In short
Podcast Notes: Comfort Eating with Grace Dent - Episode S8, E12 Featuring Paterson Joseph
Overview
- Podcast Title: Comfort Eating with Grace Dent
- Episode Title: S8, E12: Paterson Joseph, Actor and Author
- Description: Grace Dent welcomes actor and author Paterson Joseph to discuss his career, personal anecdotes, and the comfort foods that hold special meanings in their lives.
Key Themes
- The Role of Food in Personal Narratives
- Food as a means of connection to family and culture.
- Comfort food reflects personal history and identity.
- Career Reflections
- Paterson Joseph shares insights about missed opportunities, including being considered for the role of Doctor Who.
- Discusses his versatile career across theatre, film, and literature.
- Cultural Background
- Insights into Joseph's upbringing in a multicultural household and the challenges of growing up as a bilingual child in North London.
Highlights from the Episode
Personal Anecdotes
- Childhood Memories:
- Joseph remembers the excitement of broken biscuits from his mother’s job at McVitie's biscuit factory and the dynamics of sharing food among siblings.
- Comfort Food:
- His ultimate comfort food is scrambled eggs with mushrooms on sourdough toast.
- Cooking is described as a calming activity that invokes fond memories of his parents, particularly his mother’s nurturing gestures.
Career Milestones
- Notable Works:
- Highlights from his appearances in The Beach, Peep Show, and Wonka.
- Reflects on what it was like working with notable actors like Leonardo DiCaprio and Tilda Swinton.
- Career Challenges:
- Discusses the continuous nature of auditioning and the rejection inherent in the acting profession.
- Shares feelings about being a frontrunner for the role of Doctor Who and the subsequent rejection.
Cultural Insights
- Cultural Heritage:
- Discusses the Creole language spoken at home and its eventual discontinuation to fit into British society.
- Reflects on the importance of ethnic heritage and how it shapes identity.
- Big Family Dynamics:
- Describes the challenges of feeding a large family and the strategies his mother employed, emphasizing the significance of communal eating experiences.
Philosophical Reflections
- On Rejection and Resilience:
- Joseph emphasizes the importance of resilience in the acting industry, framing rejection as a common element of the profession rather than a personal failure.
- He maintains a positive outlook on career opportunities and the unpredictability of life.
- Birth of a Passion:
- Explains his deep connection to Charles Ignatius Sancho, the first recorded man of African heritage to vote in Britain, and his endeavors to bring Sancho's story to life through various artistic mediums.
Conclusion
- Final Thoughts:
- Grace Dent and Paterson Joseph express the comforting power of food and storytelling, reflecting on how they intertwine with personal history and cultural identity.
- The episode ends with a light-hearted look ahead at the festive season and the anticipation of sharing meals with loved ones.
Additional Notes
- Production Details:
- Produced by Hattie Moyer, sound design by Solomon King.
- Music composed by Axel Kakutie.
- Executive Producer: Lucy Greenwell.
- Related Episodes:
- Listeners are encouraged to explore episodes featuring James Norton, David Harewood, and Tamsin Greig for similar themes.
Call to Action
- To support the podcast, listeners are encouraged to leave reviews and subscribe to “Comfort Eating” for updates on future episodes. The new Comfort Eating book is also available for purchase.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Transcript
Automatic transcript. May contain errors.0:00This is The Guardian.
0:07I'm Grace Dent and this is Comfort Eating from The Guardian a podcast where we pay homage to the lesser celebrated foods in life because even as a restaurant critic I believe the food that matters most is often that snack you cobble together when you're curled upon the sofa Each week, I ask my guest to lift the lid on what comfort foods have seen them through their lives. Because you can tell a lot about a person from what they eat behind closed doors.
0:45Hello friends. You find me right now, at my mirror, smearing what can really only be described as nappy cream onto my cheeks. things are getting a bit desperate around here now the cold weather's come I'm also getting ready for my next guest it is peep show and wonka actor Patterson Joseph I've always loved him I love his work ever since seeing him in the iconic Tilda Svinton and Leonardo DiCaprio Danny Boyle film The Beach in the year 2000 I was but a mere strip of a girl when I went to see that at the cinema. Now this man is dapper, so I need to look my absolute best for him. I wanted to tell you what I've been musing on recently.
1:34It is my skin. I don't know about you, but my winter skincare routine has to adapt and adapt dramatically as the weather cools down and the cold sets in and the wind starts blowing and my skin starts subtly at first, but then at great speed to become drier and drier and well drier and now with my spray tan on top of it I resemble a rather charming crunchy nut cornflake. Oscar Wilde once said that beauty is a form of genius and right now my genius smells distinctly of a baby's bottom. I can think of worse things to smell of. Now, Patterson grew up in North London before turning to the stage, the TV and the movie set.
