How a Swiftie Turned Superfandom Into Big Business w/ Olivia Levin

10 Jun 2026 · 1 h 10 min · 32 chapters

Ask about this episode

Ask anything about it. ChatGPT or Claude reads this page and answers with the times it was said.

Connect VO and ask about every podcast you hear, including the moments you saved. Add to ChatGPT · Add to Claude

In short

Olivia Levin, founder of Swifties for Eternity, explains how Taylor Swift fandom became a monetizable business—through brand partnerships, an HQ-style fan media presence, a New York Times–bestselling book, and a ticketing subscription that helped fans buy face-value concert tickets.

Guest backgrounds

Levin started Swifties for Eternity around age 13 on Tumblr, then moved to Instagram. She later worked at a book publisher in Nashville, was laid off, and pivoted to full-time fan-based work. She also authored The Story of Us (NYT bestseller) and has over 630,000 Instagram followers.

Key claims

The music industry misreads “superfan” by selling to fans instead of making them part of the journey. Taylor Swift sustains fandom via online/in-person connection, Easter eggs, and community-building. Fan pages can be a legitimate career path; fans understand fandom better than non-fans. TikTok/FYP discovery helped her page grow.

Notable examples

Taylor’s 13-hour meet-and-greet; her “choose the right one” glove post during fandom conflict; ticket swapping for Eras Tour face value; later posting verified tickets on FanFix for a $3–$4/month subscription; brand deals including Evermore Resort, Sweet Loren’s, and Jeff Hamilton.

Written by AI. May contain mistakes. Listen to the episode to check what was said.

Chapters

Tap a time to open that second in VO

Olivia's Journey as a Swiftie

1:00 to 1:27

Explore Olivia's rise from a fan to a leading figure in the fandom.

“What if you had one more chance with the one that got away?”

Olivia's Journey as a Swiftie

2:42 to 3:02

Explore Olivia's rise from a fan to a leading figure in the fandom.

“As always, I'm your host, Kristen Robinson, and today I'm joined by Olivia Levin, the founder of Swifties for Eternity and author of the New York Times bestselling Taylor Swift fan bible, The Story of Us.”

Turning Passion Into Business: Ticket Swapping

3:02 to 3:59

Learn how Olivia turned ticket swapping into a subscription service.

“After college, she started working at a book publisher, but then after layoffs eliminated her position, she decided to go all in on being a fan of Taylor Swift.”

Engaging Superfans: The Importance of Connection

3:59 to 4:13

Discussing how artists like Taylor Swift engage their superfans.

“As time went on, she expanded this enterprise to also include tickets for other shows as well, including Gracie Abrams, Sabrina Carpenter, and Harry Styles.”

Understanding Superfan Dynamics in the Music Industry

4:13 to 6:03

Exploring the misconceptions about superfans and their value.

“So please welcome to the show, Olivia Levin.”

Taylor Swift's Relationship with Her Fans

6:03 to 8:01

Insight into how Taylor Swift connects and engages with her fandom.

“So one of the things that I hear in the music industry a lot, like for the last five years, the biggest buzzword that I've been hearing is super fans.”

The Secret Sessions: An Exclusive Fan Experience

8:01 to 9:22

Olivia shares her experience at Taylor Swift's secret sessions.

“from the beginning of her career, but she has continued to do it up until now.”

Fandom Influencing the Music Industry

9:22 to 12:20

Discussing how fans have moved into influential roles in the industry.

Fans Transitioning to Industry Professionals

14:00 to 15:40

Exploring how superfans are entering the music industry.

“Well, I haven't met them in person, but I had a call with Olivia a couple years ago.”

The Impact of Fandom on Professional Identity

15:40 to 17:50

Discussing the challenges and stigmas of balancing fandom and professionalism.

“and start running a fan page and see where it takes them.”
Show all 32 chapters

Fandom Dynamics and Competition

17:50 to 21:00

Analyzing social dynamics and competitiveness within fandoms.

“And that was her being mother and like telling her fandom, like, behave, stop being assholes to each other.”

Maintaining Engagement During Downtime

21:00 to 22:20

Strategies for fan accounts to keep engagement during artist downtime.

“And I'm wondering, how do you think that would impact the fandom and how does a fandom respond when there are those gaps?”

Taylor Swift's Impact on New Generations

22:20 to 24:20

How Taylor Swift continually reaches new fan generations.

“But okay, so she has her master's though now.”

Digital Marketing Strategies in Music

24:20 to 26:10

Exploring the rise of digital marketing strategies in the music industry.

“It was just, it's the gap between seasons.”

Evolution of Fan Accounts on Social Media

26:10 to 28:00

Discussing how social media evolution has impacted fan accounts.

“And they run a bunch of strategies to help a lot of big name artists in the music industry to get their music essentially into the algorithm on TikTok.”

The Evolution of Fan Accounts

28:00 to 29:30

Explore how social media's evolution has changed the perception of fan accounts.

“And probably aren't, you know, on the side of TikTok or whatever, where they would learn about the music business yet.”

Impact of TikTok on Fan Engagement

29:30 to 31:20

Learn how TikTok's format benefits fan accounts by enhancing visibility.

“So Tumblr and early Instagram, like basically everything pre-TikTok was very much so about I found an account that I like and I'm going to follow it.”

Transitioning from Hobby to Career

31:20 to 33:00

Discover the turning point when a fan account became a full-time career.

“Maybe not someone like Taylor who is so ubiquitous, but an up and coming artist today to try to break through the noise.”

Brand Deals and Their Impact

33:00 to 35:10

Understanding the significance of brand deals for fan accounts and creators.

“I had a corporate job at a small book publishing company.”

Engagement Fluctuations with Taylor Swift

35:10 to 37:00

Analyze how engagement levels change based on Taylor Swift's activity.

“But I, yeah, so it kind of guided my career in a way.”

Defining Influencer Status

37:00 to 39:20

Discuss the nuances of being an influencer in the context of fandom.

“And I'm wondering, have you seen with your account engagement go up and down in accordance with when people are absolutely loving her and when people are turning their back on her and then coming back?”

Facilitating Concert Ticket Access

39:20 to 42:04

Learn how to help fans access concert tickets through social platforms.

“Maybe I will share more of my personal life when I have more to share in that regard.”

Navigating Fan Reactions and Subscription Services

42:04 to 43:37

Learn how Olivia Levin started a subscription service for concert tickets amidst social media backlash.

“And I was like, let me start posting those tickets on the subscription platform.”

Overcoming Criticism in the Ticketing Space

43:37 to 45:52

Discover Olivia's journey dealing with criticism while providing a valuable service to fans.

“I was like, you know what, whatever I'm helping people and, and no one's being forced to subscribe.”

Career Transition and Financial Success

45:52 to 48:19

Hear about Olivia's shift from corporate life to a successful career in fan engagement and ticketing.

“So I'm wondering if there's any way we can get into numbers about it.”

The Complexities of the Ticketing Business

48:19 to 53:13

Explore the challenges Olivia faced in the ticketing industry and her commitment to helping fans.

“And, you know, I always say yes to going to events and things where I could network and meet awesome people who are just so nice and want to help you and give you new opportunities.”

Concert Tourism and Fan Experiences

53:13 to 56:00

Uncover the lengths fans will go to attend concerts and the impacts of concert tourism.

“But I'm wondering, with the Ares tour, the tickets were really expensive.”

The Benefits of Touring Residencies

56:00 to 56:40

Explore the advantages of artists doing residencies in multiple locations.

“go, and then doing it, you know, in Paris.”

Impact of Taylor Swift on Music Industry

56:40 to 58:00

Discuss Taylor Swift's influence on the music industry and the fan economy.

“So you're not putting everything on a bus and trying to take it to the next state every single night.”

Taylor's Re-Recording Journey

58:00 to 1:02:10

Understand the significance and challenges of Taylor Swift's re-recordings.

“been a little bit upset about his most recent tour and how much it's really relying on that residency model.”

