Charlie Sheen

6 Oct 2025 · 1 h 4 min

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In short

Podcast Summary: Conan O’Brien Needs A Friend - Episode with Charlie Sheen

Episode Overview In this episode of *Conan O’Brien Needs A Friend*, comedian and host Conan O'Brien welcomes actor Charlie Sheen, who talks about his new memoir *The Book of Sheen*, his struggles with addiction, and his experiences in Hollywood. The episode seeks to explore friendship, humor, and the challenges of fame.

Key Segments

Introduction

  • Charlie Sheen introduces himself and expresses excitement about being Conan's friend.
  • Conan is joined by his assistant Sona Mavsesian and producer Matt Gorley.
  • Sona shares that she will miss the episode due to a speaking engagement, leading to humorous exchanges about her past role as Conan's assistant.

Conversation Highlights

  1. Charlie Sheen's Memoir and Documentary
  2. Discussion around Sheen's memoir *The Book of Sheen* and his Netflix series *aka Charlie Sheen*.
  3. Reflects on his life, including struggles with addiction and recovery.
  1. Friendship and Humor in the Entertainment Industry
  2. Conan recalls meeting Charlie and being impressed by his humor.
  3. Sheen discusses his comedic timing and ability to switch between serious roles and comedies.
  1. Reflections on Fame and Success
  2. They delve into Sheen's rise to fame and the challenges that came with it, including substance abuse.
  3. Discussion about how they navigated parties in the entertainment industry, highlighting the pressures of celebrity life.
  1. Personal Anecdotes
  2. Sheen shares a story about his childhood and making films with friends.
  3. Conan relates to Sheen’s feelings about growing up and the lack of supervision from parents, contrasting their experiences.
  1. Family Dynamics
  2. Insights into Sheen's family, including his father Martin Sheen and brother Emilio Estevez.
  3. Sheen talks about the pressure and expectation of being in a famous family.
  1. Reflections on Past Roles
  2. Discussion on Sheen’s decision to turn down roles and the impact of those decisions.
  3. He reflects on missing out on *The Karate Kid* and how it affected his career trajectory.

Emotional Connections

  • Sheen expresses gratitude for surviving his struggles with addiction and the losses of friends like Matthew Perry.
  • Conan and Charlie share a poignant moment discussing the importance of staying alive amidst the chaos of their pasts.

Conclusion

  • The episode ends on a humorous note, with discussions about Arby’s and the absurdity of celebrity culture.
  • Conan thanks Charlie for his honesty and humor throughout the conversation, highlighting the importance of friendship and support.

Key Takeaways

  • *Conan O’Brien Needs A Friend* showcases the depth of relationships and the comic relief found in shared struggles.
  • Charlie Sheen’s insights into fame, family, and personal battles resonate with audiences, emphasizing that the journey of life is filled with both challenges and humorous moments.
  • The episode illustrates the power of friendship and understanding in navigating the complexities of life in the public eye.

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Additional Information

  • For more podcast episodes, visit [TeamCoco.com](https://teamcoco.com/).
  • Call the Team Coco hotline at 669-587-2847 for audience questions or comments.

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Transcript

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0:03Hi, my name is Charlie Sheen.

0:09I love that you very few people struggle with their own name Charlie how are you? I came up with the fill in in the middle of my name I'm using all of this I don't care what you say I hope so Hi my name is Charlie Sheen and I feel enchanted about being Conan O 'Brien's friend I love that I like that a lot I haven't used that word since childhood Yeah Well, yeah.

0:56Hello and welcome to Conan O 'Brien Needs a Friend, a podcast that gives life meaning. Sona Mavsessian joining me along with Matt Gorley. Hi. And Sona, I understand you've got a big gig coming up. Do you want to talk about it? Yeah, we were talking about a podcast recording we have coming up that I have to miss because I'm going to... This episode. Oh, just kidding. Oh, I'm missing this episode. You're missing this guest. Oh, so you won't see me or hear me in Charlie Sheen's episode because they know it's Charlie Sheen. I'm pulling a cone and I'm like, do they know? I know. I'm sorry. I'm from the old school of show business where you, voila, This is the new world of magic where they tell you how the trick works and then do it.

1:36Didn't your late show start with it going, and tonight's guests are. I know. I know. Nothing was ever a surprise. I know. Oh, my God. Don't reveal how ignorant I am of my own life. I don't even know who I am at this point. So, but anyway, I'm going to try and clean. My job is to clean up this brambled brush. Wow. Yeah. You are going to miss the interview today because you have to go on a big gig. Tell us what the gig is. I'm doing a speaking engagement at a convention for assistants. Why are you laughing so hard? I was your assistant for 12 years. You were terrible. How dare you? Why is there also a convention for assistants?

2:18Because it's an important thing to bring us all together. We are the most powerful people in the entertainment business. This is gonna make me sound really ignorant, probably to a bunch of assistants. She's speaking. She's the one who's telling all the assistants. Stop laughing. I'll be an assistant. I kept you alive for 12 years. I kept you alive. This is the greatest thing I've ever heard. I got you to where you needed to be. I forgot what else I did. I'm pretty sure like I - Welcome everybody to the convention of non-killing murderers. And our speaker today is Genghis Khan. Genghis, talk about your life of not killing and not murdering.

3:05No violence. These are my people. These are my people. Now, are you there? Is it kind of ironic that you're going? People know. You wrote a book called World's Worst Assistant. Yeah, you wrote the foreword for it. I know, yeah. So you laugh at you. You did this. You laugh at you. You laugh at you? Because you enabled this. You'd laugh at you. Is this a preview of your speech? Hey, number one rule of being assistant. You left you. You left you. What are you talking about? You're incoherent. What I'm saying is you enabled me for 12 years. Okay, sure. All right. What do you mean, sure? I mean, yes, I agree with you.

3:41I don't think you ever reprimanded me. You just made fun of me all the time. Right. But what I'm saying is, given that all of that is true, you still should not be speaking to thousands of assistants and putting your imprint on their minds. I am a success story. In spite of yourself. That's true. But I assisted a high-profile individual for a very long time. Very true, very true. And I got you to where you needed to be. Yeah, what do you mean? Yeah, I did. Good debating skill. What do you mean? And the winner of his tournament is, I was a champion. Speech. I didn't debate. She didn't debate because debate involves logic and doing a little reading ahead of time.

4:30She was really good at going, oh, me? No, you! You look at you. You look at you. You look at you. You laugh. Funny me, funny you. You laugh. You and you know you did this. You did this. You enabled this. And the speech champion once again is Sonomov Sessian. Sessian, Sessian, Sessian. No, for real though. That's the echo in the hall. I came into this ambitious and then you started making fun of me very early on. You said it sounded like I was arguing with Dracula when I was talking to my grandma on the phone. It was your mother. And it broke us. And it did sound like arguing. It broke us. You were going, blee, blah, blee.

