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Podcast Summary: Comfort Eating with Grace Dent - Episode S8, Ep6 featuring Richard E. Grant
Podcast Overview Title: Comfort Eating with Grace Dent Description: This podcast delves into the significant role food plays in shaping personal stories. Grace Dent invites various celebrity guests to share their comfort food experiences and discuss how food intertwines with their lives, memories, and identities. Expect a warm, humorous, and engaging conversation about food, culture, and personal anecdotes.
Episode Overview Episode Title: S8, Ep6: Richard E Grant, actor Guest: Richard E. Grant - An accomplished actor known for his roles in "Withnail and I," "Star Wars," "Gosford Park," and more. He brings a unique perspective to the conversation, sharing both humorous and poignant stories related to food and life experiences.
Key Themes and Discussions
- Comfort Food Choices:
- Richard E. Grant’s comfort food of choice is Heinz baked beans on toast with Marmite underneath, a combination he has enjoyed since childhood.
- He humorously recounts the "comical effects" of baked beans on digestion, showcasing his playful attitude towards food.
- Morning Routine:
- Despite his dislike for porridge, he consumes it daily as a compromise made during his 38-year marriage, highlighting how personal relationships can influence eating habits.
- Childhood Eating Experiences:
- Growing up in Swaziland, Richard describes a monotonous menu dictated by his mother’s aversion to cooking, which included a weekly rotation of roasts and barbecues.
- The impact of familial relationships on food experiences is touched upon, with anecdotes of how his father's alcoholism affected their home life.
- Personal Anecdotes:
- Richard shares a harrowing tale from his adolescence involving violence and his father's alcoholism, reflecting on how these experiences shaped him.
- He recalls a supportive figure from his childhood, his piano teacher, who provided him refuge and guidance during tumultuous times.
- Culinary Experiences in Hollywood:
- Richard discusses his experiences preparing meals for Melissa McCarthy before the Oscars, illustrating how food serves as a means of connection and normalcy amid the chaos of fame.
- Grief and Food:
- The conversation shifts to Richard's late wife, Joan, and how food played a significant role in their relationship and during her illness.
- Richard emphasizes the importance of finding joy in small moments following her passing, reflecting Joan’s challenge to seek “a pocket full of happiness” each day.
Notable Quotes
- "You can tell a lot about a person from what they eat behind closed doors."
- "I challenge you to try and find a pocket full of happiness in each day."
- "You don't get over grief. You get around it."
Key Takeaways
- Comfort Food and Identity: Food is deeply intertwined with personal history and identity. Richard's choices reflect not just taste, but significant life experiences and relationships.
- Humor in Hardship: Richard's ability to laugh about serious topics highlights the power of humor as a coping mechanism.
- Importance of Connection: The act of preparing and sharing food is presented as a vital means of nurturing relationships, especially in times of struggle.
- Living with Grief: Richard's journey through grief offers insights into finding small joys, encouraging a mindset of appreciation for daily life despite loss.
Conclusion This episode of Comfort Eating provides a rich tapestry of humor, nostalgia, and profound insights into how food shapes our lives and relationships. Richard E. Grant's anecdotes not only entertain but also resonate with those reflecting on their own comfort foods and the stories behind them.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Transcript
Automatic transcript. May contain errors.0:00This is The Guardian.
0:07Hello there, before we start I wanted to let you know that this episode contains some swearing and themes that may not be appropriate for all listeners. I'm Grace Dent and this is Comfort Eating from The Guardian. A podcast where we pay homage to the lesser celebrated foods in life. Because even as a restaurant critic, I believe the food that matters most is often that snack you cobble together when you're curled up on the sofa. Each week, I ask my guest to lift the lid on what comfort foods have seen them through their lives. Because you can tell a lot about a person from what they eat behind closed doors.
0:53Hello everybody. Now, my guest today is the actor Richard E. Grant. I know, I know. What would you wear to meet one of the most successful and enduring film stars of the last 40 years? Now, one thing's for sure, it's going to start with a pair of thick, black, opaque tights. because the day has finally come in the calendar when you can get back into your 60 deniers. Should be a national holiday this. Women should exchange cards around this time. Happy 60 denier day to one and all. Now, a man I feel sure will have worn a 60 denier at some point is Richard E. Grant. He's what I would like to call denier aware.
