The Thursday Show: The dupe war is over. Plus: 50 years of Blackberry Farm

10 Sep 2026 · 48 min · 19 chapters

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In short

Business of Home’s Thursday Show covers AI adoption in design firms, brands “duping” the dupe market, and the rise of stainless steel amid tariffs; it also features an interview about Blackberry Farm’s 50th anniversary and a new book.

Guests

Fred Nikolaus (Business of Home Executive Editor) joins Dennis Scully for the news discussion. Mary Celeste Beall (proprietor of Blackberry Farm) is interviewed about Blackberry 50.

Key claims

AI use is growing but slower than expected: 41% of design firms use AI for business tasks (600-person study), with most usage focused on pre-project ideation/image generation rather than accounting. The “dupe war is over” as dupes have become socially acceptable and even marketed by brands (Omhu’s Iconic Dupe Campaign). Stainless steel demand is rising despite higher costs from steel tariffs (WSJ cites ~45% higher prices).

Notable examples

Omhu’s Teddy sofa “dupe” sold out (Teddy $1,900 vs $800 version on Timu/Etsy); Tom Dixon’s “Unbeaten” lamp ($325) undercuts but still can’t beat $55 fakes; Gosling Group’s boutique trend forecasting; Blackberry Farm’s Robert Plant tequila-shot anecdote; Blackberry 50 book release October 20.

Written by AI. May contain mistakes. Listen to the episode to check what was said.

Chapters

Tap a time to open that second in VO

Catching Up with Fred

0:45 to 2:10

Dennis and Fred catch up on recent events and podcast guests.

“Do you want to tell people about your happy experience while on vacation?”

Catching Up with Fred

2:14 to 3:40

Dennis and Fred catch up on recent events and podcast guests.

“with the efficiency of modern lean manufacturing.”

Catching Up with Fred

3:44 to 4:33

Dennis and Fred catch up on recent events and podcast guests.

“He knows what designers actually want because he's one of them.”

AI in Design Industry

4:33 to 12:08

Discussion on the current state of AI adoption in the design industry.

“First up, Fred, we've got to talk about AI.”

The Rise of Dupes

12:08 to 14:00

Exploration of how brands are adapting to the trend of dupes.

“And dun-dun-dun, knocking off yourself, it seems.”

The Rise of Dupes and Consumer Sentiment

14:00 to 18:30

Explore the cultural shift towards dupes as a form of consumer empowerment amid economic concerns.

“I was thinking back to the conversation we had a few weeks ago about Love Sack and how there was this anger around.”

Gosling Group: Redefining Design and Trends

18:41 to 22:30

A discussion on the Gosling Group's unique approach to trend forecasting in interior design.

“Last week, I wrote about Gosling Group, a traditional design firm that also operates a boutique trend forecasting agency, making it one of the most unique and interesting businesses, I think, in this industry.”

The Impact of Tariffs on Steel Demand

22:31 to 26:02

Analyzing the unexpected rise in demand for stainless steel products despite tariff increases.

“And, you know, it definitely made me think a little bit differently about what a trend actually is.”

The Impact of Tariffs on Steel Demand

28:00 to 28:14

Analyzing the unexpected rise in demand for stainless steel products despite tariff increases.

“This October, make Chelsea House your first stop.”

Celebrating 50 Years of Blackberry Farm

29:40 to 31:13

Discover the history and growth of Blackberry Farm as it celebrates 50 years.

“There's chefs from around the world are dropping by, musicians.”
Show all 19 chapters

The Making of the Blackberry Farm Book

31:13 to 34:12

Hear about the creation of a special book celebrating Blackberry Farm's legacy, featuring various contributors.

“And so it is grown into 4 ,200 acres adjacent to the Smoky Mountain National Park.”

Unexpected Moments at Blackberry Farm

34:12 to 35:34

Mary shares memorable experiences, including a surprising encounter with Robert Plant.

“And all these contributors, we kind of said to them, we would love to hear, what would you tell us about BlackBerry?”

The Evolution of Music at Blackberry Farm

35:34 to 38:28

Learn how Blackberry Farm became a destination for musicians and the growth of their music events.

“It was unexpected to me, and I was delighted to see it.”

The Importance of Presence

38:28 to 40:44

Discussion on the significance of being present in today's fast-paced world.

“Then we got really brave and we would do these outdoor concerts.”

Family Legacy and Future of Blackberry

40:44 to 42:04

Mary reflects on her family's legacy and hopes for the future involvement of the next generation at Blackberry Farm.

“and not get sucked into what my phone is?”

Generational Hopes for Blackberry

42:04 to 43:52

Discussion on the future of Blackberry and the involvement of the next generation.

“And that is our goal is for Blackberry to be around, you know, for the next generation and their kids.”

Anticipation for Blackberry 50 Book Release

43:52 to 44:31

Excitement surrounding the upcoming release of the book 'Blackberry 50'.

“We'll save that for another conversation, Dennis.”

Industry Highlights: Ethan Allen and Collaborations

44:31 to 45:30

Insights into the ongoing Ethan Allen takeover bid and recent collaborations in the industry.

“We're getting to the end of the show here.”

Upcoming Events and Earnings Insights

45:30 to 47:22

Discussion about upcoming events and insights into RH's earnings report.

“Anyway, another thing is just that David Netto, a former podcast guest, has a collection with Sohn, another former podcast guest.”
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Transcript

Automatic transcript. May contain errors.

