Valdese Weavers CEO Blake Millinor can see the future of fabric

23 Sep 2024 · 1 h 7 min

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Episode Title

Valdese Weavers CEO Blake Millinor Can See the Future of Fabric

Host: Dennis Scully Guest: Blake Millinor, CEO of Valdese Weavers Release Date: [Insert date]

Episode Overview This episode features an in-depth conversation with Blake Millinor, the CEO of Valdese Weavers, one of the last large-scale textile mills in America, which produces fabrics for various renowned brands. The discussion covers topics such as market trends, challenges in the textile industry, and the strategic approaches Valdese Weavers has taken to remain successful amidst competition and changing consumer preferences.

Key Themes and Topics

  1. Valdese Weavers' History and Significance
  2. Founded in 1915, acquired by the Shuford family in 1935.
  3. Primarily a B2B manufacturer of decorative fabrics for residential markets.
  4. The company focuses on relationships with furniture manufacturers and distributors.
  1. Market Trends
  2. Discussed the prevalence of beige and gray in the market.
  3. Noted the rise of lifestyle retailers (e.g., Arhaus, RH) and their impact on the fabric industry.
  4. Observations on how consumer preferences are shifting and the importance of adapting product offerings.
  1. Challenges for American Textile Mills
  2. The decline of domestic textile mills due to globalization and competition from imports.
  3. Valdese's strategy of diversification helped to navigate turbulent times in the industry.
  4. The significant bankruptcy of Robert Allen and Dura Lee and its repercussions on the market.
  1. Sustainability vs. Performance
  2. The dual challenge of delivering both sustainable and high-performance fabrics.
  3. Discussions on the chemistry behind performance fabrics and the trends towards sustainable options.
  4. Importance of proper communication and training regarding fabric maintenance and performance expectations.
  1. The Evolution of Retail and Designer Relationships
  2. The growing importance of design professionals in the retail landscape.
  3. Changes in how fabric distributors engage with designers and retailers.
  4. Highlighted the need for fabric manufacturers to support designers in the decision-making process.
  1. Employee Stock Ownership Plans (ESOP)
  2. Discussed the transition to an ESOP model and its implications for long-term business strategy.
  3. Advantages of having employees invested in the company’s success and decision-making.

Key Takeaways

  • Adaptability is Crucial: Valdese Weavers thrives by being nimble and diversified, focusing on market niches rather than rigid long-term plans.
  • Changing Consumer Preferences: The move towards performance and sustainable fabrics is shaping product development and marketing strategies.
  • Designer Influence is Growing: The role of interior designers is increasingly critical, and manufacturers must adapt to cater to their needs.
  • Sustainability Challenges: Balancing the demand for sustainable materials with the practicalities of performance fabrics remains a complex issue.
  • Future of the Textile Industry: Observations on the impact of e-commerce and big box retailers on traditional retail dynamics suggest an evolving landscape that requires vigilance and innovation.

Conclusion Blake Millinor’s insights provide a comprehensive look into the future of the fabric industry and the strategic maneuvers that have allowed Valdese Weavers to maintain its relevance in a rapidly changing market. The episode underscores the need for flexibility, understanding consumer trends, and the importance of collaboration with designers and retailers.

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Links and References

  • [Valdese Weavers Website](https://www.valdeseweavers.com/)
  • [Dennis Scully Instagram](https://www.instagram.com/dennisscully/)
  • [Business of Home](https://businessofhome.com/)
  • Sponsors: [Loloi](https://www.loloirugs.com/), [Crypton](https://crypton.com/), [Rowe](https://www.roweportal.com/join)

Notes For additional insights and updates from the Business of Home community, consider subscribing to their newsletter and exploring membership options.

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Transcript

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0:03This is Business of Home. I'm your host, Dennis Scully. Every week I'll be speaking with leaders and innovators from all corners of the home industry. My guest this week is Blake Milliner, the CEO of Valdez Weavers. You may not know the name Valdez Weavers, but you know their product. One of the last large-scale textile mills in America, Valdez produces fabric for everyone from retailers like R-House and R-H to brands like Cravett and Tebow. I spoke with Blake about how beige and gray took over the market, the challenges of delivering both performance and sustainability, and how Valdez has managed to thrive, not by setting rigid five -year plans, but by staying loose, nimble, and diversified.

1:03This podcast is sponsored by Lalloy, who's headed to High Point Market with all new rugs, pillows, and wall art. For retailers and designers, and for all styles. Stop by showroom D320 to see introductions from Lalloy and Amber Lewis, Magnolia Home by Joanna Gaines, Chris Loves Julia, and Rifle Paper Company. Plus newly added one-of-a-kinds and special events with Gene Stouffer and Chris Loves Julia. Visit laloyrugs.com to make both in-person and virtual appointments. That's l-o-l-o-i rugs.com and follow them on Instagram and TikTok at laloyrugs. This podcast is also sponsored by Krypton. Take advantage of Krypton's luxury performance fabrics through Roe Furniture's exclusive trade program.

1:56Rowe Furniture, a premier domestic upholstery vendor, offers an exceptional trade program with concierge service, complimentary Krypton fabric samples, and dedicated project assistance. Rowe empowers you to customize your perfect piece with Krypton fabrics in an array of stunning colors and styles, seamlessly blending beauty, durability, and comfort. Each piece of furniture is meticulously hand-inspected, and photos of your customized order are sent before shipping, ensuring you stay informed without any hassle. For more information about the program, visit rowportal.com slash join. That's R-O-W-E-P-O-R-T-A-L dot com slash join.

2:43And if you're attending High Point Market next month, don't miss the designer brunch at Rowe Furniture Showroom in the Showplace Building, co-sponsored by Krypton, on Sunday the 27th from 10 a.m. to 1 p.m. Learn more at krypton.com slash R-O-W-E. And now, on with the show. Really where I want to start, Blake, because I feel as though Valdez Weavers to those in the know is this enormous supplier to the Kravitz and the Tebos and the manufacturers who supply our house and RH. And yet your company somewhat flies under the radar for many designers and even many in the industry, despite this 100-year-plus fascinating history.

