David Spade Returns

16 Jun 2025 · 1 h 2 min

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In short

Podcast Notes: Conan O’Brien Needs A Friend - Episode: David Spade Returns

Episode Overview In this episode of *Conan O'Brien Needs a Friend*, comedian David Spade returns to discuss various topics including his journey in the comedic world, his relationship with Chris Farley, the dynamics of corporate gigs, and the release of his latest special, *David Spade: Dandelion*.

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Key Themes and Discussions

  1. Friendship Dynamics
  2. David Spade humorously expresses discomfort about being Conan O’Brien’s friend, showcasing the playful banter characteristic of their relationship.
  3. Conan reflects on the nature of friendship in the entertainment industry, noting his past experiences with celebrity guests without forming true friendships.
  1. Personal Stories and Humor
  2. Spade shares a touching anecdote about the pomegranate tree gifted to Conan and his wife, which survived wildfires, emphasizing themes of resilience and cultural significance.
  3. Conan and Spade engage in comedic exchanges about their families, Armenian culture, and various humorous incidents from their past.
  1. Career Reflections
  2. David discusses his rocky start in the comedy business, recounting his early career struggles, including a memorable story about getting his car stolen shortly after getting it.
  3. The conversation transitions to friendships in the entertainment industry, particularly focusing on Spade's experiences working with Chris Farley and their comedic chemistry.
  1. SNL and Comedy World
  2. They delve into Spade’s time on *Saturday Night Live* (SNL), discussing the pressure and uniqueness of the environment, including the lack of guidance for new cast members.
  3. Spade recalls pivotal moments during his audition and the evolution of his comedic style while working alongside other big names in comedy.
  1. The Impact of Loss
  2. The episode reflects on the losses of comedians like Norm Macdonald and Chris Farley, with Spade sharing personal memories and the impact of their deaths on him and the comedy community.
  3. They discuss the unique dynamics of memorials for comedians, where humor often intertwines with sorrow.

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Key Takeaways

  • Friendship in Comedy: The episode emphasizes that true friendship often transcends the superficial connections made in the entertainment industry.
  • Humor Amidst Hardship: The lighthearted nature of their conversation showcases comedy as a coping mechanism for personal and collective loss.
  • Resilience: The survival of the pomegranate tree serves as a metaphor for resilience and hope in the face of adversity.
  • SNL Insights: Spade and Conan shed light on the often chaotic and unstructured experience of being part of SNL, revealing the personal fears and triumphs behind the scenes.

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Conclusion David Spade's return to Conan's podcast is filled with laughter, nostalgia, and poignant reflections on friendship, loss, and the pursuit of comedy. Their conversation celebrates the bonds formed in the comedic world while also addressing the underlying challenges that come with success and personal relationships. The episode encapsulates the spirit of *Conan O’Brien Needs A Friend*, where humor and heartfelt connections intertwine.

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Additional Resources

  • David Spade's Special: *David Spade: Dandelion* available for streaming on Prime Video.
  • Contact: Listeners can leave questions for Conan via the Team Coco hotline at 669-587-2847.

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For more episodes, subscribe to *Conan O’Brien Needs A Friend* on your preferred podcast platform.

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Transcript

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0:02Hey guys, my name is David Spade and I feel somewhat sick about being just more like bad tummy about being Conan's friend. You know, I think I've always had that effect on you. No, maybe I'll change it to honored. Too late. Okay. Fall is here, hear the yell. Back to school, ring the bell. Brand new shoes, walking blues. Climb the fence, books and pens. I can tell that we are gonna be friends. Yes, I can tell that we are gonna be friends. Okay, hit it. Friendship is a good thing. Quiet.

0:50It's a miserable life. It's a miserable life.

0:59The whole rhythm of friendship is a good thing. Quiet. Oh, God. It's so insane. Okay, here we go. Hey there. Welcome to Conan O 'Brien Needs a Friend. joined by Sonoma Sassian. Hi. And Matt Gourley. And I had something kind of sweet and uplifting to talk about. Oh. My wife noticed this. Suspicious. I know. This is, even I'm suspicious. But of course, the wildfires occurred. And Sona, you lost your home. She gone. It was terrible. Oh my God. What? What's the matter? I just went, she gone. She gone. That was so callous. I know. Well, but you're - You're processing it, but it was devastating. And we've talked about it here.

1:46And the fire came right, as I've said to people, I was we were crazily lucky. The fire came to the back of our yard, to the edge of our yard and stopped and burned some stuff on the edge of our property. So there's and and and there was smoke damage, but we were overwhelmingly crazily lucky. And I'm back living in the house now. Liza noticed that we had these fruit trees, this little small area of fruit trees in the backyard. And all of them burned and are like charred and had to be cut down and taken away, except one. The pomegranate tree that your parents gifted me and Liza back when... You guys hosted our engagement party.

2:41That's right. With just 200 of our closest friends and family. No joke. It was huge. Yeah, we had a big party in the backyard for your Intax engagement. And a bunch of, I mean, obviously your friends and your family came. And I was, I mean, I didn't think I was getting a gift because that wasn't the point of it. But your parents brought this pomegranate tree and we planted it along with all the other trees. And it kind of doesn't make sense because all the other trees burned. And there's not a really good reason why this tree didn't burn. Yes, there is. Which is, say. Well, pomegranates represent prosperity.

3:23So, obviously. And it's part of. It's the Armenian voodoo that my mom put into the tree. It's protecting, it protected your house. That's why it's fine. You're welcome. Did you have a pomegranate tree in your, did your parents give you one for your house? I had that question as well. I did. The tree survived. Wait a minute. Okay. But wait, did your pomegranate tree survive? It did survive, actually. But it didn't save the house. No, no, it didn't serve as purpose. Maybe it just didn't know which house it was supposed to be guarding. It did protect the yoga studio that my neighbors built next door.

3:58That's the closest structure to it. You probably faced the tree wrong and it probably misunderstood. Like a well-intentioned dog. Don't worry, I saved the yoga studio, you idiot! Oh my God. I have to say, because I've traveled to Armenia with you, pomegranates and the pomegranate tree, it is a very important part of Armenian culture. Yeah, it's got a lot of symbolism to it. It's a very important fruit in our culture. And I think that, and also it's not just, it didn't just survive. It's green and lush. Yes. I mean, ours is in bloom. Yeah. It's spectacular looking as if nothing happened, surrounded by stumps.

4:40Yeah. And I thought that was very cool. You now have to believe in the Armenian. I know we've talked about the like witchcraft my mom does and the things that she believes in. you have to admit that there's some truth, something. I never, I don't think I was a big denier of the power. Yes, you were. What do you mean? When my mom buried a baby doll in the front yard. You just said buried a baby. Yeah, but when she buried a doll in the front yard, you laughed about it. But wait, what was that for? I can't remember. For me to have babies. And guess what? It worked. Yeah. Through science. Now, you had.