0:07This is Business of Home. I'm Dennis Scully and welcome to The Thursday Show. Later on, I'll be speaking with Mary Celeste Beall about 50 years of BlackBerry Farm. But first, we're going to catch up on the news, including a new report on AI in design, why some brands are selling their own dupes, and the rise of stainless steel. To do all that, I'm joined by Business of Homes Executive Editor, Fred Nikolaus. Hi, Fred. Hi, Dennis. How's it going?

0:37Fred Nicolaus:Great. Welcome back. We missed you. Missed you guys, too. I barely survived the family glamping trip for the Finger Lakes. A tornado almost got me. Do you want to tell people about your happy experience while on vacation? It was a pretty wild trip, but I'm very happy to be back. in the confines of the podcasting studio chatting with you, Dennis, about tariffs and the rise of stainless steel. How was last week? Well, it was great having Caitlin, and I thank her again for stepping in. It was great to sort of catch up with her, but glad to have you back. And yeah, it was great to hear from Caitlin, and also great to hear from Warren.

1:13Fred Nicolaus:I feel like it's nice to have him as an occasional guest on the podcast. He really knows where all the retail bodies are buried. You know what I mean? He was talking about the old drama with Restoration Hardware and Williams-Sonoma. It was a really good deep dive into the history of those two companies. So I loved hearing from Warren on the podcast as well while I was gone. I agree. And, you know, I don't say this often enough, but back in the day, Warren was such a giant in the industry that you felt if he even deigned to speak to you, you felt honored by it. And so I feel very privileged that we get to have him on the show as a regular and talk to him about his vast experience.

1:50he's a legendary figure in our industry. So it feels quite special to be able to have a regular check-in with him. So I appreciate him making the time once again. Okay, we're going to take a quick break, and then we'll get into the news.

2:10This podcast is sponsored by Hickory Chair. Since 1911, Hickory Chair's mission has been to combine the authenticity of classic craftsmanship with the efficiency of modern lean manufacturing. Over its remarkable 115-year history, the company's collection has evolved to include timeless, modern, and classic designs inspired by significant periods and places, as well as collaborations with some of the world's most respected designers, including Suzanne Kassler, Ray Booth, David Phoenix, Susan Habel, Kim Scodro, and Mariette Himes-Gomez. Working with interior designers, trade showrooms, and fine high-end boutiques, Hickory Chair's talented craftspeople bring each designer's vision to life, creating bespoke wood furniture and upholstery from the finest materials for clients around the world.

3:05Nearly every detail can be customized from size and wood species to an extensive range of configurable options, COM fabrics, match panel finishes, and even customers' own hardware. The result is furniture that is truly made to order and made for you. Hickory Chairs Hallmark is luxurious yet livable furniture made to order and built to last. The company is proud that the vast majority of its furnishings are made by hand in its Hickory, North Carolina workroom. This podcast is sponsored by Chelsea House. For 10 years, interior designer and retailer Jamie Merida has been creating pieces for Chelsea House with a simple advantage.

3:51He knows what designers actually want because he's one of them. This October, Chelsea House celebrates that decade-long collaboration with the Jamie Merida Edit, featuring more than 60 new designs shaped by Jamie's distinctive point of view and his passion for creating interiors with personality, sophistication, and a sense of the unexpected. A gentleman's take on classic design, newly shaken. Discover the Jamie Merida edit this fall in the Chelsea House showroom at 200 North Hamilton in the Hamilton-Ren Design District.

4:32And we're back. First up, Fred, we've got to talk about AI.

4:36Fred Nicolaus:Our old friend AI. Last week, House debuted a new report that examines where the design industry currently stands with AI adoption. This is the second time they've done it. What was your initial reaction to the numbers, Dennis? Well, I was so eager to see if people were feeling more warmly towards AI, if people were getting over some of the issues, some of the concerns. I think the report speaks to that a little bit. But as we get into it, perhaps not as much as we might have thought. Yeah, it's interesting. For me, the top line takeaway here, and we should also put a caveat on this. They spoke to 600 people.

5:11Fred Nicolaus:This is not a survey of the 100 ,000 plus or whatever it is designers that there are in America. So this is a very small slice of the pie. But with that in mind, I was really surprised because their last study that they did last year found like 34 % or so of design firms were using AI. But that's a considerable jump from 0 % a few years ago. So my thought was we're going to see this consistent doubling, and by 2028, it's going to be 100%. But what their numbers show is that only 41 % of firms now use AI for business tasks, which is only 7 % up from last year. I was really surprised. It seems like really incremental growth in a time when it seems like nobody can shut up about AI, including us.

5:50Fred Nicolaus:I don't know if that shocked you, Dennis. It did, and that's why I wonder if people are either not comfortable sharing how much they're using AI, which sort of springs to mind for me. Or if people, I don't know, there was some sort of hesitancy, I think, in that number, because I find that number very hard to believe based on the anecdotal information that you and I come across. Yeah. I mean, we may be in our little coastal elite bubbles and only talking to people. As usual. Sure. Yeah. Yes. Well, you know, we own the bubble. We own our bubbles, Dennis. We have to. And it's possible that, you know, this number is totally accurate.

6:28Fred Nicolaus:And, you know, in fact, the adoption is much slower. You know, there are other studies. There was one done by a 3D mood board software called Maddo board that showed some really high percent. It was like 89 or 80 percent of designers. So I think a lot of the times it's who are you talking to? You know, the slice of the demographic that you take, you know, means almost as much as anything. And so maybe we should take these numbers with a grain of salt. But I do think there's something to be said for the reality that, you know, all the AI predictions a couple of years ago or that get ready for mass joblessness.

