This Mindset Shift Can 10x Your Income | Chris Do

24 Jun 2026 · 1 h 16 min · 30 chapters

Ask about this episode

Ask anything about it. ChatGPT or Claude reads this page and answers with the times it was said.

Connect VO and ask about every podcast you hear, including the moments you saved. Add to ChatGPT · Add to Claude

In short

How to stop selling yourself short and negotiate/price from a “rich mindset,” plus why charging more, holding your line, and building a clear personal brand/positioning increases income.

Guest backgrounds

Chris Do is founder of The Future. He’s taught hundreds of thousands of creatives and builders how to know and charge what they’re worth. He immigrated from Vietnam (family fled in 1975) and grew up with a tight-with-money mindset.

Key claims

  1. Money is a construct; confidence comes from reps/practice, not waiting to feel ready.
  2. With bosses, ask what you must prove to earn more; use smart, measurable goals and periodic check-ins.
  3. With clients, remember you’re the prize: don’t show “neediness,” don’t negotiate down with rising intonation, and hold your price.
  4. Charging more is more ethical than charging less because it enables better client experience and better pay/equipment for your team.
  5. Don’t justify your price; agree it’s a lot, then discuss the problem.
  6. Use price bracketing (big ranges) and “find how much is too much” even if the client claims they don’t know budget.
  7. Brand is scientific: the same product costs far more with brand because it signals status/identity; be different, not “better.”

Notable examples

  • Chris raised his day rate repeatedly from $300 to $800 after proving value; an executive questioned the jump.
  • Luxury “manipulation” via story and scarcity (e.g., Jackson Pollock story changing perceived value; Rolex throttling supply and creating gray-market dynamics).
  • “Three options” choice architecture: bare-bones, middle (most chosen), and premium.

Written by AI. May contain mistakes. Listen to the episode to check what was said.

Chapters

Tap a time to open that second in VO

Mastering Your Value in Negotiations

0:50 to 3:40

Learn how to break mental barriers that hold you back from charging your worth.

“of creatives and builders how to actually know and charge what they're worth.”

Strategies for Discussing Pay with Clients and Bosses

3:40 to 6:10

Strategies on how to approach pay discussions with clients and employers.

“says all the time is that you have to remember you are the gift.”

The Importance of Charging What You're Worth

6:10 to 9:50

Understand why charging higher fees is ethical and beneficial for all parties.

“And so I think it's really good advice for somebody to think about, you know, as you build your business, you've really got to hold a high, high standard because you're always going to be the standard bearer.”

Finding Your Price Point

9:50 to 14:00

Explore methodologies for determining and justifying your pricing.

“Why don't we say, let's say creative industry.”

Understanding Pricing Perceptions

14:00 to 15:10

Learn how to gauge client reactions to pricing through body language and tone.

“Is it$10 ,000,$100 ,000, or is it a million dollars?”

The Psychology of Value

15:10 to 18:00

Explore how stories and scarcity influence the perceived value of products.

“So it was really hard for me actually to shake my head while agreeing because I caught myself there.”

Marketing Tactics and Luxury Goods

18:00 to 21:00

Discover the manipulation tactics involved in luxury branding and consumer psychology.

“So if I showed you this amazing painting and told you someone in your family acquired it and they passed away and they bequeathed it to you in their will.”

The Role of Exclusivity in Sales

21:56 to 23:00

Understand how exclusivity and scarcity can drive sales and consumer interest.

“One of my favorite mentors back in the day at Goldman said, the only reason anybody buys anything is exclusivity, timeliness, scarcity, relevance.”

Building a Rich Mindset

23:00 to 27:20

Learn how to develop a wealth-focused mindset, regardless of your background.

“At the very beginning of my career, once I got out of design school, the first freelance work that I did was for some other designer, subcontracted work, designing brochures for a bank.”

The Importance of Branding

27:20 to 28:04

Explore the significance of personal branding and its impact on business success.

“Well, one of the cool things about listening to somebody like you is exactly this.”
Show all 30 chapters

The Importance of Brand Identity

28:04 to 32:06

Discover why brand identity is crucial for perceived value and connection.

“But it's really hard to sell a Zale diamond at a Tiffany's price with the Zale brand.”

Understanding Brand Differentiation

32:06 to 34:26

Learn how being different rather than better can enhance brand appeal.

“There's so many options today for almost literally the same product at vastly different prices because the story that they tell makes them feel different.”

Fake It Till You Make It: A New Perspective

34:26 to 37:18

Explore the concept of 'fake it till you make it' and its potential benefits.

“They have a lot of salvage stuff in their T-shirts, which I guess is me trying to signal that I am protecting the environment while we're flying all over Europe.”

Identifying Your Target Market

37:18 to 41:46

Understand the importance of positioning and knowing your ideal client.

“I have no problems with that term, fake it or make it.”

Overcoming People-Pleasing Tendencies

41:46 to 42:04

Learn strategies to overcome people-pleasing behavior in branding and business.

“been like, who of these people do I love so much?”

Overcoming the People Pleaser Mentality

42:04 to 44:35

Discover strategies to break free from people-pleasing behaviors and establish healthy boundaries.

“One of the things I love about the way that you dress is the same thing.”

The Importance of Defining Boundaries

44:35 to 46:49

Learn how setting boundaries can empower you in both personal and professional realms.

“I would give in to demands of my clients.”

Navigating Relationships and Expectations

46:53 to 48:50

Explore the dynamics of familial pride and personal expectations in relationships.

“The thing about your friends saying that they're proud of you is such a fascinating insight.”

Visualizing Success and Setting Goals

48:50 to 51:16

Understand the power of visualization in achieving personal and professional goals.

“I think one of the points of adulthood is making those realizations that maybe the things you did when you were a little kid, really trying to impress your parents.”

The Rituals of Successful Individuals

51:16 to 54:56

Examine the diverse daily rituals of successful people and the importance of maintaining focus.

“my partner, why can't I talk back to the client?”

From Discipline to Passion

54:56 to 56:00

Learn how discipline can lead to discovering one's true passions through practice and perseverance.

“You go as far as you can go and you take a break and then you go again, but you just never stop.”

Discovering Passion and Mastery

56:00 to 57:08

Learn how to combine your passions with your skills for fulfillment.

“If you saw me at a party, I didn't know anybody.”

Skill Accumulation vs. Immediate Pay

57:08 to 59:01

Understand the value of skill development over immediate financial gain.

“What would you tell someone who wants to figure out how to combine their passion and their mastery?”

Entrepreneurial Archetypes and Mindset

59:01 to 1:01:40

Explore different entrepreneur archetypes and their impact on success.

“And I think that's the gift in that response.”

Intentional Incompetence and Team Dynamics

1:01:40 to 1:04:22

Learn the importance of delegating tasks to empower your team.

“We've done this with, I mean, across my private equity companies now, hundreds of companies, and we follow it and it works.”

Embracing the Joy of Entrepreneurship

1:04:22 to 1:05:29

Discover how to enjoy entrepreneurship despite challenges and negativity.

“But I have probably symptoms of every single one that you've talked about.”

Handling Criticism and Trolls

1:05:29 to 1:08:34

Learn how to respond to criticism and leverage negativity for growth.

“And so I think we need to like raise up more entrepreneurial voices like that to have totally unique businesses where you do say no to a lot of things you don't like.”

Infusing Soul into Personal Branding

1:08:34 to 1:10:04

Get tips on how to add uniqueness and soul to your brand.

“Yeah, I remember listening to another speaker say that the truth is like a tuning fork when you don't hear it.”

Transforming Clichés into Unique Ideas

1:10:04 to 1:16:10

Learn how to creatively manipulate clichés to build a recognizable brand.

“Could be aesthetic or it could be verbal or it could be written.”

Transforming Clichés into Unique Ideas

1:16:13 to 1:16:32

Learn how to creatively manipulate clichés to build a recognizable brand.

“It can help you with practically anything on the web, like restoring a vintage motorcycle from a 50-page restoration block, or finally break down that long article you've had open for weeks.”
Hear the part that matters, and keep it.Open this episode in VO. Double tap your headphones to save a moment as you listen.
Get VO free

Transcript

Automatic transcript. May contain errors.

0:00Thinking about refreshing the carpet in your home? Now's the time to do it. For a limited time at the Home Depot, get 10 % off installed carpet projects on trusted brands like LifeProof, LifeProof with PetProof Technology, Home Decorators Collection, and Traffic Master. Plus, with installation starting at just 49 cents per square foot, upgrading your space is more affordable than ever at the Home Depot. Offer valid June 11th, 2026 through June 28th, 2026. Exclusions apply. For licenses, see homedepot.com slash license numbers.

0:30Chris Do:You are the master of your destiny, not the client. People forget about this all the time. They see the high ground. They see all the negotiation power that they have and assume that the other person holds their life. You have more opportunities to make money or more sources of income than they have to solve this problem. My guest is Chris Doe, the founder of The Future and the guy who's taught hundreds of thousands of creatives and builders how to actually know and charge what they're worth. We're getting into the beliefs you have to break to stop selling yourself short and the framework that will change how you negotiate every single deal.

1:00Chris Do:So I learned really early on, it's just a game. Money is a construct like time. Why do we feel like money is so concrete? It really is not. So we should play and we should try and we can do this. How could somebody train themselves to have this rich with money mindset if they didn't come from it? You know.

1:21I want to start with a move that I love from you, which is when you feel like a client or even a boss is not paying you what you're worth, you have an answer to that. What's the Chris Doe move?

