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Business of Home Podcast Episode Summary: The Thursday Show: Kravet Sells. Plus: Lindye Galloway's New Brand
Episode Overview In this episode of the Business of Home Podcast, host Dennis Scully and executive editor Fred Nikolaus cover significant news in the interior design industry, including:
- Kravet's majority stake sale to an investment firm
- RH's largest gallery opening in Newport Beach
- Layoffs at EJ Victor furniture manufacturer
- The launch of Lindy and Wynne Galloway's new furniture brand, Le Maé
Key Discussions
- Kravet's Majority Stake Sale
- Announcement: Kravet, a family-owned fabric company since 1918, sold a majority stake to Doones Point Capital.
- Industry Reaction: The sale surprised many in the industry due to Kravet's long-standing family ownership.
- Details of the Deal:
- Doones Point Capital acquired more than 51% of Kravet.
- The Kravet family retains a significant ownership stake and continues in leadership roles.
- Rationale Behind the Sale:
- Dunes Point Capital sees potential for growth and improvement in the home industry.
- The Kravet family may have sought to pay out family members and recognize the need for major partnerships to bolster growth.
- RH’s Newport Beach Opening
- Event Details: RH launched its Newport Beach gallery, measuring 97,000 square feet.
- Opening Highlights:
- Star-studded event featuring caviar bars made of ice.
- Enthusiastic audience and positive reception expected for the luxury shopping locale.
- Concerns:
- The large space may lead to product monotony, raising questions about financial performance and consumer engagement.
- Layoffs at EJ Victor
- Current Situation: The North Carolina-based furniture manufacturer laid off 121 employees following a devastating hurricane and ongoing financial struggles.
- Challenges Faced:
- Flooding damaged inventory and delayed recovery due to insurance disputes.
- The future of EJ Victor remains uncertain.
- Launch of Le Maé by Lindy and Wynne Galloway
- Background: Lindy Galloway shifted from event planning to interior design after personal experiences led her to redesign her home.
- E-commerce Expansion:
- The couple launched Le Maé to offer their unique furniture designs to a broader audience.
- Challenges included the impacts of COVID-19 on production and logistics.
- Design Differentiation:
- Focus on high-quality, unique designs that stand out in a crowded market.
Key Takeaways
- Industry Evolution: The interior design sector is experiencing significant changes with mergers, acquisitions, and the need for designers to adapt to e-commerce trends.
- Market Challenges: Companies face hurdles such as supply chain issues and the need to differentiate in a competitive online marketplace.
- Innovation and Adaptation: Creatives like the Galloways are navigating the complexities of launching e-commerce platforms while maintaining their design ethos and responding to market demands.
Conclusion This episode encapsulates the dynamic and evolving nature of the interior design industry, highlighting the challenges and opportunities that come with innovation, investment, and the drive for growth. Each discussion point offers insights into how professionals are adapting to a rapidly changing landscape and the importance of community and partnerships in achieving success.
For more updates and industry insights, visit [Business of Home](https://www.businessofhome.com).
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Transcript
Automatic transcript. May contain errors.0:07This is Business of Home. I'm Dennis Scully, and welcome to the Thursday show. Later on, I'll be talking to Lindy and Wynne Galloway about the launch of their new furniture line. But first, we're going to catch up on the news, including RH's largest gallery ever, layoffs at EJ Victor, and big news from Kravitz. To do all that, I'm joined by Business of Homes executive editor, Fred Nikolaus. Hi, Fred. Hi, Dennis. How's it going? Great. How are you doing? Good. Good to be back after a week off for Thanksgiving. I missed you terribly, Fred. I hope you had a nice holiday. Well, I did not have a nice holiday.
0:45Some years you eat the Thanksgiving turkey and some years it eats you. I had a horrible virus. My son threw up in his car seat in the Starbucks parking lot in suburban New Jersey. It was one for the record books. Did you have a nice Thanksgiving? Sorry, listeners, by the way. I apologize. I'm so sorry. Yes. No, in contrast, Fred, I had a lovely Thanksgiving, both in California and in New York. Not just one, but two great Thanksgivings. Exactly. Well, enough chitchat. We've got a lot of news to get to. And we're not even going to talk about Kelly Wurstler's Substack. That'll come next week. But first, let's look back on, I guess, really, it's Monday's episode with Andre Malone, which was a great conversation.
1:25But I want to quickly look back even a week before that with Brooke and Steve Giannetti, because the week prior, and here we're really going in the time machine, there was a new client vetting process from Tom Stringer, which was, if your client is comfortable swearing with you, that means the project will go well. Brooke and Steve Giannetti had an even more avant-garde method, which is if the client is nice to your pet goats, then they're a keeper. So it's another good one to have in your back pocket. If your client doesn't want to pet your baby goat, then really, is that a client you want to have?
1:59No. I think they made that clear. Exactly. But let's talk about Andre Malone. I love this one. It was really fun. I agree. And it was a great conversation with Andre, who has worked for so many of the giants of our industry, from Robert A.M. Stern to the late, great Mark Hampton and Ferguson Shemamian, among others. and it gave him such an interesting perspective. And also it took him such a long time to feel confident and ready to go out on his own after working for so many legendary firms. And I think part of it was, can I consider myself as good as all these great people that I've worked for?
2:38I think he's well on his way, right? Really interesting. Kind of cuts both ways when you have these like really big names on your resume. It's really impressive, but also, yeah, it makes you feel a little bit gun-shy about going out on your own. It wasn't until he was in his, I think, mid-40s and had all these huge names on his resume. Something kind of inspirational about that is like he finally was like, all right, now it's time. And he didn't even – he started off by sketching for people, which is – I don't know. There's a lot of bravery to his story in a way. Indeed. All right. We're going to get into the news in just a moment.
3:07But first, a quick break.
3:15This podcast is sponsored by Anthem Plus Showering, only from Kohler. Anthem Plus creates a transformative world for body and mind with every shower. It combines water, steam, light, and sound in a fully immersive sensory experience with custom settings to match any mood and enhance any routine. Discover how you can design a personalized escape with Anthem Plus Smart Showering at Kohler.com slash showers.