1:43raised under the African sun in Swaziland. His dream of acting brought him to the UK as a young man where he was cast aged 30 in the cult classic with Nell and I. Since then, he's not left our screens. He's starred in dozens of films and TV series from Gosford Park to Star Wars and from Game of Thrones to Saltburn. I think my favourite is the 1995 film Jack and Sarah. It is just a proper Sunday afternoon hug of a movie. His book, A Pocket Full of Happiness, was written after his wife of 38 years, Joan Washington, died in 2021. And at 67, his career is in full bloom. Now, I've heard this is a man with a few eccentricities when it comes to food, and I have many questions.
2:33Okay, I'm just looking at my phone. His taxi is half a mile away. He'll be here in a second. Play it cool, Grace, play it cool.
2:50Richard E. Grant. Yes, Grace Dent. Welcome to Comfort Eton. Welcome to our world. You've been acting for the best part of four decades. You have learned thousands of lines in your time. I'm now going to test you. I want to know if you can remember when you said this one. There's a famous saying, like schoolboys, reasonings are best enjoyed young. That was in a show with Arabella Weir called Posh Nosh. Yes. And there were 10-minute shorts made for the BBC sunning up all those cookery shows that proliferated in the early 2000s. You're absolutely right. 2003, you were playing the Honourable Simon Marchmont.
3:43You were a camp, upper-class TV chef. The moment you finished shows, do you just completely forget almost all of the lines? I think you forget all lines. Completely. I knew that when you said Riesling, I thought, well, there's not many things that I've mentioned, wine names, so it would have to be a cookery show. You did make a very, very good chef. thank you every time i invite a fabulous guest to join me on the show i ask them to bring their comfort food this is the metaphorical equivalent of clambering into bed it's the your agent has just called the afternoon's plans are cancelled right due to some kind of food poisoning you're high on council plans.
4:31You get into bed with this snack and it screams home. Do you want to show me under your tea towel, please? I will show you under my tea towel. It is Heinz baked beans. Old friend. On top of brown toast with Marmite underneath. Tell me about the baked beans. When did you first discover this was your snack of choice? I was given baked beans when I was a boy and then horrified my mother by putting marmite on top of the toast underneath the beans because I'm a salt addict and marmite as you know is very salty and then when I was a student then an acting student and then an out-of-work actor it's a kind of go-to meal that costs nothing and requires no cooking skill whatsoever other than opening the tin and heating it up and also you're also rewarded with the comical effects of the fart-a-thon that succeeded.
5:25Now, I don't think that baked beans are the worst for wind. So what is your top fart ingredient? That would be, thank you for asking, I was hoping that we'd get here. They used to have a thing between Lent and Ash Wednesday. All the northerners would eat this thing, Carlin's, and they used to call it Carlin's Sunday, and then everybody would say Farting Monday. And what is Carlin's? It's a bean. It's a bean. You soak them in water and then you add loads of butter and like bacon, right? The non-bean version is avocados and a handful of raisins. And within 10 minutes, you will be like a Suzuki motorbike convention leaving the pit stop.
6:15We've only just met and you've already started talking, lowering the tone, talking about gas. But the thing is, I think that you've just got that, you've just got a look in your eye that immediately just says, well, this is not a man to talk just about the weather with.
6:36I've done this podcast long enough to know that you can really get a sense of a person from understanding their food habits, their routines. Yeah. Let's start at the beginning of your day, the morning. Now, set the scene for me. are you a morning person and what do you do to kickstart the day? I have a bowl of porridge, which I hate because it keeps you going till about lunchtime. And I put it in water. Yeah. So I hate milk and boil that up. Oh my God. And then put as much fruit or cranberry juice or anything to disguise the fact and then basically glug it down in about four gulps. Right. Okay.
