In short
Business of Home’s Thursday Show covers housing market conditions (existing home sales down 3.6% Feb–Mar; NAR growth forecast cut to 4% from 14%; foreclosures near a six-year high), home retail earnings (Wayfair vs. Ethan Allen), RH’s Milan opening at Salone, and a debate on whether ultra-sleek “chef” kitchens reduce real cooking use. It also features interior designer Sarah Sherman Samuel discussing her new book and projects.
Guests (and backgrounds)
Fred Nikolaus, Business of Home executive editor, leads the news roundup. Sarah Sherman Samuel, interior designer and artist/furniture maker; her work appears in Architectural Digest and she’s on the AD100 list.
Key claims
Wayfair is gaining market share despite unprofitability; AI use is practical (e.g., translating product descriptions) rather than revolutionary. Ethan Allen is financially stable but struggles with investor “relevance,” with overhang around succession planning. RH’s Milan flagship is part of a larger LVMH-style hospitality/partnership strategy. Ultra-modern kitchens may feel too efficient/overwhelming for home cooks.
Notable examples
Louisville, KY seeing 287 single-family homes over $1M in a year; RH’s 19th-century palazzo gallery with restaurant; Ben Benton’s argument about slick kitchens; Sarah’s Mandy Moore Altadena rebuild project and her Lulu and Georgia expansion (including bedding/bath and beds).
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Chapters
Tap a time to open that second in VONews and Updates on the Industry
0:45 to 3:20
Discussion about the recent acquisition of BOH and reflections on past episodes.
“with our sister publications, Dwell and Domino, great publications, were acquired last week by a company called Ziff Davis, a public service announcement.”
Insights from the Collectible Design Market
3:20 to 4:20
Revisiting a conversation with Rodman Premack and Rudy Weisenberg about the collectible design market.
“All right, we're going to get into the news in just a moment, but first a quick break.”
Housing Market Challenges
4:20 to 7:30
Analysis of the current housing market and its implications for buyers and designers.
“Experience firsthand how thoughtful, multifunctional design allows your home to shift seamlessly between work, rest, and everything in between.”
Wayfair's Performance in a Tough Market
7:30 to 9:40
Discussion on Wayfair's recent earnings and market position amidst struggles.
“You know, the foreclosures being in a six-year high definitely sounds scary, but it is also just kind of a round trip to where they were before COVID.”
Ethan Allen's Business Challenges
9:40 to 14:00
Exploring Ethan Allen's performance and the impact of government contracts.
“Moving on, we're going to talk about home stocks.”
Analyzing AI's Impact on Furniture Companies
14:00 to 18:08
Discussion on how AI is affecting companies like Wayfair and Ethan Allen.
“I am certain this is a very tech savvy company.”
Unveiling RH's Milan Outpost
18:08 to 23:24
Insights into RH's new location in Milan and its strategic importance.
“And when the federal government resolves itself and starts buying furniture again, that'll show up on their balance.”
Kitchen Design Trends and User Experience
23:24 to 27:23
A discussion on modern kitchen designs and their functionality for home cooks.
“And so I think the hope is that it will start to ring the register much more aggressively in the US.”
Sarah Sherman Samuel's Design Journey
28:52 to 31:07
Discussion with designer Sarah Sherman Samuel about her journey, new book, and recent achievements.
“I'm joined now by interior designer Sarah Sherman-Samuel.”
The Intersection of Art and Design
31:07 to 34:46
Exploration of Sarah's new book focusing on the blend of art and design.
“So it's still back to back, but at least it's not trying to fit everything at the exact same time.”
Show all 15 chapters
Creating Furniture: A Passion for Design
34:46 to 36:59
Sarah discusses her approach to furniture design and her collaboration with Lulu and Georgia.
“So we were like, well, we don't want somebody building right behind us.”
Supporting Local Craftsmanship
36:59 to 40:08
Conversation on the importance of local craftsmanship and furniture production in the Midwest.
“Yes, that's probably, I feel like, maybe my favorite part of what I do, I think, is just in the creation, because it really feels like creation.”
Impact of Recognition in Design
40:08 to 42:00
Discussion about the effects of being on the AD100 list and increased opportunities.
“I visited Hayworth the other day and they were saying how, because they own Casino now, and like they've been bringing the Italian woodworkers here to teach because it doesn't exist.”
Exploring the Mandy Moore Project
42:00 to 48:25
Learn about the extensive rebuilding process following a devastating fire at Mandy Moore's home and how it impacted design decisions.
“And we'll talk about the Mandy Moore project because there's a lot that went into that.”
Upcoming Book and Future Projects
48:25 to 49:10
Sarah Sherman Samuel discusses her upcoming book and the significance it holds in her career.
“So it was wonderful to see them getting back in, and I hope it leads to more and more of people getting their homes back and rebuilding that community in such an important way.”
Transcript
Automatic transcript. May contain errors.0:06This is Business of Home. I'm Dennis Scully and welcome to The Thursday Show. Later on, I'll be speaking with Sarah Sherman Samuel about her new book. But first, we're going to catch up on the news, including a check-in on the housing market, RH's debut in Milan, and whether contemporary kitchens have gotten too slick. To do all that, I'm joined by Business of Home's executive editor, Fred Nikolaus. Hi, Fred. Hi, Dennis. How's it going? Great. How you doing? I'm doing good. And it's kind of a new day here on the Business of Home podcast in a way. If you've been following businessofhome.com, you've probably seen the news that BOH, along with our sister publications, Dwell and Domino, great publications, were acquired last week by a company called Ziff Davis, a public service announcement.