5:18Sure, my fertility doctors may have had something to do with it. You had modern science. You had twins. Did she bury one baby or two babies? She buried one. But it's not like... Was it a realistic plastic baby doll, or was it like a Ken doll, or was it a... No, it was like this doll I actually had when I was a kid, and it's gender neutral, too. It doesn't have any genitalia. That's weird. The baby doll didn't have a big swanging dick. When shopping for baby dolls, I like one with a big cock! However did she find one like that? Wow, that's a real find. Those are hard to find these days. Yeah. Just insane.

6:01Your logic today, Sona, I don't know. This doll poops, it wets, it cries, and it becomes massively erect. And it stars in its own skinamax after dark. Oh, come on. And well, all I'm. Yeah. All you're saying. It's got a little weird mustache. 70s mustache. No, it's gender neutral. So it didn't it didn't look like a girl. It doesn't look like a boy. She buried it. And then I got pregnant. Right. With yes, the help of fertility doctors. But still, I am not someone who I say, if it's working for you, go with it. And I don't pretend to know the answers. I really don't. Yeah. So I'm and I was very impressed and I have been very impressed by Armenians and by your country.

6:45And I'm just like, you guys have this very strong spirit. And I think, yeah, I would give it up for any power that you guys have. And this tree surviving, I have to say it's a powerful thing to see. It's cool. My parents, I sent them a picture of it because Liza sent me a picture of the tree. It's surrounded by just charred stuff. And they were really touched and happy that it survived. They were really, really happy. And my mom was not surprised, by the way. She kind of knew what's her fault. I don't mean to ruin the moment. I'm just thinking of your mom burying a baby doll with a huge plastic dick.

7:22And the dick is sticking out of the soil. She buried it six feet under, but still. And then it flowers. The dick is coming out and then it flowers. And a pomegranate comes out the tip of the dick. Oh! Yeah. Yes! Yes! Oh my God. And your mom just turns to a camera and goes, it's the power of Arminia. Well, anyway, we've ruined another episode of Conor O 'Brien. Before it even started. Needs a friend. All right, my guest today is a hilarious comedian and a very old friend of mine. His latest standup special, David Spade, Dandelion, is available for streaming on Prime Video. I am thrilled he's here today.

8:07I really do love hanging with this guy.

8:14David Spade, welcome.

8:20I think you should roll right when people walk in because then you see the reel and then when I drop my bullshit act and I start being nice to everyone for the cameras. Rolling now. Oh, it is? Okay. Now, the whole thing where you said bullshit and when you talk about how you hate Italians. Why do you hate Italians? I said it on the stairs. It doesn't count. we are on our way in thanks for being here do you have like a beginning or is this the beginning whenever you're ready I've seen this show a million times I'm clear I love that when you walked in they said you said which one's Conan no I know I knew you were the taller oh this one with hidden cameras yeah Dana told me all about it oh you got the backstage it's only what to look out for well I want to mention first of all yes you and Dana do a great podcast fly on the wall thank you and you guys get all the backstage dirt on what's going on at SNL over the years.

9:15Plus you talk to other people as well. Yeah, we sort of watered out. We sort of ran through. You got through everybody. Yeah. You know, once you would talk to Jim Brewer six times, you knew it was, you had to move on. Gervitz is always like, you haven't scratched the surface. Just there's another 900 cast. And I go, yeah, but Bill Squankmeyer from 1988. At a certain point we realized, I guess people do like stars. so that's the sad part. Mark Gervitz, by the way, if you don't know, he's been a manager at Brillstein for I think 75 years. 70 to 100 years. 70 to 100 years. He used to represent Al Jolson.

9:51It's a funny reference, so you should look it up. I know he's old. Yeah, thank you. Hey, Conan likes money. I guess you don't like money. So he's telling you, you want to do a gig in Ottawa tomorrow? I go, tomorrow? Sorry, I'll call Danny. He likes money. That's what Gervitz says to you? So he will give you shit about not taking a gig because he says that Dana will take the gig. Yeah. And he just does it to make you feel bad. Yeah. Because they sit there in their office with their feet up and they get 10 % of whatever. So it's better if you just say yes and they hang up the phone and go, oh, he's on three flights to Ottawa and I make money.

10:26So it's better if you say yes. Yes. Oh, they like a yes. Yeah. They like a yes. And they don't care what you go through. Not at all. It's a pretty good gig. It's in Anchorage. You might like Anchorage. Somebody hates Alaska.

10:40i don't hate a lot i think it's far okay i'll break it to alaska they're your fans this is what it's like uh you know having a manager yeah you know there it's but i have to i have to say i've had the same guy since uh day one you know when i got out here i will tell you a quick story that uh do we have an hour this is six hours this will fit in perfectly this one story. It's exactly 58 minutes. Right. It's about how you grew up until this moment. No, this is a good manager story. So, and I know then we'll get into stuff. And I will quickly say Mark Gurvitz, I've known him for a long time and he's, he's a mensch.

11:18He's a good fella. Yeah. I think I've only told this story on 17 podcasts. That's okay. Have you ever heard people say this? No one listens to any other podcasts. I haven't told this anywhere. Yeah. And they ramp it up. Like I go, I don't want to see this clip because I know it's all set up like like i want you to make it a clip like i shouldn't tell this this is but i'll tell this because um it's boring it'll fit right in so i here's spady this is before you knew me um before we fell in love yeah this is probably i'm 22 moved out here doing stand-up from arizona got my first movie got six thousand dollars i cleared six thousand bought a car looked for two weeks going and i didn't just grab the first one like first camaro what you would think hot rod yeah i get a honda cord i take the hit i go i just got to get one that starts every day buy it cash drive it to the improv come out to show my friend stolen so not even an hour wow uh and then it's so embarrassing i'm like here it is and i'm showing i'm a little buzzed i went and did a shot and i can't i go maybe it's on kilkia hold on and then we're walking and i go would it be on Beverly?

12:26Wait, let me check the 405 because I just couldn't believe like where is my car? Where did I park it? You can't believe someone took it. I could, that didn't even cross my mind. I go, I just don't remember where I parked it. And then the cops go, oh, they probably sold it to you, kept a key, followed you and took it. And I go, so now what do you do? Spring into action? He goes, you'd think. One would think. I like these cops already. One would think. He goes, I'm already forgetting about this as I walk back to my car, but I'll say we're on the case. But anyway, nothing happened. So now I'm back to zero.