The Power of Swifties

1:02:10 to 1:03:20

Learn how Taylor Swift's fans support her re-recording efforts.

“Like just trying to match the exact tone of a guitar that you recorded 15 years ago feels truly impossible to me.”

Games and Fan Interactions

1:03:20 to 1:05:30

Engage in fun games that highlight Taylor Swift's music and fandom.

“There were people who didn't like some of the lyric change, like Better Than Revenge.”
Hear the part that matters, and keep it.Open this episode in VO. Double tap your headphones to save a moment as you listen.
Get VO free

Transcript

Automatic transcript. May contain errors.

0:00All new drinks are now at McDonald's with refreshers like the strawberry watermelon refresher and the mango pineapple refresher with popping boba to crafted sodas like the Sprite Berry Blast with berry flavors and cold foam. Who knew ice cold drinks could be so fire? Try them all now at McDonald's. Refreshers contain caffeine. Copyright 2026, The Coca-Cola Company. Sprite is a registered trademark of The Coca-Cola Company. Ready to soundtrack your summer? With Red Bull Summer All Day Play, you choose a playlist that fits your summer vibe the best. Are you a festival fanatic, a deep-end DJ, a road dog, or a trail mixer?

0:43Just add a song to your chosen playlist and put your summer on track. Red Bull Summer All Day Play. Red Bull gives you wings. Visit redbull.com slash brightsummer ahead to learn more. See you this summer. This episode is brought to you by Prime. What if you had one more chance with the one that got away? Sam, you came home. Based on the best-selling novel from Carly Fortune. Every Year After follows childhood friends Sam and Percy as they reunite in the dreamy, nostalgic lakeside town of Berries Bay. Love can be hard to find. So if you're lucky enough to find that person, never let go. A second chance at first love.

1:23Every Year After, now streaming only on Prime. Taylor Swift is among the most impactful artists of her generation. In her fans, the Swifties may be music's most impactful fandom. I'm not just saying that for flattery. I do think that it is undeniable that not only is Taylor Swift a massive artist with a sprawling catalog of hits, often written all by herself, she also has had a sizable impact on the music business in a number of ways. But just one example is, let's be honest, how many people outside the music industry knew or cared about catalog sales until her. Today, I'm joined by Olivia Levin, a Taylor Swift superfan and the founder of the social media account Swifties for Eternity, which boasts over 630 ,000 followers on Instagram.

2:08I was dying to have Olivia on the podcast today because she's a fan who's managed to turn her passion for a musician into a full-time six-figure career spanning brand partnerships, social media management, book sales, and even a ticketing subscription business. In a time when the music business's favorite word is superfan, I thought that we should have one on the show and actually understand the power that they hold.

2:37Welcome back to On The Record, a music business podcast from Billboard and Sick Bird Productions. As always, I'm your host, Kristen Robinson, and today I'm joined by Olivia Levin, the founder of Swifties for Eternity and author of the New York Times bestselling Taylor Swift fan bible, The Story of Us. After founding her Swifties for Eternity fan account at the age of 13 on Tumblr, Olivia has become a major leader in the Swiftie universe. After college, she started working at a book publisher, but then after layoffs eliminated her position, she decided to go all in on being a fan of Taylor Swift.

3:11First, Olivia paid her bills with brand deals, but then around the time that Taylor Swift's comeback was really picking up speed, where Taylor could do no wrong and the Ares tour was happening and suddenly everyone in the world wanted a seat, Olivia found herself helping fans swap tickets amongst each other for face value. given how many fans were concerned about reselling sites like StubHub and what that would mean for ticket prices and whether they would skyrocket or end up in the hands of people who just weren't very passionate about going to see the Ares tour. So after doing this for a while for free, Olivia got on the platform FanFix, which is a site where fans can pay a subscription price in exchange for access to bonus influencer content.

3:50And she started posting verified tickets there at face value. She didn't take any cut of the tickets, but where she really earned her money was on subscription fees. As time went on, she expanded this enterprise to also include tickets for other shows as well, including Gracie Abrams, Sabrina Carpenter, and Harry Styles. Today on the show, we are going to talk through all things fandom, Taylor Swift, ticketing, you name it. We're going to talk about it. So please welcome to the show, Olivia Levin. Olivia Levin, thank you so much for coming to On The Record. Thanks for being here. Thank you for having me.

4:21I'm so excited. I'm very excited to have you because we have not yet had a fan on this show. And I think fans are inarguably the most important part of the music industry. Because without them, there isn't a music industry. Yep. So I think this is going to be really instructive for a lot of people in our audience. We have a lot of fans that listen to the show that want to just know a little bit more about what's happening behind the curtain of the music industry. Yeah. We also have like a lot of executives. So I'm excited for this conversation. And who better to have it with than you? Okay, so you have been running Swifties for Eternity, one of the biggest Taylor Swift fan accounts.

4:54Is it the biggest? Do you actually know? I think it's the biggest one, I think, that has a face to it. There's maybe a faceless account that has more. Well, so yeah, Swifties for Eternity has been running since you were, what, 13 years old? Around then, yeah. Okay, and it first started on Tumblr, but would you say it feels like Instagram is probably the primary one now? Oh yeah, 100%. It has been for a while. I started Tumblr first, and then shortly after I started the Instagram account. And I think I only started on Tumblr because that's where Taylor Swift was hanging out. Fair enough. Fair enough.

5:26Also, Tumblr was a moment. It was really important at the time. It really was. But I don't know anyone who, I mean, I'm sure there are still people who use it, but I don't personally know anyone who does. Yeah. I mean, I don't think I've used it since high school. But yeah, I don't know. But also, you wrote the book on the Taylor Swift fandom. Yeah. We have it right here. The Story of Us. The Story of Us. Okay. So when did it come out? What was the release date? Came out April 14th. This past April 14th. So it's only been a month and a half of it being out. But New York Times bestseller. New York Times bestseller.

5:57I can't believe that's real. That is wild. OK, let's get into the fan conversation. So one of the things that I hear in the music industry a lot, like for the last five years, the biggest buzzword that I've been hearing is super fans. The music industry is always trying to find new ways to monetize the super fan or try to engage the super fan more. And you are a super fan. yeah a super fan of Taylor Swift and I'm wondering what do you think you see like the music business get wrong about being a super fan I think and we were just talking about this before the podcast but I think sometimes the word super fan has a negative connotation you know comes with like a bad reputation like they look down on super fans when I think they shouldn't because without us then the artists would be nothing, you know?

6:47What do they get wrong? I think some people try to sell so much to super fans rather than make them a part of what the artist is doing. And that in itself makes fans, super fans, want to buy things more than just being sold to, like just anybody, you could be anybody, you know? Super fans want to feel like they are a part of the journey. and that is something Taylor gets right every single time she announces something and has another release with all the Easter eggs. We're a part of the journey. We're not just being sold to. Yeah, I'm wondering if you can go a little bit deeper into that. What are some ways that you've seen Taylor Swift really treat her fans right that have led to her having such like a long lasting fandom?

7:31Yeah, I mean, I think from the very beginning of her career, even when she had like, you know, a handful of super fans. Number one, she always made time to connect with them online, but also in person. So she's famously known to have done a 13 hour meet and greet where she stood for 13 hours and she took no breaks because the fans weren't getting any breaks. And the line was around the building and she was like, I want to meet every person who came. So I think things like that. And then I think with all the Easter eggs, she's been doing it from the beginning of her career, but she has continued to do it up until now.

8:06And I think she forever will do it. And it just works because fans, like I said, love to feel like they're a part of the release. And, um, I think she has just as much fun as we do finding all the Easter eggs and coming up with ridiculous theories. We have come up with some that have been right. Um, but some that have been way off. And I think it's probably just as much fun for her to watch all of it happening as it is for us to do that as a community. And that's another piece of it. It brings the fandom together. And then we feel like we're a part of something bigger than ourselves, not just with Taylor, but with all these millions of people who are just as interested and curious about the Easter eggs and the new releases as everyone else.