0:57Ziff Davis is not a person. It's a media company, and we're really excited to get started there. I've been told there may be a podcast studio at Ziff Davis HQ. I kind of can't wait to check that out. I'm hoping new digs are in our future, Fred, and I feel certain that they're going to take excellent care of what I assume they view as some of the stars of this new acquisition, yes? Yes. Well, if my agent is involved, then I'm sure that was made clear to them. Anyway, let's look back on Monday's episode, a conversation with Rodman Premack and Rudy Weisenberg, two very talented, interesting individuals who do a lot of different things.
1:36It was a good conversation that covered a lot of ground. Great conversation, a lot of energy with these two, but they're incredibly knowledgeable about a subject that we talk about a lot and I don't understand in great depth, which is this whole collectible design market. And of course, they have extensive knowledge about the art and design market. So it was really interesting to talk with them and also to hear from them about how eager they are to slow the process down for their clients and get their clients more interested in working with artists and artisans and personalizing things much more.
2:17What did you make of the conversation? I love the part about kind of getting clients to slow down. I also love the part where they talked about how they often sort of come back to their client's house. And there's this initial period of the client sort of saying, is it OK if I move this vase one inch to the left? And then being like, of course, it's OK. We want you to do that. And it got into the sort of, you know, I think designers feel like they're, you know, they're performing their job, but clients are performing too when they're in the midst of a design project and sort of conveying their own tastes and sort of navigating the relationship.
2:48And so there were a lot of interesting little tidbits about that. It was a fun one. Yeah, it was a fun conversation. And there's a there's a funny moment when when I bring up the actual the business side of things and Rodman tries to excuse himself from the conversation at that moment because it's complicated. And they've got a gallery and they've got a design firm and it's a complicated business to run. So designers out there who are struggling day to day to manage the business side of their operations, you are clearly not alone. All right, we're going to get into the news in just a moment, but first a quick break.
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5:15and we're back first up fred we've got a real estate roundup we do despite hopes of a warm weather rebound that was maybe predicted on this podcast it's been a difficult first quarter for the housing market the conflict in iran has led many buyers to back away from deals and foreclosures are nearing a six-year high getting the podcast started off on an up note dennis what do you make the latest housing numbers. Yes, indeed, Fred. Wait, we were wrong about the weather? The warmer weather wasn't going to lift sales? I don't know what happened there. Yeah. I mean, our producer, Caroline Burke, rounded up a bunch of interesting numbers from the world of housing.
5:53And existing home sales dropped 3.6 from February to March. Now, I'm going to point out the weather was still a little rough in March. So the good weather isn't totally baked into these numbers. But maybe a really telling stat was the NAR, lowered their projected growth to 4 % from 14%. So it's like they started off the year on a relatively optimistic note and terrible weather, this conflict in Iran, all kinds of uncertainty later. I think they're pulling back on the expectations for the year. But maybe this isn't as bad as it seems, he said tentatively. What's your read on these numbers? Well, I mean, listen, I think everybody was hoping that we were headed towards lower rates.
6:38And for a heartbeat, we were. And alas, the price of oil going up so much and other areas that are pointing to more inflation has just driven up the 10-year yield and therefore 30-year mortgage rates. And there's just a feeling out there that inflation is far from contained yet, even the Federal Reserve Board wanting to change the language to not make it sound as if the next move is necessarily going to be a rate cut. So I think there's just a lot going on out there suggesting it's not going to get easier anytime soon. That said, these numbers don't suggest that anything is falling off a cliff.
7:21They're just not suggesting that the turnaround that at least the hosts of this show were hoping for is coming anytime soon. Yeah, I mean, it's tough. You know, the foreclosures being in a six-year high definitely sounds scary, but it is also just kind of a round trip to where they were before COVID. You know, certainly it's not, you know, the number's not moving in the right direction, but it's maybe a little bit less scary than it sounds on first blush. An interesting sort of side effect of all of this is that you see these little kind of hot pockets popping up around the country where there are these markets where maybe historically people wouldn't have wanted to move there quite as aggressively.
7:55They might have preferred to go to a big coastal metropolis. But the Wall Street Journal has a story about how Louisville, Kentucky has seen 287 single-family homes over a million dollars over the past year, which is crazy growth. So I do think it's not like the whole world is frozen right now, And you do see these little things pop up. It's just not, as you were saying, the, you know, the survive to 26 and get your fix that we'd all been hoping for. And who knows? The year is young. No, absolutely. And much could change. And listen, shout out to Louisville. And as a bourbon drinker, I'm happy that the real estate market is hot there.
8:32And it sounds like I need to check it out. I mean, I think what we're seeing is this bouncing along the bottom notion is one that is definitely still going on in the housing market. To your point, there are pockets that are booming, but overall, we're still waiting for the turn. Yeah, and I think in the meantime, like leaning into renovation projects is a good watchword for designers. I'm sure a lot, you know, no one needs me to tell them that, but certainly renovations are happening at an increased rate. I also there was a great episode of Caitlin Peterson's podcast, Trade Tales, that aired this week with Hema Prasad, who's an L.A.-based designer.
