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Podcast Summary: Conan O’Brien Needs A Friend - Episode with Nate Bargatze
Episode Overview In this episode of *Conan O’Brien Needs A Friend*, comedian Nate Bargatze joins Conan for a lively conversation filled with humor and personal anecdotes. From discussing the pressures of friendship to career milestones, the episode covers a wide range of topics, including Nate's experience in comedy, his upcoming projects, and a humorous take on societal norms.
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Key Points
Nate’s Perspective on Friendship
- Nate begins the episode expressing a humorous "heaviness" regarding being Conan O’Brien’s friend, highlighting the complexities and expectations that come with friendship in the public eye.
Career Highlights
- Nate shares his excitement about performing at the Bridgestone Arena in Nashville, fulfilling a long-time dream.
- He reflects on his earlier experiences, including his first appearance in late-night television, which included humorous moments of misinterpretation about the glamour of the industry.
Comedy Style and Process
- Nate discusses his unique approach to comedy, emphasizing that he often starts with a funny concept and then builds his material around it.
- He highlights the importance of narrative flow and timing in his performances, suggesting that the jokes themselves are easier to create than ensuring they connect well with the audience.
Memorable Moments
- The duo reminisces about their experiences at various events, including SNL and award shows, reflecting on the camaraderie and support among comedians.
- Nate humorously details an interaction with a restaurant manager during a show, showcasing his observational comedy style, and Conan shares his own entertaining stories.
Chaos and Humor
- A notable segment of the podcast revolves around a playful discussion about slang and cultural phrases, specifically the infamous “Deez Nuts” joke. This light-hearted banter introduces chaos and showcases the comical chemistry between Conan and Nate.
- They engage in an absurd yet entertaining debate about the appropriateness of certain phrases, leading to comedic conclusions and laughter.
Personal Anecdotes
- Nate shares humorous and heartfelt stories from his childhood and family, illustrating the influence of his upbringing on his comedic style.
- He discusses his love for traditional American dining experiences, drawing parallels between childhood nostalgia and adult freedom in making choices.
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Conclusion The episode encapsulates the essence of friendship, humor, and the journey of a comedian. With witty exchanges and personal anecdotes, Conan and Nate not only entertain but also provide insights into the life of comedians navigating fame and personal relationships. Nate's charm and Conan's playful demeanor create an engaging listen, making this episode a delightful experience for fans of comedy.
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Key Takeaways
- Friendship can come with expectations, especially in the public eye.
- Achieving dreams like performing at significant venues is a milestone for comedians.
- Comedy is often about timing, narrative flow, and personal experiences.
- Playful banter can lead to memorable moments and laughs.
- Personal stories and nostalgia can deeply influence a comedian’s work.
This episode is a great addition to the *Conan O’Brien Needs A Friend* series, showcasing the fun and genuine connection between the host and his guest.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Transcript
Automatic transcript. May contain errors.0:02Hi, my name is Nate Bargetzi, and I feel a heaviness about being Conan O 'Brien's friend. All right. Now, what's the heaviness about Nate? I think you come with a lot. You are correct. Give the man his prize money. Yeah.
0:43Hey there, welcome to Conan O 'Brien Needs a Friend. I am Conan O 'Brien. And Sonoma Sessian is right next to me drinking a massive glass of water. It is massive. And you're taking this really weird, over-articulated sip. And then here's Matt Gourley creating characters in real time. I'm scared of it spilling again. And then Eduardo getting mad at us. Eduardo is very, very strict about liquids getting anywhere near the electrical ports. Because both of you have spilled water. Yes. And you have not? Oh, I'm perfect. I never spilled. I know podcasting. I care about equipment. It's right. You can jerk, but it's true.
1:24Okay. Yeah. You did spill one time. Well, I didn't. Big bag of deez nuts. Hey!
1:32Listeners, we were chatting just before we went on. Mike, Sona was doing tons of Deez Nuts jokes. I became... During a very important meeting. I became irritated and said, what was the beginning of all the Deez Nuts thing? We all started trying to plow into how Deez Nuts got started. And then Eduardo, you had a theory. Yeah. Dr. Dre on the Chronic album in 1992 had a track called Deez Nuts. Do you think that started it? Or do you think was it a thing before that? In terms of pop culture, I think. Absolutely. I'm sure it came well before that. But I know that Deez Nuts really took off when? When did it really take off where?