5:01And it did sound like, you know, Dracula the auctioneer. And I just commented on that and I thought it was a very sensitive way. Are you proud of what you've done to me? Yes. I think it's really funny. Is it? Yeah. Is it funny for you? Yes. Because you... You funny you. You funny you. Well, you win that one too. God, you're good. What's the subject of your speech going to be? It's not. It's a Q &A. I don't even have to have a prepared speech. I'm just going to have a conversation with someone, which is nice. It's called the EA Mafia. And, you know, they're like, it's going to be in Palm Springs.

5:31It's going to be lovely. Okay, I'm going to say this at the risk of ruining all our good fun. You were a remarkable assistant. I'll let it go south. No, listen, I will say this. On some of the specifics, a disaster. But the important thing is Sona would have jumped in front of a bullet for me. I would have. She would have. She's incredibly loyal. Why would you have done that? I don't know. Just so she could get overtime. To protect my paycheck? I don't know. She'd be like, well, I'm shot now, so that's double overtime for the length of my recovery. Can I say something, though? You compliment David Hopping way more than you've ever complimented me.

6:12You always tell him he's doing a good job. Yeah. I taught him everything he knows. I don't think that's true. It is true. No, he took over and you were like, good luck to you. You do you. And then you jumped out a window and landed in a big hummus truck. Oh, that sounds good. I want to get it. I want some of that. That actually sounds really nice. No, I'm going to finish my nice thing. Incredibly loyal, very street smart, savvy, really funny. And we had a blast. I had a blast working with you. I think 95 % of the time we were doing bits um but yeah helped keep me sane or in or kept me insane i don't know which but uh sona i love you and i owe you everything i love you too i'm serious too i really miss working with you on a daily basis but back to how terrible you were okay you know what i know we were so close to a nice moment come on come on my favorite quote is the we did a remote that you can look up on YouTube, I'm sure, or our website, whatever.

7:12I don't know how things work. YouTube. What's that? YouTube. YouTube's still a thing? Okay. On the tube, you can look it up, but when you and I worked with someone - The HR rep. The HR rep. Blair, I think, right? Yeah. Oh, that's right. Her name was Blair. And you said, and you weren't making a joke, you say, I just think I have a mental block against assisting him. And I said, you are my assistant. Yes. And it was such a great moment because I think that's true, but it also in a great way worked. It did work. It worked. And we're pals for life. We are pals for life. I'm a barnacle. Also, I'm proud of you.

7:48I'm really glad that you're doing this. And I think those people are lucky to have you. Oh my God. Thanks, Com. Not like a piece of, are you getting paid? Yeah. Can I get a little something? You can't get it. No, that's fine. Don't do that with your mouth. I just want to wet my beak. I want to wet my beak. No, don't do that. Oh my God. No, I'm not doing, stop doing that. Ew. I love wet my beak. Godfather 2 it's gross I don't like the what my beak sound effects those are awful awful my guest today we gotta get into it yeah I mean there's no time to screw around maybe he wants to wet his beak well it's all we've been doing is screwing around just so we're clear I know that is actually the job definition that is what we do quit screwing around we gotta get back to screwing around my guest today is an actor whose new memoir The Book of Sheen is out now he also has a two part Netflix documentary titled aka Charlie Sheen

8:40charlie sheen welcome

8:46i want to make it clear to uh to all my listeners i met you years and years ago you came on i didn't realize you came on my show eight times that's amazing you came on the show a lot and the first time i met you my immediate reaction was and this is long before two and a half men okay my reaction was, damn, this guy's really funny. Oh, right on. And I remember clicking with you right away just about how funny you are, which enraged me. Because you were born with that head and I was born with this head. That infuriated me that you were so quick and verbally dexterous. Your delivery is so dry. You have the features and, of course, the career of a leading man actor.

9:28Thank you. But you were so funny in ways that could surprise because it's not what I expected coming out of you. And I think that served you really well over the years. And now speak to that. Yeah, yeah. How do you, what can I - Where do you go from there? What can I say that you didn't? Well, you could say, no, no, you're wrong, Conan. It is you. Right, right. Who is the true master. Of course, you haven't done that. It was you, though, when I discovered that we had, like, instantly we had a comedic rapport. Yes. And we understood each other's rhythms and timing and sensibilities. Yes, yes. And that doesn't use, that's rare.

10:13No, it was so much fun. I remember, you know, there was always, as you know, you generate all kinds of stories. And at the time, there was some story about how you liked feet, you know, ladies' feet. Oh, right. And so our producer - We did it with Andy. Yeah. And our producer, Frank Smiley said, and we thought, well, we'll pitch you this thing. And I thought, well, Charlie Sheen might just get mad and punch us. It was all about us showing you different feet and you rating them. Right. And you were like, of course, yes, let's do that. And then you did it and you were really funny. And to me, it's, oh, he's really fun to play with.

10:54And there's so many ways that I, first of all, a lot of similarities. You and I were, when you talk about who really partied hard in the 80s and 90s, it's always Charlie Sheen, Conan O 'Brien. Well, yeah. I mean, and not always in that order. Not always in that order. No. No. I'm sure he didn't party and you didn't just clean up. Yeah, no, no. And Charlie will bear this out, but there was not a moment in his hard living times when I wasn't right across the room. It was me, Nick Cage, and you. and I was and Sean Penn and Sean Penn and I remembered you guys sometimes saying Conan slow down yeah but that didn't matter if you never listened to us but if you're gonna set yeah that's why when I watch the documentary read the book I'm like hey where am I man I was there often leading the way well as litigious as you've been in the past we were like let's just let's just disappear him.

11:55And we did. And I, I thought you'd see that as a, as a compliment. You know, I, my, uh, my wife, very appreciative. My kids, so glad not to be mentioned. Um, it's so funny cause you've always made me, uh, really laugh and you have this, you've had this unusual career where, you know, these, these films, these iconic films, uh, that you were, that you were in. And then, um, where you're playing, it's a heavy roles and leading man stuff and, you know, Oscar winning, uh, uh, you know, platoon and you're in wall street. And, and then you have this, we're talking about it, uh, uh, major league and the hot shots where you got to show this other muscle that most guys in your position didn't, wouldn't have had that kind of flexibility sure and you probably knew all along i could do that if i had to or did you not know well um the hot shots movies i i going into it um i was going to be borrowing from the late great leslie nielsen yes yeah and i just i kind of because i saw those films as a child uh or as a young teenager like with emilio in westwood on a friday night watching airplane It was the first time when I thought, oh my gosh, someone else gets my sense of humor.