8:51So how often do you think Taylor Swift is lurking in the background watching people try to sleuth things out? I think it probably used to be more. Back in the day, it was every day. I mean, it was on Tumblr. Those days, she was on there almost every day, lurking and reblogging things and coming up with inside jokes with the fandom, which are all documented in the story of us. nowadays I think she stays more so away from social media I think you know her family and friends send her things and she probably sees things that way I do think she probably if I had to guess has her team go through all the theories and everything the fans are constantly talking about and and gives her like a one pager every day like this is what your fans are talking about and that would be such a good way to do it so that she doesn't have to endure the the toxic part of social media because you know she's been through a lot on there I honestly think that would be the best way to preserve your sanity I don't know how any famous person is able to be on social media I don't even have a lot of followers and it stresses me out to be on social media like I can't even imagine millions and millions of people discussing your every move even if the vast majority of it is positive seeing the level of negativity that can get passed around it's just not good for anyone's confidence and as an artist I really do think that one of the key things that you have to have as an artist is just pure confidence and trust in your vision yeah and that's just the perfect way to knock yourself down yeah and that's what she kind of said in one of her recent speeches she said like don't let anyone you know distract you from the reason you do this in the first place and and focus on your craft everything else social media all that toxic stuff it's just a distraction and it doesn't matter but I do think it's so cool that despite leaving social media a bit more she has still found ways to be so in touch with what's going on in the fandom and I never feel like she's above it you know she's still in it with us even if she's not liking our posts every day like she used to yeah well okay so you went to one of the secret sessions that's where you first met her yeah right okay so for those who might not know what that is can you describe a secret session basically um taylor did it for a few album cycles and she would have fans come to her house um about three four weeks before the album release and then she would go through each song and tell the fans what each song was about um and the writing process all of that and we would get to listen to the album you know way before it came out and it was just a very intimate way for her to connect with us and um and us with each other you know like I ran into people there that I still talk to today so so special yeah well how did how did they even pick the fans so Taylor found me on Tumblr she followed me on Tumblr already and then one day I got a DM from her on Instagram and because I had the same username on both and she just sent me a smiley face and that was like her way of easter egging like you don't know what's coming um and then fast forward like a week I was at her house that is wild so crazy yeah I bet that was so fun I mean especially since you were like what 14 by this point or something 17 when I met her 17 I was a senior in high school still like yeah that's a really big deal and I I do think those are the moments even if you can't do it for a ton of fans you're never going to get that experience and then you're going to evangelize that experience to all the fans that you meet moving forward too and a lot of other artists now do stuff like that I mean she's a trailblazer she has she has led the way um for so many artists so yeah I mean okay correct me if I'm wrong I feel like Taylor Nation was one of the first HQ accounts yeah if not the first probably the first yeah yeah I feel like that is another example of something that she did that is now being it's not just kind of the norm like yeah yeah we were just talking before so you run the kidleroy hq account but yeah like everyone kind of is expected to have that and i actually love an hq account i do too i think it's great if you're you know even if you're not super fan tier but you're a big fan of someone and you want more than what they post on social media i mean a lot of famous people don't go on socials much anymore and don't post that often i miss like the glory days of Twitter where people would be messy as hell on Twitter.

13:15I do too. I wish that people would be a little bit more off the cuff, but I understand why not. I know. And I wouldn't advise them if I was working with them to do that, but like I do kind of miss the mess a little bit. But yeah, the HQ account, like if anyone is not familiar with an HQ account, it's just a place where you can actually post like kind of official things like tour updates and stuff like that. Exclusive content, BTS. Yeah. Okay. So you've managed to make Swifties for Eternity into this business as a fan where you're running an HQ account for another artist you're still doing Swifties for Eternity and doing brand deals and stuff like that for that and then ticketing which we'll get into later in the conversation but I'm wondering I feel like I've noticed that this generation that's come up in the music industry kind of 20-somethings right now there's a lot of fans that are actually entering the actual music industry and starting to work on artists real social teams yeah have you been experiencing that too do you have a lot of friends in kind of fan spaces that are also so many so many um even a girl I work with on who's on the label side of the kid Leroy um grew up as a super fan of an artist and then now she works in music I know so many people and I I love it I don't think there's anyone better to do the job um than people who understand what it's like to be a fan so if you're you know if you've never been a fan of someone or never been a hardcore fan of someone and you're hired to essentially communicate to the artist that you're working with fandom how are you going to do it if you don't understand why they they're big fans you know so I love it I the the fan to music industry pipeline is so real it's real and it's happening like one of my favorite examples of this I don't if you've met the girls who created FanMaid.

15:05Oh, I actually have. Well, I haven't met them in person, but I had a call with Olivia a couple years ago. I was going to bring up Olivia because she was a Miley Cyrus super fan and now she works with Miley. Or at least last time I checked, FanMaid was working with Miley. So it's just great to see those stories because I do think it's great hands-on experience. And I think if there's any young people who are listening to this podcast, if you can't seem to get yourself to LA or New York and get into these big music industry internship type things. There are so many ways that you can still participate in music that don't require any barriers to entry.

15:37Anyone can sign up to Instagram and make a second account and start running a fan page and see where it takes them. And that ends up being good real world experience. Absolutely. But yeah, I'm wondering if there was any stigma that you face though, as you're trying to build this into a business, was anyone ever discouraging or even like maybe fearful that you would fangirl too hard over an artist or anything like that? so when I did an internship in PR when I was in college I was told to delete my fan account because you know if you're in entertainment music it's not a good look um and I'm so happy I didn't listen and I mean none of my book wouldn't exist like none of this would exist so I was too passionate about it to delete it for any job yeah so also it's an internship it's gonna end it's an internship yeah offering me a real job with a real check maybe even even then I'm like I shouldn't have to give up something that I do on the side for fun that I'm passionate about for a career in music and I wasn't even sure that I wanted to be in music I really didn't know what I wanted to do um but yeah I kind of just figured it out but I would never have deleted that account I briefly had a stint in the One Direction fandom okay back in the day like right when they were starting to take off I feel like I was in middle school at the time there was like a switch flipped I think it was right when like What Makes You Beautiful came out.

17:01And every girl at my middle school was so obsessed with them that it became a thing where kind of everyone started listening to them and talking about them every day at lunch or in between classes. And it was like it was a real social phenomenon. And I remember at that time almost starting to feel pressure at a certain point to make sure I knew everything and that I could prove that I was a true fan. How do you see social dynamics play out within a fandom do you ever see any competitiveness or territorial behavior between fans so growing up when I was a teenager 100 percent um within the fandom there was always like competition who's the better fan who's been a fan longer all that um who has all the merch back then it was more so how many times can you meet Taylor how many times can you get her attention there were there were fans there was beef in the fandom because there were certain fans that Taylor interacted with very often so they were like the favorites and so everyone else would get jealous and start bullying those people it was a whole thing and there was actually this one time and I write about it in the book where fans were fighting and Taylor was very in tune with what was happening and posted a photo of her wearing gloves and one said hate and one said love And in the caption, she wrote, choose the right one.

18:25And that was her being mother and like telling her fandom, like, behave, stop being assholes to each other. So there was a little of that. I feel like with the AeroStore and everything, I see less of that competition and stuff because one, you know, fans aren't meeting Taylor as often as they were back then. But also there are so many new fans and I love to welcome new fans. I'm like, I don't care if you became a fan yesterday or 20 years ago. You know, I came in. I wasn't at the very beginning. I was six when debut came out. So I came into it in like 2013. So I'm not like technically an OG. I don't think there should be this like ranking system or status that comes with, oh, I've been a fan for longer than you have.