3:54And we're back. First up, Fred, big news from Kravit. Very big news from Kravit. This week, the fabric giant announced that an investment firm, Doones Point Capital, had acquired a majority stake in the company. Huge. Never thought I'd see this day. Is that right? You never thought you'd see this day? Well, I mean, Kravit has been a family-owned company since, what, 1918? The current generation of leadership there is the fifth generation of family ownership of Kravit. When you say Kravit, the next thing you say is family-owned. So the fact that they sold the majority stake was genuinely shocking.
4:29I don't know if you felt the same. No, I definitely did. And I think a lot of people were shocked to hear this news. And I want to get into a little bit of the reaction. But first, why don't we break down the deal and have you tell us some of the details and who Dunes Point Capital is and what's involved. A name that's very familiar to people in the design industry. Yeah. So, okay. So this deal, Craven has sold a majority stake of its business, meaning more than 51%, essentially. They did not That's all the entirety of it. And the Kravitz family has retained what they referred to as a significant ownership stake in the business.
5:04I don't know what that percentage is. I think it's bound up in the nondisclosure agreement around the deal. But clearly, they have an ownership stake in Kravitz. And I think just as importantly, the Kravitz family is still in leadership roles. Kerry Kravitz, the CEO, is still the CEO. So this is not like we're handing you the keys to the car, Dunes Point Capital, drive off and have fun with it. they're still very involved with the business. That being said, they did sell a majority stake. So this is a deal where they're selling a big chunk of the company. What is Dunes Point Capital? Well, it's an investment firm.
5:37It's not a private equity firm. It was started in 2013 by this guy named Tim White, who's a veteran of financial giant Blackstone. And it started as a family office, but over the past decade, it's kind of gotten bigger and bigger. They've raised like $1.5 billion and they're doing a lot of acquisitions. I think they've acquired over 100 companies at this point. And so it's an investment firm that is gobbling up a lot of companies. And now a big share of Kravitz is part of that. Well, and including a couple of big names in the home industry that we should point out, right? Yeah. Sonomon, the lighting company, and Stanton is another one that they've picked up.
6:13They've picked up, they have this strategy now, what they tend to do is they buy one kind of anchor or platform company that's like a significant player in a given industry, and then they acquire companies sort of around that. So they'll buy like one roofing company, and then they'll buy like five or six or seven roofing companies to sort of like bolster up that group. You know, obviously, you can take advantage of economies of scale. It's a, you know, classic investment play, but that appears to be what they're doing. You know, and in speaking with Kerry Kravit the other day, it seems like that is certainly one way it could play out with this acquisition of Kravit is that Kravit could be sort of this like platform company and they could acquire companies around Kravitz to make it bigger and better.
6:54So the first of many acquisitions, which would be great for the Thursday show, if nothing else, right? Exactly. That's why they did this. Well, so why do we think they really did this? Why do you think Dunes Capital wanted to make this acquisition? And why do we think the Kravitz wanted to sell? Well, I think the Dunes Point question is simpler to answer. I mean, Kravitz's been around for a long time. It's a big, well-run company. I think this is a good industry to be in. And I'm sure that they have, as many people from the outside see, there's inefficiencies in the home industry. And I think that probably they're thinking, okay, we can buy one of the biggest names in this world and build around it.
7:35And it's not, I think, too complicated beyond that. Why Crava chose to sell is sort of more interesting. I mean, I think, as I've said, the company has been in the family, for over 100 years. So this is a big deal. I do think there's a lot of people in the Kravitz family. So it's always complicated when you have a big family that owns a company. But I do think it's a really interesting decision. And I'm looking forward to hearing more as the story plays out. What was your read on the motivation to sell? Well, as you say, it's a family business. And I'm sure there are a lot of family members who want to perhaps not participate directly, but would like some other way of being paid out over time.
8:15I'm sure there's some element of estate planning and all of that involved in a decision like this. I wonder too, if Cravit just didn't see how it could dramatically grow without having a major partner behind it. And maybe there were some technological investments that Dunes Point Capital can bring, and maybe there are some other ways to really help the business longer term. I'm certain that it is a decision that Carrie Kravitz and the family agonized over for a really long time. That's a big deal. I mean, if it's sitting in your family for 100 years, that's not something to— No, no, no, absolutely.
8:58But also, this is a very thoughtful family, and they don't tend to take decisions lightly. So this is a major decision for them. The Kravitz really are perceived as leaders in the industry. And I think so often when you talk about the Kravitz, the first word that people bring to mind is integrity. And they're just seen as, as I say, straight shooters and honest brokers. And so I think this news is going to reverberate a lot in the industry, the fact that the Kravitz felt this was necessary. I think it's going to cause a lot of other companies to take a good hard look at themselves. Yeah. And I mean, I think your point about like, maybe they sort of felt like maxed out on how much more can we meaningfully grow simply by acquiring boutique fabric brands.
9:45And you look at like, you know, it's not a competitive company, but something like Visual Comfort, which is, you know, a company that had a huge private equity investment, which is obviously a little bit different, but has managed to grow a lot over the course of that investment. And I'm guessing that Kravitz, you know, maybe that's part of the excitement of it for the Kravitz family is like, well, think what we could do if we had this big, you know, it's not only a pool of money, but it's the expertise of a big, you know, financial company alongside us. It is interesting. I think it's really big news.
10:11And speaking, you know, with Kerry Kravitz the other day, he was sort of like, nothing's going to change at Kravitz. Like, I'm here, we're all still here. Design, like he said, kind of very funnily, like, the only thing designers will notice is this, the article that you're about to write. So, you know, it's possible that, you know, this, the impact of this will not really be felt at all on the designer level. But I do think though, that like, you know, if you come, if you have this big player, that's got a lot of money to make acquisitions around Kravit, that changes the game for other people.
10:37You know, I wasn't totally clear to me what kind of companies you could buy to put next to Kravit. You could buy another big fabric company. You could buy another furnishings company. There's a lot of different things, you know, they could do with a big financial backer. So to me, I'm almost less interested in how this is going to change Kravitz over the next year. So I'm really interested to see how it's going to change the industry. I'm certain there will be more to talk about in the coming weeks and months. And as I say, good for the Thursday show. If we could bring it back, right, to that.
