Alanis Morissette: Anger, Attachment, & Postpartum

9 Sep 2026 · 1 h 5 min · 38 chapters

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In short

Alanis Morissette discusses anger as trauma-transmuted, patriarchy’s exploitation of women, fame’s effects, attachment/codependency patterns in relationships, and her experience with postpartum depression (“postpartum activity”) described as being “covered in tar and underwater.”

Guest backgrounds

Alanis Morissette is a Grammy-winning artist who released Jagged Little Pill at 21 (33 million copies, five Grammys). She’s also acted (Sex and the City guest role as a lesbian/bisexual moment) and has mentored younger artists, including performing with Olivia Rodrigo. She describes early career experiences in male-dominated rooms and later therapy work around attachment, love addiction, and selfhood.

Key claims

Anger/rage is a powerful, containable signal; patriarchy reduces women and dehumanizes them in “suit” rooms while still monetizing their vulnerability. Fame amplifies pain and can create invisibility. Secure selfhood requires “gathering”/processing with others. Postpartum depression can worsen with each pregnancy and can include invasive thoughts, rage, anxiety, and loss of control even while functioning publicly.

Notable examples

Burning a journal at 14 after signing contracts; Sex and the City idea to create a “lesbian moment”; “You Oughta Know” chosen to open with anger; former business manager allegedly stealing millions; postpartum episodes escalating (first waited 1 year 2 months; second 8 months; third 3 days) and touring during COVID while symptoms worsened.

Written by AI. May contain mistakes. Listen to the episode to check what was said.

Chapters

Tap a time to open that second in VO

Alanis's Impact on Music

1:51 to 2:32

Explore how Alanis Morissette's music empowers listeners.

“I love to accessorize my outfits with jewelry, obviously.”

Alanis's Impact on Music

2:55 to 3:43

Explore how Alanis Morissette's music empowers listeners.

“All of my friends were like, no pressure.”

Songwriting and Vulnerability

3:43 to 4:43

Delve into Alanis's songwriting process and her journey of vulnerability.

“And I just love every single thing that you stand for.”

Mentoring Young Artists

4:43 to 5:39

Discussion on Alanis's passion for mentoring the next generation of musicians.

“I can spend a few minutes writing a song and then get back out.”

Nostalgia for the 90s

5:39 to 6:28

Alanis shares her reflections on the 90s and its cultural impact.

“Like, will there be some mentor, some group of women who kind of rush in and scoop me up?”

Fashion and Iconic Moments

6:28 to 7:51

A look back at Alanis's fashion choices and her guest appearance on 'Sex and the City'.

“The 90s also, I feel like everyone talks about fashion.”

Breaking Barriers in the Industry

7:51 to 8:27

Alanis discusses her experience in a male-dominated music industry and her early career.

“You guest starred on Sex and the City and you kissed the Carrie Bradshaw.”

Childhood Confidence and Career Beginnings

8:27 to 11:25

Explore Alanis's early confidence and her journey starting a record label as a child.

“And so what did it mean to you to be a part of a moment like that?”

Navigating Fame and Vulnerability

11:25 to 12:20

Alanis reflects on her early experiences with fame and emotional challenges.

“I mean, my dad was a grammar guy and my mom, you know, my parents are, they have that go-getter thing.”

The Complexity of Relationships in Songs

12:20 to 13:33

Discussion about writing breakup anthems and the complexities of love.

“Why were you burning your journal in the fireplace?”
Show all 38 chapters

Empowerment and Vulnerability

14:00 to 18:07

Explore the balance between feeling powerful yet vulnerable in emotions.

“I can be comfortable sharing that I feel anger and shame and guilt and fear and joy.”

Navigating the Patriarchy

18:08 to 20:50

Discuss the complexities of being a woman in a patriarchal society and the impact of exploitation.

“If you're a woman in the world of patriarchy, how are you not enraged if you're really looking at it with us?”

The Cost of Fame

20:51 to 23:40

Delve into the challenges of fame, including betrayal and financial exploitation.

“Well, yeah, we're not we're in the dome of patriarchy.”

Leading with Anger

23:41 to 26:35

Understand why Alanis chose to start her breakthrough album with anger and what it represents.

“I wanted to get into this topic because You Oughta Know was intentionally the lead single on your breakthrough album because you said you wanted to open with anger.”

Breaking Down Barriers

26:36 to 28:00

Examine the reactions to Alanis's bold lyrics and her journey of self-acceptance.

“And yeah, I can be nervous as hell and want to vomit and hopefully no one sees.”

Exploring the Impact of Fame and Anger

28:00 to 30:06

Alanis discusses the complexities of fame and the societal perceptions surrounding her anger.

“Yeah, but a lot of people are just like, I want fame.”

Navigating Labels and Criticism

30:06 to 32:02

Alanis reflects on the challenges of dealing with labels and how she has learned to cope with criticism.

“And as some of us know, who've had the privilege and horror of being inside it, you know, it's a very complicated social construct.”

The Emotional Toll of Public Scrutiny

32:02 to 34:20

The conversation touches on the emotional impact of public scrutiny and the journey of self-discovery.

“And if anything, just make them positive for you or use them to your advantage?”

The Cycle of Public Perception

34:20 to 36:25

Alanis and the host discuss the cyclical nature of public perception and the challenges faced by women in the spotlight.

“There's also this thing where it's so fun to be able to look back and have perspective and everyone's like, oh my gosh, you were such a trailblazer at the time and you did all these things.”

The Cycle of Public Perception

37:26 to 38:27

Alanis and the host discuss the cyclical nature of public perception and the challenges faced by women in the spotlight.

“Okay, daddy gang, Uber just launched a new feature that honestly, you know what?”

The Challenges of Connecting in Fame

38:27 to 42:04

Alanis shares how fame has affected her ability to connect with others and the loneliness that comes with it.

“I know you referenced, you were sitting across from sometimes someone on a date, you referenced it a little bit earlier and they're saying all these amazing things, but you're like, oh, you don't even see me.”

Attachment and Identity Formation

42:04 to 43:17

Explore the importance of secure attachment and its impact on identity.

Patterns in Relationships

43:18 to 45:02

Understanding attraction patterns and breaking free from them in relationships.

“love, but then it also, the crash is even bigger.”

The Cost of Codependency

45:03 to 46:48

Discussing the emotional toll of codependency and the challenge of self-identity.

“A complete self-annihilation and obliteration and years of coming back into who you barely were before you began.”

Marriage and Breaking Patterns

46:49 to 48:11

Insights on marriage and how breaking old patterns can lead to healthy relationships.

“Maybe there are billions of other people asking this very question at the same time.”

Experiencing Postpartum Challenges

48:12 to 49:28

Alanis Morissette discusses her journey through postpartum depression and its complexities.

“And postpartum depression is something that is such a unfortunately tricky topic to talk about because there's so much judgment from other people.”

Seeking Help During Postpartum

49:29 to 51:08

The struggle of seeking help and the societal pressures surrounding postpartum experiences.

“Invasive thoughts, anxiety, depression, rage off the charts.”

Coping with Postpartum Depression

51:09 to 53:14

How awareness and support can help manage postpartum depression through multiple pregnancies.

“This invisible load thing, no, no, no, it's not going to be invisible anymore.”