1:34Chris Do:Well, first I want to caution everybody. Everybody thinks you're being underpaid and it's not always true. So I just want to put that out there. And what we do is we're contextual learners. So when you hear Sally's making more money than you, you don't consider Sally's more experience, shows up on time, does extra things, is more experience, went to a better school than you. And you're like, well, Sally's making X, I should make X. Objectively speaking, we're creating more value and we want to make more money. There's lots of ways to have this conversation. So we'll do it two ways. One with a boss and one with a client.

2:02Chris Do:Is that okay? Let's do it. Okay, so with a boss, you really do understand that they're kind of mastered your destiny and you are not. So it's very important for you to ask them, if I'd like to make more money, what would I need to do to prove to you that I'm contributing to the company? And the answer will sometimes surprise you. People think, oh, it's do more X or Y. And it could be something totally different. Something I learned through therapy a long time ago is if you want to be helpful, make sure what you're doing is considered helpful. So I would just ask, what would it take? And what we want to do is make sure what is said back to us is said as a smart goal, something that's specific, measurable, actionable, relatable, and also time-bound.

2:40Chris Do:So by this time, I will have completed these things and then therefore you'll consider paying me more and we should talk about that. So as you're getting closer and closer to that goal, you should do a check-in periodically, not to be annoying. Let's just make sure I'm on track. And if you are, and if they're really a smart boss, they should say like, damn, this person has initiative, they're a good communicator, and they're proving themselves before they ask for more. And usually they'll take the initiative and say, you know what, you're ahead of schedule, Mary, John, Bob, we're ready to go, and we'll give it to you.

3:11Chris Do:Because they realize it's hard to get really good people who take initiative and show that kind of gumption to move forward. What about if you don't think you're getting paid enough by a client or a client is pushing back on your price? Okay, totally different scenario now because you are the master of your destiny, not the client. People forget about this all the time. They cede the high ground. They cede all the negotiation power that they have and assume that the other person holds her life. And there's something that my friend Blair N. says all the time is that you have to remember you are the gift.

3:43Chris Do:He doesn't say that exact word, but you are the prize. He'll say that you have more opportunities to make money or more sources of income than they have to solve this problem. So you need to remember that. Yeah. That's a great point. So I usually walk into the room knowing that I've done the work. I put in the 10 ,000 hours of deliberate intentional practice to be good at what I do. I know that I'm going to deliver more value than I charge. I know that I'm going to hold the client's goals above my goal to make money. So I come in with the with or without you energy. I'm good with you. I'm good without you.

4:15Chris Do:My life was fine before you called or sent me an email or reached out and be a DM. So I'm good. And I'm good if we work and I'm good if we don't. So you have to come into it with that attitude. Now, okay, go ahead. Well, I was going to say it's the difference between hungry and thirsty too. And I feel like people can smell if you're too thirsty and you're out there kind of trying to get clients. I need clients. I need them. As opposed to you're actually lucky to work with me. And if you're good, that is true. Yeah. There's a neediness energy that you have. and if you've ever been around really needy people, forget about people.

4:46Chris Do:How about pets? The pet that needs to be held, the constant yapping all the time, you kind of grow annoyed because now it's like, I find it repulsive that this is happening. So you got to get rid of that mindset. Okay, so we're in a situation now where I know I'm doing good work. I'm going to deliver more value than I charge. Then I have to have a conversation with them. And I'm going to say my price. I'm going to say without a question mark at the end. I'm not going to use the rising intonation like I invite you to negotiate me down. I'm going to say it like I say my name. There's not a question mark there.

5:16Chris Do:I'm going to say it like I know my height or my weight that day. And I'm going to say it and I'm going to pause. I'm going to be silent. This usually is in a pocket of discomfort, the silence that we start to betray ourselves. We start to say, well, what if we did this and that? You start to negotiate down and they sense it like that. They know it. So they're going to ask for more and ask you to lower your price. They're going to look at other options because they're feeling something that maybe hasn't even been articulated, but we're really good at detecting vibe or our energy. We know that you need it more than I need you.

5:48It's, you know, what else is interesting is once you get a really big organization, you have salespeople, right? So right now we run a couple of companies. These companies are pretty big. We've got a ton of salespeople. You have to hold the line and let's call it vibe or aura so high that those underneath you still can catch some of that. Because what I've found is, you know, if you have any of that wiggle in you, any of that concern about your pricing, concern about your value, it bleeds down the business like a waterfall. And so I think it's really good advice for somebody to think about, you know, as you build your business, you've really got to hold a high, high standard because you're always going to be the standard bearer.

6:24Chris Do:I want to tag on that, which is the person who's out there on the front line between the client or the prospect in your company, they make this mistake all the time. They sell based on themselves and not based on you. So I said, I would never negotiate that way. I would never underprice. Who are you representing right now? Are you representing your level of skill and confidence, your years in business and experience, or are you representing me? And you need to remember that because you come back here, tail tucked between legs and make concessions that you're not supposed to, we have a problem.

6:54Chris Do:Because I would never do that. And if they start talking to me funny, I'd just get up and walk out of the room. Not to be rude, not to make a scene, but to say like, I don't think we're a good fit. I can already tell. And I would say, you deserve someone who's going to do what you want. And I just don't feel like we're that kind of company. And get up. I've done this. I've done this multiple times and they're shot. There's rooms of people who have half a billion dollar companies. I'm like, I'm out. I don't care how much money you have. It doesn't make you better. And I'm not going to deal with that.

7:20Chris Do:So I just politely say, this is not what we'll read to. I'm going to get up and I'm going to walk out. It's so good. And you can do this. You have this line I love, which is charging more is more ethical than charging less. Tell me what you mean by that. Okay. When you charge more, it allows you to do all kinds of things. Creative people, entrepreneurs are relatively young in their business. They have this idea that somehow it's wrong. It's unethical to charge more because if you could do for less than anything more than what you can do for rock bottom is taking advantage of people, manipulating folks.

7:51Chris Do:That's not true at all because we're not thinking about the other side of the equation. You have theoretically employed people. You should pay them as much as you possibly can. It's your job as a business owner to give them the very best work experience so that they can be with you for as long as they feel it's conducive to their personal growth and their financial life. This is very important. So when you charge more, you could deliver a better client experience. You can go the extra mile. You don't have to nickel and dime them because they're like, oh, make it a little bit bigger. Or can we try another option?

8:20Chris Do:You could be thrilled to do that. It is my pleasure to do these other things for you. And that's the kind of relationship I want to have with my clients. I'm going to pay my people better. I'm going to make sure that they have great equipment. This is a problem. A lot of people buy equipment based on what's cheapest and what's best for them. And if you've been working most of your life, you realize ergonomics, the machine, the monitors, all that should be really dialed in because your body's going to break down. I see people who have been in my industry in the motion design space. They're not the same person anymore.

8:50Chris Do:Their hands don't work. They have arthritis. They have carpal tunnel syndrome. They have all kinds of problems. They're very nearsighted now. And they put on 50, 60, 70 pounds because this is their life. So take good care of your people. And then in turn, take good care of your clients. Great point. Somebody listening right now is like, yes, Chris, this is exactly right. This is where I want to go. I don't know exactly how to price. What is your methodology for pricing? And how would you tell someone who's struggling with putting a real price tag on what they do to go do it? I try to play this game.

9:24Chris Do:It's the game of life, which is to find out what the theoretical threshold, the ceiling of what it is that I can charge for what it is that I do. And I want to always be slightly uncomfortable, and I want the client to be uncomfortable with accepting the price. I don't want them to say yes easily. I want them to be a little bit concerned, consternate about it a little bit, and just like, ooh, it's a lot. But you know what? You're worth it. The minute they make that decision, I know we're going to have a good time together. So what we can do is, what industry are we in? Should I? Why don't we say, let's say creative industry.

9:55Chris Do:Okay. Let's say you do brand identity. A lot of people need that. Logo identity systems, things like that. The problem that we have is we try to find prices that are low and then lower ourselves to meet those lower prices. We very rarely say, what are the best people in my space, similarly sized, charging? We always look for the low one, never the high one. We were both looking for exceptions, but we never look high. So aim higher and say, what would they be charging? Could I do that? Well, we won't know until we try. So when we're in front of a client, you can say something. It's called price bracketing.

10:25Chris Do:I'm sure you're familiar with this. You can say to do a project like this for a client like you, it's going to be between this number and that number. There's two ways you can say it. You can say lower to higher, which is the more natural of the two, which is like, say, from$5 ,000 to$10 ,000. We give them a nice range. The mistake that people make is like$2 ,000 and$2 ,500. Like, eh, well, what's the point? Big numbers, big round numbers,$5 ,000 to$25 ,000. They're like, well, what do we get for$25 ,000? Well, what do we get for$5 ,000? Now they're inviting you to tell them a story and you can tell them any kind of story at this point.

10:56Chris Do:There's another way you can do this, which is you start with a higher number and you pause for a brief second. And then you say the lower number. You can say it's going to be between 25 ,000 and 5 ,000. So then you're using anchoring at that point. And they're sitting there thinking 25 ,000. We can't afford that. Five sounds pretty great. But, you know, we don't want to seem cheap. So we'll say we have 18 and 18 could be 13 more than you're going to ask for in the first place. So you can do price bracketing. And then inevitably, they're going to push back a little bit, usually, especially if you're trying something new.

11:29Chris Do:Like, gosh, that is a lot of money. The best response is to agree. I never like to disagree with this kind of stuff. It is a lot of money. What kind of problem are we trying to solve? And then let them talk about the problem. One of my rules is never justify your price. So when they say, why does it cost so much, Chris? Because it costs that much for me to do it. I'm not saying you can't get it done for less, because I'm sure you can. but not from me. You have a right. And I encourage you to explore those options. And if you feel like they're not going to meet your needs, come talk to me. You know, what's so funny is I swear this morning, I was literally going back and forth with one of our portfolio companies.