6:58Fred Nicolaus:And that hasn't come to pass. And I think the actual adoption curve has been slow and people are, you know, there's plenty of people who haven't tried ChatGPT at all, even now. And so while I do think 41 % feels like an undercount for me, anecdotally, I don't think we should underestimate the inertia of people being comfortable with their own technology and not wanting to jump to some new whiz-bang thing that comes along. This may be totally accurate. No, I think it's a great point. I guess a lot of the people that I speak to feel almost a sense of envy of what they hear their colleagues or their friends are doing with AI.

7:33So there's definitely, from the people that I talk to, there's a FOMO around AI in a way that I think is very real.

7:41Fred Nicolaus:Yeah, there is this weird, like, annoying sense that the next person is using AI better than you or something like that, which is kind of unfortunate. Another interesting takeaway from the study was that I think at the beginning of all this, there was this sense of, well, designers won't use AI for design at all. They will purely use it to do the back end. That's just how it's going to work. And that's actually not the case. What this study shows is that a lot of designers actually use, like the majority of usage of AI is for that sort of pre-project ideation phase when you're going back and forth with the client about, well, what if we make it a little more glam here, a little more subdued here?

8:15Fred Nicolaus:It's a way to quickly generate an image that looks basically good enough to get the conversation going. And that far and away was the most common usage of this technology among design firms, which was interesting. I was surprised to see how that really was the majority of usage within the study, much less so than putting it to work on your books. I know you put something up on Instagram. What did you hear back from designers on that poll? Well, it's interesting because I heard back from several designers, and to this point, a design from Wisteria Interiors wrote to me saying that they're absolutely using it for back-of-house purposes and creating new tasks and keeping projects moving.

8:52And interestingly, she pointed out that, in fact, they don't like to share the image generation side of it with clients because it's so unreliable. It's not to scale. It's not to code. And it's actually very challenging when she's working with a contractor who feels empowered to show these AI-generated images to the client. And then she has to be the one who says, oh, but actually that's not going to work and I'll tell you later why. Sort of an uncomfortable situation. So I get that. But also Denise McGehee wrote in and talked about how basically everyone in her office is using it in one way or another.

9:29Again, more to help with proposals, more to help with Instagram captions and email responses. But at this point, she feels like it really is like having another employee in the firm. It's adding that much to the productivity.

9:45Fred Nicolaus:Yeah, it's interesting. I don't know. I mean, it is interesting to hear that, you know, those designers are using it more for back-end tasks. I think the challenge with, you know, getting it to replace your bookkeeper or whatever is that the fundamental weakness of AI is that it's like 92 % correct, right? It's like almost perfect, which is fine if you're just generating a rough mock-up for a design. But if you're like trying to put a price tag on something, 92 % is not right. That is going to screw up your whole business. And so I think people are a little bit wary of letting it loose into real numbers and real prices and real very sensitive emails because there the margin for error is very slim.

10:20Fred Nicolaus:So if AI gets it a little bit wrong, that's very wrong. So, you know, I don't know if that'll change with the technology. I'm sure people will come up with new and interesting ways to use it. Another interesting point from the Howe study was talking about how much money AI saves designers, allegedly, anyway. And the study, it was funny, last year they did it, and they said it saved like$74 ,000 or$75 ,000 a year, which seems like a big jump, but whatever, that's what they're claiming. This year, Dennis,$6 ,000 raise, AI is saving designers$80 ,000 a year. I don't know what you made of that. It's always hard to know how to, you know, pick apart these kinds of claims.

10:52And hard to know how to quantify and what makes up that number. But I do feel that even the people that have hesitations or are concerned about some of the issues that get raised around the water and the environmental issues do feel that, yeah, but when I use it, it really is helping productivity and it really does save a bunch of time. and how much of that translates to real money, whether it's$80 ,000, I don't know. But I think people that are using it more and more are believing that.

11:25Fred Nicolaus:Yeah, I don't know. Putting a specific dollar amount on it gets people like us to talk about it. I feel like it does deliver value for the people who use it. I think that much is clear. $80 ,000 is a number we can kind of go back and forth about. But there is a price tag on it, and I think it's more than zero. And that's, I think, what matters at this stage. I agree. And so it's an interesting report, and I'm glad they put it together, and I love comparing it to not only what we're hearing but other reports that are out there as well. Interesting that maybe there is this cadre that is just not going to use AI ever no matter what it takes, and that will always keep those numbers lower.

12:01We'll find out. But we've got to move on to talk about one of the show favorite topics, dupes. This week, BOH's Aidan Taylor and Caroline Burke wrote about how some brands are coming up with creative ways of competing with knockoffs.

12:16Fred Nicolaus:And dun-dun-dun, knocking off yourself, it seems. If you can't beat them, join them. The impetus for this story was this campaign by this brand called Omhu, a Danish brand. And they launched this thing called the Iconic Dupe Campaign, where they put out this limited edition version of their own sofa. where they have this viral sofa called the Teddy, which normally costs$1 ,900. And they came up with this version that only costs$800. And they put it up on like Timu and Etsy, like where the, you know, where people would normally buy a dupe of the Teddy. They put up like a real fake version of the Teddy and this sort of like clever, trying to flip the script on dupes type of campaign.

