In short
Podcast Summary: Bloomberg Law - Weekend Law: Prosecuting ICE, Social Media Addiction & Kid Rock Testifies
Host: June Grasso
Guests
- Dave Aronberg, Former Palm Beach County State Attorney
- Colin Walke, Cybersecurity and Data Privacy Partner at Hall Estill
- Ron Bienstock, Entertainment Lawyer and Partner at Fox Rothschild
Episode Overview
In this episode, the discussion covers three main topics
- Potential prosecution of federal immigration agents involved in the shooting of two U.S. citizens.
- The first social media addiction trial and its implications.
- Kid Rock's testimony regarding ticket prices and the ticketing industry.
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- Prosecuting ICE Agents
Background
- Demonstrations occurred in Minneapolis against ICE operations after two U.S. citizens were shot by federal agents.
- The Department of Justice has opened a civil rights investigation into the incident.
Key Discussions
- Legal Repercussions:
- Dave Aronberg discusses the circumstances under which federal agents could be prosecuted for their actions.
- Recklessness or unreasonable actions by the agents could lead to federal prosecution.
- Comparison of Cases:
- Alex Preddy Shooting: Viewed as having stronger prosecution potential due to Preddy's non-engagement in criminal behavior and the aggressive actions taken by agents.
- Renee Good Shooting: Defense might argue reasonable fear due to the car lurching towards the agent.
- Immunity and Prosecution:
- Federal officers generally have immunity from state prosecution, complicating potential state investigations.
- The process for the state to seek a grand jury indictment is outlined, alongside the challenges they may face in gathering evidence.
Key Takeaways
- The federal investigation's results and evidence sharing will significantly impact the state’s prosecution efforts.
- The nuances of legal defenses available to the agents, particularly focusing on the reasonable threat and the actions taken during the incidents.
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- Social Media Addiction Trial
Overview
- A landmark trial in Los Angeles addresses claims against major social media companies (Meta and Google) for creating addictive design choices that harm teenagers.
Key Points
- Plaintiff's Claims: A 20-year-old woman alleges addiction and mental health issues stemming from years of social media use.
- Legal Argument: The case compares social media platforms to defective products, arguing that their design choices are intentional and harmful.
Discussion Highlights
- Defense Strategies:
- Social media companies argue that users make independent choices and that they provide content based on user preferences.
- The complexities of proving causation regarding mental health issues will be crucial in deciding the trial's outcome.
Key Takeaways
- This trial is viewed as a bellwether for numerous similar lawsuits and could set significant legal precedents regarding tech company liabilities.
- The emphasis on expert testimony and public perception of social media's impact on mental health will be central to the trial.
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- Kid Rock's Testimony on Ticket Prices
Overview
- Kid Rock testifies to Congress about the ticketing industry's issues, including price gouging and the role of Ticketmaster.
Main Points
- Industry Challenges: Kid Rock highlights the monopolistic nature of Ticketmaster, which controls a large portion of the ticket sales market.
- Ticket Pricing Misconceptions: Many additional fees inflate ticket prices beyond the artist's set price, which ultimately doesn't benefit the artists.
Discussions
- Merchandise Sales: Artists often rely on merchandise sales to compensate for lower ticket prices, but high venue fees cut into their profits.
- Legal Implications: The FTC is investigating Ticketmaster and Live Nation for illegal tactics to control pricing and ticket availability.
Key Takeaways
- The ongoing challenges of ticket pricing and distribution reflect broader issues in the concert industry.
- Legal actions against Ticketmaster could lead to substantial changes in how tickets are sold and priced.
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Conclusion This episode of Bloomberg Law presents a deep dive into critical legal issues surrounding law enforcement accountability, social media's impact on youth, and the concert ticketing industry's challenges. Each discussion underlines the complexity of legal frameworks and the evolving nature of societal issues that require careful legal examination and potential reform.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Chapters
Tap a time to open that second in VOProtests Against ICE Operations
2:16 to 6:21
Discusses protests against ICE operations and the legal investigations that follow.
“Temperatures dipped into negative numbers Friday morning in Minneapolis, but crowds of demonstrators still turned out at the federal building to protest ICE operations in the state that led to the killing of two U.S.”
Legal Analysis of the Shootings
6:21 to 9:17
Examines potential legal repercussions for agents involved in the shootings.
“And so the state of Minnesota will seek a criminal indictment.”
Prosecutorial Challenges in Law Enforcement Cases
9:17 to 13:30
Explores the challenges prosecutors face in cases involving law enforcement officers.
“Once someone's indicted, then discovery begins and then you'll get more information.”
Social Media Addiction and Health Risks
15:12 to 16:48
Explore how social media companies face scrutiny over their addictive designs.
“Being a small business owner isn't just a career.”
Legal Allegations Against Tech Giants
16:48 to 19:29
Understand the legal claims against Meta and Google regarding addiction.
“Mental health is a complex issue, and the existing body of scientific work has not shown a causal link between using social media and young people having worse mental health outcomes.”
Causation Challenges in Court
19:29 to 22:21
Delve into the complexities of proving causation in social media addiction cases.
“It is intentional that they have done this.”
The Importance of the Bellwether Trial
22:21 to 23:24
Discover what a bellwether trial is and its significance for future cases.
