In short
Podcast Episode Notes: Business Wars - Drug Cartels | Inside Miami’s Drug Wars with Hotel Cocaine | 4
Episode Overview
- Host: David Brown
- Guest: Chris Brancato (creator and showrunner of *Hotel Cocaine*)
- Featured Actors: Danny Pino (Roman Comte) and Mark Feuerstein (Burton Greenberg)
- Setting: Late 1970s Miami, centered around the Mutiny Hotel and its infamous club.
Key Themes and Discussions
The Mutiny Club
- Described as the "hottest pleasure palace" in Miami, rivaled only by Studio 54.
- Became the epicenter of Miami's drug wars during the late 70s and early 80s.
- The club served as a meeting point for drug traffickers, DEA agents, and high-profile celebrities.
Chris Brancato's Insights
- Brancato expresses a long-standing fascination with crime dramas, emphasizing their high stakes and dramatic potential.
- Highlights the transition in television storytelling from broad appeal to niche programming due to the rise of cable and streaming platforms.
Colombia’s Dominance in the Drug Trade
- Colombia emerged as a key player in the cocaine trade due to:
- The native cocoa plant and the ability to produce cocaine in dense jungles.
- Weak government structures that allowed drug lords to thrive.
- Pablo Escobar's rise from a small-time smuggler to a major drug lord is discussed:
- His strategic alliances and clever methods of distribution that led to his dominance.
- Escobar's dual image as a thug but also a Robin Hood figure to the local populace.
Comparison of Cartel Operations
- Medellín Cartel (Escobar): Utilized violence, intimidation, and bombings to achieve power.
- Cali Cartel (Rodriguez brothers): Preferred bribery and legitimate business fronts, contrasting with Escobar’s brute tactics.
Insights on Hotel Cocaine
- Brancato likens the Mutiny Club concept to "Casablanca on cocaine" - a glamorous but dangerous setting.
- The series aims to juxtapose the fun atmosphere of the club with the harsh realities of drug violence.
- Touches on the historical foundations of characters and events depicted in the show, enhancing authenticity.
Cultural Impact and Legacy
- Miami's drug economy significantly influenced its real estate and cultural landscape during the 70s and 80s.
- The importance of the Mutiny Club in popular culture, including its influence on films like *Scarface*.
Actor Insights Danny Pino (Roman Comte)
- Portrays a Cuban exile managing the Mutiny Club, reflecting the duality of his character’s life.
- Shares his personal connection to Miami during the drug wars and emphasizes that most residents were not involved in the drug trade.
Mark Feuerstein (Burton Greenberg)
- Describes his character as a carefree hotel owner embroiled in the cocaine scene, providing a humorous yet complex portrayal.
- Reflects on the show's ability to capture the vibrant nightlife of Miami while acknowledging the underlying violence.
Key Takeaways
- The episode captures the essence of the Miami drug wars through the lens of entertainment, exploring the glamour and grit of the era.
- *Hotel Cocaine* combines fictional narratives with historical truths, creating a compelling drama that reflects the consequences of the drug trade.
- The discussions highlight the collaborative nature of filmmaking and storytelling.
Closing Remarks
- The podcast concludes with a teaser for the next episode, which will delve into the media portrayal of breaking news and the dynamics between CNN and Fox.
Listening Information
- Podcast: Business Wars
- Access: Available on the Wondery App or major podcast platforms.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Transcript
Automatic transcript. May contain errors.0:06I'm David Brown and this is Business Wars.
0:29If you were looking to party during Miami's disco era, there was one place you had to get into. The hottest pleasure palace in Miami, no, the whole damn world, was a place that made Studio 54 look like a church picnic. The Mutiny Club. The club at Miami's Mutiny Hotel was one of the hottest spots in town in the late 70s and early 80s. And it also happened to be the epicenter of Miami's drug wars. In our three-part Wondery Plus exclusive series, Drug Cartels, we explored Columbia's underworld, where top dogs like Pablo Escobar took no prisoners in a fierce turf war for market supremacy. And now, we're taking a trip down to Coconut Grove to see the Mutiny Hotel in its heyday.