12:07And I'll show you. The comment was, why would we ever justify our price? And I basically say, I don't do discount businesses. Like if you want to get discount advice, if you want to get discount investments, if you want to get discount product, there are plenty of people out there. But I'm not your girl. And so you should go and find what discount gets you. And then you'll be back. And so I love this because this is not normal. Most people, one, it's very hard to push back. Most people are not used to this idea of like, no, I'm not going to accept your frame. You're sitting over here with a frame that says this price is unreasonable, I'm actually going to like push back on it and have a different perspective.

12:48And so I think this is really, really useful for somebody who's like, oh, well, you know, actually we could, let me throw in an extra this and we could discount here. And there is this natural inclination to add more as opposed to like stand on your less. So I love your price justification. What about in a situation where somebody comes to you and is like, I don't know what to charge my customers because I don't know what their budget is. And so could I, you know, do I do competitive shopping for a budget? Do I just put out a bigger number than what I think some of my competitors even do? How do you like get to that first even bracket?

13:32Chris Do:Okay. First of all, when somebody says to you, I don't know what my budget is, you tell me you are the professional, they might say in a more condescending way, it's a lie. It's a very easy way to figure this thing out. Because though they might not know the number, they know how much is too much. So our job is to find out how much is too much and then push them even more. Okay? And we're going to change their frame. There's lots of ways to do this. So typically, I'll go through this. It's a nuanced thing. I think you talked. Let's go tactical. I can do that here. Okay? So number one is when you say, okay, so you don't know how much money you have.

14:02Chris Do:Great. Is it in orders of magnitude? Is it$10 ,000,$100 ,000, or is it a million dollars? And as soon as you say that, they'll know right away. well it's definitely not a million i'm like and don't tell them the number just say well what number would it be well we had 476 000 i'm like okay so we come somewhere near that you're going to be okay give or take so like 460 480 you're okay yeah so you see what i just did there i got them to understand in order of magnitude and this is how you do big big scoping on on things you don't know you just put a big number and see how they respond and then when they tell you a number where you know they're holding back.

14:37Chris Do:So don't just come in at 468 what they said, because then they'll think, I should have said lower, because that's what he was going to come in at. So you just gauge it, and you really read their body language, their tone, the hesitation in their voice, and the micro-expressions in their face to see what the truth is. I've heard it somewhere. Maybe you said it. Maybe someone else has said it that said something like, the mind can live in fantasy, but the body lives in reality. So don't listen to the words per se. Listen to the tone. listen to the pauses, and then watch their face and body language because it'll tell you a lot.

15:09Chris Do:Give you an example. If they go, yeah, it's fine. We could definitely afford that. So it was really hard for me actually to shake my head while agreeing because I caught myself there. What they're really saying is, no, we cannot afford that. If you submit a bid, they're going to ghost on you. So what I like to do is be super transparent and be very direct. When you said, yes, you can afford this, I noticed there was some hesitation. is that the case or am I misreading it well you know now that you mention it and there's lots of reasons why people lie to you social cues pressure to like not look cheap like you can afford it to look less than so people tell you all kinds of things plus they're also a bit conflict averse as well so when when you float a price they don't like they'll probably agree in that way and you're gonna find like well this advice didn't work from chris because you weren't paying attention to all the other clues you were getting.

16:00Chris Do:That's one thing that you can do. The other thing you can do is to prevent people from triple bidding. Fairly common practice. We need to get three bids. In some spaces, they're mandated to get three bids and make sure it's fair. And they'll pick probably one in the middle-ish, right? This one feels too cheap. That feels too premium. We'll pick the one in the middle. So what many experts will tell you, and I do this myself, I'll give them three prices myself. I'll say, here's what the bare bones option is. And here's the white glove Ritz Carlton Four Seasons Hotel experience is going to be like, here's what most people pick.

16:33Chris Do:And it's the one in the middle. And that's like choice architecture. We give them three options and you can see everywhere you go from SaaS products to real products, people always give you three options. And 80 % of the time they pick the one in the middle. I think because of your experience doing so much creative work, which doesn't have a set price tag. I mean, there's some cost of goods, but really it's not like making a truck, right? So when you're making commercials for the biggest celebrities or companies in the world, and when you're making music videos, the price can kind of be whatever.

17:06So you had to get really good at this in a way that a lot of entrepreneurs don't because they have set prices. They think, well, a lamp costs 20 bucks and somebody has to break their frame. And we were talking beforehand about fashion and how previously I was like, I like your outfit. And you were like, thanks. And how previously you didn't like to buy fashionable or expensive, let's call it actual things. And it was because I think you said, I know the manipulation and tactics that go into pricing these luxury things. But then once you bought them, you felt differently. And so I guess my question for you there is, what is the manipulation that you see go into really expensive items so that we can decide if we still want to buy them or not.

17:49It's not right or wrong. It's just, should we?

17:52Chris Do:Yeah. Seth Godin wrote a great book on this and it says, all marketers are liars and we, the consumer, are complicit in the lie. We want to be lied to because the human mind loves the story, right? So if I showed you this amazing painting and told you someone in your family acquired it and they passed away and they bequeathed it to you in their will. and it's a Jackson Pollock. They bought it when they're, you know, whatever, at a flea market somewhere in the Netherlands one day. And you're like, oh my God, I have a Jackson Pollock. How much is that painting worth? Tens of millions of dollars.

18:26Chris Do:And then they're like, oh my bad, that was just a painter's tarp. Just spillover paint. You're like, how much is that worth? And you're like, not a lot. Actually, it's kind of taken space. I need to throw it away. No, I was just kidding. It's a Jackson Pollock. Oh, okay, it's worth. So just understanding the story behind something changes your perceived value so much. And if I were to do this in a workshop context, you'll see the pendulum swing from trash to like cash and back and forth. It's just about the story. So if we want to build a really great brand, whether you're buying into a brand or you are creating the brand, you need to make sure you learn how to tell that story, a story that's compelling because the better the story, the better the brand.

19:02Chris Do:So that's one thing. Number two is this idea of scarcity, is that if we put a finite amount on something, then it seems it's more valuable because human mind wants the things that we cannot have. So there's a labubu that you want. If there's a Pokemon card you're dying to collect and they artificially control how many they'll make, same manufacturing or like variant colorways for collectibles. Because of that, there's status that we say, I can have this one thing that only a hundred were made. And that means that I have a lot of money and I buy, and I can afford to buy these ridiculously expensive things.

19:39Chris Do:as a sign of my wealth and my accomplishments and my success. And when we buy it, we're not buying the physical tangible thing. We're buying all the intangible things. Rory Sutherland talks about this all the time. We're too busy selling the tangibles. We need to focus on the intangibles. So when it comes to luxury goods, I'm wearing a Rolex. Somebody gave this to me, so I'm really happy, appreciative. Thank you very much. And I know that they make a million of these things. And somewhere along the way, I remember getting out of school, thinking to myself, I love the design. It's super timeless.

20:07Chris Do:I went to the store and bought it like how you normally buy stuff. I think it cost me all of$3 ,500. I bought a Submariner. Years later, I find that the market has been flooded with too many Submariners. And Rolex made a decision. They're going to throttle how you can buy these things. So I understand the business model. They want you to buy so many of the precious metals and the stones. The ones that are$10 ,000,$20 ,000,$50 ,000,$60 ,000. If you buy enough of them, they'll let you buy a lower price Submariner. Which is a wild thing. The margins are in the more expensive watches, and then they created a premium back market or gray market for the watches.

20:44Chris Do:So now they sell them above retail. It's wild how they do that. That's the manipulation game we're talking about. Chris Doe spent years grinding at something he really loved because he believes passion follows mastery. That's the version of this I see ending acquisition deals before they even start. People wait until they feel ready, until they feel confident. But that's the thing. I actually find that confidence is a byproduct of reps. So in the Contrarian Academy, we teach you how to get the reps without blowing up your first deal to do it, without completely changing your life. We do this because we believe in practice.

Read the full transcript

21:17When you do biweekly live deal reviews with experts in the space and actually figure out what are the red flags, what are the green flags, how do you figure out the right business to buy? Well, then when the business you are supposed to own or part of the business you're supposed to own comes in front of you, you already know it because you've seen a million like it, which is probably why you're going to talk to our 35 advisors in M &A, have six or seven live calls a month with them, and have a way to figure out how to buy a business even when you're employed. Most of our members still have a W-2, but they're serious about buying within the next 12 months.

21:52If that's you, you can apply here at contrarianthinking.co slash academy. You know, it's interesting. One of my favorite mentors back in the day at Goldman said, the only reason anybody buys anything is exclusivity, timeliness, scarcity, relevance. And he's like, if you can figure out a way to wrap all four of those around whatever you do, you'll be able to sell more and more frequently and with less struggle. And yet, I think when we build products or we think about business, we forget about it. We just say, doors open, bring everybody in, because there's this fear that if we don't, we can't restrict, that'll mean less sales.

22:26But there seems to be some sort of law of the universe that is actually the more you restrict it, the more sales that you get. I'm curious for you, you also have a line that is really good. It's something along the lines of, I'm not the cheapest. And so if that's what you want, I'm probably not for you. I'm curious at what moment you drop that in a sales conversation.

22:49Chris Do:People ask me about this all the time. They're like, you can do what you do because you're you and you've done so many things. What they don't understand is the mindset comes before the results because otherwise how does one get the results? And it might shock some people. At the very beginning of my career, once I got out of design school, the first freelance work that I did was for some other designer, subcontracted work, designing brochures for a bank. Appreciate the opportunity, but you know, I did the work and they paid me 30 bucks an hour. I was thinking, I'm fast. How much money did I make on this job?