“And on top of that, are punitive damages, something that could be afforded?”
Zuckerberg's Courtroom Testimony
23:24 to 25:58
Learn about the differences in Zuckerberg's testimony in court versus Congress.
“Recently, for example, you saw Tesla actually went to trial and won on one of the cases where their automatic driving vehicle injured somebody.”
Jury Selection and Perspectives
25:58 to 28:00
Understand the dynamics of jury selection in high-stakes trials.
“Well, it goes back to the old saying that, you know, a jury, if they like you, they like your cause.”
Social Media Lawsuits Overview
28:00 to 28:20
An exploration of the ongoing legal battles against social media companies.
“And so if that's the position of either the social media company or the plaintiffs, and I've got to imagine the plaintiffs have invested enough money at this stage, they don't have a choice but to keep going.”
Show all 18 chapters
Kid Rock's Testimony on Ticket Prices
30:39 to 32:29
Discussion on Kid Rock's testimony regarding the impact of ticket scalping.
“The Chase mobile app is available for select mobile devices.”
Monopoly of Ticketmaster and Live Nation
32:29 to 34:28
Insight into the monopolistic practices of Ticketmaster and their effects on artists and fans.
“Kid Rock, whose real name is Robert James Ritchie, didn't mince words when describing the live concert and entertainment industry to the Senate Commerce Subcommittee.”
Impact of Additional Costs on Artists
34:28 to 36:58
Focus on how additional fees impact ticket prices and artist revenue.
“I think where this problem starts is that there's a misconception about ticket pricing and bands and artists and how this all works.”
Legal Actions Against Ticketmaster
36:58 to 39:52
An overview of legal actions taken against Ticketmaster and their defenses.
“And that conundrum is based every day by artists.”
Kid Rock's Relationship with the Administration
39:52 to 41:50
Discussion on Kid Rock's comments and his ties with the current administration.
“But this month, the company's asked a federal judge to throw out the case.”
Potential Outcomes of Ticketmaster's Antitrust Case
41:50 to 42:01
Evaluation of the implications if the Justice Department wins against Ticketmaster.
“If Ticketmaster really is the problem, the Justice Department filed a sweeping antitrust lawsuit against Ticketmaster and Live Nation in May of 2024.”
Challenges of Ticket Pricing and Monopolies
42:01 to 45:16
Explore the complexities of ticket pricing and the impact of monopolies in live events.
“It accuses them of running an illegal monopoly over live events and asks the court to break them up.”
Legislative Solutions and Industry Challenges
45:16 to 47:15
Discuss potential legislative solutions to combat ticketing overcharges and monopolistic practices.
“sells their tickets and how, recapping resale ticket prices, enforcing the Bots Act to stop brokers and bad actors.”
Transcript
Automatic transcript. May contain errors.0:00The thing about AI for business, it may not automatically fit the way your business works. At IBM, we've seen this firsthand, but by embedding AI across HR, IT and procurement processes, we've reduced costs by millions, slash repetitive tasks and freed thousands of hours for strategic work. Now we're helping companies get smarter by putting AI where it actually pays off, deep in the work that moves the business. Let's create smarter business. IBM. Travel smarter, not harder, at America's Best Value In by Sonesta. With convenient locations from coast to coast and value-packed comfort at every turn.
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2:16Ice out! Ice out! Temperatures dipped into negative numbers Friday morning in Minneapolis, but crowds of demonstrators still turned out at the federal building to protest ICE operations in the state that led to the killing of two U.S. citizens by federal immigration agents. Also on Friday, in a significant reversal, Deputy Attorney General Todd Blanche announced that the Justice Department has opened a civil rights investigation into the shooting of Alex Preddy by two Border Patrol agents. We're looking at everything that would shed light on what happened that day and in the days and weeks leading up to what happened.
2:57And that's like any investigation that the Department of Justice and the FBI does every day. It means we're looking at videos, talking to witnesses, trying to understand what happened. I mean, you're talking about an incredibly tragic morning. Previously, ICE's Homeland Security Investigations branch had been leading the investigation. And investigating law enforcement shootings is not something they're usually tasked with. Joining me is former Palm Beach County State Attorney Dave Arenberg. Dave, let's look at the potential legal repercussions for the agents involved in these shootings. So the federal government could prosecute these agents, but under what circumstances?
3:42Yes, the federal government has the power to prosecute those who act unreasonably in these circumstances. If they were reckless in discharging their duties, yes. But the federal government has said that they will not even investigate the Renee Good shooting. Now, when it comes to the Alex Preddy shooting, President Trump said that they will have an investigation. So it's unsure at this point whether they would move ahead for the Preti shooting, which, by the way, I think has a stronger case of prosecution there. I think that the agent's actions there, multiple agents, are more likely to be open to criminal liability than the shooting death of Renee Good.
4:22Explain why the Preti case is stronger. The Renee Good shooting. You had an agent who could argue he was in reasonable fear of his life because the car did lurch towards him. Even though it was clear that she was trying to avoid the agent, she was pulling her car to the right, the steering wheel to the right. But the car did lurch forward. You could hear him say, whoa. And because of that, I can see how a jury would say, yeah, he was in reasonable fear of his life, and that's why he shot. Now, the problem in that case is that he shot a second and third time when he was not in any danger. But oftentimes they will look at all the shots together.