12:55Fred Nicolaus:It sold out. So I don't know how much of a margin they made on 800 bucks, but, you know, it appeared at least to capture people's attention and it captured our attention. So what did you make of this? Well, I mean, I love the creative energy around it, and I love that they made a campaign around it, showed videos of people who had gotten the fake ones, and oh, that's why it's so terrible and all of this. And I love that they didn't put the fake on their own site. They just kind of farmed it out to these other sites where you were more likely to find dupes already. And so I think it's interesting, but as we'll talk about, I do think that it's sort of a recognition that maybe you can't beat the dupes, right?

13:36Fred Nicolaus:The war is over. The dupes won. I mean, it's funny, and I think we've actually talked about this before, but I mean, when we first started this podcast, I think there was this sense of who's winning? Like dupes are real design, and that question is over. Like, we have answered that question. And there is just an insatiable desire for dupe. Whatever stigma there used to be around wanting dupes is completely gone. The New York Times is like, check out these great dupes. The dupes have won the war. And I think it's interesting. I was thinking back to the conversation we had a few weeks ago about Love Sack and how there was this anger around.

14:09Fred Nicolaus:I mean, that was maybe just a PR disaster about other things. But what it revealed to me was that there's just so much anger around corporations and income inequality in general. I feel like people feel like the general consumer feels like they're getting less for more money. And there's just so much anger at brands and maybe just some sense of the system. And I feel like people feel like dupes are just a way to fight back. A lot of the stigma is gone because I think people always wanted more for less. But because there's this sort of social thing behind it, dupes almost feel kind of righteous, which is, I don't know.

14:44Fred Nicolaus:I mean, if you're duping some, you know, giant, you know, defense contractor, maybe that's one thing. But when you're duping like a Danish, you know, DTC furniture company, it feels a little bit like misdirected anger. I don't know. No, again, we've talked about this before, but I feel whoever is doing PR for dupes is doing such a great job. Hire them because how dupes got turned into social justice is a story that we will look back on. If only AI data centers had the same PR firm as the dupes, we might be feeling better about what's happening in AI. But I do think that it is this moment in time and how much of it, and this is why we talk about this on the show all the time, you never want to let inflation out of the box because inflation makes people go crazy and just feel like things have gotten away from them.

15:32And I think that is absolutely an element of what has happened with dupes. We were all worked up about it in the beginning. And, oh, what about the artisans? And what about the craftspeople and the creative people and the original idea? And now it's you're almost an idiot if you're actually buying this high-priced version of this piece when, don't you know, there's this incredible dupe to be had?

15:50Fred Nicolaus:Well, and the sad thing is, you know, when you say high price, I mean, the original is only$2 ,000, which is, I mean, not that that's super cheap, but that's not crazy when it comes to a sofa. And I mean, it's funny. I mean, I know firsthand that this Teddy's Sofa has been knocked off in a viral way because we actually did a story about this Brooklyn retailer last year or earlier this year who had kind of had this interesting conflict with Omu. But a part of the problem was that she had helped launch this Teddy's Sofa, and it had really cut into her margins because it was so aggressively duped.

16:20Fred Nicolaus:You know, when you have a product that achieves viral success, it's a double-edged sword because immediately everyone else gloms onto it and, you know, suddenly$2 ,000 seems crazy expensive, whereas to me that sounds like relatively reasonable given what it is. Well, exactly. But I think that speaks to how informed we are about how much things cost. And I think part of this story, and we talk about this with the industry not doing a good enough job about educating people about how much things do cost, to us, a$2 ,000 sofa seems perfectly reasonable. In fact, to us, that's actually a lower end sofa in our world, in the world that we cover, at least.

16:54But I think in the outside world, what? $2 ,000 when you can find this$799 version? Suddenly, it's a big difference.

17:03Fred Nicolaus:Yeah, I know. I think people's pricing has just been anchored to a lower point, and that's another challenge here. And I mean, this is a challenge for everyone in our world, right? Even if you're not at the top of the market, even if you're in the middle of the market, I would say, you know, the Omu is not some super luxurious high-end brand. This is clearly a problem for them. And I think that, like, this whole marketing around, you know, like the dupe phenomenon, I think is a clever way to get some marketing juice around this phenomenon that is just a tidal wave that you can really do nothing fundamentally about.

17:32Fred Nicolaus:So I think it's smart of them to try and kind of play with it. But I don't know that there is some solution to it. You know, you look at what Tom Dixon did where he came up with this version of his beat lights, which normally cost like$500 to$3 ,000. He came up with a version that was like the dupe version, the unbeaten version at$325. And I think, you know, it got us talking about it. Other people interested. But, you know, Caroline and Aiden talked to Tom. And it, you know, it didn't. It wasn't really a huge commercial success. And you can see why, right? Because he's competing with people who sell a fake version for$55.

18:02Fred Nicolaus:So even though he did this amazing accomplishment, they've got this product down to$325, that's nowhere near the market for people who are paying$55 for a lighting fixture. So on some level, it's that K-shaped economy. You want to be at the bottom or the top and kind of duping yourself to get$50 out of the margin. I'm not sure how much good it does. This to me is just, you know, this is just a marketing thing really more than anything. But as you said, we lost the war. We are on the loose. The dupes won. Well, we lost the war. And I think we talk about affordability a great deal. This reminds you what a big issue this is.

18:37And the people want answers, darn it.