1:15That's the setting of the new MGM Plus series, Hotel Cocaine, which explores Miami's drug wars through the eyes of the Cuban exiles who built the scene in the 1970s. The show follows the Mutiny Club manager, Roman Comte, a Cuban who escaped Fidel Castro's takeover to start a new life in Miami. But when a DEA agent comes knocking at the mutiny for information on Roman's estranged brother, one of the biggest drug lords in the game, things get complicated. Today, we're joined by Chris Brancato, the creator and showrunner of Hotel Cocaine. Chris shares the real stories that inspired Hotel Cocaine and how the drug trade transformed Miami in the 20th century.
1:57Later, we'll hear from the stars of Hotel Cocaine, Danny Pino and Mark Feuerstein. Danny plays the hotel club manager, Roman Comte, and Mark plays the eccentric hotel owner, Burton Greenberg. Together, they'll take us behind the scenes of the making of Hotel Cocaine and what inspired their own performances. All that's coming up on a very special episode of Business Wars.
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4:03My guest is Chris Brancato, a writer and showrunner responsible for some of TV's most gripping crime dramas, like Narcos and The Godfather of Harlem, and his latest series, Hotel Cocaine on MGM Plus, explores Miami's drug wars in the late 70s. Chris, welcome to Business Wars. Thank you very much. Glad to be here. First off, congratulations on the show. It is absolutely fantastic. I know you previously wrote Narcos, which followed the cartel wars in Columbia. Now you've got a show on the Miami drug wars. What got you interested in this part of life? I've always been fascinated by crime dramas, the high stakes that are immediately involved when you're playing a game that could mean fabulous riches or death or jail.
4:51And so for me, that makes compelling drama. Those are the shows I like to watch myself. And what's interesting about my career in television is for a long time, you had to write sort of CBS, NBC stuff, which had to be four quadrant. It had to please everybody. It couldn't offend anybody. And then over the last dozen years or so, what with cable and the advent of streaming, suddenly the audience, you know, there are 500 channels now and there's more niche programming. And that allowed me then to, beginning with Netflix, to go do Narcos in Colombia. And an open space evolved. And so suddenly I'm the, you know, somebody I was interviewed by called me the Dick Wolf of drug dramas, which I'm not so sure that's a wonderful comic.
5:39I was going to ask, do you like that? Dick has two yachts and I have a rowboat, but other than that, it's all good. Well, on Business Wars, we've been looking into the Medellin and Cali cartels of Colombia and the bloodshed that resulted there, especially during the 80s and 90s. I'm curious how Colombia wound up as the dominant player of the cartel world in the first place. I mean, people in this new series, obviously, you're focused on Cuba, Miami. But how did Colombia become such a place? Well, there are a couple of reasons for that. First of all, the plant itself, the cocoa plant, is native to Bolivia.
6:18And for a long time, the plant was processed into cocaine in Chile. But at a certain point, it migrated to Colombia for a couple of reasons. Colombia has vast coastlines on both the Atlantic and Pacific sides. Distribution. Yes. The ability to get it to the United States by boat was a factor. Also, Colombia has very dense jungles and places where the illicit production of the leaf to the base, to the powder, can be effectuated. So not only that, a kind of weak government structure at the time that led to an inability of law enforcement to stop them from doing it. And then, of course, the vast wealth that it generated allowed the cartel players to essentially hire their own armies.
7:06I think I was told that during the early late late 70s, early 80s, it's literally like the Colombian military had three fighter planes. And so the narcos outstripped them in wealth, outstripped them in weaponry. So how did Escobar become the one who rose to power here, do you think? Escobar was a street thug and someone who was involved in smuggling cigarettes, liquor. He was kind of small time and the circumstances developed that, oh, this new drug suddenly emerges, which had very little popularity in the 60s. I mean, it was always around since it was invented. But the fact is, the appetite for cocaine as it grew in the 70s in the United States, Escobar saw an opportunity.
7:59And through a number of, you know, almost reptilian, clever means, he took advantage of that. He realized that there were different cocaine producing groups within the Medellin area. And he essentially formed a collective where they would ship their cocaine to the United States en masse through a number of very clever means, you know, boat, plane, eventually submarines. They were packed within product, you know, like you'd open an avocado and there's a ball of cocaine in there. And you can't tell the avocado skin's been. Yeah, right. So very, very clever in that regard. So he forms a kind of collective amongst like-minded groups.