11:04Yeah, good for us. Plenty to talk about. Okay, next up, we're going to talk about a Shelter Magazine acquisition. Atlanta Homes and Lifestyles has a new owner, the newly formed Buckhead Crown Media, founded by the magazine's current publisher, Elizabeth Rawls, acquired the publication from Esteem Media this week for an undisclosed amount. What do we make of this one, Fred? A lot of M &A this week. Yeah, this was an interesting one. So Atlanta Homes and Lifestyles is a magazine that's been, as the name implies, been in Atlanta for a long time. It was owned up until now by this company called Esteem Media, which is a little bit of an interesting roll-up.
11:40They own the Design Influencers Conference. They own New England Home. It's a little bit kind of like a hodgepodge of a few media assets owned by this guy, Adam Japko. And Elizabeth Rawls has been there for a long time, very well known in the Southeast. And she's, you know, formed this company to take over the magazine that I think she at this point is just so closely associated with that, you know, it just it makes all the sense in the world. This is a deal that on its face just seems very clearly to work out for both parties. And we've spoken in the past about the power and the strength of regional magazines at a time where perhaps the media industry overall is trying to figure some things out.
12:20There's clearly been strength in the regionals, and this particular one is very strong in its market. I reached out to several different PR people when hearing the news just to get a sense of their take on how important this magazine is. And one of the interesting things that one of the PR people said to me was, there isn't a business in this industry that isn't focused on Atlanta in a huge way. So I think this is a very important player in that market, and this is a very important market for just about every company that we talk about. So I think this could be quite good. Yeah, I mean, it's interesting.
12:58This news kind of comes hot on the heels of some more sad news in media, which we didn't get to because it happened around Thanksgiving, which was a big layoff at Hearst, and a couple people from El Decor were let go, And I think a couple of people at Veranda also departed amid cuts that saw the overall company lose 200 people, I think, which is pretty crazy. You know, it's just not a great time for media in general and design media in particular. But as you said, I think these regionals have this really strength of just being so tied into their communities. I think one thing Elizabeth has done very smartly is develop all these events, which they can do much more organically than a big national publication swooping in and doing something in a local market.
13:37But they have a show house. They have a home for the holidays show house, all of which are apparently quite popular. So I think that, look, regionals is a good place to be if you're in design media. And Atlanta is a good place to be if you're in regional design media. So there's a lot of stars aligned to make this make sense. And I'm certainly excited to see what she does with it now that she's the owner. Yeah. No, no, no. I agree. It'll be interesting to see what happens. And hopefully we'll get to talk about it in the coming weeks. In the meantime, sadly, Fred, we have to move on to talk about layoffs at EJ Victor.
14:11Yes, sad news. Last week, the North Carolina-based furniture manufacturer let go of 121 employees, nearly its entire workforce. The decision followed a brutal period for EJ Victor, which saw its factory flooded by Hurricane Helene and a lawsuit against its insurance company. It's struggled to recover since. Sad news. Very sad news. And I remember working for a furniture company that had gone through Hurricane Sandy and lost over a million dollars in inventory and really was almost brought to its knees. And the insurance payout actually took years to come. I'm so sorry that they've had to endure this and they must not have been in a particularly flush cash position when this happened.
14:55And it just seems like money ran out. Is that your sense? Yeah, I mean, I don't want to claim like inside knowledge of what's going on here, but their factory was flooded. It destroyed a lot of their inventory and they were hoping that insurance money would come through quickly. But their insurance company, of course, claimed this doesn't meet the definition of flood damage or something absurd like that. And so, you know, they sued, you know, their insurance company, but it takes forever for those lawsuits to go through, you know, and who knows if they even win them and how much the ultimate payout will be.
15:28It could take years. And in that time, you know, clearly they, you know, were in a bit of a cash crunch. And, you know, the big question for me is I just don't know what happens at this point. You know, they have retained some of their staff to sort of oversee, I guess, operations. But it seems like they have nobody to make the furniture. I don't know. Maybe they're hoping a white knight will swoop in. But I'm certainly eager to do more reporting and understand what the state of play is here because, you know, they've essentially fired their entire production staff. So I don't know what the future looks like for E.J.
15:58Victor. No, I agree. We definitely want to learn a lot more. We've talked in the past about some of the great names that they made collections for, including Ralph Lauren and the others. Kelly Wurstler. Well, your favorite Kelly Wurstler as well. Yes. and so many others too. I mean, they really were a company that was involved with a lot of big names and I think they were very well thought of. So it's sad. I hope there is a next chapter for them and I hope we learn more in the near future. In the meantime, we have to move on to talk about one of your favorite topics, Fred, tariffs. After campaigning on the promise of rolling out sweeping tariffs, President-elect Trump gave new specifics last week, including a 25 % tax on imports from Canada and Mexico and an additional 10 % tax on goods from China.
16:55So no country is going to be spared, it looks like. Fred, what do you think? There's a new tariff in town. Yeah, I mean, this is – we should just step back for a second and say that, as is often the case with Trump, and this is, you know, a belief held by both his fans and detractors, it's difficult to know how seriously to take this because it's possible that this is just a little bit of like a you know staking out a bold claim trying to get people to the bargaining table to get a better deal down the line and it won't really be 25 on Canada and Mexico it's possible he's deadly serious about this and this will happen day one as he said so we should just be candid in that we we don't know what will really happen here nobody does so a little bit of humility in terms of talking about the effects of this because we don't know how real it is If it is real, this is obviously a huge development.
17:44There's a lot of furniture made in Canada and Mexico. And behind the scenes, a lot of people in the industry are scrambling to figure out, well, if this is real, what does it mean? No, I agree. And I think, as you say, it's hard to know what of any of this really comes to fruition. I spoke to several people who echoed the sentiment that I think has been written about a lot since the election. Are we programmed this time around to behave a little bit differently and actually wait to see what happens instead of responding to every little thing that comes out of the new administration tariffs included?