13:00I have to borrow money and stuff. Anyway, so I, I, I, this is a police academy movie. This is how it started. So I got that movie, cleared that. And when I was there, I was so new, didn't know how to act. I wasn't the fine actor I am today. You've become quite the fespian. Yeah. So I, I was there and this Bobcat Goldthwait, who was helping me out, was like, hey, this director of mine is here and he's doing a new show. on Fox, which just started. This is how old I am. And I said, okay, uh, that's what I always wanted like a sitcom or something. He's like, it's a single camera where you're like a high school, like FBI.

13:33I was like, Oh, how fun, you know? So I said, how cool. So, uh, Fox new network. I don't give a fuck, you know? So great. So he goes, Hey, do you mind reading this script? Right? So he has sides. This is in Toronto during police cabbie. Did you fucking glue this on to make me look stupid? glue it on dacopage so anyway I go okay so I just read this so I just literally read it to him and he's like great well okay you're not quite there we'll work with it I literally knew nothing about acting just read it to him like a story and he goes alright but you got a little heat on you this is what I didn't know I had done stand up at the improv for about six months some casting I got this job as a skateboarder in this movie and so now I get back and I've got a little heat on me yeah which I don't even know what that means just like oh they're talking about you so I got a manager my agent moved to ICM so now I'm at ICM which is too big for me I get home and they go uh hey this guy offered you that part the lead in that show and I was like wait my own show I said oh my god this is like a crazy and they go okay so they have a big meeting at ICM I think Gervis is there and they go here's why we're going to turn that down you've got too much heat on you that's a new network we want you at nbc they're doing cosby show they're not and we're gonna have a meeting with brandon tartar sauce or whatever his name is and you're going to you're gonna get a job there yeah he's heard about you he's excited he saw you stand up i go oh i don't know wouldn't it be better to the the one i have that's a thousand fucking percent an offer no no no and maybe like 20 grand a week whatever some magnanimous number so i said oh so we're all agreed all 12 agents i don't do this okay so then i meet tartar cough they have me read something right so i'm now i'm a free agent yeah the fucking casting director goes oh you're about to go i think we're doing these sides now i should never have taken them i took them i go okay i had been coached on a little scene he wanted me to read now i walk in and do the police academy read again blah blah read it i leave gerwitz goes all the people that just got a development deal at mbc take one step forward not so fast spade i go what do you mean he goes you were too green you're they saw you read you're not ready but they like you and they're gonna keep an eye on you and i go so now what he goes now we hit the pavement start auditioning so i auditioned for 30 pilots that year and got none not even one callback i didn't know what i was doing right and then uh he goes you know what fuck icm let's leave them let's go to there's a smaller agency abrams which is medium right they're good this guy loves you and i was spinning out i could not believe what was going on i'm like lost everything lost my heat they all think i'm bad and i got into classes to act and then i was with this agency and i swear to you about three years ago we're at dinner in gervitz goes and then icm fucked him over and dropped him and i go no no no i left icm remember he goes oh is that what i told you and i go no what do you mean did they drop me he goes oh yeah i go they they dropped me they're the ones that fucked me over and he goes i know i couldn't tell you that though because it's just a tough biz they said we don't need him anymore he didn't it didn't click and i was like jesus i said he goes you wouldn't have made it i handle that i said i would not have there's no way i couldn't handle that just mentally like the rejection was so piled on by that point i couldn't deal with it so then i went and scraped my way over to uh you know snl or whatever well i i mentioned this the last time you were on i was present when you auditioned i went with and this was not common but i don't remember this actually yeah i went with uh it was not common but lorne there was a showcase yeah and uh i can never say who was there i can't remember yeah lorne i remembered i didn't go to a lot of these but lorne wanted me there for some i was a writer at snl young whippersnapper and i hungry hungry i go with lorne and schneider i think was the same night yeah and the other guy tom kenny tom kenny the voice of this is before he was the voice of SpongeBob and Mr.

17:40Show. And so, and watched you guys. And I remembered you were doing okay. And then at the end, you did your Michael J. Fox impression and get killed. And I remembered Lauren, us driving away and Lauren being like, you know, I liked the Michael J. Fox guy. And then he liked Schneider. And so he brought you two in at the same time. And then I remembered getting to know you really when it was those Tuesday nights when we would stay up all night and write. And you and Chris Rock and Schneider would be kind of wandering around to see who had what ideas. Do you know what I mean? And you'd come in, you'd go like, hey, fellas, anybody got any, hey, buddy, got any ideas?

18:24Fucking help me out, man. But it's funny because I know your special, your standup special is Dandelion and you have an explanation for why it's Dandelion, which is a little bit about your character. Fragile. Fragile on the inside, but I always found you, my read on you was always, this is a guy with, you always had that kind of tough, not tough, but I would say sarcastic, dismissive, super sharp. Shell. Shell. but I could always tell you were a very sweet guy underneath. I would say, yeah, I would say thank you, Eddie. I kind of agree that it was so tough there. Scary. And it was tough. It's the same reason I was sarcastic in high school.

19:07I wasn't as scared of getting beat up at SNL, but in high school and grade school, I was in some bad places that I didn't like. And so it was sort of my thing being a bit of a pipsqueak. So getting to SNL was the same thing. I'm just in over my head clearly and just trying to take it all in and going to doors going, I don't know what to do like here. You know, like everyone, it just takes so long to seep in and then figure out how to write on a legal pad and all that shit. Yeah, that high-tech legal pad stuff. It's a pad and a pen and you just go go and then the door closes and I go, go do what?

19:43I write a sketch, Toontes? I don't know. I don't write my own sketch. Do I write theirs? Who's the host? Do I get to meet a celebrity? The thing, I'm sure you guys have covered this on your podcast, but the thing that about SNL that no one understands how, and this is true of a lot of show business, how little supervision there is. Yeah. I mean, you get to SNL and you think someone's going to tell you, okay, here's how it works. No one tells you anything. They're almost mad you're there. Yeah. Oh, they are mad you're there. Lauren's standard line when you'd encounter him in the hall was still with the show, still with the show.

20:19And you'd think, I think I am.

20:32I told Lauren when we talked to him on the show, because it's a little easier to talk to Lauren now when all the stress is gone. It's fun to talk to. Because every year he would talk to the managers or whatever and go, I don't know. So can you just say he's coming back so he can keep his apartment? we're not there yet. So I would, for six years, I left my car. Lorne was the one that stole your car, by the way. Was it? Oh, it's a Honda Accord. I love those. Me, me. Someone give me a ruler. I'll jimmy it open. Take that, prick. I know how to hotwire it. I learned it in Toronto at university. Things just got worse for you.