8:42It's also thought that there was a family, the Ochoas, who were also of the Medellin area, who may have even superseded Escobar in terms of their power. They were rich landowners. They had horse farms. They were also big players in the Medellin cartel. At one point, Escobar is in prison, and yet he still manages to run his operation. He was very, very, again, like clever, like an animal. As the United States started to clamp down on the Colombian government about this influx of cocaine, now Escobar, through violence and intimidation, which was always his way, began what amounted to a war against the Colombian government.
9:24So he played dirty is the point. And ultimately, the pressure from the United States, the United States money that was coming into combat, people like Escobar led to him surrendering on his own terms. He built a prison to his own specifications, and it was staffed with guards who he hired. It was basically a luxury or semi-luxury hotel that doubled as a prison. And that was the deal he made with the Colombian government, who he had brought to its knees through his bombing campaign and through the generalized violence. He was also viewed in the Medellin area as a bit of a Robin Hood figure. He built barrios for the poor.
10:06He created soccer fields all over the place so that the local populace in Medellin were quite supportive of him. Mm-hmm. But La Catedral was a place where, again, nice if you can build your own prison. Kelly and Medellin were both massive organizations involved in the drug trade, but they approached the business differently. Each had its own way of thinking about the cocaine trade. Could you say a little bit more about how they approached selling their product? Escobar was a brute. He used bombings, intimidation, kidnapping, assassination to achieve his ends. And the Rodriguez or Oweiler brothers in Talley had an entirely different operation, selling just as much cocaine, but they bribed government officials.
10:55They poured their money into Rexall drug chains and all sorts of other legitimate businesses. They played it on the down low. They weren't ostentatious. They eventually got caught too. But basically, the two cartels played it a different way. And really stemming from those two central leaders, Escobar, a street thug, and Newell as more cultured and sophisticated. I want to fast forward now into Hotel Cocaine and how that informed the way that you approached this. I read somewhere that you thought of this hotel as kind of Casablanca on cocaine or something like that. Could you say more about what you meant by that?
11:42Well, during the time that I was working on Narcos, there was an actor who was playing a Colombian policeman who spearheaded the effort to catch Escobar. His name is Maurice Comte. And he said, you know, my father was the general manager of the Mutiny Club and Hotel. And I said, what's that? And he said, well, it was the Studio 54 of Miami. It was a nexus point for huge narco traffickers, DEA, CIA, foreign dignitaries, movie stars, rock stars. The Eagles recorded an album at the mutiny. The Zeppelin was there all the time. It was just a moment in time kind of place. Anyway, I said, I'm kind of interested in that.
12:22You know, maybe write something up about it, which is usually a way I get people to never bother me again. Though I did find the idea interesting. It took almost four years, but I then received a document from him that kind of cleverly outlined a story that was his father's real life. Now, I felt the need to fictionalize certain aspects in order to create a kind of drive and energy to the series itself. But the minute I read it, I called him and I said, hey, you know, can I run with this? I like this. And he had called it North of Havana, which to me sort of says nothing. I mean, it's cool. But like I was like, no, no, it's got to be called Hotel Cocaine.
12:59It's say what it is in the title when you're in a 500-channel TV universe. Yeah, for sure. So I called MGM +, the president of which is Michael Wright, and I said, hey, I got an idea for you. You know, how about Casablanca on cocaine? I think I described it in three sentences, and he said, I'm in. Go for it. And so we slowly but surely worked the script, and I turned it in, and then he picks up the series, and here we are. Is it true that the Mutiny Club was sort of the basis for Scarface 1983? Yes. It was very famous as this nexus point of dealers and cops, et cetera. And so in Scarface, it was called the Babylon Club.
13:43Okay. And it's depicted, as you see one, there's a big shootout and a poor clown gets shot. Guy in a clown outfit gets shot. But then in the recent Netflix series Griselda, I'm sure they did a few scenes in what was the mutiny because Griselda was there from time to time. In our show, we decided to take the mutiny and really actually outdo Scarface and Griselda in terms of designing it as a pleasure palace that is a hyper real version of it, meaning it's really fun to be in there. There's never a bloody nose. Nobody ever goes out in a stretcher. We wanted to create the juxtaposition between the fun people were having within the club and the devastating violence that was happening to get the cocaine to those tables.