19:12So I have seen it die down with the Arrows tour and all the influx of new fans. I think that's cool because I actually would have guessed that with the Eros tour and new fans, there would be kind of a us versus them, the original fans versus the post Eros tour fans. But it's glad to hear that. Yeah, I think Swifties, the OGs were really happy to see her success and how many people came around to being a Swiftie during the Eros tour. So I definitely see less of it. I mean, I see the occasional tweets that are like this person. I will say there's a stigma with TikTok Swifties. Oh. So on Twitter, I see a lot of hate toward the TikTok Swifties.

19:49Yeah, I don't know. I don't know why. I think they maybe say weird things sometimes on TikTok. But like everybody on social media says weird things. Sometimes people take it too far. Yeah, I do think that sometimes you just have to remember that some of these fans are 13. Like if you see someone getting defensive, it's very possible that that's one of the young ones that is just trying to prove themselves. And they're kind of in that middle school mindset. Yeah. As an adult, it's fine. Whereas a lot of us have grown up with her and are now adults. So we had that phase back in the day. But yeah, now there's a new wave of them.

20:21Yeah. Yeah. Well, OK, so you mentioned that, you know, people have a little bit less access to Taylor than they used to. She's just so famous at this point. She also has gotten to a place in her career where she doesn't need to do as much promo as she used to. I've thought about that a lot, especially when I was reading in your book about I believe the year was 2016 when she went away. She went dark for a year. I thought about that because, you know, if you're running a fan account, it must be really hard to keep a page going when your artist is off cycle or when they decide, hey, I'm going to step back for maybe even a few years, if not forever.

20:59You know, there's always the possibility that in the future, Taylor Swift could step away because she wants to have kids or she just kind of wants to live her private life. And I'm wondering, how do you think that would impact the fandom and how does a fandom respond when there are those gaps? Well, I think we've been really lucky with Taylor because she's always working. And that's something I admire about her so much. Her work ethic is insane. It's where it's why she's gotten to where she is today. I don't think she's ever going to go anywhere. Like, yeah, maybe we won't see paparazzi pictures of her as much.

21:31But even she said in a recent interview in the fall that she doesn't like when people are like, oh, you're going to go away, get married, have kids and and people aren't going to hear from you anywhere. She's like, no, like, this is my job. It's my passion. Like, I'm going to keep doing it. So I don't really worry about that. But there are some slower times in the fandom. And I don't know, I post every day pretty much, even when she's off cycle, and there's not much to post about. There's always things to reminisce about or like laugh about. So I just, my passion comes in where I love being a glue in the community and bringing people together, even when she's away and busy and living her life so I I try to always find things to to post about where people can come together and get that one dose of joy every day even if there's not much going on yeah I mean I guess you can always go back into the archives she's been around long enough that there's plenty of content to remind people about like one year ago today this happened yeah yeah classic like this is what we do in you know in my like journalism realm too is like okay there's a there's an anniversary perfect time to revive a story that we loved from 10 years ago or something so true yeah so I mean and yeah I think the debut album is turning 20 this year yeah yeah so I'm I'm clutching my pearls for uh debut Taylor's version I know okay so that's actually something I was going to ask you about because you posted about that recently and well the full post was kind of talking about the new Toy Story 5 song that she wrote and it's more of a country-leaning song and so you were positing that maybe this would be a great way for her to get back to the debut album and remind people about kind of that sound from her.

23:12100%, yeah. But okay, so she has her master's though now. So the debut album has been re-recorded. It's been done for a while now. And last year when she announced that she bought her master's back in the letter, she wrote that debut will come out eventually so so she said it's done and re-recorded the one that won't is reputation um maybe the vault tracks will at some point but not the full album most likely so um so yeah I think what better moment to release debut Taylor's version than the 20-year anniversary of the debut album make it a big cultural moment like Miley did with Hannah Montana you know yeah yeah I mean I think that's a very fair prediction.

23:58Also with the Toy Story 5 song, another great thing that you pointed out on social media is that this was a really smart move by her because it kind of introduces Taylor Swift's music to a new generation of fans through Toy Story. She has done this before, in my opinion. I think The Summer I Turned Pretty, which had a pretty young demographic watching that show, although they're more like pre-teens, teenagers. I was watching. Yeah, and me. I did watch the first season. Then I fell off. But yes, it was a good show. Oh, you didn't finish. Okay. I know. It was just, it's the gap between seasons. I just lose momentum.

24:29I get it. I get it. So anyways, but Taylor Swift licensed some of her songs for that show. And I thought that that was really astute back then. And I remember I actually wanted to write a story at the time about this very thing that I feel like it is introducing her to the next generation. So I'm wondering if you can kind of elaborate more on that. Like, how do you think Taylor Swift is able to constantly reach out to a new generation of fans because I feel like she does that very well. She does it very well and very often like you said. I think the best way she's ever done it is the re-recordings.

25:01I mean obviously she had other motivations but I do think it helped capture a whole new generation of fans because she essentially was reliving what she built in her career the first you know decade or so. So I think that really brought in a whole new wave of fans and then that's what led to the tour and and that just took her to new heights but um with Toy Story specifically I yeah I posted a video the other day saying how it's just brilliant because Toy Story a Disney movie you're gonna have that soundtrack playing in every single household not just households with little kids but mostly probably um that song will be on repeat and so these little kids who may not know much about Taylor yet are going to hear that song and they're going to be like, oh my God, I love this song.

25:50Who sings this? I want more of Taylor Swift. And then, you know, maybe she comes out with debut Taylor's version this year and they get hooked the way everybody got hooked in 2006. It's brilliant. Yeah, I totally agree. One other thing I wanted to ask you about digital marketing for artists. We did an episode of this show with the co-founders of this company called Chaotic good. And they run a bunch of strategies to help a lot of big name artists in the music industry to get their music essentially into the algorithm on TikTok. It sparked a very large conversation about like, is the feed fake online?

26:27There's a lot of discourse. But I think a related type of digital marketing that's become really popular in the music industry today is the idea of labels creating fan pages themselves. There are a lot of record labels that create their own fan pages and run them, but they don't disclose, you know, this is from the label. It just kind of mimics what a fan page would look like. And so I'm wondering, how do you feel fake fan pages impact fandom online? I mean, I'm not against them. I just, I prefer the organic route of let the fans do it themselves, but I understand why they do it. I mean, the more fan pages that pop up, the more it'll inspire other people to create fan pages.

27:11So if anything, you are creating more organic fan pages by doing that. Have you seen it impact fandom online? Like, have you seen fans just like accidentally running into these fake fan pages and realizing? I don't think they know. I don't think the fans who have fan accounts know that some of the pages they're interacting with are label fueled fan pages. I think they have no idea. Yeah, it's interesting. Yeah, it's Interesting because it well I'm just so in my bubble. I'm like so deep in like the music industry bubble that I feel like people have revealed that these fan pages exist. I've seen chatter about it online but you know it's very possible that it's not reaching fans like this news about this marketing strategy.

27:50Yeah I don't think I think it's reaching people in the music business but I don't think it's really reaching the people who have fan accounts and I would maybe say that most people who have fan accounts are on the younger side. Yeah. And probably aren't, you know, on the side of TikTok or whatever, where they would learn about the music business yet. I'm also wondering, because you got started on Tumblr, what, how long ago was that now? Like 2000, I guess. 15 years ago? A little less, but yeah. Okay. So you started on social media about 15 years ago. And since then, the internet has evolved and social media has evolved a lot.

28:26So I'm wondering how do you think the evolution of social media has impacted fan accounts? I think now that they're more prominent and I feel like everybody knows about them, it's more normal to have it. I would say there's less of a stigma now than there was when I started one. Yeah. I mean, I definitely feel less judged by people now that I've turned it into a business and have a book and everything and have made money from it. but I remember in high school at first I didn't really want people to know in my school like oh I have a Taylor Swift fan account um eventually I didn't care and I became known as like the Taylor Swift girl I was like okay I went to her house so whatever yeah just kind of own it at that point yeah but I I do think that because it's as social media has evolved um and so many more fan pages have popped up it's just kind of a norm now so I think people respect it more than they used to.

