going on. And then all of a sudden this dude on roller skates rolls by and he's fucking jacking himself while he's roller skates. That's a true story. He was just roller skating. There was a person with a little tiny hammer and a chisel.

9:07and just abusing their genitals. What was the title? Like, what was the event? Did it have a name? Well, no, I bumped into a friend of mine from like elementary school and he said, I'm doing this thing. I got a new thing I'm doing. I got a new thing. I have a new hobby. Tell you what I'm into now. Hey, check it out. Led Zeppelin? No. He said, check it out. And I said, oh, that's kind of cool. It was just not what I imagined really. I thought it would be kind of sexier. and it wasn't so sexy. I was just like, yeah, no, this is not for me. Don't you find that where the rubber meets the road with a lot of this stuff?

9:45It's not what you're hoping for. It sounds good. Look at that, speaking of sex clubs. Okay, that was a trap. That was a trap? That book isn't there normally. Oh, is that right? And I brought it in and I said to Monica, Talk about therapy. This is ointment and I want to see if the fly flies into it because I have some bizarre hunch you also like crumb. Well, yeah, sure. What's not to like? I mean, it's pretty great. Yeah, Crumb's the greatest. Okay. Okay. Back to this dinner. The dinner was so fun. I had so much fun. I remember laughing a lot. Yeah. Another obsession of mine has been Goggins for a while.

10:21He's great. Could you be happier that anybody's having the moment? I'm so happy. You know, and we'd done Cowboys and Aliens together. You met him there? Yeah, we met on that. Okay. I don't know if I've ever worked with a friend that closely. So when we did White Lotus, it was really cool to have a shorthand with somebody like that. But I did wonder with the White Lotus scene in particular, does being really good friends help or hurt? Because it could definitely go either way. It definitely helped because we had to play friends. Yes. And I just could make him laugh. He could make me laugh really quickly.

10:53Was it improvised? It wasn't improvised. No, but there were a couple of little things to kind of like tiny, tiny things. Yeah. Mike's too good a writer. You don't want to mess with it. Have so many people come up to you about that monologue more than you would have expected? It's kind of crazy. Yeah. You know, and I was ambivalent because I was worried I wasn't going to be prepared because I was tired. And I've been doing all these monologues in the South African film. You have a 10 page monologue in that one? Yeah, that's right. How do you know that? Because it's my job to learn about you for today.

11:19But I told you this will be the last time I know this much about you. Yes. And that's it. And I remember I actually went to Billy Crudup, who I've gone to before to get help on that monologue. So I was a little tuned up, but I was then I was worried I wasn't going to be able to get off book in time. And then Leslie said, I'll help you. And we went on safari and she got me off book and we saw, you know, while you're looking at animals. Yeah. Yeah. You know, it was pretty cool. Wow. Were you in South Africa? We were in South Africa. So we were in this place called Kruger. Yeah. You've been safari?

11:51Yeah. Tanzania. Tanzania. OK. So that's not gorillas. That's more cheetahs and elephants. Lion. Yeah. Oh, that stuff. So that's what we did. Classic stuff. Yeah. Yeah. You got close and stuff? Oh, yeah, terrifyingly. Terrifying, yeah. Was Leslie at ease and you were terrified? She was at ease. I was terrified. Same. Yeah, no question. The first time you see a lion, we're in the little Jeep, and it's just Kristen and I in the drive room. And all of a sudden, the lion's walking and it's walking. And I'm like, this is really cool. This is really cool. Now it's getting really close to the thing. I'm like, I don't know about this.

12:20There's no doors. And then the fucking lion walks up. And, you know, it's 24 inches away. And it turns its head and it looks me in the eyes. And I'm like, oh, my God, this thing could just jump and eat me. And Kristen is delighted and not terrified. And I was terrified all the time. I don't know what that says about either of you. What's that phrase? The gift of fear? You know, I don't know. Right. But then maybe, you know, I don't know. Women walk around this earth with predators everywhere. We are used to it. That's a very good point. And you guys, and now you're around a real predator. That's really interesting.

12:58Real top of the food chain shit. That's very interesting. I never thought of that. Yeah, someone pointed out like that a woman often gets into a small metal box with another animal that's 2X their size. That's how we live. That's an elevator ride. And I'm like, yeah, that's... It's totally true, man. We had a koala bear, and I was like... You know, they have like... Don't they famously have... Claws. Chlamydia. Oh, sure, yeah. And they have claws, big claws. And chlamydia. And I was like, this thing's going to eat my face and give me chlamydia. And Leslie was just laughing at me. I'm an idiot, you know?

13:30Okay, so you did that. You worked on the monologue. Yeah, I sort of pitched some things to Mike White. He went for some of it. And then, yeah, just went in there and did it. Shaved my head and put a tattoo on and some scars, and that was it. It's none of our business, but how many takes? What realm of takes was that? You know, they had an earwig. I said, prepare an earwig just in case I get in trouble. And then I didn't need it. I did it in one take. Wow. And then I think we continue to do one takers. you know, and not break it up too much. Mike's just amazing. You know, he's like a Paddy Chayefsky kind of writer.

14:01You're tremendous in it. Thanks, man. And I'm sure you've been getting a lot of love, but I hope people give Goggins the love. If we can't cut to him. As far as that, yeah, absolutely. If you're on your own in a payphone giving that monologue, I think it's just a different experience. No, absolutely. He was having a great time. He was so happy to have somebody there. He'd been kind of, you know, he was Amy Liu, and they had a different thing. Their thing was more combative. And he probably needed a fucking break from that because it cannot be fun to be a dick to your co-star in every scene for months.

14:35Yeah, he was definitely having a tough time. And Walt gets very serious. He gets very into it, you know? Yeah. And so he needed somebody to kind of like, hey. So the reason I brought him up is that we interviewed him and then I hung out with him on a Sunday. It was so fun. And we're in the hot tub. And then just randomly he says, and I haven't seen your scene yet. So I don't even know you're in, this is like pre that airing. And somehow he says he's friends with you. And I said, oh my God, you know, I had the most fun night ever in England with him. I said, and then I think I texted him too much.

15:06I go, I think I really came on too strong. Not possible. And he goes, no, I bet he just, you know, he's in the clouds sometimes. And I bet he doesn't even know he didn't or did respond to you. And I was like, okay, that's really comforting. Did I not respond? Well, intermittently. No, I always respond, even with an emoji. You know what's funny? I'm really good with that. Even if it's just an emoji, I respond. Well, when I was texting you yesterday, I realized when I looked at the two previous texts, they were green. So I'm like, we don't know if greens get to you. You didn't get it. Yeah, what does that mean?

15:34Because I got some stuff not going through. I sent some videos to you and Justin and it didn't go through. I think I might need some technical help. And then I want to own my own. I got a little carried away with leaving you voice messages of me just going, how much you did, you rascal. This is my favorite line you've ever said in a movie. That's right. as George Bush. And so anytime I'd be thinking of it, I would just send you a voice memo. That's right, I remember that. Of me going, oh, that's right. I bet you did, you raciocle. Anyhow, how are you going to respond to that? I love a voice memo.

16:08I love a weird voice memo, though. Somebody just called them walkie-talkies, voice memos. Yeah. Are you a voice memo person or you're not? I'm getting into it. I think it's with age. Not wanting to type? Yeah, laziness. Well, this phone is like really small. You got an old one? Yeah, you got a like really tight. What year is that bad boy? I mean, it's old. I think that's maybe what's going on. Is that a seven? A lot of stuff wasn't going through today. A seven. I think I tried to send you and Justin the picture of Justin a couple of times. Justin Long. Yes, yes. Justin Long. Justin Long is also due and ripe and deserving of the same moment Goggins is having because I think there'll be a moment where people will look back and go, oh, right.

16:48He was perfect in every single thing he did. He is. He's awesome. So I'm just flagging him as he deserves a Goggins moment. I'm flagging him too. The impersonations he could do. Oh, yeah. His impersonations are incredible. I know. His Matt Dillon. Yes. His Matt Dillon is astounding. Did he do Matt Dillon too? He did Matt Dillon. He did a movie with Matt Dillon. He did it to Matt Dillon on a talk show. I don't think it went great. He can do Vince Vaughn so well, who's so hard to do. I know. He's so fucking funny, Vince. I saw him at this hotel. We met for lunch. at this Four Seasons, and he starts doing this bit with the waiter.

17:22He's like, we want the special. Can you get the special? The chef wants to give us the special. You know, the special thing. And the waiter's like, I'm sorry, sir. Oh, no. You know, the chef asked to give us the special meal. Oh, my God. You know what I'm talking about. Make it right. Make everything good. Make it right. Make it good. Make it good for us. And he keeps saying, and the waiter doesn't know what the hell he's talking about. At the end, he gets the bill. He says, it's free, right? He gets the bill and he keeps giving the waiter the slickly. This should have been free. Oh, God. He's hysterical.

17:56Okay. Bay Area. Yes. 1968, you arrive. Yes. November 5th? November 5th, 1968. Okay, we welcome you. Nixon was elected, yes. On that day? Yes, yes. Oh, wow. I don't know if that's fortuitous or a harbinger of bad things to come. Probably. Mom and dad are both actors. Yes. And my dad dropped out kind of early. My mother became a painter and my dad did a lot of jobs. We moved to San Francisco in the Tenderloin. I don't know if you know what the Tenderloin is. Kind of a sketchy. Gnarly, right? In the 70s and 80s. Yeah. My dad had a couple of weapons pulled on him and he's mugged. And sort of after nine, he got remarried.

18:39He had a better job, but he was a union organizer for a while. He drove a cab and I met Harvey Milken in San Francisco when I was like eight. Really? We lived in the Castro for a bit. We lived in the Fillmore, the Hay, you know, everywhere. He relocated to Culver City? He did. He's got Culver City and Santa Monica. Yeah. Because his bride lives in Santa Monica. Yeah. Yeah. He met her at a Bernie Sanders rally. Oh my gosh. They're a groovy couple. I just think that's weird to have two actor parents. It is a little weird. Although my dad quit so early. You never saw him. He quit when I was five.