18:19And let's see if this is just a little jawboning to maybe move some people in a certain direction. And also looking at the markets, the stock market's going to new highs. No one seems terribly worried about this in the short term. So maybe people are thinking, again, it is just a bold maneuvering tactic. Yeah, I mean, I do think, though, that tariffs are one of the things that Trump very much did do in his first term. And so I kind of feel like there's going to be some tariffs coming. I don't think it's likely that there's zero tariffs that come when he takes office. I just think it's these numbers, like 25 % and additional 10 on top of the existing Chinese tariffs.
19:01It's hard to know what to make of that. I mean, you know, to state the obvious, like, you know, that 25 % on Canada and Mexico would make a lot of furniture get more expensive and a lot of things in general get more expensive. You know, Home News Now did a great article sort of looking, you know, summarizing some of the numbers involved. And, you know, they say that 3.2 billion is imported from Mexico and furniture and 2.2 billion from Canada. You put a 25 % tariff on that and people are going to have to raise prices. Like you can't, you can't absorb that in the manufacturing process. So certainly there will be inflationary in prices.
19:32And, you know, as we talked a couple of weeks ago, it's possible that it will have the effect of spurring domestic manufacturing. You know, I've seen some optimism on that front, but that takes a while to roll up. You just, you know, you snap your fingers, you add a 25 % tariff. People can't immediately react to that. And so I do think, you know, behind the scenes, people are just very confused, candidly. No one knows exactly what to do about this. I do think that people are trying to stay nimble in their supply chains, but supply chains are only so nimble. No, no, I agree. And I mean, I think to your point, I spoke to several people who said, wait, I thought we were supposed to start nearshoring.
20:08I thought we were supposed to be moving the production to Mexico and Canada. I thought that was the point and get away. So people are a little bit confused. And as you say, I mean, more than anything, it's just unsettling all of this, all of this talk. And it's hard to know where it ultimately ends up. As you say, it's hard to imagine that there aren't going to be meaningful tariffs of some kind. He certainly campaigned on this wholeheartedly, full-throatedly, and so it's hard to imagine that he's not going to feel compelled to put something pretty dramatic in place, although the market was comforted by the announcement of who he is appointing to be the Treasury Secretary, and people are imagining that perhaps a former hedge fund manager will help keep some of these things in line.
20:52But again, we'll see. Right now, the market, as I say, just keeps going to new highs. So they act like not a care in the world. But we'll see. Next up, Fred, we're going to talk about RH Newport Beach. Last week, the brand formerly known as Restoration Hardware debuted a new outpost in Southern California, hosting a star-studded opening event to unveil RH Newport Beach. Dennis, you were one of those stars. What were your thoughts? You were there at the party. Did you share some caviar with Sydney Sweeney? What was it like? Caviar and celebrities everywhere you looked. And perhaps what was most impressive, the caviar bars were made of ice.
21:32So, I mean, wow. That was, yeah. RH knows how to throw a party. There's no question about that. They very much do, yeah. Right? But seriously, walk us through a little bit. This is a gallery that's 97 ,000 square feet, which in technical terms means big. I'm curious, first of all, what was the party like? and then we'll get to the showroom itself or the gallery itself, sorry. Well, so I mean, yes, to be serious, listen, a fantastic party. They had different bars on every floor and caviar and steak frites and everything that you could possibly want and more. And at the same time, they had this wildly enthusiastic, huge crowd that poured into this location.
22:15And this location is centered in this huge, To call it a shopping mall is an injustice to Fashion Island. It's this luxury shopping mecca area. And unlike the party that you and I were at at RH England, where we were speculating about whether the English would really embrace RH and find this furniture fitting into their lifestyles, the feeling in Newport Beach was these people are going to love this furniture and this store, and I think this is going to be a huge win for them. And then when you throw in this brand new, first of its kind, Waterworks store within a store that looked so perfectly at home in that space, in many ways, I think it looks like a winner.
23:10Well, tell me about the Waterworks store. Like, you know, when speculating, do consumers really want to, you know, shop for hardware themselves? I know you got a walkthrough from Peter Salek himself. What was your read on that angle of this new gallery? Well, it's interesting because Waterworks and RH are both companies that are so focused on their presentation and how they show their product. And Peter pointed out to me, oh, this is actually one of Gary's favorite lines is the Atlas line that had been done by Roman and Williams, which I thought was interesting. And Waterworks is always worried about how are they going to look?
23:48How are they going to present themselves? I think at the end of the day, out of all the partners they could possibly have, out of all the showroom floors that aren't their own that they could be with, this RH store just felt so compatible. And are they going to sell a ton of product out of that store? I don't know. But I think if there was a place that they had to be, this seemed very reasonable. And the Waterworks presentation, which is about 3 ,000 square feet, was very impressive. and so I think for a lot of people they probably are going to discover Waterworks for the first time and I think that could longer term be a good thing for both brands.
24:28What if any were the downsides here? Was there anything that you felt like okay this is just a Europe's largest herd of white deer was imported to be on the grounds? I'm just curious to get a critique here. No, no, no, absolutely. I mean and so listen, you have to buy into this concept of building these enormous spaces. Does this location need to be 97 ,000 square feet? I don't think so. So it's a huge undertaking. And the store, listen, I don't know what the dollars per square foot tend to be for their locations, but there's an awful lot of square footage that has to perform. And I think that because it's all so monotone, that product very quickly starts to look repetitive on a floor.
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25:19And if it's 97 ,000 square feet, you very quickly feel like you might have seen it all. It's a huge risk. These stores are an enormous risk at a time where RH carries a heavy debt load and has a lot to prove. And Gary Friedman has told us that business still isn't so great because things aren't moving the way they'd like to in the high-end housing market. So I think they've got a lot to prove. The only thing I will say, as I said earlier, is this store makes a lot more sense to me than RH England or the European expansion. That market looked like it could absorb an RH like this and really make it work.
26:00And the stock popped right after the opening. I mean, it's hard to exactly pin it to it, but maybe some investors had some good caviar at the event and went home and bought some RH stock. Well, exactly. And those parties, I think, make you feel like, yeah, this guy knows what he's doing. And so, I mean, they're weeks away from opening their own design firm in Palm Springs, and they've got other big openings that they're focused on. So there's a lot of big news that's going to be coming out of RH. Again, do they have the liquidity to make it all work? If there's the one thing that I would focus on on the other side, it's they're very stretched financially, and they've got a lot going on.