2:24And as well as being an actor, he is an acclaimed novelist with his book, The Secret Diaries of Charles Ignatius Sancho, based on the first man of African heritage to vote in Britain. Patterson is Chancellor of Oxford Brookes University. He's one of our best loved character actors and he was even at one point bookies favourite to be the next Doctor Who. I'm still holding out for that by the way and I can't wait to find out what he's eating when the director yells cut and he's back home on the sofa.
3:06Patterson, Joseph, welcome to Comfort Eating. Thank you and I'm hungry. I'm hungry too before we dive in you and I have got something very strange in common um I want to talk to you about your mother's old job oh now she worked at the McVitie's biscuit factory oh yeah I am from Carlisle oh yes and I grew up right beside uh McVitie's biscuit factory. It was a big deal. We know the excitement of the door opening and somebody coming in with a bag. Brown paper bag. Bags of broken biscuits. We had a very different, ours is very different because my mum was a little bit of a high-synth bouquet and so never had broken biscuits, Grace Poshos.
3:57Now we lived above a shop in Wilson Green, but we never had broken biscuits. They were It was the ones where the packet was slightly twisted. Yes. And we were rationed. There's no way we were taking them out of the house. You were never just given a big plastic bag of chocolate biscuits that some of the, they'd kind of melded together. Oh, your childhood was golden. Yes. No, no, no, no. I mean, we once, sorry, this is the truth, got beaten for nicking biscuits without permission. Because there were five of us at that point. I had a sister who was 10 years younger. She wasn't part of this game.
4:29and the biscuits were precious because we were as my mum used to call us destroyers so if there was any food around it would just go like locusts see because i had these siblings who were a little bit older than me everyone had a different method we'd get three biscuits at night my mum would come back from working at mcvitties and she'd we'd get up i mean it's so bad now it's even on a school night and we'd have three we'll have three and mine was i would like to lick off the all the chocolate and then make it like a digestive biscuit and dip that in my tea we all had our different methods each week i invite a celebrity guest to my house and i ask them to bring me the ultimate comfort food now this is the food that allows them to play a shakespearean character one day and then write a novel the next what have you brought for me will you may i please unveil the snack this is scrambled eggs with mushrooms on sourdough toast god it does look lovely oh and then lovely and warm as well now what i need you to do is i need to describe exactly what is on this plate how it's done and why and where you eat it so it's very hard to get in you know at 11 o 'clock at night if you've been doing a show or midnight and think i'm just gonna go straight to bed i need something a bit of a wind down so the cooking of scrambled eggs always made with butter always made with milk you put milk in scrambled eggs always yeah um and then the mushrooms i would saute usually before get them well sauteed before and then add them either on the side or i might scramble them within it does the cooking of that late at night kind of chill you out cooking does generally yeah and it makes me feel a little bit like a scientist because i I never taste it.
6:18I never taste anything before I'm sitting down to eat it. But I kind of know how it's going to be. Yes. Because it's instinctive because it's in you. Yeah. As I was training to be a chef, they said, oh, you should, this is before I became an actor, you should always taste your food as you go along. But I don't need to. And it's memory. Like if I think about the eggs, I think about my dad would go out to his job as a, he was working in an engineering plant in Cricklewood in northwest London. And he would do a night shift. and my mum, who would have worked all day, would come back. And whilst Coronation Street was just about finishing, it's my dad's favourite programme, she would scramble onions and eggs.
6:59Yeah. And as a kid, watching her do that and the sandwich that she made, I wanted to eat that so much. I'm salivating thinking about that. It's a caramelised onion with egg in it. Oh, my goodness. So simple. But that's what it reminds me of. It's a sort of comfort love food. She made it for him to go out in a sort of loving gesture.
7:26Let's return to January 1999. Straight out of drama school, there was some fringe theatre and some time with the Royal Shakespeare Company. But then you land a job which sends you to Thailand to film The Beach with Leonardo DiCaprio, Tilda Swinton. It's directed by Danny Boyle. You were out in Thailand for four months. This must have been a wild time. I can see your face. Look at it. A broad smile has come across your face. And I'm guessing that this is memories of 1999. Memories of 1999. I tell you, I'd worked with Danny before at the RSC way back then, And even though I had been reluctant, I was glad because I met some great people like Sam Mendes and Danny.