19:12Yeah. Okay. So I don't really, although he's gotten back into acting a little bit, taking classes just for fun. And then my mom's a painter now. She's wild. I mean, I did plays with her when I was like a kid. Yeah. She took you on stage when you were 10, did improv in the village. I mean, I wouldn't call it real improv, but it was, yeah. But she taught me the basic rules, you know, always say yes. Yeah. Yes. And yes. And you're smarter than you think you are. Is that, isn't that one of them? Be a pro at everything. An expert, they say. So they got divorced when you were five. Yeah, they got divorced when I was five.

19:42And she moved to New York City? That was it. My dad had a lot of girlfriends, moved around a lot. So you were bopping back and forth? In the summer, I'd go visit my mom for a month, and that's how I did a play with her. Were you running around and exploring New York as a little kid? Yeah, I was. It was pretty wild. I was talking to Zazie Beetz and her mom. Michael Pena was on this movie in South Africa, and Zazie and all these great people at Juno Temple. But I remember talking to her, because she lived in Chelsea. It wasn't Chelsea back then. Her mother was from there. And I'm talking to her mother about the 70s.

20:13And I realized I'm Zazie's mother's age. Yes. And then I was like, wow, okay, that's what's happening. I could be all their fathers, Juno, everyone. Yeah, you're the same age as Zazie's mom. But when you're talking to Zazie, you and I are in a similar situation, which is we have our whole lives, I'm presuming, flirting with women. Sure, sure. It's why I get out of bed. Sure, of course. Well, Zazie and I in this cartoon are romantic. She's the fox, I'm the wolf. And then I'm like, wait a minute, what? Yes, hold on. I'm how much older than your mother? What's happening? There's two themes I want to explore in this ride of ours.

20:53Let's do it. I want to explore charm. If I have to pee in this thing, how is that going to go down? That'll dovetail nicely into my themes. I want to talk about charm. And I want to talk about fuel. Yes. Yes. The fuel of life. For me, from very young, these are parallels I've noticed when I was researching you. I know my explanation. So, dancing. Yeah. Are you a dancer? Yes. Love dancing. Dance immediately in junior high at the dances. And immediately realize I'm the only boy dancing. All these girls like this. It's a way to meet girls. That's exactly right. I mean, I was not. I'm a faker breaker dancer.

21:32When I did Fosse, I had to really learn some stuff. Right. So my shit's really like Baker Baker. I implore everyone to go and watch. There's these montages of you entering Fallon. Oh, yeah. Those are the same moves. If you Google, if you look at it, it's just the same boring moves. No, you keep upping it. I was watching it this morning, and what's so funny is you're upping it, you're upping it, you're upping it. And I was saying out loud to Chris, and I'm like, I don't know where he's going to go with the next appearance, and you come out with a fucking cane because there's nowhere to go. Yeah, that was a fluke.

22:01I stumbled into a Willy Wonka entrance by accident. Yeah, it's definitely a way to get attention. I think that I've always pictured myself kind of like a Chris Walken build. You're sort of like that. I always wanted to be like a lanky Tommy Hearns, Chris Walken kind of stretch limo. Yeah. And I always pictured myself that way, but actually I'm not, you know, I actually have T-Rex arms and, you know, like if I were to throw out a jab in my mind, I'm Muhammad, I'm Tommy Hearns or something, but actually, no, I'm like this guy. Right. You're more sugar, right? Yeah. Yeah. I'm more like, you know, the guy Mayweather knocked out.

22:39But so I think I have like delusions of granddaddy. I don't know where that came from. But there's a stubbornness where you go like, I refuse to accept this. Yeah. And so how do I maneuver around? Because that's not the vision I have for my life. But when I look back on a lot of the actors that I admire, Nicholson, Pacino, De Niro, you know, they're not big guys. And I think with that comes the gift of fury. And I think that that's a good gift, you know, like a John Malkovich or somebody like that, who I just worked with. you know yeah and to Turo and Gary Oldman you know they have the gift of fury yes you're not going to accept whatever it is you've been dealt I like the idea of you saying I think it's very honest just that you walk around kind of with the vision of who you are and then sometimes you look in the mirror and it's like oh wow that's actually not I think I have that too it's like oh I think I look like that but then I look in the mirror it's like oh whoa whoa whoa I better not look in the mirror.

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23:39I'm better off just like living in my head. I less and less look in the mirror, let me tell you. Yeah. But yeah, you have to be slightly delusional to be successful. And by the way, you can infect other people's view of you with that belief in yourself. Totally, totally. That is like, yeah, we don't like articulate or break down what are the ingredients of confidence, but that's what it is. Like I've created a reality bubble and I've sucked you into it. And now you're not sure either if I'm a five or a nine. Exactly. Right. Exactly. So you, I mean, there's so many things I would love to talk about.

24:09You go to a stoner high school. Yes. Kind of an outwardly bound thing. Yeah, I did Urban Pioneers. That was kind of like an outward bound. It had a reputation for being for the flunkies and I was flunking out of high school for sure. Cutting class, you know, smoking pot. And I heard about Urban Pioneers. It was supposed to be kind of rough. But the guy, Wayne McDonald, kind of changed my life in a way because we did these like hiking trips for two weeks. But the thing about the hiking trips, you had to solicit this food. So you have to go to Pizza Hut and ask them to give you, you know, 10 cans of spaghetti sauce.

24:45I think the rule was you couldn't, even if you had money to buy the spaghetti sauce on the fly, you had to solicit. So it taught you to hustle. Yeah. Yeah. Yeah. You know what I mean? Interesting. And it was a cool lesson. He says, if you don't solicit this food, you're not going to have margarine when you want on the trip. You're going to need that margarine. Yeah. Believe you me. You need that loaf of bread. There's going to come a time where you're going to want that margarine. So, you know, you had to get the food, man. Yeah. You wanted to like have a marshmallow to roast. Right. So you get the like real, real acting bug at that point.

25:22I went back to the acting program. I auditioned for the play. I watched Malkovich and Death of a Salesman on TV and I just decided to do that monologue. I got the play, but then I got a movie. In San Francisco? In San Francisco. I got a lead and a film, my first film. And then I decided from that, with the confidence from doing the film, to go to New York and sort of pursue acting. And that's kind of what happened. I lived with my mom the first year. Then I started going to sublet to sublet, working in restaurants, and then I started getting commercials. And I got a couple of episodics, like Equalizer and Longhorns.

25:59You did all the shows every New York actor does when I look at your resume. All that shit. NYPD. Yep. And then I didn't know really what the hell I was doing. And I went to a summer program. I did the summer program with Bill. He says, do the two-year. I said, ah, you know, I'm very busy. You know, I'm like 24. Yeah, I'm making moves. What are you doing? He's like, you know, I got this Colgate commercial. You know, I'm doing Law & Order. He's like, just do the two-year. It'll go by like that. Just do it. And so I did the two-year program and changed my life. And it was Meisner. Still to this day, I don't.

26:27I read an actor prepares Stanislavski, but when people say Meisner, I'm not positive. I know what it means. Did you do any Meisner? Did you do any training? Yes, because I studied theater in college. And so, yeah, we had to do Meisner. Yeah, yeah, yeah. But for people who don't know what Meisner is. Yeah, yeah. So Stella Adler, you know, Strasburg, Meisner went to Russia. They met Stanislavski. They came back and they divided. Meisner's about the what if. And Strasburg was about what happened for an emotional prep, if so. So, but Meisner's argument to Strasburg is like, well, what are you going to do if you're a heroin addict or your character shoots yourself in the face?

27:02Like, what are you going to really shoot yourself in the face? So method, meaning Strasburg, Meisner would argue that using your imagination is more practical. Mm-hmm. Stay tuned for more Armchair Expert, if you dare.

27:27Tell me about Idiocracy. You and Justin and Maya Rudolph are fucking phenomenal. I love that movie. And I know Judd a little bit, but how did you come up with that character? How did Justin—you guys had scenes together, right? We had no scenes together, but we hung out a bunch on the movie. That's like where we met, and we would go out. You're hysterical. Oh, my God, thank you. So what do you do—how did you prepare for that? And I want to ask Justin the same thing. I had done a version of that character, Frito, on stage at the grounds. and I was doing an episode of King of the Hill. I got along really well with Mike Judge and then two scripts of his were floating around.

27:59One of them was 3001 is what it was called. I read it and I said to him, I would love to come and read this role for Frito. But he was written as like kind of morbidly obese. And he's like, well, yeah, I kind of had someone else in mind, you know, that wasn't, yeah, I don't know if that's the one for you. I begged him to let me come in. And I did Frito, this character I'd already done before. and he was just like, oh, oh. I could just hear him laughing, right? And I was like, okay, that's all I was hoping. I'm like, yeah, I'm not the dude you wrote. It's not the right guy. But fuck, he's laughing and that's all I really want.

28:31Yeah, yeah. And then he cast me. And then I gained like 25 pounds in three weeks. Because the guy had to be eating fructose and shit all the time or something. Yeah, Flacherin. I think he ate Flacherin. It's so good. How did you come up with the character for Groundlings? How did you come up with that initially? What was the impetus for that? she's so mad. Are you mad? I'm not mad at all, but we do have to learn about you, but that's fine. Let's hear about it. I want to talk about your Meisner experience. No, God, no. Well, no, we can turn it around on me. It's fine. But I'm just saying, it helps me.

29:06We still have to go through your entire Meisner. Okay. All right. What do you want to know? But just quickly, Groundlings, how did it just came out of a suggestion from the audience? No, no. We also wrote sketches, right? So half the show, like you came to an only improv show. Okay. But generally the show there, the Sunday company, the Saturday company, it's all sketches. And then you do like three improv sets during the show. Yeah. But mostly it's all written. It's all Saturday Night Live like sketches. And so the first time I ever did it was with Melissa McCarthy. And we worked at a grocery store and I was a bagger and she was a cashier and we were falling in love.