The Invisible Load of Motherhood

53:15 to 56:00

Discussing the societal perception of motherhood and the invisible burdens faced by mothers.

“And were you able to just push through in those moments, but then would it all come crashing down the minute you would get off stage?”

The Invisible Struggles of Motherhood

56:00 to 58:50

Discussing the challenges mothers face postpartum and societal expectations.

“And that when a woman is with freaking child, that she is surrounded by 30 women and they're giving you broth and they're cleaning your home and they're holding your baby and they're holding you.”

The Invisible Struggles of Motherhood

59:36 to 1:00:24

Discussing the challenges mothers face postpartum and societal expectations.

“With SoFi, you get award-winning banking, investing, borrowing, and more all-in-one apps.”

Embracing Aging and Menopause

1:00:26 to 1:04:08

Exploring the positive aspects of aging and the honesty that comes with menopause.

“Ironically, every single woman that I have had sit in that chair has talked about the beauty and actually the peace that comes with aging.”

Embracing Aging and Menopause

1:05:05 to 1:06:37

Exploring the positive aspects of aging and the honesty that comes with menopause.

“Daddy gang, summer is officially here, which means the Euro trip you've been talking about in the group chat since January.”

Artistry and the Concept of 'Too Much'

1:06:43 to 1:10:06

Discussing Alanis's new residency and embracing multifaceted identities in art.

“new residency in LA called Butterfly with a Machete that kind of blends your music with storytelling and insights from your life.”

The Emotional Journey of Music

1:10:06 to 1:13:40

Explore how music evokes emotions and personal connections.

“there's a judy garland song that martin martin um martin short and i are gonna do um my favorite to sing is what child is this and little drummer boy yeah your voice with that one I'll be listening to that.”

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Transcript

Automatic transcript. May contain errors.

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2:47Alanis Morissette, welcome to Call Her Daddy. Thank you for having me. You are such an icon. Let me just gather myself. Let me just, hold on. I need to take a deep breath. So do I then. All of my friends were like, no pressure. And I'm like, okay, well now you're making me feel pressure. One of my friends specifically is the biggest fan. And she was like, I'll just come do the interview for you. And I was like, you need to - What are their questions? Literally, she was like blowing me up. Shout out Meg if you're watching this. I love you. I hope I do you justice. Okay, I need to give you your proper intro.

3:19At 21 years old, you shattered records, selling 33 million copies of your album, Jagged Little Pill, winning five Grammys, including Best Album. And since then, you really have continued to release music that I think gives people the permission to feel angry and messy and complicated. And I just love every single thing that you stand for. So thank you so much for giving me your time. It is such an honor. Oh my gosh, thanks for saying that and mirroring me so generously. Of course, of course. Okay, your song, Ironic, will forever be one of my favorite songs to scream in the car with my girlfriends, as I'm sure it is millions of other people watching.

4:04but what does it mean to you that new generations continue to discover your music and to fall in love with you and what you stand for? First, when the record came out in 1995, it was a wild experience. And I saw quickly that people were using this music in a way that felt inspiring for me to stay in the public eye as an introvert. I had ambiguity about all of it. and I saw that it was supporting people and uplifting people or reminding people of who they were or giving them permission to feel anything. And I thought, this is a good reason to stay here and keep going. For me, it was glimpsing inside way too much information.

4:45I can spend a few minutes writing a song and then get back out. So I'm much better now at 52 at going in pretty consistently. But songwriting was terrifying in that way because it would come through and then... And then it's out for the entire world. Yeah, and then it's not mine anymore. Then it's yours. Then I have nothing to do with it almost. You also just performed that song on stage with Olivia Rodrigo. Yes. I know mentoring young artists is something that you're so passionate about. How did you two first meet? I don't even remember. I think we met at the Rolling Stone cover shoot together.

5:21um yeah i just you know there's nothing better than supporting young people in being who they are and not having to figure it out in their 80s and especially i think like as women in this industry like you have so much that you have learned and continue to learn so i think that like anytime we can pass that down to future generations yes it's such a blessing of like oh my god because i'm sure you're like oh i wish i knew this here you go yeah or i wish i had someone, you know, I definitely had the, will you be my mommy for a long time in the mid-90s? Like, will there be some mentor, some group of women who kind of rush in and scoop me up?

5:59And the answer was a hard no. But now it's a hard yes. And I think consciousness has changed to the point where that which was really confusing or overwhelming or weird or woo-woo, which that word is gone now. I just think now people are understanding what some of us were talking about the whole time. and it feels strange. I didn't expect it. Let's talk about the 90s. What do you miss most about that decade? I miss sitting around doing nothing. I feel like you were doing a lot. Yes, but also, you know, as an artist and as someone who expresses oneself as a career, it's a lot of it, a lot of the writing is just sitting and letting the mind wander or listening or you can call it channeling, we call it whatever the frick, but it's basically listening, heeding, and answering the call.

6:51The 90s also, I feel like everyone talks about fashion. Yeah. And the trends keep coming back. What is something that is in your closet that is from the 90s that you still put on today or you still look at and you're like, I still stand by that fashion decision? I have some Lanvin boots and I have some Dries really early work. I keep a lot of it in archive. But the one thing I noticed about the 90s and it kind of reinvigorating now is that back in the 90s, we weren't like cute and wearing cute ill-fitting clothes to be cute. It just didn't fit. So also, if you're going to chase the 90s, which seems to be really cool to do now, you got to tweeze your eyebrows to tiny if you mean it.

7:41If you don't mean it. where you really got to lean in. Like you have to commit to it or you're not even going to get close to it. Yeah. We cannot talk about fashion also without talking about Sex and the City. You guest starred on Sex and the City and you kissed the Carrie Bradshaw. Yes. Were you a fan of the show before you went on? Yes. And I reached out to them and I said, might it be a nice time for Carrie to experience a lesbian moment? And they said, why, yes, we were thinking the same thing. Wait, you came up with the idea? Well, I think we literally had the same idea at the same time. That happens.

8:18That is, that makes it even better. Yeah. Oh, wow. It was a win-win. Well, and I also feel like at the time, it wasn't very common to see a bisexual character written into television. Yeah. And so what did it mean to you to be a part of a moment like that? It's amazing. Yeah. Anything that opens up and pulls us out of the locked binary is a loving act, I think. Do you think you knew, though, at the time, like how groundbreaking it would be when people saw that on TV? Was it groundbreaking? Kind of. Okay. You're like, I just want to bout with my day, Alex. I do iconic shit. That was another Tuesday, Alex.

8:55I just drop mics and keep walking. No, you do. I'm just joking. No, you do. Sometimes. I feel like when people talk about you, we're always talking about how you've broken barriers. and I think a great example of that is you created your own record label at 13 years old now Alanis I feel like I'm going to speak for myself and also the collective when I say I was not doing anything like that at 13 years old no no no no so I need to understand like how did that even come to be at that young of an age yeah I started writing songs at nine and I sent it to a friend of the family who's since passed away and he heard it and created a track for it so when I went to visit him he had a track fully prepared and I said who's going to sing this my brothers have informed me repeatedly that I can't sing and he's like well they're lying leave it to your brother also to just humble you constantly take you out so I sang it and then that was that and then we went to shop a record deal and back in those days they weren't signing little children now they just go right up the vagina into the uterus and get the signature and come back out and wait, I guess.