7:18It's revolting. Absolutely revolting. So how long have you eaten this porridge concoction? My late wife said that I had to eat breakfast. For 38 years of our marriage, I ate this concoction because she loved porridge. She thought that it was perfect as a last meal. I mean, have you ever thought about going absolutely mad and maybe buying sugar puffs? Uh, no, because they don't. I've tried sugar puffs, but they don't sustain you till lunchtime. You can't run for a couple of miles in the park in the morning on sugar puffs, in my experience. How do you manage to eat the porridge if you don't like it?
7:59Hold my nose closed like that, like a nose peg, and just plug it down. I tried coffee once in 1971 and spat that out. And I tried tea and spat that out as well. Hang on a minute. You don't drink hot drinks at all? No, I like iced things, even in the middle of the winter, of ice and everything. This feels like an interview for the insane asylum. You're trying to establish whether I should be taken away and strapped down. I think we've heard enough, yes. People in coats, bring in the van. Hot drinks. It's the cornerstone of British society. Like when you came in and you didn't want a hot drink, I was like, put what?
8:41Where are we going now? What are we going to give him? The porridge says a lot. It's very regimented. I think that often these rules are seeded in childhood. What were you eating as a child in Swaziland? The meals were because my mother hated cooking and we had a cook because it was colonial era. We had the same meal on a different day, week in, week out. Monday it would be roast chicken, Tuesday roast lamb, Wednesday roast beef, Thursday pork, Friday fish, Saturday barbecue. And that was it. There was no change. I saw spaghetti for the first time when I was 11 years old and was appalled because I thought that somebody was giving me a bowl of white worms.
9:25Who have very good teeth, strong bones and blue eyes. Was the chicken cooked in the same way every time? You were basically living the life of somebody in 1950s Hull or something like that. Exactly right. But in Swaziland. I've never been to Hull, but I take your word for it. The barbecue. Yeah. Now, see, that sounds like fun times. Was the barbecue fun? Was that where your family... Yes, it was, except that after my mother's adultery, and she went over my father's best friend, which I happened to witness in the back of a car inadvertently when I was 10. When my father found out and then my mother left, he then became a chronic alcoholic.
10:12So barbecue day meant that the drinking would begin at about noon. And then by three, four o 'clock, it was run for the hills because he had a real personality switch when he was from a very charming, loquacious, kind, and loving human being into Godzilla's brother. And the barbecue is like a beautiful cover, isn't it, for that? Because he's just, it's sociable. Yeah, you can invite everybody around and you could drink without any self-control. I mean, it does sound also like quite a typical British barbecue now. I mean, joking aside, people do get absolutely hammered here at barbecues. Like somebody always has to fall into a bush and somebody has to sleep with someone else's wife.
11:02if that's just the British barbecue. You know, I now have to go to Hull to find out my full cultural roots.
11:16I've heard you talk before about what happened with your mother. It feels like you've got humor and comedy when you talk about it, but it can't have been like that bloody time. Well, you have to, but when you're 10 and you don't really understand to what you've seen, but you know that it's something that you shouldn't have seen and that these two people shouldn't have been doing. I was asleep on the backseat of the car coming back from a cricket match. And all the adults had gone to the sports club afterwards to drink and have dinner on that. So every kid found a backseat to fall asleep on. So when you wake up and it feels like it's the middle of the night, there are no lights on of the house that you're supposed to have returned to or the town that you've gone through and the only lights are the headlamps of the car and the car is moving rhythmically, but the engine is off, you know that something is not right.
12:12And when the person in the front seat is not your father, snogging and doing the deed with your mum, then it's pretty unequivocal. Because you know that you're either not going to be believed or you can't tell anybody, writing it down was the way that I instinctively dealt with it, which is why I've been a diarist since I was 10 years old. Lord, if I write it down, then nobody can tell me that it didn't happen. My parents ran off with each other to be with each other and had me. You? Yeah. So you're a love child? Yeah. And I remember all of the drama around that and how people were behaving. But now I look back and I realize they were really young.