29:38And you can imagine Melissa McCarthy. That's so good. It was so fun. Was she a dummy too? Absolutely. Yeah. I was like, I got a tape deck in my truck. You want to listen to my cassettes? She talked like that too? She had her own fucked up. She had the female version of freedom. You guys just said we're going to do a skit. We work at a grocery store and we're falling in love. And we're stupid. Yeah, we're as stupid as it gets. And we're made for each other. That's fucking amazing. And she is so excited to go listen to some cassette tapes in my truck. But all of this is based on the dude in high school who always talked about his uncle who was a tow truck driver.

30:10I mean, that's where it really comes from. Wow, wow, wow, wow. It's very exaggerated, but this. No, I'm, no. Just say it. What is it? She just had Goggins look on her face. She was going, it was like a half smile. It was like, wrap it up. She's telling me to wrap it up. Oh, she's telling you to wrap it up. Okay, okay. I guess the show's not about me. He's normally not supposed to say out loud the thing I'm projecting, but he can't help himself. None that we're on camera, it's fun to call him. Anyways, this guy was just always like, my uncle has a tow truck and I went out with him and we hooked up a brand new Trans Am.

30:46Wow, that is fantastic. There are real people out there I don't know that I've ever had a new character since high school I just accumulated all these kids I met And I was doing impersonations The robot's new, that's true What's the robot character? It's very cute What's the robot character? I am a robot And I always talk like this I want to be a real boy He wants to be a real boy It's really sad It's a Pinocchio story But he's got a cold and he's a robot Okay, we got to get to you. You go to New York. Because you do have this really, really interesting section before. Because you're a little older like me when you finally start working consistently.

31:30Yes, yes. And you actually know, okay, this is going to be a viable thing. Because your kind of breakthrough is like 28. You did a movie where you got a lot of attention. Yeah, well, it's weird. And this happened to my ex-girlfriend, Sarita. She was bartending. And she'd done a movie with Denzel Washington. And she got fucking recognized. and she was fucking bartending. Yeah. And I was like, this is weird. And then it happened to me. I was bussing tables and I got recognized for Teenage Mutant Ninja Turtles. And I'm like, would you like some more bread, sir? You know? Yeah, yeah. That's a weird experience.

32:01I mean, you have to go back to the restaurant. It's humbling, right? Yeah, that's really humbling. You know, there's that story about Dustin Hoffman getting in the unemployment line after shooting The Graduate. Wow. It's crazy. You know, because not everything pays, you know? Yeah. Yeah. About 28, 29, I was starting to work more as an actor. And were you busy in Labyrinth during that time? So Labyrinth is this theater started by Philip Seymour Hoffman. Well, actually, no, it was started by Paul Calderon and his wife and Johnny Ortiz. And then Phil came in later and I was one of the first gringos in there.

32:31And then Phil came along and then he kind of reinvented it with Stephen Gerges and Johnny Ortiz. Okay. They kind of took it over. It is what it is today. And how did you get on with Phil? Oh, Phil was a mentor and a close friend, and he directed me in a play. You know, he was always the sober guy. It was just cheeseburgers, cigarettes, and coffee, usually. And then, you know, that snuck up on us. And he was grumpy? He was grumpy, but in an endearing way. Yeah. He had a great laugh. You know, he loved Justin. Were the three of you somehow in, like... He came up to Williamstown to direct a reading.

33:05Justin wanted to read art, and Bradley came. Uh-huh. And Bradley was already doing a play there, and Phil said, yeah, I'll direct it. And we're like, really? And he's like, yeah, I'll come up. I'll direct it. He just wanted to hang out. Yeah. I remember we got in a car. You know the fart app, you know? You ever seen the fart app? No. You know the fart app. On the iPhone, it makes every kind of different fart noises. Oh, that's cute. So Justin hooked it up to the car speaker in Williamstown. And wait, is this turned down? That's the brown mosquito. Brown mosquito. This is called Burrito Maximo.

33:42Oh, yeah. Oh, God. This is called Laundry Day. Now you know why it's called Laundry Day. So he hooked it up to the car speaker, and Phil was in the back, and he would just ask people randomly questions. Hey, do you know where the Pizza Hut is? And they'd go, yeah, that's right. And he'd just push the button. Oh, right. And it was, you know, because the car speaker was really loud. Yeah, yeah, yeah. And Phil had this very infectious laugh and he would laugh so fucking hard. Everyone was kind of intimidated by Phil, but he was a brilliant director. He directed us in a play and he was, the things he would say, Eric Pagosi and I had a scene together and he would say these things to us that I never forgot.

34:22Eric and I had a scene where he was the devil and I was Judas. It was a funny scene. So it got a lot of laughs. And Phil was like, you know, I know you guys get a lot of, you're getting a lot of laughs and that's all great. but I kind of want to, I want to make the audience uncomfortable. You know, that's what theater is about. And if you want to get laughs, that's cool. But, you know, he says, Sam, you're playing Judas Iscariot. You know, he's a danger to himself and others. When you come out, you're drunk. I want you to make the audience a little uncomfortable. I want you to, like, I want them to like, maybe want to leave.

35:02Be a little scared. Yeah. And that was a great thing to say to an actor because it's kind of an impossible goal. So, I mean, Phil had a way of really inspiring you. Back to the charm thing. I heard you tell a story about Bill. So the acting teacher, the Meisner teacher. Yeah, yeah. He was an infamous teacher, like a very famous. And that's where I met my coach, Terry Knickerbocker. Right, which is the most delightful story ever in showbiz. I love this story. We'll get to it. Yeah, okay. But you talk about Bill at one point basically saying like, you're fucking lazy. Oh, yeah. You said that to me.

35:35Yes. And this is back to the charm thing. Yeah. No one's going to feel bad for anyone who's charming. I'm not asking for that. Yeah. But I definitely think you have to be more self-policing if you're charming. If you can kind of get away with murder. That's interesting. Because you can get away with being lazy. Sure. And so it's weirdly like this wonderful gift you get given, but can also spell your demise. It was a good lesson. And he said, yeah, that's so lazy. Like, pull it together. And it had a big effect on me. Around this time, when you get the first thing, you're 29-ish. In the 90s still, you had met Terry.

36:10Terry Knickerbocker had filled in and taught some of the classes. That's right, yeah. And you got along really well with him. Yeah. And you asked him to help you on this audition. Yeah. But this relationship you developed with Terry, you have not not used him for a project since. Yeah, that's right, yeah. That's a very special relationship. That's like 26 years of doing that. I read an interview with him talking about you guys working together. My understanding of what you guys do is, even for the White Lotus thing that we all saw, you sit down with this thing. You're not an addict, right? So we start with the fact that you don't, you, Sam Rockwell, doesn't know what it's like to be an addict.

36:45You're also not a Buddhist or an Eastern philosophy. No. So you and Terry's job is to start anchoring these details. Particularism, what is it called? Yeah. Particularizations as if substitutions. Sure. So you and Terry have done this for 26 years. And I'm assuming when you're going through it together, you're exploring your own history and things that you can attach emotionally that resemble the thing. Yeah. And so these sessions with Terry have to be really therapeutic now. Oh yeah. And he's a big therapy guy too. Are you free associating when you work with Terry and letting everything out like, oh, wow, that's weird.

37:26That does remind me of blank. Absolutely. Very intimate. So is it fair to say Terry might know you in a way better than any person alive? Yes. And I him. Now, as a super fan of yours, as I said, I was and I followed everything. Yeah. I had periods as a fan of yours where I was like, oh no why isn't this guy getting what he deserves what is your emotional ride through all the highs and lows yeah i've had some a lot of my shit's been afterlife like i saw moon and i was like well here we go motherfuckers it's on what a performance jesse james galaxy quest had afterlife i thought that was gonna be like ghostbusters you know we went to the premiere yeah yeah and it did okay.

38:10But like Jesse James bombed, even American beauty beat out the green mile, but I've been lucky a couple of, you know, like vice and Charlie's Angeles and stuff like that. But they're like moments. And then there's these lows and then there's these highs and these lows and then three billboards comes out and then you win an Academy award. And again, to me at that, if I'm you and you're 49 at that point, maybe that's right. Yeah. Yeah. Did you have a lot of these moments where it was like, okay, well finally I can just take a breath and it's established and I'm safe. I mean, every fucking day, you know, you're like, ah, can't I just relax?

38:44Yeah, when are we going to coast a little bit? You can, as you know, as you get older, taking the working out stuff, for example, you got to work even harder. You got to memorize lines even harder as you get older. I think you want to feel safe. You want to go, oh, I have finally earned the right. You're never safe, as you know, right? You're never fucking safe. It's all an illusion of safe. It's all an illusion. Yeah, it is. You're such an artist. I don't say that lightly. I don't think of many people as artists. You're such an artist. I could have this fantasy where it's like, oh no, he's never given a fuck.

39:13He finds another interesting thing to do. He focuses on that. And then another interesting thing. Some of them pop, some of them don't. He doesn't care. He probably isn't motivated by money. Like I can create that fantasy about you, but I don't know if that's actually the reality. I'm ambitious, whatever that means. You're ambitious to do good work. But I will say I have turned down money and I have said no. I mean, that's the only power you have is to say no. Is that hard for you to do? Of course. I was unable to do it. When they threw money at me, I always said yes. And then I paid the price ultimately for that.

39:44Did you? You feel you paid the price for that? Yeah, because I knew I shouldn't do a thing originally. That's why I said no to begin with. And then they threw enough money at me. And I said, yeah, I'll do it for that. What if I never work again? I need that money. All the rules have changed, too. I think sometimes you can be too precious, too, you know. What do you hope people, if they had to finish this sentence about you as an actor, Let's say you're dead. Okay. Sorry. For a long way. Yes, Monica. I'm dead. And people say he was blank. God, I had a good answer for that. Don't we always have a good answer on your gravestone kind of thing?