3:37So let's tell people the history and let's share the many interesting stories behind your company. Our company was founded in 1915, and the company was purchased by the Shuford family in 1935, and a manufacturer of decorative fabrics, and primarily for the residential markets. But it's always been B2B, and I guess you can say that we knew our place, because there really wasn't a place for a manufacturer like us to do anything other than to develop and foster that relationship with the furniture manufacturers and the distributors. And that is still the backbone of our company today. That's where our roots are.

4:28That's where our success has been. Everything goes back to that. It is supplying the furniture makers. Right. And it's always been, I would say, middle to upper market, part of the furniture manufacturing market. Obviously, distributors are a little bit higher. We've never been terribly successful at the more opening price points. I call it the Mississippi manufacturers. We do a little bit of business there, but we struggle to hit those kind of price points. But it's always been B2B. I want to take a minute for listeners here to explain. So Valdez produces most of its fabric out of these enormous facilities in North Carolina.

5:12And really, that's almost uncommon in the industry. There used to be an incredible thriving textile industry in America with enormous mills like Mastercraft and Quaker. And now, sadly, a lot of them are simply no more. And I wonder if you could talk about how Valdez has managed to keep going in what has been a really bumpy time for American mills. Perhaps it was the deep pockets of the Shuford family that were a big part of helping you get through it. You know, Valdez Weaver's wasn't insulated from any of those trials and tribulations that a lot of the textile industry has seen over the past 50 years.

5:54But I'll say that we've had a fortunate path. I think diversification in different markets was a big part of it. I think that timing is always important, right? And I think that in the late 90s, when Mastercraft and Quaker collapsed, I think it was a matter that we were small enough where we weren't impacted by the same pressures that those two companies were impacted by. And as a result, we ended up being a benefactor from it. It was a last man standing strategy. And what happened for them? What happened for Mastercraft and Quaker and what was going on? It was a couple of different things, but it was the globalization.

6:41You can look back and say, well, they should have done this and they should have done that. They were well-run companies. But the long and short of it is the imports came in and made it impossible to compete. So long term, I don't know that there's anything that either one of them could have done. And because the market today is as good as anyone is, and we've got some great competitors, it's a fraction the size that it was back in the 90s. So a lot of it was globalization, and you feel that Valdez was able to better navigate because you were diversified? So tell me about that. Yeah, it was diversification in its customer base and diversification in the types of products.

7:28and we weren't so dependent on opening price point goods. That's another way to look at it. I know certainly Quaker, they ran just so much fabric at these price points. They did a great job with chenilles when they first came out. I mean, they owned it. But they kept falling prey to the price pressures. But I think in the long run, there's really nothing they could have done to offset the globalization, where Valley's Weaver's at the time was a much smaller company. And so we were able to just work in the niches where we were and then survive to fight another day. Well, and you've had any number of challenges over the years, and I don't want to bring back any post-traumatic stress by talking about Robert Allen Durley and the story there.

8:21But in case listeners aren't familiar, back in 2017, these two giant fabric brands, Robert Allen and Durali, merged and became one, but it didn't go well. And in a couple of years, the company collapsed in a dramatic bankruptcy and they were a big Valdez customer. And I was going back and looking through some of the articles that Business of Home had written at the time. And I think they might have owed you more than$3 million when they went bankrupt. And I know that was a big customer and it was a big impact on the whole industry, but talk to me about that. Yeah, that was painful in so many ways.

9:00I mean, certainly the credit hit, and I think it was probably more than three, but it was the upfront hit that we took, which couldn't have come at a worse time in terms of our Aesop. But it was more than that. Anytime you lose a customer, in this case, customers with Robert Allen and Dura Lee, it really changed and challenged our business model. Our business model is built on complexity, offering a lot of different warp colors, a lot of different yarn types, fill yarn types. And when you had such a massive player out there evaporate, and really, it was very difficult to see where the business went.

9:44Do you remember that time? Do you remember where you were and how you learned of the whole situation? Oh, yeah. Take me back. Yeah, yeah. You know, it wasn't overnight, but it was pretty quick. And we knew that they were having struggles and we were having daily conversations. And so it wasn't that we had our head in the sand. Now, I think that we probably took people at their word more than we should have. and we wanted them to succeed and we wanted to do everything we could do to help them succeed. And that turned out to be a significant mistake. We were certainly more motivated coming out of that to figure out how we were going to recover.

10:27But it was tough. But I said more than just that event, it was the fact that that channel of distribution took a major hit. And it's something that I don't think we really understood for a matter of years how significant it was. In what way? So, I mean, over the years, what did you learn about how significant the impact was? Just the nuance of it that, you know, everybody was wanting to talk about, oh, you guys lost all this money. And yeah, we did. But what about all the business there that we had? This multi-million dollar customer that disappeared, where did the business go? And so it caused us to maybe to take a deeper look into that channel and to understand what makes it tick and how we can readjust to fine tune our strategy and make sure that we're still providing the value to the market.

11:26Because that was our concern. Is it possible that the designers don't need or want this product? I don't think that was the answer. I think maybe it was more in the approach for how designers shop, and I think we're seeing that today. I think certainly over the past five, six years, this transformation that's happened in our industry. Several people on your show have talked about it. So wrapping up just the conversation about the American mill part of all of this, it seems, and I know you've started to look overseas more and more for variety and other opportunities, but it does seem remarkable that so many of your, and I don't know if they were direct competitors for you, but they were people who were producing fabric in America went away and the landscape.