21:13I love that that was revealed later on, too. Miss your Honda? Lorne! Lorne! you hold me back I thought Gervitz told you I put the drop on you at ICM so anyway I says I says I says I forgot you were an old sailor I says I says I says remember that Farley bit I says I says to him I says right to his face I says I says I says and I'm like I go afterwards at read through I go you're not really going to do this on update oh yeah I am I go is that enough to kill with one three words watch and I did and he did but anyway I tell Lord every year he doesn't bring it back I have to get ready I have to drag my mattress down I have to sell it I fucking get out of my apartment then about a month later can't get a hold of me he's in Amagansett no phones I mean it's always the funniest I can't get a hold of him then he finally goes he says yes so I go back get an apartment stressed out of my fucking gourd and then when we had him on the show he goes you were never in any danger of getting fired Lorne look at me there was some danger because maybe in your head because it all it did work out but it took a while you were there took a while for me to get any you know you get a few snarky lines here and there but I was not that valuable I remember one time Schmeigel said Schmeigel Schmeigel is from Lord of the Rings and he's the lowliest creature and then there's Robert Smigel who's also in and so Smig says because Schneider was acting up for something and you know Rob and I have talked about this forever but we were all handling it differently and he goes Schneider's tough but he is valuable worth having around and I was like I want to be valuable that's what it hit me I was like oh you want someone to say in a position like Smigel was like we need you around because he can go to Lauren and Rob, you know, go, yeah, he's worth it.

23:14Because Rob is a funny writer, you know. Yeah. And he had a kind of a gruff, abrasive personality back then, if that's fair. But I was a nice guy finishing last guy. And Rob was like, hey, I'm going to get in there. But it was working, you know. You know, everyone, stuff gets rewritten over time and everybody. Yeah, yeah, yeah. And there's how you experience it. And this is actually kind of a big, a recurring theme on the podcast that fascinates me. So I revisited a lot, which is I talked to these very famous people who've had incredible success like yourself. And then their take on it is harrowing.

23:52I felt like I wasn't going to make it. It was scary. It was touch and go. I squeaked by. And then in the end, things kind of worked out. But that is not how anybody else does it. They just see you as being someone who is like, OK, big star on SNL. and then in movies and then many TVs, sitcom, you're just like a staple. Yeah. But that is not how it feels to you. I think in fairness, I'm pretty objective about it. I mean, most of the things I say are lies, but when I look back, it was pretty, it was hard for me to get a foothold. I mean, obviously Sandler caught fire pretty quick and he's got so many moves, all these characters, Spoonman, everything was happening so fast.

24:41I was like, holy shit, he really came in loaded. And Dana obviously is so good on the show and Farley right from the get go. So I just didn't have that. I was sort of just a comedian that could write some funny stuff, but took a while. By the end, I do like I'm lumped in with Farley, Sandler Rock. I mean, that's just kind of how it is. And I love it. So when I was just on a show, Rich Eisen this morning, I mentioned you because I was saying that that chunk when I got there of of talent around which made me better was running with people better than you and I said Conan and Smigel and I think Greg Daniels and yeah yeah and all these writers and Downey and you know I could go on and on Frank and then you got Neil and all the cast and Mike Myers and our new guys coming in with me and Adam and Chris and Chris Rock and Meadows and shit so that was just a big chunk of people that you could look to anyone and go oh i can learn something from this guy i can learn how to write or i can learn how to perform or look at the table it took a while to seep in and then i got better at it but man every i could have gotten if i left in a year i told gervin i want to leave once he goes then what i mean where do you go you left snell and it didn't work now that's a hard place to be in hollywood yeah and so he said just stick even when i wanted to quit to do movies he's like you're getting movies only because you're on snell do you understand i go why don't have any time to do maybe one in the summer he's like but if you leave the it's hard to explain but it's true yeah you know how did you i'm curious because i remember i was at your audition and i also clearly clearly remember it's burned into my brain going into lauren's outer office on the ninth floor which is one floor above uh 8h his little office where that looks out over the studio and there was a - Watches the cows graze on the fucking rehearsal.

26:35But it's, that's like the office that he moves to later in the week. That's not the office high up in the tower. And so when everything shifts to this stage for the second half of the week, Lauren's there. And I remembered there would always be people waiting outside to meet with Lauren and Lauren would keep them forever. And I have a very clear memory of this kind of stout, boyish looking, tousle-haired guy sitting out on this couch, waiting to talk to Lorne for like more than a day. And I went up and chatted with him because he was Odenkirk's friend and it was Chris Farley. Oh. And then, and he was sitting there and he was super eager and he was laughing real hard.

27:18And I would, and so I took him on a tour of the stage and was doing that shtick I used to do where I would, if someone was already hanging a lamp, I'd be like, and hang that lamp. and you over there, Joe. I was saying all their names wrong. And if the guy was on a crane, use the crane, that's the way. And Farley was following me around giggling. You would laugh his ass. And I just said, I love this. He had the energy of a puppy when you first go get the puppy, just so much fun. And then you guys found, was it the two of you that realized we have this thing or did someone else see it and go, wait a minute, you've got this energy of spade and you've got this energy of Farley.

27:58It's peanut butter and jelly. Let's put them together. Yeah, it was probably, it was either Lorne or the Turners because the writing team. It would be Bonnie and Terry Turner. Great writing team, yeah. Another writer, I forgot to say those two. But, you know, Lorne's like, maybe something about how they are at the office. I think that's how it all started. Like, I make fun of Chris, he laughs, tells me to make fun of him again, he laughs. And then just, we walk around, we go to Musso and Franks or whatever. Not Musso and Franks, Wally. in Joseph's? Yeah, in New York. Yeah, and Huxley's and all the places that have been condemned now.

28:34In front of us, they were condemned then. You just still went to them. You just ate there still? Yeah. Yeah, anyway, so then that got, the Billy III got written up that one with the Turners wrote that first draft and then I think turned it over to Fred Wolfe, turned it into Tommy Boy. But that was also because Billy was Billy Madison that summer. That's so funny. I'm curious about something Tommy Boy comes out and not thought of as a success initially, but then very quickly afterwards you find out that it's huge. Is that correct? I think it opened number one, but not crazy through the roof. And then after time, it was looked upon more fondly over time.