2:11What was the heyday of Deez Nuts? This is a real nerdy conversation. Can we have a Deez Nuts assent? You don't analyze Deez Nuts. You just Deez Nuts. You just do it. You say Deez Nuts a lot? I do. I say a lot of like guy stuff. Like suck this. What? I don't want to say suck my dick but I sometimes suck my dick. I know that is what I say but I felt really gross being like very vulgar right away. But yeah, sometimes I tell people suck my dick. Right. And is that a common thing for women to say they have a penis, even if they don't have a penis? No, it's not common. I'm, I'm. So you're an uncommon.
2:48I'm unwell, I think is what it is. Yeah. And that's a regular thing you've been doing for years is telling people to suck your dick. Yeah. And then once on Broad City, Ilana Glazer's character says to another guy, she goes, suck my dick. Yeah. And did you high five the screen at that moment? Yeah. I was like, it's not just me. Yeah. So did Caitlin Olsen's character. And it's always sunny in Philadelphia. Yeah. This is what I know. Yeah. You know, Matt knows Star Wars and Indiana Jones. Yeah. You know the Civil War. Civil War. I know suck my dick when a woman says it. Now, what if our two interests coincided?
3:19And I was talking about a guy in the Civil War who said suck my dick to General D's nuts of the Union Army. Yeah. And General Lando Calrissian was there as well. Yeah. at General Lando-Parisian. Our world's clung. All our worlds came together and it meant the end of the world. It was matter meaning anti-matter, meaning what's the matter? Oh, come on. So, what about, now you're a mom now, which still horrifies me. I know, me too. What happens if your kids hear you, maybe they're in their room playing with what Soviet toy your husband gave them. And what, you know, that little - They play with American toys too.
3:59Oh, now they have those? Wow, what a country. Wow. I came there once and there was a little wind up Gorbachev with lead paint on it. It just says over and over again, what's happened to the wall? Where's the wall? But you. So anyway, if you're if you're attack and attack are having an argument and the kids hear it and you shout attack, suck my dick. Oh, these nuts. I never say it in a serious setting. Oh, that's OK. So they're not your house is not a serious setting. I've been to your house. It's not a serious setting. Yeah, but it's not like I say it jokingly, like suck me dick, you know, and your kids know the difference.
4:38I don't actually have a penis and it's OK. That's the joke. Who knows? But my thing is, I know. OK, check when you get home. But my question is if I find one. Yeah. Whoa. Where have you been? I go months at a time without seeing mine. I censor myself, but during this conversation, like, you know how RoboCop has that readout? I've had all these things come to mind to say, and I have cut every single one of those. Not me. I don't have one of those. My screen broke a long time ago. Clearly, I don't either. What are you cutting out? Why would you do that? I don't know. It's just us, man. We're just having a good time.
5:16Yeah, us and a million listeners. Why am I the only one who says things like this? If you censor, you can't censor. We don't censor. I normally don't. He normally doesn't. But his not censoring is different than you're not censoring. That's true. He'll think, oh, I could make a Lando Calrissian reference. No, that's not true. But I think I won't. This time, because she was saying - But you're thinking about, you're talking about dicks and cocks and, you know - And that's why I'm censoring myself, because I was gonna say Milk D's titties. See, that's why I censored myself. You know what, you should have censored yourself.
5:44I know, I know. It's too late now. I know. No, but you know what, that's not a saying. You can't just - You can't. Can I just say this? That's gonna catch on like wildfire. No, it's not, because it doesn't roll off the tongue, Milk D. but deez nuts it's just bang it's done no but that's also you can say that to a lactating woman but not every woman's lactating every guy has nuts you can say deez nuts no I think Hitler is missing one no that's a I think that's not true you can say deez nut if someone's lost one you have to say dis nut dis nut but with a d dis nut you know what milk deez titties milk deez titties both of you milk deez titties we were talking about this is very hard to do Matt but we were talking about deez nuts and you took us down the wrong path which is next to impossible to do on a discussion of Deez Nuts.
6:30Well, wouldn't it be singular? It would be singular on nuts. Wouldn't it be singular? What? How did Deez Nuts get boring? There are adolescent kids right now going, this Deez Nuts conversation isn't panning out. No, I'm not going to rap. No, can we also talk, Deez Nuts came out in 1992. I mean, she's been going strong for over 30 years. He's been going strong. No, she's been going strong. That's impressive. Okay. I want to say before this has taken down another unceremonious path. I'm just talking about it. That we were talking about the beginning of a great American phrase. And I thought that was a worthwhile discussion.