12:21changed so dramatically for you? Yeah, well, I spent 12 years at Mastercraft. So to watch them go out was sad. It was emotional, even though they were a competitor. And yeah, during that same time is when we started our VIP division, which is our international division for source fabrics. But we took a different approach than a lot of our competitors in that we focused on sourcing fabrics that we chose not to make rather than just going over to try to find the cheapest fabric possible. And so that for the first probably 10, 12 years, that served us very well. Now, since that time, with more and more of the upholstered furniture manufacturers making the furniture in China or even more recently Vietnam, the game's changed a little bit.

13:24That maybe our relationship with our partners in Asia becomes relevant if we want to sell a customer who's making the furniture in that country. The fabric's got to be there. The possibility of shipping from the U.S. to Asia, it happens from time to time, but that's not a business model. So that part of the business has grown. So it's a critically important part of our business, our source business, our VIP business, but it's still a relatively small part of the big picture. You've alluded to the rise of the lifestyle retailer, brands like West Elm and Pottery Barn and certainly Our House and RH.

14:07When did that start to happen, and when did it become a huge source of business for you? You know, I don't know. I guess it's been at least 10 years, and it happened gradually. And we have a tremendous sensitivity to our relationship with the furniture manufacturers. We realize clearly that it's a delicate situation. How so? Well, we just don't want to put ourselves in between the furniture manufacturer and the retailer. And so we never want it to be perceived that we're monkeying around with what's going on there. We are agnostic about that. And over the years, we've developed a very strong sense of respect and understanding our position there.

14:51Now, having said that, our relationships with those lifestyle retailers are better than they've ever been and more important than they've ever been because they're specifying fabrics, and that's great. And they're no different than any other customer group. Some of the retailers, they know exactly what they're looking for, the aesthetic or the price or the performance or the story. And then you've got others that show us what you got, you know, and they'll know it when they see it. So it's no different from that respect. But certainly over this 10 to 15 year period, more and more and more of those lifestyle retailers moved to a model where they specify the fabric and then the furniture decision is made separately.

15:44And that's not to say that, and I'm sure this more than I probably understand, situations where the furniture manufacturer may have a fabric that the retailer falls in love with. Or the furniture manufacturer may have a problem with a fabric. It doesn't upholster properly. Or maybe they've got a problem with the supplier of the fabric. And those are conversations that we're not a part of. And quite frankly, I don't see any relevance or any reason for us to be a part of that conversation. So it's something that is a significantly important part of our business. It suits us. And we've had a really good run.

16:30It's been great to see the success that these lifestyle retailers have had. I'd say the only thing, from our perspective, a drawback with the lifestyle category is just the massive amount of planes and textures that are in the market. That's throughout the market. It's not just the lifestyle retailers, obviously. And as a jacquard fabric manufacturer and designer of jacquard fabrics, that doesn't necessarily play to our strong suit. and I think our design team over the past 15 years has done a really good job of pivoting to figure out how do we make more interesting and creative planes and textures and it gets into the yarns, novelty yarns and colors, et cetera, finishes but that's been a real challenge for us.

17:22No, it's been such a challenge for me, Blake with all of this white boucle floating around in the world to great excess, and we need to move on, and the industry needs to move on, right? Because when you see it at Target, it's time to say, no, no, we need to move on from the white boucle. That's what I've been trying to say. I haven't wanted to beat up on boucle, Blake. That's not what I'm about. Boucle is fabulous. I get it. It's beautiful. It's this white boucle that became so omnipresent, right, that it's just debased it, and And we need to come up with, as you say, what is going to be the next wonderful thing.

18:04And I wonder if you have any sense of what's going to take White Boucle's place, Blake. Please tell me. Well, look, I couldn't agree more. It's had its day in the sun, and it's beautiful. But particularly when you think about performance fabrics and having a White Boucle in a home full of kids and pets, I could think of better products. And I don't care what kind of performance fabric it is. If you're starting off with a white sofa, I'm not aware of a fabric that cleans itself yet. Exactly. That's the thing. They're just asking for trouble, right? That's right. So, you know, we have invested quite a bit in some new novelty yarn manufacturing equipment.

18:47And so maybe there's a cousin of a boucle that maybe has subtle color shifts or tonal shifts to it. So we'll continue to push the envelope there. And then certainly we'd love nothing more than to see the market move back towards patterns, some sense of patterns. So, yeah, let's hope the boucle is on its way out, the white boucle anyhow. Well, I mean, all joking aside, it is so interesting, as you say, to see the power of these lifestyle retailers and how they have neutralized the market. Right? I mean, with the planes and the very basic textures, and it just swept across the nation. And it just had such a huge impact.

19:38and everybody talks about Gary Friedman's been saying for years, color's coming any minute. I see no signs of it on the sales floor. And John Reed at our house, now he sounds like he's putting his money where his mouth is and there is some real color. He's shown some things from some of the upcoming catalogs. I'm wondering, timing-wise, how early do you see that shift? When do they need to order from you to get that color out on the floor? I'd say in a lot of cases or most cases, it's maybe a year. If you move really fast and there aren't problems, maybe nine months. And that's from the time that they talk to us about it.

20:25We have seen requests for colors come in and then see it translated at retail faster than I think it has in the past. maybe even six months. I think it depends on for any particular retailer how broad they're trying to go. I mean, you look at that RH showroom in San Francisco that's got all the camel and it's beautiful. That's a lot of different covers. It's pretty impressive how they pulled that off. I say so quickly, I have no idea how long it took, but it seemed quick from our perspective. So sadly, as we know these days, we look at a copy of furniture today and there's just always a story these days of some 150-year-old retail family closing its doors.

21:16And one has to imagine that some of that is because of the rise of these big lifestyle retailers and just the chunk of market share they're taking, separate and apart from all of the complexities of just running a family business and a retail store and all of the challenges inherent in that. But it does seem as though the landscape is being flattened out, if you will, by these big players. And has that had a big impact on you? Yeah, it has. And it's goodness bad. We've certainly benefited from the growth of the lifestyle retailers. But by the same token, it's done it or it's been with, let's call it a product category that doesn't really play in our favor.