29:19But then it went to video. But the video sales were insane. I think it went to a hundred million. Yeah, they said that Paramount goes, this video, they ordered Black Sheep after Tommy Boy for the following summer. They're like, start now. We got to do another one. Maybe while we were before it came out because we shot it the next summer. So if I could still be doing those, that was the funnest, you know. I leave SNL, go to The Simpsons. I come back and Chris would, you just signed that? That's great. That's worth less. I'm just trying to remember how I know you the more you tell me are more clues

30:02I come back to do the late night show and you guys were all so generous and nice I mean I'm the new late night host I'm down on six and I know all you guys and so you're all coming down doing bits Chris would come down and do bits which I look at now and they just they fill me with joy they also make me sad because he's the one where he runs in on letterman i see a lot on instagram yeah yeah yeah runs down and grabs a guy and he throws him the garbage can yes yeah yeah unreal that was one of the best pieces of television it's so funny probably not super thought out he's wearing a thick suit the funny thing is he would wear like a t-shirt then a shirt then a button down then a tie then an overcoat then a cashmere i'm like god damn dude how do you move i because my neck is fucked up i can't wear more than two layers he has layers i like to feel tight and hugged i'm like god damn but and then he's running and he's sweating i'm like he's like why am i sweating i'm like you have 14 layers on that's the other funny thing too is that he got tagged as the funny fat guy but he was incredibly athletic and strong.

31:16Do you know what I mean? Yeah, he was. I didn't - Agile. Yeah, and he could do all these amazing things with his body. And I think in the same way, his hero, Belushi, because he was paired with like a beanpole Ackeroid at the time or whatever, you could think of him as the heavy guy of the duo. But I remembered him being just such an incredibly physical comedian. I think it's an extra move that is surprising to people, but it's one more funny thing about him. Like he can do those pirouettes. We did that skating sketch, remember? Yep. Bump up the jam, they will. And it was like, Phil was Vern Lindquist or something and I was Scott Hamilton and it was Nancy Kerrigan show and Farley and Nancy Kerrigan and he kept falling.

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32:00Oh, that's going to hurt him. He kept falling over and over and he got down to like zero points. But he was a really good skater too. And so it was funny that he could skate well and you go, oh, that's a surprising move. and then when he does any sort of like ballet, he can do these weird moves. All adds to the funny. Yeah. Yeah. Well, he is missed. It must be, I mean, I know that you had an incredibly close relationship with him. I miss him and knew him as like a friend and a guy that I would do things with from time to time. But clearly it was a must, I hope time has made that, I'm sure, an easier thing to handle.

32:42Yeah, I mean, we were all pretty close to them. And so any of that stuff. I remember one time he goes, I don't want to be known as the funny fat guy. I go, would you take the fat funny guy? And he said, it's a little better. But I remember seeing you at another, there's another sad, Norm's Memorial. Yeah. Where something did happen funny. Not the dying part, but there was other stuff that was going on. Right, right. By the way, it was like brought to you by Netflix. It was something because I remember going to talk and there was like a crane shot or something. I'm starting to cry and they're like, push in.

33:19I'm like, is there a camera dolly coming at me? What was that? I spoke. I don't know if I was emceeing it. You can't emcee a funeral. You know what's funny? It always just turns into that. Let's be honest. No, no, no. It's true. It turns into who's doing well. I spoke about him up front and talked about him and then brought other people up on stage. The two things that I remember are Lori Jo is sort of running it or whatever. And I said, Lori Jo, she goes, can you speak? And I said, I'm not good at that. I said, I would do it if I just do it right away up front because I don't want to sit there and rot while thinking of, oh, no.

33:55So she goes, okay. It was like Downey went up, standing ovation. I'm going to bring Conan up, standing ovation. Lori Jo goes then I think you bring her up she gets a standing ovation and then we finally get back to you and you finally go alright we're gonna bring up some friends David's fate and so I walked up and I go well I guess the standing ovation portion is over because I was the first which killed by the way yeah that was a good one I should have gotten off honestly that was the fucking funniest thing that happened and then but when I walked up I fell on those fucking stairs oh and you caught me I think and you grabbed me and I think you fell too yeah I'll tell you I know exactly what happened yeah it's we're in this goofy I don't know what venue we were at, where we were, but you went up, you tripped on the stairs.

34:39I think I did catch you. You don't weigh a lot, so that was easy. It was like catching a packing peanut. 94. Um, 90, I don't know. That's generous, 94. You fell and you started to float and I grabbed you. You're like a balloon. But then I thought, what's wrong with Spain? Why did you trip on that step? So then cut to me. What's wrong with Spain? in spade he can't walk up stairs so then you do your thing i go up to then take the stage again to bring up the next person uh my foot catches on something on the step and i trip and i turned it into like a roll and stood up again and people thought oh conan's doing like physical but then i walked off stage and i said to the guy that step spades tripped on it and i tripped on and the guy went, yeah, that happens a lot.

35:32We should fix that someday. Yeah, he knew. He said we should fix that someday. And I'm like, yeah, what happens when Dame Judi Dench is killed? I mean, the two of us can take a fall. You know, what happens when it's the... It was pretty funny to me that he kept going. Like, it felt like most people trip. And I'm like, well, this isn't an anomaly. Like, with me, I look over and thought he'd be like this. He was like this. Like, yep, another one bites the dust. Yeah. And then he said like, I went into it with him a little bit. I went, what do you mean? And he was like, well, you know, it's higher than the other steps.

36:07Like each other step is exactly four inches. So you're used to like this, this, this, and one tiny. Yeah, and then there's one that's like five and he said, and it's also uneven and it's coming off. And you're like, fix it! And there's also an earthquake. That's not my union. Yeah, I mean, I don't know how many of these funerals you host, but you did a good job. I have, you know, it's weird. I became the funeral guy because I've done a bunch oh boy and and I really fret over them and worry about them because it's it's not just a regular thing you're really trying to think of who was this person and now they're starting to rack up where it's like I've done a bunch too many it's hard you're good at that stuff you're doing the popes I'm doing the popes when I is the popes gonna be in LA looks like can you get me in this is my friends always wanna get tickets to shit can you get me in I just have to tell this one story, which is I have to tell this because it's a Lauren story.

37:02But after 9-11, you know, there was like months and months and months of cleanup. And it was an area that you couldn't go to. But sometimes people went down there and Mike Sweeney ran into Lauren somewhere. And Lauren knew that Mike Sweeney was my head writer. And they're chatting for a little bit. And then Lauren, to be magnanimous, said, have you been down to Ground Zero? And Mike Sweeney went, no I haven't He went, would you like to? And suddenly, Sweeney pictured a velvet rope And you are a Sweeney, but look, yes, yes, right this way And there's the big pit We called ahead, yeah I'll have the veal, and I'd like to be near that part of What I kept saying, which was never working Was I might head down to ground zilch And everyone's like, where am I?

37:49Ground zip, and they're like are you talking about the 9-11 where people died i go no no i'm talking about something else but that was tragic uh but yeah i went down there like a week later because there's a 9-11 benefit where we all flew in and there was a concert yeah yeah i don't want everyone went on and uh they took us down that was one of the perks oh my god it is it was a weird time it was so weird it was such a crazy it was like a humble brag i went down yeah yeah yeah do you get close I got a little souvenir But 9-11, yeah, I know you think it's funny It's not funny But my friends My friends It's noted that you laugh My friends go Sona, what the fuck is wrong with you?