13:03They were in their 30s. Of course, I can forgive them. Do you know what I mean? I can forgive them now for the madness. Can you see that? Oh, yeah, no, I perfectly understand as, you know, now that I'm officially an old age at 67, that my mother fell out of love with my father and that you have no control over that. Okay, this sets off a chain of events. Your mum leaves. Yes. Your dad hits the ball and you run away. What made you go? I only ran away once when he, when I was 15, he got very violent towards my stepmother. and was trying to bash her up. She had locked herself in their bedroom at the end of a long corridor in our house.
13:51And I thought misguidedly that if I emptied all his Johnny Walker scotch down the drain in the scullery, then that would ease his drinking slightly. So I had got through, I was halfway through the 11th bottle down the sink and I felt something very cold on my neck. And it was a gun. and I ducked immediately, gun went off and then he chased me into the garden and then found me. And he was very drunk and very angry and he said he was going to blow my brains out. And I said, you know, go on, do it. Just end this misery of what we're all having to deal with. So he had a gun to my temple and then pulled the trigger.
14:33But because he was so unsteady, it missed. Otherwise I wouldn't be here. And then I ran away and I stayed with my piano teacher called Bunny Barnes, who was Scottish. And she was the one, she was a kind of substitute mentor mother figure in my childhood. And I stayed friends with her until she was 94, when she died in 2007. She knew what was going on because I told her at school. And she said, oh, you can stay here. And she said, what I'm going to do is extend your musical education. I said, oh, what's it going to mean? She said, well, I'm going to close the drapes and put on some Puccini, Madame Butterfly.
15:12So I got an intense musical education from my piano teacher. And she also gave me another invaluable lesson. She then taught me how to light a fart. No! Which was, you know, coming back to the beginning of our baked bean introduction, Grace Dent, that it has stood me in great stead. I don't have the paperwork from Health and Safety to allow you to light your own farts within Tom Fitton. It's one of the great party tricks of all time. If you want to win children over, it has been foolproof for me, I kid you not. Oh my God. When is the last time you entertained a group of people by lighting a fart?
15:52Last night. No.
15:58Did Bunny cook for you? Yeah, she cooked apple strudel. So I've loved apple strudel all my life. She was a very, very good cook. I love an apple strudel. It's very northern, isn't it? Yeah, I love dense, no-nonsense beige puddings. I think that you can't go wrong with the jam roly-poly, which is just suet and jam. Yeah. That kind of stuff that you eat and it just kind of insulates you from a northern winter. you left swaziland in 82 yes your dad had just died six months before you set your sights on being an actor you arrived in notting hill but how how are you surviving what are you living on i knew somebody that i'd been at university with who was living in notting hill and he had a neighbour who rented a bedsit, one room, that had a bed on a ladder above the little kitchenette bit.
16:58It was£30 a week and I got a job as a waiter at Tutton's Brasserie in Covent Garden, which is still there. Were you the person that was sleeping up the ladder on the mezzanine? Yeah, I was living alone. I'm having horrible flashbacks to going out with boys that were living on those mezzanines and having to crawl up the ladder. I'm just having... Did you crawl up some of those ladders? Oh, absolutely. I've been up some of those ladders. Yes. I had people come up the ladder too. You have to put the other person against the wall in case they fall off and wake up the neighbours upstairs or beneath you.
17:42you worked waitering in tutton's it's a brasserie in covent garden it's still there yeah it's still there if i had to i was a good waiter because i don't drink and i didn't steal and it was amazing how much stealing went on and how much people drank Like the booze that people rushing off to the theatre didn't finish in their glasses. The female waiters would be quite sloshed by the end of the night because they were necking other people's leftovers. When you say stealing, are we talking about like... Bottles of wine, wheels of cheese. How do you get a wheel of cheese out of a restaurant? Under a big winter coat, which in the winter of 1982, people did.
18:28I saw somebody leave with half a wheel of parmesan under a winter coat. I kid you not. No names, no patron. Well, people are stealing wheels of cheese. Are they taking them back and you're eating this delicious... I don't know. I don't eat cheese. To me, it's like congealed snot. I think I kind of understand the cheese thing, though, because I love cheese, but it is one of the weirdest things that you could possibly put into your mouth. I can't even, the smell of it is enough to make me leave the room. But you hang around posh people all of the time. They're just so big on cheese. They're obsessed with it.