9:11And she was just talking about how like when, you know, when you got a slow market, you got to take different kinds of projects, some that are big and splashy for publication, some that just get checks in the door. You know, I'm sure some designers are having a great year. You know, if you're not, I think it's all about just, you know, mixing up the pipeline. And if you can move to Louisville, Kentucky, now's a good time. If you're always thinking about it, now's the time. Well, definitely renovation is something that we talk about a lot and certainly something that people want to be leaning into a lot more in this time.
9:39So I think that's good advice. Moving on, we're going to talk about home stocks. Wayfair and Ethan Allen both reported earnings last week amid a challenging environment for home brands. What should we get into first here, Fred? Let's start with Wayfair. So, you know, they had what I would say is a fairly typical to positive quarter amid a sort of difficult set of circumstances. When I say typical, they did lose money. They were not profitable, which is - This just in. Yes, which is fairly typical for Wayfair. But a lot of their numbers are going in mostly the right direction. Their gross margin, kind of the amount of money that they made off the very tip top of revenue, declined a decent amount.
10:20And if you listen to the earnings calls we both did, there was a lot of questions about that. And what's that pointing to? What's this pointing to? I think Neeraj Shah, the CEO of Wayfair's basic take was like, look, we all know this industry is in a bad place. Home hasn't been the same for a long time. Inflation is affecting customer demand. But amid that, we're basically doing fine and we're positioned to grow. And the numbers were basically OK. What was your read on the financials before we get into the other stuff, Dennis? I think my read on the financials, and I think Neeraj talks about this repeatedly, it's very clear that they're taking market share.
10:55They're an exceptionally good operator on a host of levels, and that's helping them to actually show a revenue increase in a time where it's pretty challenging. And I think that's because they're taking business from others, and they're also benefiting from the many closures that we've talked about in the retail space. So I think they're the ones that look pretty strong getting through this time, even though profitability continues to elude them. I'm not sure that that is a huge focus for them, even though Wall Street wishes it was more of a focus, I sense. But I don't think that that's really where Neeraj is spending his time, candidly.
11:41And it seems like he is spending his time talking about stores. You were just at High Point Market the other week, and it seemed like there was a lot of word on the street that there was Wayfair. Maybe they've opened up two stores now or two big stores, and it seems like maybe more might be coming. What's your read on the future of Wayfair stores? Yeah, I think more stores are coming. I think he talked about stores on the earnings call much more than he normally does. I think the High Point brands are looking to Wayfair in a surprisingly hopeful way. I think it wasn't too long ago where Wayfair tells the story of how they weren't even allowed into a High Point market, and everybody thought that they were coming for their business.
12:25And now I think many in High Point are rooting for Wayfair's success, specifically Paragold, but also the site in general. and I think that the furniture makers need a strong retailer out there. And I think the Wayfair team, who I bumped into several different times while I was at High Point, were clearly taking meetings in part spreading the word that, yeah, the store openings are going pretty well and we're planning more of them. I know. It's kind of sad. We could honestly do every week on this show a segment about another mom and pop, 75-year-old furniture store that's going out of business.
13:02this. Some of these are even small chains. There's clearly huge structural decline in the kind of classic independent mom and pop furniture store world. And, you know, sad as it is, Wayfair is definitely benefiting from their decline. And, you know, as you said, there's a lot of hopes being pinned on that. I also wanted to quickly talk about AI just because, you know, Neeraj likes to talk about AI. And it's interesting. I always feel sort of of two minds when I hear these calls, because on the one hand, there's all this rhetoric kind of floating around, maybe not specifically from Wayfair, but just in general about, oh, it's going to transform everything and we can fire half our employees and run the business on ChatGPT.
13:36And then you hear what they're actually using it for. And it is smart, right? Like he talked about how like they're opening up in Canada and they want to open up in a French language market. And so they use AI to translate their product descriptions. And that all seems smart. It just doesn't seem quite as revolutionary as like a robot is running our business for us. I don't know. I always feel a little bit conflicted when I hear about the AI implementation on these calls? What was your read on the AI stuff? I am certain this is a very tech savvy company. So I am certain - 2 ,000 engineers. Yeah.
14:08I mean, this is a company that was born out of tech stacks, and this is an organization that is incredibly savvy. I think that they probably don't want to say too much right now because there is definitely this air of anxiety and uncertainty around the whole AI conversation. I think the The efficiencies that they pointed to seem very modest, to your point. But I'd be pretty surprised if AI wasn't playing a very meaningful role under the hood of the Wayfair organization. And I'm sure when the time is right, a lot more will be rolled out and discussed. Well, we'll talk about it when it comes. Let's pivot over to Ethan Allen.
14:48Again, difficult circumstances for them. They maybe didn't fare quite as well as Wayfair. Ethan Allen, interestingly, does business with the federal government a lot. They have a big contract with the State Department. And because there was a government shutdown, their wholesale orders declined 7.6%. They said largely because of reduced government activity. Just when you think everything has been thrown at these furniture companies, the government shutdown affects them. So that was kind of a drag on their books. They do have money in the bank. They're debt-free. In some ways, Ethan Allen is a much more financially stable company, but certainly the stock price is going in the wrong direction.