23:21Chris Do:I worked on it for six hours. And I was thinking to myself, I didn't go to four years of design school to be the best designer in the world to be designing bank brochures. This is boring. I could have done this work before school. So I really thought about that. Once I got into the right industry that was super exciting, doing motion design, working on commercials and music videos and feature films, I was like, let's play with this idea. And there's a lot more elasticity to price than you think. Okay. It does help if you're in a hot market in an industry where there are more buyers than sellers.

23:51Chris Do:So you have all the right side of arbitrage on that. So I started going and I was freelancing and doing contract work. And so they're like, what's your day rate? I was like, 300 bucks. Like, cool. I'll do the work. It's like, okay, they seem pretty happy. I know I'm better than the other people who are doing the work. Let's try 400 and 500 and 600. So with the same client who's contracting work, I was changing my rate every single time they called me, which is seeming like every third or fourth day. It got to a point where I was charging$800 a day, just barely out of school myself. And this is pretty wild because that's like 1995.

24:26Chris Do:Their executive producer called me out. And she said, Chris, you know, we see what you're doing. Like, what is going on with you? Like, I just approved your last invoice and it was this amount and now it's 800? I'm like, yeah. She goes, care to explain? I'm like, no. why don't you call the creative director who i was working for ask him if it's worth it and then if it's not have him talk to me and i'll adjust the rate invoice been paid so i learned really early on it's just a game like money is a construct like time and why do we feel like money is so concrete it really is not so we should play and we should try and we can do this it's interesting because you don't come from a background that was super abundant with money.

25:12So a lot of people might hear this and go, well, he was probably raised with a ton of money. He probably had money all the time. He never had a poor person mindset. But that's actually not true because you come from humble backgrounds and actually immigrated to this country before you started building. So I guess my question to you there is, were you always this way? And how could somebody train themselves to have this sort of rich with money mindset if they didn't come from it?

25:39Chris Do:Yeah. My parents and I, along with my siblings, were immigrants from Vietnam. We fled the country in 1975. So they lost everything. They lost everything, culture, language, heritage. Basically, they lost it all and started over. So when you lose everything, you kind of adopt that mindset. So my parents to this day, I love them. They're a little tight with money. Like my dad, the joke goes, buys his groceries where he buys his fashion at Costco. And the cheaper, the better. Now, here's where the confidence and the mindset comes from. When you're good at something, when you put in your 10 ,000 hours of practice, you develop a new self-story.

26:15Chris Do:And the beautiful thing is today you write that chapter in your book, tomorrow you write a new chapter. You know, it's funny. I remember my father, same thing. We make fun of all of his Costco clothes to this day. I kind of got him out of it a little bit, but you can see the pain on his face when he has expensive clothes. And I do think it comes from, I think a lot of that generation that worked really hard, they almost can't comprehend the things we spend money now. Yeah, they have a guilty conscience about it and they get too precious. And this is not a flex, but when I was able to buy the first real car, I bought a Mercedes CLK 430.

26:51Chris Do:And after a couple of years, I was tired of it. So I wanted a new car. And I was like, what am I going to do with this? I just gave it to my dad. And my friend's like, you gave your dad your Mercedes? I'm like, yeah, because he needs a car. Gave it to my dad. My dad did not know what to do with it. I think he drove it like three times, then he sold it. And he wanted to buy a van. And to this day, I think he still drives the same Honda Odyssey minivan. He sold it to my aunt, and then he used that money. And because he's like, I just don't feel good at driving it. Somebody might hit it. Somebody might break in.

27:18Chris Do:And it's like, I don't know how to deal with that. Yeah. My dad. Well, one of the cool things about listening to somebody like you is exactly this. You get an opportunity to reframe your brain, because I do think we are all programmed. I mean, I love a line that you said, which was basically, because of all your practice, you were able to write a new self story. And that idea of the 10 ,000 hours leads to 10 ,000 new neural connections in your brain seems to be really true. But I want to talk about one of the things that you get paid a ton of money to do, which is personal brand. I like starting to talk with the money stuff because I think if you're listening, sometimes personal brand sounds fuzzy.

27:52Chris Do:Yeah. And so people are like, what does that even mean? And I don't have time for this. And is this really a good use of my resources? and I don't want to be on the internet and, you know, Chris and Cody are yappers. I'm not a yapper. All the things, right? But it's really hard to sell a Zale diamond at a Tiffany's price with the Zale brand. And so I think brand in general is something that feels fuzzy, but is so important. So I guess, can you lay out in your mind what is important about brand, personal or otherwise, and why should everyone be really conscious of their brand? A lot of people would say like all the action and activity and the heat is in marketing because it could be measured.

28:35Chris Do:There's an ROI. You put money in, you put money. You can take money out. When it doesn't work, it's very clear. Is a brand just about impressions and feeling? And is it about a vibe? And it can be much more scientific than that. Here's how, here's what we know. When you buy a t-shirt and there's no brand attached to it, like literally it's in a plastic bag with three shirts, what are you going to pay? You're going to pay the utility price of the three t-shirts. In theory, the cotton, the construction and the packaging, the shipping to a place are not a dime more. So basically you've covered the cost of producing this thing.

29:09Chris Do:Now you take that t-shirt and you give it to three different companies with three very different brands. We'll define what that is in a second. Then that price skyrockets from$10 for three shirts to like$3 ,300 or even a hundred dollars why is that it can literally be the exact same shirt i want to point out to like maswell's hierarchies hierarchy of needs because at the bottom is just like food shelter that kind of stuff like am i going to be alive next is about can i have some abundance can can i buy some things and then do i have meaningful connections relationships and family and then above that is something called status and above that i would consider identity self-actualization so we we We live in a time of the greatest prosperity in human history.

29:53Chris Do:We live longer. There's less dangers to us. And now we're sitting around not thinking about, am I going to eat tomorrow? We're asking our questions about, do I belong? Who am I? And who to identify with? And how do people perceive me? These are very important things. So the kind of watch you wear, the earrings, the car you drive, the zip code you live in, And all that stuff signals to other people how you see yourself. And you can say it's superficial and it's vain and it's all those things. And I would agree with you because we are superficial, vain human beings. So what we understand is when we're able to achieve the status that we have because we're buying this brand of shirt or that brand of shirt, it signals to other people, I belong to this group of people and I've achieved this much in my life.

30:42Chris Do:So it's actually quite valuable. And I'll do this test in my talk later today. where I say, okay, is it the brand that's more important or is it because it's a better product? Most of us will lie to ourselves and say, well, I buy Nikes or Adidas because they're a better shoe. That's a bunch of BS. You buy it because your story is involved with theirs. So the brand creates the product. It's really weird. And then the customer creates the brand because it's in our hearts and minds that we determine collectively this company stands for these things. And the classic example is, I think, when Budweiser tried to do something that was non-binary, it said something that was, quote unquote, very woke.

31:24Chris Do:And there was a lot of backlash for that. Because we know that's not them. And they're just signaling, virtue signaling to people. And it was just signaling to the wrong core demographic. It was even them. Good try, I guess, but a horrible idea. Just horrible. So how about the world right now is – there's a lot of similarity to it, let's just say. You see a lot of people going out there with the same videos, the same ideas, the same looks on brands, even startups in Silicon Valley. They all sort of have the bright colors, the singular lines. Everything is getting simpler. But you've kind of famously said, don't try to be better.

32:04Be different. What does that mean when it comes to brand?

32:07Chris Do:okay that is a line i want to give credit where it's due sally hogshead which i have yet to meet but we're kind of professional lurkers of one another i think it's a brilliant way to sum up the core of branding the essence of branding is to be different because if you're the same by virtue of that you're moving towards commodity right so if we buy rice we buy sugar or we buy anything and it's the same as something else there's no reason why i'm compelled to pay more That makes sense, right? But you can look across the aisle way. There's so many options today for almost literally the same product at vastly different prices because the story that they tell makes them feel different.

32:48Chris Do:And do you have a favorite brand or maybe the listeners who watch your channel, maybe you're like, we all love this brand. You know, I have a favorite funky brand, Imogene & Willie. It's a sort of Americana, new age, let's call it hipster Levi's is how I would describe it. Okay. Do they charge that new age price? Oh, God, yeah. Yeah, yeah, yeah, yeah. My husband, he's actually the one that turned me on to it, but their jeans are way too expensive. They're actually, talk about brands. They're actually uncomfortable because they're raw denim. You're not allowed to wash them. They have to go in the freezer.

33:23It makes no sense whatsoever, actually. There are Levi's that have existed since the beginning of Levi's that got washed and had all the things happen to them. So they've actually made the product more difficult. They've made it less comfortable. And that's part of the selling point, which I guess nails your point exactly.

33:40Chris Do:Yeah. Is it salvaged denim? Is that why? No. It's because it's raw, so the color isn't captured properly. It hasn't been heated. So if you wash it too many times, it bleeds. Oh, shoot. Because it's raw, it's never treated, so it's organic. There's some portion of that. I'm sure I'm butchering their sales pitch. But then also, it is really deep and dark, their colors. Okay. So when you buy that pair and you wear it, despite it being uncomfortable and hard to manage, what story do you tell yourself about this pair of jeans and you? Cool. Yeah. Yeah. It's, you know, I feel like they're cool. They do look different.

34:20They're a little bit more structural like jeans. They're rigid.

34:24Chris Do:They're stiff. And I think the brand has an identity I really like, American-based, important to me, and kind of have a throwback to some of the old ways. They have a lot of salvage stuff in their T-shirts, which I guess is me trying to signal that I am protecting the environment while we're flying all over Europe. So that's unreasonable too. Okay. So being eco-conscious is a luxury of the people who have means. Yeah. Because when you're starving, it's like, I'll get whatever I can get. All yes or not, it doesn't really matter. So perhaps the story you're telling yourself is American made, support America.