19:05I have a variety of cheeses. When they say a variety of, I'm out the door. If you were invited to Balmoral for Christmas and Camilla said, now let's all go into the drawing room to behold the cheeses. Would you even then go, I'm sorry? I've stayed with them in Sandrium, not Balmoral. And they don't go to the drawing room for the cheeses. The cheeses come into the dining room. And I have left the dining room when the cheeses have arrived. It's very easy. You just excuse yourself and go to the loo for 20 minutes. That's one of the most radical things I think I've ever heard anyone. Into the tower with you.
19:46You led me there. You were in Notting Hill in the 80s before Notting Hill was Notting Hill as we know it. To be able to rent a bed sit for£30 a week meant that it wasn't la-di-da by any stretch. How old were you then? I was 25. You're 25? Yeah. You've got a bed sit in. Yeah. And you could get cheap vegetables at the end of the day from the vegetable market. Yeah. The electric cinema was a flea pit where they showed all sorts of different repertoire of movies and old movies. And you could go there for next to nothing. So it was a very easy place financially to live, whereas now you need to be a squillionaire or own a council flat.
20:29What did you look like then? What was your look? What was your uniform that you put? What did you wear? I got a 1940s floor-length raincoat from Oxfam, which I wore. And when I was auditioning for Withnail in Notting Hill in 1986, There was a monsoon deluge of rain when I came out of Notting Hill Tube Station and I was wearing that coat. So when I went into the audition, I looked exactly like a sort of drowned rat that is described in the screenplay. You break out part five years after you've arrived in London. Yeah. With now. It got written down cult classic, but I think cult classic kind of brews slowly.
21:16Yeah, it does. Was it even an underground hit? No. It was an underground. Played in about six cinemas for a couple of weeks, got mediocre reviews, and then it disappeared. Ten years later, because of video, and then subsequently DVD and students watching it, and then doing the drinking game associated with it, matching drink for drink, what the characters do, then it accumulated this following. You know, I don't think people realize you are completely T-Toll. You don't drink. You don't drink anything. Yeah, but I had a great role model because my father was a chronic alcoholic. So I saw firsthand on a nightly basis what drunk looked like and how drunk people try to cover up the fact that they're drunk.
22:04Also, can I ask, is it true that the director, Bruce Robinson, wanted you to try booze while preparing for the role of Withnell? Oh, he forced me to. He said that before the final day of rehearsals before we went up to Penrith to start filming. We were at Shepparton Studios and he said, you have to have a chemical memory of what it's like to be drunk. And so he gave me a bottle of champagne and sent me home. And then I drank, I managed to drink the whole bottle through the night in between throwing up and they picked me up and took me for the final day of rehearsals with Paul McGann. And I passed out halfway through the rehearsals, but vomiting first in the garden.
22:46And they were falling about laughing. I remember that because they thought it was so funny that I was so drunk. Can you imagine that happening in this day and age? No, he'd be in jail. Yeah, yeah. I can tell from talking to you that food and the senses are key to how you experience, you understand the world. Now, I heard you in an interview say that when you get into character, you imagine two things. Your character's sex life. First of all. And what they eat. And what they smell like. Those three things. Who, what and how do they shag? What do they smell like? And what do they like to eat? Can I ask Spice World the movie from 1997?
23:26Yes. What does Clifford have in his cupboards? Well, he didn't eat much because he lives on adrenaline and anger. So I think that he lived on rage and wine gums. And wore that Paco Rabanne. Million. Overpowering. An absolute repellent sidebound whippet. You worked with the Spice Girls at the absolute height of the madness. Yeah. What was that like? My daughter was eight. And she came home, listened on the answer machine while I was making her something to eat. Probably beans on toast. and opening a can. And she came through the kitchen apoplectic and she said, Dad, you've been offered the manager of the Spice Girls in Spice World, the movie.