22:05The traditional retailer offered a lot of things and offered the consumer a lot of choices, the ability to customize their furniture, which is great if you know what you're doing. And I think that's part of the problem is that you go in and if you're not a designer, if you don't have a designer with you, it can become really intimidating. where with the lifestyle retailer, on the other hand, it's a lot easier. It's a lot less intimidating. So it's good and it's bad. The traditional retailers certainly represent a lot of what Valdes Weavers is good at and a lot of the value that we have to offer the market.

22:53And I say the market in the broadest sense. the end consumer through the furniture manufacturers or through the design trade. And so we're certainly rooting for those traditional manufacturers and hope that they can maybe fine tune the business model a little bit. I don't think copying the lifestyle retailers is the right way to do it. But I do think there's a way that you can make that process a little less intimidating, a little easier.

23:29We're taking a quick break from the show to delve into the remarkable synergy between Krypton home fabric and Rowe furniture. This collaboration seamlessly blends Krypton's cutting edge, stain resistant, easy care fabrics with Rowe's unwavering commitment to craftsmanship and customization. With the Rowe trade platform, you can order custom upholstery on your schedule. The Rowe Trade Platform offers 24-7 access with full pricing transparency, enabling you to customize pieces in real time, order fabric samples, place orders, or save selections for later, all at your convenience. Once your account is set up, you'll have complete access to streamline your projects.

24:14Get started today at RowePortal.com slash join. That's R-O-W-E-P-O-R-T-A-L dot com slash join.

24:29And are you often, just so that people understand how you show up in the world, are you often a big part of the in-stock fabric program for all of these different retailers, both the lifestyle and others? Is that a big place where you are? It is. It is. And it's not so different than what we do on the contract side of the business, which is a lot of that runs out of stock programs. On the lifestyle side, there just aren't as many SKUs. So you're not burdened with thousands of SKUs that you've got to support with inventories. It's a lot smaller and they run a lot more yards. So it's conducive to that sort of a fulfillment model.

25:12Traditional is harder because you've got thousands and thousands of SKUs. So there are areas there, though, where a traditional retailer can take a little bit of a hybrid approach and offer, and certainly quick ship programs have been around for a long time, but something more comprehensive than that. A full offering, a range of products where they could customize their furniture. with the assistance of an interior designer or not, however they choose to do that, and however the retailer plays that game. But yes, we are. It's an important part of our business. We want to leverage our service versus imported goods, certainly.

25:55So having short lead times and consistent delivery is an important part of our value proposition. At the same time, the furniture manufacturers and retailers, there are cases where having fabric in stock is critical to that particular initiative. And we're going to do that. So as I mentioned at the start of the conversation, you're a huge supplier to some of the big fabric houses that designers will be familiar with. I think you call them distributors. But it's the Kravitz and the Tebos of the world. I wonder over time how that waxes and wanes a little bit and where that business falls in the context of everything we've been talking about.

26:41It's a critical part of our business, a critical part of our makeup. As I said earlier, the way we describe it is the furniture manufacturing, the distributors are the backbone of our company. And we love working with them. Having said that, distribution models evolve. And we've seen it. And we've seen the lifestyle thing we talked about. And then this change with the furniture manufacturers, with designers, just at furniture markets, probably the best way to describe that. How that's changed, I say over 10 years, it feels like it's happened a lot faster than that. And all of a sudden, that's all anyone's talking about.

27:18So, you know, I go back to where 15 years ago, 20 years ago, we were strictly B2B and we were happy to keep our head down and stay out of the fray. And it's just not possible anymore. I think that if you want to tell the story, if you want to support your customers, whether it's furniture manufacturer, distributor, whoever it is, you've got to have that ability to help tell a story. whether it's about sustainability or performance or some element of service. So we've kind of found ourselves in that role now where we've gotten pretty good at it and we'll help them tell the story all with the same goal of making that retailer's job easier to sell more fabric.

28:05That's all it is. Well, it's interesting because, as you've suggested, you've often been behind the scenes, But more recently, you've launched your own fabric brand. So you're both supplying to others and you've got your own product in the market. And I wonder if you could talk a little bit about that because I know you thought about it for a long time. It was an evolution. And I can point to two or three things. Certainly, we saw the relationships with the lifestyle retailers change. We saw our relationship with the furniture manufacturers and telling stories, the branded products. you know, the inside out and the sustain and things like that became more and more important.

28:46And like anything, no one's going to tell your story as well as you are. And so we found that to be the case. And so we found ourselves in a position where we were at retail, traditional retail, doing training sessions for furniture manufacturer. The move we made from the tower in High Point, the fabric tower, over to Hamilton and Steel. That was in large part to support furniture manufacturers and distributors during market. And so it was a gradual evolution. One thing we've learned over the past seven or eight years is just how large the market is on the designer side and how fragmented it is.

29:34And so we've noticed gaps where maybe our product could fit, but it wasn't there. And so we've taken a very selective approach to that just to make sure that our brands, our products are accessible is probably the best way to say it. And so we've gone down that path cautiously. Well, I mean, I know that it's often tricky and one doesn't want to be competing with the big companies that you supply. And I certainly understand the dynamic there. And I talked to so many of the furniture makers who share a similar story when they're talking about retail or how they show up. And many of them suggest that they wish they had greater control over how they're shown sometimes or where they appear, but they can't be seen to be sort of stepping on toes, if you will.

30:31That's right. And so I think it makes the job more difficult, but I think certainly the more you study the market and you understand where your product fits, I don't think it's appropriate to try to force something. That's not going to work. It's not a matter of trying harder and just bulldozing into something. In my mind, And that's not the way to do it. It's got to be much more nuanced. And you've got to find these niches where you're not in this kind of contrary to a lot of business speak here. But we're not looking to be a disruptor. You know, we want to be complimentary. Job one is support furniture manufacturers and distributors.