15:29And this was not a great quarter simply by the numbers. What would you make of the numbers before we get to the other stuff? Yeah, before we get into the fact that I don't expect a big AI announcement coming out of Ethan Allen anytime soon. Listen, I mean, you're right. The numbers, unfortunately, I think you continue to see the business is just not moving in the right direction on a host of levels. Yes, they have a bunch of money in cash. Yes, they don't have debt on their books. But you just get the feeling that this is just a company that continues to tread water at a time where companies like Wayfair are taking market share.
16:04But I think Ethan Allen continues to struggle with just the overall relevance question. And that's the biggest challenge that they have. I mean, they did talk about product a little bit on the earnings call. So clearly, there's some new stuff coming from Ethan Allen. I'll be curious to see what it looks like. Technology has always been important to Farouk. I don't know if it's investing big in AI, but they care about that. And they are doing things with their store footprint. It's funny. I feel like Ethan Allen is sort of the company that everybody says they want. They're financially responsible, they're debt free, they're making money, but it just seems investors aren't that excited about it.
16:40And the stock is near a five-year low. There's kind of an irony in that. I don't know. Clearly, I'm sure they know they need to do something to turn that around. But it's just funny that it's happening to the one company that we talk about that's debt free. And that's paying out the big dividend and all of that. No, exactly. You know, truthfully, I think Wall Street is hoping, first of all, as we talked about earlier, I think they would love to see some big collaboration announced or some big partnership that might help to move the product in a new direction. I think that would be a huge infusion.
17:17The other challenge is truthfully, and everybody has so much regard and respect for Farouk Kothwari, the longtime CEO, and I certainly do as well. We've had him on the show, and I'm a huge admirer. But I think everybody is waiting for the day, much like what just happened at Berkshire Hathaway, where they finally announced that there was a succession plan. Everyone keeps waiting for Ethan Allen to announce at least some kind of a succession plan that lets us know, hey, here's the strong number two that's been built up internally, and the company is going to be passed on to strong hands in the future, nothing to worry about.
17:56I think that is an overhang for the stock, and it has been for a while. And I think until that issue gets resolved, the stock is just sort of in a bad place until there's just greater clarity. Does that make sense? Yeah. And when the federal government resolves itself and starts buying furniture again, that'll show up on their balance. I got my fingers crossed on that one. Yes, exactly. Well, who knew that the government was such a big customer for them? But I do hope that that works out. You know who the government's probably not buying a lot of furniture from is RH. But let's talk about RH because the brand unveiled its new Milan outpost during Salone last week.
18:34And our own Fred Nikolaus was there for the party. So go ahead. Tell me about it. I was there on the scene, Dennis. Don't get too jealous. I know you've been to Paris, but I got to go to Milan. Yeah, it was a great party. several people told me like Gary Friedman knows how to make an entrance to a new market. And that was definitely achieved. It was definitely, it was also like the talk of Milan Design Week. Like everywhere, you know, you went at these kind of, you know, hipster events. There's like, are you going to Arch? Are you going to the party? And it was definitely a big sort of fabulous Gatsby-esque party to open.
19:09This sort of grand location they have in Milan. So yes, I was on the scene. Did you see the pictures, Dennis? Did you? Did I see the pictures, Fred? Absolutely. I mean, first of all, I've already talked about Margot Robbie and how fantastic she looked. But I mean, the whole affair, as you say, you and I have been together to several RH openings and we know what a good party there is to be had. So I'm thrilled that you got to experience another opening. And this is a big one for a lot of reasons. And we should get into that. Yeah, I mean, you know, we're at this point three years into, you know, RH's expansion into Europe.
19:48You know, you and I were on hand to see the first location in the Cotswolds in England. And since then, they've opened up a couple of other locations, notably Paris in the fall of last year. That was a big one. And I think that, you know, their European strategy is sort of anchored around these, you know, it's Paris, Milan and London are their big like flagship galleries. And I think are going to be the real drivers of what RH is trying to do in Europe. It was interesting, you know, being at the Milan gallery like, you know, they execute incredibly well. It's this 19th century palazzo that they've converted into a gallery.
20:22It's got a wonderful restaurant. It's a great location. You know, the question is just like, you know, will will European audiences go for it? Will they get the brand halo there? They're hoping to get. And, you know, you walk away from these events thinking like, wow, they created a lot of buzz. But there's just still this unanswered question of, you know, how is it going to perform over time? And I don't want to be as boring as we'll see, but that's kind of where we're at. Well, to your point, they create a lot of buzz. They're a marketing machine, despite not being on Instagram. And listen, they know how to get people to show up and they know how to get people talking about it.
21:01And if their goal was merely to have a furniture store in Milan, you could be skeptical. But I don't in any way think that it is as simple or as limited as that. And so I think that to your point, to me, and once Mayfair opens in a few weeks or a few months, the final piece of all that will be in place. But I think that in Gary Friedman's mind, this is now we have the foundation of the LVMH model of Milan and Paris and London. And on that, we can build our hospitality business. We can build our hotel partnership business. We can participate with partners in the Middle East in ways that we haven't imagined before.
21:53I just think his whole global strategy is much more than how many sofas are we going to sell next week in Milan. I do love the idea of we're going to open a furniture store in Milan. It's definitely something that Gary Friedman has never said. Yeah, the ambition is incredibly grand, right? And so it feels a little bit silly to judge it or even measure it by the metrics of how you might measure the metrics of a furniture store in Milan. I mean, of course, I think they do want to sell furniture in Italy. And, you know, that's the big open question is will Italian audiences go for it? It's kind of delightful, honestly, to sort of see like another country react to our age because, you know, when you're in the industry in the US, it's really kind of baked in like, yes, they, you know, they open these furniture stores and there's celebrities there.