7:10And I'm glad that we did it. I don't think milk these titties is going to become a thing. Oh, you'll see. I think we should sell Team Coco merch with that phrase on it. Milk these titties. Milk these titties. I will not be wearing those. And I get 100 % of the income of that. because I not only coined, but crafted that. Should it then be parentheses, lower down the t-shirt, and not deez nuts? Yeah. To incorporate the earlier, more popular phrase to give a turbo boost to the milk deez titties. I don't think it needs it. I think milk deez titties works on its own. How about we make them both, one polyester, one cotton, and we see if it catches on.
7:42You can't milk nuts. Well, you can, actually. All right. We'll take a break. We just found out that our funding from PBS has been cut. It says right here. and um Sona you go and read up on some basic biology uh let's get into it yeah uh well anyway my guest today very I mean Sona what are you Sona I'm sorry what's that nothing my Robocop thing is going off and I'm saying no no no oh yeah oh yeah if Sona's editing herself it's time to call now I really want to know Ripley's Believe It or Not my guest today is a hilarious comedian who's currently on his big dumb eyes World Tour. God, he's good. Tickets are available at NateBargazzi.com.
8:25We're thrilled he's here today. I love him. Hilarious comedian, lovely fellow.
8:35Nate Bargazzi, welcome.
8:40We've known each other a long time. I met you, what was the year that you first came on my late night show? 2008. You were my first late night appearance. Yeah. I was late night coming. I think I saw somewhere you were describing the experience of pulling up to 30 Rock, and you hadn't done a late-night show before? No. Were you nervous about that? Well, you said that this is where I didn't know in New York. They go, limos are going to come pick you up, but it's just a town car. But I'm from Nashville, so I'm like, you just are throwing the word limo around. I'm expecting a real limo. Yeah. But it was just a town car.
9:12You're like, all right, you know. I mean, I was still excited, but it was like, all right, a little deflating. I thought it was going to be a limo. And then you want to put your head through the window. Like you're on prom night. He was wearing, I remember he came on and he was wearing a low cut dress. Yeah. He was all excited for prom. And a corsage. They, uh, so then we pulled up front. It was me and my wife. And then all the, there's people got cameras taking pictures of the guests that are going to be on Conan, uh, coming out of the car. And so right when they pull up, I'm like, ah, this is not going to be good.
9:49You know, because that was just my first time doing late night. Julie Lewis-Dreyfus, I think, was on the show. So they're looking for that. And then I come out, and right when I walk out, one of them goes, It's nobody. Oh! And, yeah.
10:06And then one guy did take a picture. He didn't even hold it up to his eye to make sure. He just kind of held it down. Shot it from his chest, yeah. Yeah. And he goes, I guess just because he saw me, he's like, might as well just see if something maybe you can hear him press delete oh yeah it's a very audible sound trust me many a paparazzi has deleted the photo while I'm standing there you know what happened too on my first one with you because I always said with comedians if we mess up on stage because you're up there alone and so when you usually like right when you get off stage if you did said something wrong you're saying it to whoever the first person comes near you because you just haven't talked to anybody and I messed up, no one would even be able to tell, but in my head, I knew I messed up a joke, and when you came over, and you're like, neighbor gets it, and you're like, alright, whatever, and then you shake your head again, and I go back to, I think I messed up that one joke, and you're like, I don't, alright.
10:59And then we just walked back, like there was, it wasn't like it was a, you know, it was like, I stumbled a word. Yeah. But I remember just, I always tell people that story, like the first thing I said to Conan when he comes over, I'm like, I think I messed up, you're like, I don't, alright. It's all good. but it's all good. Yeah, yeah, yeah. But also, I'm a huge fan of yours. And it's nice because I've encountered you a bunch of times out in the world. You were at the SNL 50th. And I don't know if you remember, I mean, I certainly remember it, but I got invited by Martin Short. Like, do you want to come have dinner with?
11:33Steve and I are going to have some caviar and champagne the night before the 50th, you know, to sort of pregame. I thought he was joking about the caviar and champagne. And I show up and it's the two of them there. and you're there too. And I don't know about you, but I will never be jaded about Steve Martin and Martin Short. Do you know what I mean? Oh, yeah. And so I was just, I think like you, just happy to be there. You know? I was, yeah, I just happened upon, I was walking out and they were like, hey, we're going up to have dinner. They didn't tell me you were coming and they just said, we're going up to have dinner.