34:57Chris Do:It's organic, so it's better for the environment. And it's tough to deal with because I'm tough to deal with maybe. And, you know, I can handle it. I'm a grown ass woman. I know how to deal with this stuff. And maybe it's a signal to other people like I'm in the know. You may or may not be in the know, but I'm in the know and I'm okay with that. And I will pay the freaking premium price to have this scratch my body and have to freeze it in the freezer. Because your husband's like opening the freezer like, why are there a pair of jeans in it? It's his fault. Because killing the bacteria, you know, it's necessary.

35:27Exactly. And you'll do that for the pleasure of that.

35:30Chris Do:This is why I think people make it hard to buy their products, hard to take care of. Because like we need some challenges in our life and we feel like we have to work for it. It's worth more. Yeah, that's very true. What do you think, how does this compare to the idea of fake it till you make it? Okay. Like, I know that there's real components of brand, but should we fake it till we make it? Or is there a different way to think about that? Okay, possibly two different concepts. You asked me to combine two things here, so let me try and figure this part out. Let me just share with you my take on fake it or make it.

36:07Chris Do:a lot of people think this is a horrible idea because the word fake is in it and no one wants to be fake it feels fraudulent it feels like a lie or deception but i gotta tell you everybody who's ever been great in in this lifetime of theirs has once thought of themselves higher better stronger faster more intelligent than they were at that moment in time ira glass who's the host of this american life one of the most beloved podcasts he said that for years he had been working on podcasting. He plays this tape. He's like, listen to this tape of me. I'm years into it. This is not my first year. He's stammering.

36:43Chris Do:His voice is all over the place. And he goes, you know, there's this distance between the taste level we have and our skill to actually make it. And it's that thing that, that gap that tortures us that say like, why aren't I as good as I know in my mind? I think this is a very healthy attitude to have, which is to be able to dream of something that doesn't exist, including your future self, your future goals, your future partner and your children, because we need to imagine it, because what's imagined in the mind becomes, turns into reality. So if we can't imagine it, the likelihood of us achieving it, it's not so high.

37:18Chris Do:I have no problems with that term, fake it or make it. But if you don't like the words and you like the idea, I don't know if I've coined this, but I just tell people, believe it till you achieve it. And then also they're like, oh, that's fine. Literally the same thing. So this is packaging. This is branding. Maybe it's a little bit of marketing. So words, turns out, are very, very powerful things. Now, when it comes to your personal brand, let's say you're not a nice person. You're curt. You're not very generous. And it's all about what you want to get in this life. And then you go on TV, on YouTubes, and you tell people, oh, I'm about generosity.

37:55Chris Do:about kindness and looking after people, that's faking it. And that eventually will reveal itself and it inevitably will not look on you, look good. Yeah. We've all met those people. Yes. They're everywhere. Yeah. You said something that I loved. You're like, you don't really have a, you've said before, you don't have a marketing problem. You have a positioning problem, which is sort of exactly what you just talked about there. You're not, it's the same idea. It's just poorly packaged. So what do you mean when you say you don't have a marketing problem. You have a positioning problem. And do most people who sell something actually have that as their problem?

38:30Chris Do:I have no way to verify this, but I suspect it to be that. Everybody wants more customers. To get more customers, you need more leads. And they think, if I wave a magic wand, I'll just get more leads and I'll be able to do this. Actually, there's lots and lots of problems. You probably don't have a great offer. You probably don't know who your ideal client profile is. And back to this whole thing. All seem to be more interested in things made specifically for a certain type of person. We understand this. Those jeans that you bought don't appeal to me. I'm not going to wear them. And it might not appeal to a lot of other people for a lot of different reasons.

39:03Chris Do:It's too woke. It's too hippie. I don't care if it's American or not. It's too expensive. So they're not into that. But the clearer they get on the person they're serving and what they stand for, the more likely it is they're going to find customers. It's counterintuitive. So when we talk to creative people, they're like, well, I work with entrepreneurs. Duh. Who else would you be? I work with people. Okay. That's really clear and specific. So they're afraid that if they were to become more specific with who they serve, then they're going to lose out on the market. It's a weird mindset. So they look at the total addressable market, say it's this table, eight and a half billion people on earth.

39:41Chris Do:I serve all of them. In fact, none of them are looking for you because they don't understand what you stand for. But in the surface area of this, where this cup lives, that's a gigantic amount of people. if we're just to focus on them and we talk about their problems their needs their wants of dreams and their fears those people become super interested these people could care less because they've never cared so instead of trying to capture nothing you're actually looking at something that's quite concentrated and that's why it's a positioning problem you had said before in our conversation scarcity being exclusive i mean think things that are hard to get they're not abundantly available that are only offered to a few people that we actually have to put in extra effort to get become more desirable to us literally i was at a shop here and i saw a skateboard i'm like no maybe i should get that but it's probably everywhere that night i'm like online trying to find i can't find it it's bothering me right now so much so and there's no room left in my luggage i'm thinking about going back to a skate shop to buy it because i think this is not available anymore had there been 3 000 of them available I'm like, I'll just order when I order it.

40:47Chris Do:The same thing is true about people in their business. They don't have a lane because they haven't thought about it or because they're afraid to commit. Yeah. You know, it's funny. We see this so constantly. We've taught about 15 ,000 small business owners over the course of the last five years. And if I have everybody raise their hands when I tell them the main problem that you're going to have in your business, it's leads. I need more leads. The problem is then you go to your website and your website doesn't really speak English. It says we're for transparency and building. And what is it actually a custom construction company?

41:23Nobody's walking around saying, I want transparency in my building process. They're like, I want to be on time on budget and it to be fucking beautiful. Those are the three things. And so it's interesting because I found with most of them, they think it's leads, they don't think it's positioning. And then when you finally get down to it, they don't actually know exactly who they serve because they've never actually pulled their top 50 or 100 clients and been like, who of these people do I love so much? And they love me so much that if I could just clone them, I would be thrilled to only serve this person forever.

41:57And so I think a lot of your work is about narrowing down to find the person who's already looking for you. One of the things I love about the way that you dress is the same thing. It sort of signals, I'm a creative. I'm going to do things my own way. Some of these things are even customized. You've got the tape on your hat, so you can't even just buy it like this because I've got my own addition to it. So probably if somebody comes to you and they're like, I want something really corporate, exactly how I want it, you're going to be like, I'm not the guy for you. This is not right. And so even the way you present shows who you are.

42:30But I guess I was wondering how you get over this idea of being like a people pleaser, basically, and just becoming sort of this amorphous thing that everybody wants you to be. You talk about avoiding the three monsters, perfection monster, the advice monster, and the people pleaser monster. I'm curious, how do you get over these? And especially how do you get over that people pleaser component?

42:56Chris Do:that's a tough one the people pleaser one afflicts so many people and it starts early on in our childhood so i got into a strange conversation with a friend of mine and she goes you know i'm really proud of you i said oh i know you mean that to be a compliment but i don't interpret as one she goes what do you mean he says well when you say you're proud you exert power over me like who are you to be proud of me and i'm not looking for you to be proud of me she goes she was like bent out of shape and we had this whole debate she was don't you tell your kids that you're proud of them i'm like no i don't i don't why would i do that because for them to for me to be proud it means there's times when i'm not proud i'm always proud i'm proud when you exist that's all that needs to happen you you get you get um love appreciation and joy just because you exist in this world.

43:51Chris Do:I bet you're proud of what you did. Okay, so I'm not really into all that stuff because I don't want my kids to grow up looking for the approval of another human being ever. And not to say they're not disrespectful or that they're disrespectful or not appreciative of anything. We deal with that, but those are things that don't hold over anybody. So I think when you're sitting here trying to please someone, it's because in your construct, in the way that you grew up, the way that you matter in the world is to make other people happy. And I'm a recovering people pleaser myself. I tell people I'm a non-people pleasing middle child.

44:28Chris Do:And it's something that I've had to work through, through therapy and through coaching, that I found that I would give in to my employees' demands. I would give in to demands of my clients. And I wasn't protecting the most important people in my life, including myself. And that really bothered me. So people who knew this about me would be very passive aggressive. And they would say, for example, no, that I didn't want to fund this venture. And then they would say to me, oh, I've already funded it. They're my employee. And if you want me to cancel, let me know. They would do that. And it would just eat me up inside.

45:06Chris Do:But I didn't have the ability to say, yo, that is so not cool. Cancel that. And you know what? Leave. You're done. Because that's super disrespectful. You knew I didn't want to do this. You did it anyways. Super passive aggressive. Well, your imagination doesn't need to go there. That person didn't last much longer after that. So once we start to learn to define our boundaries and not to be so scared of like making other people unhappy, we find that we can, again, write a new self story and start to reprogram and neural pathways. Just like, you know what? I could do this when it comes to a cup of tea.

45:38Chris Do:I can also do this when it comes to a million dollar purchase. I could do both. I love this part. Chris is talking about the advice monster, right? The voice that constantly makes you collect more input instead of making the call. Most owners I know have a version of that, not because you're indecisive, but because you're making real business decisions without anyone in the room that's actually done it at the level you're trying to reach. This is actually why I created the Growth Boardroom. It's an on-demand board of advisors for owners who already have a team who already have revenue and are done making high stakes calls in isolation.

46:14And you want to charge what you're worth. You're probably not right now. Most of our owners are underpriced by anywhere from 30 % to 300%. So the decisions were being wrong, cost you a year. Those are about to be done because when our deal coaches help you figure out how to do quarterly planning, how to actually price, how to hire, and how to do our operating system the way private equity does, then you'll find the exact lever to pull in your business next. Most of our members come back with supply chain fixes, new client acquisition systems, cashflow savings. They didn't even know they were bleeding.