18:40Fred Nicolaus:Moving on, we're going to talk about trends, Fred. Last week, I wrote about Gosling Group, a traditional design firm that also operates a boutique trend forecasting agency, making it one of the most unique and interesting businesses, I think, in this industry. The first half of the conversation was me just being like, wait, explain what you guys do again. It was really fascinating. Well, so tell me more about these two sisters and the firm that they have. Yeah, so it's these two sisters, Becca and Sarah Gosling. Becca is the director of design. She does the sort of trend forecasting side. Sarah is the more sort of traditional designer.

19:15Fred Nicolaus:And they came together because Sarah had like a successful design business. Becca was doing trend forecasting and future forecasting for, I think, Whirlpool, these big corporations. And she kind of wanted to get out of the rat race and do a more boutique service. and she thought like, why don't we join forces? Because I can talk about the trends that are driving home products. You're actually using home products. You can tell me what actually makes sense in people's homes. I can, you know, do research that helps inform the projects that you do and sort of both halves of the business kind of feed each other, which I think is just, it's very clever, very unique, never heard anything like it before.

19:47Fred Nicolaus:You know, I just was really interested to hear about it because I think it's very smart, but I think it, you know, if you don't have a sister who happens to do trend forecasting, it may be hard to replicate this, But I thought it was a very clever, you know, uniting of two different ideas. Well, and I think how the two different ideas inform one another is what is so interesting about all of this. I know, as you pointed out in the article, in the design industry, trends is a dirty word. And we know we don't follow trends or pay attention. But I think that trends inform a great deal of what is happening at any moment in time.

20:22Fred Nicolaus:Yeah, there is this really complicated relationship with trends in the industry. It's almost like a four-letter word, you know, to use the word trend. And it's weird because I feel like other industries don't have this problem. Like, I know that in fashion, you know, no designer comes out and says, I'm the trendiest designer. But I feel like they don't have that inherent recoiling at the word trend. And so, you know, one of the things that Becca pointed out is that there are these really big agencies like WGSN that do trend forecasting and all the big fashion houses and all the big, you know, consumer goods companies buy a package from them and get the thoughts on what the colors are going to be for 2028.

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20:57Fred Nicolaus:And the problem with that kind of, you know, trend forecasting is it's become almost commoditized because everyone's looking at the same data. And so her point was like, I want to do something more boutique. I want to do my own research and go down interesting little avenues and that'll be, you know, a differentiator. But I do think it's, it's a challenge because they talked about like, they try not to even use the word trend because like so many designers and people are like, well, we don't really follow trends. So you're not for us, but trends exist. Like, I'm sorry. Like, even if you don't follow them, they're driving the market.

21:25Fred Nicolaus:You know, their structural reasons, like, you know, obviously, like, people change their wardrobe pretty frequently. They don't change their home that frequently. And no interior designer wants to say, like, I'll give you the hottest house for February and then we'll do it again. I'm sure they'd love that. But, you know, I think that's not an effective sales pitch. And, you know, you understand the desire to be timeless because the, you know, the timeline of living in your home and enjoying it is certainly longer. But I do think there's just no denying that, you know, you're affected by what happens in culture.

21:52Fred Nicolaus:You know, the reason I did this story is because Gosling Group was doing this trend forecasting service. It's more affordable. It's almost kind of like a newsletter where you get access to their research for a pretty low price, like$20 a month or something. Which is really interesting just to see these really deep dives into aesthetics. You know, I feel like Becca was talking about how most people's access to what's going on in aesthetics is, it's just like you either buy into WGSN, which is thousands of dollars, or you're just kind of looking at social media and seeing what you see. So it's interesting to have access to someone who's really doing these deep research, informed dives into aesthetics and the moment and culture and all that.

22:26Fred Nicolaus:And, you know, this isn't for everybody, but it's a really interesting proposition. And I loved chatting with him about it. And, you know, it definitely made me think a little bit differently about what a trend actually is. Yeah. And it's interesting to get that perspective. And I do think that I just think they're inescapable. Even when designers say, oh, I went over to Europe and I saw this in the marketplace, as if somehow that's not a trend, when obviously that is the trend of what's happening in that particular marketplace. But they brought it home, and so it's not a trend yet here. Okay, well, I guess it will be now that you're hopping on board.

22:57So I don't know. I just think you can't escape. And we have to acknowledge that, of course, they're all around us. Except us, Dennis. We're timeless. We're the only two. We're the only two people. Couldn't agree more. Speaking of trends, we're going to talk about stainless steel. For the Wall Street Journal this week, Misty White Seidel wrote about the growing demand for stainless steel home goods, despite rising prices due to, wait for it, tariffs. That's right. We got them into the show.

23:25Fred Nicolaus:The 11th hour, we got the T word into this. I mean, I do think we haven't really talked that much about steel tariffs, right? Because, of course, we're talking mainly about the upholstery tariffs and all that good stuff. But, you know, and most of the time we've been talking about steel tariffs, it's been in the context of it's going to raise the price of home building, which certainly it has. But there are plenty of, you know, fixtures and home furnishings made out of steel. It's impacted a lot of people that I talk to. But it's funny because, like, I did this big article last year about how tariffs will affect aesthetics in the design industry.