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31:12Job two, let's make sure that we tell the story, whichever story it is, performance, brands, sustainability. that we tell that story consistently, professionally, whether it's to a retailer or whether it's to a designer, a furniture manufacturer, it doesn't matter. And just, you've got to be so disciplined in those areas. So part of developing your own line was to assist in the storytelling of who you are and what you are and what you offer? Maybe that's going a little far, but certainly it does. Because I was appreciating that spin. I was liking how you were. Well, thank you for picking up on that.

31:55Thank you for picking up on that. It certainly is something to point to. Just in our showroom and we're telling, let's just say, the inside out story. The first thing that this front and center is, as anyone comes in, is here are all of our partners where you can find this product. And yes, we have an offering that might be appropriate for some people. but it is a drop in the ocean to what our furniture manufacturers have to offer and certainly what the distributors have to offer. So it is a conversation point. I'll say it's probably a little more than that, but it is an aid to tell the story.

32:35So that's actually a good way to bring it up. Exactly. Feel free to use that with your other partners. You mentioned about the inside-out story. And so, A, let's just explain quickly to people what Inside Out is, and then let's have a performance fabric conversation. Okay. And it's kind of a funny story. You know, we made an acquisition of a company called Dicey Fabrics. I guess this was 10 years ago. And went down there, maybe not with the best attitude. I was like, really, what are they going to have? And when we got down there, they had some yarn manufacturing that was interesting. is something we didn't have.

33:14And that became kind of the focal point. It's like, wow, we can make these boucle yarns and these other novelty yarns. And so that was kind of the primary strategy. It was a very small acquisition. Probably six months after the acquisition, I got a phone call from a rather large distributor. And they said they had an order for, I don't know, three or 4 ,000 yards of our outdoor fabric. and we didn't have an outdoor fabric that I was aware of. Well, it was one of these Dicey fabrics, and Dicey had used this name inside out. I got off the phone quickly. We started scrambling and confirmed that part of this acquisition included some high UV products, and this job was a pool in Las Vegas in one of the hotels.

34:07And so that was our jumping off point. And yeah, Inside Out became a big deal. And as we sold that product to our distributors, and that's another thing, there's nothing more gratifying than when you see your customers have success, right? When we started seeing that, we knew that we were on to something. Yeah, that you really had something. And I'm curious, Blake, we have for hundreds of years lived with our small children and dogs and we've consumed wine. And I wonder, when did we start in this country to panic about the dog and the wine spilling? When did you start to see just this spike in demand for all of this?

34:57and all these huge companies now that do nothing but make all of this? You know, this is a great question. It was an opportunity to market one of the value adds of a fabric or of a piece of furniture. And I think that's what our industry has always struggled with, right? Is how do you get to the consumer and represent or tell this story? Other than aesthetic and price, how do you get the conversation on something else? And so I think performance fabrics became a good example of how you can do that. I think that sustainable fabrics might be next. I think that one's a little more tricky. But certainly performance fabrics.

35:37Do people live with a lifestyle now where they're eating on their sofa more? I don't know. I don't know if that's what it is. Yeah. I mean, I just don't see what's so different. And yet their expectation of what these fabrics are going to do. Well, that's the mistake I think the industry made. And we knew it when we were talking about it is we cannot oversell the features and benefits. And I don't think anyone did it better or worse than anyone else. But when we came out with these performance fabrics, I think the consumer heard that they were bulletproof and that they were self-cleaning. Yes, exactly.

36:20To your point, they heard that they cleaned themselves. That's right. And so we all could have done a better job of that. And I think since we have, I tell you what, we have done more training on how to clean fabric. It's amazing. And I guess we'll always do that. But so many people do it wrong. But back to the whole point of the value of it, I do think that it is an opportunity for us, the fabric manufacturer, the furniture manufacturer, the retailer, the designer, to communicate and spend time and explain this value add to the end user. And so there's a deeper lesson there, I think. How do we expand that beyond performance fabrics?

37:00Well, exactly. And you just raised the sustainability question as well. And we're told that we are on the precipice of this market wanting so much more in terms of a sustainability, not just a story, but real evidence that this is meaningly sustainable. And often the contrast between performance and sustainability is real and extreme. And again, I don't think people quite understand that. And so threading that needle is quite challenging. No, you're absolutely right. It's more difficult. I mean, in some cases, you need a chemistry degree to understand sustainability and performance fabrics, how they go together.

37:51Certainly, the changes with PFAS chemistry has been a topic, and I'm not even going to attempt to go into that. But the fact that the dangerous chemicals have been taken off, and I say taken off, we don't know for a fact how dangerous they were, but the C6 chemistry has been eliminated, which is great. But the truth is, and this is an important story that the retailers had to understand, that fabric's not going to perform as well as a non-C6. And that's really, there's not much debate there. And explain to listeners what that means. I mean, not without going into all of the detail. Yeah, it basically is about oil repellency.

38:33You can still get water repellency, but oil repellency is very, very, it's impossible or close to impossible. So, again, it goes back to the storytelling. It goes back to the training. It's just critical, critical for our industry. And I think sustainability is similar. Much like performance, everyone has a different definition in their mind of what sustainability means. Is it about the materials that you use? Is it about chemistry? Is it about energy consumption? Is it about pollution? So everyone's got a different spin and a priority of what's more important than something else. So we don't presume to be the expert in that.

39:15And really our strategy has been to offer a range of sustainable options. If you want to go chemical free, go this direction. if you want something that uses recycled materials, go this direction. If you want natural materials, because there's no chance you're going to convince the end users that they need to use recycled polyester instead of organic cotton. If that designer wants to use the cotton, she's going to use the cotton. And so rather than trying to have that argument, why don't you just offer those alternatives? And you can't offer all of them. One company is difficult to offer all of them, but certainly that's kind of the angle we're taking.