10:10Is your child signed to a deal yet? Oh, yeah, for sure. For sure. We got an agency set up. Can you imagine? So that was not happening then. And so I basically started a record company with my friend Lindsay, and we put it out on the record company at I was 11. Yeah, that takes a certain level of confidence. Like, were you always a young, confident child? I think my parents, there's so many stages of development, attachment, exploration, identity, competence. My parents knocked the confidence one out of the park. Definitely saying you can do anything you want. Oh, that's such a gift. Yeah, that's a big one.

10:46I mean, that can change your life, obviously. Because I think a lot of times people have to struggle with that their entire life and find a way to find confidence because their home was the place they did not feel most confident. So to have that within your parents, were they at all nervous about you, though, getting into this industry? Apparently not. And did they have any background in it themselves? No. So they had no concept of the industry. And they just were like, go for it, Alanis. You're going to crush. It's really that simple, actually. Did they have any idea for you prior to that of what they hoped you would become?

11:28No. I mean, my dad was a grammar guy and my mom, you know, my parents are, they have that go-getter thing. It's in the DNA of the marrow of their bone. When you talk about your experience in the music industry, you've said you were put in a lot of male-dominated spaces at a very young age. What did that even look like for you back in the day when it first started? Just a room full of, you know, 12 men in suits. And I just remember being really overwhelmed. Like, I didn't even know what the word publishing meant. I didn't know what these contracts were that were being put in front of me at 14. I didn't know.

12:05So I would run upstairs to my room and cry. I remember I burned my journal in the fireplace, just thinking, you know, this is the end of a normal life for me. And then I signed the contracts and that was it. And I still didn't really know. Rewind for two seconds. Why were you burning your journal in the fireplace? Because I talked about all these people I had crushes on and I just didn't want anyone to find that out. Meanwhile, it's like full gold in there. Platinum. You're called platinum, baby. You're like, Why did I burn it? No, literally. I shouldn't have burned it. I actually have legit diary burning regret.

12:43It's a thing. And so you just, why? Because you were just like, I don't want to lean into these emotions and these feelings. Oh, no, no, no. I want to lean into the feelings. I just don't want anyone to know anything. I just got really Heidi. I'm an introvert. So this whole life that was sort of presented as an option, I just thought, wow. How am I going to do this? I'm a poodle inside a black stallion. It's like the black stallion is lovely and awesome. But the poodle, the nervous system, you know, so. But also what's so crazy is to even hear you say that. And I'm sitting here and I'm like, you are the breakup anthems that you've written.

13:23The push and pull dynamics between the person that you're in love with or that you hate or you. Or both. Yeah, it's usually both. So to hear the way that you have been able to pen to paper and then release that into the world and to hear you be like, oh, I wanted no one at first to hear any of this. How did you get through that? I'm fine with everyone hearing everything. I didn't want anyone to know because there's layers of vulnerability. And I do receive a lot of comments around how is it possible to be that publicly vulnerable and empowered? And I'm like, first of all, thank you. But you can do both.

14:01You can be empowered and vulnerable. I can be comfortable sharing that I feel anger and shame and guilt and fear and joy. But I might not want you to know the seven people I'm obsessing over right now. Maybe not. But also, did you ever change like light little details? Because you're like, I refuse to let him know this one's about him. Oh, yeah. I never tell anybody anything ever. But do you think some of your exes knew it was them? Well, here's the thing. If you're calling me up, which some of them did, and saying, is that song about me? We're done. really okay you're like well does the shoe fit me does this resonate right and if it does to the point where you're calling me aren't we done we're done we're done this wasn't written for some overt revenge i love revenge fantasy just keep it a fantasy write about it or sing about that's the best but real revenge is no nobody wins yeah but real revenge does end up happening when your name is uh like and then you put it out and then it's like uh everyone is gonna listen to this that's a pretty good form of revenge okay okay okay Alex you're like yeah yeah whatever you say no that's totally true you I think it's important also to emphasize you reference all these men in these suits and you being like I didn't know what getting published meant like I just was a talented young woman who had a very, very specific skill, obviously.

15:29And everyone saw that you had that skill. And so everyone's going to be interested in monetizing that. But back then, I don't think we really had the language or the understanding to even call certain things for what it was like, oh, that's a double standard or this is gaslighting or that. Yeah. All these beautiful new words. Right. That's emotional abuse. That's the patriarchy. That's covert sexual abuse. A lot of that. No language to explain a lot of times how specifically I think women were feeling. In what ways did you feel yourself up against that push and pull of like, I feel like something's off here, but I don't know how, like what this is?

16:13Well, there was a lot of extraction and exploitation. So already there's a dehumanization. um the fame one is a whole other concept a conversation but in those rooms with the with the suit peeps um there was no attunement or empathy a lot of personality disorders a lot of misogyny a lot of just hate of the feminine not just women it's like we hate women yes but we also hate the feminine we hate vulnerability but we want it we want tenderness but we can't say we want it. There's just so many indoctrinization conversation of how we're supposed to live, what we're supposed to want, how we're supposed to present.

16:57Meanwhile, we're all animals. We're all humans with a little neo-frontal doing our best. And isn't it so weird when you say that too? It's like the men who hate that so much, but a lot of these men are recognizing this is what will sell. So they're not afraid for you to put in the song and to have it released oh they love it they love it so much but behind closed doors they're still hate they still hate well it's also people were very generous uh by saying oh you know you've changed the game you know there was a point in time where it was you know if we called a radio station to see if they would play one of my songs they would say we can't play it we're playing or we can't play it at this radio station we're already playing tori one woman so that all changed and it was a beautiful, I just felt like I volunteered to ride the hugest wave.

17:47I put my hand up before the question was even asked somehow. And the wave was happening without me. And I just happened to be on it. And I said, yeah, put me at the front. I'll get my head chopped off. Do you think though, Alanis, that that comes from just something within you that you were born with or something that you actually were taught? Rage. Yeah. Best activism is rage-fueled. anger is such a powerful emotion which i think we all should lean into which i want to talk to you about because oh we're gonna get there but it's like to recognize where it's coming from to have some control over it for yourself and understanding that's containment so that's like you know be reading a room being discerning is this appropriate here and getting older it's like oh rage just transmutes into this i mean it's always beautiful i think anger is beautiful i think rage is trauma If we're raging, we're traumatized.

18:42If you're a woman in the world of patriarchy, how are you not enraged if you're really looking at it with us? Every day. So that's not going anywhere. I'm getting enraged right now. I want to throw something. But not at you. Not at you. Not at you. Together. Together. At that level. No, literally. You have said that men often refer to you as mature for your age. and you thought it was to justify it in their own bodies like they needed it to be true.

19:15Can we talk about how men do this and why they do this, in your opinion, from what you've experienced? Why they tell a young person that they're poised and wise beyond their years to justify their sexual predatory actions? and it's so transparent. And yet when it happens to a young woman, when you - There's a freeze response. Yeah. We fight, flight, freeze, collapse, or appease or befriend. All five of them are great, but freeze is just kind of the normal one. On an animal level, you're being predated and you can't do anything about it. And at a young age, we don't have the wherewithal because we haven't had the life experience as a young girl to even understand.