4:57Like if you can shoot once, they'll say you can continue shooting until the threat is neutralized. The prosecutors in that case will slow down the video to make each shot unique on its own as opposed to one quick decision. Now, when it comes to Alex Preddy, you had a situation where he was not engaging in any criminal behavior. He was trying to help a woman who had been pushed down by an overaggressive border control agent. And then he got pepper sprayed for his troubles. And then he was thrown to the ground. And then he had seven different agents on top of him. They saw him with a phone the entire time and the gun he had was concealed and he had a permit for it and then it was taken away.
5:36And after it was taken away, then someone yelled out, gun, and perhaps that gun went off, the one that was taken away, and 10 shots rang out in five seconds. He was shot 10 times in five seconds. So I think that one is going to be tougher to defend. And they may say it was a mistake of fact where they thought that the gun went off. But I don't think it's reasonable based on the videos for them to believe that he had a gun in his hand that was going off against them. The top local prosecutor in Minneapolis has opened homicide investigations into both shootings. But federal officers are generally immune from state prosecutions.
6:16Explain how the officers would raise that, how it would work. What's going to happen is that the federal government is unlikely to prosecute the cases. And so the state of Minnesota will seek a criminal indictment. They can undergo a separate independent investigation, which I think has already begun. And then they can seek a grand jury indictment, which I think they will. And when that happens, the federal agent, because he's a federal agent, will ask to remove the case of federal court. Now, the case will still be a state prosecution. You'll have state prosecutors. You'll have state law enforced, but the case would be in federal court with a federal judge and a federal jury, which means that the jury pool will consist of residents of Minnesota from all over the state.
7:01So advantage to the defendant. But when it comes to immunity, the federal judge would make that call. And the question is, did the agent or agents act in furtherance of the duties in a way that was necessary and proper to carry out their duties? And if the answer is yes, then he gets immunity and it's game over. There will be no prosecution. If he says no, it will be appealed, but then it'd be game on for a state prosecution in front of that federal jury. The state's at a disadvantage here in its investigation because the federal government is refusing to share the evidence that it's collected.
7:38This case is so unusual because when I was state attorney in Palm Beach County for 12 years, we worked with the feds. the feds would come in and sometimes they would say they want to take the case and we would stand down. Normally, if the feds say we're not giving you the evidence, it's because they want to preserve the integrity of the evidence so they can do their own prosecution, not to prevent a suspect from ever being prosecuted. So this is uncharted territory. So this is what I think will happen. I think the state is going to file a lawsuit in federal court to get the federal government to turn over the evidence.
8:10I think the state is going to ask a federal judge to require the federal government to turn over the evidence they have. And I think they'll have a good claim here because the federal government has made clear that they're not going to even investigate the Renee Good shooting. And I think the federal judge, whoever it is in this case, will say, you can't conceal the evidence from state authorities for the purpose of protecting a suspect. Only if you really have a good faith basis for investigating yourself and prosecuting the case yourself, can you withhold evidence from the state? So I think that the federal judge will grant the state's motion.
8:44But even if they don't, even if the state does not get the evidence from the feds, the state prosecutors already started a web portal where they're seeking and obtaining videos and witness testimony and other evidence pertaining to the case. And you could file charges in this case, you can get indictment based on the videos alone, you don't need necessarily to have the car because the feds have the car when it comes to Renee Good. And that would be helpful, but the state doesn't need it to seek charges because remember, when you get an indictment, you just need probable cause. Once someone's indicted, then discovery begins and then you'll get more information.
9:21And it doesn't do the would-be defendants in this case, the agents, doesn't do them any favors by withholding the evidence from the state because the evidence that the federal government has can also be exculpatory, meaning it could be to the defendant's benefit, especially because the feds are a favorable agency for these ICE and border control agents. So that's why I would think as defendants, they would want the federal government to turn over all evidence they have to the state or else the state is going to do their own investigation. And I think it will result in an indictment. And besides the immunity defense, what other defenses could the agents raise if they are prosecuted?
10:01Well, immunity is not even raised at trial. Immunity comes before, and that would shut it down. That prevents a trial to happen in the first place. So if it does go to trial, they would say that we acted reasonably under the circumstances that their lives were at risk, where they had an imminent threat against their lives. And the imminent threat in the first case would be the car lurching towards the ICE agent. In the second case, Alex Preddy, they would say mistake of fact that they were in reasonable fear of their life, even though it was a mistake, but that mistake was reasonable because this guy had a gun and they didn't know it was taken away.
10:39It was all happening so quickly. And this is their defense. I'm putting myself in their shoes. And they would say that when someone yelled out gun and then they heard a gunshot, they reacted the way they were taught to neutralize a threat. Now, they'll say that whether it's one shot or 10, you shoot to kill, you shoot to neutralize a threat. So that's going to be their defense. I think it's a tougher defense in the Petty case than in the Renee Good case. Does the defense have an advantage if the case is tried in federal court, even under state law? The defendants will certainly remove the case of federal court to get a jury pool from the entire state of Minnesota, because in federal court, there's one judicial district, and that's the entire state.