13:18And when I saw that, I thought, oh yes, this is what it is. Your eyes don't twinkle when you say it. You have to have the 10 ,000 yard stare. Everything you brought to any of your serious movies, you now bring to this. But what you're saying and doing is quite absurd. Right. So I have to kill those jokes like I killed Sergeant Barnes. Yes. I just came up with that. That's amazing. And then I had another. Very good. Thank you. Thank you. I just, that's a fresh one for me. Okay. Okay. And then I just realized that you're talking with us too. I don't mean that demeaningly, but you don't have to. You're part of the triangle.

13:59You know what? We discourage him as much as possible. Okay. Okay. Because I don't want to be like, he's the only one that matters. You really don't have to. No, Charlie, please. But you're part of the show. Not really. Are you filling in for someone today? No, no, no. I've never met this guy before in my life. No, no. He was here to fix the HVAC. That's right. And we said, he said, this chair is comfortable. I said, well, have a seat. And I said, this is true. I did see Platoon when I was in sixth grade, six times in the theater. In sixth grade? Middle school. Okay. And I was obsessed with that movie.

14:29Wow. You saw it how many times in the theater? Six times in the theater. Six times. I know. So you have, I mean, that's a lot of money in Charlie's pocket. Yeah. that came directly from you. And I'm here to get it back. You were dissatisfied, but you couldn't stop seeing it. That was a lot of money in Oliver's pocket. Yeah. Yeah. Oh, okay. I didn't have any ownership back then, you know? Yes, of course, of course. Right. But one of the things that, you know, between your book and the documentary, both of which I've found fascinating. Thank you. One of the things that I connected to on a personal level was because we're the same vintage, I grew up, came of age in the 70s as a kid.

15:07Sure. And in the documentary, you're showing a lot of footage from your Super 8 films that you're making. And I recognize the jeans. I recognize the shirts, the jackets. I also recognize this idea that there were no helicopter parents back then. You just did whatever you did all day long with your friends. My parents never knew what I was up to or what I was doing. In my case, not much. In your case, a lot. But I was looking at those, looking at your Super 8 films, and I was thinking, yeah, I remember this part of my life. That resonates with me so powerfully. Wow. Killing time with your friends.

15:47Only in your case, your friends are Sean Penn. And his brother, Chris. Chris, your brother, Emilio. You're, I mean, it's a who's who of very famous actors that you're clowning around with, only you're doing the same shit that I was doing in Brookline, Massachusetts with my brothers, only we didn't go on to become iconic movie legends. You guys did. Well, yeah, and there's two people that are missing from the doc only because they joined the party late and the choice in the doc to focus on that specific, you know, capture of time. and that was Rob and Chad Lowe. Yeah. So they were also like right down the street.

16:34It was like, what was in the water? Yeah. What was in that point doom water? And was Rob moisturizing back then as a child? He must have been. He must have been. Yeah. It just, that guy kills me. What is the deal? He'll be my face rotting like a pumpkin in the hot late October sun. And I've had talks with him and I remember I was talking to him once and he reached into his pocket and it came out and there was like a little packet in there. And he was like, squeak, squeak. Is that true? Did that happen? I think it happened. I think it happened. But he, you know, some internal clock went off that must moisturize.

17:09But yes, I don't know if he'll outlive me, but his face will outlive me by 120 years. All of us. Yeah. All of us, yeah. But one of the things that was fascinating about watching the doc was you're making these very innocent films with your friends. Then you go off because your dad, Martin Sheen, is going to shoot Apocalypse Now. You and your family join him. When you come home from Apocalypse Now, spending a long time in the Philippines, your films change in tone. And you actually have some of the props from Apocalypse Now, like a severed hand. You brought stuff back and suddenly all of the films go from, ha ha, oops, we fell down.

17:50Whoops, I went boom. Yay, hippie, woo. And then you come back from shooting that and it's people shooting themselves, shooting each other, hands flying, body parts. Yeah. Your oeuvre completely changed. It did. It did. Yeah, I guess the violence, the pure spectacle, the sheer amount of blood and body parts on Apocalypse, like on a Tuesday, you know? Just seeing that, but also starting to get in touch with, not with the emotional aspects of FX makeup and gore and all that, but with the technical filmic versions of it. you know, and then wanting so badly to emulate that and bring that home. And then basically, it went from the stuff you talked about to our prop department just being guns and blanks and blood.

18:55That was it. I mean, it's really funny to see that change. Some of that's age, but also you were just on the set of Apocalypse Now for a long time. Right. There's skulls everywhere. There are skulls everywhere. The heads. You're looking at the heads. I mean, there's a line. And this is you at catering. Yeah. There's just skulls and bodies. And I'm just here for a taco. Yeah. You had these friends who were becoming famous. And then you had your brother, Emilio, becomes very famous, huge star. And then there's the whole Brat Pack phenomenon. All those guys and gals. and I remembered I came out to LA in 85 and I have a very clear memory of working at Sunset Gower Studios as a 22-year-old walking up the street to make a deposit at the Wells Fargo on Sunset in Hollywood and all of a sudden I saw this Jeep roar, open Jeep roar past and it was Emilio and Demi and Rob, they were all in, they were all going, yay!

19:59And they went by me and I remember thinking, oh boy. If only I could be in that Jeep. That's how I talked back then. Of course. For the surgery. We all did. Your early movies were like, I'm going to go to Wall Street. So glad they did ADR and fixed that. Yeah. You are around that. And I was thinking, oh, right, you'd have been around the Rat Pack, but no one knows who you are yet. Right. And what did that feel like? It felt awful. Yeah. It felt, I felt like I was just, you know, taking up the rear. I felt like a valet on certain nights. Even when I was in the mix, like we'd start at the Hard Rock Cafe and then we'd get, you know, wherever the night took us to all the VIP lounges and all the special places where you, you know, try to hang out with the untouchables, you know, not, not, not the band, like, you know, actual.

20:50Right, right, right. Yeah, super famous people. Um, but I never, um, it, it felt the, the, the worst was when I did all the attention from all, all the pretty girls, you know, and, and they would all go home with them, you know, and I would just go home and it was, and I just, but it was in, I think there's a line in the book that, uh, my, my, my inner bear had been poked and it, and it lit a fire. You could see from the fucking moon, you know? you knew on some level because had you been a different person, you might've said, well, gee, I'd like to be in their situation, but that's not really my thing.