14:30And in a way, the club is this—it serves to protect that idea of the fun. You know what I'm talking about? There's a separation factor there that's really important, and yet it's also this nexus where everyone peacefully comes together, the DEA, the gangsters. It was literally like what you'd call a demilitarized zone, just to say the DEA and cops never arrested anybody in the mutiny because, frankly, it was a better source of information. So, for instance, they look at a corner table and that group over there that's cracking open$1 ,000 bottles of Dom, they just got a load in. So now let's go to where they're centered and let's go try to find that load.
15:11Oh, that group over there, they look like the dog ate their homework. Their load got caught. Like in The Godfather when cops are outside getting license plates outside Corley Ald's wedding. It was just a spot for information rather than arrest. Our guest is Chris Brancato. He's creator and showrunner for the new MGM Plus series, Hotel Cocaine. It's time for a short break. Stay with us.
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18:06Hi, welcome back to Business Wars. Chris Brancato is the showrunner of the MGM Plus series Hotel Cocaine. Chris, how does the version of the Miami drug wars depicted in the series compare with what was actually happening on the ground in late 1970s? Well, it's fairly accurate to what was really going on. I think the Cuban Americans or the Cubans were the first to be successful at Coke importation in Miami because they had come post Castro. They had connections in Colombia and other Latin American countries. And so there was a little minor trade going on. But as the appetite for cocaine grew in the 70s and especially in the 80s, the Colombians said, why should we use Cubans as middlemen?
18:52Let's come there. Let's sell wholesale and retail. And so that led to competing factions, both Colombian, Cuban, other Latin groups, street gangs, Haitian street gangs, et cetera, all of which are depicted in retail cocaine, fighting for control of distribution from Colombia to Florida, fighting amongst themselves for dominance in various regions of Miami and Florida at large. And the most famous event that caught everybody's attention was the Dadeland Massacre, which was a shootout that happened right in broad daylight in a mall in Miami where two guys were killed. But basically, it had never before been seen that people come rolling out of a van and just spray the whole territory with gunfire.
19:42The murder rate in Miami climbed astronomically in 79, 80, 81, so much so that they needed to get trucks from Burger King, like refrigerated meat trucks to carry bodies around. There weren't enough ambulances. I mean, you go to Miami today, international city, you know, much less the, yes, it was a big city back in the 70s and 80s. I get it. But much smaller and a much, you know, more condensed feel, I suppose you could say. Is that vibe still there in Miami? I mean, when you go there, do you have a sense of what used to be? Well, I think in a large part, the cocaine profits fueled a boom in real estate and residential homes.
20:26And then people come to fill it. That said, we shot hotel cocaine in the Dominican Republic, which doubles for 70s Miami much better than Miami does. Why? Why? Because the drug profits that came in in the 70s and 80s in Miami built the skyline. Yeah, you say that early on in the series. Cocaine built this city, and it really got me to thinking. Yeah, it was in the early 80s. We were often reading headlines about, I think the Reagan administration was really pushing the idea that Miami was the epicenter. Almost every bank, federal bank in every corner of the country except for Florida, you know, was operating at a loss.
21:05It was kind of financial crisis under the gas prices and all that stuff. And the Federal Reserve in Florida had a$5 billion surplus. What do you know? Well, you know, so and also what happened was the drug money had to be invested somewhere. It had to be laundered. I was told by somebody in Miami that, you know, you'd go to a Giorgio Armani store that was run legitimately. And then right down the road, there'd be one that was run illegitimately, meaning you could get the Armani clothes for half the price because the dealers were just trying to launder their money. The cocaine was a shot in the arm for both the local economy, but also for the infrastructure of a city that has continued to grow ever since.
21:46You know, I was thinking, whatever happened to this infamous club? I mean, Burton Goldberg, the real name of the Burton Greenberg character, he sells it in 84 or something along those lines? Yeah. What happened was, you know, eventually, first of all, people started to recognize that the cocaine was a lethal and dangerous drug, especially with the crack epidemic that started in the early to mid 80s. Len Bias, the basketball player, died in 85. Now, all of a sudden, it wasn't such a fun, harmless drug. But meanwhile, you know, the mutiny, like any club, Studio 54 included, eventually kind of burns its wick out.
22:23And that's what happened at the mutiny. The dealers found new spots to go to or decided they didn't want to be recognized there. And all of a sudden the club, you know, became defunct. It still exists to this day. It's a far cry from what we depict on our show in terms of, you know, it's not super fun. I've been there. There's not some spectacular place where you can dance the night away. But once upon a time. Once upon a time, exactly. And then Burton Goldberg ended up selling the property to somebody else who had a difficult time reviving it. And he moved to California and became a doctor of alternative medicine.