26:40All right. That's it for the news, but there's plenty more to check out on businessofhome.com. including a feature story on furniture banks and advice from Sean Lowe on setting healthy boundaries with clients during the holidays. We'll be back in a minute, but first, a quick break.
27:04We're taking a quick break from the show to remind you about Anthem Plus Smart Showering, only from Kohler. With Anthem Plus, you can design a showering escape that commands up to 12 water outlets, supports custom lighting environments to match any mood, and allows for three levels of soothing steam set to music from personal playlists. Every moment asks the user to imagine, when you take a shower, where does your shower take you? Explore Anthem Plus smart showering at Kohler.com slash showers. And now back to the show.
27:49And we're back. I am joined now by Lindy and Wynne Galloway. Thank you both for being here. Happy to be here. Thanks for having us. Thanks, Dennis. Well, I'm delighted to have you here. And it was so lovely to see you in Newport Beach recently, which we're going to talk about in a little bit. But before we jump ahead to all of that, I wanted to explain a little bit about your design business, which also became an e-commerce business and has recently relaunched and rebranded. So Lindy, where's the best place to start, do you think? So 10 years ago is when I started our design studio. I was in the wedding and event world and decided that I just needed kind of a change, but I wasn't sure what that change was.
28:31but we ended up having our first child. So that was one big change. And I'm at the hospital and I'm giving birth to our first child. We're getting a lot of detail here. Okay, yes. Like, yeah, being a brave woman. And he's on Zillow looking at homes. As a way to relax. I understand, sure. It's an escape. It's a tension breaker. Okay. Except none of it's true. It's all true. A few weeks later, we find ourselves with a fixer-upper home needing quite a bit of work. And I had no background or schooling in interior design. And I thought, hey, why not just jump into this? So I started doing it. Now I was designing our home on a shoestring budget and we took it back to the studs and I was figuring it out as I was going, but I was also posting it on Instagram, apparently making it look like I knew what I was doing.
29:22So as soon as our house was finished and I started posting, it ended up getting some features. And then I had a couple people in the area reach out and say, hey, would you design our home? And I was like, I looked at Wynn and I'm like, looks like I got to get some business cards printed because I had nothing. And I was like, yeah, totally. But I think they were willing to take me on because I was charging about$5 an hour. And my inexperience may have shown through a little bit. But that's how the studio side got started. I had a couple of really amazing clients to start, I've always focused on doing the whole home and being able to do the finishes through to the furniture.
29:57And ultimately those couple of clients that I had got picked up in features. It was sort of like hard work meets amazing luck. And I started just getting more and more clients from there. And for the next five years, it was me growing the business, bringing on employees, figuring out how to do the actual business side along with the creative. And then at five years is when Wynn came into the picture, which is also when we decided that we wanted to start an e-commerce side of the business as well. What led to wanting to launch the e-commerce side of the business? Lindy had this idea that let's take all of kind of the vendors and the profiles and the pictures that we have, and let's find a way that maybe we can sell some furniture.
30:36And I think this kind of became a trend in the industry in 2019, 2020. So I immediately just decided, yeah, that sounds like fun. Let's do that. and we set off on this journey of starting an e-commerce business with really no background, no expertise in what it takes to start an e-commerce business. And we built that up. It took about nine months to launch the shop. And then we launched in July of 2020, which was, many would say, great timing. We were able to get a lot of attraction right away. The dream was always actually to launch this with our own furniture and our own collection of furniture, as well as work with some of the traditional dropship partners.
31:19But COVID had a little bit of a say to that. It was quite difficult to produce furniture during that time. So COVID made it difficult to design and produce your own line for a time. Yes, that was the big issue? Yeah, I mean, material, shipping, I should say logistics, demands. we did launch our own small collection of furniture that was made in Indonesia in a factory there that's owned by a local kind of furniture maker here in LA. And they partnered with us pretty early on. And, but it was very difficult just to get that here with all of the shipping and timeline lead time delays. We also found once we launched our own product that, Hey, people are actually kind of interested in the things that Lindy's designing.
32:06and this is the stuff that they're buying the most. And we rather quickly realized if this is actually going to be a thing, we need to figure out how to make this furniture really well because the drop ship stuff, it became, we noticed a trend kind of during COVID where you saw a lot of designers actually start their own e-commerce shops. And all of a sudden it became, oh, there's a lot of different options and a lot of different places to buy the same furniture. And so we really realized we need to differentiate ourselves and we need to figure out how we can take unique designs that sort of reflect the quality and the style that you see in our studio business and then bring that to more of a mass audience.
32:47And so that was really the goal and the aim. It just took a while to figure out how do we do this really well. But we've got some great partners now and it's been really exciting to see that side of the business grow. Well, Wyn, I'm curious, and I want to hear about the great partners. We joked about the two of you not having a lot of experience in e-commerce. How did you get up to speed, and how did you learn what you needed to do to launch the business originally? Did you reach out to a partner? Did someone befriend you? How did it all come about? It started with a spreadsheet of just trying to break down what are the core elements of this?
33:26and it's traffic, conversion, what do you think the average order value is going to be? And from there, you can sort of build out, okay, how do we do this? That's sort of the basics. And then Lindy had to figure out what is the assortment of the pieces that we're gonna have on site? What do we wanna sell? When we first launched, we were selling a lot of decor. So a lot of smaller items, lower average order value. And now we're really leaning towards furniture. And so our average order values climbed quite a bit, but our conversions dropped. And so you start learning all these pieces and then you start learning about advertising through meta and Google and how do we break through the black void of the internet?
34:08And you really just kind of grow and your expertise grows. You learn the language and then you find good people that are operating businesses that are similar to you and you just ask questions. And I would say that that's been the journey is just being fortunate enough to find people that can really give us advice. And then we've always really been very, very insistent on changing things quickly. And that's the great thing about being a really small team is we can make pivots really fast. So yeah, change as quickly as you possibly can and lean on as many people as you possibly can. Well, and as you were just saying earlier, when during COVID, a lot of people jumped on the idea of having an e-commerce platform of one kind or another.