21:28It almost seems to me like you had this subconscious knowledge. I'm supposed to be one of the people that everybody knows. Well, that, or at least be part of, um, all of the perks, you know, I didn't give a shit about acting. I was looking at that just like, you know, if I can just give a shit about acting. If I could just get a job that everybody lines up to go see, then that's how my nights will end. I mean, seriously, that's kind of the inspiration. You are honest to a fault. Thank you. Thank you. I only got into comedy to do good works. Right. I know. In the name of our Lord Jesus Christ. I'm not familiar with these perks you speak of.

22:15Now, if you'll excuse me, I have nine Bentleys duct taped together. I'm going to drive home.

22:30There's so much. I really recommend the documentary because there's so much in it. Yes, there's all these harrowing tales that you have. There are moments where I, as you, as your star rises and you're self-medicating and you're, you're getting into all kinds of stuff where I'm like, okay, that's not me. Like there's a scene where you're actually being very valiant. You're trying to help a woman out who's in a bad situation. She's in a house with kind of a violent guy. And you say, well, I went to the, I knew she was in there with this tough guy. So I went out to my trunk of my car and popped it open and I took out my, and you know the exact make and model of the gun?

23:10Yeah, it was an HK P7M13. Okay, not the way I go. I go for a Glock M8944 slash B, carry the three. They were sold out of those the day I bought the HK. Okay, no, no, no. I think of it as a lady's handgun, but anyway. It shoots bubbles. What do you want? No, you, you, you. Yeah, why was I so specific about that? In the dark. In the dark, it stood out to me like, you rattle off the name of the gun and you like chamber around and put it in your waistband. I'm like, okay, you're an actor. What are you doing? Well, you know, rolling through a dangerous neighborhood, right? So I figured I should pack a little heat.

23:56But it's in the trunk of your car. Right. Could you pardon me for a minute, sir? I'll take care of you if you don't mind I'll step out of the car get in the trunk if you don't mind yeah wait all my wallet's in the trunk hey buddy no but it still came in handy it did yeah that was a tough guy moment though that doesn't really speak to like who I claim to be or want to be but it did feel dangerous enough that I needed to be armed yes in that moment in that creepy place to help her out. Yeah, yeah. I just, I'm really glad I didn't have to shoot anybody. Yeah. Right? Yeah. Because that's when it gets like - You need confirmation on that?

24:40I mean, it gets - No, I say it would be good if you shot up the place. Okay. But that's when it gets messy. Yes. You know? Yeah. Yes, well, I do know. And not like our Super 8 movies. Right, right. This is the real thing. Is this disallowed? Are we like not - I don't see any issue with it. I don't know what you're with at all. It's just nicotine. Yeah. I don't know what you're with at all. I mean, I'm fine with it. Vape away. Yeah. No, I was going to say he was doing something else. It's audio. Yeah. He said, is this okay? And he started removing his clothes. Can you imagine? He just pulled out a heckler in Cox 79B.

25:12Is this okay if I fire upon Conan? Amazing. Yeah, it's fine. Yeah, I don't have a problem with it. But back to that night. Yeah. Yeah, with Sandy. Yeah. I'm not doing this in any particular order. It's just as things come to me. That's all right. And one of the things that comes to me is, which just makes me sad, but you are very evocative of another very handsome, very talented, extremely verbally funny person that I got to know a little bit, not super well, but Matthew Perry. Oh, wow. He came on my show just as Friends was hitting, and he got there early, and I remember us just chatting in 30 Rock, in the hallway.

25:54And laughing, probably. And taking a little walk and laughing. Yeah. And, you know, and I just thought, damn, this guy's so, as you are, verbally dexterous, funny. Then I find out that you guys actually became friendly before he passed away. We did. Which makes complete sense to me. Sure. Sure. I wish that I had stayed in better touch with him or just stayed more available or his orbit was a hard one to penetrate, you know, or his ecosystem or whatever, which isn't unsurprising because, you know, when people need to be insulated to hide or protect the things that they're doing. yeah um the less people getting past the velvet rope the better you know yeah yeah that makes sense i just but i read his book yeah and i read it in a day and i just i started it and i was like okay i don't want to do anything else until i finish this and then i wanted to reach out to him and then you know kids and stuff in life and i was like i'll call him tomorrow i'll call him next week but i wanted to just congratulate him and have a laugh about how i was included in his book that there's one line where he says, fuck Charlie Sheen.

27:13I'm going to be just as famous one day. You know, he was like using me, like I used Emilio and Rob and dad and the rest of them, you know? Um, and I never got to reach out and, and first of all, thank him for that and, and congratulate him on the book. And then he, I think died a month after I read it. Yeah. You know, it was that it was there, there was a moment, um, in my childhood, there's a, there was a coffee house in Malibu and it sits like it was there for years and they finally tore it down like the get rid of everything cool. Right. And I think I was 11 or 12. I had decided that Jaws was the greatest film ever made.

27:52Right. And I saw it in the movie theater a hundred times, like in a movie theater, because it played in theaters for a year or longer. So anyway, in the middle of that, probably 40 showings into that. Right. Dad drops me off at that diner and I go inside, I'll park the car and I'll join you in a minute. Right. So he's, I'm waiting for him and a person sits down next to me and I turn and look at him and it's Roy Scheider. Oh wow. It's chief Brody. Yeah. And I'm frozen. I don't know what to do. I literally don't, I, we don't, there's no languages available. There's no, I mean, I'm 12, you know? Yeah.

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28:28And, and then he was there just briefly. Dad took a while with the car. They knew each other from New York. That introduction could have been like, oh, hey, by the way, it's my son, right? He leaves, dad shows up, and I say, Chief Brody was just here, right? And he says, ah, it's too bad. I know him. I could have introduced you. So then, so I never got to tell him that, right? And I was always like, Jesus, if I ever saw, you know, if I ever see him out in the world, then, you know, I'll say, wow, as a child in this thing. But during Two and a Half, if Holland Taylor played my mom, she knew him.

29:06And so she got that message to him. Oh, that's good. Yeah. Before, before he passed, you know, but it was another one of those things. It was with Matthew that it was kind of, it was, it, it reminded me of the shider missed opportunity. Yeah. I mean, Matthew wrote very honestly about his experiences and there must've rang a lot of bells with you about those demons and what it's like to have that kind of, uh, to be wrestling with that level of addiction. Yes. And, and his story, I think took us more through, um, a lot of the, you know, um, just, uh, a lot of the stuff that, that he dealt with specifically, um, with rehabs and with detoxes and with that whole world that tends to cycle people.