11:19Residents of Minnesota from all over the state, conservative, liberal, not just from blue Hennepin County. So instead of getting people who are angry about what's happening in Hennepin County, you'll get a cross-section of the entire state, including Republicans. And that's why even if this does go to trial and immunity is rejected, it is still an uphill battle for prosecutors because you've got to prove beyond a reasonable doubt in front of a unanimous jury that these agents committed crimes. And you have a natural inclination of people to believe law enforcement, to trust law enforcement, to give them the benefit of the doubt.
11:51And you have politics at play where people can see the same video and it's like a Rorschach test where they interpret it differently. And so how are you going to get 12 jurors to all agree one way? That's the challenge that prosecutors face. Dave, there are so many videos already of the Preddy shooting from different angles. Does that make it easier for the prosecutors or perhaps not just more confusing? I think the more videos, the better, the more transparency, the more angles, the better, because if you don't have the full picture, you're going to have reasonable doubt. So there you go. If you're in the government, you want to have enough proof that you can prove beyond reasonable doubt that these officers were not in imminent danger and it was not reasonable for them to think that their lives were at risk.
12:37But that's what good lawyering is about, is about deciding how to present the videos. For example, in the Rodney King case, you remember that, the prosecution showed the video and it was appalling, a horrific video. But the defense slowed it down frame by frame. And they showed – see, the officer reacted here because Rodney King was resisting. And they showed that in slow motion and he was acquitted at the state level. Well, in this case, they're going to slow the video down to try to convict the officers. It's like the opposite. It's like the reverse Rodney King where the government is going to say slow it down.
13:13And you see that the Renee Good shooting shots, two and three, were inappropriate, unreasonable. and also they're going to slow it down in the Alex Preti case. See, look, the gun was removed. It was walked away and then the shots began, even though it happened really quickly. A long way to go and many, many motions ahead before any trial. Thanks so much, Dave. That's Dave Ehrenberg, former Palm Beach County state attorney. Coming up next on the Bloomberg Law Show, a landmark trial on social media addiction starts in Los Angeles. I'm June Grosso and you're listening to Bloomberg. This message is brought to you by Apple Card.
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16:25You have a product that's killing people. That was Republican Senator Lindsey Graham during a Senate Judiciary Committee hearing two years ago. A rare instance where Democrats and Republicans were united in their criticism of social media CEOs like Mark Zuckerberg for not protecting kids online. The meta CEO pushed back on some studies that suggested social media use is a detriment to the mental health of teenagers. Mental health is a complex issue, and the existing body of scientific work has not shown a causal link between using social media and young people having worse mental health outcomes.
17:07Zuckerberg may make that same claim when he testifies to a jury in a landmark trial over claims that the top social media companies have deliberately gotten teenagers addicted through their design choices. On trial are Meta, the owner of Facebook and Instagram, and Google, the owner of YouTube. They dispute the claims that their platforms deliberately harm children and cite the safeguards they've added over the years. Snap settled the case last week and TikTok settled on the eve of trial. Joining me is an expert in cybersecurity and data privacy, Colin Wacke, a partner at Hall Estill. Colin, the plaintiff in this case is a California woman who's now 20 years old.
17:52Tell us about her allegations in this lawsuit. This is really the first one that's going to trial. There are dozens, if not hundreds, of similar lawsuits out there. And the basic allegation in this case, in all of the cases, is that the algorithms that have been put out there by the social media companies, as well as all the bells and whistles they put on their social media platforms, have made their products addictive. So this is very much akin to the tobacco litigation in the 1990s. One, is it addictive? And then two, are there harms that flow from it? The jury is ultimately going to decide that in this case.
18:26And the plaintiff's theory is a novel one that compares social media sites to defective products. Yes. And in fact, some of the claims even relate back to like a nuisance type claim. But long story short is that the way these algorithms operate is they get you addicted through casino style techniques. So casinos know, for example, that every time that you put a quarter in, you shouldn't get a reward because then you won't come back. So it's the timing with which you see and the content that you see it in. And then what are the consequences that flow from that? So, for example, mental health harms as a result of that.
19:01You can think about children in school and the distractions. That's some of the allegations that have come out in these cases is, you know, Instagram started losing teenagers. And they were sitting there going, how do we get back more teenagers? Well, let's figure out a way to get our platforms in schools, right? And so the harms that flow from this are unique to each individual, but you can see how they compound. So they're going to try to show that the social media companies deliberately made these addictive design choices. Correct. It is intentional that they have done this. And I think that there's plenty of testimony out there that probably supports the goal of making individuals remain on platforms as long as possible, keeping their attention there so that they can increase the number of viewers and thereby increase the number of advertisements.
19:47So I don't think there's really anything new about that. But the tech companies are coming in and saying, whoa, whoa, whoa, whoa. We already know based off of the Supreme Court's ruling on Section 230 that the algorithms themselves are protected speech. And so the unique claim in this particular case is, yes, that may be speech, but the other bells and whistles that you're putting onto this and what you're doing within it is not speech, and rather it's conduct that is getting us addicted to your platform. The tech companies are also arguing that they're not legally responsible for the effect of the content made by users.