12:07And I was, and they're like, I was actually funny. I was going to meet Spade. Yeah, yeah. And then you're like, all right, let me go out there. And I just went out there and sell them a little bit. And I'm kind of like, I got to, you know, I need to get going. But it's crazy because you're talking to Steve Martin, Martin Short. And then Conan, then you come. And then you're like, I mean, it's just sitting there. You're like, this is the most real dinner. I've never had caviar. That's the first time I had caviar. I'm not a fan of caviar. I don't know if you, were you, did you like it? I liked it there, but I could have been swept up in the moment.
12:35I'm not against. It's off brand for you. Yes. Yes. Yes. And I could have just been in that moment being like, it's the best thing ever. I was really happy because we got to hang out a little there. And then after the Oscars, I go to this after party, I think it was a Vanity Fair party. And I run into you and a friend and we just, I think I talked to you guys for a long time. I felt like safe with you guys. Like, this will be nice. I can hang out with these guys. We did too. Yeah. And I think comedians are, uh, kind of just tend to go, I don't, you know, because when you're at those parties, you're like, I don't know what I'm going to say to half these actors.
13:10Like, I don't, you know, it's like, but with us, we just went over there and we all just hung out and it was the best. Yeah. Just found a corner and then just... Chewed the fat. It was really fun. There's a safety when you fill it with other comedians that you're like, you know you're not going to say anything wrong where no one's going to get mad or not that you would. You said two things that were wrong and I got real mad. Yeah. Yeah. But those are, you know. I don't know. You said my lips are thin and unappealing. You talked about my prominent eye vein. That's what I told my buddy Nick. I go, I think we got to get out of here.
13:42Conan's pretty upset.
13:46I've been delighted for everything you've made happen. You are spectacularly funny. You talk a lot about how you're all about normal. You're just a normal person. You're exactly average. And I think you've been very good at comedically exploring that realm. And I understand what you're saying, but you're also not. You are insanely talented. When I watch you do comedy, you have such a natural style that I don't think your heart rate increases at all when you go from backstage to you get up on stage. I think you burn maybe three calories the whole set. I put on calories. I'm always watching you gain weight.
14:32Usually around the middle. He's getting bigger. But you know, there's, and there's such a economy of words. There's not a wasted word anywhere in there, but it appears as if you're just talking about what's on your mind. And I know there's a lot of thinking and work that goes into that, but you make it look like anyone can do this. And I think that in that way, you are anything but average. I think you're quite singular in your ability I'm the greatest average. Yes, you are. That's what I have a special called, the greatest average American. Yeah. I was talking about Tennessee with... Well, thank you for saying all that stuff.
15:16Okay. That's not, yeah. I was going to go into like a Tennessee bit now. It wasn't a bit. And I don't even address it. I'm not going to do a bit. I wasn't going to do a bit. Hold on a second. Let me black out this tooth. Yeah. Yeah. Wee, wee, wee. Nate Bargazin. If those revenuers come from us still, I had to get that out Nah it was good Well I meant everything I said But I also I love how I don't think so many people are altered By fame You seem like someone who has not changed in any way I hope not I mean it's yeah you just do crazy things I live in Nashville We live in a cul-de-sac We keep everything as normal as we can And moving back home was a big part of that But I appreciate that about the words because it is conversational and people think it's just like, I'm up there just talking.
16:07But I'm not a great, I've never was a crowd work person. I can't, I'm not good with, I don't like, I like knowing what I'm doing. It's very planned. And I know what I'm going to get on with, get out with. I make sure it's all trained. Like it is, yeah, it's a whole thing. Well, I'm going to be boring for a second because this is something I want to know. And sometimes I think there might be people out there to think, oh, don't, you know, when Conan talks about comedy or they might think it, it gets too nerdy and in the weeds, but I'd love to know what your process is. Do you, when you think of these ideas, do you sit down and write it out or is this something and you edit it and you work it or how does it work?
16:50How does, how does Nate Rogozzi do this? I write the, uh, a lot of times I come up with the funny part first. And so I'll put that maybe in my notes on my phone, but I don't write out outside of that. Then I just think about it. And I'm really big on how you present it and the transitions and how you get. I think that's something that I've learned over time that it's like the jokes, you know, when you write a script or anything where you want to go joke, jokes are the easiest thing for comedians, especially. It's like, that's going to be easy. We can go throw a script down and everybody can pitch 500 jokes on it.