30:02You know what I'm saying? That sort of the business model is to rely on relapse. Yeah. And I'm going to get yelled at for saying that, but it's really true, you know? And then they saw - It can probably happen insidiously where it starts out one way, but then things can become a business. Yeah, exactly. And then you want to return customers sometimes. And I mean, I'm asking, I'm not telling because I don't know. Yes. Yes. That is accurate. Okay. Well, the lawsuit's on you then. That's fine. It's fine. Once again in there. Add it to the stack. There's actually seven stacks behind you of lawsuits.

30:37But I could relate to a lot of that and just being at the mercy of people all the time and just giving away, giving up your power and giving up your agency and giving up just the light that makes you special, you know? And that just being dimmed. Plus, I never did the freaking drug that he overdosed. Was it ketamine? Ketamine, yeah. It was ketamine. The other thing, I'm grateful that I was never involved. My heaviest drug use never included fentanyl. Yeah. So that was never like - There's a good chance you wouldn't be here if it had. Exactly. Yeah. Exactly. Yeah. Um, my ex-wife Brooke was engaged to a guy who had a nice business, you know, former athlete, young dude, good looking, um, but couldn't stop getting loaded and wound up in rehab again and scored dope, some cocaine in rehab and went into the bathroom and did a couple of big lines and died on his way to the floor.

31:41So it's like, and that was fentanyl, you know? And I just think about my gosh how many situation was was i in were that you know we couldn't like order the fentanyl test strips on amazon back then right i mean it was just like now you're saying well yeah yeah you can right yeah right i thought you meant order fentanyl on amazon oh no the test strips oh damn it for a second i was like well hold on yeah my phone's right here we're rapping early.

32:12Yeah, I misheard you. But it's not like today when you can just get fentanyl on Amazon. There's another lawsuit, but not me again, you. Yeah, you talk about, there was a great quote where you said that you and Matthew Perry, you had a friend of yours that described you guys as veterans of the unspeakable. Yeah. Yeah, that's a Downey quote. Is it Jim Downey? No, Robert Downey jr oh my god yeah yeah that's a downy quote most people say downy quote and i go to jim down that's awesome comedy writer that's awesome and you go to that other downy who no one knows right i mean maybe one day yeah there's another really funny very funny verbally dexterous guy brilliant actor no and a lovely man yeah yeah um but it's i gave him a new nickname in my book i call him bobby dj oh that's pretty good right i like bobby dj rolls right off the tongue right yeah bobby dj okay well okay i don't have one of those um i have a i'm not gonna say guilty pleasure because usually when you say oh i i watch these comedies on reruns but i'm i'm friendly with uh one of your directors on two and a half men jamie widows oh okay who's okay he's a lovely guy one of the great people ever yes yeah he's a lovely guy he's hilariously funny a lot of you will know him like wait a minute how do i know that you know great tv director but uh animal house yeah he's in animal house he's hoover i believe oh in animal house you know uh well now hold on a second dean you know you sit down smart you know that uh smart guy uh and he tells great stories from that set he has great stories about belushi he has great stories i mean i got to get him on here to tell those great stories um but his price is high um so wait anyway he talks about you should be getting paid hundreds of thousands of dollars interesting wow they skipped that part yeah just skipped it um two and a half men anytime that show is on i'll watch it seriously yeah because your character in that is funny in a way because i'm such a comedy nerd i'm like this is a little different i'm trying of think of who else has been funny in this way, it feels very original to me to be playing that rhythm on a sitcom.

34:29It just felt unique to me. You feel like there's some precedence for it? Well, yeah, I was borrowing or honoring parts of it from Ted Danson. Right. From Cheers. Yeah. But it's darker. It is darker. Sam had to be somewhat likable. Of course. That didn't seem to trouble your character at all, being likable. You know, like he's, there's, you still like your character. Right, right, right. You're not afraid to say the most horrendous things. Right, because I had confidence that whatever that my character would wind up doing, that he would ultimately always be forgiven. I've watched the blocking on that show.

35:10I think you burn four calories an episode. You're always very comfortably dressed. Right. And you're always usually sitting one leg crossed over the other with a beer. and then other people can melt, have complete meltdowns. Or John can have a complete meltdown. You're watching, you've got some great jokes. Sure. Then cut to you in bed with an incredibly different, beautiful woman every week. And you're like, wait a minute, did you win some kind of contest? Must have. Must have, yes. Yeah. No, that's an aspect to it that nobody complained about. Yeah, yeah. The actors or the audience. Yeah, yeah.

35:49Yeah. Yeah. And interestingly enough, I was either married or in some relationship. No, it was only two relationships during the entirety of two and a half. It was either with Denise, married, and then that went bad, and then Brooke married, and then that went bad. So anybody you see me dating on the show was just on the show, which kind of sucked. I love that you're acting like, I know it's hard to believe, but I didn't actually sleep with that woman in that scene. That's usually the case. Yeah. This is going to be hard for you to believe, but I've interviewed thousands and thousands of women over 30 years of television.

36:27And guess what? I didn't sleep with any of them. Seriously? Wow. How is that possible? Thanks, pal. Hey, sorry. Okay, B, Arthur. Wow. Wow, you brought B into it. I had to. Wow. I had to. You mentioned that you watch it whenever it's on, right? Do you know who else does? My parents. Your parents? will stop what they're doing and if they finish dinner and two and a half is on, they'll just sit down. And they'll just take it in. And then I'll show up at the house the next day, right? They'll be like, hey, we watched this episode where so-and-so does this and then the kid did that. So why did John do that other thing?

37:07And I'm like, mom, I can't answer that question. I don't remember the episode. You know what I'm saying? They want specific details. Oh, I know. You know what I'm saying? And I'm like, okay, give me a little bit of backstory. And all the backstories are identical. You know what I'm saying? It's the week you threw John out of the house. I'm like, I need more. I need more, Mom. You're slightly, yeah, unpleasant. You're skeptical that something John's trying to do is going to work out. Right, and you're drunk in the scene. Yeah. Yeah. Yeah. You immediately throw one woman over for another. What happened in that episode?

37:54I really like watching you and John Cryer in scenes together. There's a really nice, real chemistry there. Thank you. And I know I was happy because I'm friendly with John and I know that you guys went through stuff and that could not have been easy for John. Sure. I was very happy that he participated. I was too. because it felt like uh there was a bit of a let's put that behind us let's come together which i thought was for the most part there was yeah absolutely yeah what do you say for the most part who's who he's because there's a couple moments in the in the dock where he's still kind of hacking on me a little bit you know and then he's questioning like if he should be in the dock because you know is it going to be another sheen uh experience that starts great and finishes in the toilet, you know?