22:38And it's like a crazy party. But when, you know, people, you know, locals were there and, you know, kind of delighted by there was this famous DJ there. And it was, you know, it was fun just to sort of get their impressions. I mean, some people are skeptical. Some people thought it was pretty cool. So, you know, so we'll see. But as you pointed out, I think, you know, the ambition is much grander here. I mean, you know, the other thing is this is coming at sort of a difficult time from the perspective of the stock market. You know, their stock, too, is not doing particularly well. You know, I think that the game here, you know, for Gary Friedman is just build up this incredible base in Europe, build up the glamour.
23:10They've proven that they can execute at a really high level. They've proven that they can get your, you know, European audiences through the door and get a lot of buzz going. And so I'm really interested to talk about this after the next earnings report. Not to be a nerd, but that's exciting to me. And we'll definitely check in soon. Absolutely. And I think they're hoping that Estates and this whole Milan opening does a great deal to elevate the opportunities that I think they have in Greenwich, Connecticut, for example, which is a big focus for them with the Estates collection. And so I think the hope is that it will start to ring the register much more aggressively in the US.
23:46We'll see. But in the meantime, we've got to move on and talk about a hot take from the world of interiors, Fred. Yes, I love these, these sort of like fun, high-end hot takes from the world of interiors. They're really fun to look at. In a recent piece for the magazine, Ben Benton argued that sometimes an ultra-modern kitchen can stop home cooks from actually using their space. Dennis, is your kitchen ultra-modern and do you actually use it? What's your reaction to this? Yes. I, you know, part of the reason that I bought my house is because of the kitchen and, and the previous owners loved the kitchen so much, they left me a note saying, if you ever tire of it, we will come and take this kitchen out for you because we loved it so, so much.
24:27And so, no, it's not ultra modern and it's, and it's super functional. And I think looking at the picture in this world of interiors, looking at the kitchen, all stainless steel and modern, first of all, I was concerned that, wait, I thought we were busy copying the warmth of English kitchens. I know, yeah. And are they all doing stainless steel kitchens now? Have I been misinformed about what the trends are? What are we to make of that, Fred? I know that was the confusing thing, too, because I think of us, yeah, as in the process of an act of grand larceny of stealing English kitchens from them.
25:00And here they are with the exact opposite take. I mean, I think, you know, two things can be true at once. Like I do think the sort of English somewhat, you know, eclectic kitchen is kind of on the rise right now in American design. But I do think there has been this big movement towards these sort of sleek kitchens that are driven by appliances that can do all kinds of crazy stuff. I feel like every time I go to a show house, you see like a stovetop that has like a wok attachment and like a spit roast on it and can sous vide everything. And I think a lot of it is driven, as Ben pointed out in the piece, by this sort of fascination with chef culture, like the bear and all these shows about cooking and chefs are celebrities.
Read the full transcript
25:42And I think so people want their kitchens to kind of be like the fantasy of what a restaurant kitchen is like. And I think that's sort of what's driving the thing that he's saying is maybe not to the good. But I don't know. I'm a little bit torn about this. What's your take on his take? Well, I mean, I thought it was interesting that suddenly it felt a little too efficient and a little – I mean, I remember the whole stainless steel movement was quite big here in the States, and then we sort of moved away from that. But this seemed to also suggest that these kitchens that were modeled after top chef-like shows suddenly got sort of so professional that you seemed to feel overwhelmed and that you weren't spending as much time cooking and preparing.
26:31Perhaps the room had lost some of its fun, some of its spirit. I don't know. Like I was saying, I feel a little bit split on this. I do think it's kind of a shame. I think this is a problem interior designers encounter a lot, which is that the client sort of says they want something, but it's not clear if they're just saying they want it because they think they're supposed to want it or whether they're actually going to use it. I don't know. I think this is all kind of harmless, truly. I think if a client really does want a super sleek, stainless steel kitchen, like more power to them and, you know, the appliance companies need to make money too.
27:01But it's a fun little take and something just to kick around when you're looking at your next kitchen. I'm certainly going to look at mine after we hop off this podcast and see if I can squeeze in some stainless steel in there. Well, I'm still very much on the Sophie Donaldson un-kitchen team. And so I like seeing more of that. But this was a fun read. And thanks to Ben Benton for that. All right. That's it for the news. But there's plenty more to check out on businessofhome.com, including Sean Lowe's advice on keeping employees engaged and the latest industry hires. But first, a quick break.
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28:51And we're back. I'm joined now by interior designer Sarah Sherman-Samuel. Sarah, welcome back to the show. Thanks for having me. It's great to have you. And we've got so much to talk about. You've got a new book coming out, which I'm eager to discuss. You're all over the pages of Architectural Digest these days. And I feel quite a bit has happened for you in the last few years since we last had you on the show. Is it me or have you suddenly been catapulted into design stardom? You're on the AD100 list, right? I mean, tell me how it's all feeling for you, Sarah. Well, I guess it does not feel suddenly for me.