24:19You have to do it. I don't care what you do. This is the only job I want you to do so I can meet the Spice Girls. My playground status for two terms was an all-time zenith because of that. All her friends came to meet them and they were incredibly kind. I'm not asking you to name your favourite Spice Girl from that experience, but who was the best one? Jerry was the most direct. Sporty was the most withdrawn, probably because I talk too much. And the person that engaged with my daughter the most was Baby Spice, Emma Bunton. And Victoria was very funny. It's hilarious to me that she has this public persona now of being that she doesn't smile a great deal.
25:00She's really funny. You haven't mentioned Scary. Oh, Scary. Scary did this great thing. I had very tight, shiny suits on. And Scary pinched my bum and she said, you're not bad for an old bloke. And I thought that was the best to be told by Scary that my bum wasn't too bad. It's a great compliment. I love that 20-somethings think that by the time you're 40, it's just really nice that you're out of the house and just well done.
25:43What did you imagine the diet and sexual proclivities were of your character Jack Hawk in Can You Ever Forgive Me? for which you were nominated for an Oscar in 2019? Cigarettes and booze and gets food out of a dumpster. Skip because he is destitute. He was my first alcoholic since Withnail. And he was a real person, as Withnail was based on a real person. And this man, Jack Hawk, did exist. So someone said to me that on the morning of the Oscars, you actually cooked. Is that right? I did, because the night before, I called Melissa McCarthy and I said, to try and normalize this completely surreal, abnormal situation that I'm in, if I buy all the ingredients because I was in a hotel next to Whole Foods um can I come around to your house with your kids and your husband and I will cook breakfast for us and then we'll go to the Oscars you have to leave at about one o 'clock so we did so we swam jumped on the trampoline and I cooked eggs and all that stuff is that not stressful in somebody else's kitchen no it must have been like when you go stress it goes to a holiday cottage and you can't find the tin opener and you can't find the toaster except with Melissa McCarthy.
27:06Grace Depp, believe me, multi-millionaire as multiple homeowner, Melissa McCarthy. You don't go searching around. You just say, where's the tin opener? Where's the oven? Where's the copper pan? How difficult is it to go and make scrambled eggs? She was surprised that I used olive oil instead of butter. You were in Dracula in 92. Yeah. I've heard that Francis Ford Coppola cooks. We all went to his Napa Valley estate, this big wine estate that he has outside San Francisco. And we rehearsed there for two weeks and all stayed in his house. And he cooked for all the cast, Winona, Ryder, and Anthony Hopkins and Gary Oldman and Keanu Reeves and Gary Elwes.
27:50He cooked dinner for us every night. Hang on. And he's a brilliant chef. Did he cook? Yeah, he did cook. Yeah. He loves cooking. How do you do a whole day on set and then run home at the speed of light and suddenly… Because we're rehearsing. So he'd stop rehearsals at five o 'clock. Yeah. And then we went trampolining and he put us in hot air balloons to have a bonding experience. Or we went walking through the Winelands or we went dancing in the local town. And then he would cook. And we all sit on the veranda of his amazing house. Do you know when people have affairs on set and they always say, well, how could that possibly happen?
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28:28It's because you've been taken away from your normal life and taken to the Napa Valley. Yes. And then suddenly you're in a bloody hot air balloon. And you're being cooked for by Francis Ford Coppola with Gary Oldman. Yeah. And then you're like... Living the dream. Ringing your bloke and going, have you put the bin out?
28:56you still have a boyish excitement sometimes about famous people there is sometimes always always i'm completely starstruck well there's a viral video of you on the red carpet at the Oscars with Ryan Seacrest when you blurt out loudly, I want to meet Barbara Streisand. And I did. Did you? Yeah. I manifested my own fantasy. Did you go in for the selfie? Oh, I did. I didn't ask permission because I knew she would say no, because she only likes to be shot from her left profile. You didn't ask for permission? No. You're such a badass. I know. And then I was having dinner with my daughter, Melissa McCarthy, and Barbara Streisand was the only person in a room full of very, very famous people who required two bodyguards because there were other people as crazy as I was about her.
29:45And she was eating with Spike Lee, who I'd got to know on the four-month awards circuit that you inadvertently find yourself on. And I left my daughter and my me, and I said, I've got to go and speak to Barbara again. I'm never going to see her again in my whole life. And my daughter said, get a grip. So I went over And I looked through the arm of this bodyguard who had hands on his hips. And Spike Lee, God bless him, saw me and he said, hey, Richard, my man, come on in. So I went through. Barbara said, how do you know each other? And he said, we go back a long ways. And so they said, oh, join us.