38:45Right, right. So I proved him wrong this time. Have you though? Because many people consider coming on this podcast to be a rock bottom. That's a good point. And by the way, I went through all of your experiences, both in the book and the doc. Right. This is your rock bottom. Okay, okay. This beats you going to the trunk of your car for a MI-1533. 28, 30. 23, what is it? 36, so whatever. It was a different time. When you watch 60s movies, that joke about women's measurements all the time that people did back then. What is it? She's 24, 30. I forget how it goes. She's 36, 20, 36. Yeah, yeah, whatever.

39:24Yeah, yeah, yeah. And you're like, what? You watch it now and it's just a standard thing. Like she's 36, you know, 24, 36. You're like, you're listing her bust and hip measurements. What? I've never understood it, clearly. There doesn't need to be math in that moment. You know? You're taking what should be a beautiful moment and reducing it to... Geometry. To ratios. The ratio of hip to breast is quite pleasing. It's the golden mean the Greeks discussed. The Thagorean theorem. Your Emilio is not in and your dad's not in. Is that, do you, I think you mentioned at one point you wish they were in the dock, but it, they maybe felt like they don't want to speak to all of this.

40:18I don't know. They watched a rough cut of the first episode at my house with the director, Andrew Renzi. Ramon was there. Mom was there. And, and, and they loved it. They were so entertained. They were laughing. They were just like, they were so engaged. And then they both said, you know, dad said, I'm already in this thing. I'm already represented in this thing. And I, and I like the way I look in that better than today. He says, he said, you don't want an actor thing. He said, you don't want the old version of me, you know? And I'm like, well, kind of, I mean, well, you know, it's, that's the authentic moment right now.

40:56And so, so he said, no, no, no, I, I, I can't. And then Emilio, they both decided that, that, or came to a realization that they, it was my story. And, and even though they're, they're, you know, part of my life and obviously the whole journey, um, they didn't want to get in the way of my story. They didn't want to, um, in any way, uh, put it through their own filters or, or in, in, in ways that might misrepresent some of the stuff, how it actually happened. You know, they didn't, they didn't want to get in the way, but of course the press jumps on it and they're like, they're not. minute what's the backstory what's the feud you know um and there there's like not none well i uh i your dad is a very special place in my heart because early on when i was doing my show in 93 94 and people were saying what is this who is this guy this comedy is aggressively strange we had a bit where it's very hard to explain but it was stay in your seat theater where we would it's already funny it's already funny well we would have we we needed a someone with gravitas um who would i think it was a medical drama and we needed an actor who a guest who would be the medical drama but what happened is we had other actors with green screen um sort of felt over their faces moving to different positions and then when their line came up we would take someone from the audience literally a person who had been waiting in line outside rock forest center 20 minutes ago, their face would suddenly be put on the actor's bodies.

42:29They're just sitting in their seat. Do you remember? I don't know if anyone has seen this, but they would project it. It's early, early, aggressively weird stuff. Your dad said he'd do it. And so, I mean, we never thought Martin Sheen would do this. He'd be the superimposed face? No, no. He was the actual guy. He's Martin Sheen as the doctor. Got it. And then he'd turn to another doctor and go, what's the diagnosis? and we'd be just a, you know, a body there with the green sock on. And then someone from the audience who's just sitting in their seat, who's from the Bronx, their face would be there doing a scene and they would just, we'd hold up a cue card and they'd say, three CCs of Palahoma Samazon.

43:07And your dad would go like, great. And then one more thing, I'm in love with you. You know, and your dad just went for it. Did he commit to it, the whole thing? He didn't just, I mean, of course he did. Wow. He committed to it a thousand percent. That's amazing. And he was lovely to me and we had a great conversation and I've always just had a, just a, I mean, who does that? Especially with his stature, you know, put this new guy, something that's bound to fail. Let's do it. Sign me up. Yeah, exactly. So, well, I'm glad that you guys are, and you talk about this. I didn't realize that Emilio was the first choice that Oliver Stone wanted for Platoon.

43:51Interesting, right? Yeah. Interesting isn't the word. I know, I know. It's bananas? Let's go with interesting. Interesting, okay. Let's not use a fruit. But no, it, I mean, first of all, stuff between siblings and brothers especially, I think can be, and I shouldn't say that, sisters too, but stuff between brothers is extremely loaded. Right. it then you're both saying let's do this acting thing you're you know emilio's first having success then there's this what turns out to be a very important film very important big director and emilio's their first choice he's gonna do it right and then something happens the project gets delayed and then they come around and they say well charlie uh oliver wants to see you for it now yeah how heavy is that um it's man it's it's a trip um emilio and i like never had that moment where we like sat down and processed it or even gave it the the the you know it never existed between us that we felt that we needed to you know um because it wasn't like that that didn't work out for him and then he did nothing yeah you know he he did a ton of cool shit and films that people are still talking about to this day, you know?

45:12Um, you know, I didn't mean to speak for him, but he told me that he didn't love the script. He didn't love the script. And then, um, if you ever have him on, there's a story with him and Tom Cruise, like jogging on the beach. That's already a great image, isn't it? Um, slow motion, the whole thing. Um, and they're talking about the script of platoon and they're kind of comparing notes and Emilio's like, well, what about this thing? What about when he, you know, and then when the bunny character pees in the, in the dead BC's face and calls him this thing, you know, and like, what about all that?

45:44And Tom's like, yeah, man, it's pretty gnarly. And, and so it, uh, I don't think. How about us losing the Vietnam war? That's a drag. That part. We should win it. Yeah. But so I don't, I don't think Emilio really felt like he missed out on, and a fantastic opportunity, which is interesting. until he saw it and was like, oh shit. But I think he sees that it just would have been a slightly different film with him than it was with me because that is, I think that is the only part that we've ever, what's the, we crossed swords on? No, that's not right. Well. What is the thing that people say? It's the image in my head now.

46:27No changing that. It's the only role that ever. Where your penis is touched. Our penis is touched, yes. I'm trying to help you. Am I helping? At the premiere. So, what the hell?

46:45That's not in the doc, is it? Jesus. I wanted to save something good for this, you know? Sorry, Emilio. Now I've done it.

47:07Well, this is another story that's fascinating. You give a verbal commitment or you sign a contract to do Grizzly 2 Revenge. Right. It was originally called Grizzly 2 The Predator. Uh-huh. Just for anybody, any cinephiles out there that think I'm violating, you know, the true spirit of the Grizzly franchise. Well, I'm just going to tell you. I'm besmirching the great Grizzly name. Matt Gorley saw Grizzly 2 Revenge in the theater 75%. I'll thank you to respect the sanctity of my favorite film series, regardless of whether you were in it. I'm out of here. I move to dismiss. Motion denied. But you know, you, this is the crazy story.