20:22So explain what their out is here, what they're trying to get to. Right. So in short, the fact that you're being shown what you want to see is your own choice. You could choose to see and view different things based off of the likes and your viewing habits and all of that. So they're essentially saying all we're doing is giving you what you want. We're not doing anything to make it more enticing than it already is. And, you know, part of the argument, too, is how much is your cell phone itself addictive versus the platforms themselves, right? So every time you get an iPhone update, for example, it becomes a little bit brighter.
20:58Why? The brighter the screen, the more dopamine in the brain. The more dopamine in the brain, the more you want to look on your screen. That's why it's hard for you to figure out without going to Google how to set your screen to black and white. They don't want you to know that. So part of their argument here, too, is how do you distinguish which component of this is addictive? The plaintiff in the case, a 20-year-old woman identified only by the initials KGM, claims that more than a decade of social media use left her addicted and depressed. The defendants are challenging that narrative, saying she experienced difficult family relationships, abuse and bullying at school, and that played a role in her mental health struggles.
21:38I mean, how difficult is causation going to be here for her to prove that, you know, it was her addiction to the platform rather than all the other things happening in her life? Well, it's one of the sayings that we have in personal injury cases, which is you find your plaintiffs as they are. And so in this particular case, yes, they have some pretty good arguments that the mental health harms are a result of her history. But the question then becomes, were they exacerbated by virtue of the negligent conduct? And if that's the case, then the proximate cause is, in fact, the social media platform and not the historical trauma that she experienced.
22:17It is going to be an issue for the jury to determine about the mental health harms. What was the ultimate cause? What are those damages? And on top of that, are punitive damages, something that could be afforded? There is a debate within the mental health field about the connection between social media and increasing teenage rates of depression, anxiety, suicide ideation. Is that debate going to enter the courtroom? Are we going to see, you know, experts on both sides of the issue? Absolutely you will. Just like you saw with the tobacco litigation. I mean, that's the reality is you're going to find experts on both sides of this issue.
22:52But at the end of the day, the reason why the jury trial system is so good here in the United States is because our jurors really are good at detecting BS. And so they'll be able to figure out pretty quickly, not just from what the testimony is, but from their own personal experiences. I don't think that anyone can ultimately hear the testimony of these executives and former executives and decide that they didn't at least try to make it more addictive. Whether they accomplished that goal may be a different story, but it's pretty clear they at least tried. Explain what a bellwether trial is and is this a bellwether trial?
23:28This is absolutely a bellwether trial. So it's very similar. Recently, for example, you saw Tesla actually went to trial and won on one of the cases where their automatic driving vehicle injured somebody. And so that is going to embolden Tesla into the future. So if you imagine a scenario in which the social media companies do win this case, they're going to feel emboldened to continue to pursue it. On the flip side of that coin, if the plaintiffs win this case, then at the end of the day, you're going to start seeing a lot more settlements. And speaking of settlements, the fact that Snap and TikTok settled, TikTok on the eve of trial, both for undisclosed sums, what does that tell you about how the social media companies are evaluating the risk of going to trial?
24:13I think what most people don't realize is that lawyers' jobs are to manage risk. We are risk managers. That is it. And so for the plaintiffs in this case, if they settle, the reason why is because they know that this is going to be taken all the way to the Supreme Court, and that's going to take another five years, whereas they can get some money today and avoid that risk, right? So there's an incentive for the plaintiffs to settle from that regard. And there's an incentive for the defendant to settle because they don't want this information to get out there in the real world about how much, you know, your privacy is being pilfered for profit.
24:43They don't want their dirty laundry aired. And so this is why settlements happen is because both sides are incentivized to not continue on with the case, whether they're right or wrong. Zuckerberg is expected to be among the first witnesses called. He has testified before Congress, but explain how different it is to be testifying in a courtroom before a jury where you're subject to cross-examination. Well, it's wildly different because if you remember back when Mark Zuckerberg came and testified in front of Congress, one of the congressmen actually thought the reference to a cookie was an edible item and not a pixel contained on your computer screen.
Read the full transcript
25:21Okay. So the difference is that these attorneys in the courtroom know the technology, they know the facts, and they're going to be able to effectively cross-examine someone about what a cookie is and how they're tracking your data from one website to another. And then it begs the question, why are you tracking my information from my insurance carrier? Oh, well, so we can show you more ads. Okay, why are you showing more ads? Well, so we can get you addicted. So that's how the cross-examination is going to work that you would have never seen in Congress. I think Zuckerberg has a tendency to sometimes appear a little bit wooden when he talks.
25:54How much depends on how the jurors view him? Well, it goes back to the old saying that, you know, a jury, if they like you, they like your cause. And so that's a hurdle that the tech companies are going to have to overcome at the start of this trial because they've had enough black eyes already that the jury is not going to like them out the gate. And the plaintiff here will have to take the stand. Yes, the plaintiff will have to take the stand. And I have no doubt that her mental health history will come up and the trauma that she has suffered and all of that is fodder for cross-examination as painful as it may be for someone to go through that process.
26:27it has to occur in order for the jury to have a full understanding and appreciation of whether or not the trauma in this case was related to addiction from social media or prior experiences. Jury selection started this week. Tell us the kind of jurors that the plaintiff's lawyer will be looking for and the kind of jurors that the defendant's lawyer will be looking for. So if I'm the plaintiff's lawyer, I am looking for individuals who are going to be used to using social media and find it problematic for themselves or their family members. Right. So we all have the uncle or the dad who spends all day long on Twitter and you're rolling your eyes, like sitting there going, do you not have anything else to do?