19:57So you naturally take that as a compliment. You're like, amazing. So I can hang in the room with the suits, but it's also on other. But it's reductive. Of course. Yeah, of course. You don't know that, though, in the moment fully. Not when you're young. And especially if what's been ascribed to you as your only as your one gift, as Joe and little women would say, is your sexuality and your come hitherness. So at what age at this point? You know, young people through puberty, they reach a certain age. and then all of a sudden there's a different kind of gaze. It's terrifying. It is terrifying. And at some point you also wish that there were adults in those rooms who would recognize the obvious power imbalance and help the young woman understand that that is not a compliment and they're going to do everything to protect them from that person who is clearly a predator.

20:50And yet we continue to be let down. Well, yeah, we're not we're in the dome of patriarchy. Nothing's going to be fixed in there. We're just going to run in circles. So I'm over here. So instead of spending an inordinate amount of time talking about how the patriarchy is just not helping anybody, just come over here and talk from here. and talking also is such a weapon because it is a threat to them and the more we keep talking about it and exposing it yeah then their rage comes out and i'm like oh i'm sorry am i making you uncomfortable like you've made us uncomfortable like the last 10 000 years 10 000 years uh-huh um i also read your former business manager as if it couldn't get worse stole millions of dollars from you.

21:40How did you first even realize this was happening? Something felt weird. A woman's intuition. Okay. And what did you do when you had that gut feeling? I just kept going into the new business manager's office over and over and saying, I need more information because something's up and I don't know what. And I kept coming into the point where, God bless, they said, why are you here in this boardroom? And I said, I still don't have the answer yet. and so my husband was sitting next to me and he was going through papers and he noticed some inconsistencies anyway what's up with this and then we called everyone into the room they looked at it and they said we'll get back to you and then at first it was like do you spend cash a little you know on ballet that is that's that's a unique one it is and it's also it's it's at face value yes it's like the money but it's like the entitlement to your earnings what was beautiful about it was that i just stayed the course one foot in front of the other just keep showing up and then when i spoke at the trial or the sentencing hearing the judge was a woman and she was like i just looked right at her it was really actually quite corrective for me yeah but also money right of course when a bias against wealth bias against women bias against women knowing oh of course well even it's like you having all the right to be asking those questions and the amount of times that you needed to ask four more times and it's still don't get an answer and it's your money yeah and somehow and it's like you know if a man walked in there and said show me my it'd be like uh and they'd show it to him but it's like And then the betrayal and the mistrust that comes from that.

23:34You're like, and you all wonder why we're angry. Yes. And that's just the iceberg tip. We know this. Oh, sweetie. It's just the beginning. I hold you. I hold you and your baby. Okay, let's start. I wanted to get into this topic because You Oughta Know was intentionally the lead single on your breakthrough album because you said you wanted to open with anger. to people who don't understand what we're even talking about. Can you explain your thought process around that decision for that single? Well, the thing about patriarchy is there's a reduction imposed on women. So for me, I knew that being a complex human being with 75 multidimensional layers might be a little much for some.

24:21I was dumped many times for my multidimensionality. So the messaging basically was just reduce yourself and everything's going to be okay and try to be quiet if you can. So a hand in my pocket was an option and ironic was an option as first single. And I remember thinking, no, we just we just have to just just put you out and no out. And then we talk because I had too much rajas. I had too much energy to not have that be first. And then that I could speak to effortlessly. How did your team feel about that? Okay. No, I was kidding. Oh, stop. No. You're like, well. My team of suits. Yeah. Yeah, they were into it.

25:06I mean, they definitely, when they first got the record, they said, this is a little caustic. It's a little intense for us. And I said, well, if you want a Dan Steeley record, why don't you sign a Dan Steeley? And they were like, it's Steeley, Dan. I'm like, right. I'm 19. I'm caustic. Right. Well, and it's also like you coming out and having this single that is, you know, leading with this anger and this rage, which is so enticing for so many women, obviously, because so many women didn't feel like they could have that. But also there are songs that obviously have joy. It's this dichotomy of a woman that gets everyone in a frenzy of, oh, my God, how can she be both?

25:51And I think it's very unsettling for a lot of people. You leaning into the anger at first, did you feel like there was any initial conversation or backlash around that? There was terror and resistance, but that's just normal. I mean, what new? A Tuesday. I just can't get over, though, how. And maybe it's also because I'm meeting you where you're at right now, but I have a feeling if I met you even back then, it feels like it was similar. Like there was no. Apprehension from you or nerves around like, oh, God, are people going to crucify me? Like, are people going to think I'm crazy? Because that is what happens with a lot of women.

26:31If we come out as angry, they're like, oh, she's insane. Yeah, the C word. Of course. uh yeah but you know at that point project onto me all you want project that i'm the antichrist project that i'm terrifying or comp like too complicated basically too much right my whole life i've just heard that i'm too much and at this point i'm at menopause time i'm just like too much you mean exactly who i am yeah do you think that when you were in your teens and 20s did you ever have a moment where you were by yourself in your room being like this is a lot to bear the burden of um every time i put a record out without fail i wake up at four in the morning the morning of release and have a full panic attack i mean i'm always nervous people are like how do you deal with your nerves i'm like i don't know no i get i get that it's almost like yes and yeah i'm nervous but but i'm also here and i had the decision to either put this thing out and go with my gut.

27:37And yeah, I can be nervous as hell and want to vomit and hopefully no one sees. Or I could just... Or everyone sees. Right. Or everyone sees. Perfect. So beautiful. Right. Or you can freeze and you cannot do anything with it. And then you're just left wondering what if. Well, then you're in your 50s going, I want to make up for some lost time, which is also do it when you can do it. Do it when you can. One question I do have to ask about at that time also aside from the anger is i feel like some of the lyrics which i love were a little sexually ahead of their time maybe yes quote and are you thinking of me when you fuck her are we it's a great question i mean it's a legit curiosity it is do you remember if there was any backlash or around that lyrically um i believe there was and i talk about it in the butterfly with the machete show there was a there was a moment while writing you ought to know where i thought oh i'll just just just write it don't edit don't censor as always and then later if i have to take a swear word out i'll take it out and i remember having said that to glenn ballard and he turned to me and he said why and i said well but i don't want this to turn into the the lead character of the song you know you said but if you felt that way yes and i said yes and he goes so there it is and god bless him for that level of support did you ever feel like you were punished for refusing to be more palatable yes i think a lot of people who were reaching out to me were trying to figure out what i was doing and i i couldn't even explain it to them like a lot of people in the industry and then a lot of people who wanted to date me i was very reticent because why like with fame i love this part by the way someone's sitting across from you telling you how much they admire you how much you've been a catalyst in their life how much you validated empathized uplifted all of those things amazing right the greatest and you're not seen because it's not about you so i've been looking i've really been deconstructing this whole idea of fame because fame used to be a means to an end joni mitchell or commentary on the vietnam war Like it was a means to an end.

29:58Now fame is the end. Now fame is some panacea, apparently. No. Yeah, but a lot of people are just like, I want fame. For in and of itself. And as some of us know, who've had the privilege and horror of being inside it, you know, it's a very complicated social construct. And for me, I thought, oh, there could be some attachment correction here, eye contact. You know, and the opposite is true. Fame amplifies any pain. It amplifies any trauma, amplifies everything. And now you're in the public eye. And now people can't necessarily even see you as the human being because you're fill in the blank for them.

