Andrew Scott

1 Jun 2026 · 1 h 3 min · 24 chapters

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In short

Conan and Sona talk about Sona’s “mood hair” routine (especially running out of expensive Moroccan argan oil), then interview actor Andrew Scott about his Irish background, career highlights, and acting philosophy (playfulness, mistakes, theater). They also discuss his roles—especially Moriarty in Sherlock—and his new film Pressure, which centers on WWII planning for D-Day and the weather conditions needed for the invasion.

Guest backgrounds

Andrew Scott is an Irish actor known for Sherlock, Fleabag (Hot Priest), and other major screen roles; he also played in the Irish-language TV series Ross Ná Rún (last season). He grew up in Dublin, studied speech/drama due to a strong lisp, and loves theater (including Vanya, where he played multiple roles).

Key claims

Best villains are charming and funny; actors should keep “play” alive; audiences bond with liveness and human mistakes; theater’s simplicity (no CGI) can be more connecting than spectacle.

Notable examples

Moriarty’s pool scene and “I will burn your heart out of you” moment; Ross Ná Rún balloon-delivery story; Vanya multi-role performance; Pressure’s D-Day weather planning and Captain James Stagg.

Written by AI. May contain mistakes. Listen to the episode to check what was said.

Chapters

Tap a time to open that second in VO

Podcast Hair Talk

0:10 to 1:00

Conan and Sona discuss their hair routines and the challenges of maintaining it.

“Many times you and I would be in the car together and you would say, let's hit McDonald's.”

Podcast Hair Talk

2:16 to 4:20

Conan and Sona discuss their hair routines and the challenges of maintaining it.

“And I don't do that at all with the podcast.”

Argan Oil Discussion

4:21 to 6:33

Sona explains her use of argan oil and the comedic implications of its sourcing.

“But I mean, you have abundant, luxurious, powerful hair.”

The Legacy of Ross Naroon

6:34 to 9:20

Andrew shares his experience on the Irish show Ross Naroon and his comedic roots.

“They're cutting down trees in Morocco to tame your hair.”

Andrew Scott's Acting Journey

9:21 to 14:01

Conan and Andrew delve into Andrew's career, especially his role as Moriarty in Sherlock.

“I think he's one of the greatest actors alive.”

Exploring Iconic Roles and Performances

14:01 to 17:41

Learn about Andrew Scott's memorable performances, including roles in Sherlock, Fleabag, and Ripley.

“And I think I've, I don't know how many times I've watched that scene, but you are so great in that role.”

Childhood and Artistic Development

17:41 to 21:00

Discover Andrew Scott's shy childhood, his speech challenges, and artistic passions.

“Well, I mean, you can take it or leave it, but...”

The Playfulness of Acting

21:00 to 28:00

Explore the importance of playfulness in acting and how it influences creativity.

“It's something that I'm still really interested in.”

The Art of Play in Acting

28:00 to 29:50

Discover how playfulness influences acting and creativity.

Mistakes as Opportunities

29:50 to 32:00

Learn why making mistakes can enhance creativity and performance.

Show all 24 chapters

Audience Engagement and Connection

32:00 to 34:10

Explore the relationship between performers and their audiences.

The Nature of Standing Ovations

34:10 to 36:10

Examine the meaning and implications of standing ovations in performances.

“But actually what I think the audiences feel is, it reminds them that they've remembered all the other lines.”

Growing Up with Sensitivity

36:10 to 39:55

Understand how childhood sensitivity shapes artistic expression.

“and you're laughing at something, you're not thinking, God, why is that person in the balcony was laughing as much?”

The Importance of Theatrical Experience

39:55 to 42:00

Discuss the ongoing relevance of theater in an actor's life.

“Well, that's why, I mean, you've, you've had all this success, movies and television, and I read that you make a real point of doing theater regularly.”

The Impact of Theater on Audience Connection

42:00 to 44:24

Learn how live performances create a unique bond between performers and audiences.

“Every time I see him, he's scrubbing away.”

Exploring Chekhov and Humor in Serious Art

44:24 to 46:20

Discover the humorous aspects of Chekhov's work and the creative process behind staging it.

“Yeah, you will keep getting these opportunities to do, you know, movies and all kinds of projects you want.”

Navigating Multiple Roles in Performance

46:20 to 48:26

Understand the challenges and creativity involved in playing multiple characters on stage.

The Significance of Weather in Historical Context

48:26 to 50:52

Explore the role of weather in strategic military decisions during World War II.

“I want to talk about this, again, interesting process now where you've made a movie and I was told I could access this movie.”

Character Complexity in Historical Figures

50:52 to 52:50

Learn about the depth of historical characters who made difficult decisions under pressure.

“So they need somebody to say, this is what it's going to be like, don't go on that day, because then you'll surprise them, or that would be a good day to go, they'll see it coming, blah, blah, blah.”

Reflections on Acting and Personal Connections

52:50 to 56:01

Hear about the nuances of acting and the personal connections actors have with their roles.

“kind of cinematic characters that aren't necessarily nice but are good yeah you know what i mean no he's a very good man and he's doing the right thing but he is not a people pleaser No, it's not.”

Conan and Andrew's Thrilling Encounter

56:01 to 59:19

Conan expresses his excitement about meeting Andrew Scott and reflects on his experiences.

“We'll dial up the YouTube here for a second.”

Hallmark Movies and Their Appeal

59:20 to 1:01:00

Conan shares his obsession with Hallmark movies and the predictable plotlines they feature.

“Need to pay a friend back for festival tickets or a morning coffee run?”

Ice Sculptures and Christmas Dreams

1:01:01 to 1:04:17

Discussion about the clichéd narratives in Hallmark movies, particularly focusing on ice sculpting and career choices.

“I don't know what it is, But I start watching them and then I love to call out what people are going to say.”

Creating a New Genre of Hallmark Movies

1:04:18 to 1:08:03

The hosts brainstorm a parody concept for Hallmark movies featuring explicit content mixed with traditional themes.

“What if they could make, and this is something, we have a production company, maybe we could get into this.”
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Transcript

Automatic transcript. May contain errors.

0:02This episode of Conan O 'Brien Needs a Friend is brought to you by six all new McCafe drinks at McDonald's. You're a McDonald's lover, Sona. I know that. Love my Mickey D's, boo. Many times you and I would be in the car together and you would say, let's hit McDonald's. I'm talking six new all McCafe drinks. Did you know that? Six. Crafted sodas made with your favorite sodas and topped with velvety cold foam, like a Sprite Berry Blast made with Sprite and blue raspberry syrup. Don't miss the dirty Dr. Pepper and Orange Dream 2. And there are refreshers made with fruit flavors and add-ins like popping boba and freeze-dried dragon fruit.

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1:37Hi, my name is Andrew Scott. And torah all his earm about being Cone O 'Brien's friend. What? What is that? That means I'm happy in Irish. In Irish. Fall is here, hear the yell Back to school Ring the bell Brand new shoes Walking blues Climb the fence Books and pens I can tell that we are gonna be friends I can tell that we are gonna be friends Hey there, welcome to Conor O 'Brien Needs a Friend Joined by Sona Mavsessian Hello, Sona Hello Matt Gourley, how are you, Matt? Hi, Doc Hi, Doc I'll just let it go do you guys ever see our videos come up when you're you know oh yeah you see the videos come up uh of us doing the podcast and i see too when they put out the photo of me with the guests i'll be with billy eilish i'll be with you know whoever the guest is but i think billy eilish came to mind because i was looking at the photograph and my hair is insane yeah and i realized that for years and years and years, I would do a show and I'd, you know, run a comb through my hair and kind of, you know, make sure the coif was working.