8:14And so I was very comfortable. It wasn't like, oh, I'm doing a Hollywood movie and it's a big Hollywood star. I was like, oh, what are you working with Danny? He was one of the most down to earth people you'd ever meet. Not only that, I had my wife with me. So I wasn't like a homestead. We were there for four months. They put us up. It's some Hollywood film. So they put us up in great places. We ate great food. The people in Thailand, as I'm sure anyone who's been there know, are the most gentle, open, wonderful people. men are not aggressive it's just beautiful but you met leonardo dicaprio he had his 25th birthday when we were out there and we had a great old time and he's he was he was one of those guys who think you're just a kid from la you're not you haven't got that hollywood star thing about you and all he wanted to do was really great work i remember talking to him on top of this this hill we were looking down on the set and he said oh paterson i just want to i don't want to be the pretty boy you know that titanic and all that stuff i hate that stuff i can't stand it i want to do real acting yeah and sure enough he did he kept on sort of breaking that image he stopped playing you know the sweet beautiful boy and started playing rougher and rougher characters and the beat was just was the beginning of that how does leonardo dicaprio celebrate his 25th birthday well he had a bunch of mates with him he was he was good he had that he's his grandmother and his mother.
9:32So there was going to be a limit on how wild things are going to get. But he still had a massive villa there in Thailand. And then we had Thai boxing at night. Proper professionals came in and fought. Because the local guy called Santa Pestongi. Don't know whether he's still around. He could get anything from anywhere. So it was very lavish and slightly sinister. Because, you know, there were bodyguards and things around, you know. He knows how to party. I can say that. He might have slowed down now. Who knows? I'd hope so. When you think back to that time in Thailand, what do you think about food?
10:09What stands out there? Well, I thought, oh, these people have been on this beach, my particular character, a guy called Keeti, for at least three years. He is clearly going to be eating maybe a bit of fish, but mostly just veg and a bit of rice. So that's what I did for about three months before. Oh, God. I just finished doing casualty. I found out on my very last day that I got the beach and I just went, right, I'm going to go on a diet. And that's what I did. Were you very conscious when you were going out and filming? Look, as a black guy, you always were expected to be physically some sort of specimen.
10:47People often got you to take your shirt off in things unnecessarily. I'm a lawyer. Why am I in the shower naked? So I was always resistant. even as a young actor was resistant to that that body image thing so I never thought about it but the beach accidentally because we had that diet and two times a day we sweated on that beach doing exercises I never looked like that before or since
11:20let's go back to the beginning he grew up in wilson green in northwest london in the 60s tell me about the joseph householdst lucian parents so quail with a w was spoken in the house So that's Saint-Lucian Creole. What's that close to? French. Makes for French and some native Carib dialects. That's what we spoke in the house. So would you say, like, je vous drais, for like, I would like, or is it kind of... It would be like, if I was going to say to you in French, you know, give you an order, ferme la porte. Okay. In Creole, you'd say, ferme la porte, la. The R's of the French become W's. So your mom and dad are speaking that?
12:04That's what they speak in the house. We all speak it in the house. You speak it. And then at three years old, it stops. So my mum decides that we're all going to get accents or we're going to have trouble. And there's some, my boy's half French. I know I've studied it a lot. There's a lot of, there can be a lot of trouble in bilingual households, especially if the kid, if that language isn't respected outside of the house. So if you're a French kid and you're in England, everybody goes, oh, you speak French. So you know that French has got currency. But if you're speaking Quail, 1965, 66, that's not currency.
12:31so it was a almost like a shame for us to speak it and then I struggled and here's a memory I'm at school and I'm being asked what I had for Sunday lunch and I say rice and peas and chicken and all the kids all of them in my infant school are Irish so they don't know what I'm talking about and they all start laughing but I persevere and I said and then we had salad with lettuce tomato and cucumber cucumber and I didn't know where cucumber I'm five years old I didn't know where cucumber had come from. But cucumber is quail for cucumber, right? So I was a bilingual kid struggling with how to articulate myself because obviously there's a lot of quail in me.
13:07Bilingual is a superpower. I know. Do you realise that? Yeah. It always depends on the currency of the language. I mean, did St. Louis play a big part in your house? Yeah. I mean, it was home. It was home till probably I was about 18. And then I figured out, well, I don't speak the language and I probably wouldn't fit there. I want to go there and see it. But I'm English. I'm British now. What did your mum say? My mum would never say, because they came in 1958. It was like 10 years after, 10, 12 years after the first boats were coming. People call that the Windrush generation. My mum is absolutely livid if anybody says that.
13:42Windrush? I didn't come on the Windrush, you know. I take a boat, we go to Italy, we went all the way through France, and then I came across on the ferry. We didn't have Windrush? You call me Windrush? Mum is really mad about that. I can see what your mum's like. My mum's fancy. No, she's quite fancy. She is beautifully St. Lucian. Jamaicans. Don't hang around with them Jamaicans, you know. Them people, rough, rough, rough people. I once said I was going down to Brixton. Brixton, you better be careful down there, you know. There's all them Jamaicans down there. Was there eight of you? There were eight of us all together, six kids eventually, and my mum and dad.