40:16And then I always forget. I think I know what you would want. What? What's that? Either he was adventurous. Yeah. That's pretty good. I like that. Which is also slash brave. Yes. Slash brave. Or dangerous. I don't think you, do you want dangerous? Would you? Yeah. Well, every actor needs a little bit of danger, I think. What about you as a person? Forget acting. Me as a person? Yeah. Well, you know, I'm a pretty courteous, I'm a nice guy, but I mean. That's a good question. I don't know the answer to that. What would you want? He was so playful. Oh, that's pretty good. I'm here to play. I came to this planet to play.

40:54And the more we can play, the better. Absolutely. Yeah. Because it's a beatdown. Everyone you love is going to die. All the shit's going to happen. Have you ever seen Manny Pacquiao hit the mitts with Freddie Roach? He's smiling. Yeah, yeah, yeah, yeah. The relationship with those guys is really interesting. Freddie Roach is so fascinating. Freddie Roach is amazing. And they're kind of patting that boxer on the head like their kid. Yeah, yeah, yeah. It's play somehow. It's play. You had a fun thing you were talking about in an interview. You were saying, like, people are so shocked when actors act.

41:26Yes, that's a good topic, actually. I find that fascinating. I totally agree with you. Christian Bale, like, that's a shocker? Why is that a shocker? Yeah. When they act out on set, you're saying? Yeah, you pay somebody to essentially be a child. Yes. And then you're shocked when they act like a child. It's like, what do you expect, man? One minute you're laughing, you're crying. You're like a little infant. You're being paid to be an infant. Yes, and then cut, and then somehow magically you feel like you did on Saturday morning. It's a little preposterous that that's the expectation. It's insane.

41:58I was doing Poltergeist, you know, it's basically an abduction film where they abduct your daughter, but it's a ghost. Yeah. I did some scene where I was crying about my daughter and then I couldn't turn it off and I had to go. Have a nice cry. And that happens a lot. Yeah. I had to go and let it all hang out. Sometimes that happens. Add in, I think the thing people don't necessarily realize is that everyone else's job is mechanical enough that it could be done. And you had a rehearsal. So cameras already done the dolly move 12 times. They have marks. They have all their settings. They're going to do a good job.

42:34You're going to fail at your job many times in front of these hundred people. That's right. You're going to fail over and over again. Someone's going to come talk to you. By the way, they fail too. You know, it's out of focus. But that's why after you failed eight times and you finally are getting it on nine and a guy drops a flag into the shot. I, it's a bummer because you're coming from fear so often you think that was the time. Absolutely. You're coming from fear. Alison Lohman on Matchstick Man, she shot a scene. She had to cry and cry and then it was out of focus and they had to go back. And that happens.

43:08Violet Davis did that on Doubt with Phil and Meryl Streep. That happened to her. She had to shoot something again. Very emotional. How did you get on with Nick Cage in that Matchstick Man? We had a great time. I feel like you two are both equally weird in a way that could either be flammable or really wonderful. Well, you know, it's funny you mentioned Vince and Justin and I, we were hanging out like we're doing these Elvis impersonations a lot. We would stay up late and do this improv that Elvis was at the parole board or something. And we would switch to take turns playing Elvis. Yeah, yeah.

43:37And Vince was always the best Elvis. And at the time, so I started doing basically Vince's version of Elvis for Nick Cage. And he had just gotten with Elvis's daughter. Oh, right. And he's obsessed with Elvis, right? Yeah. Yes. And he married her on the film, during the film. They broke up. So I realized, oh, maybe this is not cool. But he was cool with it. He was laughing. We got to talk about bad guys, too. I love bad guys. Bad guys one is awesome. Yeah, it's fun. As animation stuff, it's fun. Yeah, the premise of part two is they're now good guys. They're now good guys. They're on probation.

44:13And then hijinks ensue, yeah. And you have to be bad guys again. Yes. And it's all Danielle's fault. Yeah, we can't name it bad guys and not have you guys be bad. Yeah. Okay, you talk about walking a lot. Yeah. Who are your favorites right now? Who are you horny for right now? Christopher Walken always. Speaking of horned up, I forgot about the horned up elephant on the safari who almost killed us. Oh, tell me. He was in heat, I guess, apparently, because everything was a little scary, but pretty pleasant elephants. And then on the way to the airport, this very angry elephant came and they said, well, he's in heat.

44:46Was he dripping from the ears and shit? We didn't get that close. But he was coming towards the car. Yeah. And apparently couldn't find a mate. He was tearing down trees. Oh, no. He's like an incel. He was all horned up. He's an incel. Yeah, exactly. He's a 10 ,000 pound incel. Incel-a-phant. Yeah. Incel-a-phant. No, he was angry. But yeah, Chris Walken, John Malkovich, Juno Temple's fantastic. Oh, what a monster. You know Pena. I had a great time with Pena. He's so good. I read the monologue with Pena, actually. We were in South Africa. And he was like, you got to do this. I have a personal question about Leslie because she just came up and it just made me think.

45:20First of all, how did you guys meet? I don't know if I know this story. We met at the Chate. It's so Hollywood. What does that do? She likes that. I love that. That's a meat cue. Did you get the bolognese? That's a meat cue. Huh? No. We used to eat the bolognese. Yeah. Do they still have that there? Yeah, they do. We met in the lobby and back then, you know, it was a little sketchy and there was a guy named Will, I think, and he introduced us. I knew I knew her from somewhere. It was like that Dreamweaver moment. And we saw each other eye contact. And then I realized it was Talladega and stuff.

45:52And then I heard she studied at Bill's studio. Oh. And so I was like, oh, thank God she's not a shitty actress. Right. Because, you know, I like this girl. Yeah, yeah. 18 years. You're 18. Is it 18? Yeah. That's impressive. You too, right? Yes. But you travel so much. Extra impressive, I think. We don't have kids, but we have a dog. And you live in New York? We live in New York. And it was a choice. No kids is a choice. That's a choice, yeah. She just wanted dogs, and I was like, all right, let's do the dogs. We'll stick with the dogs. Let's stick with the dogs, yeah. Well, my only failure in this is I know there's something juicy with mom.

46:30I know. I want to know it. I can feel it. I know there's something really juicy. There's always something juicy with mom. I mean, we need to help. I mean, look at this. Sorry, one last question. You did Confessions of a Dangerous Mind. Yes. Again, this is before you came to see me in the groundlings. I'd already seen that. Which, by the way, didn't do well initially, and George killed it. Yes, great fucking movie. You're phenomenal in it. So for people who don't know, it's based on an autobiography by Chuck Barris, who was the host of The Gong Show. Did you ever watch The Gong Show? You're too young for that.

46:59Yeah. It's as game show as it gets. It's the best show of all time. I want to find it on YouTube. And the host of the show, Chuck Barris, wrote a book claiming he was a CIA operative, and then he had assassinated people. And then Charlie Kaufman took the book and adapted it into an amazing screenplay. And he stands by this story that he assassinated people while being a host of the gong show. He does. You hung out with him a ton leading up to it. George gave me a video camera and said, just go live with the guy. Wow. And he was open to that. Oh, he loved it. And then Mary, his wife. Yeah, we hung out tons.

47:33He loved Les Paul. The guitarist. Yeah, he loved the duo. and then he would air guitar and he did all the lines for me. Are you allowed to say what your kind of conclusion was? We don't think he really killed people. I think he had a nervous breakdown. Okay. And felt probably that, although he created the dating game and he did a lot of cool shit, maybe he didn't feel good about things and he probably made stuff up. But then again, sometimes I wonder, because sometimes he would say stuff arresting and you'd kind of go, wait a minute. I mean, whether it's true or not, he probably believed it. I think he did.

48:06I'd say, how many people did you kill? And he'd say, about 10 or 12. And I'd say, really? Wow. You'd say, how many people did you kill? Yeah. We got into it. One of the best scenes we had to cut, I think it's deleted scenes. Fred Savage plays the bellhop. There's these great scenes with the bellhop that are just amazing. And I'm like naked with a beard. It's some of my favorite stuff. It's just the movie was too long, but we had a good time with that. Have you heard Elvis talk about the bellhops? No. What happened with the bellhops? There's a great bit of footage online. Of course he talks about bellhops, yeah.

48:40He's on stage, and he has missed some shows, and it's at the height of people accusing him of being an opiate addict, which, of course, he was. Yeah. And he goes, I just want to tell everybody, I'm healthy, and I'm not doing drugs. I'm doing karate. And, you know, he goes, all this comes from those little bellhops, those little rats running around. He's got this whole... Is this at the end? Yeah, yeah. He might even be laying down on stage on his back telling us. But he's talking about the bellhops, and they're the ones that spread the rumors about him. These little bellhops. Wow. Yeah, it's great.

49:19That's online. You could watch him. Haven't you always wanted to play... Remember Kurt Russell as Elvis? Oh, yeah, yeah, yeah, yeah. He's just a fascinating character. My brother and I were obsessed with him when we were little kids. My brother's your age. Me too, yeah. And we would call when we were at a hotel. We would call the front desk over and over again because we thought it was so funny that Elvis would shoot his TV sets in hotel rooms. And we just were like, what else did he do? So we would call down to the front desk at like 10 and 15 and go, well, this is the king in 304. I accidentally filled up my bathtub with a lot of sausage.

49:52Could you send somebody up to get all this sausage? And it's just like we try to think of insane things we could call and say it happened in the hotel room. The banana cocoa puff sandwich or whatever. You got to see Vince's Elvis. Well, everybody, see Bad Guys 2, that's out August 2nd. You're a delight, I told Monica. You guys are a delight. I saw you in a calendar, and I was giddy. I'm giddy. I'm horny for you. I'm horny for you, pal. I'm attracted to you, and I'm so glad you came here. And how horny are we for Stanley Tucci? Come on. Oh, the Tucci. We love Stanley. All right, well, Rockwell, this has been so fun.