29:24I think they used to look down on it more. Yeah. Yeah. I can see that. I also feel like the way that social media works now is very different. Yeah. So Tumblr and early Instagram, like basically everything pre-TikTok was very much so about I found an account that I like and I'm going to follow it. Yeah. I'm going to see it in my feed all the time. And it's chronological. And it's about connecting with friends or internet friends in the case of fandom usually. But now we, since TikTok, we switched to this FYP model where it's all about serving you content that suits you rather than serving you what your friend's up to.

29:57And so has, has that had any impact? I actually think it's benefited me a lot. During the arrows tour, especially every, every single video I would post would just pop off and get me a ton of followers because it would be fed to people that weren't following me so and I also really like the trial reels yes because that does the same thing so I yeah I think it's definitely helped my page grow probably a lot of pages because you know if you're interested in one thing people who are seeing my videos are probably seeing videos from other fan accounts that are related to Taylor so um yeah I mean I'm sure there's negative things I mean I never see my friend's content anymore on my my page when I scroll like I never know what they're up to because I just see like right now I see a bunch of off-campus stuff like edits and stuff I'm like it's my entire page because Instagram knows that I liked a few reels like edit fan edits and now it's my entire page yeah so yeah it's like it's so great for the discovery of a page yeah but sometimes it can be hard to keep the page into all of the followers yes um that's at least what I've found and I feel like with this very fragmented internet, like as someone with a podcast now, it's like I'm constantly trying to post a million times because it's very possible that my friend doesn't see the first five posts that I make about an episode.

31:18So yeah, I mean, that's a huge issue that artists are facing today. Maybe not someone like Taylor who is so ubiquitous, but an up and coming artist today to try to break through the noise. For sure. But another thing that I saw recently, Instagram has a new policy. they're not prioritizing content from aggregators so people who don't make a bunch of original content this wouldn't really fall into your domain because you do actually show your face make original content go to games and capture yeah you know mine's kind of a blend of the two yeah and so I'm wondering do you think that that could have a negative impact on some of these other fan pages yeah I think if you don't make any original content and you're just like reposting other people's stuff it could definitely affect your page um it could probably affect meme pages and stuff like that that aren't making original content I mean I post a lot of tweet dumps that's kind of how that's one way that I keep everyone updated um and engaged on the page so that actually worried me when I got that notification like Instagram's going to be boosting original content I'm like okay so yeah well but you do post stuff with your face you know yeah um you went to the eras tour and were posting i was posting so much original content back then um during the eras tour and going to chiefs games and award shows and stuff like that yeah well okay so i want to switch gears a little bit and talk about how swifties for eternity turned into your career so what was the turning point for you when swifties for eternity went from just something you were doing for free for fun and into something where you were making money or maybe considering it as a career option?

32:56So I moved to Nashville post-college. I had a corporate job at a small book publishing company. I hated it. And about a few months after I moved to Nashville, I got laid off literally the day after I told my mom I wanted to quit. But I wasn't going to actually quit. So I'm happy. It gave me the push I needed. And that summer of 2023, I was like, okay, well, I'll apply to jobs. And while I do that, I'll start putting my face on the account. That's where I really started to put my personality and, you know, do videos of myself talking on Swifties for Eternity. And still at this point, I was looking for a corporate job.

33:41I was like, OK, I didn't think there was any money to be made on a fan account. And then as the summer went on, I was interviewing at labels in Nashville. And I was like, none of this really excites me. Like, I don't really want to work for someone. And so one day I just called my parents and I was like, I'm going to stop looking for a job and I'm going to take an online copywriting course and build my own freelance copywriting business. That was my plan. OK, so I did that. I took the course. I eventually had one client and then I was in L.A. and I happened to meet this girl who I connected with from Instagram and she was big Swifty and she worked at a talent agency.

34:19and she was like let me like rep you and try to get you brand deals and I was like do you do you actually think that would work and she was like well we can try it like you started putting your face on the account now so like there's a face to it so let's try and it worked and that fall of 2023 I made more money in brand deals than I ever did in corporate oh my god and I stopped I quit the copywriting thing I was like yeah I don't need to do that anymore so I focused on that full time. And then I also was doing some stuff at a content house learning about like virality and stuff like that as like a side gig a couple times a week.

Read the full transcript

34:54And then eventually I stopped that because the brand deals were rolling through during the Aeros tour. And then fast forward a few months and the book stuff came along. So that's kind of I think the moment that I realized, wow, this could be a job was probably that fall when I was getting all these brand deals. But at the same time I was like okay I'll ride this wave but once the arrows tour is over I'm probably not going to get this many brand deals and you never know with the the general public are they going to like Taylor in a few years how is that going to affect my fan account and all of that so there are so many factors so I was like okay I can't solely rely on this fan page to make you know make it a career for the rest of my life and you know I want to do other things yeah yes I will always be a fan of Taylor's, but I have so many other interests too in music and other artists and none that I would create a fan account for.

35:48Yeah. But I, yeah, so it kind of guided my career in a way. That's so interesting. Okay. So as far as brand deals go, what kind of brands were interested in, uh, in you as a Swifty being first and foremost, yeah, I mean, off the top of my head, I did one with Evermore Resort, which is like a Disney, Disney competitor, which makes sense, right okay um that they're in Orlando I did one with Sweet Lauren's the gluten-free cookie um it was like some Super Bowl ad I was doing on Instagram like make cookies for the Super Bowl with me you know that kind of thing the Chiefs were in it and I did one with Jeff Hamilton who makes um jackets for celebrity athlete teams athletic team sports teams yeah um so like the chiefs and stuff.

36:34So I did one with him. There's been a lot of random, random ones. Everybody who, you know, during the Aerosaur wanted to be associated with her and, and wanted to target her fan base without, you know, they can't get a deal with Taylor. So they get ones with fan accounts that have the same following. That's so interesting to me. And also you touched on, you know, who knows what's going to happen after the Aerosaur tour, who knows if, you know, Taylor Swift's going to be up or down with the general public. And I'm wondering, have you seen with your account engagement go up and down in accordance with when people are absolutely loving her and when people are turning their back on her and then coming back?

37:14For sure. A hundred percent. I mean, every time she releases something, boom, it skyrockets. But I don't know if I'll ever reach the level of engagement that I had during the Aeros tour on that page oh my god I mean it was over like well over a hundred million people visiting my page every few weeks like every month it was crazy um and then just the amount of followers I would get in a day I'd get like a couple grand a couple thousand followers in a day sometimes more um it grew so fast because at the at the time when I got laid off my job and the aerosaur had just started I had like 32 ,000 followers whoa yeah okay you're like 630 ,000 yeah I just checked yeah yep wow yeah okay but it does it goes up and down so like after the Aeros tour um I I lost a few thousand followers people are like okay the hype's done you know but then they come back when Taylor releases something so my following kind of goes like this but it's within um within the same few thousand it fluctuates that's wild I also am curious do you consider yourself to be an influencer do you feel like that title makes sense for you I you know I kind of coined the term in my book I I said fanfluencer because I'm like part fan account yeah I share some of my life and then you know I've kind of used the fan account to grow my own personal brand on my personal Instagram account.

38:42I'm at like, I don't know, 70 something thousand on there. But I don't post that often. So I don't think I could call myself an influencer because I feel like if you're an influencer, you probably post on your personal page every single day of like what you're doing throughout the day. Like I have, I really don't have a desire to do that. It's not where my passion is. My passion is in the community and connecting with other people about something we all collectively love and are passionate about. And it's fun when people are like invested in, oh my God, you went on a date with so-and-so, like, you know, so that happens sometimes and everyone's like rooting for me to like find my husband.

39:20I'm like, that's, it's so cool. Maybe I will share more of my personal life when I have more to share in that regard. But so it's fun that some people are like curious about, you know, what I do outside of Swifties for Eternity and, and watch these podcasts to learn more about me in my life. But yeah, I don't know if I could call myself an influencer, but I don't know. What would you say from an outside looking in perspective? I would say you're an influencer among fans for sure. It's just a different type of influencer. A niche kind of influencer. But it's like, I don't know. Or I think creator makes more sense.