14:18How do you feed six kids? Quickly. So my mum was a whiz at being able to cook up stews. I mean, Sunday was the big, you know, rice and peas and chicken and yam and sweet potatoes and all of that. But we'd all kind of muck in then. Thursdays were oxtail soup and dumpling days. Now, you say dumplings. We say dumpling. Now, a dumpling is basically a ball of flour. And they look like little buns. You fry them. It's like your bread. and my mum would do that on the soup and that's my favourite soup. Yeah, she sounds like a good girl. The dumpling soup with oxtail in it so it's thick and dark and with beans in it.
15:01It's delicious. The six children around this table, the food is coming out and what I find really interesting about anyone that's from a big family is that I meet so many people that eat as if there's scarcity at all times and they... Grace is watching me eat and I'm halfway through my... And a lot of people have never experienced scarcity, except when you meet someone from a big family. Yeah, you better eat it because, you know, first of all, that's the food that your parents have worked hard to put on your plate. There were no fussy eaters in my family. If you had to name names right now, and it's about who was the worst person around that table for, like, getting their hand out, like, you know, a hungry hippo and taking everything.
15:45Which sibling is this? This is Jackie. Jackie Joseph of Homes Under the Hammer. What she would do, you'd ask her, because we'd sort of help each other and make toast or whatever. If she made toast for you, Jackie Joseph would bite off the corner so you always knew it was hers. And you'd scream, why have you done that? She went, tax.
16:09Back then, how do you get hold of Caribbean ingredients? How do you get a yam in 1960s, Wilsdon? anybody who went back to the Caribbean and came back. My mum was talking about this the other day. I just picked her up from the airport. She'd just been to St. Lucia. And it's the first time she's ever come without bringing most of the ground provisions, as we call them, with her in the suitcase. I said, this suitcase is very light. She said, yeah, because if we had storms, there was nothing. I couldn't have any yams. There was no yams. There was no mangoes, no coconuts. So people would just bring them.
16:40So suitcase, you open the suitcase and it's just sealed with newspapers because you don't want things to leak. And you just take out all these amazing things. You have this wonderful jelly, guava jelly, which I have never had since. The guava jelly made at home where you could put your spoon in it and it would never move. I loved that. So that's where we got our stuff. To walk through Heathrow. Back in the day, you could have brought anything with you, right? Because until sort of later, after 9-11, I suppose, it was quite slack. It must have been exciting, though, when that suitcase arrived. Oh, when the suitcase opened and you go, what are we going to get this time?
17:14And there were things in there that I don't, even today, I'm like, I don't even know what this is. You know, the first time you properly see a yam, a breadfruit, which, you know, I don't know, this is a big, much like a pear. And it cooks down to the sort of buttery, soft texture.
17:40Nowadays, you are Chancellor of Oxford Brookes University. Yeah. So I'm interested to hear about your school days and the 70s and 80s in North London. What kind of pupil were you? I'm a bit of a joker clown. Once I get over the racism and all the rest of it, I sort some people out because I was the only black kid. So I got picked on. Irish school? Irish kids, yeah. I loved the sort of social aspect of school, but the academic aspects were tough. I had a wonderful teacher, one wonderful teacher called Mrs Bird, who was from Goa. And years later, he was kept in touch. She said, you know, that the teachers always say don't bother with the Caribbean kids or the Irish kids.
18:18They'll never learn anything. Because at that time, there was a sort of idea that immigrant kids, these immigrant kids coming from Ireland in particular and the Caribbean, were not intelligent. We couldn't actually take in information. And it was part of our education system. They did it to the working class as well. They used to call us educationally subnormal. Even before you'd opened your mouth, Grace, you hadn't actually said anything or presented your personality. And that happened to me day one. Did they take you and put you in a different room or anything? No, it wasn't that. It was just the way that they treated you.
18:49Just no expectation. You just knew, yeah, yeah, yeah. Really no low expectations. And any mistake you made was just sort of exacerbated. Like, of course you didn't know. And I bunked off as soon as the idea occurred. 13. Yeah. I bunked off for two years solidly. They sent. Did truancy come round? No. I went to a sinkhole comprehensive in Harlston called Cardinal Hinsley, which thankfully no longer exists. And I had two letters that came home because I could forge my mum's signature and it had the Cardinal Hinsley logo. I could just sign that and off. I went, I wouldn't do anything bad. I'd just go off and hide in the library, Wilson Green Library.