23:53Fred Nicolaus:And, you know, my basic thesis was kind of what you'd expect. Like, as certain kinds of things get more expensive, brands will do them less. And so they'll be, you know, therefore less in the marketplace because it won't sustain it. But, you know, this article's thesis is basically like steel has gotten 45 percent more expensive and that's made it more desirable and people want it more. So in a weird way, the tariff has maybe played a role in elevating this trend. I don't know if you would agree with that thesis, but it's an interesting one. Well, it's an interesting lens through which to look at it.

24:22I mean, stainless steel comes in and out of fashion. There was a moment where every kitchen needed to be stainless steel. Every apartment in New York City was listed as having stainless steel kitchens, and that was a premium item, and you knew you were getting value for that. And then that quickly went away, and that was thought to be too cold or too industrial, and now it seems to have swung back. So, I mean, I think stainless steel, it's interesting in the furniture world to see its growing appeal.

24:53Fred Nicolaus:Yeah, I mean, I think that the kitchen thing is almost its own thing of the rise of everyone wanting a professional kitchen because they just watched The Bear or whatever, or they just read Anthony Bourdain. And so that's maybe its own thing. But there are these interesting fixtures made out of stainless steel. You know, it's funny. I think this is a great article. I don't want to overstate what it's saying because it didn't seem to me that, you know, the author like spoke to every home furnishings person in the world and did a million. This is kind of pulling a few interesting examples and pointing out, oh, this stainless steel is popular.

25:22Fred Nicolaus:That's kind of cool. So I don't think we should take this to be a sign that, you know, stainless steel is taking over the world or anything like that. But, you know, there do appear to be, you know, several little moments popping up here and there that, you know, go against what you'd expect given the, you know, the regulatory environment, the tariff environment, so to speak. And it just sort of makes you think about how, you know, whether it's the bear or whether it's tariffs, like lots of different factors kind of ping around and that's how you get these trends or these little bubbles that pop up and not to talk about the K-shaped economy again, but I do feel that like, you know, tariffs making something more expensive can sort of put it at the top of that K and make it more desirable.

25:58Fred Nicolaus:You know, I don't know if that's exactly what happened here, but it may be part of it. And so, you know, I don't know, we should look at what else has like a really high tariff on it and see if it pops up at high point because, you know, it's kind of a backwards way into it, but I do think it happens. Yeah, I mean, it's interesting to think about steel and suddenly it having this increase in value, almost as if it's a precious metal like gold or platinum, and therefore making it more desirable when it's so industrial. It made me think of Ayn Rand in Atlas Shrugged, where he's so proud of his new steel that he had made, and he made his wife a piece of jewelry, and she sort of tossed it off.

26:37Why would I want this steel piece of luxury item that would normally be made of platinum? them or, oh, and what did she say? Like, oh, well, most men would bring diamonds or something like that. But he was so proud of this metal he created. And it's just funny to think of steel as suddenly being this highly coveted metal and suddenly so much more valuable or desired. But in the home world, clearly, steel's having a moment.

27:01Fred Nicolaus:Yeah. What does the Fountainhead say about Ivory Boucle? I forget. Was there that more section? Let's do a separate Ayn Rand. Yeah, exactly. She had lots of opinions on the subject, to be sure. All right, that's it for the news, but there's plenty more to check out on businessofhome.com, including a new design-centric sample sale and a look at Somnigroup's$2.3 billion acquisition. We'll be back in a minute, but first, a quick break.

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28:52And we're back. I'm joined now by Mary Celeste Bell, the proprietor of Blackberry Farm. Mary Celeste, so nice to talk with you again. Oh, Dennis, it is always a treat to talk to you. I loved our last conversation, and I always love when I bump into you somewhere fun. Well, I'm delighted to talk with you. And as you point out, the last time that you and I were talking, I was sitting beside you at the lovely Blackberry Farm. Sadly, we're not together in person this time around, but I always enjoy the opportunity to speak with you. And we have so much to talk about, and we're going to break the news of this exciting new book that is coming out.

29:33And I want to get to that. But first, tell me how you're doing. Tell me what's going on at Blackberry Farm. Every time I turn around, there's a podcast. There's a magazine. There's chefs from around the world are dropping by, musicians. What's been happening over the summer? So this has been a really big year for us. It's actually our 50th anniversary. So we've been celebrating all year long. For the 50th, we have launched our podcast. I would love to have you on it, but you'd have to come be in person. Well, all right. All right. I'll come. I'll come to Blackbird. We'll have to make that happen.

30:11But we have been taking the opportunity every time we have some extra special guests on property, we've been taking the chance to have them on our podcast. And it's kind of a really true reflection of what BlackBerry is all about is all these interesting people coming for different reasons and enjoying the place that I call home. It's really fun. But to the point that you were just making, this conversation about what BlackBerry is all about, tell people a little bit about that. For people that might not be familiar with the magical world that is Blackberry. Well, Blackberry Farm was my in-law's home starting in 1976.

31:00And my husband, Sam, who passed away in 2016, basically grew up there. Blackberry has been in our family since the 70s. And it's just grown over the years. And so it is grown into 4 ,200 acres adjacent to the Smoky Mountain National Park. We are very well known for our food and wine programming. And we have incredible chefs and this enormous wine cellar. But being outside and exploring the Smokies is a huge part of what we do. We have a four-acre garden. There's fly fishing. There's an equestrian program. Tons of hiking. And then we have this whole farm element. And then to add to the farm, we have a mountain.