27:08You want somebody who is frustrated about the system on there from the plaintiff's perspective. And from the defendant's perspective, you're looking for someone who is willing to say, you know what, we live in a capitalistic society in which individuals have freedom of choice. And these people are choosing to download this app and spend time on it. That is a choice that they are making. And so you're going to want someone who is very libertarian in their perspectives on life. Would you say it's more or less likely that the trial is actually going to start after jury selection? So first of all, 93 % of all cases settle before trial.
27:46So only 7 % of cases actually go to trial. And in that regard, many cases settle midway through trial. You pick your jury and you sit there and you go, I don't really like this. Let's go talk. So there is still a chance for it to settle. Although I was recently involved in a case where the other side made it clear this is a test case for them. And so if that's the position of either the social media company or the plaintiffs, and I've got to imagine the plaintiffs have invested enough money at this stage, they don't have a choice but to keep going. then this is their bellwether case and they're going to figure out the answer.
28:15A bellwether for the more than 1 ,600 other similar cases against the tech companies. Thanks so much, Colin. That's Colin Wacke of Hall Estill. Coming up next on the Bloomberg Law Show, Kid Rock testifies to Congress about ticket scalpers, price gouging and the skyrocketing costs of concert tickets. But the Justice Department and the FTC have already sued Ticketmaster and Live Nation. So what's the solution? Remember, you can always get the latest legal news by listening to our Bloomberg Law Podcast wherever you get your favorite podcasts. I'm June Grosso, and you're listening to Bloomberg. Support for the show comes from Public.
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30:45Message and data rates may apply. JPMorgan Chase Bank N.A. Member FDIC. Copyright 2026. JPMorgan Chase and Company. Hello, hello. I'm Malcolm Gladwell, host of the podcast Smart Talks with IBM. I recently sat down with IBM's chairman and CEO, Arvind Krishna, and I asked him, how can companies use AI to its fullest potential to create smarter business? My one advice to them, pick areas you can scale. Don't pick the shiny little toys on the side. For example? If anybody has more than 10 % of what they had for customer service 10 years ago, they're already five years behind. If anybody is not using AI to make their developers who write software 30 % more productive today, with the goal of being 70 % more productive.
31:41Yeah. Wow. So we are not asking our clients to be the first experiment on it. We say, you can leverage what we did. We are happy to bring out all our learnings, including what needs to change in the process, because the biggest change is not technology. It's getting people to accept that there's a different way to do things. To listen to the full conversation, visit ibm.com slash smarttalks.
32:14Secondary ticketing is driving up prices for the fans with absolutely no benefit to the artist. Not many fans or artists would dispute that testimony from Kid Rock about the skyrocketing costs of concert tickets. Whether it's BTS, Beyonce or Bruno Mars, if you've tried to buy tickets to the concerts of any major artist, you've seen not only the astronomical prices, but probably also experienced the nightmare of trying to buy tickets online, waiting patiently in a queue, and then watching the tickets vanish in seconds before your eyes, sometimes even after they're in your cart for purchase, and then seeing those tickets at three or four times the price in the secondary markets.
33:02Kid Rock, whose real name is Robert James Ritchie, didn't mince words when describing the live concert and entertainment industry to the Senate Commerce Subcommittee. It's no secret, none, that this industry is full of greedy snakes and scoundrels, too many suits lining their pockets off talent they never had and fans they mislead. The truth is, much of this could have been, or still could be, solved through technology, especially proof-of-humanity tools. It hasn't happened yet because there's just too much money in the secondary ticket market. But the hearing seemed to raise as many questions as it answered.
33:39Joining me is an entertainment lawyer in the music industry, Ron Beanstock, a partner at Fox Rothschild. Ron, Kid Rock started out his testimony by reminding the committee that Pearl Jam sat before Congress 30 years ago, testifying against Ticketmaster. I mean, in 30 years, are we in the same spot? Yes and no. We are probably not exactly in the same spot because there's appearances, there's litigation, there's investigation. But the truth is overall, what has not changed and has probably only sort of manifestly become more difficult is that we're talking about Live Nation and Ticketmaster, they're a monopoly.
34:18Ticketmaster sells 500 million tickets in 30 countries and they have 80 % of the US market. That's where your problem lies, is right, you have no competition on this. I think where this problem starts is that there's a misconception about ticket pricing and bands and artists and how this all works. So my clients, yes, they'll set the ticket price, but here's how it works. So let's say you've set a ticket price and you want to be reasonable and have fans have accessibility to the show. And so your ticket price, let's say is a hundred dollars. And we also have to talk about the incredible increase in production costs to get an artist on the road.
34:53But let's say it's a$100 ticket. It goes through sale through Ticketmaster. Now it's$170 with all the tack-on items. As many managers I spoke to, I called a few people to get some background. Man, there were a lot of epithets being tossed around by management. But effectively, when you want to offer the artist price at$100 out to the marketplace, your fan group, and it comes$170 when they order. With all the tack-on stuff, your ticket price is up by 40%. I think the problem there is that every artist wants to make it accessible to the fan and they get blamed for the extra costs that are tacked on by Ticket Master.