22:58Wow. When you decided to tell this story, what were you hoping that audiences would take away from it? Well, first and foremost, my job is to entertain. It's funny, when I was making Narcos, I watched a Colombian series called El Patron del Mal, which was about Escobar. It was 66 episodes. So I sat down to watch one of them, and suddenly I'm on episode nine. And I thought to myself, wow, there's like an actual addictive quality to watching this guy's story. And I thought, we're only making, for the first season, ten Narcos episodes. Like, what if it has that addictive quality when you're watching it?
23:36which it apparently did because it's the only, by the way, I've had like 29 failures. So it's foolish to talk about, you know, pure success as a showrunner. But Narcos was this interesting one where it came out on August 31st, 2015. A few days later, I'm in the subway going into a friend's restaurant in downtown. And I hear people talking on the train about Narcos and they're loving it. And I'm like, wow, this is weird. I'm hearing them talk about my show and out of ear, you know, They don't know I have anything to do with it. I get to the restaurant. My friend who owns the restaurant says, you've got to come to this table.
24:10And he brings me over to a table and says, this is the guy who co-created Narcos. And everybody at the table had watched it. And this is one week in. So I thought to myself, oh, after all these years of failed shows, I guess this is what it's like to have a winner because everybody is talking about it. And since then, I've traveled all over the world doing panels about narcos and been asked some tough questions that have affected the way I developed hotel cocaine. How so? Well, somebody got up at one of the conferences, I think it was in Mexico City, and said, hey, you know, what do you think about the fact that you kind of glamorized Escobar and that people find themselves rooting for him in the show?
24:51And I said, well, part of that is due to the charisma of the actor Wagner Mora. Part of it is that we love to root for outlaws. But that certainly wasn't my intention. You know, watch the first two seasons. You see this guy ends up dead on a rooftop with his body filled with bullets. But it did make me sensitive from that point on to making sure that if I'm doing the kind of shows I like to watch, crime shows, drug dealer shows, et cetera, that I make sure that what the underlying message is. And look, I'm not doing a public service announcement. I'm trying to entertain you with an interesting story with great actors.
25:25But it is important to me that these things don't become advertisements to become a drug dealer or a drug user. So that, for instance, Hotel Cocaine has the log line, every pleasure has a price. And I think that's actually true. Chris Brancato, thanks so much for joining us on Business Wars. It's been great to have you. Thanks. Coming up, Hotel Cocaine actors Danny Pino and Mark Feuerstein share what it was like to play some of the Mutiny Hotel's most well-known characters. Stick around. Closing the books, getting your people paid, and bringing on new hires. Running a small or mid-sized business can be exciting and also a little chaotic.
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28:03Welcome back to Business Wars. The MGM Plus series Hotel Cocaine pulls back the curtain on Miami's drug and disco scene in the late 1970s. And actors Danny Pino and Mark Feuerstein are a huge part of bringing the once thriving Mutiny Hotel back to life. Danny plays Roman Comte, a Cuban exile and well-respected manager of the Mutiny Club. Mark plays Burton Greenberg, the Mutiny Hotel's owner, who would rather be doing lines with the guests than keeping the books. Each character represents a different element of the Miami drug wars. Roman unwillingly working for the Kingpins, and Burton running a hotel that's explosive success, was directly tied to the introduction of cocaine in the city.
28:47Danny, Mark, y 'all just do a fantastic job capturing the emotional nuances of these characters and making us really root for them. We're so excited to have you joining us today on Business Wars. Thanks so much. Thank you, David. Thank you for having us. What was it like to go back in time, essentially? I mean, this was a crazy period in American culture. You know, my only exposure to Miami was growing up as a New York Jewish kid who would fly down to Miami Beach to visit my grandparents, Baruch and Gene Siegel, who lived in the Southgate Towers in South Beach. And so little did I know that while we were having soup and sandwiches at Fuddruckers, a mile away, there were shootings going on at the Dade County Mall and lots of death and destruction.