50:25Thanks for coming. Thank you very much. Thank you very much. I had a little accident. You can take some sausages in my best, too. All right. Meanwhile, everyone see bad guys, too. Check it out, man. Stay tuned for more Armchair Expert, if you dare. He is an armchair expert, but he makes mistakes all the time. Thank God Monica's here. She's got to let him have the facts. We have this very special guest. We have the most special guest. My grandson, Groot, is here. And there's a there's an explanation for this. I don't want people to think I'm now someone who travels around or you're exploiting him.

51:09I don't want anyone to think I'm exploiting him or trying to get ratings, although obviously this will be a ratings boom because he's so charismatic and cute. Yeah. And but the reason he had to join us for the fact check, I posted a picture of Groot on Instagram doing a driving lesson in the truck. And I think the perspective of him, because the camera is right in front of him and I'm in the deep back, the comments are almost unanimously, oh, my God, Grute is humongous. How did he get lost? How big was the bag holding him and how would you lose this bag? To the degree I was like, I think people think he's three feet tall now because of the perspective of the photo.

51:52Yeah. So last night we were in bed and I asked Delta if it would be okay if Groot came on a fact check. Proved his size. Yes, to demonstrate his actual size. And she talked to him and he said, yeah, he's super excited. Okay. And so he had three different outfits that he was debating between. And we landed on this one. We can't move the. Yeah, I'm going to move the bag. So he has a little bag. He's a little Gelson's bag. I can't wait to show you what's inside his bag. also he has a Stanley he has his own Stanley and it says Detroit Michigan on it. How did he get that? I don't know but he knows I guess he knows his granddad's from Michigan or his grandma.

52:34They have both. But he has his own Stanley that says Detroit Michigan on it. Yeah and he has this incredible He has a great outfit on. He does he has little coveralls like me. What are they called? What am I wearing? Oh overalls. Overalls. Are they? Yeah, because if I unbutton. Oh, okay. I don't want to unbutton. He's wearing a sweater, too. Delta was very specific about what he was supposed to wear. Don't mess with it. But I can just show you. It's overalls. It's overalls with some frill. Yep, and the beautiful red overalls, and then a gorgeous cardigan sweater over that. Yep. And he has his cool shoes on, and he has his Stanley Cup, and then do you want to know what's in his bag?

53:12Yeah, he has a tiny bag from Gelson's, which is an L.A. grocery store. Yep. He has his Mac, so he can do some work. He has a little tiny Mac, his size. And it's a real Mac. It looks just like a Mac. And are you ready for this? Yeah. I didn't even know that this was his favorite book. Hogwarts. It's a miniature Harry Potter. It is not. It's a Harry Potter book. Oh, my gosh. Groot loves Harry Potter. Of course Groot loves Harry Potter. What a sweet. Isn't he the sweetest boy? Yes, I love Groot. Yeah, he's so special. Yeah. And if you want at any point to have him with you, just say the word. We got in a little fight earlier because I asked if I could hold Groot.

53:56And you said we could both hold Groot. Yeah. And I said, but you always get to hold Groot. Why don't I get to hold Groot the whole time? And you wanted the whole time. Yeah. Yeah. You didn't want to share Groot. No, because I don't get enough time with Groot. Because I don't like to share. Well, not when I don't get any other time. And we have a little reward for him that Delta made for when he's done with his appearance. It's a group beer float. A group beer float. That she made. And if you aren't watching, you have to turn this on YouTube right now. To see the group beer float. To see this incredible.

54:33She made it out of maple syrup and milk. He has an entire miniature world. Yes. I mean, he's got his own computer and his Hogwarts book. It's incredible. I want to be him. I do too. I said to her last night when she was trying on his different outfits, I said, look, when I come back in my next life, I would love to be Groot and be under your care because he gets spoiled. Do you have any interesting stories? I do. You do? Okay, me too. Let's hear yours. I have a few stories. Okay. I think I'd like to hold Groot for this story. Okay, great. Yeah, yeah, yeah. Come here, Groot. He's also so soft. Come here, Groot.

55:09Come here. In case he gets thirsty. Okay. Have a little bit let's put it here so it's close okay now this is like practice Monica this could be the tipping point for you why don't I just get a grew you might want to just get a grew yeah it seems to be very god he's smiling right at me yeah this is preferred I can't even believe I was fighting to hold him because it's equally as fun just to see him yeah he's so cute to look at yeah he's so happy anyway so I have I had an ethical dilemma. Ooh, I like ethical dilemmas. So Callie and I went to a store, as we do. We shop. Yeah. And we went and got lunch after.

56:00And we were on 3rd Street, which isn't that close. We're not there a lot. Right. So I guess I'm not, I don't know why that's important. To me, for some reason, it's important. I was out of sorts. I've been there nonstop. Just Sim. I would never go to Third Street in my real life. Yeah. But I have to take Lincoln there several times during the weekend. Yes. I guess I'm just, I was a little out of sorts because I wasn't in my normal spot. Yeah. And we have lunch and we're walking back to our cars and there is a unhoused woman. Oh my, this is impossible because my story also involves this, but go ahead.

56:36Okay. There was an unhoused woman. I mean, there was multiple unhoused people that we passed, but there was one specific woman who was on the opposite side of the street and just, you know, screaming nonsensical words and. Angry or because there's many versions of the screaming. Sometimes it's really quite angry and sometimes it's just like they're talking to someone that can't hear them. Exactly. Yeah. So angry. Yes, angry, but kind of hard to tell. If you just glance at her, you probably you might not know she was unhoused or dealing with a mental issue. which she clearly was both. So anyway, we cross the street and then all of a sudden she is walking towards us.

57:23She locks on to you guys. And is screaming at us. And that for people who don't live in LA and don't encounter a lot of unhoused people, that's not normally the case. So they are often like screaming or making noise or talking and they're, but they're in their own world. Yeah. And they're never normally when they're in that state of mind, engaging with you. So this was very weird. She was, she was looking right at us and she was talking to us. Like we had become the enemy. Oh, oh wow. Uh huh. Okay. And how old was she roughly? I would say 40. Okay, so roughly your age. Yeah. Okay. Maybe 42 or something.

58:11Okay, so quite a bit older than you. A lot older. She is beelining towards us, screaming, screaming, fuck you, fuck you. And she's so mad. She is so mad. You want to fight? Oh, my God. Whoa. Yeah. This is your nightmare. I know. Yeah. And I, this is my nightmare mixed with, I'm pretty actually weirdly good in these situations of clicking into how to, I don't freeze. I'm surviving this, you know? And she is gunning at me. And Callie was like, okay, okay. Like she was starting, she was kind of engaging with her. Like, okay, okay. Callie's a little bit more like me. No. No. She's like you. I think she's like neither.

58:58Like she, she's not gonna confront that person. But she's also like one time in college, her and I were walking in the dark and there was like kind of some crazy guys like driving by and they turned around in their car and I just grabbed her and like we I ran her into this like hooded area. Uh huh. So I take charge. OK. She was just going to stand there. OK. OK. So so then she's coming at me and I left turn and sort of run into this laundromat. Uh-huh. And I assumed that Callie was either. You ditched her. You left her on her own. Okay. I assumed she was either with me coming. Yeah. Or because I was like diverting the attention away that she could just run forward, run away.

59:51Uh-huh. And then neither of those things happened. She didn't run. And then the woman, as when I turned, she turned and went after Callie and was calling her the N-word. Oh. Mm-hmm. Okay. Screaming the end hornet. Cal, just for the record, is extremely white. Just throwing it out there. That's right. Yeah. And so I'm just in the laundromat feeling like I force majeure. Force majeure is an event that is biblical or Mother Nature. No, you know the movie Force Majure? Oh, no, I don't. Yes, you do. It's the one with the avalanche. Oh, yes, yes. It's a Swedish movie called Force Majure where a family is on a mountain on a ski vacation an avalanche and the dad ditches the family not only does he ditch he kind of steps over one of the kids to run away yeah they don't die right it doesn't hit anyone it doesn't hit anyone so then they all have to get back together knowing that the dad just did that okay so i feel like i force majeure okay that makes a lot more sense and i i told her because then all of a sudden And she pokes her head over to the laundromat window and like starts waving.

1:01:02And so I come out. I was like, did you go into somewhere? She was like, no, she just ran after me and started calling me the N-word. And I was like, why did you? And then I felt really guilty. And she told me not to feel guilty. But it really, it really, I haven't been able to stop thinking about. I don't know if Gru should have heard this. Yeah, no, it's a great story that he needs to know about. His Aunt Monica? I'll never leave you. He needs to hear these so that he'll know when it's time this kind of situation happens to him. Okay. He's already heard it played out. So he might decide, A, that he likes that and he'll already have a game plan.

1:01:40Or he might decide, oh, she regretted that. I'm going to make sure I always grab my friend. I didn't. What? I'm just parodying exactly what you. I know. I'm just saying I feel guilty. But she said you don't need to. It was bad. It was bad. Where did she end up? Like, how long were you in this laundromat? Like, not that long. A minute or two? Yeah. Okay, so she just carried on. She didn't, like, get into— Also, I really felt like I really felt, as soon as I entered the laundromat, like, I was in some sort of movie. Oh, uh-huh. Yeah, because it was an extreme situation. It was such an extreme situation.

1:02:15It could only be happening in a movie. Yeah, and then you end up in this laundromat where there's, like, music. And then you're in everywhere, everywhere all the time. And there's two people just sitting there kind of like looking at me because I ran in like all. Like a guy with a knife was chasing you. And I was like, that was great. There's a crazy. And you start talking to strangers. To them. And now you're her. Well, they all ran. They ran next door to the dry cleaner. Yeah, it was it was wild. But yeah, she told me not to. I really think my fast thinking was we got to get out of this person's.

1:02:50What's the closest she was to you? Really close. What's really close? One foot, 10 feet, 25 feet? Where your knee is. Okay, so six feet. Yeah. Yeah. Yeah. Yeah. Yeah. If my head was here, my feet would touch your face, I think. Right. So she's charging, charging. By the time she gets to your, like, knee or calf is when I bolt to the left. Yeah, I'm out of here. Okay. Fight or flight, and it was flight. It was flight, but it was also like, Callie, go. Right. So now you're kind of resentful at Callie, too. You feel maybe guilty and resentful? Yeah, but take care of yourself. Go into a location. Yeah.