29:36Sarah feels she's been working quite hard on this for many years. I feel like I've been working for a very long time. Yeah. I mean, for you, of course, it feels like it's not so sudden. For you, you've been working towards all of this. But it is fun for me to see you get this kind of recognition. And I wonder how it's feeling for you. Oh, yeah. I mean, it feels really good to have the recognition, the book. And doing a lot of things at the same time isn't always the smartest. I'm stretched a little bit thin. Well, so was this all by choice? Because, I mean, as you say, the book is coming out. And I know that a book tour will follow.
30:16So you'll probably be on the road a great deal and talking about that. You've also got this huge collection with Lulu and Georgia, which I want to talk to you about. And then, I mean, you've got the gallery opening so much to so much to get into. So did you did you not mean to time all of this quite so closely together? Exactly. Yeah. No, none of it meant to happen all at the same time. And at one point we were like, OK, we'll do the gallery opening at the same time as the book runs, because that's how the schedule was kind of happening. But then our permits got stuck with the city for a while.
30:50So actually we're behind on construction in the gallery. And I'm like, oh, actually, thank God. That was a lot. So that came as, oh, what? You're not going to let us build anymore? Great. Great. Give me two and a half. Also, it's like two and a half extra months. So it's still back to back, but at least it's not trying to fit everything at the exact same time. Because then also I have a solo show at Colony during Design Week in May, which is right in the middle of that. So getting ready for that with new pieces. And that's also part of the book tour, too. Let's talk about the book and then we'll discuss the gallery and what's coming up for you at Colony.
31:31Tell me the idea. So the book, The Intersection of Art and Design. Tell me the idea behind it and why now. And here comes your first big book. Right. Yeah. Well, I guess over the years, I've been approached from different agents or publishers wanting to do a book and I never had the concept or idea because I work in so many different facets of design. and I feel like where the magic happens is when all those different medium that I work in come together to make one thing so the overlap of art and design and architecture and all that coming in into you know a final project or a final furniture piece that is what the book's about and I feel like it's not the typical interiors monograph because it's not just the projects but I have it set up in the very distinct sections where I think there's six or seven residential projects but then interspersed between those sections are like a section on just furniture that I've designed and then there's a section on just textiles and then there's a section on art so that I feel like these days the way also we consume content so quickly you look at an image It's like, oh, room designed by Sarah Serpentine.
32:57Right. So I designed the room and the finishes and the fixtures. And Sarah's like, well, wait a sec. I didn't just design the room. Give me a break. I designed that chair. Hello, could you slow down? That chair is mine. The art is mine. The rug is mine. As you're doom scrolling through my images so quickly. I just want everybody to slow the F down. Yes. There you go. You've got to be able to consume it all. But let's talk, all joking aside, you reference the fact that you work in so many different medium and you come at design in part through a lens of being an artist, a furniture maker, a craftsperson, really.
33:44And I wonder how that process works for you and what the steps and stages are as you come to see it. i guess it's all surprise since i'm not a planner happened very organically yeah um and i'm not sure which came first the chicken or the egg and it's also different for each project like some furniture that i've designed i've designed like for a project specifically and then it has become part of the line but then also like the show house that we did i was designing that entire house because that was a new build around some of the furniture that was in my collection already so like even portioning the rooms around a certain dining table and and tell us what that show house was remind people what the show house was and how you pulled all that together right yeah so that it's in the book as well but we um it was a piece of property that was right by the house that we currently live in that was owned by a builder and it literally is our backyard.
34:51So we were like, well, we don't want somebody building right behind us. And like, we moved to the trees for a reason. We moved to the woods, the forest for a reason. We don't want a house right behind us. But in order to purchase the property, we had to build a house with this builder. So we did that, started that project, got it half finished where we could get occupancy and then took over the build ourselves. And it was basically a way for me to try out designing a house from the ground up for ourselves. When you don't have a client, it's obviously less pressure, but also it's like, oh, then you don't have as many constraints either.
35:33So it was almost like a case study house. But you were able to design it in such a way that you could anticipate the furniture from your collection that you knew you wanted to use. Right, exactly. And that was my first furniture collection. And it was so being produced, so I'd already had it designed. So I had all the measurements and things. So it was a lot of the things were designed around that collection or the rooms and spaces. Yeah. Yeah. And the furniture collection, you were doing some of your own furniture and then you had the Lulu in Georgia collection. And I wonder, first of all, I wonder how all of that is going and what direction that is pulling you in.
36:16Yeah, right now, I finally have a breath, but then they're going to hit me with the 2028 list of stuff pretty soon. And then I won't have another breath. But it's going great. Like Lulon, Georgia has been the best. And it just keeps, we just keep growing and doing different categories. We've just launched bedding and bath. So we're doing like bathroom vanities and towels and like bathroom accessories. But then we also just launch three beds and so bedroom furniture, bedding curtains, all those things. And do you enjoy that process of applying your design skills and your artistry to all these different categories and seeing where it takes you?
36:59Yes, that's probably, I feel like, maybe my favorite part of what I do, I think, is just in the creation, because it really feels like creation. Also, then with Lulon Georgia, I get to hand it off to them, and they deal with the manufacturing. You go make it. Here you go. Which is so much easier, because they're planning the whole thing. I don't have to plan it. There's no scheduling involved for me. Someone else is arranging all of that for you, so you can show up. Yeah, that's great.