2:55And I don't do that at all with the podcast. And sometimes it's insanity. We have a wall out there of pictures of me with different guests and my hair is all over the map. It really is. It really, I mean, it's - It's mood hair. It's just insanity. And I don't know. I got self-conscious. I think the other day, maybe it was the Billie Eilish photograph popped up on my screen. I don't know what's going on up there. I look like Shemp from The Three Stooges. Yeah. If he were a ginger. And then I started to think, you know, do I need to do something about this? Do I need to get it under control? Or is this just what it is now, man?

3:36It's you. It's podcast, man. I have to make sure my hair looks decent every time we do this? No, you don't. Conan! No, no, what I'm saying, Sona, I wasn't saying your hair looks bad, it's just I don't think you have any control over what's happening on top of your head. I certainly do, sir. What do you mean? I put so much product in my hair, and I have to make sure that it's like kind of normal. So I'm seeing your hair after it's been treated and cared for. I'm just, and I'm saying this, Sona, you know this is also a compliment because your hair is powerful. It is the source of your strength. I have the most iconic hair on this podcast.

4:18That's saying something. Yeah, that's... I'm kidding. But I mean, you have abundant, luxurious, powerful hair. It is. But what do you do to it? Okay, so I get out of the shower. To make it so angry and crazy. Do you taunt it? I start off, I put in argan oil to moisturize. Is it aragon oil? What is that? It's argan oil. Isn't argan a gas? It's a gas. No, argan, A-R-G-A-N. Oh, okay. Not O-N. Okay. O-N is the gas. What is argan oil? It's like from, it's like Moroccan oil. It's like the, it's like really nice oil and it moisturizes. You can use it on your skin. And then after that, I put in like seven other products.

5:03Like I put in a leave-in conditioner. I put in a styling cream. I put in some gel and then I twirl it. Then I blow dry it. And then. Then you use a defibrillator. Clear. Bang. Clear. Bang. I do so much stuff. And then a hostage negotiator comes in. Yeah, but it's been dry lately because I ran out of. I ran out of Argonaut. What would it be like if you didn't use all that? Huh? What would it be like if you didn't use all that? Oh, it's horrific. Okay. So this stuff is expensive? It is expensive. Yeah. It's because it's imported. It's expensive. So you have to get it from Morocco. That's the best way to do it.

5:37Have you been to Morocco to shop for argon oil? I have not, but I would love to go and I would go just to shop for argon oil. I think if they knew, if the people in Morocco knew you were coming to get more of their oil, I think they would try to keep you from showing up. Because it's just a massive drain on their oil supply. I just picture huge reservoirs of argon oil being poured over your head just to tame your hair for two hours. Well, maybe it'll help your hair, too. You think I should put argan oil in my hair? I think, yes. Oh, and then slick it and part it down the middle and put on glasses and go, bleh.

6:17It's a new look. I'm a bibliophile. Yeah, I would love to go to Morocco to just buy some more argan oil. Yeah, okay. Not going to happen. Oh, okay. Not on my dime, that's for sure. Hopefully. Do you direct order it from Morocco? No, but you can only get it because I guess they're just trees that only grow in Morocco. And then they cultivate the oil. They're cutting down trees in Morocco to tame your hair. No, they're cutting down forests to tame her hair. Forests? Yeah. That's why there's a desert. It was beautiful. No, it was like Ireland there once until Sona started to try and tame her hair.

6:55Oh my God. It was like the Shire. There were monkeys around going from tree to tree. And then Sona was born. Oh, man. We need these trees. You thought I'd been using it since I was born? Like I was an infant putting on argan oil on my hair? I think you were born with all that hair. I really do. I don't think you were a bald baby. I wasn't. No, I didn't think so. I actually was not a bald baby. I didn't think so. Your hair was born maybe two months before you came out. Is that funny? Your mom was braiding it. You're braiding it tight? Well, she'll be here soon. Yeah, that's right. That's the image I want all of you to have.

7:35You're actually born with a handle. Yeah. When it was time. They jerked me out. A ripcord. Yeah. And swoop. Wah, wah, wah. So anyway, that's insanity. So you're, it's dry now because you're no argon oil. Yeah, yeah, yeah, yeah. I've run out. I got to go get some. All right. We got to get you some. All right. Insane. In just insanity. And one of the most disturbing images out of hundreds and hundreds of episodes we've done. Yes. Sona's hair coming out months before she comes out and then her mom combing it and braiding it before Sona's born is freaking me out. I feel like this is the second time you've done a whole bit about my birth where one time you were talking about my mom crushing me.

8:21What? Do you guys remember? Yeah, this sounds vaguely familiar. He just kept yelling, I crush you. I crush you, I crush you. Yeah, with her strong pelvic muscles, she was crushing you. Don't talk about my mom. I crush you. I crush you. Yeah, it was. Wait, what? I don't know why she was crushing you, but I do remember the phrase. I crush you. I crush you. You owe my mom an apology. I don't think so. I love your mom. She's fantastic. Yeah, because this is like a show expense, though, like based on like the Blay way of doing things. Can I use my corporate card to buy Argon oil? Absolutely not. No, because that's just going to encourage Blay to buy more, you know, whatever Star Wars gloves and Iron Man assholes and then charge us for them.

9:04So no. Why am I catching strays in this? Because you know what you did and it was wrong. And your mother's been implicated as well. No, no, you cannot buy argon oil on our dime. It's not going to happen. All right. Okay. I'll stop you. All right. We've got to get into this because we have an amazing show today. My guest today is a fantastic actor who has starred in Sherlock, Fleabag. I mean, so much more. I adore this fellow. Me too. I think he's one of the greatest actors alive. I'm serious about that. Now you can see him in the new movie, Pressure. I'm just on cloud nine that he's here today because I have not met the man.

9:43Andrew Scott, welcome.

9:48You may not be aware that there is an Irish television show that's in Irish language exclusively that they make in Ireland. Yes. It's called Ross Naroon. Ross Naroon. I was on Ross Naroon. You're joking. I was on Ross Naroon. And then it got canceled. Yeah, yeah. You were in the last season of Ross Naroon. You closed Ross Naroon. I'm the one that ended it. It was flourishing. But no, I went, I did some taping in Dublin. We found out there was a possibility I could be on Ross Naroon. I said, yes, all my lines are in Irish. Wow. what we used to call Gaelic, but they're all in Irish. So did you have to learn it phonetically?