35:32And it's not the artist that's doing that. The artist wants their fans to be there. There's a secondary market problem where tickets that go on sale and the fans are able to gobble up the good tickets, then the back of the hall tickets come up. And you know what I mean, all the way in the back tickets come up and people will say, I can still get into the show. And those tickets are still like 170 total or more when they really shouldn't be. They're not the primary seats. So the secondary issue comes up. There's just so many factors in offering your fans a fair price for a ticket. And technically you're supposed to have under the face value exchange.
36:10Now you're supposed to know exactly what you're paying for. But again, I don't think that's worked out because the monopolistic situation. You talk about, you know, the markup, the artist won$100 a ticket, and then it goes to 170. Who's getting those$70? Those markups are going to Ticketmaster and other similar companies that work with them, right? You're going to get Ticketmaster and Live Nation are going to, because they're the same company, they're going to be taking those additional costs home with them. That's their profit. While the band has more of a difficulty here because they have, and when I mean band, And it's irrespective of genre.
36:44I'll just refer to as artists and bands. They have the difficulty in trying to get a ticket price that allows a fan to get a good seat to see them at the same time that they're balancing all the additional costs it takes to travel, to get there, to present that show. And that conundrum is based every day by artists. I want to add one little thing. I think there's something that everybody's overlooking that increases the cost. And that is most artists make up the differential. Even if they ask for a lower ticket price, they make up the differential with merchandise sales. Well, that's problematic because merchandise sales are fixed.
37:23You're paying somebody to go sell. You may have a merchandise deal and there'll be a booth, window, table, whatever it is. And you're selling your hats, your T-shirts, your hoodies, whatever it may be. And the fan walks up and doesn't understand that when they buy that sweatshirt, the venue that the artist is playing in is taking 25 to 35 percent of that for doing literally nothing. And those prices have gone up and up. I mean, you look at a T-shirt, sometimes it's like 40, 50 bucks. It's crazy, the prices. Because the hall, the venue, what we used to refer to as a hall fee, that name is morphed a little bit to make it more palatable.
38:03But it's still money for nothing, to quote Mark Knopfler. It is 25 % to 35 % additional tack-on to the merch cost. And you, buying that t-shirt, see that and say, the banned merch is so expensive. But the banned has to raise the price to make up for this haul fee. And that would have taken care of any deficit, more minor deficit, of playing the show for a lower ticket price just to have the fans come. They make it back on merch. But if you're paying 25 to 35 percent, I've seen 40 percent, then you ratchet up your merch fees, which has nothing to do with Ticketmaster. But you can see how it starts with Ticketmaster, how it starts with the expensive ticket prices.
38:45And you want the fans to come out and see you. But now you have this additional cost. And I think this is kind of like one of these little, I don't want to say dirty little secrets, but just one of these unknown issues that people don't talk about. And, you know, I spoke to several managers, particularly one client's manager I've worked with for 35 years, and I valued his input. And he had said, you know, what I'd really love to have would be the power to organize all of the acts together, almost in a union fashion, to say to all the venues, we won't sell merch here just because you're going to take that cut.
39:19Now, that's a bit of, you know, spitefulness to the venues. And we lose the money as the artist. But you can understand the sentiment there. And that is, I don't want to pay you for doing nothing. I'd rather not bring my merch into the room. I'd rather just sell it online or another methodology. The Federal Trade Commission and a bipartisan group of state attorneys general did sue Ticketmaster and its parent company Live Nation in September, saying they're forcing consumers to pay more to see live events through a variety of illegal tactics. But this month, the company's asked a federal judge to throw out the case.
39:59What's their argument? So the defense here is that you have the wrong parties. We are not responsible for the resellers. They're blaming the bot buyers and the resellers, even though we've had the bot buyers act in 2016. They're saying, don't look at us. You know, you're blaming us as being monopolistic here, but it's really the bot buyers and resellers who are causing the problem, not us. I want to make one sort of comment here. It's a little performative for Kid Rock because he has a close relationship with this administration. And I want to take slight umbrage to one thing he said when he said, I'm a maverick.
40:35I don't have to answer to anybody. I don't have to answer to a label or anything like this. Let's draw back and have an overview about that. Labels have nothing to do with this. That's not just red herring. That's just not applicable. Labels have nothing to do with ticket prices. Nobody at the labels is demanding that the artist set ticket prices. They just want them to tour because they want to sell product. They want to sell some vinyl and hopefully get some downloads out of this. Now, of course, why wouldn't they? But it really is, Ticketmaster, that is the problem in terms of monopolistic behavior.
41:05Nothing to do with labels. And I want to throw one more thing while I'm on my soapbox, is that very few artists are really with major labels now. So again, this, you know, I'm a rock, I'm an island, look at me, I don't answer to anybody. You know, I know that fits his self-proclaimed position in the industry, but everybody's in the same position. Very few people are working with major labels, which again, nothing to do with ticket prices. So almost everybody's in the same world, putting out their own material through their own labels and going back to their fans and trying to just, you know, twice a year, get on the road.