39:54I feel like that's kind of more of the term du jour right now anyway. Yeah, that's true. But you're a creator. If you're creating anything original, I think anyone's a creator. I guess I'm a creator, although I'm a journalist first and foremost. I do make short-form content to try to get people to read my work. So, yeah, I mean, I think everyone kind of does a little bit of content creation these days. Or not everyone, but a lot of people have to. You have to. Even if you don't want to, you have to. I'm curious, like with brand deals, you have invested a lot of time and probably money into going to the Ares Tour, going to Chiefs games, capturing original content for fan pages through these brand deals.

40:36Has anyone ever like helped you go to those? Do they send you tickets so that you can capture content there and have that be part of the partnership? There's been a few things like that. Like I went on a cruise that had like a Taylor Swift themed something group going. So I got sent on that cruise and to make content and stuff. So I've done some stuff like that, but a lot of it was, yeah me investing my own money to be the best fan page and keep everyone updated and like have fun content so yeah I mean it's a business expense for you it is like anything else it's a write-off yeah and then I started also helping people I mean I'm sure we'll get to this but the concert ticket stuff that was also gonna bring it up yeah yeah tell us about that for the majority of the Ares tour I was helping people get face value concert tickets for free on my Instagram people would message me and say, hey, I have extra tickets or I can't make it anymore.

41:29I want these to go to another super fan that follows you at face value. I don't want to upcharge. And I thought that was so great. So I did it for a while. And then toward the end of the Aerosaur last like four-ish months, I was getting such an influx of ticket requests, like, you know, help me get these to someone. And I was kind of getting overwhelmed. And around that time, I got approached by a subscription platform that was like we want you to make exclusive content for our platform I'm like okay what what kind of exclusive content would I make for them I'm not posting selfies or bikini pictures of myself that's not my thing no one's gonna pay for that yeah um I am not posting exclusive like Taylor Swift updates when they're available everywhere you know and I would never want to do that so I I said no at first and then I came up with the idea I was like okay well I'm spending entire days verifying these concert tickets and helping people sell them to other fans and like monitoring the group chats and everything.

42:29And I was like, let me start posting those tickets on the subscription platform. So that's what I did. And I knew I was going to get some backlash for it as you know, people always do on social media, but I did it and I charged like three,$4 a month. If you wanted an opportunity to get those face value tickets that I was posting because or you could just you know go to StubHub and pay 10 grand five grand whatever but I wanted to help as many people get to the AeroStore before it ended as possible and I also wanted it to be sustainable for me because I was providing service I was spending so many days of my time doing that for people so yeah I did that for probably the last like three four months of the AeroStore and it's interesting because I remember being afraid to post that I was doing that because I was like oh my god would people cancel me and and I was like you know what I'm providing a service so I posted I did it it did really well and I helped a lot of people get to the show and a lot of like moms and daughters it was great that was like the main reason why I did it um and then on I had people texting me like are you good like do you see what's happening on Twitter right now I'm like oh no what happened and they're like oh people are uh like canceling you for charging three dollars a month for um the subscription to get to get the tickets and they think you should do it for free I'm like if I were a man I I not to play that card but I'm like cue Taylor Swift's the man well I was going to say I have a perfect song for you yeah or father figure but truly I don't you know I think that is like a low enough price that worst case scenario you spend three months on there you spend like nine to twenty dollars I think it's okay and you don't get tickets but like no one's forcing you to subscribe you know yeah well okay so how did you respond to the critics what did that ever shake your ideas about this so I don't do at least at that point in my life I don't know how I would be today I think I'd be a little like thicker skin now but I am very sensitive to stuff like that so I definitely it definitely gave me anxiety for a little bit.

44:43Um, but I kept doing it. I was like, you know what, whatever I'm helping people and, and no one's being forced to subscribe. So, and it was honestly, it was mostly Twitter. That was mean because Instagram, everyone's like, you're doing such a good thing. Like, thank you. I got my tickets through you. Like keep doing it. So I felt good about what I was doing. Um, and yeah, so I, I think I would deal with the hate better today, but I got, I would say I got over it pretty quickly because I was like whatever yeah I mean it's interesting that it was platform specific for you but I guess that says a lot about Twitter and what it surfaces as content Twitter can be ruthless it's a very ruthless place I still occasionally check in and it's not the same I used to really enjoy Twitter I thought that was actually my people are really funny on there people are very very funny but like things that they say that are really funny probably I feel like the Instagram people would not find it funny.

45:37They'd be like, that's, that's rude. Yeah. You kind of, you kind of have to be there and be among that for a while and have your brain broken a little bit by Twitter until you start to enjoy it. I think, yeah, I mean, it's, it's too bad now. It is now X, but I'm still not calling it that. I think I'll always call it Twitter. Yeah. Yeah. Well, okay. So I'm wondering if there's any way we can get into numbers about it. Like, is there a ballpark of how much you've been able to make doing ticketing and brand partnerships? from ticketing and brand partnerships and everything um i mean i don't know the exact number but i probably six figures like much more than i ever made in corporate in my first corporate job where i was making like 40 or 45 i had to fight for the 45 um yeah but i mean between between the book deal and the tickets and the brand stuff like you know it's been doing well So and it's led me to working with another artist, Leroy, Kid Leroy.

46:33So so, yeah, I'm just really happy that it's been able to guide my career. And I spent all of, you know, five months in corporate America. And I think that was good for me. I think I got my dose of it. And I think it truly having that experience where I was miserable every day. I didn't feel fulfilled in my work. I wasn't passionate about what I was doing. That really inspired me to figure it out because I had just moved to Nashville. I now had no job. My best friend, my dog, but who was my best friend, died, who I'd had for 18 years right after I got laid off. So I had no job, no money, no dog.

47:09And I was like, I want to stay in Nashville. I have to figure it out. And so I figured it out. At this point in your perfect world moving forward, do you want to move more into doing HQ accounts for other artists? And that's kind of the wave or is it writing more books? Is it doing more with your ticketing platform? You know, it's funny because I kind of feel like a blend of all of what you just said. I would love to take on another artist soon and do another HQ account and maybe build that part out of my job out. I would love to find a way to, you know, make more of a difference in the ticketing space because that's something I'm very passionate about as well.

47:47And then I would love to write another book one day. I don't know what about. I kind of want the idea to come to me organically. But I think I'll always want to stick to what I'm passionate about because that's what keeps me going. You know, it's what makes me happy and fulfilled. So so all of that, I think, combined and maybe other things that come my way. I try not to be too much of a planner because I look back and I'm like, OK, look how everything has worked out up until now. And I could never have imagined how this would all go. So I I kind of just ride the wave and see what happens. And, you know, I always say yes to going to events and things where I could network and meet awesome people who are just so nice and want to help you and give you new opportunities.

48:31And one opportunity always leads to the next. So, yeah. But I think I'll always, Swifties for eternity, it's for eternity. That I'll always do for fun and, you know, do the occasional brand deals here and there. I don't know if I'll ever do the type of brand deals that I was doing during the Aerosaur. like you know you wanted to get into numbers I think my my biggest brand deal was probably around thirty thousand dollars that's good which is for one post yeah nice okay so while you were working on your ticketing idea I'm wondering what you learned about the ticketing business yeah um that it's really messed up and very complicated yeah um I had thought about building it out into my own kind of platform and I just I talked to people who had done things like that to try and go against Ticketmaster and they're like it is a very difficult space to change and with all the laws and everything it's it's a disaster so I kind of went away from that but I do want to still find a way to work with people where I can make a difference in that space yeah I mean I learned And I didn't know how messed up it was.