10:28Yes, I had to learn it. They had cue cards that a horse could read. I mean, literally, it was, it's the most insane language. It is completely crazy. It's completely insane. It is crazy. And I thought, well, this is going to be cool. And I get there and I talked to this very cool woman who's the producer, super efficient, super smart, wicked sense of humor and i said to her what's my part you know i'm i'm coming in am i the dashing you know she went no you're um you're an idiot who delivers balloons to the bar and yeah and i said to her listen as a joke i said to her listen there's a there's a good chance that before the day is out you will fall in love with me this is what happens when i when i work with and she said i'll fall in love with you if you get this done in half an hour don't burst the balloon yeah yeah yeah and don't touch the balloons and it occurred to me that i've been to uh ireland a number of times and what always occurs to me is that my formative experience was performing there was a show i did once with a bunch of other irish comedians years and years and years ago the show's over with we're at the american ambassadors residence in phoenix park uh we get into a cab the cab driver's funnier than all of us yeah of course and it's just you throw a stick and you will hit 75 of the funniest people you've ever met in your life and they'll tear tear your face off if you're not yeah no they're vicious yeah vicious but you grew up you grew up in i grew up in dublin yeah yeah yeah my father my father was from the west of our very rural island my mother was from from northern iron ed so but yeah irish 100 percent irish have you confronted your irishness oh it's like it i think it increases i think it increases you know i think if you get well because when you're in ireland you just you don't think about it but when you're outside if you're an irish person outside of ireland you're much more aware i think of your irishness than you would be of course if you were just surrounded by everybody else other babbling other babbling people mildly depressed but also euphoric people people and i think and i do think there is a there's a reliance on storytelling and you know babbling and being funny because it keeps the people alive it completely keeps the people alive so if everybody's emigrated the way you talk about them is you create this stuff about them and you create you keep them in the room you know what I mean so I do think I was just back there filming actually in Ireland for the first time in a long time actually and everybody's funny everybody's funny step it up it's the language yeah it is it's the use of language so I need to say this right up front I intended to say it right up front but of course we started talking immediately about Ross Naroon about Ross Naroon which by the way every single podcast interview i do ross naroon sorry to bring ross naroon again share was just here and we talked about ross naroon you know well she brought it up yeah she brought it up she said have you ever done ross naroon and i said shut up share um i am a uh andrew i am a mega fan i to a disturbing level and I know exactly when it started, which is my son really got into the remake of Sherlock Holmes with Benedict Cumberbund.

13:44Benedict Cumberbund. And by the way, in the States, that's a sobriety test. You don't even have to get out of the car now. They say, who's in the Sherlock Holmes? And if you go, Benedict Cumberbund. I can come with me and start.

14:00so benedict cumberbatch as as as holmes and then you are his nemesis moriarty and the second you walked on camera was a epic moment for me because and jump in here if you know yeah this this performance you gave which has been much discussed and it really puts you on the map you are frightening terrifying and funny and i've always thought all the best villains are charming and funny totally it's important yeah yeah yeah and your moriarty there's this iconic scene where you walk into that there's a swimming pool and you're being very clever and you have that beautiful lilt in your voice and you're very and then at one point you say i believe the line is you you be you get enraged and you say to holmes i will burn your heart i'll burn the heart out of I'll burn the heart out of you.

14:53But then you're kind of pleasant again. And I think I've, I don't know how many times I've watched that scene, but you are so great in that role. And then these things just came one after another. Fleabag, the hot priest in Fleabag, was an iconic standout role. And by the way, if there were five people you'd asked me a month ago, who would you like to meet that you haven't met? One would be you. and the other be Phoebe Waller-Bridge, who I've never met, who I absolutely adore. She's keeping us at a distance, which... Quite right. Did you mention Ross Naroon? I did. Just saying. Staring you in the face.

15:40She apparently was booked, then she saw me as the balloon boy in Ross Naroon. He popped those balloons. Yeah, and she was out. But... Balloon boy. I'm serious. You have to watch it. It's wild. It's a fright. It's a fright. Did you arrive like this? I had the balloons and the guy at the bar starts thinking I'm an idiot and calling me an idiot. And we get into a dispute and I'm quickly ejected from the bar. That was my big. And then it was a year and a half ago. I hear, oh, they've come out with a serialized version of Ripley. that i have watched ripley which i believe is how many episodes is it i think it's eight eight episodes i think i've watched it three times all the way through your performance is stunning all the performances are great one of the things i also noticed is that you can freeze frame any second yes yes of those eight episodes yeah and have that mounted on the wall and it's a credible black and white photograph it's maybe i don't i'm not someone who walks away from a project and says oh the cinematography yeah that is one of the most spectacular pieces of television filmmaking so that got me your vanya which which uh is you play every role too yeah which i don't understand there are times i watch people usually it's in athletics where i say well that's a different species um but i i don't know how you did that and then i'm delighted that one of my my best friends in the world one of my oldest and best friends uh lisa kudrow uh has done this brilliant yes third version of the comeback yeah and i don't even know you're in it and then you walk in as her new very mysterious strange boss and i thought okay all my favorite people are in one project so andrew if i do nothing else but compliment you in this in this in this talk, it will be a very boring interview.

17:40You're forgetting he's a Bond villain too. Oh, I know, I know. I know. I left that out just to humiliate you. I appreciate it. He works Bond in every concert. I try. You do? You're a big Bond guy? Well, I mean, you can take it or leave it, but... No, no. He's obsessed. We will be talking to a historian about the Battle of Gettysburg, and he will say, how do you think James Bond would have done in that situation? Look, you were fantastic. yeah so thank you you've had you had this um well-deserved run but like all people you have an origin story yeah and we got to go back to that because you apparently were a very shy kid yeah very shy yeah shy and you had a pronounced lisp yeah i had a sort of really strong lisp which i think a lot of kids do they sort of grow out of it it's kind of cute but yeah so i went to sort of elocution lesson than you do like when i bring up lisp is it just come back

18:41say benedict cumberbatch right now um but yeah i had a lisp and uh so yeah you have to do this terrible thing called elocution which is you know all about your but part it's basically speech and drama and so the speech part was sort of stultifying with the drama part was suddenly i was able to be kind of not shy and do all these kind of weird things and I kind of love TV and all that kind of stuff What were you watching on TV? Just like The Muppet Show I was like nothing you know not just exclusively The Muppet Show to this day to this day you've never seen anything you watched all The Muppet Show and then you did Vanya All the parts

19:24The Muppet Show is extraordinary though right? Have you seen the Jim Henson documentary? Yeah, because we had Ron Howard in here. Oh, did you? Yeah. Yeah, for that. I mean, the invented - I got to know the man a little bit. Did you really? In another lifetime, yeah. I was, ran this - He was a Muppet. Yeah, I was a Muppet. Back in the day. Yeah, I'm related to the eagle.

19:49No, a very good friend of mine from college was Lisa Henson, and her dad used to come and visit us. and then uh we he was very nice to me and then one day because i i ran the college shimmer magazine and he said hey conan do you want one of the chairs from the dark crystal for the the lampoon building and i said well sure and he said we'll come down and pick it up and so we rented a van and uh my friends jessica marshall and uh mark anem and i jumped in a van and i'd never done anything like this i drove from boston to new york oh come on we went to this warehouse and they said you hit you know a guy with a cigar was like you here for the dark crystal throne yes i am and it's still there to this day yeah amazing just an incredible man just what he would have done i that's what i watching this thing i mean just i i guess that's why i guess that's why like even as a kid you're sort of fully formed i think you know what i mean so yeah you know when you're when you're when you're doing all that stuff when i was a kid you just sort of know you become maybe more accomplished but all the stuff is there with you with you i think when you're eight years old i think that's something that he really recognizes being here because he understands that sort of you know something i talk about endlessly in acting which is about playfulness is the sort you're really required to be is just to be like i'll do that with you sure you know what i mean then you you just slot yourself into different sort of scenarios and different sort of tones of of um of drama or comedy or whatever it is and you were very artistic yeah artistic so you drawing painting what are you doing drawing a lot lots of life drawing my mother was an art teacher and And yeah, just drawing all the time.

21:24It's something that I'm still really interested in. Yeah, so that was kind of, you know that weird thing where you get terrible party anxiety and once you're at the party, you're okay. Yeah. Yeah, and so the drawing is a way of, I don't know, practicing being around human beings. Yeah. Yeah. Creepy.

21:49I'll be there in a minute. I just have to draw all of you. Stay still. Everyone stay still. Don't move.