30:39Yeah, that makes me think about that year you were on the cover of Rolling Stone and the headline was Angry White Female. Do you remember your reaction when you saw the magazine? I was like, female.

30:55Interesting. Presumption. No, I, again, same state of being as the pick you ought to know as the first single. Great. Whatever you need to call me. I know you have to call me one thing because you can't possibly hold space for the multitudinousness that is all humans. So, yeah, you want to pick one? Anger's great. Go. I don't care. It didn't get under your skin at all. I loved it. Because I got to talk about feelings and anger. It was the best. Right. And do you think you're someone more also at that point that was like, and if they're talking, who gives a shit? I wasn't that advanced. Okay. I also operate from an inside out approach.

31:37And some of that has me be a little blind to the receptivity or lack of receptivity. But I hear about it later. How do you think for any woman listening, because sometimes it is really difficult when labels are placed on you, like we said, the C word and you're crazy and you're this and you're that. and you're angry. How do you think throughout your career, you've personally learned to strip those labels of their power? And if anything, just make them positive for you or use them to your advantage? Well, the ones that hurt, I just do inner work with those. So if someone says, I don't even know at this point, I've used a lot of the words in the press over the years because there was a lot of hate.

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32:19There were websites constructed to figure out how to murder me most elegantly. And so Alanis I love how you just drop these things casually and you were about to go right past that I'm like you're like what what well there was a lot of hate and it was very very out there and a lot of people a lot of artists whom I respected and lived for were disparagingly speaking about me later Sinead apologized which was really classy um but yeah I mean it was it It was not a girl squad. There were no girl squads. How did you find support during that time? Like, were you close with your family? Back then? Oh, my God.

32:59I have a whole team. I have a whole freaking team. And a lot of parts work. So if I read something in the press that triggered me and I felt terrible, obviously that part needs a little dialogue here. And so it became Shadow Work 101 for me. Can you give an example of something back then? I know it probably doesn't now, but anything back then. I think Courtney Love was calling me fake, which is so funny. And she also apologized later and said very kind things. But so fake would be one. And as an example, I would take fake and go, what kind of person is fake? Someone who's maybe lying, lying to themselves.

33:35Do I lie to myself? Yeah, lie to myself. Let's talk to the part that lies to myself. Okay, what do you need? What wisdom do you have? What action can I take on your behalf? just and every little part in here that is trying that maybe acting out or behaving in a terrible horrifying way like maybe you want to take me out they're all trying to protect they're all trying to help so a lot of the things when you would get criticism it would hurt which i think makes a lot of course and the ones that hurt the most were ones where you were like i needed to do some looking at it and fake that's how you know because if someone says oh lanice you're really if someone says something that's not a trigger for me, it's water off a duck's back.

34:15Of course. So for me, if something's not water off a duck's back, let's look at it. There's also this thing where it's so fun to be able to look back and have perspective and everyone's like, oh my gosh, you were such a trailblazer at the time and you did all these things. But then a lot of the times when you have those conversations with those type of people, if you actually were in it in their day to day and living it during the time it was hell for them they were getting scrutinized and hatred there's websites telling figuring out how they can murder you yes and we miss all of that right but a lot of times to actually make certain change you have to go against the grain which you were doing but then we're still doing that we are yeah but also to hear that a lot of you the people around you in the industry were not receptive towards you well yeah they were upset i was you know it's like people being jealous of taylor swift like it's yeah it's just and i think the implication there for me was that the the presupposition on the planet was that there's one throne only alex can sit in the throne everybody everyone else you fail you lose you're ugly by what that's patriarchy that's scarcity mindset and isn't that so crazy it's like then they want to put a stake through you because you're sitting at the top it's also like if not you then there's gonna be someone else and then are we gonna take them down too when we see the cycle repeat yes and it just repeats and repeats all right always right of course of course and for me also i've noticed because i've been in the public eye since i was 14 it goes like this you i loved you i hated you i loved you hated and taylor talks about that uh-huh you can never be loved forever it's there i mean you can but that's in the underneath underneath true and if you're gonna be loved forever you probably have come you have a version of lost yourself because to be loved constantly means that you're appeasing everyone else and then you're never actually being is it even possible there's no such thing no you're gonna piss people off because you appease

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38:30Let's talk about dating. My favorite topic. Amazing. I know you referenced, you were sitting across from sometimes someone on a date, you referenced it a little bit earlier and they're saying all these amazing things, but you're like, oh, you don't even see me. Oh, yeah. Jagged Little Pill comes out, 21, your life changes forever. How did you even connect with men in a way or women in a way that you felt seen because of this fame and all of these issues? I didn't. How did that impact your songwriting? The loneliness persisted. The abject cellular loneliness. But I mean, that's what it is. And so for me also, my survival strategy also, and I've worked so hard on this, has also included other orientation, right?

39:19Raised in narcissism, my existence meant beholding other, being supply for narcissism. I don't even exist. There's not even a person here. So yeah, do I have a big self when people meet me? Maybe. But over the years, there was no felt sense of self because my whole orientation was focus on other. And so over the years, doing all kinds of different trauma therapy models and finally getting to a point where I'm in this body and that I'm actually here and the disappearing and the invisibility, it's a big deal. this invisibility wound and in patriarchy how are women not going to feel some fucking semblance of invisibility they can't not okay rewind raised in narcissism explain so what happens with a young creature uh at the attachment stage when you're looking this is when we get you know the identity stage your parents mirror you you go alex you're so smart you're so funny you know I mean, you're just mirroring the person.

40:23The child goes, oh, I exist. I'm here. When that doesn't happen, it's this floaty felt sense of experience. And then my survival strategy was to take care of other people. So I'm floating, no felt embodied, taking care of other. And then the only touch was through acting out sexually because everything was mixed together. The only way a woman could be acknowledged when she's little, like you said earlier, is, oh, sexual energy. I'm going to erotically go for you or predator you or take you or whatever. Right. So the woman goes, the young woman goes, oh, this is my power. Oh, I noticed that when I'm come hither or come hither, I get seen.

41:13I get looked at. I get touched. I get. Oh. but it's so sad because it's this one tiny little route and a human being your sexuality is beautiful it's huge and it is one piece of you no it's so true and also i was like i recently did this series on attachment styles which i want to get into with you because that's what you're basically talking about yes and i think you describing your childhood it is such a hard thread for all of us as human beings when you don't have that nurturer looking at you whoever is your you know person that's taking care of you giving you a secure attachment um giving you validation but also proper validation um it's mirroring consistency right the fact that you're saying you know from a young age as a young girl then you're like okay maybe sexually this is something that because you're looking for any way to have anything that's gonna love you yeah that's it and that is so harmful to ourselves because then you're no self no self and you're so young what's actually going to fulfill you in charge of your own developmental growings up on your own is very lonely and i'm not even just thinking about me i'm just thinking about the idea of it so attachment which you just brought up and then exploration and the it's cumulative so ideally we're securely attached and then we explore you know keep looking back at the caregiver and then we go into identity the mirroring so what i see i'm putting it into words i see you you are spider-man right and then the last one or the fourth is competence and it keeps going but it keeps going but when you because i do think it's really relatable for a lot of women watching like do you have anything you now in having gone through so much therapy and having such a secure, strong sense of self.