41:38and stay relevant to their fans and bring new material, sometimes new material to them. But no, he's not the only one speaking up. He gets an automatic buy because he has that relationship with this president's administration. If Ticketmaster really is the problem, the Justice Department filed a sweeping antitrust lawsuit against Ticketmaster and Live Nation in May of 2024. It accuses them of running an illegal monopoly over live events and asks the court to break them up. Trial is scheduled for March. So if the Justice Department wins and if the judge agrees to a breakup, will that solve some of the problems we've been discussing?
42:19The AT &T breakup, how did that work, right? Oh, don't go back in time. I think the AT &T anti-monopolistic filings, I think, are analogous to this because, you know, everybody eventually got some choice. And, you know, the competition in the marketplace for tickets and ticket sales is important. And if one company controls that, then they get to control the narrative on cost. And don't look at us. It's someone else's fault, right? They blame everybody else. But what I don't want to have happen here, and I think it's really important to emphasize, it's not the artist. I hear it all the time. I don't want the artist taking the rap here for, and that's a pun, I suppose, but taking the rap for, oh, these guys are being greedy.
43:02They're not selling records anymore. So they're raising their ticket prices. That is not entirely the case. The ticket prices, which I demonstrated when we first started speaking from 100 to 170, the band's only getting a portion of the 100. They're not getting that$70 overage. That's all going to the ticket sellers and to some extent, the venues. And when we pile on now with the merch fees at the hall, you can see the artists, it's very difficult for them to get their ability to stay out on the road and pay, you know, sometimes 30 people are going to go out with a particular artist or more, right?
43:38We've got all kinds of techs and crew and drivers and, you know, it's difficult to keep this out there. And everybody that I work with, it's a bit of a struggle. They want to play for their fans. That's the lifeblood of the industry. But if we have constant ticket prices and constant raising of costs to get there, people are going to stay home. What about a law that limits the amount of overcharges that you could put on a ticket? We have that with credit cards. And I think we've attempted that with ticket prices. I don't think it's been successful. And I think that it's possible. And this isn't this administration.
44:15This has been going on, you know, since 2015, 2016. We've got a solid 10 years of people trying to effectuate change here. It's going to take, I think, a true meeting of the minds between the ticket sellers, ticket companies, you know, Ticketmaster or Live Nation to come to the table to say, remember, they're also going to say, well, we have a right to make a profit doing what we're doing. The problem is it's like overage on credit card fees. When's the limit, right? How much is enough? Because eventually it'll strangle the live entertainment business. And pay-per-view never worked out. We all know that.
44:55So people still want to see bands live. And we have to do everything in the industry. Everybody has to do everything they can to foster that on a regular basis. And I think legislation is going to have to be there. And maybe it's going to have to be a breakup or a culling down of the actual cost factors. Maybe there is a cap that has to come into being. Of the things that Kid Rock suggested, some of his solutions, allowing artists to control who sells their tickets and how, recapping resale ticket prices, enforcing the Bots Act to stop brokers and bad actors. Do you see any of them as being a real solution?
45:33Well, no one's really enforced that Bots Act from 2016. You've got 10 years now. So he's not wrong, but someone has to decide what their priorities are. And if there's a prioritization to this, it may occur. But this particular Department of Justice has looked at other priorities. So I think it's a lot of lip service to say we support that, but I don't see the actions. The actions were started long before this because they worked their way through the courts. If this administration truly wants to see this take place, then they can do that by having a bit of a summit, if you will, and bringing people to the table to say, we need to do this, we need to cap this.
46:08it's preferable for business not to force this, right? Not to force the anti-monopolistic actions, but we're going to have to get some cooperation. And by the way, I want to add one thing. I don't know if the artist picking who sells their tickets, because then we make it get that same behavior by the next group of people. I don't want to be pessimistic, but if the next group says, I'll handle all this for you people, same thing occurs again. So there has to be some independence here, non-reliance on the same group of people. We don't want to have the same thing. I think he quoted the who in his presentation.
46:49Meet the new boss, same as the old boss. Meet the new ticket seller, same as the old ticket seller. And we really want to have change here. And that change requires fortitude by either this administration or the DOJ to dismantle an incredibly powerful monopoly. You know, 80 percent, 80 percent, that's a monopoly. I do think a lot depends on the antitrust trial coming up in March. And we'll see what happens with the FTC suit as well. Thanks for joining me, Ron. That's Ron Beanstalk, a partner at Fox Rothschild. And that's it for this edition of the Bloomberg Law Show. Remember, you can always get the latest legal news on our Bloomberg Law podcast.
47:30You can find them on Apple Podcasts, Spotify, and at www.bloomberg.com slash podcast slash law. And remember to tune into the Bloomberg Law Show every weeknight at 10 p.m. Wall Street time. I'm June Grosso, and you're listening to Bloomberg.
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From the publisher
Dave Aronberg, Former Palm Beach County State Attorney, discusses the possible prosecution of the federal immigration agents involved in killing two US citizens in Minnesota. Then Colin Walke, a cybersecurity and data privacy partner at Hall Estill, discusses the first social media addiction trial. And Ron Bienstock, an entertainment lawyer and partner at Fox Rothschild, discusses Kid Rock’s testimony about the astronomical costs of concert tickets. June Grasso hosts.
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