19:25Thank God for libraries and just read all day. But yeah, I hated school, every aspect of it. But that says so much. Yeah, yeah, yeah. Always loved reading and I loved the idea of escape. And as soon as I, I remember there's the Lion, the Witch and the Wardrobe. I remember getting that and disappearing. I wasn't in Wilsdon Green anymore. I was in Narnia. I could see that wardrobe and I could see the fur coats and I could see how it was nighttime. And then suddenly there was a snowy path and there was a lamp and I can still see it now. And I can see Mr. Tumnus with his shopping, walking. And these images are in my head.
20:00Like I say, when I talk about my novel, I say novel is the most intimate form of storytelling, despite being a public performer because it's a word that you've deciphered on a page it's gone into your head and it's an image that only you have no one else has it someone might do a movie of it but they're not going to cast it quite right and they're not the lighting's going to be a bit flash or it's not going to be quite as grubby as you imagined it so there was a purity of storytelling in books that drove me it was like an addiction really is there a specific thing that kind of almost comes like a lifeboat and saves you here there's a degree of uh ego in a positive sense to not being crushed by what people are saying about you and it's not arrogance it's just going i know deep inside that i've got intelligence i know that what you're saying to me is that i can't articulate anything and i don't know anything but i i feel that i do so whatever this is i'm not going to allow myself to be crushed by it but most people don't even work that out until 25 years later where they go and what come on yeah whereas you you're a little boy i think it was because it was intense it was coming at you very intensely you had to deal with it it was it was it was sink or swim i just thought i've got something to say and i had enough anger and there's a little bit of rage always in me about injustices particularly towards the working class i i i don't hate many people but margaret thatcher i think i could i could i I definitely say there's a hatred there because I could see the fragmentation that was happening even as I grew up in the 80s, late 70s, 80s, in the communities around me.
21:36Everybody became sort of much greedier. Everybody became much more separated. Even as a kid, I recognised that I didn't want that. And I became quite, I swear, socialist. How did you become a chef? Finished school with nothing. One of my older sisters, Glenda, said, why don't you go to do a business diploma? I had no interest in it, but I thought I should do something. I did one. And whilst I was doing it, I realised never could work in an office. It will kill me. My mum had a grand scheme of starting a restaurant. And she said, why don't you do the chef thing at the Royal Free, where she worked as a ward orderly cleaner in the wards.
22:13So that's how I got that job. A good cook. I think I am. Yeah. You're like your face so happy. I tell you why I think I am is because I would do rice and peas, which is my mum's, you know, speciality. But when my mum sits down and I hear her properly sucking on that bone, any Caribbean kids out there, you'll know what I mean. Proper enjoyment of that thing. And she goes, mm, that was good. I feel like I've had applause from a thousand people. It passed muster with my mum.
22:58I love that you say that, you know, you were going to study something to do with business and you realized that you would just completely, you know, you could never have done it. You were completely not cut out for it because then when you go to peep show, you must have mustered. Like you took that from the bottom of your soul and you're playing Johnson. You're playing a senior loan manager. Now nobody loves the office more than this person. And he loves the whole, you know. It's his world. It's his whole world. Peep show. It stars David Mitchell, Olivia Colman. And it was described at the time as the best comedy of the decade.
23:36Now, for people who have not seen this show, I'm going to try and paint them a picture. Oh, wow. I'm looking forward to this. Your character is kind of the corporate boss from hell in a way. But he's also very charming at times. You end up calling David Mitchell's character a pathetic, worthless punk and a turkey fucker. you say that Olivia Colman's character has a fat ass at one point this comedy is dry dry as old toast but like absolutely delicious what's it like on set just me giggling I didn't know this world so I'm on set giggling because I'm a little disciplined you're not meant to laugh at your own jokes or how funny you know someone else is you're meant to be like focused but I found myself crying with laughter.
24:19The one I've talked about quite a lot was when David was not well. David's character Mark wasn't well and he was having squits. So I came in to rescue him. We were off to Frankfurt for some sort of conference. And I come to the door and Rob's character Jeremy says Johnson. Jeremy. And then I hear, oh, Johnson! And I go to rescue him so I did all that and that was all fine and then I go in and I see they sort of painted him green really he's sitting on the loo sort of leaning on the side like you would do like you can't even hold your own body up and I just started laughing and it was about 45 minutes before we could finish that is that normal pooing sorry can we go again well that's now on Netflix and kids are watching it do you still get recognized for that very much so in fact it's probably the most I get recognized for it.
25:17And people are so pleased. So I don't mind ever people approaching me, but everybody's really happy whenever. And I think he's such a horrible man. He's someone who hasn't sort of admitted that he's first of his an alcoholic, but he's also a failure. I mean, when he starts his business in his bedroom, you know, consultious consultium or whatever he calls it, it's like, it's the most pathetic. Where are my big scissors? Where are my big scissors and you think why would you and also he's horrible to everyone you were in something else that means the absolute world to a lot of people wonka oh yeah glorious timothy jellumais yeah grant olivia coleman rowan atkinson oh yeah yeah were they ever all in the same room together yeah yeah we did that a couple of times and um what does that feel like delightful because Because it's a children's film.