22:03Well, Father's Day is coming up. Hint, hint. June 21st. Wow. We're not your children. What? My children are not getting me anything, so it's up to you guys to get me Father's Day. They have never bought into Father's Day, but you guys are going to. You're my employees and you have to. Well, guess what? Luckily, Macy's has a wide range of options, the expertise to help you find the perfect gift. Macy's is the answer for Father's Day. David, as my sort of surrogate son, the son that I hired to buy me things, I hope that you're prepared for this Father's Day, and I hope you've consulted Macy's. Oh, I sure I have done both of those things.

22:47First. Oh, there you go. You love a pun. We got you a shirt that says The Grillfather. I love that shirt because you know what? I love the Godfather movies and I love grilling. And they've combined them with The Grillfather. And are you ready to combine it even more? Let's see the next gift. Ooh. A ninja indoor grill. Can I say something? That looks really good. It does. And then, you know, sometimes when you're grilling, you know, you might want to get rid of that scent, that smell. So we got you some Dior cologne. Oh, is that Sauvage? It's Sauvage. Oh, my God. I love Sauvage. and I love that it does mask the scent of charred meat really well.

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25:10Member FDIC. Terms apply.

25:25you said something that really struck a nerve with me which is we come fully formed and that's something that my father used to say to us he used to say all of you are who you were when i brought you home from the hospital um meaning when you it's like buying a a phone that already has the software yeah all that stuff i know parents really like to think i mold the child and i create the child and they get very egotistical about it and it's always been clear to me that they are who they are they come what you can do is you can you can fuck it up yeah but and you can also nurture and i'm still deciding which way to go yeah my kids but yeah they gotta earn it um my time is precious uh but you know that's but you can fuck up the software completely couldn't you like you know you go like if you have this very sad idea of what something was wants to be um you know somebody i think that's i think that's what my parents were both very good at actually but no because the three there's i've got two sisters my sisters my older sister Sarah is very sporty and my younger sister and is very artistic but in a sort of slightly different way to the way the way I was artistic and they were both very good at going okay well you do that and I think some of the real damage you can do is by going I don't know making your iPhone a Samsung phone nicely done yeah it works nicely done very nice capitalism nicely done right because you just secured a deal with Apple oh no I've already secured it that's why I had to bring it Damn you!

27:02That's why you paused before you said that. You had to get it in the right order? Damn! Get it right. Get it right. There's a lot riding on this. Well, let me just say that Hanes underwear, I think, is the best underwear. Because that's the only deal I could get. Mr. iPhone over here. Hey, check that out. I'm wearing six layers. Oh, are you wearing Hanes? Hey! Let's be honest. I would kill for a Hanes deal. I'd take anything at this point. Hanes is American, right? Is Hanes a... I don't really have Hanes. I only wear American underwear. It's something I'm very patriotic. I check people's underwear constantly just to make sure they're patriots.

27:46These colors don't run. Yeah, yeah, exactly. Found it in North Carolina. Thanks for that info. You got it. North Carolina. Thank you. Thank you, Eduardo. We did it. Did you look it up on your iPhone? Yes.

28:02um so you grow up you're working on the elocution like that yeah you never grew up but also i love that you said about play because that's all any of this is yeah for sure and i constantly remind people that i have you take me at at 12 years old and i'm what i'm doing now is certain things have been articulated and developed it's the same thing yeah right i'm just play i love to play and i will play with anybody yeah i someone on the street will talk to me and if they're funny i'll spend 20 minutes with them yeah yeah uh it's just the same thing and it's a love of play yeah which we then get very highfalutin you are vanya yeah yeah you become and it's extremely impressive and it takes this amazing talent and discipline you're still playing no you absolutely are and i hate the idea of high art and low art i really do i think it's nonsense yeah and actually all the people who were you know like with shakespeare any of those people like shakespeare i always feel has been sort of hijacked by academics you know and anybody you know i always find out because the very first i was we used to do when i was a kid we used to do these we used to get to do shakespeare in these little irish competitions you know like just extracts from shakespeare so um you do 10 minutes of it and you sort of i don't know you just understood you just i kind of understood it in a way didn't understand all the words um but then i think what happens with some of those big guys is if there if there are 250 books written about how to um speak the language of michael patrick king and lisa kudrow's the comeback right it would drown it it would kill it there isn't a way of doing there isn't a way of doing it there's a and so what what i think happens with sort of some of those with theater particulars there's this idea that it's that you're not that not everybody is possessed of the thing that that that an actor needs to possess which is just to my mind just playfulness and the stuff that i love to do is to be able to just do lots of all the different stuff because why wouldn't you well it's also it's seeing that yes i love shakespeare but i also love the muppet show yeah that i love some of the more you know refined cinema but i cut my teeth on warner brothers cartoons yeah the timing the characters the kinds of uh attitudes that people are playing and i think there's no difference between a great warner brothers cartoon and uh a really good shakespeare sonnet it's it's it's exactly the same thing and actually he even says it in hamlet he's he says he literally is a thing about how you should speak the language is so extraordinary he just says just speak it trippingly in the tongue and stop shouting it out and stop doing all that kind of stuff so i think because i started and i didn't train formally i i you kind of have to put your your dukes up a little bit about about um not the way i'm talked about because but the way i the way i suppose not to let my access to whatever i do for a living to be to be um influenced too much by by the seriousness yeah with which other people talk i always think the word calcify yeah things things harden someone starts using a bunch of 50 words describing your process and what you do they're not doing you any favors no it's absolutely you know and it's nice that they see all that in your work but it's best that you not know about it and they because you want access to anything that's going to make you enjoy be spontaneous see a possibility and not overthink it i think it's so true and you just keep that alive and the longer you work you know because you're not really supposed to play as an adult do you know what i mean yeah you're supposed to know which is like the opposite of playing right yeah you're supposed to you're supposed to like have you're supposed to have to know the answer and like any of the any of the any of the great adults i think are the ones are like i don't know let's keep keep learning because it'll be really boring at this stage i mean i'm nearly 30 years acting you know sort of professionally and i want you want to keep being like you know isn't this cool isn't this cool isn't this cool i get to do this yes exactly this is also not to be sort of false in the sense that you go i don't know anything but you can still know things you can still go my instinct you know you definitely have instincts but actually it's having more confidence in confidence in your instincts like when you when you're doing like you're hanging out with kids and they're playing watching them play is amazing they're not they're not thinking what are we gonna do they just go okay you be the thing you be the thing you start with a my mom did this because she was an art teacher she was an incredible teacher my mom and she used to teach people how to draw and she said when you when you when you um people start to draw they immediately start you know drawing like the most tentative line possible because they don't want to make a mistake yes it's the best thing you can always do when you're starting to draw it's just it's to be sort of loud confident and wrong so start with a really strong line and even if that line is completely wrong and you've drawn over the line you know you've drawn over that that line will actually still be there but the people appreciate the mistake yes so yeah you start with a bit of confidence you know the way kids do that and you can it you can redraw it just but don't not draw but also i mean i did this kind of comedy for whatever almost 30 years on television you know where people come on and i interview them and there's a band and i would pray for mistakes yeah because mistakes were such gifts yeah and then you get to a point where you're like oh my you know here someone will misspeak i'll misspeak i'll try to say benedict cumberbatch it doesn't come out right we then get off on a jag if you acknowledge it and then it becomes about drunk driving and then it becomes yeah and then it gets called back when we're talking about that's the joy of it and people know instinctively as you know from from doing theater so much of your life there's something about audiences where they know the truth.