1:03:29But you bounced. She stayed there. And then the gal obviously didn't close the gap entirely and touch Callie, right? She didn't touch her. No, she didn't. Okay. So last night, I'm going to say we, but really Kristen. Kristen has, she wants things to be recycled in a particular way where they don't really just put it in a landfill. Phil, there's a service you can use in LA or you have a box and you put all this recycling. They actually take it to certified places that turn into park benches or whatever the heck the thing is. And so it's this box that's probably like 18 inches wide by 18 inches deep by 18 inches tall, maybe 24 inches tall.

1:04:06So it's a good size metal box and it sits in front of our house with those items in it. And then they pick them up in these bags. So Kristen comes in and she goes, a homeless dude took the box and he's on the bus stop bench. Okay. And I need to get it back. Oh, no. And I go, okay, yeah, I'll go get it. And she goes, but you can't go out there because there's a paparazzi out there. Oh. And I'm like, oh, my God. All of a sudden there's a lot going on. Yeah. I'm like, where's the paparazzi? This is an age-old debate. I get it. It's frustrating to live with me. It's not sufficient. You can't just tell me I can't do something.

1:04:44I got to like know exactly why I can't do it. This is an annoying part of me. So now I kind of want to see the paparazzi. So I'm not trying to look over the fence. And she's like, what do you do? I told you what's going on. Why do you not, you know. Yeah. That passes. Everything's groovy. And I have ordered food. So now when I get the food, now we're going on 30 minutes later. When I get the food, sure enough, there's a dude with a huge telephoto lens, like, you know, 20 feet away. Talking to the delivery guy and everything. And I'm like, oh, God. Because, yes, I cannot go get a box back from a homeless person while a paparazzi is taking photos.

1:05:18God knows what people's assumption of that scenario would be. Yep, agree. So suffice to say, a good hour and a half goes by before the paparazzi guy leaves in front of the house. So now I'm like, okay, I gotta go get that box. She really wants this box. Now, side note, maybe Rob will understand this. You're not watching Mobland, right? God, I want you to watch it so bad. It's so good. But Tom Hardy's job is he works for a criminal family and he has to clean up all the shit that goes wrong. And he just says, yes, I'll go handle it. And he does this very man of few words and he just, and he handles everything.

1:05:54He can fix everything. That's like on you. The show. That's like the TV show. You. Okay. So I go outside, look at the park bench, at the park bench, the bus stop. He's not there. Okay. I'm like, fuck, I got to get this bike. So now I get in the car and now I start driving around. And I'm driving around for a while. And at some point I'm like, oh, I'm like Tom Hardy. Like, I got to get this box. It's somewhere in the city. God knows, but I'm not coming home until I find this box. I'm driving all the way down to the 101. I'm on Hollywood Boulevard. I'm on all the side streets. You're looking for him specifically?

1:06:27I'm looking for the box. I've got to get the box back. Okay. And the metal box. Right. I'm driving around for a while. I'm like, I got my hazards on at times because there's a lot. There's, as you know, in LA, there's a lot of people to look at to see, oh, do they have the box? All to say, I eventually come upon him, see a guy on another bus stop bench, and I look, oh, there's the box. Yeah. And I was like, oh, yeah, I'm Tom Hardy. I found the box. Like, I've been driving around for a long time, and I didn't give up. How long? And I found the box. I want to exaggerate so bad. Do the real thing.

1:07:0920 minutes. Okay. That is a long time. I will say, I think a lot of people would have given up. Yeah. So I went in the immediate area and was gone, you know, and then I went, um, so then I just go, I go up to the guy and I go, Hey brother, that's, um, that's my box. I got to get back. And he's immediately nice. He's like, Oh, sorry. And I go, yeah, no problem. I grabbed the box. He's like, Oh, I have my stuff. Can I get my stuff up? Now I'm speaking a lot more coherently than he was, but I'm like, yeah, of course. So, you know, it's still got all the bags of recycling stuff. And we go through that.

1:07:37And then there's weed pipes and all kinds of other. Right. Just a bunch of stuff. Things he put in there. Bunch of Ziploc bags with God knows what. And he got his stuff back. And then I gave him 20 bucks. And then I got the box and I came home and I felt like such a hero. Wow. I really did. I felt like I was Tom Hardy. My wife needed this box. It was somewhere in LA. I found it and I did it without, completely without incident. Yeah, that's great. And, you know, as I'm driving around, I'm anticipating all the many outcomes of this. It could be I say, hey, that's my box. He says, fuck you. It's not my box.

1:08:10I'm coming home with the box. Trust me. Okay. And I, what I loved about it is it was like, I'm willing to participate in any option. I want the nice option. Mm-hmm. And it was the nice option. And it felt quite good. That is good. Yeah. Because he got 20. I got the box back. Everyone was happy. And it was an adventure. Great. Yeah. Isn't that funny that both of us had... Incidents. Yeah. Yeah, it is. It's unfortunate. What's crazy is how completely normalized it is if you live here. Because I'm thinking if I was still in Milford, Michigan, listening to the story, the notion that I would daily be writing as someone screaming at the top of the box of synities and racial floors, which is just like standard fucking business.

1:08:58It is. It is. I know I was driving by the gas station the other day and there was a woman there just standing you know just standing talking to herself and I barely know you know I barely noticed and then I was like oh yeah yeah yeah we are we we are so desensitized to it you have to it's not our it's not like a fault of ours it would kill you otherwise yes exactly you really don't have a choice you're kind of like or you have to move like you either yeah it's really but i saw a advanced screening last night of eddington which is a upcoming movie it premiered at can um it has a lot of really cool people in it all of whom i would love to have on the show it is quite dark but but funny um what's it about so it takes place during covid in new mexico okay and And that's all I can kind of say.

1:10:00Like it's a lot of things ensue. And a wild poster. It's got a bunch of American buffalo bison running off the side of a steep cliff. And they're in various states of tumbling to their death. It pokes fun at, I would say, everyone during that time. I mean, it starts in May 2020. And obviously a lot is happening at the time. The pandemic, Black Lives Matter. the movie starts with an unhoused person kind of on this rant. Oh, okay. And that's what made me think of it. But it's very thought-provoking and funny. Like we all, everyone across the board went a bit crazy. Oh, absolutely. And you get to see that.

1:10:49And it's good. I think a lot of people are going to be talking about it when it comes out. So shout out to Eddington and Joaquin Phoenix, Pedro Pascal and Emma Stone. Please come on this show. Also three of the 10 best actors alive right there. I know. Joaquin Phoenix. Is a phenom. Is such a special actor. Oh, absolutely. He's in that Heath category. Oh, yeah. And it's so compelling. He's just so compelling. In all the ways. Yeah. Yeah, the tenderness. Yeah. Yeah. I've hung with him a few times, and I am completely charmed by him and think he's so wonderful. How's it going, Groot? He's at work.

1:11:38Take your grandson to work day. Yeah. Do you need to hold him again? No, I love looking at his little smile. Okay. Have you seen Sinner? Not yet. Oh, man. I saw it, and I immediately, of course, wanted to talk to Joy about it, and I just hadn't. I had been busy. And then this morning after I dropped Delta off, I called her and we had like a 45 minute conversation about it. What did she have to say? Is there anything you can say if people haven't seen it? It just led to this incredible conversation between us about blackness, whiteness, masculinity, socioeconomic stuff, identity, how complex it all is.

1:12:17And how special the resilience of that group of people is and what has been the product of that. Black people. Yeah, black people. The product has been the best art that this country has created. Yeah. Is out of that heartache. Art, athletics, everything. Yeah. I mean, one aspect of it is there's also some Irish stuff happening in it. And Joy was saying when she first saw it, she was like, why is there an Irish jig in this movie? And I was like, and I haven't read anything about it. She's read a ton about it. One of her best friends is in it. Oh, cool. She had gone to like an early screening. And I said, well, what did the things you read say?

1:12:58Because I immediately went like, yeah, that's true of the Irish too. Like they were, you know, discarded by the English. And what came out of that is like this incredible music, the dancing, all this stuff. And it's just such a weird phenomenon that out of that suffering can come some of the greatest releases through artistic expression. This is quite beautiful. And yeah, the thing I think is so crazy. If you're the aliens looking at us from above and you understand genetics and alleles and genes and you're like, let me get this straight. There's like a million genes, two of them dictate your skin color.

1:13:41And this whole artifice is based off of maybe the most minute bit of your genetics imaginable. Like it's just insane how strong and permanent the thing is when it's such an insignificant piece of humor. I don't know. Yeah, it is. Oh, it's just a wonderful conversation. I just have so much gratitude to have her in my life to have very in-depth and honest conversations. That's nice. About that stuff. Yeah. Nice. Great fucking movie. Yeah, I wanted to bring up that I think the Sim is really, really on another level right now. Okay. Or I'm really in sync with it or something is going on. Because I've had so many weird Sim moments lately.

1:14:32Last night, after I got back from the movie, I was thinking about... Did the movie invite you to that? Yeah. Oh, cool. Yeah. So Pedro Pascal is also in a movie coming out soon called The Materialist, which I really, really, really want to see because it's the director of Past Lives, which is one of my favorite movies I've seen in the past decade, I think. I don't know if I've seen it. movie oh my god with gretta lee it's so it's so good it's so small like it's a story of um love and loss and the complexity of all those things and relationships like how complicated they are um and anyway it's a beautiful movie and same director and i'm so I'm really excited to see that.

1:15:25Yeah. And I was thinking about that and seeing it. And then I was like, it reminds me, Past Lives reminds me of this other movie I saw on an airplane. And I couldn't, I was like, what is that movie? And it was like foreign, but I couldn't remember. And then I started listening to this random fashion podcast. Okay. That, like minutes later, the movie comes up. That movie. That you were trying to think of the name of, the foreign film. Yes, The Worst Person on Earth. Oh, Worst Person in the World. Worst Person in the World, thank you. I think I've seen that one. It's so good. Yeah, what's it about?