26:13And so all the egos go out the room. We had a ball. Was there endless, everlasting gobstoppers? No, you know what? We had, I mean, negatively, it was just about COVID. So everything was served up in polystyrene box. That's the opposite. The best thing about that was, though, the chocolate. Because I didn't think I was a chocolate fiend, but I got really obsessed with these vegan chocolates. because Matt Bainton, who played one of the chocolatiers, is vegan. So all of the chocolates have to be vegan. So there's hover chocks that we eat. Oh, my God, they were so delicious. What exactly is a hover chock?
26:53Well, it is a beautiful concoction made by lovely Mr. Wonka. And it has a winged shell, two-sided, very crispy chocolate. So it goes as you bite into it. and then there is a sort of egg in the middle and it is so soft and I think there might be passion fruit in it and it just melts in the mouth proper. I mean like you say we have to describe it like that. That's what it was like. I managed to get one of them. We had about 10 of them. I got one of the plastic ones because eventually they said we've got to stop giving these people chocolates. But yeah, it was brilliant. I ended up eating at least 10 of those.
27:44Let me ask you a serious question. You were once tipped to be the 11th Doctor Who. Is that a serious question? Okay. Well, I'll answer it successfully. Yes. David Tennant was leaving. You were the bookie's favourite. What I want to ask you is, how do you deal with a big part coming and then going? It never came. My life is rejection. if I couldn't deal with rejection I would have stopped being an actor in 1989, the year after I left drama school you are constantly I've got to do an audition today, I've got half a script in my head because I've got to do a screen test to be honest with you sorry if I get it, but the chances are I'm never going to get this job but you do it anyway, and you do it with all your might and then they say no and you go right and you just move on and it's garbage in, garbage out, you forget about it oh you're so good do you not have a day like me where you have to kind of lie down on the sofa, like having inward arguments with everybody from my old headmaster to parents and relatives that aren't even with us anymore to, you know, and then flounce about a bit and eat a whole packet of biscuits.
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28:54And then you get up. Yeah, I do have some of those dates, but never to do with acting. I find that separate because I don't know, if I come and audition for you, if you're the producer or director, and I come and audition for you and I do the best job I possibly can and you go, right, I'll choose somebody else. I have no idea what it was, except I know I did the best job I could. And it's usually because you're too tall, you're too short, you're too fat, you're too thin. You're dark-haired, you're light-haired. It's literally stuff that you have no, you've got no control over it. So the Doctor Who thing, I was doing a job in South Africa and I got a message from my agent via email to say, please don't answer the phone because the Daily Star have got you two to one on Paddy Power as the next Doctor Who.
29:42And I spent about 10 minutes on the floor laughing my head off at this crazy thing, because obviously they're going to contact your agent, right, if you're going to be offered a job. Did you not go straight to right move and look at some really big houses like I would? I immediately start going, ooh, it's got a pool, it's got a pool. Already mentally moving in a sofa. I was taught by an actor very early on, just live within your means because it can happen you can do a tv series and think oh this is gonna be right and they cancel it and you'll start with a mortgage but no i i i was eventually about five weeks later having just had fun with my mate saying what would i be like what kind of doctor they said yeah can i come and audition so i did i flew across i've never told this story actually publicly um i'm in botswana i'm doing another show so it's back to back the south africa botswana so i'm away from all the crazy and they say can you come and audition did you audition in london i came to london overnight because i had to go back to botswana the next evening so i came i stayed in a hotel in heathrow for about three hours to have some sleep and then i went to a hotel in the gloucester road to meet um stephen moffat and the casting director and when i got there stephen moffat had been taken ill so i just spoke to the casting director and from that moment i was like yeah this is not going to be my job um and then i think you know there was a bit of sophistry there because i i i honestly uh this is again quite um revelatory i've never said this before but i i remember watching the program when they were going who we chose to be the doctor and steven basically said the first person that we saw who came in was was matt smith and we knew it was him all those poor people who'd gone and auditioned afterwards they sort of wasted their time that's okay but i i did they fly you back They do.
31:25They did the flying back and forth. Did you get some nice food on the flight? At least I got some nice snacks. Because you are the wise oracle right now to me of rejection. Please tell us. We had Jamie Dimitrio on here. Very funny, man. Very funny. And he was talking about the Barbie premiere where he'd given his all to that project. And when he actually sat down at the premiere, he was like, I don't think I'm in this very much. Oh, no. And like, I wondered, how do you cope with that? Yeah, I went to see Paddington One in a cinema in Manchester. I was doing a job up there and I sort of snuck in.