34:56And Lindy, if I recall, you had built a rather sizable social media following and that I assume was a very helpful tool to getting the word out for what you were doing online. Tell me about that. Yeah, that was such a huge piece. I mean, at that point, I had already built up so much trust with the people that were following us. I'd already built up a platform and followers that were familiar with what we were doing on our studio side. And we had really already given them the vision and cast the direction of what we offer and what we do from a style perspective. So naturally, there was already a lot of people that were DMing and commenting, where can I get this?
35:33Where can I get that? And obviously, we have a lot of trade vendors that we use that aren't accessible everywhere. But we really saw kind of that opportunity, again, in the beginning to really try to kind of expand what we were offering to really meet those people that were like, hey, I love your style. I want a small piece of it. can't afford to have the whole thing. I'm not building a home, the whole shebang, but how can I have a hutch that feels like it encapsulates what you do with your studio, that feels like it has that heirloom and that connection and that feeling that can be brought to my home?
36:06So our platform was huge. I don't think that someone starting now, if you've got zero, I mean, that is just such a larger uphill battle. I will say this. We now have an Instagram account for LeMay, which is what our furniture brand is called. And the hustle that it takes to build that account now is shocking. I'm like, wait, why aren't 100 ,000 people following me in two days? What's happening here? And so I feel like I've gotten to experience that side of it. And being able to leverage our social media following on our Lindy Galloway account was huge. What is your experience about what happened between when you first built your social media following and now trying to build this new following for LeMay and what's different?
36:50You know, I would be so curious to see what tech people would say, but I feel like for me, there was a simplicity that existed in the beginning. You didn't have to understand how to make reels and make all these things. There wasn't all this pressure to show up in a million different ways. The only way I had to show up in the beginning was posting once a week, one photo a week. And when you're starting out - Every week was all I needed. I'm raising kids and everything. It was such easy times to just be like one photo. And I think the challenge when you're starting out, whether it's an e-com or whether it's projects on a studio side, the biggest challenge you're going to face is having those photo assets.
37:29And now the big difference is we have to be putting our assets out in every single way from stories to feed posts to reels to TikTok. I still know nothing about TikTok, but our team, they're trying to keep me cool and young. And there's just so much content that you need now. And I think the original simplicity of it made it so much easier to grow than it is now, plus the algorithm and all of that. It feels like more of a guessing game these days. Yeah. Wyn, coming back to you, so you were originally banking on a lot of the drop ship available product, but suddenly got the feedback that Lindy's design work was actually what people were responding to, if I understood you.
38:11correctly. So tell me about the shift that that led to. Yeah. I mean, when you're running an e-commerce business, you're looking at the data. And when you're looking at sales data and you see that a large percentage of your sales are things that are not drop ship, but are only available through you, it sort of led us to this conviction of how do we do more of this? And so we started getting really serious about what that would look like as during 2020, we actually purchased a property in order to build our own home. And we said, this is a great opportunity for us to, in the process of building this home, telling the story of building this home, the highs and the lows, let's design a collection of furniture of, I think we had seven pieces that we're gonna take a gamble on as a small business and we're gonna buy 20 or 30 of each of these.
39:05Which sounds so little now. It does sound little now. But let's buy 20 or 30 of each of these. And then when we launch our house, we're going to say, you can buy this nightstand that Lindy designed for her house. You can buy this bench. You can buy this coffee table. And that was sort of our launching off point. And it took us a lot longer than we thought it should take to design a collection. We now know that that's just how long it takes. So the design process itself took you a lot longer. uh from creating the idea and the design to actually launching the piece physically is significantly longer than than we would would have thought yeah i mean i think that first piece took well over a year between when we launched it and then we launched it without even actually having the product here yet so people had to wait 30 or 45 days before they got the the shipment of the furniture.
39:58And so between designing, getting clear with the factory, getting a sample, making modifications to the sample, finally getting to an approved concept or an approved piece of furniture, and then getting the production run done, it's at least a year process. Yeah. I mean, just for some context, right now at this very moment, we have just wrapped up all of our spring 26 collections. So that's how, you know, now that we know a bit more about e-commerce and how production works. Now that we're so sophisticated, we know that of course we're working on spring 26. What else would we do? Of course. Talk to us a year ago, man.
40:40So yeah, yeah. Now it's, you know, we, you, you just so many things to figure out, but yeah, the production just takes a significant time. So when you're doing it for our house, we really had to learn what that process looks like and how long it takes. So tell me about the reeded texture, because that's what so many people point to specifically with regards to your line. And from what I'm told from the design community, it's having a big moment. It sure is. I mean, as a designer, I'm always trying to anticipate what's happening in two years, right? So I know that in two years, we got to find, and we are working on what that next reeded thing is going to be.
41:16But reeded is one of those things that I feel like allows pieces to still have a timeless feel, but have that character and that depth that wasn't offered before. I think now we're seeing it not only in furniture, but in, you know, obviously designs. We, you know, are doing it on cabinetry, hoods of ranges, and there's a lot of ways that it can be incorporated from wood to plaster to Roman clay. There's just so many applications that you can do for it. And I think it's one of those things that has this simplicity to it that also elevates a room significantly. And it's kind of like that quite luxury type of vibe.
41:50And I think that it's something that maybe even kind of gave a different perspective to what our design world could offer. And I think that's why it has had such an explosion in our industry because it adds just something different than say a white shaker cabinet would. So when, coming back to you for a moment, I'm wondering about the financial side of all of this? Because I'm sure that this required a sizable investment and some financial risk. Is the design firm helping to fund all of this? Or tell me how you're navigating it from a financial perspective. We are really trying to just, yeah, responsibly grow the e-commerce side of the business so we're not carrying a ton of inventory.
42:33But thankfully, yeah, we've been able to just kind of grow both at the same time and watch it work together. But if anyone would like to come in and offer$40 million for free. I'm open to it. Yeah, we'll take that. Yeah, we will take that. Okay. I mean, that was going to be my next question. I mean, are you at a point where you think you do want to take some outside investment or have you seen some of the experiences in this space and how often they haven't worked out too well that gives you a little bit of pause? But tell me how you think about it. Yeah. I mean, we are in a position now where we are starting to think about what it looks like to scale the shop at a much faster rate.