1:16:02It's a Norwegian woman, and she falls in love, but then there's a cheating. I mean, it's just like a comedy romance, but deeper. Okay. And also a really beautiful story. It's an incredible movie. But I couldn't remember, and then they said it. Oh, my God. Within like 10 minutes of all the movies in the whole world, that's weird. Yes, that is. Really weird. And then another sim, we have upcoming guest. Great episode. I was editing and she's from, no, she brings up Lowell, Massachusetts. Okay. And when I was editing it, you know, I get to that part of Lowell, Massachusetts and my jaw dropped. because just hours before I was on Instagram and what pops up?

1:16:57This clip. We're not in Boston. We're in Lowell, Massachusetts. Or Massachusetts. I cannot ever say Massachusetts. Massachusetts. Massachusetts. I don't know. Whatever. Massachusetts. So that was in - Are there random people or is that - No, that's Jessica Simpson. That's from Newlyweds. Oh, my God. And it was a bit like she couldn't remember that show. Yeah, she said things wrong. She said things wrong. She did things wrong. She couldn't do the laundry, you know, whatever. Yeah, that was the premise. Yeah. Oh, yeah. What was the tuna bit? Chicken of the sea or tuna. And she didn't know if it was tuna.

1:17:34If there was chicken in the sea. I was on that show. You were? I was because it was when I was over there shooting that video. And then somehow I was just like, I want to say I went in the hot tub and maybe got drunk or something. Oh, my God. And all of a sudden they were shooting the show. And then I think it was just, I think. Wow. That's a big deal. That was a big show. It was. I loved it. Anyway, that popped up on my Instagram. She sang Lowell, Massachusetts. Don't act like this isn't nuts. Don't brush this off. The last thing I'll add before we do facts is, in case you're curious why I have this crazy haircut.

1:18:11Oh, yeah. It's because, have you seen the Brad Pitt GQ ad article? I did see it. Photo shoot. You did or didn't? I did. And what did you think? Hot as hell. God damn it. Yeah, I know. It's almost like the older he looks, the hotter he is. He's got like dirt on his face. He looks so good. He's got a shaved head. He's got like a white. Not every one of his cohorts is aging the way he is. I'll say that. Without disparaging anyone in particular. Fuck me. Look at him. You know what is weird, though? This has been tripping me out. As he gets older, he does a little bit look like my dad, which is crazy.

1:18:52I think primarily because my dad had really full, big lips. Oh. And just a similar face. Yeah. I just was like, oh, my God. Wow. Like, my dad was almost Brad Pitt. That's cool. It just needs to go a few degrees one way or the other. That's really cool. Yeah, but him riding the motorcycle on the beach and he's got the goggles and his face is all dirty. Fuck. He's a stud. He's just laying, that one shot of him laying, like he's just taking a breather thinking, laying down on his back in a white tee. Yeah. Ah! So anyways, I saw that. Yeah. And I lost my shit. Yeah. I can't even, I know you know what it does to me, but it does, it's so powerful.

1:19:32I know. It gets me so like. I love that. Yeah. Yeah, and so I'm like, I've had a shaved head. I look terrible with a shaved head, but I want now a shaved head. Right. And a gray beard. Yeah. And whatever motorcycle it was right in the whole package. Sure. I basically was like, what's the closest thing I can do to a shaved head? Yes. And I landed on this. Mohawk. Mohawk. For the listeners, Dex has a mohawk. It looks great. It's not a huge. You don't hate it? No. Okay, great. It's not a huge mohawk. It's like. It's a conservative. It's a mini Hawk. Yeah. It's like maybe two inches long. Yeah. It's nice.

1:20:09And I've really tried to think about what's going on. People love superheroes, right? They love superheroes for all these many reasons. Yeah. And I really think like, for me, he's as close to a real version of that for me. Uh huh. Um, he's kind of like a superhero to me. And so when I see him doing his superhero thing, I just, yeah, I, I don't know. Yeah. The titillation, is like, wow, how could he have now this facet as well? It's just like it never ends. I don't get sick of it. It's always a new look. He's in a dress at one point, you know, somewhere. I'm like, fuck, that's a rad dress. Yeah.

1:20:50Yeah. I just think like the endless, like he remains novel at all times. And he is aging. So it's like the story keeps on evolving. Yeah, he's great. I do think, though, I try to think about like, as much as I would love to look like him and stuff, I also imagine it's a burden. For sure. It has to be a major burden. Like, I don't know how the outside thing won't infect the internal identity. Yeah. You just have to truly be a superhero at that point for that not to just, that's not be like some kind of. Well, even superheroes have kryptonite. Well, one does, yeah. They all have a fatal flaw. Yeah, they do.

1:21:32Anywho, okay. That's my hairdo It's your hairdo It's nice It's been a pleasure having me in Do you want to stick around for facts Groot Oh my god his smile just got bigger It really did If you guys aren't watching this fact check You just must If your heart can handle it If it can handle it Alright love you Love you stay tuned for more armchair expert if you dare

1:22:14okay some facts i've really invited myself that's great maybe the most i've ever done did you just get in the car i was like i'd love to come to this with you the screening of this movie that's just for cast members that i'll be up he did invite he did invite you though in here no it was I was he was like you guys wanna come as a like no one would wanna come as a joke yeah this is clearly a joke don't say yes I'm not really inviting you would you like to come yeah and I said absolutely good for you I'd love to come you man and then right before the movie starts like the directors all stand up there's three of them and they're gonna tell everyone what they're about to see yeah and I go I just just really quick if I was cut out I would like to know before the movie then find out after.

1:23:01Do people laugh? Yeah, it worked. Oh, good. But it was a big swing. That's a swing because like they could be like. I had to call out that I had no business being at this. I know, but maybe people would think, oh yeah, was he supposed to be in it because he's not? This is horrible. I had a little bit of a fear that they would be like, oh my God. A, I didn't even know he was in it. They didn't even announce it that he was in it. And fuck, he didn't make the cut and he's here to watch. Yeah, I really was nervous some people would think that. I admire you. You take a lot of swings that most people wouldn't.

1:23:31And look, most of them work out. I mean, at least above 50%. Enough to encourage me to keep doing it. Yeah. Yeah. Wow. My family relishes when I miss. And I get it. I get it. It must be so fun when I come up short because they know I'm taking all these swings. Yeah, that's how I feel. But then it feels bad. It's like schadenfreude. I actually don't like that feeling. You don't want me to fail, but it's also funny to watch. It's like, look, it feels more like. The bill's going to come due. Exactly. Like, just like, that's the way life is. You can't just get out of this. Yeah. Justice has been served in a way.

1:24:08Justice, my favorite thing. Yeah. But that one worked. That one worked. Good. Fun. Great. I mean, ding, ding, ding. You took a big swing at Stanley Tucci's house by reading the book, which I brought up on this episode. And I didn't even really remember that part. I know. Well, I was doing an Italian accent. Yeah. My mama. My papa. Okay. Anyway. Anywho. All right, Sam. Well, Sam's. Sam's Sam. Sam is Sam I am. Yeah. He's the king. We talked about for a second transference in therapy. Transference refers to a patient's unconscious redirection of feelings and desires about past significant figures in their life onto their therapist.

1:24:53So this means the client may unconsciously project their emotions and expectations from previous relationships onto the therapist. For example, a client might experience love, anger, or dependence towards a therapist similar to how they felt towards a parent or other important figures in their past. So. Do you have this? Do you experience this? I don't think so, but I do think I did it recently. And I knew it. I was like, oh my God, I'm doing this thing to her. I mean, it was a complicated scenario, which I've now told you about separately or on an upcoming episode, people will hear about it. There was a complicated scenario happening and I was having a feeling about her that I have about other people.

1:25:40And I knew, then I was like, oh, I'm just doing this to her. But then what was interesting is when her and I talked about it, she was like, yeah, I shouldn't have done. Like, I didn't say you shouldn't have done that. I was like, oh, okay, so this has been going on and I'm realizing this. And she was like, I should not have done that. So that, it was interesting. Yeah. Anyway, I just love my therapist so much. Yeah, you love her. So much. And when I was watching the new season of Couples Therapy, I was like, she really has Orna vibes. Oh, wow. That's a huge compliment. I know. I know. I used to tell my therapist about how great Orna was.

1:26:18How could that be fun to hear? I don't know. No one wants to hear that. Or Phil Stutz. When we were obsessed with Phil, I would share with my therapist how much I like Phil Stutz. Yeah. But I had to be honest. That's the point. Oh, yes. Yes, you do. You do in therapy. Yeah. Yeah. But if someone's just going on and on with you about how much they love a certain podcast that's not yours, you know, they might at some point like reign it in. Yeah. It's like have some awareness. Yeah. Yeah. Some social awareness. Okay. Okay, now. I don't, if I've done it, I've not been conscious of it. Yeah. I don't think I have.

1:26:52Like, I don't think that's something I've like role played or. Yeah. It's all subconscious. Yeah. It's not like. Well, I think sometimes it's explicit, right? Like have a conversation with me. What would you say to your dad? Oh, sure. So you're almost like inviting yourself to take on dad role. This is like the pattern you get in that's negative that you're there to figure out. The therapist becomes that person. Yeah, they need to fill that role. Yeah, it's pretty. We're embarrassing, right? But we're trying to be better. That's the point of it. That's the endearing part. Yeah. Yeah. Okay, so I looked up the Tanzania safari animals versus the Kruger ones.

1:27:39Okay, great. Okay. What are you finding? Tanzania, I'm seeing wild beast, giraffe, hippopotamus, cheetah, zebra, leopard, lion, flamingos, American, I mean, African. American bald eagle. African buffalo. Oh, boy, there's really a lot of them, so I'm not going to keep going. Now, as far as Kruger. What is cute is you said wild beast. Wildebeest? Yeah, someone will say in the comments, I want to save them the wild. Here's what they've got in Tanzania, wild beasts. I mean, that's cool. Wildebeest. Yeah. Oops. The density, I don't want to shit on anyone else's African safari, but just as a fact, the density of animals on the Scrumetti Reserve is astronomically higher than almost everywhere else other than Botswana.