31:48It's called Blackberry Mountain. So they're two totally different places, but all driven by our family and our passion for really taking care of people and something we've been doing for 50 years. Yeah. And on the occasion of this 50th anniversary, you've been working for goodness knows how long this remarkable book that will be coming out October 20th. And it's BlackBerry 50. And from what I've seen of it, it is both a beautiful book of images and history, but also an incredible array of contributors who wrote in from writers and food people and music people and just so many people who have – Lamar Alexander had a lot to say about how much the place means.

32:44So tell me about this project and when it began and what it really has turned out to be. You know, it's a really incredible feeling. But I think more than anything, it's so special because it's truly a family story. And it's also a story way beyond our family. It is about the people, and it's about the place, and it's about the people that visit. I mean, we have people that contributed that are families that have come here for holidays, had their daughter's wedding at Blackberry. You know, they've come back with their grandchildren. So we've had people like that contribute down to, you know, an incredible chef who is super well-known and is writing an experience they had that wasn't necessarily about being in the kitchen.

33:41It was about being at BlackBerry. And I think what has been so rewarding is to see our vision come to life because truly putting together a book when you're relying on contributors is a lot of work. And we've had a really, really amazing team led by Sarah Chabot, who's our marketing director. Actually, she has a fancier title than that, but I'm not really a title person. She's a very important person. She is our marketing boss. And all these contributors, we kind of said to them, we would love to hear, what would you tell us about BlackBerry? What does BlackBerry mean to you outside of your time on the stage at BlackBerry or unrelated to you playing for our audience?

34:33And so we've organized it into different chapters and different themes, like delicious, which is not surprising because we love the table at BlackBerry. And then we have a chapter called unexpected. And we've had a lot of interesting unexpected things, some tragic, some joyful. And it's really been super fun. Well, I can't wait to have a physical copy of it. They very kindly sent me a digital copy of it, and I was sort of flipping through it quickly in eager anticipation of our conversation. You were talking about the complexity of pulling it all together, and I can only imagine corralling all the contributors, pouring through those images, the super cute picture of you and Robert Plant, by the way.

35:28That's, I mean, worth the book right there. Wait, somehow I'm forgetting where that is in the book. I guess that's an unexpected event. It was unexpected to me, and I was delighted to see it. Well, that was unexpected for me when I had my tray of tequila shots, and I walked down the steps with this tray, and it was the after party for the musicians for this event we did. And first I ran into his agent. I mean, not his agent, but one of the agents that was there. And I said, would you like a tequila shot? And he said, of course, if you'll have one with me. And I was like, of course. So I take a shot.

36:11And then I turn around, and there's Robert Plant. And I said, would you like tequila? And he said, only if you'll have some too. And I was like, of course. And so then after that, I was like, okay, lesson learned. I am going to take one shot and I'm going to have a fake one next to that one that will be for my second shot. But two shots in two minutes is not exactly what I need to be doing. That's a fun story, and it's a great picture, and I was delighted to see that. And you've had so many incredible musicians perform there and come through the door. How did that all get started? How did you become a destination for all these musicians?

36:55That is a great question. So honestly, I can't remember exactly the very, very beginning, but I just remember that it was something that we had talked about. about, especially because we're so close to Nashville. So it seemed very realistic. And so we started with concerts, really, I think, at Yellowhammer, which is our little pavilion along the creek. And so we do these singer-songwriter nights, and it was super casual and so fun, but it was a small group. And then we would say, well, we should add music to this winter event, like in January. So of course that had to be inside. And then it just all kind of evolved from there.

37:42But we have had a wide range of musicians come and that's kind of back to the podcast and back to the book is you really never know. And so I love thinking of every time someone gets together, whether it's with one person, with 10 people, with 100 people at BlackBerry, is that that dinner or that lunch or that concert, it's a unique experience that you'll never recreate. I mean, Luke Bryan has been here so many times I've lost track, but every single time he came was different because when he first came, he was playing at Yellowhammer. Then we got really brave and we would do these outdoor concerts.

38:33This is before Bramble Hall. It was on the lawn at the barn and it was like 400 people out on the lawn and we just were super brave. We were like, I hope the rain holds. And so every time he came was different. And I think that's That's kind of a unique thing. We should think about being present and just enjoying what we're doing right then because that time is going to be fleeting. Well, and that seems to be part of what is at the heart of what you try and bring to BlackBerry is helping people to stop and savor this moment in time, which is often so challenging for us to do in all of our busy, hectic lives, right?

39:24Right. Yes. I mean, I think we're all pulled in so many directions. And, you know, there are things in my life that are complicated that other people don't have. And there are parts of my life that are pretty easy, that are hard for other people. First of all, I think everyone's going through something. I also feel like everyone's circumstances are so different and that we're all just pulled, whether it's social media or just the fact that we can be reached any minute. And it's like, wait, I haven't even conquered four things on my list today, and now I have 25 more. And so I just feel like this whole idea of how do we prioritize, how do we really be present in what we're doing.

40:19And I actually love chances like this to say, okay, this is what I'm doing for the next hour, and I'm going to enjoy talking to Dennis. And it's such a gift to be focused on one person and really, you know, connecting. And that is something I think we all need to be working on with the younger generation. And, you know, me for myself is how can I be more present and more engaging all the time and not get sucked into what my phone is? the latest message that someone's asking me something. I'm like, wait, you just interrupted my day. Eh. Well, I know that it's not necessarily a position that you want to put yourself in, but your story and your strength that you have shown in stepping up and running BlackBerry all these years in the way that you have is so inspiring.