43:16And so I think you can scale things too quickly to the point where, okay, now we have way too much inventory and you can actually put yourself in a position where you're in trouble and you can't fulfill the demands that your clients are expecting of you. And so I think it's balancing those, but there is obviously an inflection point, one that we're probably reaching here sooner than maybe we even realize where outside investment, outside capital, but also outside expertise could be really helpful in helping us accomplish our goals. But when staying with the challenges of e-commerce for a moment, we have seen a lot of, so a bunch of designers got into it during COVID and then kind of backed out of it, realizing it's a lot more challenging or it requires a lot more investment or there were a host of different reasons.
44:05And we've seen some of the bigger e-commerce design-related sites struggle a bit in the industry for various reasons. As you were saying, inventory, one of them, cash flow, the money running out, whatever it is. What's your sense of why you think this is such a challenging business? And how have you been able to navigate it more successfully? I think one of the biggest challenges that I find, particularly in e-commerce when it comes to furniture, is two things come to mind. One, when you're buying a$4 ,000 dresser, it'd be really nice to be able to touch it. How do you trust that this is a quality piece of furniture?
44:47How do you trust that this is worth the investment without actually being able to physically see it? And the second thing is the consideration period of what it takes to buy a piece of furniture like that. we're not marketing a t-shirt on Instagram where it's a, you know, a flash in the pan sale where it's, oh, I need that. I buy it. It's$50. This takes time. You, you need to talk to your spouse. You need to measure the room. You maybe want to order a sample to make sure you feel good about the color or the finish. When you're talking about really nice furniture, it, it just helps so much to be able to see it, to sit on it, to, to open the drawers, you know, whatever it might be, depending on the piece.
45:26To get a different sense of what the quality is versus something you might see that is in the marketplace that is cheaper. Sometimes someone purchasing can be, of course, deciding between that. But when you actually get to feel the piece, it does make it different. We always joke that our dressers, there was one dresser we have that's literally 400 pounds. And so we took video of it because everyone's always like, how much does it weigh? Because I get it. You're on Wayfair and it's going to weigh like two pounds. And we're like, look at these five guys having to carry this 400 pound dresser. We promise it's solid white oak.
45:58It's the real deal. Well, so it sounds as though you think that the next step is some kind of a retail location and perhaps you're pretty far along in your thinking. Yes? Yeah. I mean, we're committed to being able to find a space here in 2025. That's the goal. And I think that it's going to be a local thing here in the Orange County area. But we just believe that, I don't know if you've heard the term, the halo effect, But I think that that's real is just the halo effect of having a physical space. That might not even be a huge revenue source in that physical space. But I think that people being able to see it will result in more sales potentially on e-commerce or maybe in person as well.
46:43But I do think that it's needed and people need to see this stuff in order to see the quality. How did what you're doing, Lindy, get on RH's radar originally? How did that come about? I designed this nightstand that sits in our bedroom, actually, and it's got these curved sides and this reeded front, and it became one of our best sellers. And all of a sudden, we get a DM, looked into it, and it turned out Gary, who's the CEO and amazing visionary for the brand, had seen it on Pinterest or Instagram and told his team, we got to reach out to Lindy, and we got to see what it would look like to partner on this piece.
47:23from there, they said, Hey, let's build this out. So now it got built out into many different categories. Um, so, you know, the nightstand, the dresser, the OGs, and then to a desk, a hutch, a console, tons of different pieces. And, um, the response has been so great in the last month or two of it being out there was kind of like a quiet launch at first on their website. Uh, and then it became a big wider launch at their Newport beach opening of the store where it was featured in three different rooms. And I think I can say this part. I think that over the last couple of months that it's been out there, it's been received very well.
47:59So we are expanding the collection again with RH and doing more categories like dining, beds, a handful of different ones. I'm in the process of designing alongside them while designing and collaborating with them on. So how long did it take from that original DM reaching out to you to bringing the product to fruition. They're a lot faster than we are. They move things a lot. Yeah. Yeah. They sure do. So, I mean, seven months, they're so quick. Seven months. Really, really fast. Yeah. Yeah. And then for you, so then that product line becomes theirs or is that still something that you can show on your own or now that's part of the RH?
48:44That's theirs. That's part of the RH collection alongside us. Yep. Yeah. Okay. Yeah. And, and some new things that you're designing as well will also be exclusively for, for them. Correct. Exclusively for them, um, and our partnership with them. And did you have to sort of fly around and meet with a bunch of people or how did it all, from a design perspective, how did you work with their, with their team? You know, what's so funny is we are, we're going to visit them, I think in February, but that will be our first trip, uh, to see any of them. We worked a lot online together. Zooms, of course, and then sending renderings back and forth and getting feedback from different elements of things that they were kind of envisioning with, say, a Hutch.
49:27But then I would kind of make sure that it still had the tune of what the original design and feel was, and then them giving feedback as well. So it's been a really great partnership of really them understanding kind of from a design perspective what I want to continue to hold with it and us learning from their expertise and perspective on what they know their audience to love and being able to bring that together. Wynn, how do you find yourself feeling about the coming year and in terms of business and what the climate's like? A lot of people are trying to put their finger in the air and kind of judge how the next year is going to be.
50:06Gary Friedman himself has talked for the past more than a year about the challenges in the high-end home industry and homes not turning over at the rate that they once were, although he seems like he's more optimistic about the coming year. But what's your sense? It's a great question. I wish I had a crystal ball to give you a really good answer. We've got great kind of partners with architects and other builders and kind of referral sources built in. And so I feel really good about that part of the market because I think that in that world, someone is always winning somewhere. And those people are building houses and we're open for business.
50:49And so we feel really good about that world. I think that we're just going to, when it comes to the e-commerce business, again, just really sustainably trying to scale it. I think the benefit of being really small and having a team of six of us is that, you know, we only need so much sales in order to reach a level of profitability to continue doing what we're doing. Okay. And, uh, and, and Lindy, anything you want to, anything you want to add there? Um, the wild card, you know, is always going to be e-commerce, I think. Um, and I think that's just part of the, like, I can't believe I'm going to say it, but like just the excitement We've always experienced many ups and downs in life.