33:51I always think that about making mistakes in the theater, about people worrying about forgetting lines. There's no better atmosphere, there's no more attentive atmosphere than when you think somebody has made a mistake. The whole audience is like, oh my God, something is happening here, blah, blah, blah, blah. And the actor's fear is that, oh my God, everybody's going to think I'm a terrible person. But actually what I think the audiences feel is, it reminds them that they've remembered all the other lines. Do you know what I mean? Yeah, that's really... Wait a minute. Hit rate is pretty good.

34:23You know what I mean? This is sort of live, so it's kind of all right. And once you get over that idea of making a mistake, the weird stuff that happens makes the day the day, you know what I mean? I always think it's weird as well. Do you, in comedy, do you feel like you guys dissect the audience as much as we like we do in the theater oh i used to yeah yeah i mean i would be uh and we'll get to this because uh you know we'll be talking about this a little later in the interview but it's like the way a um meteorologist dissects a weather system i used to you know tonight pretty good now i felt like they were and then you get to be like someone who studied wine all their life and you've just sipped some wine instead of being like oh my god i love this is a great i'm here in tuscany i just had a great sip of you know of pinot noir instead you're like the audience when I first came out they were yeah no you know what there's enthusiasm but it's kind of a froth it's not now then I would say on the upper right hand that I couldn't get them there was sort of a tentativeness but then I felt like they were a little judgmental you know and you're like shut yeah yeah yeah shut up yeah yeah do the thing just do the thing it's like when you go and see somebody in a play it's a lesson I learned really really on when I was really young i started at the abbey theater when i was about 19 or 20 and exactly that someone come to see the come to see the play and they were like oh my god i love and i was like oh we're just gonna get this laugh that we've got you know the thing you know well i wish you'd been in last night but the audience was incredible and this brilliant actor said don't do that don't don't don't don't don't do that because they don't they don't notice i understand that's not that it didn't happen it probably was a greater show last night right but like who cares and when you're in the audience and you're laughing at something, you're not thinking, God, why is that person in the balcony was laughing as much?

36:15You don't really care. No, no, no. You're not even aware of this. The biggest mistake of thousands and thousands and thousands of interviews in front of audiences that I've done was a guest would come out and they would start, you know, talking and saying some of their stories and then they would say, ugh, I'm sorry. This is boring. I'm sorry. Yeah. And you could feel the audience leave. Yeah. You know, I was thinking to myself, that's such a rookie mistake. don't tell them they're getting a bad show. And also in terms of etiquette, after someone's seen you do a show, they don't want to hear you go, I know, I just felt like today.

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36:50No, they saw you do what you had today. Yeah, totally. And sometimes they love it. They're just not demonstrative. I mean, we have this culture now of everybody. Everybody standing up. Everybody stands for it's too much. Sorry, sorry to be. No, no, no. Standing ovations. Standing ovations. you cannot go to anything without being stunning it was the terrible worst thing you've ever seen everybody's stunning and also you go to any daytime or and also late night show and everybody stands up for everything like you're going to watch a cooking segment yeah at one of the and everyone stands and i think huh well you know it used to be that an actor could be in the theater or performer could perform most of their life and get one standing ovation.

37:38And boy, did that mean something. Yeah, it meant something. Yeah. Because it's a thing. Because it's completely without meaning. When you're on the stage, though, I say this, and then you're like, who's that fucker in the fucking fourth row that's not standing? Because when everyone's standing and one person isn't. Yeah, exactly. You're like, but I sort of admire it. I sort of admire it because it doesn't mean they hated it. No. It just means something they just didn't want to stand up. Or they're just tired. They're just tired. They're drunk. Arthritic. I have got so used to standing ovations, I'm sorry, I just have, that when someone's not standing, sometimes I berate them.

38:18Yeah, that sounds right. And they're like, sir, I have no legs. Well, that's awkward. Well, you could still lift him, someone. He could have asked to be lifted. You could have come with a lifter. Exactly. If you enjoyed it. But you didn't care enough to hire someone. It's so messed up. I know, it's so messed up. So you're struggling all these things when you're a kid because I'm always interested in this part because it's fascinating to me. I do think that turbulence and anxiety and some level of, some of that stuff just has to be part of the stew, whether you like it or not growing up. Oh yeah, yeah, yeah, yeah.

39:03For sure. For sure. Yeah, yeah, yeah. It's definitely, I don't think you kind of really have the other stuff with the other stuff. Yeah. You know, you gotta be, it's not, it's not, you know, it's, it's supposed to sensitivity is the word. Like, you gotta be, you gotta be, you gotta be, you can't have one without the other. So I suppose I'm pretty, what is it, thin-skinned? And I do think Irish people are pretty sensitive as well. Oh yeah. You know what I mean? I think so. Soft-hearted. it's i think it's in the culture um which i think it allows the people to be so brutal because you know it's both yeah yeah that's that it's always all the thing all the things are both yeah and uh and i always think it's um i mean speaking for myself i'm incredibly thin-skinned and then i can be a viking i have both in me yeah but and it's hard to reconcile them both but that's what that's what it is it's exactly what it is and it's it's sort of it's like what you were saying about i think there's something when you're become well known and it's interesting you say about talking to people on the street which is still incredibly important to me and it's one of the things that i think would frighten me is not having that access to to just talking to people every day i think it just seems like an awful thing to just be so sort of successful or so recognizable that you have to be in this sort of prison the whole time yeah so not to be able to get out and go have a laugh with people and that's why i sort of hate it's funny that you were saying that as well about when people say oh this is boring like when you talk to people and they say oh i don't have as interesting a job as you you think i bet you do yeah and then you know about maybe not as interesting a job so to speak but people always have a story that they kind of want to tell and so being able to have the access to those people for them to feel like so what do you do and then people tell you incredible things and that's the stuff that i that i i love and i don't know if that's about being Irish or whether that's just being interested in people or whatever, but, um, or if it's to do with being artistic, I don't know what it is, but you know, that, that, that, that's the, that I think is the thing that you want to, I would be very, very lost without.

41:07Well, that's why, I mean, you've, you've had all this success, movies and television, and I read that you make a real point of doing theater regularly. You love, I mean, this is something we have in common. I love being in a theater. I also love sort of nothing in an old theater, if you know what I'm saying. There's this extraordinary moment. I went to see the amazing Mark Rylance in Jerusalem. And there's this extraordinary theatrical sort of trick he did. I'm trying to think if there's something here too. So he had a fight for him. Yeah. Someone who had a cigarette fighter and he was playing a giant.

41:45It was about giants. It was sort of about folklore in the English countryside. and somebody had a lighter and he was telling this story about a giant talking to a child and to make this sort of this theatrical sort of gesture he put this cigarette lighter down on the ground like here put it down here like on the ground and he sort of stood it up he spoke down to this a cigarette lighter the cigarette lighter and so you immediately in this it was at the Royal Court Theatre you immediately had this sense of scale that's just that's got nothing to do with CGI or, you know, so much. Thank you for your support.

42:23I'll never wash this pen cap again. And he's a real pen washer. I know you love to wash the pens. He has. Every time I see him, he's scrubbing away.

42:39But yeah, it's just that sort of stuff. And the audience go, oh. No, it's amazing how when you see someone come up with something like that in a moment and you realize it's all the tools change but the task doesn't so you know you're right thing to say but you know what you've got now we have uh ai and cgi and supercomputers and you you can create all these effects and you can put put it in the round you can do all these things but basically you're getting the same effect as mark rylan's putting a pen cap on the floor or a you know a lighter and and standing there in that moment um you know you can delight the human brain with the old ways as well as with the new it's exactly true because the audience are going that's what i find so moving i never don't find it moving which i think is why i love the theater is that adults are going into a theater willfully and their people are turning off the lights and somebody is telling them a sort of lie that they know is a lie a story And they're saying, tell me a story.