30:20So of course I did. And she had a, oh, I've got a bean on my shirt. Late snack. Lovely, cold. She had a brooch on her chest that had come unclasped. And she said, oh, now my glasses. So I said, may I? And I knelt before her and got really close. Took a deep inhalation. What did she smell like? What did she smell like? Oh, heaven. Two weeks before the Oscars, I had the day off from publicity and screenings and things. And I said to my wife, it's a beautiful day. We have a car. Let's go up and have lunch in Malibu. So we passed the sign of Malibu. And she said, hey, Suarez, we've gone past. I said, no, no, just indulge me.
31:02And I went onto this top of this cliff called Point Dume. And I stopped. And she said, what are we stopping here for? And I said, just give me five minutes. She looked out the window and she said, is that Barbra Streisand's house? And I said, yes. She said, you're going to be arrested and deported. The Oscars in two weeks. Just pull yourself together. So I said, you stay in the car. She slunk down. I got out, rang the buzzer. Security guy came out and he said, what are you delivering? And I said, nothing. I'm asking permission to take a selfie because I've been a lifelong fan of Barbra Streisand since I was 12 years old.
31:35I've been Oscar nominated this year. Please don't mind taking a selfie. He said, it's a public highway. You can do what you want. So I did. And I posted that selfie outside her gates and a copy of the letter that I'd written to her when I was 15. I never got a reply. and then a day later my daughter called me from London and her girlfriends were laughing in the background and she said dad have you looked at Twitter today and I said no she said Barbara Streisand has replied to you I said don't fuck with me because this is this means too much this is cruelty what you're doing and she said have a look and it said dear Richard thank you so much for the beautiful letter you wrote me when I was 15 I never got it congratulations on our latest movie with Melissa McCarthy, Love Barbara.
32:21Oh my God. It feels like - The apotheosis of being a fan of somebody and you finally get to meet them and they are everything and more than you hoped that they'd be. Did you say that Joan called you Swaz? Yeah. I love that. Right from the beginning? Right from the beginning. But it feels like Joan, she was your wife of 38 years. She was anti-starstruck. It feels like she didn't have that about her. She wasn't a starstruck, whereas you were like a kid let loose in the sweetie shop of fame. Exactly right. My words. And I think you have to have that yin-yang to have a relationship that's going to succeed.
32:58She's given me very grounded about all that stuff. Now I'm unleashed, you see. Now that she's no longer here. Although I hear her voice in my head all the time going, calm down, get a grip. It's only another human being.
33:22You met Joan when you arrived in London. It was Beef Burgignon in Twickenham that clinched it. It was. She asked me in January, I'd done some accent classes with her, regional British accents at the Actor's Centre in November 1982. And then she left an answer machine message for me in January 1983 saying she was doing a play at the coaching on a play at the Royal Shakespeare Company that required a Sisswati speaker and I was the only person that she knew in London that spoke Sisswati so she said if you come around put all this stuff on tape I'll cook you dinner in exchange so I went round and as she was taking this I don't forget this this boeuf bon guignon out of this eye level oven that she had she very casually said over her shoulder.
34:11Oh, are you with anybody? And I thought, ding dong. That's a provocative question. Was it one of those things where you eat the beef bergignon and then you kind of never go home ever again? That's exactly what happened. So essentially a conversation that began in bed in January 1983 ended in bed on the 2nd of September, three years ago when she died. And we never stopped talking and arguing and all those things, but we never stopped gas bagging. Just the endless, endless conversation and language and in-jokes. We talk a lot on this podcast about food and caring and the process of caring for people when they're very ill.
34:56Was that important? Did it stay important? I cooked three times a day. And she got, because she was on all this cancer medication, food started tasting like, she said that it was like the texture of sand. So it became more and more difficult to find things that she liked eating. And I hit on mushroom stroganoff for about a week and I cooked it more than once. and then she said swass I never want to have mushrooms stroganoff ever again and then you have to scrabble around and find something else yeah with my mother it was right near the end there's just trifle you know those trifles those individual trifles in a pot where it's just like custard layers it's the kind of transfer in love while you can yeah absolutely accurate.