49:41And that's partially because growing up when I would go to Taylor's shows, I never paid more than like$300 front row on the floor. And I would go to a ton of shows. Yeah. Oh, my gosh. The good old days. The good old days. So when I remember being in Florida walking around and seeing that the general sale for the Aerosaur was canceled because all the tickets had sold or most of them had sold in the pre-sale. And I'm like, what? and then all of a sudden the tickets are on StubHub for thousands of dollars. I'm like, what's happening? I've never seen this before. That's when I really started educating myself on it.

50:18And the only reason why what I did with the tickets worked was because of all the amazing Swifties who wanted other fans to be able to go because they could have turned around and sold them on StubHub and made money to Pocket, but they didn't. They wanted other fans to experience the joy that was the Aeros Tour so I think that's so cool that's it's a it's a testament to the kind of community that the Swifties are yeah well you're doing more than just Eros tour tickets these days yeah I yeah I've expanded and I started doing like Sabrina Carpenter and Gracie I've taken a little break now that all the pop girlies have been taking a break um I really only do it for the super competitive ones so Gracie Sabrina um but the you know sometimes I'll get submissions for artists that you can go on StubHub and buy them for 50 bucks.

51:04I'm not going to go through a whole process to post about those. And also I only do America because they don't have a ticket problem everywhere else. Yeah, yeah, that's so true. I mean, I feel like the Ares tour did really bring all of the supposed issues with them to light and brought it to the general public. It's really remarkable what an impact she had on that conversation. and she didn't even necessarily even need to say anything just the sheer process of ticket buying being so difficult was all that it needed to push it to capitol hill even yeah i know i know swifties were being talked about in the senate um yeah and i don't know if you saw but spotify announced a partnership where they're um working with a company to uh help fans get face value tickets and the super fans and it's all linked to the streaming service so i think that's really that's a brilliant way to do it yeah i can okay i can actually explain that a little further for people who are listening and interested in that um because i had to write it up okay okay basically they have this new thing it's called reserved and um they're going to essentially scan through their fan data that they have on the back end figure out who are some people who are in the top percentage of they're not really transparent exactly how you qualify because they don't want anyone to game it.

52:24Yeah. But a top fan for an artist would be given a message from Spotify saying, hey, we've reserved you two tickets, which are available for you to claim and buy if you want them in an effort to try to make the ticketing process a little bit easier for top fans and to give them kind of a little bonus from Spotify. I think it's a really interesting idea. I'm excited to see where it goes. Hopefully I'll get opportunities for tickets at some point. Yeah. But yeah, I mean, it is a little bit ironic. Their first partner is Live Nation, but Live Nation does have a very large size of the market. And it's not exclusive to Live Nation.

53:03That's just the first partner. So some Live Nation tours will have that reserved thing roll out. Yeah, it was Live Nation. Yeah, that's interesting. Yeah, that's the company. OK, well, yeah, it's interesting, though. But I'm wondering, with the Ares tour, the tickets were really expensive. And also there were a lot of fans who were traveling to go see the shows. There were a lot of people in the media talking about like the rise of concert tourism around that time. I even had one of my coworkers fly to Paris so she could see the Heiress tour for like the third or fourth time. The tortured poets department had been added.

53:35Yeah. And so I'm wondering what are some of the craziest fan stories that you've heard of people going to extreme lengths to make it to the Heiress tour? Oh, that's a good question. I mean, I know so many people who traveled abroad to see it because it was cheaper to do that than see her in America, which is crazy. I knew people who went to Vienna and then it got canceled. So they landed and then they found out as the plane landed that the concerts were canceled. And then I think they flew to the London shows. Yeah, I think everybody just I know people who spent five grand a ticket. it so I think everyone wanted to experience the aerosaur I mean I don't think there will ever be a phenomenon like that again so I don't think people would regret having spent that kind of money I guess if they have it um or or even traveled for it so yeah I think everybody did whatever they could to see that show yeah one trend that I've spotted in live music recently and we've actually talked about it on the show um because we had the managing director of CAA His name is Rob Light.

54:46He came on the show and we're talking about it with him. It's the rise of the residency model for touring. So we're where an artist like Harry Styles and Beyonce and a few others have tried it where they stay in one city for many nights in a row. And they have the fans come to them from surrounding cities. So less cities overall, more nights in the cities they do go to. I'm wondering as a fan what you think of that. I have like mixed, mixed opinions on that. I think we know that Swifties would travel to see Taylor, and I've actually been wondering what she's going to do next for concerts, and I think it's going to be that style.

55:26I think she's going to do some sort of residency. I think it's so good for, one, the artist's mental health. I think it's good that, you know, they can go home and see their family at night. So it's really good for them, and it's good for the people who live near there. and can easily fly in. I don't mind the concept of doing a residency in different countries, in different cities, like doing, you know, MSG or, you know, a stadium for a week. That way, anyone in the nearby states or that wants to fly in for it can, and anyone who's around there can go, and then doing it, you know, in Paris. So all the European fans can go fly in.

56:10It's super easy to travel there and not too expensive. So I actually don't mind it. And I'm like, if it's better for the artist's mental health and they're not just doing one residency in one location, and that's the whole thing, that would annoy me because then I'm like, okay, the entire world, you're expecting the entire world to fly in to see you, which I'm sure they would. But yeah, so I don't mind hopping around residency. Yeah. I mean, there used to be rumors that Taylor Swift was going to do the sphere yeah or just a I think I saw just other rumors about like just a Las Vegas residency in general um do you do you foresee that being possible as a fan I know I never really write anything off um with Taylor because she always does what you're like nah she would never do that I think the the world building she could do in a place like the sphere would be so cool yeah um but it is a small venue it is um so she was doing like a year-long residency there maybe but it is also convenient she could take a quick private jet flight back to her home in LA and and see her family every night so I wouldn't ever write it off but I don't know I'm wondering if she would do more of like a stadium residency or something yeah she could definitely do it one interesting thing that our previous guest Rob Light brought up is that one of the reasons why artists like to do it beyond just the convenience of it is also that the cost of production for a stadium show like the Ares Tour, what Beyonce does or what Harry does is so exorbitant at this point that staying in one place also helps with cost.

57:48So you're not putting everything on a bus and trying to take it to the next state every single night. So I completely get that. But I also would understand fans having backlash or having negative opinions about that because I know Harry fans have been a little bit upset about his most recent tour and how much it's really relying on that residency model. But I guess at the end of the day, if it's between Harry never doing any live shows and him doing this, you'd rather him do this. Of course, of course. I would miss the way touring used to be, you know? I kind of, it's exciting. Oh, what day are they coming to my city?

58:26You know, it's fun as a fan, but I don't know. I don't know if I have a super strong opinion on it. Yeah. So I feel like Taylor Swift has had, I mean, well, she's had a very powerful impact on the cities that she goes to and like the local economy there, which is insane. Super like economic booms. Yes, which is crazy. She's also had an impact on the music industry itself. So I wrote down like a few things that I've noted that she's had an impact on in the music industry. I'm going to read them out. But then I'm curious for you, which one of these, or if you have an additional one, is like the most impactful in your opinion.

59:04One of the ones that I have written down is that, I mean, Taylor held out on streaming for a long time, hoping that she could have influence over the rates that they were paying to artists. After doing her re-recordings, her Taylor's versions, that led to new label contract clauses, which prevented re-recordings for a certain period of time. This was not as common before her. Taylor Nation was an early fan HQ account, if not the earliest one. Now that's something that pretty much every big artist has. When she signed to Republic Records, she secured that if UMG were ever to divest from their shares in Spotify, that artists would get payments from that.