43:09Is there anything you wish you could tell that younger girl who understandably was seeking love and sexuality brought out what felt like temporary love, but then it also, the crash is even bigger. Do you have any advice for women listening who maybe are still in that cycle? So one interesting inquiry for me was pulling them, teasing them apart and seeing that, do I need attachment love right now or is my eroticism wanting to be expressed or both? But just getting clear on that. When you look back, maybe in your early 20s, let's say, raised in narcissism, trying to figure out your sense of self, did you see any patterns with partners that you were really attracted to and how did you break out of those patterns?

44:01I was attracted to narcissism, shocker. And as an empath, we tend to be a magnet for narcissists. It's not uncommon.

44:16There's a beautiful book called Keeping the Love You Find by Harville Hendricks. It just basically lays out where you're going to feel high chemistry based on your unconscious, unfinished business. and that the degree of commitment and intimacy portends for the degree of healing available. And yeah, I mean, it's a beautiful book in terms of understanding what seems so mysterious. It's this unconscious drive to become whole and to reinvigorate our aliveness. We all want to feel alive. It's so relatable and it's so complicated because it's rooted in everything we are from the day we are born. And I know you have talked about how you dealt with codependency and love addiction.

45:02What emotional toll, though, does that eventually take on you? A complete self-annihilation and obliteration and years of coming back into who you barely were before you began. I think that's what's so fascinating is like how enmeshed you can get in relationships and how I also think it's so hard to see when you're in it. You can't. You can't see it at all. No, it just hurts. And it hurts and you feel like, but maybe if I try harder. Well, that's the appeasement, right? Of course. The appeasement is if I see them a little better or if I hold them or if I empathize more, if I leave more space. But the no self is the theme.

45:41And the survival strategy of other focus, there is no self. Do you have a moment you remember? Because it's so hard. It's like we can look back and be like, oh, that was that. But is there ever a moment you remember being like, I have to leave? Like, is there anything that ever happened that you were like, this specifically made me walk out the door? I had a few, there's a song I wrote called That Particular Time. And basically, I just keep getting into that appeasement part that just tried to figure out how to make something untenable, tenable. And it isn't. And it won't be. And it's painful.

46:18And so how do you construct a self from nothing? And guess what? The hack of all time. And you said it at the beginning of our conversation. Gathering. Gather. Period. Because if we get together and we're talking and we're processing, it moves worlds. And a lot of times when you're in those situations, you are so isolated. But if you do open yourself up to a friend or a family member or something, slowly you're like, oh, maybe I'm not crazy. Maybe there are billions of other people asking this very question at the same time. You and your husband, Solai, got married when you were 35. What about that relationship felt different to you?

47:04I had my – the pattern was done. and I just basically went against type. Which is sometimes really scary. It's all scary. Right? Everything is scary about dating. It's terrible. I don't recommend. Because you're also so aware when you're going against your type and you're like, be open-minded, be open-minded. Stay here, stay here. Right? Everything in your body is like, go back, go back, go back. And you're like, if we go back one more time, I'm going to lose it. So no, we have to stay the course. I can't. I mean, how many times do you repeat the same pattern? And by the way, my answer is 100.

47:41More than 100. 100, yes. Okay, so you just went against. Oh, I had to. Because I also was ready for a family and Soul Eyes loyalty and constancy. There were some qualities where I went, family now. Right? I was like, these are the best. This is it. And I always wanted to be a mom. I always wanted to have kids. So it was a bit of a no-brainer for me. You have three children. And a conversation that I've been having a lot on my show recently has been kind of just surrounding motherhood. And postpartum depression is something that is such a unfortunately tricky topic to talk about because there's so much judgment from other people.

48:30And you have been such an incredible voice when talking about your experience and being so open about it, which I have so much respect for. And you even described it as being covered in tar and underwater. Can you just talk more about your feelings and what you were going through back at that time in your life? I had I call it postpartum activity because it's not just depression. And I mean, depression on its own. and if you've had a history depression and then from my experience each postpartum depression gets increasingly harder um just wanted to meet my kids though so badly so i kept going but um basically i became another person and all the hormones are all over the place And so there's some version of menopausal flux combined with depression, invasive thoughts that are so harrowing, terrible, ceaseless.

49:33Invasive thoughts, anxiety, depression, rage off the charts. I felt completely out of control. and yet I was touring and leading and being a boss and being someone taking care of money and finances and everything and that part is the part where when I'm quiet and alone I might weep a little bit here and there about that. When you first started to experience symptoms how did you even make sense of them? I didn't and I reached out to so many therapists and all due respect. one well-meaning therapist said sweetheart when it gets really bad just put your hands over your eyes like this and i was like

50:22you're like you know i'm not a therapist but i have a feeling but i have it on tv and i know a little bit more than that you're like i've got a feeling that's not the answer i got that big full answer anyway uh that can't be the answer it isn't oh my and i spoke with a lot of really really smart supportive postpartum support peeps and it was still really really really really really really hard i wrote down um after your first baby you kind of talked about how you waited to get help because your instinct was to white knuckle your way through it welcome to generation x yes yes what did you come to learn about that mindset the the steel i mean that's what we Gen X does it, but also women do it.

51:09This invisible load thing, no, no, no, it's not going to be invisible anymore. We're making it visible. I'm going to tell you the 37 things that we do an hour and what we're thinking about when it looks like we're sitting there waiting for you to speak to us, what we're actually thinking about, what we're actually processing. But let's name it. Even us calling it invisible load keeps it invisible, not invisible. The load, we talk about it at the daily level just like this is the load and i used to do these horrifying things with whiteboards where i would be like i'm gonna write down everything i'm doing why don't you do the same they're like oh god he's like um let's not you know what i'm gonna go make you dinner he's like i am gonna go do the dishes and cook dinner and do the laundry pie right and clean You're like, why did you wheel that whiteboard out of here?

52:01I have two whiteboards in my bedroom. Oh my God. So you mentioned that each postpartum depression or postpartum activity, it got increasingly worse each pregnancy for you. How did you manage knowing it was coming on maybe the second and third time? And how did that look different the way that you handled it then versus maybe the first time? Each time I thought, well, not this time because I just had to think that.

52:36First time I waited a year and two months. Second time I waited eight months. And third time I think I waited three days. I was just like, oh, no, I'm not doing this again. And I did it again. And then we toured during COVID. I was just like, wow. oh, Alanis, you toured postpartum depression, third one, during COVID. You're like, this will solve it. You know what? This is going to make everything. All I remember is Shirley Manson before every show, every night, she'd say, we're going to go on. And I said, Shirley, tonight we go on. This is all I know. It was one of those. And were you able to just push through in those moments, but then would it all come crashing down the minute you would get off stage?

53:21uh back at the hotel yeah but i still showed up like i was i dipped into psychosis it was a wild ride um and then i'd have people in the business going what's going on with her now she's extra crazy i'm just like all right thanks for that beautiful chestnut word again i've heard a lot of moms who also have experienced postpartum depression talk about the guilt and the shame of like i'm supposed to be fill in the blank right like i'm supposed to be this must be the best, most beautiful time of my life. And I am supposed to be happy and the happiest. Did you experience that? No, but I've been playing with depression my whole life.