32:00I didn't have any kids with me, so I felt a bit weird. But I snuck in and watched this movie and then Jim Broadbent, fantastic actor, said all the lines that I had. And I thought, oh, when am I? I was playing this amazing character called the Dapper Young Hatter. And the Dapper Young Hatter is the most extraordinary costume that I spent days with the costume people working on. Yes. Great character who tells Paddington where he got his hat from. Oh, this must be from Peru. A fantastic sequence. Wonderful. Worked with lovely Sally Hawkins. Brilliant. And then I came out of the cinemas and I gutted.
32:32I did. I know what Jamie, but at least it wasn't a premiere. That's worse because I was just on my own in, you know, the print works in Manchester. So that's fine. I'm sorry, Manchester. I love you. But that is not a place to find out that you've been taken out of a really important film. It's just the right place if you're a melancholic like me. It's like, yeah, of course I'm in this alleyway. I'm smelling of urine. Did you go straight into a pub? I went straight into a wine of spoons. I think I had a drink very quickly afterwards. But then I heard from this wonderful end of the story. Years later, I'm in South Africa doing a job and I get a call from Paul King to say, would you come and play Arthur Slugworth?
33:10So that's Paul King, the director of Paddington and Wonka. Yeah, yeah, yeah. Because he'd apologised, you see, just shortly after. He said, I'm sorry, I sent you an email to tell you that it must have gone in your spell. And sure enough, I feel it was. and there it was so so slugworth has probably come out of some degree of shame a degree of shame and guilt on Paul King's part but yeah I um that some things you think you should have got well that's a sliding door you went down there you didn't meet your partner of your life your kid wasn't born because you had that other job so I just think life is life isn't it I was gonna say Unfolds how it happens.
33:4221 years ago, you had your son, Clem. How did being a father change you? I feel, I mean, I want to say that initially it changed me a lot and then I just went back to my old slow-y self. But I think that's partly true, that actually Clem made me look at myself a little bit less in isolation, I guess. And I think, well, what am I doing? and how am I conveying, you know, manliness? Like who, he's a boy now. And so I've got to deal with that. And I grew up with sisters. I grew up with girls. So I know that much better than boys. What do you do with a boy? Of course, just be natural and just be. But I felt that responsibility.
34:25So that changed me a little bit. It stopped me thinking that I was on a sort of single road. I've got somebody with me who I'm sort of showing the way a little bit. I can't say that I've lived my life like that but it certainly shifted my perspective at the beginning You lived in France with your son and your now ex-wife as a family for eight years in the Loire Valley Yeah, yeah, yeah Paint me a picture of life in France To me it's a beautiful country It's another European country so it has its same tropes same things that are good and same things that are bad Did you get into the whole not being able to you're not allowed to get everything from the same supermarket You've got to go, you've got to clatter around the cobbles on a bicyclette.
35:09Basically, you're only allowed to get your cheese from La Fromagerie and it's only open on a Tuesday. The French idyll you're describing. I lived in the equivalent of Stoke Newington. So no, none of that. Stoke Newington mixed with, actually, probably mixed with Leatherhead. It's not, it wasn't that interesting. Tour is a lovely medieval city, but it's quite provincial. It's just a very proper monarchist kind of... Are you saying you moved to the Slough of France? I moved? That is a better description. The Slough of France. Parlez-vous français maintenant? Oui, je parle français maintenant. My grammar is affreux, as they say, but I will continue speaking and I will get my point across.
35:54Yes. Le vocabulaire, c 'est pas mal, mais le grammaire, c 'est pas terrible. How did you end up in France? Ex-wife is French. So I said, let's go, let's go. It was also school time for Clem, and I thought, I'm not doing, I'm not letting him go through what I went through. So I said, let's just do that. So we shipped off to tour when he was about four. I've been married once, and although I am in something now, I always say never again. I'll never actually, do you think you would ever marry again? I would. I mean, I would probably do it with more, my eyes a bit more open. I mean, I think it's, listen, marriage, I love marriage.
36:33I really love marriage. I love the coziness of it. I love the, I'm not looking anymore of it, right? I'm not worried about whether there's something. I love that. But it is a game. Like you've just gone, it's a big game and a big risk you've taken. This is the one person I'm going to be with the rest of my life. So it's kind of beautiful. but it's also like wow so i you know i mean the person i've been with i've been with for about a decade so i for me it would be the continuum and i and we know each other and it's that would be fine i didn't really know my life to be honest to begin with i didn't know you don't you don't maybe you grow and you change
37:21I'm going to move on to something that's really dear to my heart. I was in the National Portrait Gallery about seven months ago and I was walking around on a Sunday morning and I actually took a photo of Charles Ignatius Sancho because I'd never, it's just a coincidence, I'd never heard of him before. And I walked away thinking, God, that's a really good story. And then I went online and went, who is this person? And obviously you came up straight away. So you left Shakespeare a long time ago, but now you kind of return to ruffle collars. You've got this new obsession. I'm going to say obsession in not a pejorative way.