43:43So the liveness, the mistakes, and the humanity of it is the thing that really, really delights the audience. And of course, visual effects, I mean, all that stuff is amazing too. But it separates the audience a little bit from the performer. Whereas if someone said, I could do that with a pen if I just had access to my imagination. So actually it bonds the performer and the audience member. Whereas if you've got too much, you know, stuff, they think, oh, well, that's, that's not, that's not something that anything to do with me. That's just something that I can be impressed by, but not necessarily connected to.

44:16I don't know. It's a, it's a, it's a, so the grand scheme of a big theater juxtaposed was that it just a one tiny human performer is sort of beautiful to me as well. You know what I mean? Yeah, you will keep getting these opportunities to do, you know, movies and all kinds of projects you want. But I love that you're saying, yeah, this is what I need. I need this. I need to be in these live productions because that's just, it's like touching home base. You just got to touch it. That's exactly what it is. And when we did Vanya, you know, one of the beautiful things about that was because that's, you know, Chekhov.

44:53and very serious high art. And Chekhov is so funny, like genuinely so funny. It's a kind of ridiculous idea that you, and it started as a mistake. It was this, we thought, there's eight characters in the show and I was reading it with the director and the writer. And we sort of allocated the parts and we were just reading it because I was just going to play one part and we were like, oh, which part might it be? And we were sort of playing, the three of us were playing all the roles and we sort of misallocated the roles. So I ended up sort of going, wait, are you? And I was like, okay, I'll just, I'll just act just to get just to hear it.

45:25I'll just act with myself. And it was so weird because it was two, the two characters in the play that proclaimed that they were the most opposite to each other. And so it seemed completely absurd that they were, this person was, anyway, that was kind of interesting. And then we were like, oh, maybe we could do it with two people. And maybe actually, why don't you try it with one person? Anyway, the whole thing sort of, I was a bit reluctant because I thought, does that just seem like, let me do it. You know what I mean? I think the exact quote, the exact quote, because I talked to someone who was there was, I got this.

45:55Yes, I know, that's what I said. Well, remember, you tried to dismiss us all today and do this along the way. I did. Yes, I did. I did try to, and I still think I could do it all. I'm learning about the electronics. Electronics. Electronics. I know you have your electronic systems. The electronics over there. I think that's proof I know what I'm talking about. Yeah, but. But yeah, like all that stuff. so you see so um you know to do that anyway so uh why am i telling you this um no because you're you're talking about how it all be expanded to you playing all these roles yeah so then you do you do all the you do those things so anyway i did all the ended up playing all the parts and like how do you do it to how do you how do you make the audience feel number one that they understand it but also how do you teach an audience about um we had this really fun moment at the beginning because I really wanted the audience to sort of not feel like okay we're watching Chekhov like that's what do we need to because people are like what do I need to know I mean I don't it's Russian am I worthy of this yeah what's the thing so we did this thing where I came out and I came out and the audience were like what the fuck is this what's this going to be like it's going to play all the parts so we did this sort of fun thing it was such a good thing to do where I sort of turned off the house I came out and I turned off the house that's a little trick yeah we turn off the house lights so they go okay we're all in darkness now and then I just turn them back on and just turn them back on and i looked at them and they're like oh i was like i can see you you can see me this is a bit weird and they're already laughing before they sure before they know you've told them let's don't worry don't worry it's fun yeah it's fun and i can see you can see me like this and i love fucking that up alongside something which is like a great masterpiece here's what would fascinate me is if you if you're playing that many roles and you go up on a line can you ask one of your other selves i can apologize can i apologize or do you ever say i can't work with this guy i say that a lot yeah yeah do you know what's so one of the great it was actually nearly the best thing about it is if you do do go up on a line it was bliss you just make it all up you could just you just go okay i fucked that bit up okay well i'm just gonna keep talking because nobody i'm not i'm not i'm I haven't messed anybody up.

48:09And then I'll ask a question that isn't in the script and I'll make that person answer it in order to go back to that person. It's kind of amazing. It's kind of great. It was great. That's right. You don't have other actors around you going, what? Yeah, exactly. What are we doing? Yeah, what's he doing? I want to talk about this, again, interesting process now where you've made a movie and I was told I could access this movie. I could watch it yesterday. uh and they said you know it's this whole system now it used to be they just give you a dvd or something or screener um and they said here's this system and this code and then you're going to get this number and you know you're calling different people because i don't know much about electronics and but i know nothing about the movie yeah right yeah i just know it's called pressure yeah and uh i will watch you read the dictionary so it's like andrew scott pressure i'm in so uh finally the movies start i don't know anything about it and i realized oh it's it's about world war ii and it's about the build-up to d-day and then i realize your character's on screen and he's being called to do this very important job and i realized wait a minute because i'm a history buff i think i know about this oh my gosh i knew about it which is you know the allies are going to launch the d-day invasion to try and save europe they've got the largest armada in the history of civilization.

49:35Wait, are you just saying you know about D-Day? Yes, I think you must speak to it. I do, and that's the end of the interview. I know two things, electronics and D-Day. No, but I know that what I was aware of was that, what's the thing that's perilous that they really need to know, which is invasions over water are almost impossible. They usually fail. they only work when the conditions are right but it's 1944 you know meteorology is still kind of in its infancy they need to know the weather's going to be okay and Churchill says there's this one guy who I think is a genius who could do it and they bring Captain James Stagg in and I'm like I actually know this story not as I didn't know enough about it I kind of knew about it and that's what this movie's about which is a great story to tell yeah it's really a great story it's a really interesting story it's it sounds kind of weird it's a movie about the weather yeah coming soon to a hearing of you guys talking about the weather in a room um i'm trying to sell it sell baby sell um but yeah it is it is a quite weird thing but the weather comes into our lives like it's sort of it's all people think oh it's a what a preposterous thing to you know have a movie about yeah because it's sort of like a movie about the weather but it's also kind of preposterous to sort of not have a movie about the weather do you know what i mean like because it influences every our influences every day you know like what we're you know what we wear where we go where we're gonna have our kids birthday party where we're gonna go on our holidays like what our mood like it's it's it's it's something that it's sort of it sort of changed my attitude towards the weather, but how, of course, they would be thinking, okay, well, if we have to, if we have to land on the beaches in Normandy, we need to know that these kids are not going to be drowned immediately, the conditions are going to, are they going to be able to land safely?

51:33So they need somebody to say, this is what it's going to be like, don't go on that day, because then you'll surprise them, or that would be a good day to go, they'll see it coming, blah, blah, blah. So they had this very particular day that they wanted to do it, and this guy, very very resolute kind of man um stood up he was a real hero and he was like no no you're not going on that day and they were like we are going on that day that's the thing the movie gets really i think right the enormous pressure yeah meaning this isn't just should we do the podcast today or should we move it to tomorrow um yeah uh it's close to that second the pressure is similar yeah you don't you have andrew you have no idea what i deal with day in and day out I am Eisenhower.

52:13Oh, my God. Oh, Jesus. And I made the decision today. Let's proceed with Andrew Scott and the 40-minute chat. And that took balls. And go! And failed! Bodies everywhere. No, but, you know, it's this huge decision, and it really does come down to the entire unified allied command looking at this one guy and saying, well we need to go and we need to go now and it's all set and just all we need is you're okay and he says can't give it to you yeah i won't give it to you i can't and i won't and so he's this extraordinary he's sort of he's not not a particularly affable person and i love those kind of cinematic characters that aren't necessarily nice but are good yeah you know what i mean no he's a very good man and he's doing the right thing but he is not a people pleaser No, it's not.