54:01And joy is very, very cool. It's activism for me now. Joy, pleasure, connection, human contact. having dealt with depression your whole life how did you were there was there anything that you did similar to cope and to handle the postpartum element of it or were they just very different experiences um the the depression piece inside pbd unfortunately and fortunately i was familiar with it, it was all the other stuff. It was the invasive thoughts and the terror. Just all I could picture was death and terrible things. And yeah, I mean, I feel so happy that I'm back, by the way. And the bummer for me inside PPD was that I was losing people's trust in my sanity.

55:00that's a bummer when you when i have spent my whole life attempting to establish to people i love that i'm safe and that i'm predictable and that all of a sudden i wasn't that was a loss because people looked at me differently they looked at me like i maybe couldn't be trusted or was gonna fly off the hand and that's not that's not my thing but also it's and from what i've understood because i haven't experienced it but like there's also the element of you're so afraid to say these things out loud terrible because you're like oh you're gonna think i'm insane right but in a sense from what i understand it's like we need to say these things out loud yes and but then it's being met with such judgment so then you just go back into a corner and we haven't figured out the solve at all for women.

55:55Well, gathering. I mean, the solve for women is us going back to how we used to live, which is honoring the female endocrine system as a spiritual freaking practice. And that when a woman is with freaking child, that she is surrounded by 30 women and they're giving you broth and they're cleaning your home and they're holding your baby and they're holding you. And so of course the women are going to suffer. The freaking life givers are going to suffer. Everyone's okay with this. It is so crazy too when everyone will treat a pregnant woman with such grace and love. In her second trimester only. It's true.

56:35True. First trimester. Yeah, like shut up. You're bugging me. Yeah, you're annoying. Yeah. Second trimester. Oh, you have a child. No, and that's what's so sad, right? The minute the mother gives birth it's like we can she gets invisible again we she's invisible and it's all the baby and it's like wait this woman just went through the most transformative in moments traumatic experience that a physiologically a human being could ever go through and neurologically oh and we're just like get up the baby's crying and why aren't you why haven't you lost your 42 pounds yet yeah what's going on there why did you get back to your aesthetic pleasing for me you look like you're going through it you better get it together wow do you have a trainer anybody to help you with this i just but what how am i supposed to oh you're leaving me alone with that okay perfect perfect so community is community get community all around and churls and casseroles And lots of casseroles.

57:39Off the casserole. You, which I think is so admirable, you did choose to speak about postpartum depression publicly while you were still going through it. Yeah. Why was it important for you to not wait until you were on the other side of it and just say what was going on? It just was what was happening. So, and it was happening again for the third time. And I had heard at this point, because I'd been so outspoken about it, people were, my phone was blowing up. and someone would say, oh my gosh, my daughter-in-law, she just pulled the car over and is running down the street. What do I do? And I'm like, why is she driving?

58:16Why is she even out of the house? Why is she driving? Get her in the passenger seat. So you got a lot of response from other women. Yes. And it was just... It was amazing. Because it was just a yes and-ing. And then by the third time, oh yeah, let me keep speaking about this because I started to realize that I was so not alone. Yeah. That is the best feeling when you're like, oh, I'm losing it. I'm, oh, you guys are all going through this too? Oh, wait. Yes, this is normal. Oh.

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1:00:17This is a paid advertisement by SoFi technologies and is not intended to be financial advice another conversation I want to have with you which we reference a little bit above was there's such a fixation on youth culture. Ironically, every single woman that I have had sit in that chair has talked about the beauty and actually the peace that comes with aging. For you, what has been the best part of getting older? The words that fly out of my mouth that I can't believe are flying out of my mouth. yes it's like my objective ego watches it fly um i'll be in meetings and someone will say something and i'll just say that's patriarchal and then just keep talking or like that's really rude or i just it just flies out and i can't stop and this was not my way it wasn't i was more just kind of stay quiet introvert four with a five wing and the enneagrams people watching beholding worrying processing it later menopause happens and now i'm just like boom nope rude patriarchal misogynistic what it's like what do people do when you do that i don't care like honestly don't know i'm not honestly we'll find out i'll do some research oh wow Wow.

1:01:44I wrote that down. You referred to menopause as a truth serum because it's given you the freedom to say what you want, which is exactly what you're talking about right now. What is something that you've maybe just been recently more honest about that you're like, oh my, younger me would never? Well, what I love about menopause is often people use the metaphor that, every leaf on the tree gets pulled or every stone gets turned. I'm like, no. For me, it feels like the tree itself was ripped out of the ground and the roots are everywhere and like good luck and so everything identity sexuality finances uh invisible load no longer being invisible uh girlfriends deepening friendships i think friendships are the most unsung see you at the deathbed perfect relationships that make for so much repair and correction and healing and we don't talk about it very much we talk about dating which is the greatest but but friendships oh it's what it keeps you sane and stable and it's everything it's so true yeah and like speaking your mind and the power of speaking your mind what is one thing also that in life you realize you kind of can't learn it it just comes with age oh

1:03:07for me my reactivity has gotten less and less and less like almost there's just more room for humanity there's more room for vulnerability there's more room for power there's more room for everything there's more space as i get older and yeah i just it's not a roller coaster i mean it's existentially a roller coaster. It's like an observation. I'm in this observation seat, and I'm charmed. These new generations, I'm just like, so in love. No, it's such a good point. It really is. It's like you have so much more perspective and appreciation for everything you've gone through that you're like, that's not that big of a deal, or that is, but you're going to get through it.

1:03:53You've just done so much more. You have some insight. Right, you have insight. And that allows you to kind of observe more and not be as upset about things or reactionary. I think that's a great point. Yes. And when we're supporting younger people, our, I don't know if it's certainty, but our solidity is helpful for them. I feel we need the generations above us to lean on and mentors and teachers and uncles and aunts. Keep that going. It's such a good point.

1:04:29Call Her Daddy is brought to you by Uncrustables. Daddy gang knows there is no disappointment like reaching for an Uncrustables sandwich and then remembering you have to wait for it to thaw. Oh, the heartbreak to speed things up. There are all sorts of hacks like sitting on an Uncrustables sandwich so it thaws faster. But you don't have to wait for that pillowy soft bread anymore. You can now keep Uncrustables in your fridge so they're ready to eat the moment that craving strikes. No wait time. Find them in the freezer aisle today. Call Her Daddy is brought to you by T-Mobile. Daddy gang, summer is officially here, which means the Euro trip you've been talking about in the group chat since January.

1:05:11It's actually real. The outfits are planned. The dinner reservations booked. The inspo photos saved. but nothing humbles you faster than landing internationally with no service, no directions and 1 % battery while trying to figure out how are we gonna navigate and get to our hotel? That is why I love traveling with T-Mobile. They make, oh my God, they make the experience feel way more put together. Like for example, T-Mobile members can get a free premium drink on Delta Airlines, which we love, yes. And there are so many other travel perks that actually come in handy. See how to get rewarded with Hilton savings on rental cars and up to twenty five hundred bucks in cruise credit at T-Mobile dot com slash travel.

1:05:57With that many credits, suddenly the whole should we extend the trip for another two days conversation? Honestly, it just starts sounding a lot more realistic. But whether you're going on your annual girls trip, heading to a destination wedding or just like simply leaving town to pretend your inbox doesn't exist for a few days, you're covered on America's best network. Daddy Gang. Hook yourself up. Delta Drink with eligible plan and linked SkyMiles account 24 hours before qualifying flight required. 21 plus. See tea life for terms. T-Mobile has the best T-Mobile network in the U.S. based on an analysis by Ookla of speed test intelligence data 2H2025.