41:22And I can only imagine putting this book together, thinking about not only the past, but also hoping for a future where your children want to be involved in the business. And you never know in life how that's all going to go. But I wonder how you did think about that as you're pulling together all of these images and hearing all these different stories. I mean, Sam's goal was always for Blackberry to be in our family forever. And I'm sure I said that when we talked a few years ago. And I totally agree. And that is, you know, his parents are still involved and especially his dad. And that is our goal is for Blackberry to be around, you know, for the next generation and their kids.

42:10And so I have five children that are generation three, and they range in ages from 13 to 28. And so there is no doubt that they are all really interested. To what degree, we're still figuring that out. Because I really feel strongly that they need to go spread their wings and go, you know, figure out who they are. figure out what drives them. And, you know, it's really, I think it's easy to feel the tug to what your parents do. I think, you know, we're not a medical family, but I feel like so many times if someone's parents are a doctor, they are like driven to be a doctor. And so I really, truly want my kids to want to do this because they truly love it and they're committed and not just because they love Blackberry.

43:10And because it's not ER surgery and we're not saving lives, but it's a commitment. It really is. And you have to really be ready to serve tequila shots till two in the morning and then get up and take your kids to school at 6.30. Just kidding. But really, it's an interesting lifestyle. and I would never trade anything for it, but I really want my kids to feel the tug for the right reasons. And I think that they do. I just can't disclose anything yet. Okay, okay. We'll save that for another conversation, Dennis. We have to save something for later. No, you're absolutely right. And that'll be the reason for our next conversation.

44:03But in the meantime, October 20th, The book is coming out, Blackberry 50. And from what I can see, Mary Celeste, it is a beautiful and remarkable book. So I'm really looking forward to it. And I'm thrilled that it gave us an opportunity to catch up and talk. Thank you so much for having me. And it's always a treat. And hopefully I'll see you next time I'm in New York.

44:31And we're back. We're getting to the end of the show here. But before we go, we'd like to take a second to highlight anything going on in the industry that might have caught our eye. Fred, what caught your eye?

44:38Fred Nicolaus:Two things got my eye this week. One is the continuing battle for Ethan Allen. You know, we talked about this. We'll probably talk about it again. But Doug Bergeron, the activist investor, wants to take over the brand, filed his official proxy statement with the SEC. You know, and it details everything that happened up until this takeover bid. And, you know, there's not necessarily a ton of new information in it, but there's a little bit more meat on the bones. And some of this stuff, you know, it's just fun to read because it's really insider corporate-y drama. You know, there was this recounting of this meeting he had with Farouk Kothwari where Farouk invited him on his boat to have a meeting.

45:13Fred Nicolaus:And Doug was like, I wanted to push for a land-based meeting. It's like a little salty, but it's interesting to read if you're a huge nerd, which I am. So, you know, get that one out for a little evening. Always get your proxy statement out for some good reading. Yeah. It's fun. It's fun to read. Anyway, another thing is just that David Netto, a former podcast guest, has a collection with Sohn, another former podcast guest. Everybody's collaborating. But he does such good work for them. Sohn is such a great company. And so I'd love to see some new pieces in that line. And I'm sure they'll be showing up in a project near you.

45:47Fred Nicolaus:What can I try this week, Dennis? Yeah, and I'm looking forward to seeing Sohn close a big part of its Pimlico Road shop to do a big redesign. So I'm looking forward to seeing that. And no doubt David's Lights will be part of it. Speaking of collaborations, Mika Tenhov has a collection for Rejuvenation, former guest of the show and beloved stylist and designer in her own right. And it was just recently we were talking about Rejuvenation, one of the Williams-Sonoma brands that they're hoping to bring to the billion-dollar level. And perhaps Mika will help them with that. So I hope that that works out well for her.

46:24But congratulations to her on that. It looks like a lovely collection. I'm eager to see it in person. Speaking of seeing things in person, as soon as I wrap up here on the show, I'm going to make my way to Greenwich, Connecticut for the big opening of the Estates RH location where we're going to see all of the new Estates collection rolled out in what I think is probably an ideal market for that collection, Fred. I don't know what your thoughts are, but I think if you can't sell it in Greenwich, darn it, then I don't know where it's going to sell.

46:56Fred Nicolaus:Yeah, it should be exciting. Do some video content live from on the scene. Well, and tomorrow, sadly, come the RH earnings, so we'll have to wait until next week when we talk about them on the show. Probably for the entire show we'll be talking about the RH earnings. But interesting that we'll have some insights into a new location and perhaps see Gary Friedman tonight and see how he's feeling. See if he lets me know early anything about the earnings that he wants to tell me. I'm sure he's dying to fill you in on the numbers. All right. That's all the time we have today. Thanks so much for listening.

47:29If you want to keep up with the latest news, browse job listings, or take a workshop, visit us online at businessofhome.com. If you want to get in touch with the show, write to us at podcast at businessofhome.com. This episode was produced by Fred Nikolaus and Caroline Burke and edited by Michael Castaneda. I'm Dennis Scully. Have a great weekend and we'll be back with you on Monday.

From the publisher

Host Dennis Scully and BOH executive editor Fred Nicolaus discuss the biggest news in the design world, including a new report on AI in design, why some brands are selling their own dupes, and the rise of stainless steel. Later, Mary Celeste Beall joins the show to look back on fifty years of Blackberry Farm.  

This episode is sponsored by Chelsea House  and Hickory Chair

LINKS
Blackberry Farm
Business of Home

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