38:35You're a monster, I'm crying We're doing a thing about how it's not funny And then you start laughing It's awful No, it is awful You're young and stuff, but we lived there He said ground zilch Yeah, that was funny. So let's not forget. He said ground. No, let's not forget. Never forget. It means 9-11. Yeah, yeah. Never forget. David Spade called it ground zilch. Never forget. Let's never forget. Never forget. The terrible day. No, that Spade called it ground zilch. You're a monster. Come on. Let me ask you about Norm. Okay. You did stuff on, you were on the road with Norm and a lot of us when Norm passed were shocked and I kept thinking, oh, I must have been the only person that didn't know.

39:21And people all thought, well, Conan, you knew Norm and he does his classic appearances on your show and da, da, da, da, da. And I was like, I know. We were desperately trying to get him back. I desperately wanted Norm on my last episode. We were trying to get him and not getting an answer back. And I thought, well, he just doesn't want to come. And I was bummed about it, but thought he's probably got other things to do. that's too bad get these all-time great guests and then he he dies and i just thought well i didn't know but everyone else must have known and then jim downey called me and said you know more or less conan fuck you for not telling me about norman i said jim i didn't know and he and and jim downey said i would think downey might know no jim didn't know did you know i did not know and i and you were touring with him oh well i'd done some gigs with him and then uh before COVID, me, him and Dennis Miller was our last one together, but great.

40:19Super fun, obviously. And then, um, but, but, you know, we would talk and he, it was more about coming over for dinner. Same thing where he didn't tell me cause he'd go, no, I can't. And then I, he goes, I go, well, it's just me and you sitting 10 feet apart, but something to do. And he's like, yeah, okay, for sure. And then that night I go, where are you? He goes, David, it's COVID. And I go, So you're not coming? We're not supposed to leave the house. I know, but we've talked about this. You're allowed to go places. Oh, yeah, yeah, yeah. Okay, well, let's do it next week. And then he just did that routine until it was too late.

40:54But I didn't know. So I don't know who knew. I think Gervitz knew and maybe Lojo. I think Gervitz and Lori Jo. I think that's about it. And I think two things about it, and they're diametrically opposed. one is I wish I had known because I would have told him what he meant to me and there's that feeling of feeling I wish I had known and so initially I was mad that I didn't know and then there's the other side which is great respect for him wanting to keep it private and him not wanting people to treat him any differently because he was sick I don't know I so I have both feelings at the same time yeah I feel the same way like I do it was just so overwhelmingly horrible that I just like then I later it took me how it affected me where like it was I was mad at him yeah but I'm by the way just not to lighten up the load the feel here because I know it's getting sad but when we were at the memorial or whatever that special was for norm yeah where we watched we were watching the special remember that we watched his special that's That's why the cameras are there.

42:03That's a separate, that was a thing. Wasn't that at the after memorial we went into the room? You're talking about two different things. No, there was a kind of a eulogy for Norm that I sort of spoke at and brought people up. And then there was a separate thing where Norm had made, he was planning to do a, it was fascinating. He was planning to do an hour and he had an hour together or 50 minutes. And he really had it in his mind. And he knew, I think, I believe, and Laurie Jo would know better. I don't want to speak for her. But I think he was planning to go into the hospital for what he thought was going to be.

42:51Something routine maintenance. Routine maintenance treatment for his condition. So what he did was he said, before I go into the hospital, I want to record. so he recorded using similar technology. Amateur way, like just a - Literally just a camera there. We're doing here is far more sophisticated. And he did from memory his whole 50 minutes and it was really funny and great. He goes into the hospital and he dies. And then Lori Jo found the tape and they thought to round out the special or to give it something else, Let's have you, me, Sandler, Chappelle, Letterman. Who else was there? One more.

43:35Molly? Molly was there. Molly Shannon. Maybe that was it. Might have been it. It was, and had us watch it. We hadn't seen it. Watch it in real time. That part was a little weird because the camera was filming us. Yes. And then talk about it right afterwards. And that part, I mean, I think it came out really well, but I remember being, it was very powerful. to be in a room and have everyone else leave and shut the doors and then suddenly Norm was there. Yeah. And he's being hilarious and we're laughing and loving it. And then it's over. And then I think we just started talking about it. Valteria parts though, because you're just watching him going and then you start drifting your mind going, okay, it's over.

44:17This is right before. And then we talk and then it's funny because we're all talking. And then also we're like, just a weird scene. Yeah. Will that ever be released, do you think? It was. I think it was. Oh, I didn't realize that. Yeah, it was released. I think it's on Netflix. Oh, sorry. Oh, your mistakes get cut out. That's nice. Yes, it won a, no. Can you edit out me laughing at 9-11? No. No? Okay. Because we never forget. It's called Nothing Special. We never forget who thinks it's funny. Yeah. It's called Nothing Special and it won an Emmy. Was it called Nothing Special? What's that? Was it called Nothing Special?

44:55Yeah. This is the thing that you guys are watching is aired. Yes. His material. No, no, no. Just so we're clear. Has he been listening? This is his first podcast. Is he new? He won a contest. Is he a contest he gets to sit in? He's a contest winner. He got to fly in. And he told him not to talk. He loves that I make fun of him. That microphone isn't even real. No, it was, the special was, you see, it plays Norm's special and then you see our reaction to it. So that's the whole, so you see both. Sorry. No, that's okay. Don't be sorry. Yeah. No, I'm sorry. And that's humanity. You should feel terrible about your crimes.

45:29Oh, okay. We should edit that out. You know, at the memorial, the first one with the dolly shots, whatever that one was, that you were falling everywhere. When people die and I'm mourning them, I tend to do a tumbling act. Yeah, you're just kidding. Just to sort of loosen up the crowd. Also, by the way, I think it was like four inches and the next one was like nine inches because everybody, their toe hit that fucking thing I'm still mad about. That step. But I left in between that and then there was like a part two or maybe it was the, I'm confusing him, but I had to come back. Yeah. So I had about, or I just left during it because it was getting too sad.

46:04So I ran out. This is when I went to McDonald's and in the Amazon special, I talk about that exact thing. I went to McDonald's in my suit and was in line. And the crazy guy comes out of the bushes and starts, takes off shirts and smacking. Yes. The guy ordering. Yep. So I go, let's back up, but let's park. I don't, I want to watch. So I went in and that whole thing takes place from the Norm Macdonald thing. I didn't really, okay. So that happened from the Norm thing. That's a real story and it was really happening. And I did get scared when he came in because I thought we were going to get in a fight.