46:46So if you own a business and you're tired of making million dollar decisions alone, you can apply at contrarianthinking.co slash boardroom. The thing about your friends saying that they're proud of you is such a fascinating insight. It's funny, I was chatting with my mom the other day and she said the same thing and I didn't have the balls actually to say anything back to her because we're very close and I love her dearly. And so there's some story I tell myself about that would really hurt her feelings. But I felt the same way. I thought, I don't do this business for anybody else to be proud of me.

47:16And it's a beautiful byproduct if you are. That's great. But it's actually not because of that. But it's quite hard, I think. How can you establish your constraints in business when you can't establish them in life? So maybe that is part of one of the ways to start it. If you're having a hard time sort of people pleasing your clients or your employees, start with the people who are closest to you that you know are going to love you no matter what anyways, and saying, hey, I don't really resonate with that.

47:45Chris Do:Yeah. Now I will say this because I don't seem like a jerk about it. My mom does say I'm proud of you all the time. What do you say to her? I say, I love you, mom. You don't say anything? I don't say anything because it has - Because it would make her too sad. Well, it might. I know her intentionality, which is you've done things that I just admire so much. And it's no longer a power move for her to say that. But she says it all the time, which is a difference. See, so some parents will say, I'm proud of you on the condition of. My mom is like unconditionally proud of me, unconditionally loves me.

48:16Chris Do:And that's what's different about her. She's a very sweet lady. And I'm not looking for it. So the reason why I don't have beef with my mom or dad is because I'm not a child anymore. I'm a grown ass man. You can say whatever you want. That's your world. That's your reality. And I respect you. I'm just going to do things my way. Now, when it comes, and if there's going to be somebody who's proud of you, it should be the people who brought you into this world who gave you life. I think they have a legitimate claim to say that, but I don't register it like that. So I would not encourage you to get on the phone with your mom.

48:46I heard someone asked, like, F you, mom.

48:49Chris Do:Take your pride and shove it up. I think one of the points of adulthood is making those realizations that maybe the things you did when you were a little kid, really trying to impress your parents. And they were great motivators in that way. It doesn't have to be what leads you anymore. So we have a lot more agency than we give ourselves credit for. People are like, I hate this town. I hate this job. I hate my partner. Well, who chose them? Unless you're chained to something with a gun to your head, you have a lot of agency. it's much easier for us to complain about something than to actually commit to change.

49:25Yeah. And part of the reason that things won't change, I feel like, is you continue to say the same. And then the universe, at least in my case, usually eventually has to drop kick you spectacularly in order for you to move. And that probably wouldn't have happened if you had just moved more quickly. So I love that. In a different vein, you've talked a lot historically about about visualizing. And of course, visualizing brand and graphics and some of the beautiful things that you create is really important. But you've talked about it broadly, how even gold medalists pre-visualize what they're doing.

50:00And so can you talk a little bit about this idea of the ritual that you do if you want to win or build the life you love?

50:09Chris Do:Yes, yes. So I want to connect it to this one idea before I forget. But my friend who is a design luminary, his name is Brian Collins, Seacoast designers, are futurists. We imagine all the possible ways that this can happen and we choose the most optimal path. I love that description. Brian is an intellect and he's intellectual and he's a designer and creative person. He just gives so much meaning and purpose to the kinds of things that my people do. So we sit there and we imagine like, what does the Cody Sanchez logo look like? What does the cover art look like? And we rehearse them in our mind and sometimes we make them on paper or on the screen.

50:42Chris Do:and then through our intuition and our experience we pick the one that's most optimal for you to achieve your result that's pretty cool so they can do that in that way and then they somehow shut off their brain for everything else in their life which is really bothersome to me design legend i think massimo vignelli had said something like how you do one thing is how you do everything so if you could design this you could do everything else so if you can see in one aspect of your life you could do this but in another aspect of your life you can't resolve those conflicts. Figure it out. Put them together.

51:13Chris Do:Okay? Really, just like, if I could talk back to my partner, why can't I talk back to the client? If I can ask for more with my children, why can't I ask more for this other thing? You can, and it works, because we desire to be consistent, right? It's like, you don't want to live multiple value sets or belief system. It's just too complicated. Krishnamurti said something like, the highest form of human intelligence is to observe without judgment. And I'm like, I'm aspiring to be that. Now, what I want to do is say to myself, okay, what do I want in my life? Where do I want to live? What kinds of things do I want to achieve this year, this moment?

51:50Chris Do:And I really focus on that. And I dream on it. I'm dreaming while I'm waking, just thinking about over and over again, rehearsing in my mind so that when those opportunities or choices are in front of me, my mind has already figured out that this seems like the most likely path. It's like if we sat in a forest and I said, let's go find the thing, the chances of you finding the thing are kind of impossible. Because what is the thing? But if I said if we find the mountain that looks like a witch's nose, that peak and it has all these things, now we can get really specific. And you may not even want to venture off into the woods.

52:26You might want to ask me a few questions about what direction is it in?

52:32Chris Do:Approximately how far away is it? So what we're doing there is we're making the abstract more concrete. The more that we can visualize that in our minds, I think the more likely we're able to achieve it. You know, it's interesting. I was talking to my husband today and he's a Navy SEAL. And they go through something called ground training, which is basically the Green Berets have perfected it, but they drop you off in the middle of nowhere. And you have to find a series of things with a very limited number of supplies. And you have to do it in a certain amount of time. And if you don't, you're kicked out of BUDS training, which is the preparation to become a SEAL.

53:05And we were just talking this morning about how he's quite good at this because he used to be a hunter with his kid, with his father when he was just a kid. And one of the ways that he was one of the fastest to do this during his BUDS training, which he would be embarrassed for me speaking on it, on here is something called terrain navigation. And we're not taught this actually in modern society anymore. You're taught to use maps. We used to obviously be taught by the stars. That was way back in the day. But terrain navigation is exactly that. So if you're in an environment, always anchoring yourself to some of the highest things that you can see.

53:44And it's interesting when you think about that in your life as well, like what is the terrain you want to navigate towards consistently? What is the highest point that you can imagine? Because a lot of times that's the easiest thing to find, as opposed to what do we obsess on instead? Daily rituals, what to do every morning. I've never really associated with that at all because the most successful people I know have nothing in fucking common about how they run their days. Like almost nothing. Some of them drink a lot. Some of them drink zero. Some of them get up early. Some of them stay up late.

54:14Like almost no similarities. But they all did aspire to do something really, really big or great. They had that like terrain, that monument in front of them that they wanted no matter what. So it's a beautiful way to think about it.

54:26Chris Do:I bet you they're really obsessive. I do think, I kind of think about it as that peak. Like they're always looking at that one thing that they want to achieve. Yeah. But some of them are obsessive in cycles. And some of them are obsessive in like a season and then not obsessive. Yeah. You know? Because I think there's an exceptional few who can be obsessed long term consistently without burning out. So obsession is one of these things that isn't, you just go and never stop. You go as far as you can go and you take a break and then you go again, but you just never stop. You take breaks in between.

55:03Chris Do:So it's something like if you care about your health, you become obsessed about it and you might have vacation time and then you're off, but then you're back on the system again and you're focused on that. Yeah. Yeah. You know, there's another quote I like from you where you talk about passion follows mastery and whether or not that is true or not. I'd be curious to take on that. Yeah, so a lot of people will say, there's multiple takes on this in terms of like, oh, don't talk about passion, passion, what is that even? And well, if we just focus on doing boring work that no one wants to do, we develop discipline, which is delaying gratification, giving up the things that you want to get ultimately what you need in life.

55:45Chris Do:And that's really, really important. And then sometimes in that process, you're like, wow, I didn't know this about myself. I think I found my passion. The example for me is I didn't know I wanted to create content. I'm an introvert. I'm super socially awkward. I'm not a yapper. I pretend to be one. Okay. If you saw me at a party, I didn't know anybody. I just stand in the corner. I'm just like wallpaper. Okay. So when my buddy invited me to make YouTube content with them, I'm like, oh, I don't know about this. I don't know about this at all. Discomfort. hey what are we gonna do here now luckily for me he was very generous made me an offer i couldn't refuse so i'm like okay i'm gonna do this thing and it sucked for a long time but you know my obsessive mind was what can how can i improve what's one or two things i can change to make this better for our audience what can i do to get one more review 10 more views one more comment i would just work on that obsessively and eventually i discovered this other side a passion I didn't know that was really there.

56:45Chris Do:I think I am living my greatest life because I've discovered my gift. And I'm able to combine all these things that I'm really fascinated and the things I'm good at, the things that I can make money on, and they're all are exactly the same thing. And so what I get to do is I get to teach, I get paid to teach. And I think that's the best job in the world. What would you tell someone who wants to figure out how to combine their passion and their mastery? How do you go find the thing you're both passionate about and actually can be good at? We all go through different phases in life that there's convergent thinkers or like there's one way to do something.

57:24Chris Do:There's divergent thinkers. There's lots of ways to do something. And then there's these hybrids. And we can be somewhere in the middle, but it's not often when you're 19 years old. That's a mistake. I hear young people say, oh, I'm a polymath i'm like he barely just got a diapers are you kidding me there's no way and you don't have multiple degrees you haven't you haven't even done your first 10 000 hours let alone your next 10 000 hours so what usually happens is the first arc of our professional life i think we do either what we're told was a good thing to do or we found something and we played and we found that we're good at this thing and then along that way we become really good we have some level of mastery.