53:05And I'm fast because I just, I spend so much of my life trying to make sure everyone in the room is okay. It was okay. And so I'm fascinated by people who just don't give a shit. Just don't. He's here. What are you doing? No pleasantries. Stop that. No pleasantries. People go to shake your hand. There's not time for that. Well, I mean, it's great. I think because I'm a little bit similar to you as well. I think that's, again, part of the Irish. We're both great actors. I didn't catch what he was saying. Have you seen My Vanya? Did you see Interscott just said we're very similar? Hello, what's wrong with this?

53:40They turned it off. You got a lying down ovation. People try to actually find lower ground when I finish a play. They went to Death Valley after you performed. Is there a basement here? Sea level. I hear drilling often when I, but no, but I, what I loved about it was it's historically it's a true story it really happened it's something no one's going to talk about and people know the 1D Day story which I understand you were a very small part of Saving Private Ryan tiny little part of Saving Private Ryan wasn't that like one of your early things yeah they shot that in in the south of south of Ireland on Curriculum Reach yeah so basically just nothing Tom Hanks rolled over me and I'm like my sir please what was your line my line was nobody's where they're supposed oh god yes I know that movie very well I know that line oh yeah that's crazy that's you nobody's where they're supposed to be but you your head gets blown off I don't think people cared enough to know if my hair got my head got blown off I would just I was just I'd always say I was the guy in green right oh my god but your character you did manage to shout and it actually made it into the into Saving Private Ryan yeah the weather is key more on that later you'll see you'll all be sorry you'll see you'll see yeah hanks comes back and he shoots you and you're an american um yeah no it's it's uh i'm i was thrilled it was like i have i knew nothing and it's an interesting story and then i'm like oh this is great yeah this is really great yeah yeah and a terrific cast oh yeah really good yeah brendan fraser and chris mcina and carrie conan damian lewis great people yeah yeah yeah i i Damien Lewis says he's Henry VIII, I believe.

55:28He's Henry VIII. He's Henry VIII in Wolf Hall. He's so good in that because he's genial. Oh, yeah. The same thing we were talking about. He's genial, but he'll cut your head off. Yeah, yeah, yeah. And smile. Yeah, it's like all those characters. I always think that's what you want as an actor is you want whatever you're presenting to be the opposite of what you're feeling sometimes. You know what I mean? They're the ones that, you know, whether it's somebody who's a cold hearted and is incredibly benign or the opposite do you have people expect you to kind of walk into a room sometimes be a little bit more sinister because you're so happy for sure yeah yeah yeah that's interesting I don't mind that yeah no your waiter comes right away my waiters don't they're like that idiot can he can um well this has been uh uh an absolute thrill for me uh and like i say if you bump into phoebe waller bridge anytime soon please tell her of course my list has gotten my my list is almost down to no one at this point but she's on it okay but up to today it was the two of you uh and um so this is a bucket list moment for me i hope you'll come back anytime um i'd love to come back yeah just and and trust me I am gonna get you my clip from Ross Naroon.

56:52Maybe we can find it? You found it? Oh my God. Here we go. This is just a photo. Oh, that's just a photo. We'll dial up the YouTube here for a second. Look, that's how they dressed me. That's what happens when a hero returns to his country. You came in off the street with that. And the balloons. Incredible. We have the clip if you want to put on your headphones. Yeah, I want to put my headphones. You'll be able to listen to it. He thought he was an actor until he saw this. Always learning. Here we go. Here we go. Lots of balloons, small doorway.

57:28Oh, my God.

57:33Balloons. How do you get? Come on, you get? Quega euro. How could you get a COD? Cash on delivery. You're so great. So, PMT. Pug Mahon. What's wrong? What's wrong? What's wrong with the balloon? What's wrong? I'm not going to get trashed. I'm going to get a balloon and get it. Get it, get it, get it, get it. I'm going to get it.

58:09I'm not going to get it. I'm not going to get it.

58:21That is incredible. Wait, is there no Irish word for balloon? No, they just told me to say balloon. But they also, they just went out of their way and God bless them, because no one deserves it more than I do. But there was no way to be cool in that scene. With that hat. the hat. The hat of balloons. And yeah, I remember, I remember saying like, what if, you know, Colin Farrell showed up? She'd be like, well, we'd, you know, we'd make him the love interest. We're not giving him some feckin' balloons. You know, but yeah, I was, how was his Irish? Huh? How was his? Absolutely beautiful. Yeah, well, there you go.

59:04All the buses we say in the Irish. Hey, standing ovation. Mom.

59:14Andrew, I can't thank you enough. Just a joy to be with you today. Joy to be with you guys, too. Thank you so much for having me. Take care. Oh, my God.

59:27Need to pay a friend back for festival tickets or a morning coffee run? Apple Cash makes it simple. Just tap plus in the Messages app to find Apple Cash. No need to jump between apps or search for usernames. It's a private and secure way to send money. Send cash right in the chat with Apple Cash. Apple Cash services are provided by Green Dot Bank. Member FDIC. Terms apply.

59:55In the U.S., there's a break in every 26 seconds. But when intruders step near, SimpliSafe Home Security steps up. Stop. This is SimpliSafe. Police are on the way. Using AI alerts, U.S.-based live agents help deter break-ins. SimpliSafe, no long-term contracts. Save 50 % on your new system with professional monitoring at simplisafe.com slash sxm or with promo code sxm. Outdoor deterrence requires a SimpliSafe Active Guard outdoor protection plan starting at$49.99 a month. Visit simplisafe.com slash licenses for alarm license information. Tennessee 2012.

1:00:32Hey, let's start a segment. I thought that I knew everything about you, Conan. I discovered back in December that there's a way to distract you from anything. Is that true? It's true. You're being real now. I'm being real. This is real. This is the real me. Okay. And that is to put you in front of a TV and turn on the Hallmark channel. Oh, wait, where were we when this happened? In New York. That's right. It was December, so it was like the Christmas Hallmark movies. I have to say, I am powerless around a Hallmark movie. I don't know what it is, But I start watching them and then I love to call out what people are going to say.

1:01:07Yeah. And I'm right a bunch of the time. You got it like 90 percent of the time. I call out lines like, now get back here, young man. And then the person will say, now get back here, young man. And it's it's thrilling. I mean, it's the same high that a gambler in Vegas would get on. Really? Yes. I get very excited. And we were going somewhere like there was a car picking us up, but we couldn't leave until we found out if this woman quit her job as a lawyer to go build ice sculptures. Yes. Well, first of all, we didn't wait to find out what was going to happen. That's true. We knew what was going to happen.

1:01:42The uptight lawyer is going to realize that the most exciting thing in her life is making ice sculptures with this guy at Christmas time in their little Christmas village. And I knew that was going to happen, but I had to see it happen. Yeah. It's one of those things where, you know, I have to see that happen. Yeah. And I love how there's no jeopardy. Her mom runs the law firm. I love how this is coming back to me instantly. Oh, my God. I'm not kidding. Like, I didn't know you were going to bring this up. Her mom runs the law firm and she's dreading telling her mother. Her mother keeps saying, of course, and you're going to take over the law firm because that's what.

1:02:18And then she's loving making this ice sculpture with this guy, which I think is a loser thing to do. And anyway, I'm sorry. You just burned a lot of ice sculptorists. This isn't like Timmy Chalamet with the ballet. Oh, okay. I went very specific with ice sculptor. And if you've got a problem with that, ice sculptor people. You're doubling down? Yeah. I said ice sculptorists, by the way. That was really embarrassing. Can we edit that? No, no, no. I want it in. I want it in. Ice sculptors. Ice sculptors-isms. Anyway, she has to go to her mom and you think, oh, this is going to be the real tension in the show.