39:58And then, as much as I hate to say this, I think third-party certification also can become important there because there's so much grain washing going on. And that's not good. That erodes trust. And so I typically don't like the cost that's involved with a third-party certification. But if that's what it takes to get a consistent product out that doesn't undermine or compromise the trust with the customer. And again, whether it's a retailer, designer, or the end user is equally important. Well, so many of the veterans of the textile industry bemoan that we moved on from wool and silk and these great materials that have been with us for so long and that seemed to perform just fine until we got so worried about the wine and the golden retrievers.

40:55And I don't want to see all of that go away. But it does seem to be going away in a huge way. You walk into these showrooms today and it's just not a huge part of what they're showing. And don't even get people started on viscose and they've read something about water stains or all of that, right? Yeah. Yeah. Rayon took a hit years back and I don't know that it'll ever recover. And look, I love natural fibers. Wool in particular. Cotton is great. But just like anything, there are pros and cons. And even organic cotton, there's a lot of marketing in organic cotton. And it's not nearly as sustainable as I think sometimes the end user or consumer thinks that it is.

41:43And that's too bad. So, Dennis, I think that the only option is to provide a range of options and let the consumer decide. I think that with cotton as an example, I think it's maybe underrepresented. Certainly, there's some challenges there as a performance fabric, but it's got a lot of great traits. Of course, there, you've got to worry about the origin of the cotton. There are a lot of regulations in place, and there are a lot of our customers, our large furniture manufacturers, that have a lot of strict guidelines where we have to account for the origin of the cotton to make sure that it's not coming from the weaker region in China.

42:33I am sure that there's plenty of fabric and furniture coming in containing that cotton, which is too bad. But certainly the customers we work with, they take it seriously, and there is extensive documentation that you have to do. And that actually, it's so extensive, it makes using cotton a little more difficult, particularly if you're talking about making a fabric in Asia from cotton. That becomes a lot trickier. Making the cotton here, we'll use domestic cotton. That's what we'd rather use anyhow. That's easier to prove and to show. But for us to have fabric made in Asia, it gets more complicated because offering a lot number on a spreadsheet, that doesn't get it.

43:25It's much more extensive than that. And there's a lot of fraud that's going on.

43:34We're taking a quick break from the show to remind you about Lalloy, who recently introduced Love Lalloy, a commitment to doing good for their community, industry and environment. Through this initiative, Lalloy has recently worked in India to promote female education, donate a thousand tree saplings, and provide free eye exams and glasses to hundreds of craftspeople. Learn more at lalloyrugs.com. That's L-O-L-O-I rugs dot com. And follow them on Instagram at lalloyrugs.

44:15I want to come back to something you were just talking about earlier, which is, and we've talked about this in the context of high point markets so much, for example, the rise of designers. and the shift from not even letting them into a high point years ago to suddenly they are the highly exalted customer base that so many companies are eager to service. And with good reason, the lifetime value and the multiple projects and all of that, it's understandable. I wonder how it has changed parts of your business and how you think about it. Well, certainly we've been a spectator like you watching this transformation, most visible at market, and how our furniture manufacturing customers have changed their strategy or amended their strategy.

45:10And there's nothing wrong with it. As a matter of fact, I see a positive in it that those designers, they bring a creative element that I see as always is good. And so for us, a designer comes in and asks for something or is working on a project. Anytime there's any sort of a discussion or collaboration on a project where we can pick up design input or market input, if you want to call it that, I think that aids the design process or the creative process. I think I'm sure the same holds true for the furniture manufacturers. Now, it's also difficult because there's thousands of designers where maybe they were just working with hundreds of retailers.

45:57So now you're playing a numbers game. And I think for the furniture manufacturers to figure out how do we touch all these designers, it's a different kind of challenge. But I see upside to that. I think you get much better information about what the market's looking for as opposed to only hearing from a retailer. I'm so curious. The landscape just seems so different than even 10 years ago. We talked about the lifestyle retailers. and at Business of Home, we spent a lot of time years ago talking about various disruptors that tried to come into our industry and thought it looked so easy to come in and make a great big statement.

46:48It turns out it's not that easy. One company we have talked about in the past, you and I, is Maiden Home, which surprisingly to some came in and really found a niche. and so many different manufacturers and suppliers mentioned that company to me as one that really figured it out. I wonder what your sense of what they figured out or what they've been able to do that helped them sort of break through a very complex and highly competitive market. My two cents is they had a very specific and disciplined point of view. I think maybe with e-com, because you're not dealing with square footage and brick and mortar, you can do anything.

47:35There isn't a restriction. So the tendency is probably to offer more that makes sense. Clearly it worked for Maiden Home. I think at the same time, they partnered with some great manufacturers, made good choices there. I don't know if that was luck or a matter of just a lot a good due diligence, but I think that was a big part of their success as well. So I think a couple of those things, and as much e-commerce that you see out there, you certainly see just as many losers as winners, people who have not done it well and have gone by the wayside. And you've seen a few that seem to be doing it well.

48:17The other thing is you chase with e-commerce this breadth of choice. Not always a good thing. I think the paradox of choice holds true there. I think it's the same thing with pricing. You don't necessarily, just because your business model may allow you to hit lower price points you think, I don't know that's necessarily the right strategy. I mean, certainly the returns and so forth that the e-commerce retailers deal with is a completely different ballgame than the traditional markets. And e-commerce, as you say, has been a very challenging market, certainly, especially in the past few years, as the cost to market to those customers has just risen so dramatically.

49:08and the ease, the days of simply putting some ads up on Facebook and elsewhere have just gone away, sadly. And so have so many of these e-commerce businesses, which is why it's sort of particularly impressive that Nidhi Kapoor has found the success that she has and has been able to navigate a very, very challenging landscape. Yeah. And, you know, from our perspective, the challenge is that when an e-commerce company like that is starting up, they don't – usually the first part of their business plan is not, okay, who's our fabric supplier going to be? That's not the first question they're trying to figure out.