51:32After a year of being married, we moved into my parents and$300. And so I think that we've just naturally been a couple that just wants to see what we can do in the world. And maybe there's going to be a time we're moving back in with my parents. Hopefully not. But we're on the right trajectory to not be. But I think that that is something that maybe makes part of what we do unique as well, is our ability to just kind of pivot and go with the flow and risk and take the right moves. And also with a team that is scrappy. I mean, you cannot have an e-commerce team of six people or a studio team of our size too, without these people being the kind of people that are team players that jump into anything that wear multiple hats.
52:14And I think our ability over the last handful of years to really identify the right people to partner with us on both sides of the business has been absolutely huge. I mean, just the kind of talent that we've got has also been a huge part of our ability to succeed. What do you find helps you to stand out? And what does resonate with people that keeps them coming back to you? I think ultimately, I would bring it all back to the root of why I got started in this and its design. I think that, yes, you can get a lot of different things on a lot of different websites, but we're not trying to reach everyone.
52:52We're trying to reach those that have the same love for design that we have. And those people show up. But I think that our commitment to that innovation piece has been what has made us always stand out. The details we put in, the custom approach, the sense of it not just being a piece we can turn over that's going to be too safe. We're always taking a little bit of risk here and there. I'm not going to lie. Some of those risks have not turned out. But I won recently because we have this bench that everyone was like, this is going to be a flopper. It was not a flopper. It did really well. So the team is slowly trusting my choices.
53:28But you got to have those moments where you take a risk. And you have to have those moments where you stay a little bit more on the safer side too. But I think design is what has always been the core of our success and our standing out. And Wyn, my last question for you is we talked earlier about customer acquisition, and it gets a lot more challenging on the conversion side when the price points go up. And I'm wondering where you're finding the most success right now in bringing customers to you. Where are people responding to you the most at the moment? Because, again, this is something that everyone is struggling with.
54:09I would say that our biggest success and our biggest chance of converting someone is actually the person sitting next to me, which is Lindy. Well, it's true. We've realized that the one thing that we have that everybody doesn't have is that we have Lindy. And so she has a knack and an ability to get on camera and to talk about pieces. She's really warm and engaging in that space. And so we've realized as a team that we need to utilize her as much as possible if we actually want to be successful. And so that's the thing that I feel like we have that helps give, I guess, a trust to the products that we're selling is that Lindy is backing them up.
54:55Right. Okay. So the social selling side is really what seems to be the most powerful. yeah i mean it always has been for us and and i think it will continue to be that especially as we have different collaborations coming out like rh i mean that just it i i trust lindy more now you know she's got a collection with rh like you're even more impressed with her designs sure i liked them before but now that they're in rh i'm really wow she really can design I finally got the stamp of approval. Yes. Well, Gary Friedman, he is. Right? He's a good stamp of approval. So that is. That is a good stamp of approval.
55:37Yeah. No, no, no. That's a huge moment for you both, obviously. And congratulations again on that. That's terribly exciting and how fun for you to get to experience it at the grand opening and all of that. And I hope it catapults the business to great things. Congratulations on everything that you're doing. And thank you both so much for making the time to come and talk with me about it. Thank you so much. So happy to be here. This was fantastic. Yeah, it was really fun. Thank you. My pleasure.
56:11And we're back. We're getting to the end of the show here. But before we go, we'd like to take a second to highlight anything going on in the industry that might have caught our eye. Fred, what caught your eye? Ryan Waddups caught my eye this week, Dennis. Yes, fellow design journalist Ryan Waddubs. Ryan, I think, is most closely associated with Surface Magazine's daily newsletter. And he's done such a great job over the past few years making it into a really fun must-read. Obviously, Business of Home is your first must-read, but Surface has historically been a really good read. I think largely because Ryan did such a good job making it really fun.
56:43And now he's leaving. He's headed to Gallery Magazine to be their deputy design editor. So I just wanted to give Ryan a shout-out. and I'm excited to see what he does over at Gallery because he did a great job really making Surface fun. And so Gallery's already fun, but it could only be funner. So shouts to Ryan. What caught your eye this week, Dennis? Yeah, absolutely. Shout out to Ryan. A big fan. I can't wait to see what he does. What caught my eye, Fred, is just as we're getting ready to record the show, what gets dropped but the AD100 list for 2025? Big, big names in the industry, including this week's podcast guest Andre Malone and some newcomers to the list that include Heidi Callier.
57:24We're a big fan of Heidi, so congratulations to her. And Alyssa Capito as well, first time on the list. And so I didn't get to look through the whole thing yet, but I think we should talk about it in the future. Did you have a chance yet to catch a glimpse? Well, they didn't send it to us in time for me to look before. How rude of them not to time their release schedule to our podcast recording. I saw Heidi was on it, which I thought was obviously very well-deserved and what a talent she is and how far she's come in just a few years. So that was the main thing that jumped out at me. A lot of names that were unfamiliar to me, which kind of makes me excited to check out some of these firms that I've never heard of.
58:00So I'm excited to dive in deep and maybe we can talk about it next week. Absolutely. A lot of former podcast guests were on the list. So congratulations to all of them. And as you say, some names that I wasn't overly familiar with. so hopefully we'll get to know them better by having them on the show and talking with them. So congratulations all around. All right, that's all the time we have today. Thanks so much for listening. If you want to keep up with the latest news, browse job listings, or take a workshop, visit us online at businessofhome.com. If you want to get in touch with the show, write to us at podcast at businessofhome.com.
58:37This episode was produced by Fred Nikolaus and Caroline Burke and edited by Michael Castaneda. I'm Dennis Scully. Have a great weekend and we'll be back with you on Monday.
From the publisher
BOH executive editor Fred Nicolaus and host Dennis Scully discuss the biggest news in the industry, including RH’s largest gallery ever, layoffs at EJ Victor, and big news from Kravet. Later, the husband-and-wife team of Winn and Lindye Galloway discuss the launch of their new brand, Le Maé.
This episode is sponsored by Kohler