29:30Right. I had no idea. And I mean, I must have been on the news while we were, you know, sitting playing Pinochle or something. And Danny, you grew up in Miami, you were telling me, right? I was born and raised in Miami. I know that time period very well. You know, I think it's important to say that the majority of the people who were in Miami at that time were not involved in the drug trade. Yes. You know, not every Cuban family was mewling drugs in from, you know, Central and South America. And they were not supplying or involved in any sort of nefarious activities. My family certainly was one of those families that had no contact with it.
30:13So I actually grew up fairly unscathed from it. Of course, living in Miami, it was in and around. And you, you know, you couldn't help but put on the 11 o 'clock news and see some of the death and destruction that was occurring to your city. And then there was a fairly popular television show. I don't know if you guys have heard it called Miami Vice that sort of dramatized what was happening in Miami at the time. But certainly watching documentaries like the Cocaine Cowboys and reading news articles and magazine articles, there's a plethora of information out there about what was happening in Miami.
30:48How do these roles differ from some of the roles that you've played in the past? I know, Danny, you were a mainstay on Cold Case and Law & Order SVU for a few seasons. Yeah. And now you get to play a guy who's tied up with the criminals. Your detective characters would be chasing down. I know. Sometimes you get to carry the badge. Sometimes you try to hide them. Yeah. You know, what I love about playing all of those characters is that they were inspired and created by some fantastic writers. You have characters who, whether they carry a badge or they're avoiding the badge, they're complicated.
31:25There isn't one of those characters who's completely good. And there isn't one of those characters who's completely evil. And so to be able to play that range and carve through that sort of whether it's the legal aspect of it or the more outlaw aspect of it, that's what an actor prays for is to be able to sort of indulge in that. Speaking of range, Mark, that's a perfect transition. You have been the epitome of range. Let's go. Yes. I am range. Royal Pains, right? The West Wing Babysitter's Club. Who's Burton closest to, do you think? Honestly, Burton is unlike anything I've ever gotten to play.
32:06I mean, I am so thrilled. This must have been... You must have had so much fun with this character. I had so much fun. You know, before Hotel Cocaine, I played a character named Dr. Hank Lawson on Royal Pains. And in the stage direction, when they describe him, they say, we'll make an entire generation of kids want to go to medical school. He was like a role model. And that was amazing. And a kid came up to me in an airport and was like, Dr. Hank, I'm going to Johns Hopkins Medical School because of you. That's cool. Which was cool. That's really cool. But then I get the script for Hotel Cocaine.
32:34And this guy is a coke-snearing hippie freak dealing with mutiny girls and ordering Roman around to get him his cocaine, who's really the boss, who's really making everything happen. Well, Janice is really the boss. We both worked for her. Yes. Correct. And I was in heaven. I mean, just to get to play this part. but at its core because we have a great writer like Chris Brancato and Michael Paynes and Alfred Barrios and so many other artists who come together to create the show it's not just a coke snorting freak I mean he's got a vulnerable underbelly he talks about how he was a freak as a child and his mother was the only one who let him be as strange as he wanted to be that was his superpower and he built this hotel as a home for misfits for the miscreant, artistic, creative children who need a safe place to both create and cavort.
33:30And that's what the mutiny is, which is why it means so much to him and why when things go awry with finances and organization at the hotel, he gets involved with his hardcore conservative Republican family, which is he's the black sheep and it's very difficult to deal with them. And then some more nefarious characters. And that relationship with the sister is just priceless. But the one that I think steals the show is Rick James. That was so good. There's that moment where Burton's trying to help James overcome his writer's block, and no matter what he tries, Rick just isn't into it. How about a little mood picker-upper?
34:04No, man. Rick, this isn't like you. Roman, we've got to cheer this guy up. Even the girls aren't doing it for him. Ah, the Bolivian pink.
34:18Rick, are you sure? I ain't feeling it. Larry Powell, such a brilliant actor who gave such life to this character, which how would you know what Rick James really was? But he just steps into it in a way that gives him depth and dimension. And he grounds him. Something I really want to say, and I would be remiss if I didn't say in this opportunity, to talk about how our show has a pedigree of crime shows, of shows about mobsters, mafiosos, whether it's Goodfellas or The Godfather or Donnie Brosco or even Breaking Bad or The Sopranos. All of that world is familiar to, I think, viewers and certainly to the actors involved.