49:55So for us to try to make that initial connection, if it's warranted, I'll say that also, is a challenge. You know, it's easy to see the brick and mortar guys and to walk a floor and get a sense of aesthetic and price point, et cetera. It's more difficult on e-commerce. And, you know, every time you turn around, one pops up. And as a fabric manufacturer, the first thing I think about is, well, how did they decide to choose their fabrics? You know, and I get immediately my knee jerk reactions to get critical of our sales team. How come you guys aren't out there chasing these people down? And it's a different animal.

50:36And so I think that goes back to our relationship with our furniture manufacturers. It's critical because we want to be a part of that conversation when it's appropriate and not be a part of the conversation when it's warranted. So, yeah, e-commerce is going to be interesting to see how it continues to evolve. We talked about the Wayfair Paragold with their brick and mortar that's coming up. We'll see what happens there if they do anything this meaningfully different. And then how traditional retail is going to have to evolve, right? I mean, they're on their heels a little bit, so they're going to evolve.

51:16It'll happen. Yeah, no, no, no. Much to be seen there. Let's shift gears and talk about the always interesting, always popular subject of employee stock ownership plans or ESOPs because who doesn't want to delve in to ESOPs, right? Yeah, that's right. And ESOPs play a big role in your world, as you suggested earlier, at a time when you were struggling with the whole Robert Allen challenge, right? you were also so so so tell us that story yeah it's um it was it was a couple of years after um century split from valdez weavers and that was an amicable split it was just you know a generational thing and um a couple of years later the the shuford family um wanted to divest and like any company they had several options then the way it works without getting this it is really complicated, but basically the company takes out a loan to buy out the shareholders.

52:20And so the first two, three years of ESOP ownership is you're highly leveraged or you've got a lot of debt. And then as we've paid down that debt, you're now in a position or we're now in a position to where acquisitions or significant CapEx projects, all those things are on the table. But the big deal is to now be able to tell our associates that you own part of the company and the profit that the company makes stays in the company. And it allows us to make long-term decisions. Most companies, if they're owned by private equity, they're sweating every month or every quarter trying to get those double-digit returns.

53:08and not that we're not chasing the same thing, but we don't have a gun to our head to do that. Rather, we can focus on making good long-term decisions. And so I think that's a huge advantage for us as we go forward. I'm a big fan of it. I'm certainly versus the alternative of private equity. Certainly, there are many, many companies that have done well with private equity, But we've also seen many, many examples of otherwise. Many, many examples of it not going well. That's kind of heartbreaking to see. So I'm thrilled to not be a part of that. And so that would be a big reason. You know, I was just recently up at Room and Board, and you have probably read that they recently went.

53:57Well, it was interesting. And John Gabbert reached out to me when he finally made the decision. Because like you were suggesting, he was weighing, oh, how do I get out of the company? And is it private equity or is it the ESOP? And yes, he was excited. Yeah, for a lot of the same reasons. It's a commitment to the associates. It's a commitment to the community. And so in talking with them, they're going to do great with it because they've already got a great culture. And so, yeah, I know why you don't see more of them because they are complicated and they can be a little expensive to manage, I think.

54:38To me, it beats the alternative, and particularly if as a selling shareholder you have a priority on making sure the company stays local or maintains some of the same culture that it's had. I want to shift gears, Blake, as we get ready to wrap up. I want to talk about a couple of different things that are in the news and just kind of get your perspective on them. The first being interest rates. So we're finally in a place, you and I are speaking just a few days after the Fed chairman gave his riveting speech in Jackson Hole and talked about how inflation happened and the great job that they did in dealing with it.

55:26Right. And now has suggested that they're moving in the other direction and that they will be lowering rates. We don't know by how much yet, but we sense that it will be meaningful. Is that going to have a big impact on your business? And do you think your partner's business in the short term, long term? Yeah, I think so. I think the question is how fast does it happen? And then to what extent? listening to some of your previous shows? Is it something that maybe as soon as Q1, Q2 of next year? It'd be great to see a lift. And maybe we're due, right? I mean, everyone's talked about the pull-up of orders and of demand because of COVID.

56:14And I agree that that definitely happened. But it sure feels like we're past that now. And could there actually be some pent-up demand? And do you get a sense of that? Do you get a sense that there might well be some pent-up demand? Well, maybe it's me being an optimist, right? I want to believe that it's there. But I think that you've got people that may be delayed moving because they're sitting on a really low mortgage and they didn't want to jump onto a really high one. Are you going to see an increase in those transactions? And then, of course, the new homebuyers. I've got three kids all at the age where they're ready to buy their first house and bemoaning the cost and the interest rates.

57:04And they're navigating that. So I have that conversation with them all the time. So I think so, Dennis. I just think that how fast and how long does it happen? And I think that we get through this year, we see some lift, much needed for a lot of us. But yeah, to answer your question, yeah, I don't know how it doesn't help. I wonder, Blake, have we focused too much attention on interest rates? And are there other important factors or things that are going on in the marketplace that are just as important and that will have just as big an impact on business going forward? Yeah, I think that the housing shortage, and I'm not an expert in this market, but I feel like you hear more and more of that.

57:51And certainly in our area, in Hickory, there's a housing shortage, which is causing labor problems for us. I thought some of the economic development people in Hickory, and they're like, well, it's not going to get better because our population is not going to grow because we don't have the housing to support them. The other thing, and not to get off on a tangent, but one other area or channel, I might say, is the big box retailers. What impact are they going to have? I think that that might be an underreported area. Even though they may only sell items, they're not a furniture store, obviously, and they're not going to offer the breadth of product.