46:39First of all, I want it noted that someone you were very close to a colleague and a cherished person passed away and you were present at the memorial, but walked out halfway through to go to McDonald's. But also. But then something funny happened, which you could use in your special dandelion. No, because I had already done my set. Yeah, you did your set. So then you're out of there. I scored and now it's time for some chicken McNuggets. Oh, yeah. I try to sound real and it's too many comics there and I'm trying to sound like, say nice stories about Norm and everyone's just looking for punchline.

47:12It's such a weird scene because it's all comedians and you're just like, I'm just going to leave here and everyone's going to be like, who did well? You know what I mean? It's like, that's everything. It is, okay, let's talk about this. This is a real phenomenon where a funny person dies. Yes. Who are their friends? Other professionally funny people. We get together when people pass on, when they die, and there's a gathering, people speak, but you've got a room full of people who are competitive about getting up and being funny, and it's a strange phenomenon. These things are weird because you think, Nope, it's not about that.

47:53But there's some part of you that wants to do well. And there's some nerves and some awkwardness. And I think it started, I went to Gary Shandling's funeral. And then everyone was like, Bill Maher did great. I kept going. And then everyone was like - Can I say something? Maher used props. And he had a lot of balloon. He was doing balloon work. Oh, he was? I don't remember that. No, I remember it clearly. And he had a whole trunk like Gallagher or Gallagher 2. That was being filmed too. Yeah. I think Apatow filmed that. Yeah. Has that been released? Oh, I thought Gallagher was, sorry. What's that?

48:25I thought Gallagher. So you guys are here to help. Yeah, I know. She's throwing confusion. I am. You should do Gallagher 3. Do you know what Gallagher 2 is? Gallagher 2 is his brother. Yeah, and he does Gallagher's act. Right, but I think, are they both passed on to their reward? I think Gallagher won. Well, according to this podcast, I'm sure they did. Because everyone's dying so far that we talk about. I know, you guys are talking a lot of death. Well, I'm sorry. It's a lot of death. I'm sorry, we're jinxing everyone. We are two survivors here. You know, Sona, you and Gordy are young people.

48:57You don't know what it's like. We, we have been through the shit. We're like guys that were in war together. We're like in the Titanic. We're just talking about it. We're on SNL together. I don't think that's war. It's a lot like the Titanic, SNL. Yeah. God, we talk about SNL forever. It's so embarrassing, but it is something to talk about. Right? He said doodling. Hey, if you're bored, just let me know. No, I think this is, I actually love talking about this stuff and it's meaningful to me. No, because we were both there. If you want to take a break and go to McDonald's, go ahead and I'll just keep talking.

49:27You can get yourself the McGriddle, whatever it's called. No, I almost got beat up. That's a big story. You're not even concerned. Well, let's hear about it. Oh, I can't.

49:45I very much enjoyed your special. Did you watch it? Yeah, I did. Oh my God. I watched it last night. What are you talking about? When I talk to a friend and they have a special, I, and you know what I liked is that you've got very funny material. You're obviously a very funny comedian, but when you notice something that's just happening in the real moment and fuck around about it, you're one of my favorites. And one of the first things he does in the special is you're talking and I didn't even notice it, but I realized you're kind of doing that thing when there's a long cord. Mic cord. Your mic cord and you're trying to run and you went, by the way, the cordless mic was invented in 1996 guys and it's it it's hilarious and it's not even part of the set that you had planned and then you go on this whole riff about jeff bezos and uh and give me a shitty mic for my fucking special yeah and um i noticed this at the snl 50th and i know i'm bringing snl back into it but for a reason you did a sketch in that and at one point you're not even in the sketch anymore and you ad-libbed a line that was one of my favorite lines of the night that's right you told me that was very nice and and i mean it absolutely was hilarious which is a sketch is going on you take us through it i'm doing a sketch with malaney uh and pete davidson broadway new york musicals so it's kind of a long sketch and it's about the evolution of new york throughout the different eras like starting out in 75 when snl starts out and then a bunch of people saw this me and peter like two young kids and he's telling us the story of how it started yeah yeah and so as we go through it i i don't know if they predicted this but of course i got board during it so they have me they write me in the middle of it i walk in and i sit in the audience you're in the audience so it's all the way people don't really know you like suddenly you're not there but you don't quite clock that and then all of a sudden they just and then he goes listen jimmy uh and then he goes wait pete he just breaks character where's spade and he goes oh i think he went back to the audience and sat in the audience and then they look around and then they have a camera at me and I'm sitting in the audience and they cut to me and I go oh yeah no I got a feel for it so I but and so I asked around and I think that was you was that your line well they gave me a line and it was something like that and then Wally goes I'm not gonna give you a cue card you got it and I go yeah and then when it came to me in rehearsal I said that which was basically something like the line and then right but you said it your way yeah and you were so dismissive and it was so it was so thrown away you're like yeah i gotta feel for it and i you know i laughed very hard a bunch of times that night that might have been my favorite moment thank you that was fun because we did a rehearsal and it worked and then melanie was like just do it like that like whatever it was perfect it was it was fun to be at the 50th and it was fun to be in something because you know we just go and uh i thought lovitz's line was funny oh my god they they didn't love it's is at the american girl store he's sitting so far away so he's you know they have people sitting and he's in the american girl store and what it was his line he's and they go because they have the all stars in the audience but you can't fit everyone and they go where's john lovitz and then they panned the real american girl store he's sitting with all these dolls around him and they go oh john he goes i'm not mad i just want to know why they go sorry john that you're all you're all the way over across the street in the american girls i'm not mad i just want to know why like he doesn't get there's not enough seats he's like we had a crazy night i don't know if you're gonna remember this it wasn't that crazy but we occasionally get dinner together yeah it'll be and when i say we it's you it's dana carvey it's myself it's the same group we always go to the exact same restaurant on la cienega coy love it and it's this thing we do and we'll just sit around and talk and i remember one night we don't it wasn't planned it was a total accident we're leaving the restaurant and we hear hello and it's john lovett's what do we have here what do we have him and his and he is he is always himself and he's always he's one of the funniest people you'll ever meet because he's always himself and whatever he's doing, if he's standing with an attractive woman, he'll say, oh, and this is, you know, this is Jessica.

54:02And then he'll look at me in front of her and say, jealous. He's a walking cartoon character. And he does play the John Lovitz. He doesn't, he does what you want to hear. But we were with him and we're all talking to him. And then I'll, I can't believe this really happened, but we all walk outside the restaurant and Lovitz is standing there and he said, hold on, they're delivering a car for me. And they delivered like an, one of those trucks was delivering a car to him at the restaurant. I don't mean like an Uber. I don't mean, I mean, he was taking possession of a fancy car and looked to me and was like, jealous.