37:57all produced here locally moving back to the midwest from la really made me you know i wanted to build something that also supports this local community because it is a much smaller city and it's used to be furniture city usa it was a global center of furniture for the water for a while right in the whatever, early 1900s, 1800s even, with everything, all the manufacturing here. I think at one point it was like 60 % of the population worked in the furniture industry. And it's not that anymore. I mean, there's still big, now it's moved to office furniture and the Hayworth and Herman Miller and Steelcase are all still based here.
38:42But bringing back the residential where it started, where the Dutch, It started with the Dutch that came over in woodworking. Tell us the history of America, Sarah. Do you have time? The history of grand wrestling. They came over on these big boats. They settled in the West Michigan. The Dutch had quite a bit of money they had made from the tulips that they had sold years earlier. And boy, did they love furniture. They did. They made some good furniture. Yes. But anyway, also I'm learning with my own furniture line that we've already down two furniture manufacturers since I've been making furniture.
39:22Like they're closing. Is that right? They're closing because there's just not enough production demand for them? I don't know. Well, actually one didn't close. They got purchased. And so then they're like, we can't make anything or we can't even take an order for six months. And then it would be 20 weeks after that. And I'm like, well, I can't function like that. So we had to find another one. So that was hard to see as in our backyard. And so I feel like I'm very passionate about trying to get the craftsmanship, keeping the furniture world alive locally here. Yeah. And to preserve that production and those skills and those talents.
40:03Because if it doesn't get passed along, all of that will be gone. Yeah. I visited Hayworth the other day and they were saying how, because they own Casino now, and like they've been bringing the Italian woodworkers here to teach because it doesn't exist. Yeah, it doesn't exist much here anymore. Oh, well, that's wonderful that they're making that investment, though, to bring them over. Oh, that's good to hear. Well, so I love that you're trying to support the local craftspeople with your own furniture. And is that part of what you're going to be showing at NYC by design? Yeah, yeah. A bit of art and then new furniture pieces from my own collection.
40:41And that'll be a colony? Yes. And what's your impression of what NYC by Design is all about? I'm just never sure I fully understand it all. So I wondered if you - You wonder, oh, you think I know. I thought if anyone would have their finger on the pulse of what NYC by Design is, surely it's you. You're actually participating in it. I am participating. Yeah. But I don't know. I feel like it's similar to Legends in LA where it isn't. I mean, it's much more than just an excuse for all the design and art people to get together and have parties. But it really is also a time for designers and artists to come together and have parties.
41:20Coincidentally, they all come together and have parties. There you go. But there is a lot of like show the group. I like the group shows that go on where it's like, you know, different galleries often have like a singular brief or whatever. That they give to their artists and makers and designers. And then they'll have a show like that, which Colony usually does that. But this year, I'm doing a solo show. So that's different. I'm curious, though, and I'm only sort of half joking. Because I often talk to designers this moment when one becomes added to the AD100 list. And one is published on the pages of AD with a big celebrity project.
42:03And we'll talk about the Mandy Moore project because there's a lot that went into that. But I wonder, does it change for you more people reaching out to potentially work with you? Do you find it helped to put you on more people's radar? Do more people want to collaborate? What has the response or the change been like for you? Well, I do feel like because my first project with Mandy was on the cover of A.D. And so I do think that that, like you start getting more inquiries for that. So it is, I feel like all different things build and things, it builds and builds. But I feel like when you're in print, it takes, it's not like an instant, like, oh, you get a ton of inquiries.
42:49I don't know. Interiors is such a slow game that I feel like it's also more of a slow burn. It's not like a flash in the pan type situation. When you get press, you instantly like, boom, I'm here and here and here. I feel like I get lots of clients. And you suddenly hire five more people. Right, yeah. Right, yeah, yeah. But also, as you know, if you remember, I'm trying to keep as small as possible. Well, exactly. That's the thing. And so I know that you're not eager to take on more clients. Right, yeah, yeah, no. We're even like, okay, with the book tour and the opening of the gallery and all that, that's like a big another venture.
43:24So let's talk about the gallery and let's help people understand what the gallery is. I know, I mean, I see some photographs of construction underway, but it sounds like it was delayed a little bit. But what's it ultimately going to be? So we found this building that had a storefront and we were like, wouldn't it be amazing to have even for ourselves a beautiful gallery space that's very inspiring to us that we won't mess up, that we won't have shipping and receiving and blah, blah, blah. And then it's forward facing and then also to be a part of a community where we can have people come and have events and have art shows and bring other artists in and really be a part of the community there.
44:11In thinking about how you want to be perceived in all of this, because it's clearly important for you to lean into the artist and the creator as much as the interior decorator and designer. it's one of the things that is so exciting for you and you tell me, but I mean that you're able to go in so many different directions and design furniture, which clearly you love. And I'm curious, we were talking recently about this rise in demand and I hope attention to children's furniture in particular, and you've designed and created a lot of fun children's furniture and fun children's spaces. Listeners don't know, but Sarah's actually in one of them now in that she's in her son's room, which has this fabulous bunk bed with curtain thing going on.
45:08And I'm curious, do you agree that it's this golden age for children's furniture and that clients are paying much more attention? I know Mandy Moore had quite a bit of fun children's rooms in that project. Yeah. And I do love designing furniture for kids and the rooms, children's rooms. I think it's such a fun way to get so much whimsy into a space. But yeah, I do feel like clients have been investing more in their kids' rooms. I mean, built-in bunk beds are not cheap. Our project in the Hamptons, that one, we have two sets of full-sized bunk beds in a bunk room. And that's like one of my favorite rooms that's going to be in that house.