58:32But is there a possibility of a shift there? I don't know. No, no, no. It's so interesting that you say that because a couple of designers have sent me recently images that Walmart has been putting out of some nice looking furniture pieces that you wonder, right? They've been so aggressive. That's right. And Costco as well. I mean, so I do think that we've certainly heard that so much more shopping in other areas is going on in those places. And whatever stigma might have been attached to going to Walmart or going to Costco seems to have in this economic cycle been somewhat removed. And so what else are they finding there when they go there?

59:19Yeah, and you look at the recent closure of Kahn's and Bacock. Do you blame that on e-commerce, or do you blame it on big box, or maybe something else? But it's hard to think that there wasn't some impact there. No, I think you're absolutely right. And underreported is a great way to put it. We'll have to get on that here at Business of Home. We'll have to dive deep into the impact of the big box retailers because I am certain that they are gaining market share in ways that we haven't even really been measuring yet. I wonder all of the things that are so challenging in your world and in your side of the business, if there was one thing that you could change, if there was one thing that you could make better, easier, what would it be?

1:00:13What would you most want to change? It's a long list, Dennis. I don't know if I could say one thing. The thing right now for us is labor because it's not a part of our strategy to go source cheap fabrics from overseas. But it's just so hard to attract the labor. The cost is high. If you ask the question, is there something I could change? Could we do something about that? And I'm not going to look to the government for any help on that. But, you know, we've got to look from within. We've got to be better. Because you've got to remember, you know, we're working with the stigma that was developed over hundreds of years.

1:01:01And a young person coming out of high school, their dream to work in a textile factory, that's probably not something they're thinking about. So we have this stigma that we have to overcome. I wonder in wrapping up, Blake. So we talked about, and I really do think that we need to pay more attention to the big box, and I'm so glad you pointed that out. I'm fascinated with the horse race with our house and RH and how that's going to play out in the coming months. I wonder, though, what you're most watching right now, what you're paying the most attention to and what you see changing or evolving or what you think is an indicator of things to come.

1:01:40Because you see you have this broad view of what's going on for so many companies. I wonder what you're paying the most and closest attention to. Well, you know, it's a good point, Dennis, and it's something we have to remind ourselves that our customer base is so diverse from opening price point up that we have to be careful what we see, what we hear, what we experience may only apply to a certain channel or a certain part of the market. So, you know, on the commercial level, we certainly try to pay attention, but this limited, our impact there is limited and its impact on us is limited. The lifestyle channel I find fascinating.

1:02:23Like you said, the horse race between RH and R house. So certainly we pay a lot of attention to that. And then with the traditional retailer, watching how that evolves. And the biggest part of that is what can we do to aid and assist that channel? That's what this industry was built on. So, you know, how do we find examples of retailers that are doing it right, the traditional retailers that are doing it right and having success? E-com is something that I think the rules are still being written, so to speak, for our industry about what can be successful and not. And I think there's a lot of furniture being sold there, and I won't say underreported, but it's probably having more of an impact than we realize, that a company like us realizes.

1:03:13Then on the, I guess, the higher end, you know, with the distributors is making sure that we are hand in hand with our distributor partners. At the same time, learning more and more about how the interior designers, how they operate, what's important to them. And that's a tough one because they're thousands, right? And so it'll be interesting to see how that works. And we watch the furniture manufacturers, you know. We kind of just take a step back and watch and observe. And did I say everything's important? Well, I mean, it's so interesting because the designer, the rise of the designer and the importance of the designer in our industry is such a huge force.

1:03:58And I'm going to be so curious how you navigate that part of the business and find different ways to service them over time. Mixed in with all of the rise of these specialty retailers and the lifestyle retailers. And also e-commerce showing up in more physical brick and mortar stores. I mean, even if Wayfair does only do one or two a year, I think it will have a big impact. And I think we've been so wrong in many cases about how we thought this would play out. We thought coming out of COVID, it would all be about digital and everything would be remote. And it's gone a completely different direction.

1:04:44No, you're right. You're right about that. And it's, yeah, and again, it's not just the role that we play, but watching our furniture manufacturing partners and see how they are adjusting their strategies has been fascinating to watch. And on the design side, you know, we love it because designers, just by the nature of what they do, they love breadth of product. And that plays to what we do. I don't want to make just white boucle. And so the fact that we can do different patterns and designs and colors, that's perfect. Now, that takes a lot of complexity and there's a lot of work that goes with that.

1:05:25But just generally speaking, that's fantastic. The more of that, I think, is better. So I'm rooting for all of them to win. Well, that's you, Mr. Diplomat. But no question. I know you're rooting for all your partners to win. And and you but you are you are rooting for the downfall of white blue clay. So you have my support there. And so on that on that, we are we are one. Blake, I'm so glad to get to talk to you. And I so appreciate you making the time. Thank you. And I look forward to talking to you again soon. Thanks for listening. If you'd like to keep up with the latest design industry news, visit us online at businessofhome.com, where you can sign up for our newsletter, browse job listings, and join our BOH Insider community for access to online workshops, a free print subscription, and much more.

1:06:23If you have a note for the podcast, drop us a line at podcast at businessofhome.com. If you're enjoying these conversations, please leave us a review on Apple Podcasts. It helps others to discover the show. This show was produced by Fred Nikolaus and edited by Michael Castaneda I'm Dennis Scully Thanks again for listening And I'll see you next week

From the publisher

You may not know the name Valdese Weavers, but you know their product. One of the last large-scale textile mills in America, Valdese produces fabric for everyone from retailers like Arhaus and RH to brands like Kravet and Thibaut. On this episode of the podcast, Valdese Weavers president and CEO Blake Millinor speaks with host Dennis Scully about how beige and gray took over the market; the challenges of delivering both performance and sustainability; and how Valdese has managed to thrive not by setting rigid five-year plans, but by staying loose, nimble and diversified.

This episode is sponsored by Loloi, Crypton and Rowe

LINKS
Valdese Weavers
Dennis Scully
Business of Home

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