58:03Chris Do:And what's cool is the tree trunk in which you build your core skills on gets wider and wider. It could support more branches now. So now you can explore something else and keep exploring. So by the time you get into your late 30s, early 40s, I think you have maybe potentially two areas and they usually live very far apart. And this happens to a lot of creative people. There's something you do to get paid and there's a side hobby that you have. So here's the interesting thing. You have two things that you do. What if they were the same? So you can combine those two things. It takes some creativity to find that, but most people aren't willing to entertain that idea at all.

58:39You do just have to make sure that you're going to work hard enough at the thing in order to become good at it, I think. And it goes back to that original point you said in the very beginning, which is, are you underpaid or are you really underskilled right now? And if you're underskilled, let's make sure you don't just argue for more pay because it'll actually be more valuable long-term if you get up your skills as opposed to get up your pay in the moment. And I think that's the gift in that response. It would be a lot more popular on the internet if you just said, here's how to get your post to pay you$100 ,000 more.

59:09But the lifetime skill accumulation is going to be what actually pays you more long term. And so I thought that was a great response. Can I ask you a question? Yeah, please.

59:19Chris Do:I wonder if you have a lot of people you know that run businesses that aren't doing as well as they could. And the one thing they need to be doing is the thing they're not doing. Yes. Okay. So they have the skill. They have some kind of system in place to bring in clients and do the work. But then they're stuck. I know a lot of people that are entrepreneurs. And every one of them, if they were just to do this one thing, they would live in the land of milk and honey. But they don't. They just don't do what needs to be done. What's your experience with that kind of stuff? Well, I call it the rich owner versus poor owner mindset.

59:57And what I typically think, we say that there are basically 12 archetypes of entrepreneurs. And every single entrepreneur has a different archetype that is part of the reason they're kind of successful, like whatever your success comes from, and also the reason you're not successful enough yet. And so one archetype might be the founder, which we associate as a good thing. This was probably your friend. The founder is somebody who builds what they want, but not what other people want to buy. And they build what they want, which is why they've innovated in some incredible things. But they have this bias inside of them about why they won't build what people want.

1:00:37Or another one is the giver, which is the entrepreneur who can carry every burden. And so they do. And so all of us have this archetype inside of us. I sort of think about them like business horoscopes. And once you read all of them, you go, oh, God, that is me. I'm always underpricing. where I am always kind of coming up with this new thing that I want, but the market doesn't. And then you kind of have to do almost business therapy on it. Where do you think that comes from? You know, did you create something once that was so traumatizing for you to create that somebody wanted to pay you for that has meant that you never want to do that again because you're trying to avoid that one situation?

1:01:18And there's usually like one moment, one instance, one really bad thing that happened. You know, do you do everything in your business? Because one time you didn't, the person who you gave it to almost bankrupted you because they made a huge bad decision. Now you're never going to do it again. And so I used to think that if we just gave tactics to business owners, they'd crush. And I was like, I can give you the private equity playbook. I'll tell you exactly what to do. We've done this with, I mean, across my private equity companies now, hundreds of companies, and we follow it and it works. And that's why, you know, our companies double or triple every year.

1:01:51And it's not because we're so smart. I wish that was the case. It's just a playbook that's existed in finance for a long time. But the problem is, is that you will get in your own way as an entrepreneur if you don't see where your faults are.

1:02:04Chris Do:What's your archetype? My archetype? Well, it can change too. This isn't like moon and star shit. I don't know how that stuff works. It's not an actual horoscope thing. Exactly. Somebody else could tell me how to figure that out in Austin. Mine is either the founder, which typically again means I want to do what I want to do. I don't care what the market wants. I got over that in finance, but then my next one actually became the closer. And the closer typically means, which is why I like all your sales stuff, I'm the best salesperson so nobody else gets to sell. And I've really had to break myself of that habit, which is can I let other people be the front person?

1:02:46Can I let other people talk to the customer? Do I always have to know best? Can I not learn from them? And can I build real companies where a bunch of other people do this for me? And so if you think about it like the giver, the closer, the founder, those are all really nice words. We like those words. But they have this dark side to them too. What do you think you are? Do you think you have a bias as an entrepreneur?

1:03:08Chris Do:I probably do. I'm sure I do. There is a cure to the closer, something that I do all the time. Tell me. When you're good at doing things, the tendency is for you to do everything. So I tell people I practice some form of intentional incompetence. Okay? I could do it but I'm not going to do it. Someone else do this. And what's really cool is when you work with people, whether they work for you or whatever, they're around you, they want to serve, they want to help, they want to build something and you strip them of that ability if you just start doing everything. And the weird consequence is you make them feel really bad about themselves.

1:03:43Chris Do:In a design situation, if somebody's designing something, oh yeah, let me just do this, I'll show you. You know, you think, oh, it's like a real lesson for them. Their lesson is I suck. I'll never be this good. And so every time I'm given an assignment, I'm going to do a little bit less because I don't want to be disappointed. Because my stuff never gets picked. It's never good enough for the boss. And so you have to just be like, I don't want to do anything. Can you do this for me? And then they do it. And they're like, wow. And they feel great. And then they get to grow. And like, I'm contributing to this company.

1:04:13Chris Do:The way you need to do this, you need to take good care of them. And you also then need to use that free time that you have to do something that only you can do. So in terms of my archetype, I don't know what it is. But I have probably symptoms of every single one that you've talked about. Yeah, you know, I think it's interesting. I have found with entrepreneurs that, like there's a saying that, you know, becoming an entrepreneur is part of a trauma response, which always makes me chuckle. And I understand that in some way. But I don't think it has to actually be miserable. I think you can really enjoy being an entrepreneur.

1:04:48Chris Do:I enjoy it. I know. I love it. Thank you. I'm glad you said that because I think it's become cool to say that it has to be miserable. And when we put these people on pedestals who are kind of miserable, probably through nothing to do with entrepreneurship, actually, just deeper seated things, then we start to think that that is the only way to get where we want to go. And I love your work because it's really none of that. You know, it's a lot of do the things that you feel like you are inclined to do and thinking about things like, no, don't do networking if you hate networking. In fact, you don't even like networking.

1:05:25It's like stop doing that and start doing something you might like, like help people instead. And so I think we need to like raise up more entrepreneurial voices like that to have totally unique businesses where you do say no to a lot of things you don't like.

1:05:38Chris Do:Yeah. And you can still make a ton of money doing that. Yeah. Fact. You know? So maybe I have like two things I want to end on. Let's talk about the other reason why I think we people please and we lower price and we don't sell as well and we have all of these entrepreneurial problems is haters. We're scared not in just pleasing people, but it's scary to think about what if people just not only don't like you, but they come at you. And so I'm curious, like, was there ever a moment for you where somebody said something really tough that stuck with you? And what do you do when somebody does hate on you?

1:06:18Chris Do:How do you push through that? Now, when it comes to the trolls, I have a pretty good sense of self. In fact, I tell people, you know, the little story here, which is, I remember one time I was showing my wife, because I was starting to make content. Somebody wrote it like, Chris, I'm your number one fan. She goes, no, no, she's not or he's not. I'm like, what do you mean? She goes, I'm your number one fan. I'm like, well, that's babe. I didn't know. I'm like, gosh. You know, get out of here. I said to her in my smarmy way or whatever, you're not my number one fan. She goes, no. I'm my own number one fan.

1:06:54Chris Do:And she goes, God, this guy loves himself. And we got a whole conversation about that. I said, I do love myself. I have to be my own number one fan because a person who doesn't love themselves is hard to love. Okay, so let that sink. So when people make negative comments i'm like great i love you too i love the trolls they make me think harder i think a troll is someone who actually wants to like your content but for some reason their self-story is challenged because you're saying something that would wreck their world and i want to understand like how do i communicate to you better so that i can bring you to this party because i want to include you you bring so much fire and venom it helps me make more content it gives me clarity on where I can improve.

1:07:38Chris Do:And if it says like, I want to punch your face, that's not, that's a different kind of level. That's just hate. Or like, oh, you're an idiot. I'm like, okay, cool. There's no more information to extract from that. But they're like, you know, no one can apply this because the world doesn't. I can work with that. I can definitely work with that. And that gives me an idea for a new piece of content. Oftentimes, our most viewed content is because I said something that struck a nerve, either because they knew, because they told me, or I just had a sense like, okay, there's going to be a fight and people love us fighting because it allows us to find peace of truth.

1:08:12Chris Do:I had heard earlier on my European tour, another speaker say, an opinion that everyone agrees with is not an opinion. So in this world where it's the sea of same or the sea of lame, you have to figure out a way to say something that people are not going to be 100 % in agreement with. Not to do it to provoke them, but because you finally found something to say that's worth listening to. So good. Yeah, I remember listening to another speaker say that the truth is like a tuning fork when you don't hear it. When you hear it, you don't just hear it, you feel it. And you know how you get the little goosebumps when you hear the truth.

1:08:46But I always thought that was incomplete because it's not just, if it was just truth, I don't feel tuning fork when I say this is a white chandelier. It has to be like when it's a deep truth or an uncovered truth or an uncomfortable truth, then I do get the goosebumps. And I think, oof, that's tough, but it's actually true. And so there is something, you know, we were talking in the beginning about corporations and I often wonder why they partner with creatives or creators, but then they want to pull it back to come all the way to their brand. And we were talking about how they have to be careful of risk.

1:09:21And I think that's true. Budweiser is a great example of that. But simultaneously, I think you've got to be careful about stripping the soul out of things. And in our society today, I'd be curious your take, but you come to Europe and it's just been around a lot longer. And there's a lot less commercial strips inside of the city center. And there's a lot more rules about how you can build and what companies can go in. And so there's more what I would call soul, at least differentiation. appreciation. And I'm curious if somebody out there right now is like, I want to infuse a little soul into my personal brand.

1:09:54I want to infuse a little uniqueness. What are the things that you're like, here are a few thoughts or tips for somebody who doesn't want to die in the sea of sameness? Could be aesthetic or it could be verbal or it could be written.