1:06:37Visit T-Mobile.com. You've been referencing this, but now I really want to get into it. You have a new residency in LA called Butterfly with a Machete that kind of blends your music with storytelling and insights from your life. And I just love the concept. It's genius. And it's so interesting. And it begins in November. Yes. What is the meaning behind the name? Like, it's such a good name. It's so you, but please explain. Yes. Well, there is a moment inside. I don't even know what to call it. Musical piece show where I talk about menopause. And I'm such a symbologist and metaphor lover that it's you know the trend the transmutation alchemically menopause and then this beautiful butterfly will stab you so that is you're like that's what i was going with alex that's where butterfly with the machete was born menopause but the show itself is you know the 90s the the credo was stay in your lane and especially if you're a woman stay in the reductive one whatever one we ascribe to you stay in that one so then now 2026 is all about be everything it's about your multitudinous you have multiple intelligences let's rock all of them you know you you want to do comedy and music and dance and movement and aesthetics and lights and you know yes terrifying because i've been told to stay in one lane my whole life but really really liberating.

1:08:10Yeah. How has this show, as you've put it together, helped you continue to fight the idea that you're too much and too much is a bad thing? The whole show is about me grappling with the too muchness and telling stories that I didn't care about stories because I didn't care about myself. And then I worked with a woman named Anne Randolph, who really supported me in seeing that stories can matter. And then I thought, okay, I'll try that on for size. And then after working with her for a few years, I finally care about the stories. You're also embracing joy and fun. I heard that you're coming out with a holiday album.

1:08:52Alanis. Yes. What inspired this? Because I'm a holiday girly. I'm a holiday girl. I love it. Then my son ever was born on Christmas Day. So I'm an extra holiday girl. Oh, okay. christmas morning okay so yeah we need a holiday album from you just because of that just you have you have street cred just because of that and it yeah how did you what inspired this yes so every christmas over the last few years we've done sort of one song and then as they were accumulating and i love them so much i love singing these songs um i wrote a couple of new songs and we just made a record. So a song called To an Empathic Christmas Time and a song called Christmas on the Dance Floor.

1:09:37And this record is just so sweet. It's just been this labor of Christmas love for me. Oh, my God. I'm so excited. You don't even know. I'm going to be sitting in my house with my baby. I'm going to press play. I'm going to be listening to you. And I'm just all the vibes. All the vibes. Can I bring you broth or some stew? yes yes you can yes high protein stew perfect it's a date yeah um what is your favorite song though out of all the songs that you put together for this holiday album i well there's a judy garland song that martin martin um martin short and i are gonna do um my favorite to sing is what child is this and little drummer boy yeah your voice with that one I'll be listening to that.

1:10:26I'll be crying. All the emotions will be flooding. Yeah, I'll be the whole thing. You can just envision it, can't you? Oh, my God. Okay, last question. I could literally talk to you forever. But you first gave women the permission to be angry. What's next? What do you want to see women step up and own? For me, it's about seeing wholeness as a goal versus wellness. And wholeness isn't always the prettiest, most linear path. Bringing things online, parts that we've lost or denied or cut off, bringing them all slowly online. That's what I love supporting people. you know if you're going from r to s or b to c wherever the frick we are that uh that i'm with you as you go i mean that's it i'm and i'm doing the same thing i'm alongside no i'm all doing it i do love that message so much because i just think there's such a fixation on yes you're right like wellness and do this and be this and all of that and yes we can think about like the green juices and the pilates and all that but it really what we're also talking about is like trying to be this unattainable version of ourselves and and that's not realistic and it's going to just make you feel like shit about yourself constantly so to try to find the wholeness in life what makes you feel whole what makes you feel good and what are your portals in yes how do you get served so for me it's i don't even do q a anymore i do q and q right it's just inquiry we're just yeah we're just looking at it that's all we're doing i have no answer.

1:12:10I don't know. I don't know you. But you have a lot of answers. I mean, I have you some great answers today. Yeah. Okay. Thanks. You have answers for myself. No, you don't have answers for other. You are so interesting. And it was such a pleasure talking to you. I knew we would have such a great conversation to speak with you. But like the different conversations we tapped into. And I think you're just such a savant. And I love speaking to women that are like so driven yes and interested in what they do and i just love how confident you are like even the way that you talked about from your childhood to the romantic relationships in your life to also how that impacts you know your work and then being a mother versus having not been a mother when you were younger just all the complexity of being a human being yeah and all the different sectors that we have to tap into and try to fill our own cups with.

1:13:05You are fascinating and so smart. And I can't thank you enough for opening up to me and just going there with me today. Seriously. Thanks. I'm so happy that you have such spaciousness and capacity. Your capacity is very high. So was yours, girl. Thank you. It was a pleasure. Such a joy. Thank you. Thank you.

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1:14:54Discover the new Ashley Luxe collection by visiting Ashley in store or online at Ashley.com slash L-U-X-E. Call Her Daddy is brought to you by T-Mobile. Daddy gang, summer is officially here, which means the Euro trip you've been talking about in the group chat since January, it's actually real. The outfits are planned, the dinner reservations booked, the inspo photos saved, but nothing humbles you faster than landing internationally with no service, no directions, and 1 % battery while trying to figure out how are we gonna navigate and get to our hotel. That is why I love traveling with T-Mobile.

1:15:29They make, oh my God, they make the experience feel way more put together. Like for example, T-Mobile members can get a free premium drink on Delta Airlines, which we love, yes. And there are so many other travel perks that actually come in handy. See how to get rewarded with Hilton, savings on rental cars and up to 2 ,500 bucks in cruise credit at T-Mobile.com slash travel. With that many credits, suddenly the whole, should we extend the trip for another two days conversation? Honestly, it just starts sounding a lot more realistic. But whether you're going on your annual girls trip, heading to a destination wedding, or just like simply leaving town to pretend your inbox doesn't exist for a few days, you're covered on America's best network, Daddy Gang.

1:16:17Hook yourself up. Delta Drink with eligible plan and linked SkyMiles account 24 hours before qualifying flight required. 21 plus. See T-Life for terms. T-Mobile has the best T-Mobile network in the U.S. based on an analysis by Ookla of Speedtest Intelligence data 2H2025. Visit T-Mobile.com. Daddy Gang, today's episode is sponsored by Sour Patch Kids Besties. Sour Patch Kids Besties are a new spin on the OG, but still have everything you already love about them. You still get that classic sour than sweet experience, but now the pieces come connected together in little bestie pairs. It is, I'm not okay.

1:17:02It's so cute. They're literally attached at the hip, which is perfect because I was never stopping at just one anyways. Go share some besties with your bestie. Oh my God. So good.

From the publisher

Join Alex in the studio for an interview with Alanis Morissette. Alanis reflects on starting her career at a young age and finding her voice in a male-dominated music industry. She opens up about pushing against the expectations placed on women, being labeled “too much,” and how the anger and honesty of her music made her a defining voice of the ’90s. Alanis also discusses navigating love and breaking patterns of codependency, her experience with postpartum depression, and the freedom and complete metamorphosis that comes with getting older. Enjoy!


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