59:42And it would be non-recoupable. So even if an artist was in the red with the label, they weren't, you know, they hadn't paid back all the money that they had spent. They would still be able to get this. which actually umg just sold half their shares in spotify so there's probably some people who are seeing that hit their bottom line right now another one is um when her masters her big machine masters were sold she basically educated the entire world about catalogs which i don't think anyone was paying attention to outside of the music industry before that um and then also the eras tour definitely led to a lot of politicians paying attention to what was happening at ticket master so there's a lot it's a lot of things and I don't even think that's an exhaustive list no but they're big things they're big things I don't so you want me to pick the most impact yeah I'm just kind of wondering of of all these impacts that Taylor Swift has had on the music industry what do you think is the most significant that's so hard I mean everything you just said is it's changed the game for everybody I mean I definitely think the the re-recording thing I don't know how much impact it's like because not a lot of people re-recorded their music before and no one was successful no one was successful doing it and I know more people are now doing it because of her but I still don't think like yeah it's impacted the contracts for sure yeah yeah you can't re-record for 30 plus years yeah with the re-recordings I do think that the sentiment I was not in the music industry at this time but I think the sentiment in the music industry when she announced that she was doing these was largely like that's awesome but also how's that going to work um and I think the general public kind of felt that way too and I'm wondering as a fan at that time you know what what were your thoughts going into it and and also tell me about hearing that first re-recording and figuring out that it was all gonna work yeah I think when when she announced it I I was like what like what does this mean I didn't know what I learned what masters were.

1:01:45I didn't know anything. I didn't even know it was a thing to rerecord your music. So I was like, okay, so she's just going to rerecord them and put them out. I had no idea she was going to do these whole rollouts that were very reminiscent of the original rollouts. I loved that when Fearless came out. It was so cool to experience that era now as an adult because I was eight years old when it happened I wasn't really a Swifty back then so I didn't get to experience the original rollout um so it was really cool because it we all got and then the people who were there got to relive it but from an entirely new perspective um so I loved it but I do remember people wondering like what is what does this mean like this is not going to be successful I I wouldn't be surprised if people told her not to do it like you're this is so dumb you know I I mean, it must have been so expensive and so hard.

1:02:42Yeah. Like just trying to match the exact tone of a guitar that you recorded 15 years ago feels truly impossible to me. Yeah. Like props to all the musicians who worked on that are crazy. They did such a good job. And it's interesting because if you talk to Swifties, they'll be like, yeah, I like this re-recording better. I think this one did a better job than this one. Yeah. I think it's also really hard when someone hears the same song over and over again and they're used to a very specific recording to try to get your ear used to a different thing is hard. Yeah. But I think it I think it shows the strength of Swifties and like her fandom that she'd built that they were willing to go the lengths that it took to switch from their favorite masters, their favorite songs of all time to listening to something new.

1:03:29Just to support her. Just to support her. It's crazy. And I know. It's really awesome. There were people who didn't like some of the lyric change, like Better Than Revenge. Oh, yeah. I forgot about that. But it also became like a big joke in fandom because everyone just like, they don't listen to the, or they won't sing the new version of it, that new lyric. They still sing the old version of it. That is so funny. Okay. I feel like it's time to move on to the games. Okay. Okay. So I have this first game. I'm going to have to move my little snow globe here. This is my DIY wheel. You made this yourself?

1:04:05I did make this myself. Very well done. Thank you. She's beautiful. Don't look at her too close. Okay. Okay. But this is a game that we call Spend the Record. We play it every time we do a show. So Spend the Record. Let's see what it lands on. We'll go from there. Okay. So. All right. What do you think is the best Eros Tour surprise song? Okay. Well, my favorite is Guilty as Sin. Okay, spin the wheel again. Let's see. Okay. Okay, what is your favorite From the Vault track? All Too All 10 Minute. I think it has to be. I think that is one of her best written songs of all time. I think that's... Right?

1:04:48I mean, and it was like a cultural moment. Yeah. Okay, spin the wheel. Okay, let's see. Okay. What is on your Mount Rushmore of Taylor Swift eras? Reputation, the tortured poets department, because it was during the Eros tour. So that kind of counts as the Eros era. 1989, folklore. Okay. Okay. It's an eclectic mix. I love that. Usually, I feel like the reputation girls are not the same as the folklore girls always. Yeah, I am. I'm everything. I love it. I'm very much a tortured poets girl. Okay. What is some advice that you give to another fan who is trying to make that into a business or career?

1:05:31I would say put yourself in the account as much as you can and build a relationship with your followers so that they get to know you and you get to know them. And, you know, be very authentic. Don't try to force anything that doesn't feel natural. follow the passion and do it as a side thing until you get a few brand deals and then you feel confident enough to leave whatever you're doing full time and making that more of a full time. And then, yeah, that would probably be my advice. Awesome. Okay, let's have you spend one more time. Okay. What is a Taylor Swift Easter egg that actually stumped you?

1:06:08Five Holes in the Fence is probably my favorite one. So this was right before the Lover album came out a few months before Taylor posted a picture of herself behind this this fence and there were five holes in the fence long story short it seemed like there was a countdown I think day no day four she didn't post anything and people were like oh she forgot so it was four and then three I think was like there's three she's sitting on the third step or in this picture you're on the third stair Swifties I swear we just like want to see what we want to see and we thought there was a countdown down to an album and we were so wrong.

1:06:46And so it was, it became, Oh my God, there were five holes in the fence, but there were five holes in the fence. Like why did nothing happen? And then months later when Taylor was actually announcing the lover album five days before she posted the picture again, the five holes in the fence. And she said, now there are five holes in the fence. So wow. Yeah. That, that owns something. Wow. I think that they were certainly seeing what they wanted to see there for sure yeah okay so we will move on to a game that we play at the end of every episode of on the record which is called what would you cue so this is a special taylor's version of what would you cue what would you cue to represent your favorite taylor taylor swift album of the moment the prophecy oh i love that pick okay what would you cue to put a taylor Swift's skeptic onto her music?

1:07:39Peter. It's so, so random, but the storytelling in that song gets me every time. Okay. What would you cue to summon the Swifty fandom like a rallying cry? Ready for it. What would you cue to convince someone that Taylor Swift is the best songwriter of her generation? All Too Well 10 Minute. What would you cue to showcase Taylor's most underrated song? Guilty as sin. I do personally really love that song. What would you cue to highlight the best track five in the Taylor catalog? You're on your own kid. Okay. I like that answer. Yeah. That's a good one. Yeah. Okay. Well, thank you so much for coming Olivia Levin.

1:08:21Check out her book, The Story of Us. It's out now everywhere. Everywhere you buy your books. Amazing. Thanks so much for coming. Thank you for having me. That was so fun. All right. Thank you so much to Olivia 11 for coming on the show to discuss all things Taylor Swift in the business of fandom. And thank you for listening to this week's episode of On the Record. If you liked today's show, give us a follow on Instagram or on our brand new TikTok page at Billboard on the Record, where you can find new clips of the show every single week. We'd also appreciate it if you rated our show on your favorite podcast platform, because all these things help On the Record grow bigger and better than ever.

1:08:53Again, I'm your host, Kristen Robinson, and tune in next week for another peek behind the curtain of the music business. I'll see you then.

From the publisher

Taylor Swift is among the most powerful artists of her generation — and her fans, the Swifties, are among the most powerful fandoms. On this week's episode of Billboard On the Record, host Kristin Robinson explores the nature and business of superfandom with Olivia Levin, the New York Times best-selling author and founder of social media page @swiftiesforeternity. Levin shares how she turned her page into a six-figure income, spanning ticketing, social media management, writing and brand deals. She also explains why Taylor Swift continues to inspire such loyalty with her listeners, why her re-recordings changed the game and what she thinks the music business gets wrong about superfans like her.

Love what you hear? Don’t forget to rate, review and subscribe so you never miss an episode of Billboard On The Record.

Keep up with us on IG @billboardontherecord, TikTok @billboardontherecord and @wordsbykristin.

Billboard On The Record is a podcast in partnership with SickBird Productions. 
Learn more about your ad choices. Visit megaphone.fm/adchoices

More from Billboard On The Record

All 42 episodes
How a Swiftie Turned Superfandom Into Big Business w/ Olivia LevinBillboard On The Record · 1 h 10 min
Listen in VO