35:05What makes it different, right? When Michael Wright, who's the head of MGM +, we were talking about this show. He says, you want to find something that's familiar but different. And what I think makes our show familiar but different is Burton Greenberg. And through Burton Greenberg, you know, Mark's incredible talent and his buoyancy as a performer to add the essential component of humor. Yeah. of self-help, of, you know, this indulgent search for, you know, oneness with the universe and who he is, that allows us into our show with so much depth because it juxtaposes the very real violence and the cost of this party.
35:50Yeah, I'm so glad that you mentioned all that because we talk about what a delight it is to live this show in a way through you when you're on screen. It really is. And I was thinking, since this is based on a real guy, Burton Goldberg. Burton Goldberg, exactly. Right? Yeah. Burton Goldberg. You must have done some digging on who this guy was. How close to the real person are you? Oh, God. I don't know. I mean, I've watched him later in his life do interviews about homeopathic medicine. He got into all kinds of stuff. He's one of the leaders of the homeopathic medicine. Oh, I didn't know that.
36:28He's written enormous books on homeopathic remedies for cancer and so many other ailments. He did interviews with Suzanne Somers back in the day when she was interested. Suzanne Somers. I know. It's crazy. Isn't that great? But I don't have as much footage on him back in the day. Maurice Comte, who is the real son of Roman Comte, talked to me about how fastidious he was about everything about the hotel, but also how he designed every single room to be unique. And to do that, he hired a set designer from the theater in San Francisco and brought her to the Mutiny Club. And she designed each of these rooms.
37:05So we had to have a great designer to design our rooms, which is Raimondo Cabrera, one of our many incredible collaborators who was our... Production designer. Production designer. And he designed the Alice in Wonderland suite, which is like stepping into an M.C. Escher painting. Oh, yeah. The Marquis de Sade suite. Right. You had the Lunar Dream suite, which is like a trippy space... You've got to see some of these places to believe in the aquatic erotic suite, which has a pool in it, which Azulio has some fun with when he waterboards. Something's happened there. Something's happened. Yeah, it's loosely based on him, but as with all historical fiction, as with Larry Powell did with Rick James, as John Ventimiglia did with Hunter S.
37:47Thompson, as Hayjaz did with the Maharishi, and we are doing with our characters, you have to make it your own. and inhabit your own version of Burton Greenberg, and this is mine, and it's such a joy to get to play him. The thing that sort of tears at you is that on the one hand, there's this horrible stuff that's going on, and no matter how deep in the hole they get, you're still rooting for them. You're still pulling for them. And you almost form a bond as a viewer with the humanity or the dignity of these characters, including yours as crazy and fun there's an adorability oh i'll take it you know what i'm i mean it's like you they resonate right i mean where do you go to get that feeling you know that that it just calls to mind to speak about maurice conte maurice conte who's a colleague of mine on mayans mc he was working with chris brancato on uh narcos yeah and he pitched to chris hey my My father, Romain Comte, was the general manager of the Mutiny Club in the 70s and 80s in Miami.
38:58And that led us to sitting here. Maurice and I had many conversations about basing Romain Comte on the foundation of the reality, the person who was his father. The authenticity of the man who would come home from the mutiny club at 530 in the morning, smelling of cigarettes and cigars and hard work. And he'd lay down in his son's bed just to have a couple of hours asleep with his son in order to wake up and take him to school. Right. So understanding that he was a father first and then was going into this hedonistic adult paradise at night. That duality of our show. The duality, that's a great way of putting it.
39:42I think that that is another component. Not only is it the humor of Burton and his quest, but also, you know, Burton goes through this arc in his journey as well that isn't totally set and based in humor. I mean, there's some real loss there. And so when you're talking about the cost of keeping this party going, that every pleasure has a price, I think that that is really one of the investigations that Chris Brancato has set out to kick around and ask the audience. I just want to add one thing because Danny just mentioned one of his touchstones for the character is his identity as a father, which he got from Maurice sharing these real stories about his dad lying down with him at five in the morning after a long night of work.
40:31And there came a moment, I can't give anything away, but there came a moment when the script came out for the finale episode. And I don't know if I'm allowed to share this, but I'm going to and, you know, whatever, I'll pay the price. But Danny has seen something in the construction of the episode which didn't feel exactly right to him because it compromised his identity as a father. Interesting. Because it suggested that he would do something other than protect his daughter at a certain moment. Mm. And he voiced that and the script was changed and it's better for it. And more authentic for it.