47:51So you've said, yes, I'll do Grizzly 2 Revenge, which by the way, also stars George Clooney and Laura Dern. And so there are a lot of great talent came out of Grizzly. And the bear has gone on to. Yeah, he has. Now the. Yeah. He's got that whole honey company. That's stupid. That was stupid. He's the Paul Newman of Grizzly Bear. That was useless. He's the Paul Newman of honey. Yeah. All profits go to me. But, you know, you say you're going to do that. And then you get this call that they want you to be the star of the Karate Kid. That happened. Yes. And take it. And so I think it was on a Friday and I went and I auditioned with Abelson, correct?

48:41Mm-hmm. We have a research team here? Yeah, with John Abelson. Yeah. And I thought the audition was a disaster. Right. And it was the scene where he wakes up from the beating of the bullies, right? And he wakes up to this mystical sensei, right? Yeah. and so to pat marita yeah and then um the dialogue was kind of stilted and didn't really have any kind of flow and like it did in that scene but it's not supposed to that's kind of their first encounter isn't it yes yeah yeah so this should be a little tentative exactly yeah and i thought i tanked it and i'm on the drive home i was like all right let's just park that and just do better next time you know and i get to glennis liberty's apartment in santa monica she's my very first agent right who actually got her agent's license because I decided that like I was going to become an actor.

49:34Wow. You know, and she was a friend of my mom's, but she worked for Pollock and Redford and, you know, she knew her way around. And so, um, we, we would usually have like a chalk talk at the end of the day of auditions and stuff like that. And, and she was on the street, like looking for me and I thought somebody had died and I pull up and she like runs right up to me and and and she's like crying and and babbling and and just so excited i couldn't believe it and i'm like slow down slow down slow what's going on and she said they they they need you in in karate training on monday you got the part well i'm like well hold on today's friday so and she's like yes you you're gonna be the karate kid it's like the biggest film in town right and i'm Like, okay, but I have to, I got the thing with the bear.

50:22I got the predator thing. And where is that shooting? That's shooting in Budapest? In Budapest, yeah. And not like when it's cool to be in Budapest, you know? And so she said, well, I'm sure there's, you know, I'm sure there's a way to get you out of that. And, you know, what should I tell them? And I said, I just tell them that maybe if we could just have the weekend, you know? So I took the weekend and went to dad and I said, hey, I got this amazing opportunity, like a career-making move, this giant movie that I think is, you know, it's got hit written all over it. You know, it's a game changer.

50:52And he says, and I said, so help me out. Give me like a cool way to get out of the grizzly thing. And he didn't even, he didn't even offer anything in that regard. He just said, well, so you gave them your word, right? And I'm like. The grizzly people. I'm like, well, yeah, but it's the thing with the bear in Budapest. It's totally forgettable. Anyone can get eaten by a bear, dad, right? And he's like, he's like, I've narrowly beat out a side of ham.

51:26Exactly. And he said, it's not about that. It's not about that. It's about that. You know, one big film is in this business is not going to carry you as far as, you know, being known as a man of their word. So I had to sell that to Glenis, you know, and she was like, yeah, have you lost your mind? And then after a while she agreed with pop. And so how was it when Karate Kid comes out and it's huge? Um, was that must've stung a little bit? A lot of it. Did you go and see it in the theater with the bear? I picture both of you, Oh, you fucked up. it's just got a big paw exactly you're taking more than your share you're you're splitting up they offered me the part of miyagi um the bear could have been miyagi this is great the bear was supposed to be miyagi you were supposed to be ralph macchio the whole thing's fucked oh my god but he went with oh i everyone just sees me as the thing that he chases people and eats things because I'm a bear.

52:34But anyway. I saw it in the movie theater like on a Friday night and it was interesting. It was a strange mashup of intense jealousy, right? And missed opportunity, all that stuff. But add to that relief. There was a relief and I don't know how to explain what that was about. I think Ralph was so freaking good in that movie, right? Yep. That I was looking at ways Like, how would I have done that differently? How would I have done that at all? And I was kind of like, okay, I think I kind of dodged a bullet here. I don't think they would have filmed the whole movie with me. I think they would have been like, okay, cool.

53:16No, you gave it a hell of an effort, kid. But, you know. Yeah. But also, I've had that experience at my age now where I can look back. Like the things that I missed out on that I was convinced were essential to me moving ahead that devastated me at the time. Sure. Now I see them and I go, well, they don't fit this arc that I have at all. Interesting. They just don't. Interesting, yeah. And you could not if I got in a time machine. On my way here today, there was some street work. So I had to pass my old apartment on Cochran. I had a$380 a month apartment, 1986. I lived on the first floor way in the back.

53:58I looked out on an alley and I passed that apartment. I always slow down if I'm in that neighborhood and look at that apartment. Wow. Because it was going to sound weird, but I almost feel like there's a ghost of me from 1985 that I used to sit on the steps of that apartment complex and think like, how am I going to make this thing work? I don't know. And so every now and then I'm like, I'm on my way to go talk to Charlie Sheen and I've had a pretty good run, but I'll stop and sort of honor that moment at that apartment at that time. If I could talk to that guy now and say, trust me, the gig that you, where it's between you and another guy to go work, be a writer performer for Letterman, and you didn't get it, and they only hire like one person every three years and that you're not going to be on that boat.

54:44I still think that kid would have said, you're out of your mind. That was my chance and it's over. I'm not going to make it. And I've had like nine of those. You know, and, but you, but then you look at it later on and you go, no, you weren't supposed to do Karate Kid. It wasn't supposed to happen. No. No. And, and. Because that choice changes other choices. So then you're not going to get Platoon. You're not going to get. Exactly. You're not going to get Wall Street. You're not going to get. None of those things happen if you do. Probably not. Probably not. And, you know, following like that amazing in theater experience with, you know, the Karate Kid as we know it.

55:25I didn't work for like eight months after that. And then I started writing stories about, okay, gosh, maybe they've tried to blackball me because I said no to their big event, franchise film, you know? Yeah, it just so that sort of compounded the funk that left me in, you know? And you did contemplate like I could be a cinematographer, I could be an AD, like I could get into this business in another way if this doesn't work out. Sure. That was more really, um, because I had done all of those jobs, um, in our super eight world, you know, I'm not saying I did them well, but I had enough knowledge about, you know, what, what happened on both sides of the camera, you know, and that was sort of the pitch to my parents at the, at the breakfast table, that first morning of summer after, you know, being kicked out of high school.