38:05By this 18th century man, Charles Ignatius Sancho, he was born on a slave ship and he later fought to abolish slavery and you've written you've written an opera about him you've written a book about him you've put on a one-man show about him how did this man take over your life i had a yearning in a very selfish way to be in a costume drama and straight up because because i'm like well i want to be in these costumes but everybody tells me that we weren't there that black people weren't there if you were there you were a slave So I started digging and I found a couple of sources. And one of the most amazing sources was a book called Black England by Gretchen Gertzina.
38:44And she goes back to Roman Britain and she's all these amazing characters and stories. But I find this guy and I'm thinking, gosh, he's so theatrical. Born on a slave ship. Ends up voting because he's got a property. But in the meantime, he works as an actor with David Garrick, one of the most famous actors of the 1700s. He's painted beautifully by Gainsborough, one of our great portrait painters. I laughed. I was watching you give an address to some very bookish, learned people. And you said something like, I saw the story and I thought history and a story that needs to be told. And then I heard that he was overweight with speech impediments and I thought BAFTA.
39:22I watched it in my bedroom and I quacked because it was just the way you said it. And I just thought BAFTA. The idea that this guy, 25 years later, I'm still doing stuff about him would have surprised me then. Because I really did think it was a bit of a vanity thing. But also, once I'd found him, he opened up Black British history and British history to me. Which I say, this is all our histories. Even though this is a story about one particular Black man, he opens up our history. Bits that we don't know about. Why don't we know about them? Because the people writing about it generally didn't care.
39:53Are you saying that because it's spawned its own ecosystem and opera, a one-man show, are you saying that he could be the next Bridgerton-type drama on Netflix? Now, there's a controversial question. I'm very high up at Netflix. And the lift opens, right? And I was going to say you had to pitch Charles as a character. Hey, have you heard about this guy? And I'd show the portrait. Yes. And when you see the boy, who do you think this is? Can I tell you a story? And it's a real story. It's not fiction. That's how I'd start there. Would you get into the lift with him? Would you put your foot in the door of the lift?
40:31I'm not a pushy person. I'm an open doors person. If I'm banging my head against a brick wall, I think I should stop doing that. We are coming to the end of what has been an absolute delight for me. I'm sorry. I have fangirled you quite a lot through this. I bless you. It's coming up to Christmas. What does Christmas look like for you, food-wise? oh it's eclectic now i mean i've got a partner who's indian so i'll just throw some of that in i think there's a um there's got to be some sort of meat with my sister that's free it's a turkey entering it's turkey goose chicken beef everything lamb mashup you're covering everything sometimes they do that sometimes they just we'll just have a dinner there's like every kind of meat like we're some sort of Henry the Eighth figures.
41:15And then it's lots of talking, lots of laughter and just, yeah, lots of lovely rum. Paterson Joseph, thank you so much for comfort eating with me. It's a super pleasure. Thank you, Grace.
41:31Thank you for listening to Comfort Eating. This episode was produced by Hattie Moyer and the mix-in and sound design is by Solomon King. The music was written by Axel Kakutie and our executive producer is Lucy Greenwell. If you love comfort eating, go and leave us a review and you can follow or subscribe so you never miss an episode.
41:57Listen in, friends. This is Grace Dent and this is a public service announcement. Our Christmas edition of comfort eating is coming your way. Now, who is our guest? I hear you cry. Well, get those jingle bells ready for the stadium sellout. The Vegas resident, the protagonist of a million teenage dreams, one half of Bross, it is none other than Matt Goss. So join me in the comfort eating grotto and let Yuletide begin. Comfort Eating, the book, is now available just in time for Christmas in paperback, where I'll be discussing does butter really make everything better and is the best pasta actually that stuff in a tin shaped like pepper pig all this and more available wherever you get your books this is the guardian
From the publisher
One of the UK’s best loved character actors, Paterson Joseph, joins Grace for another serving of Comfort Eating. The Beach, Peep Show and Wonka actor looks back at his career and muses on the roles he didn’t get, namely the role of Doctor Who to replace David Tennant in 2010. Paterson remembers his parents smuggling yams in from Saint Lucia, the politics of biscuit and toast tax when you’re one of six siblings and the sweet treats on the Wonka set. If you liked this episode then have a listen to James Norton, David Harewood and Tamsin Greig