45:54It is really fun. And yeah, Mandy's, we also just finished the built-in bunk bed in their boys' room just before the AD feature. Before we go, let's talk quickly about the Mandy Moore project, just because it was one of those. So the home was in Altadena, is in Altadena, and caught up, sadly, in the terrible fires there, though much of the house survived the fires, all of the The interiors had to come out and everything had to be cleared out because, of course, the smoke damage and all of that. So a very emotional rebuilding. You had photographed the house, thankfully, before so that you could recreate.
46:37But tell me about that process. So we photographed the main house. And then we were actually due to photograph the ADU guest house the weekend that the fires broke out. So it was like, it was one day away from me flying out to photograph that. I think Mandy and Taylor were displaced for nine months. Right. And they lost the full studio and the full guest house. And then, like you said, everything had to come out of the main house. So we were refurnishing all that. And then they just are finishing building the guest house now. But so we did shoot it pre-fire and that's what's in the book. and then for the ad feature we reshot it so they could have portraits and everything because we did change some things mandy was like i'm fine if you want to do everything exactly just recreate it i love it all the first time um i mean a lot of the pieces were vintage so we couldn't recreate everything but um the case goods were okay because those were cleanable so it was all the soft goods we had to completely get rid of.
47:42But so rugs, we did change up some of the rugs and fabrics and replace the vintage ones with either similar or, I mean, some of the things we did quite different just so it's fun for us too and fun for her to have something a little special. I mean, they weren't in it very long, so it all would have felt special, but something to come back to that feels a little special to them. Yeah, well, it was great to get to see it in the March issue of AD, and I'm so glad that they were able to rebuild and get back in there. It's a long, slow process, all of that rebuild for so many people. So it was wonderful to see them getting back in, and I hope it leads to more and more of people getting their homes back and rebuilding that community in such an important way.
48:37Well, I appreciate that you are trying to find a balance, and I know it's not easy, and I know you're getting pulled into a lot of different things. I'm thrilled, as I say, for all of the good things happening for you, and I'm eager to get a copy of the book and to see it in person. It looks quite beautiful from what I've seen. April 28th, that book is coming out, Intersection of Art and Design. Sarah Sherman Samuel, thank you so much for talking with me. Thank you so much.
49:10And we're back. We're getting to the end of the show here. But before we go, we'd like to take a second to highlight anything going on in the industry that might have caught our eye. Fred, what caught your eye? Claude caught my eye this week, Dennis. Claude, of course, is the AI chatbot made by the company Anthropic, which has been in a spot of bother with the U.S. government recently. But that hasn't stopped them from launching a tool that integrates Claude with a number of, you know, kind of creative software platforms, including, this is relevant for designers, SketchUp and several Adobe products as well.
49:40And I've been seeing sort of some of the AI influencer, AI design influencers I follow on Instagram sort of post about this being a really big deal, you know, because understandably, if you can create a SketchUp, you know, document in Claude and just import it into your environment there, I don't know that it's a game changer. I think people will still, you know, do their work, you know, from scratch. but it's certainly interesting and it sort of shows how AI is getting integrated into every part of the design workflow. So I'm really interested to hear if people are trying this, if they find it useful, if it's overblown.
50:10And, you know, I think there's just going to be more of stuff like that. What caught your eye this week, Dennis? A couple of things caught my eye. One, I had the pleasure over the weekend of attending the Ticking Tent, which was a packed house and another successful event for our friends, Christina Juarez and Ben Reynard. I wanted to congratulate them on another great event. Frankly, I don't know how they did it. I believe they were both in Milan with you. They were, yes. And Ben even went to High Point after that. So how he came back and put on the show he did. I'm not convinced he's human, Fred.
50:47That's really my concern in the whole thing. Another great event which I attended last night, which is absolutely one of my favorites every year, was the Design on a Dime event. benefiting housing works. And it's always a great lineup of designers who just put together these incredible rooms that are fully for sale. And the madness when the bell rings at six o 'clock as everyone tries to grab items from their stands. It had a tremendous turnout and Yellow House Architects had a great space. And we bumped into our friend Jason Saft, who had a great space. Alexa Hampton had a wonderful space. Everett Brown of Everett Brown Design did a great floor with artistic tile.
51:33There were so many memorable spaces, and just a huge array of designers were there to support it. And congratulations to everyone who put that together. All right. That's all the time we have today. Thanks so much for listening. If you want to keep up with the latest news, browse job listings, or take a workshop, visit us online at businessofhome.com. If you want to get in touch with the show, write to us at podcast at businessofhome.com. This episode was produced by Fred Nikolaus and Caroline Burke and edited by Michael Castaneda. I'm Dennis Scully. Have a great weekend, and we'll be back with you on Monday.
From the publisher
Host Dennis Scully and BOH executive editor Fred Nicolaus discuss the biggest news in the design world, including a check-in on the housing market, RH’s debut in Milan, and whether contemporary kitchens have gotten too slick. Later, designer Sarah Sherman Samuel joins the show to talk about her new book.
This episode is sponsored by Loloi and Resource Furniture
LINKS
Sarah Sherman Samuel
Sarah Sherman Samuel: The Intersection of Art and Design
Business of Home