56:21I kind of sold them on this thing and it's in the book. I don't know if it's in the doc, but I said, look, I'm going to give the acting thing a shot. You know, I'm just going to spend this first summer of freedom, just auditioning and just see where that takes me. If that doesn't work out, then the kind of the, not a big lie, but the medium sized lie that I told them was that I'll, I'll go to film school and I'll learn how to, you know, I'll be an editor or director or cinematographer. And, you know, and so I just wanted them to feel like there was a backup plan that wasn't the same one that dad had struggled with for so long in his early years.

57:06Yeah, yeah. And they bought it. They bought it, you know. They thought, okay, well, he's, yeah. He wants to be a botanist. Did, oh, you also, and you talk about this, you had to sell your, your dad on changing your name. Yeah. Which is a moment. It was a moment. Yeah. Um, and I just, um, you know, Your original name. Carlos Estevez. Right. But Carlos had already been Charlie from in throughout childhood. Okay. Uh, because we've, uh, had, uh, an uncle Carlos, dad's brother. And so someone would be, you know, Hey Carlos. And we both like come in the room and that, you know, we had to put a stop to that.

57:44Right. Yeah. There's only room for one Carlos. Yeah. Yeah. And seniority rules in that moment. Yes. So I became Charlie and then I was Estevez all the way through high school. And then when I made the change or when I decided to give this thing a shot, I sat with him and I said, I really want to use Sheen. It's got a better ring to it. You know, Emilio's already using Estevez. And that way you've got both bookends of your heritage represented out in the world. God, you're a good salesman. Thank you. You are so good. I'm in the wrong business. Well, you and I should start an advertising agency.

58:17I'd love to. I would love to. Yeah. I just, yeah. And you say to your dad, like, I can see it in lights, Pop. Right. Exactly. Charlie Sheen. You weren't wrong, you know. I mean, I just, it was, plus it was easier to say. Yeah. You know? Yeah. What's your name? I'm Charlie Sheen. Even though when I walked in here, it stumped me. Yeah. And that's like on camera. That's going to be on like YouTube. Yeah. I know. I know. You're screwed. You're screwed. My name is. Well, I don't want to take all your time. I'm going to say this. First of all, you said you wanted to hand me something. But I don't know if you still do.

58:55Maybe you changed your mind. I know. I absolutely did not change my mind. You and I had a banter that I think ran over the course of a couple years. And it was during Spin City. Remember, I was on the Zone diet and I was like super thin and like eating nothing. Right. But I had this thing on Friday nights that was a treat to myself that was called the McFlurry. Do you remember this? Yes. We had great runs about that. We had, yes, the McFlurry was important to us. Yes. And then you said, you would always say, well, has McDonald's reached out and, like, offered you free food for life or anything great like that?

59:28I'm like, no. Unbelievable. Yeah. And then you would make jokes like, well, why are you out here talking about McFlurry? Why aren't you saying names like Porsche and Ed's Diamond Store? Yeah, yeah, yeah. Remember all this stuff? Yes, yes. So shortly after that, this shows up in the mail. Like, no joke. The guy from Arby's. The guy from Arby's. Bill Arby? You know him? Very soon. He sent me that. Oh, my God. An Arby's free food for life card. Yes. I don't know if we can push in on that or, you know. Yes, this is. And it's signed on the back. Yeah. I've been carrying that around for like 20 years I love that you have this and also and you're the reason I have it you're welcome you're welcome and can I say one other thing this I want to know would you go to Arby's and order everything and then when they go wow so cool to me oh and by the way I'm not paid and you're driving like the nicest car in the world Oh, man.

1:00:37You know. Here's the good news. I've never used it. I've never used it. No offense to Arby's, but you're busy. No, I love Arby's. I think Arby's, it hasn't changed in years. And that's a good thing. They do have the meats. But I just, I imagined there'd be a line behind me and just what you said. And the guy brings all the stuff. And I'm like, well, I got this thing. And then he's like, okay, well, there's some paperwork. Yes. Right? Yes. And then I'm like filling stuff out. People are recognizing me. TMZ's shooting it. Right, and they're like, uh. And then he's like, what, uh, so that's two shakes, three roast beefs.

1:01:19Like in bananas. Yeah, exactly. Who had the, uh, yeah. Yeah, so I've never used it, but I saved it. And I don't know, I just had it all these years. Just hang on to it. It survived the carnage. You know where that needs to go? The trunk of your car. There it is, right next to the BPX 4563. I've got something you need to see. A gun? No. You can take the honest road to free Arby's or the dishonest road. We can play this two ways. I rob you of these corned beef sandwiches or I get them for free. Either way, I'm leaving here. Either way, I'm leaving here with the meat. Charlie Sheen, this is what I'll say.

1:01:55This is one of my favorite sessions. I mean, it's up there in the Pantheon. You always, since I first met you, a delight to talk to a really funny person thank you likewise you have been very honest about your struggles and the craziness and you know i went downstairs and you got here and i just i told you we hugged and i said i'm really glad you're still here wow thank you because um we lose all these people we lose these beautiful people we lose these really funny wonderful and people we lose with so many people. Sure. And I'm just very grateful that you're just still with us. Thank you. Thank you.

1:02:37And go with God. What the hell was that? I don't know. You're very religious today. It was powerful. We'll change it. Go with Satan. Satan. There you go. Go with Satan. I already went with Satan. I already went with Satan. Satan's like, enough with him. He wouldn't, he moved in and wouldn't leave. Go with Arby's. Go with Arby's. Charlie, seriously, thank you so much for being here. Thank you. This was great. It's an honor. Conan O 'Brien Needs a Friend. With Conan O 'Brien, Sonam of Sessian, and Matt Gourley. Produced by me, Matt Gourley. Executive produced by Adam Sachs, Jeff Ross, and Nick Leow.

1:03:21Theme song by The White Stripes. Incidental music by Jimmy Vivino. Take it away, Jimmy.

1:03:30Our supervising producer is Aaron Blair, and our associate talent producer is Jennifer Samples. Engineering and mixing by Eduardo Perez and Brendan Burns. Additional production support by Mars Melnick. Talent booking by Paula Davis, Gina Batista, and Britt Kahn. You can rate and review this show on Apple Podcasts, and you might find your review read on a future episode. Got a question for Conan? Call the Team Coco hotline at 669-587-2847 and leave a message. It, too, could be featured on a future episode. You can also get three free months of Sirius XM when you sign up at SiriusXM.com slash Conan.

1:04:05And if you haven't already, please subscribe to Conan O 'Brien Needs a Friend wherever fine podcasts are downloaded.

From the publisher

Actor Charlie Sheen feels enchanted about being Conan O’Brien’s friend.

 

Charlie sits down with Conan to discuss his debut memoir The Book of Sheen, relating by way of struggles with addiction, the many reunions in the making of his two-part Netflix series aka Charlie Sheen, and much more.

 

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