54:43Yeah, I was jealous. As they were lowering a car. You're a Porsche, sir. Yeah, and I thought, who the fuck says yes? Well, yes, I'll take possession of my Bugatti. I'll be over at Coy looking for old friends from Saturday Night Live. Wait till you see me standing with them and then pull up. When you see me standing there and you see them with their shitty cars, make sure you wait and then back up and have the car delivered. And it was a happening. I loved that. Yeah, yeah. Yeah, Loitz is always a crack up. He has tons of cars. I'm shocked. I like cars. He has way more. He pulls up, do you like it?

55:24You like it. He goes, how can I? Because he goes, you should get a Mustang. And he pulls up this new blown out Mustang. He goes, how can I get you in this car? He's trying to sell it. Yeah, he has always a crack up. Also, you did the Mark Twain. I saw you at the last Mark Twain that I was in, which was the Sandler one. That was a really funny one. Was yours fun too? Yeah, it was a lot of fun. It was a lot of fun. It was more fun than I thought it was going to be. I really like showing up for other people. Being talked about, of course. Is it weird? I was dreading and then I loved it. Yeah. Just because everyone was so funny.

56:04Yeah, I just saw the lineup out there on the poster that you signed for yourself or something. But it was on the wall. No other people signed it to me. I don't know exactly what happened. I stood with a marker and I signed Letterman, Mulaney. It's part of your deal. Sign here. I signed everyone else's name on it to pretend. I was with Nikki Glaser in Vegas and she gallantly took a, we did our show. Yep. And she goes, I'm going to miss your set. I'm going straight to the airport. Went straight on the red eye to you. Got it together. I mean, that's a brutal. She killed. And I was just in Vegas yesterday.

56:43and ran, I think drove by seven different signs. Oh, for me and Nikki. Yeah, for you and Nikki. And I adore her. Yeah, she's great. I adore her and I adore you. I love the idea of you two being out there together. And that would be a show. I would love to see that show. Yeah, you'd laugh. It's funny. We just, and like what you're saying earlier, it's like when you do corporate shows, you probably do those when you, Dane and I do a bunch of them. He fucking kills. He's exactly what they want. He, exactly. I'm pretty much what they want when he's exactly what they want. But whenever you do anything, actually any show when I'm on the road, this tour, if you say anything that they don't think is scripted, like that Mike thing, or you say something about this, you make fun of the guy over here with the lights, it always works 10 times better than whatever you're really supposed to say.

57:31It's so funny that it always works that way. One time I was doing this corporate, and this is just a dumb example, but it was like three nights. One night was like Stevie Nicks, me, and then Journey, right? So I'm going backstage. They're like, and don't forget, tomorrow night, we got David Spade coming, but don't forget, tomorrow night, Journey. They would put over the last figure. So I forgot six times before I go on. I go, hey, guys, I don't want to hear one fucking more thing about Journey, okay? We're here tonight. I don't give a fat fuck about Journey and all the contest winners that are in that.

58:02It's not even all real Journey. I'm ready to break it. But I said, we're here, and I'm here, and it's going to suck, and we're going to get through it. And then you get your precious Journey. and then that works better than the whole other. Anything like that. Anything else you've got. And then I go, anyway, dogs are funny, and they're like, no, no, no. Boo. Oh, I smell your act. Go back to Journey. Yeah. You really got it with that Journey thing. Say shit about anything else. David, I've kept you here long enough. God, that did go fast, Conan. I have to say, we did a good job. It was nice and fun, and you were great.

58:39I think I did a good job. You did a great job. You were all over the map I think Sona and I Did the best work here Yeah I think me and Matt In your own way I think you guys killed it We learned about Building 7 over there Jesus Christ Oh my god Yeah Building 7 So To end on a positive note Pearl Harbor Yeah There we go He's back Sona doesn't know What you're talking about David Yes On a serious note I've known you I wanna I don't know I think it was 1989 something like that 1990 i can't remember it's a long time i've known you a really long time and uh i'm always really happy to see you and thank you you are a uh deeply funny person and also a sweet gentleman i've always known you to be that that sweet rumor i hopefully hopefully it's sticking around yeah we're getting it we're getting the word out there it's not trending well people aren't buying it but there's a lot of pushback on it but David Spade Dandelion is available to stream on Prime Video I watched it last night very nice it's really funny and that's it you're a good man on the road come see me I know your friend tell your friend Adam I said hello actually someone said there's a house over there by you guys I don't even know where you live exactly but we keep it that way Didn't it get close to you?

1:00:05Yeah. You can take this out. Oh, no, no, no, no. It's fine. The fire's got... Sandler and I live very close to each other. I lived closer to the fire than Sandler. But can you still live there? You cannot. Yes, I can. Oh, great. Yeah, yeah. We're gob... I'm very lucky. We were very fortunate that our house was close and we had to move out of it for a couple of months, but it was just smoke damage. Sorry to bring that up. But yeah, I'm glad yours is okay. So you saw us getting out with some good sentiment and some good feeling and you brought up the fires. Yeah. I said quickly, I was racking my brain, chat GBT, what's the saddest thing that's happened recently?

1:00:46Three fires in lots and a lots. And it goes, this show's over. I wouldn't bring it up. I go, no. So wait, so chat GBT knew that it was a mistake. Oh, no. They know everything. I would have ended on the journey bit. Yeah. That really killed. I thought you had timing. You're proving. Yeah. All right, David. I hope I see you real soon. Yeah. Give me about 100 yards ahead of you, and then you take off. Yeah. All right. Thanks. Conan O 'Brien Needs a Friend. With Conan O 'Brien, Sonam of Sessian, and Matt Gorley. Produced by me, Matt Gorley. Executive produced by Adam Sachs, Jeff Ross, and Nick Leow.

1:01:27Theme song by The White Stripes. Incidental music by Jimmy Vivino Take it away, Jimmy

1:01:35Our supervising producer is Aaron Blair And our associate talent producer is Jennifer Samples Engineering and mixing by Eduardo Perez and Brendan Burns Additional production support by Mars Melnick Talent booking by Paula Davis, Gina Batista, and Britt Kahn You can rate and review this show on Apple Podcasts And you might find your review read on a future episode Got a question for Conan? Call the Team Coco hotline at 669-587-2847 and leave a message. It too could be featured on a future episode. You can also get three free months of SiriusXM when you sign up at SiriusXM.com slash Conan. And if you haven't already, please subscribe to Conan O 'Brien Needs a Friend wherever fine podcasts are downloaded.

From the publisher

Comedian and actor David Spade feels somewhat sick about being Conan O’Brien’s friend.


 

David sits down with Conan once more to discuss his rocky start in the business, developing a comedic and personal closeness with Chris Farley, how to kill at a corporate gig, and his newest special David Spade: Dandelion.

 

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