1:02:49She goes to her mom and says, I just want to make ice sculpture. I don't really. And she said, this is the line I called out. She said, but it was always your dream to be a lawyer. And I shouted out, no, mom, it was your dream. And she went, no, mom, it was your dream. And I, it was an erotic high for me. Oh, I swear to God, I had to go and shower myself off after that. I was, I needed it. David was in the room. David was in the room and he saw me go. Ew, Conan. I tried to call HR, but it was just. Awful Hallmark. We're the only person who does that. And it was exactly this. It was, she said, but that was always your dream, honey.

1:03:27And I shouted, no, mom, it was your dream. And she said, no, mom, it was your dream. Scrub, scrub, scrub. Scrub, scrub, scrub. And then we were off to our obligation. But I needed to see that happen. Yeah. And you've texted Sona and I before. I can't remember what movie it was, but you were like, I saw a commercial for a movie on Lifetime. I need the Lifetime app. Oh, yeah, I do remember that. Oh, I needed my fix. So I'm just I find it to be endlessly fascinating. I really enjoy it. It calms me down. It I just I'm so happy. They have a formula and it's clearly working. Oh, it is very formula. The formula is so precise and they never vary from it.

1:04:13Someone's uptight. Someone's in touch with themselves. Uptight person. They don't get along. I mean, whatever. We've seen it a million times. Yeah, yeah. Someone turned into Santa. They always live in Christmastown, USA. I know. It's a little too G-rated for me. I've evolved. Now, what about this? What if they could make, and this is something, we have a production company, maybe we could get into this. Yeah. A Hallmark show that has all of those, hits all of those points and is very much like that, but the sex is really down and dirty. I mean, you see everything, a slam-a-da, slam-a-da, slam-a-da, a thwab-a-da, thwab-a-da.

1:04:47You see it all. So it's like, I didn't know you liked making ice sculptures. I do make licking ice sculptures. You seem kind of uptight before. Well, I'm not uptight now. A thwabba-da-thwabba-da-thwabba-da. A hubba-da-dubba-da-dubba-da. A shumba-shumba-shumba. Yeah, and it's all like double entendre titles, like Christmas came early. And then her name. Jesus Christ, Sona. She was ready to go. You had that right away. It was in there. It was already in there. I do think these would do well. Ballmark. Yes. Jingle balls. Ballmark. Ballmark. What? Like balls? Yeah, like, yeah, ball. You get balled.

1:05:20Ballmark. ball? No, no, no. Please, Blades. Can I tell you something? This is really Sona's area. This is not something you jumped in. I'm sorry. Literally, you were just watching Venus Williams play tennis and you jumped in with a racket. I am honored. Sona does this. Sometimes it's not. Instead of ball mark, I just say bone mark, but it's not that good. No, no, no. But you get the point. No, the thing is, but what about this idea? Be serious for a second. An idea where you, it is very G-rated, very, it's the same thing that people are all, and then, but when it comes to the moment where they start to kiss and you just cut to a curtain blowing, you cut to the curtain blowing, but then you pan back and they are both naked.

1:06:07And I mean, it's just a hot pound sesh. It pans over, stops, and then pans back, all clothes gone, oiled up. Shamida, Bamida, Lamida, Hamida. And it just goes on for like 15, 20 minutes. Oh my God. Yeah, and then they're back to, well, I think we got a new, someone helping us out at the cuckoo clock store. I thought you were an uptight corporate lawyer. I was, but man, we just went at it. And then you pan to the curtain or you can to the cuckoo clock, but then you pan back and everyone in the store is doing it. Oh my God. Yeah, 19 people. The whole store? Yeah. The guy that runs the cuckoo clock store, the people buying cuckoo clocks, the guys that make them, they're all naked, banging it, hanging it, wangin it, banging it.

1:06:52What channel will this go? Oh, it'll go on any channel that wants to make money. Any channel would want this. It's like pay-per-view. Netflix would take this, wouldn't they? No, Netflix, I don't think. Oh, they don't do porn? It's like straight up pornography. Yeah. What do you mean? I would say Netflix would definitely do this. Are we talking softcore? Because I've seen everything softcore on Netflix. You want this to be like full penetration? Hey, don't be gross. Well, no, it's a valid question. No, I'm an artist. It is a valid question. I'm not some animal. What? No, I mean, I want it to be very, very, you know.

1:07:25Like you just want butts? No. What are you talking about? It gets into a gray area when we start showing things. Yes. Well, that's what I'm saying. Well, Sona and I were just wondering because that's kind of - Well, they could be covered up with, things could be covered up with Christmas snow. What I'm saying is I want to see, no, seriously, I want people going at it hardcore and then, oh, look, some icicles formed near where the penis would be, or there's some snow, or, oh, a reindeer wandered in, and it's feeding off some acorns right near their crotches! This is a show. This is a format. This is a lot of money.

1:07:58Get on it. Get on it. This is our idea. Don't try and steal it. Peace out, Tupac. Oh, we're just done.

1:08:08Conan O 'Brien Needs a Friend, with Conan O 'Brien, Sonam of Sessian, and Matt Gorley. Produced by me, Matt Gourley Executive produced by Adam Sachs, Jeff Ross, and Nick Liao Theme song by The White Stripes Incidental music by Jimmy Vivino Take it away, Jimmy

1:08:28Our supervising producer is Aaron Blair And our associate talent producer is Jennifer Samples Engineering and mixing by Eduardo Perez and Brendan Burns Additional production support by Mars Melnick Talent booking by Paula Davis, Gina Batista, and Britt Kahn You can rate and review this show on Apple Podcasts, and you might find your review read on a future episode. Got a question for Conan? Call the Team Coco hotline at 669-587-2847 and leave a message. It, too, could be featured on a future episode. You can also get three free months of SiriusXM when you sign up at SiriusXM.com slash Conan. And if you haven't already, please subscribe to Conan O 'Brien Needs a Friend wherever fine podcasts are downloaded.

1:09:42We'll be right back. It's available. Guidance is always within reach for any GLP-1 journey or broader health goals. Visit Sprouts.com to find a Sprouts market near you. In the U.S., there's a break-in every 26 seconds. But when intruders step near, SimpliSafe Home Security steps up. Stop. This is SimpliSafe. Police are on the way. Using AI alerts, U.S.-based live agents help deter break-ins. SimpliSafe, no long-term contracts. Save 50 % on your new system with professional monitoring at simplisafe.com slash sxm or with promo code sxm. Outdoor deterrence requires a SimpliSafe Active Guard outdoor protection plan starting at$49.99 a month.

1:10:18Visit simplisafe.com slash licenses for alarm license information. Tennessee 2012.

From the publisher

Tá áthas ar Andrew Scott about being Conan O’Brien’s friend.


 

Andrew sits down with Conan to discuss his latest film Pressure, the over-academization of Shakespeare, playing every part in the one-man adaptation Vanya, and honing the craft of portraying characters who are good without being nice. Later, Conan reveals a wholesomely surefire way to put himself into an unbreakable trance.

 

For Conan videos, tour dates and more visit TeamCoco.com.

Got a question for Conan? Call our voicemail: (669) 587-2847.

Get access to all the podcasts you love, music channels and radio shows with the SiriusXM App! Get 3 months free using this show link: https://siriusxm.com/conan.


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