1:28:40That's cool. Yeah. Okay. Now in Kruger, Kruger National Park. Famous. Leopard, African buffalo. Wild beast. Wildebeest. Cheetah, African wild dog, common warthog. Now I'm like really nervous. I'm going to read something wrong. Impala, Vervet Monkey, Blue Wildebeest. Yeah, some others. I'm not seeing like lion. They have them there in Kruger. I think that's where famously one of those lions got into the bus window. Really? Yeah. That's. Yeah. That makes me really not going to go. Do you have interest in going on a safari? Or it's not huge for you? It's not on the top of my list. You're not like an animal person.

1:29:33Brand new information. It might be. Remember, I'm the one that told you that. Seahorse. I didn't know what a seahorse was because Indians don't know that much about animals. They don't fuck with seahorses, I think. Yeah, they mainly have bangled tigers. Tigers and elephants. Exactly. They fuck with elephants only. Yeah. Okay, so I was Googling do koalas have chlamydia. If you just type in do koalas, it autofills. John Oliver famously, do you remember this? He had a long-running bit, and it had to do with somehow Russell Crowe. It involved Russell Crowe. Okay. And so Russell Crowe, to get back at him, bought a plaque for him at the chlamydia ward for the koalas.

1:30:28Oh, I do vaguely remember this. So it's like the John Oliver koala chlamydia lab. You know, like it was a nominal donation required to have his name permanently associated with koala chlamydia. Koala chlamydia. Yeah. It is a significant threat to the koala populations in Australia, causing blindness, infertility, and even death. Experts estimate that between 20 % and 90 % of koalas are infected with... Also, that's – That's a huge delta there. Yes. I don't love that. That's like saying somewhere between none and all. Yeah, but it's probably because there's such stigma, the koalas aren't self-reporting.

1:31:09Yeah, probably. It's hard to get them to self-report. It's hard of it, yeah. Okay. Between 20 % and 90%. That is literally like saying it's between none and all. I think they mean in certain locations, like certain populations of them. Like some areas they have – most have it. Yeah, I want to be in the group with 90%. Why? That means they were fucking a lot. But you might die. That's evidence of being a party animal. Koalas are party animals. They are, as we now found out. Oh, I guess like. They're bed hopping. I guess I'm not a koala. It's okay. Yeah, you're a chinchilla. We should look up the chlamydia rate of chinchillas.

1:31:47I bet it's low. They're mostly in cages. Because no one wants to have sex with them. No, because they've taken themselves out of the population. And they are like goo. They don't have ribs, I think. But maybe they do. They have floating ribs. That's why I am definitely not a chinchilla. I have pretty prominent ribs. Pronounced ribs. Strong ribs to house those eggs. Okay. Was Nixon elected November 5th, 1968? Yeah. His birthday. Good job. Sam's birthday. Really cool. I thought that this episode, like, if you're in acting school or in, theater programs like I was I just thought like oh if I was in my high school theater right now or in my college theater I would love to listen to this because he talked about Meisner he talked about some direction from Philip Seymour Hoffman in a play that was very interesting and he mentioned Eric Bogosian like very very quickly and he's a huge playwright like when he mentioned him as he was in a scene with him and I was like oh, the guy who wrote Suburbia, like he's a very big playwright.

1:32:57And I would have been very excited if I was really in that moment. Yeah. I thought, oh, you wouldn't get it if you weren't a theater head. Yeah. I didn't get that. Yeah. So if you know anyone in a theater program, send this episode their way. You know, what's really funny is like in general, as people who listen to the show would know, I don't, I'm not generally interested in how someone acts. Yeah. There's Just a handful of people. And it's really dictated by do I think they're doing something that's absolutely extraordinary within the discipline. And I think he's one of the very few people I want to know how they do what they do or if they even know.

1:33:35I agree. Yeah, it would be like if we had Christian Bailon, we're asking him about acting. Yeah, I want to know how he breaks this down and gets to where he gets. Yeah. Speaking of both of them, I was trying to find the clip of I Bet You Did You Rascal. Hard to find. Which was in Vice. Best line of the movie. Best line. Sam plays Bush and Christian Bale plays Chaney. Did you rational? And I couldn't find it. Ah, bummer. No, it's a great line. But also, I was watching it. This could be one of these lines where it's not even in the movie. No, it is. You know how you've just been saying it so long.

1:34:07Oh, no. You find out, oh, my God, it's not even what he said. Or it's a different movie or something. Yeah. Anyway, they are both. I was just watching like a three-minute clip because I thought that's where it was. And they're both so good and so undetectable. They're a real person. It's wild. Yeah. Some people are just born to do certain things. He in particular, his gift is being a chameleon. Yeah. I remember watching Vice and like I thought about it for the first nine seconds he was on screen. And then I never thought about it again. And it really was just Chaney. He's, yeah. Yeah. He can really do that.

1:34:53Like, what if he had never found acting? He'd be a drug addict. Oh. We'll ask next time if we ever get him on. Okay. Meisner, just really quick. We didn't get too deep in this, but I do think it's worth. There's all these activities and all these rules and all these things. We did a lot of Meisner in school, and I was keeping it to myself, obviously. Yeah, you don't want to brag. make me feel insecure for my lack of training. Yeah. But the main thing you think of when you think of Meisner is this repetition exercise, which is like two people are in a room and I observe something. You're wearing a white shirt.

1:35:35Then you'll say, I'm wearing a white shirt. I say, you're wearing a white shirt. I'm wearing a white shirt. And you keep going back and forth until you notice something like naturally changes and you say that. And then it's, and you keep going back and forth. But you're obligated to not steer it in any direction? Exactly. It's really hard. Yeah. I want to do that. I mean, I don't want to make everyone else sit through it, but I want to do it. Okay. Yeah. You're wearing a black shirt. I don't want to do it. Okay. Okay. The original Gong Show. That was on NBC from 1976 to 1980. Four years. Again, four years.

1:36:14All these things I thought were on for 12 years. I thought Dukes of Hazzard was on for like 10 seasons. I know. That's me with Full House. A lot of these shows were like average hits. Yeah. I know. Mary Kate and Ashley. Oh, it was on for eight seasons. Never mind. Oh, wait. No, they might be counting later ones. No, I think that one was on. Was it? That one really ran, didn't it? I mean, I thought, but then, oh my God. But speaking of cool stuff, success. Because Full House, we were talking about Full House and that's cool stuff. To me? Yeah, cool stuff. Actually, no. Speaking of successful things, speaking of Mary-Kate and Ashley, The Row, estimated billion dollar company.

1:36:56Valued it. Valued it, a billion dollars. Yeah. I just read today that Hailey Bieber's makeup company, Rode, which is very good. I like a lot of their products, was bought for a billion dollars today. I was just somewhere she was at and I didn't talk to her. And now I wish I did so I could ask her about her company. I'm kind of obsessed with her. You are. She's really a powerhouse business person who's been like, you know, looked at as Justin Bieber's wife. And not only that, like stole him from Selena Gomez. Was that the story? Yes, that's the story. So she's been villainized a ton. Were they together?

1:37:38They were. Okay. And she's also someone's daughter. Yeah, she's. Stephen Baldwin. Yeah, so she has a lot of people that could overshadow her. And she's like, no. I think it's awesome. I'm going to get a billion dollars. She did it. You can ask me for money. Yeah. And we will ask her for some. We will ask her for some. Yeah. Anyway, I just think it's cool when women make a billion dollars. Me too. I love it. I just love it. All right. Well. Oh, oh, oh. one thing that I wrote down when he talked about Philip Seymour Hoffman and he said, you know, he was always the sober guy. Yeah. Like that was like who we was to them.

1:38:20Yeah. So it really caught them off guard and that made me feel really sad. Yeah. And I understood it. It's like sometimes that becomes your identity so much so that I don't know. Does that make sense? It is all interesting. Yeah. He's very legendary in the AA world, Phillip. In what way? He just was like people would hear him speak, and he could speak in a way that was very... Eloquent? Yeah, and like whatever his skills were as a humanist to be an actor, I think also was him sharing. I just have ran into lots of people who had seen him share over the years. Yeah. Like he's such a special dude.

1:39:02Yeah. So, yeah, that was one of the bigger ones that shook the community. Yeah. Ugh, it's so sad. It really. Yeah. Like, it's one thing when, this sounds, it's all horrible. It's always so sad. But when you know someone is struggling. That they had it licked at one point. Is that what you mean? Well, I mean, when you know someone's like a constantly back and forth and it's like a constant struggle when it ultimately gets them, it's so sad. But you're not like, well, fuck, this doesn't work, you know? But when it's someone like this where he's the sober guy, he's done it. Yeah. And then it still gets him.

1:39:52It's never too late. Exactly. It makes me really scared. Yeah, scared is the right. Sad and scared. Sad and scared. Can you just be careful? Yeah, yeah, yeah, yeah, yeah. Okay. I'll try not to shoot dope. Well, any of it. Yeah, yeah. There is a sliding scale of lethality for sure. Yeah, but that scale gets away from everyone fast. Yeah, yeah, yeah. All right. Love you. Love Sam Rockwell. Thank you.

From the publisher

Sam Rockwell (Bad Guys 2, The White Lotus, Moon) is an Academy Award-winning actor. Sam joins the Armchair Expert to discuss growing up in the Tenderloin of San Francisco, doing plays and improv with his mom at 10 years old, and the parallels between charm and fuel. Sam and Dax talk about stumbling into a Willy Wonka entrance doing his faker baker dancing, adopting delusions of grandeur that he moves like a stretch limo, and completing the two year Meisner program that changed his life. Sam explains getting recognized for the first time while bussing tables, how he builds characters with his acting teacher of 26 years, and the illusion of safety amid peaks and valleys of success.

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