1:10:08Chris Do:Number one, the easiest thing that you can do to insert a little soul is to say, what are cliches that everyone in my space is already saying and just make a long list what are phrases expressions and then what you do and this is like from advertising copywriting take a common phrase a cliche and then do something with it so you'll take a phrase and you just flip it a little bit so that expression here's an example it's from the economist magazine some of the best copywriting in the world something like the expression of great minds think alike we've all heard it if i said it you're like yeah and then what so they just took that expression change it just a little bit by changing the order of the words great minds like i think and it's enough for you to make what and years before he was involved in politics they had this line that says trump donald beat the man in his game because this is a magazine for tycoons and entrepreneurs and intellectuals so they had so many lines in there i'm like wow So find what the cliches are, look at them, stare at them, and play with them, stretch them, bend them, change the order, change the word, make it rhyme with something else.

1:11:16Chris Do:And then you now have an asset that people will then refer to you. And when we're building brands, we don't just think about building a brand, we build worlds. The more assets that you have to play with, not just words and ideas, but visual systems, it allows you to be easily identified, to stand apart from your competitors, but it also allows for beautiful collaborations. And I think about this. When Marvel and DC do a crossover, all the fans from both sides are so excited because they get to answer the question, could Superman beat this other person, Thor? Right? It's because Superman has a rich history, a visual language, and an arc that we understand.

1:11:56Chris Do:And then Thor has something different on Marvel. And when they get together, like, wow, what's going to happen? when Louis Vuitton collaborated with Supreme. Supreme had that future bold italic typeface. They had the red. They had skate culture. They had a lot of cachet with just being cool. They had this idea of doing a drop and never doing it again. Louis Vuitton has this rich heritage of bags and trunks and things like that and also high fashion. When the two got together, it made for a beautiful collaboration because Louis Vuitton would not use red. they would not make a case for a skateboard deck and they did all this together and to this day their collaboration sells used for more than the things that you can buy new from louis vuitton that's wild to me it's enduring because it's a cool collab it happened once it's gone if you can find it find it so i wanted to buy this trench coat that was a lv supreme collab it was nine thousand dollars.

1:12:53Chris Do:I don't like it that much. I like it a lot though. Well, it's interesting because I also think it's creatively liberating in a lot of ways. You don't have to sit alone in a room and come up with an independent idea that's never been done before. And in fact, a lot of the times with my team, I'm like, why are you coming up with a completely new idea out of nothing to start? And in some ways, this is a little controversial, but I'm not even sure you should be allowed to do that if you're not good yet. Like my point to them is often it's first you want to imitate, then you iterate, then you innovate.

1:13:28And so, you know, you don't, you could, I suppose, learn to draw having never drawn anything before and then just think that I'm good at drawing because I've drawn this thing and it's amorphous. But typically if you want to learn to draw, you learn to draw lots of different types. You learn to master those varying skills and then you can come up with something completely unique because you've got this overlap. Now, of course, it's not always true, but I do find that sometimes people get so confused about where to start with creative because they don't realize that you can play with what's already been in existence and almost everybody does.

1:13:59Chris Do:Yeah. There's one other thing I want to share with you about the visual part. I want to make sure that when somebody sees me, they can recognize me really fast. You know, there's probably borderline racist to say this, but for a lot of Caucasians, all Asians look the same, right? And there's a joke about this. Like white people can have blonde hair, brown hair, black hair. They can have blue eyes, green eyes, all colors and all shapes and sizes. And the rest of the world, all the people of color have one color, dark hair and dark eyes. And so it's harder to tell us apart. So I want to make sure if you're like, is that Chris?

1:14:32Chris Do:Yes, it is me. And there's a little story here. Years ago, much smaller following. I was in Toronto in December, I believe. It was colder than heck. I am bundled, but you cannot believe. Long coat, gloves, scarf, like my hat. And just basically about this much of my face was visible. I'm walking across the street, crosswalk, and somebody is walking the other way, slows down and turns back and follows me across the way. And it's like, are you Chris? I'm like, and then Ralph, I'm like, yes, I am. I'm like, how can you tell? It's like, I could just tell, bro. I can just tell. So here's the power of personal branding.

1:15:07Chris Do:If I were to take off my glasses and leave on the table and somebody saw the glasses, would they know that's me? If I took the hat off and I start to strip down the layers. I'm not at that level, but there are people who We're at that level. If you saw a glitter glove on this, you would know it's Michael Jackson. You would just know. And like if we were to put Gandhi's glasses on the table, you would just know it's Gandhi. Seth Godin's yellow glasses. Yeah. They all have something. And this is why to kind of put a bookend on it, different is better than better. To be different. Because different is recognized.

1:15:38Chris Do:Different is remembered. And oftentimes, different is what creates brand. Christo, thank you so much. This was amazing. Thanks, Cody. I like to follow you on YouTube and Instagram, but what's your favorite platform for people to follow you? Probably Instagram. I'm trying to grow that. It's super hard these days. And also LinkedIn. Fun. Okay, great. Trying to get to a million on LinkedIn. I like it. All right, then let's try LinkedIn today. Okay. All right. Thanks, my friend. Thank you.

1:16:10This episode is brought to you by Google Chrome. You think you know a browser, but Gemini and Chrome, that's new. It can help you with practically anything on the web, like restoring a vintage motorcycle from a 50-page restoration block, or finally break down that long article you've had open for weeks. Gemini and Chrome is here for it. Ready to make anything online make sense? There's no place like Chrome. Check responses set up required. Compatibility and availability varies 18+.

From the publisher

You've been undercharging. You've been giving away too much. And every time a client pushes back on price, you fold before they even finish the sentence. Here's the truth: the problem isn't your pricing. It's your positioning. And the moment you stop apologizing for your value is the moment everything changes.

Chris Do is the founder of The Futur and has taught hundreds of thousands of creatives, entrepreneurs, and builders how to charge what they're actually worth. He's built a career mastering the art of negotiation, personal branding, and pricing psychology, and in this episode, he's breaking down the exact frameworks that separate people who get paid like amateurs from people who get paid like experts.

In this episode, you'll learn:

Why charging more is more ethical than charging less and how underpricing hurts your clients, your team, and your ability to deliver real value

The with or without you energy: how to walk into every negotiation knowing you're the prize and why neediness kills deals before they start

Price bracketing: the exact way to present your pricing so clients anchor high and negotiate themselves up instead of down

Why most entrepreneurs don't have a marketing problem, they have a positioning problem, and how being specific makes you more money than trying to serve everyone

The mindset shift that lets you charge 10x more: understanding that money is a construct, scarcity creates value, and brand is what makes people pay premium prices for the exact same thing

Stop selling yourself short. Start owning your value. The clients who can't afford you aren't your clients. The ones who can are waiting for you to believe it first.
___________

(00:00:00) Introduction: You Are the Master of Your Destiny, Not the Client
(00:00:40) The Chris Do Move: How to Ask for What You're Worth Without Being Delusional
(00:02:48) With or Without You Energy: The Mindset That Changes Every Deal
(00:07:01) Charging More Is More Ethical Than Charging Less
(00:08:53) The Pricing Game: Price Bracketing, Anchoring, and Never Justifying Your Number
(00:12:50) How to Find Out What Clients Really Have: The Budget Excavation Method
(00:17:01) The Manipulation Behind Luxury Goods: Stories, Scarcity, and Status
(00:22:48) Money Is a Construct: The $800 Day Rate Story and Playing the Game
(00:25:05) From Vietnam to Mercedes: Writing Your New Self-Story Through Mastery
(00:27:16) What Is Brand and Why Does It Matter More Than Marketing
(00:31:13) Don't Try to Be Better, Be Different: The Sea of Sameness Problem
(00:32:25) The Imogene and Willie Test: What Story Are You Telling Yourself
(00:35:18) Fake It Till You Make It or Believe It Till You Achieve It
(00:37:41) You Don't Have a Marketing Problem, You Have a Positioning Problem
(00:42:03) The Three Monsters: Perfection, Advice, and People Pleasing
(00:49:15) Visualizing Success: Designers Are Futurists Who Imagine the Optimal Path
(00:54:52) Passion Follows Mastery: The YouTube Origin Story
(00:59:25) The Rich Owner Versus Poor Owner Mindset: Business Archetypes and Self-Sabotage
(01:05:54) I'm My Own Number One Fan: Loving Yourself and Handling Trolls
(01:09:37) Infusing Soul Into Your Brand: Flip the Cliché and Build Your World

___________

MORE FROM BIGDEAL
🎥 YouTube: https://www.youtube.com/@podcastbigdeal
📸 Instagram: https://www.instagram.com/bigdeal.podcast
📽️ TikTok: https://www.tiktok.com/@big.deal.pod

MORE FROM CODIE SANCHEZ
🎥 YouTube: https://www.youtube.com/@codiesanchezct
📸 Instagram: https://www.instagram.com/codiesanchez
📽️ TikTok: https://www.tiktok.com/@realcodiesanchez

OTHER THINGS WE DO
🌐 Our community: https://contrarianthinking.typeform.com/to/WBztXXID
📰 Free newsletter: https://contrarianthinking.biz/3XWLlZp
📚 Biz buying course: https://contrarianthinking.biz/3NhjGgN
🏠 Resibrands: https://resibrands.com/
💰 CT Capital: https://contrarianthinking.biz/4eRyGOk
🏦 Main St Hold Co: https://contrarianthinking.biz/3YfGa8u
Learn more about your ad choices. Visit megaphone.fm/adchoices

More from BigDeal

All 96 episodes
This Mindset Shift Can 10x Your IncomeBigDeal · 1 h 16 min
Listen in VO