41:05And that's the kind of actor Danny is. He's not afraid to speak his mind when it matters. Not a lot. He's the opposite of a pain in the tuchus He's amazing And incredibly collaborative But when it came to something that compromised What he thought is crucial about the character He spoke his mind And it made the episode more true to life and better I appreciate you saying that It also speaks to the collaborative nature Of what we do, of our business And the organic nature of TV Which is that now it's a different story Because Danny spoke up If the Mutiny Club were still around today Would you guys be members?
41:40Oh, that might be one of the best questions I've ever... Yeah. I'm a natural, curious sort. So, yes. And I'm from Miami originally. I think there are many people who enjoyed the mutiny who didn't enjoy the mutiny. If you know what I'm saying. I understand. And I think maybe I would try to enjoy the mutiny. If I were living in that time, I like to think I'd be having the good times that they were having, and hopefully without all the consequences that came, but that's impossible. But frankly, I would probably be calling Danny to see if he could hook me up with a Mutiny Club card. So maybe on a particular birthday, I could take some friends, but I would not be actually spending that.
42:27This is maybe me now. This is me now. I would visit, but I wouldn't live there. I'll tell you what, my wife loves to dance. Okay. Lily loves to dance. And so I think we'd have to get a card just for that, just to be there because the music and the vibe and it made you want to party. Right. Not for the whole drug aspect of it. I'm about as square as they come. I'm like a Rubik's Cube. But I feel like it was the place you wanted to be, no matter whether you indulged or not. And when you see a scene where Danny is dancing with a character by the name of Yolanda, you'll understand how the kind of moves you might have seen of him and Lily dancing at the Mutiny Club.
43:08The incredible Maida Hermosillo. And I can't wait. I always love to talk about Michael Chiklis, who's fantastic in the show, of America's Yul Vasquez, who plays my brother. You know, we have a truly international cast. Laura Gordon from Australia. Australia. We have Tanya Watson from Spain. We have so many representatives from all over the world, whether it's Colombia or Mexico, Venezuela, the U.K., Canada, the U.S., Cuba. It really is the sense of Miami at the time, this international magnet for business, nefarious and otherwise, that is represented on our show. Well, if you need any Mutiny Club cards, I hear they're being counterfeited now, so maybe we can help you guys.
43:56Somebody watch the show. You know a guy? Yeah, I've heard of one. Danny Pino and Mark Feuerstein star in the new series Hotel Cocaine. It's streaming now on MGM+. Danny, Mark, thanks so much for joining us on Business Wars. David, thank you. Thanks so much, David. Great to be here. Coming up on Business Wars, CNN and Fox turn breaking news into an art form. But that art isn't always pretty.
44:47by Sergio Enriquez. Our senior producers are Karen Lowe and Dave Schilling. Our executive producers are Jenny Lauer-Beckman and Marshall Louis for Wondery.
45:08In just a few years, Ozempic has gone from a diabetes drug to a global phenomenon. But behind the miracle claims, another battle is raging. Demand is exploding, supply can't keep up, and as drugmaker Novo Nordisk scrambles to produce more, its rival Eli Lilly is racing to take the crown. Meanwhile, a darker market is emerging. Shady online sellers are offering cheap, unregulated knockoffs. Now millions are injecting mystery vials with no FDA oversight. I'm David Brown, host of Business Wars. In our latest season, we're diving into the race to Ozempic and the billion-dollar showdown between Big Pharma's biggest players.
45:46Can they close the supply gap before one bad vial destroys everything? Make sure to follow Business Wars on the Wondery app or wherever you get your podcasts. You can binge all episodes of Business Wars early and ad-free right now on Wondery+.
From the publisher
It’s 1978 in Miami, Florida. The hottest spot in town is a club located inside the world famous Mutiny Hotel. And it’s also the epicenter of Miami’s infamous drug wars. The new MGM+ Hotel Cocaine takes you deep into this world, where every pleasure has a price. David sat down with creator and showrunner Chris Brancato and series stars Danny Pino and Mark Feuerstein to learn more about the glamorous Mutiny Club and the darker reality that surrounded it.Check out the new TV series 'Hotel Cocaine' that inspired this season of Business Wars only on MGM+. Click here to get 50% off your first month: https://www.mgmplus.com/wondery.
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