35:55When people are ill, people often bring around food. Was that a nice thing to happen? Or did you think, Jesus Christ, please stop putting lasagna on my doorstep? It was an incredible thing to happen. And we've been friends with Nigella Lawson for a long time. And she sent homemade food round in an Uber every Sunday afternoon at three o 'clock for the last eight months of my wife's life which meant that for at least two and a half days I didn't have to cook or think about what to cook and because she had suffered so many losses in her family she understood something that I am guilty of of saying to people that are terminally ill or their carers saying let me know what I can do for you yes because you're then putting all the responsibility on that person to come back to you and they never do.
36:50Whereas Nigella was front-footed about it. She didn't ask. She sent round the food and it was an absolute godsend. And I'm so indebted to her for that for as long as I live. Because she didn't say, is there something I can do for you? She just did it. So that is something that I have really learned about people who are terminally ill. You don't ask what you can do for them. You just do it. You said you don't get over grief. You get around it. What has your attitude been to happiness? Joan said to me four days before she died, she said to my daughter and I, I challenge you both. I know that you're going to be sad, but I challenge you to try and find a pocket full of happiness in each day.
37:37And it was an amazing thing to have said because built within that little phrase is permission to feel joy and happiness without attendant guilt. Because you instinctively feel, how can I possibly be enjoying something or having a nice time when the person that you want to share this with most in your life is no longer there? So that has been a real mantra by which to navigate each day. And also the thing of not thinking you've got to win the lottery or buy a new car or, I don't know, get Spielberg on the phone giving you a job, any of those sort of big moments that you might wish for in your life.
38:21To find delight in smaller things has been a real lesson. So I've got it written on the top of my laptop. It's on my phone. somebody very kindly carved it in a piece of wood and sent it to me can I go away today and feel like that the pocket full of happiness that you had today was when we talked quite extensively about farting it was a bag full of happiness I'm going to end by farting by farting loudly great setting light to it yes on the most important question. Yes. What is that? Now, we talked at the beginning about the eccentricities that you have around eating and drinking. I feel like I've really tried to get the measure of the man that you are.
39:14And this last fact tells me everything that I need to know about you. Can you please reveal to our listeners your most taboo food eccentricity? it concerns a seasonal pudding. I eat Christmas pudding once a month. I have to limit myself, otherwise I'd be the size of Billy Bunter. I had one last week. I have one once a month. And in January, they're literally kicking them out like old footballs out of the stores, in the sales, because people don't want to have them anymore. So I have a pantry. I've got 27 sitting, waiting for me to scoff them down. And I love them. Christmas pudding? Yeah. Do you microwave it?
40:00No, you have to boil it. Delicious. Delicious. No cream, no custard. Do you fry it afterwards? I have done the next day, but usually there's not any left to fry the next day, if I'm absolutely honest. Richard E. Grant. Yes, Grace Dent. Thank you for comfort eating with me. Thank you very much for having me to eat with you.
40:26Thank you for listening to Comfort Eating. This episode was produced by Hattie Moyer and the mixing and sound design is by Solomon King. The music was written by Axel Kakutie and our executive producer is Lucy Brumel. If you love comfort eating, go and leave us a review and you can follow or subscribe so you never miss an episode.
40:57This is The Guardian.
From the publisher
This week on Comfort Eating, Grace is joined by one of the most successful and enduring film stars of the past 40 years: Richard E Grant. The Swaziland-born English actor made his film debut as Withnail in the comedy Withnail and I, and has since starred in the likes of Star Wars, Gosford Park and Saltburn. Richard and Grace chew over the food he ate when he ran away from home as a child, the breakfast he eats every single day but hates, and what exactly he cooked Melissa McCarthy for brunch before the Oscars ceremony. If you liked this episode then have a listen to Grace’s conversations with James Norton, David Harewood and Tamsin Greig