17:24But it's making it make sense and making it flow. And that's got to flow. And that's the part that I'll let it sit in my head. I just kind of think about it all day. And I just like, there'll be different times. I'm like, oh, you know what? I'll put that there. And maybe I grab one that I had a joke. The big one that I talked about is I had a joke buying iced coffee with milk at Starbucks that everybody talks about. So I tried originally to come up with a joke about how with milk, you don't buy it. I never have it unless a woman was in my house. so my mom we had milk and then the little bit the hour i was lived alone till i met my wife uh there was no milk and then back with my wife now we have milk yeah so it was just i try to make that a whole this is the service women provide yes they're good with them comes milk in many ways in many ways yeah they're good this is what they have milk so it's like it's just in you know ironic that the providers of milk also insist milk be present but anyway we'll get into that later uh this is funny this is the part i go no you can leave this in yeah uh yeah but anyway so it was some it was the idea of that and then i could never make it work as its own joke so in that starbucks joke i just i put like i've never bought milk publicly in the history of my life so all of that whole you hope it's going to be this big chunk and it's not yeah and it becomes one sentence yeah in a story but that it really expands that story so i i grab a lot of stuff for parts and you go all right well that can't that's obviously it's not good it didn't work as good as this is the best it's ever worked to be honest by the way it's uh yeah and so on is a tough audience He said lying.
19:18You talk about little jokes. You had a, it's a small, it's not like a big hunk, but you have this small run where you talk about how you'd be a terrible time traveler because you'd go back in time and you wouldn't be able to prove that you were from the future because you don't know how anything works. And I, the minute you laid out the premise, I like lay down on the floor and said, okay, I love this premise because it's true. I mean, I love jokes about history and I'm kind of fascinated by history and I work that vein a lot. But I also know that if they sent me back in time, I would be a little use.
19:56But you talk about how you couldn't prove it because you'd say, oh no, we have something called cell phones. Well, how do they work? I don't know. And I thought the ideas are so fantastic because A, they're true and they're really elegant And you obviously you put yourself down a lot, which appeals to me because I was always very comfortable making fun of myself. If I do find out that I've hurt someone's feelings, if I ever found out that I really did bother Matt or Sona, I think I would be sick to my stomach. Oh, yeah. We should tell you then. Yeah. Some things. Can't hear you. No. Eduardo just killed the something's wrong.
20:35I can hear him just fine. No, no, no. I can hear him in the headphones. I think it's on the wire on my end. We'll just start making a list. But anyway, I know that. I agree with that. I would feel mortified if I hurt someone's feelings. And that's why I always wrote it inwardly. If you make fun of yourself, you can go as far as you want. But there is something you can make fun of yourself, but you have to do it. You just have to show love is what I've learned over time. So even if you talk about your family or wife or even yourself, you have to at least show some love or people won't go with it.
21:09When I first started doing jokes about my wife, which is, it was, I could tell when they, when I was younger, they were like, well, why are you even married? You're like, well, this is not coming out the way it's supposed to be coming out then. I need to, and you have to have that balance where I can make fun of her, me, and I kind of do it through me a little bit more. And as long as you're making fun of yourself and putting yourself as the, you know, the loser. I think you're right when you talk about love coming out of it, affection, being good-natured about it. I think those are all crucial.
21:41And you can't come up with that as a formula that I think has to be in you, that has to be part of your personality. And I know you were raised, I mean, you've talked a lot about it. There's probably nothing I can bring up on this podcast that you haven't discussed, but your childhood, your parents having really strong values and imparting that to you. Yeah, yeah. You did this, I mean, this great thing that I thought was hilarious where you're over at friends' houses and you're watching, they're going to watch a movie that's like - Friday the 13th. Friday the 13th. And you stood up and said, I cannot watch this.
22:14You do the joke because it's really, I mean - I'm blanking on it now. Oh, you say - But I know I say I'm not allowed to, I don't think I'm allowed to watch this. Yeah, and you're - And I thought other people would join in. Yeah, and you stood up and declared - Because we were not 17. No. Like it said we're supposed to be. Right. You were 16 and a half. Yeah. But my favorite part, you say that, and the woman, the mom there, comes in and says, well, maybe we just don't tell your parents. And you say, well, that's going to be hard because I just phoned them and they're on their way. Yeah. Such a great joke.
22:46Yeah.
22:57Your stuff is really funny, and I don't see crazy exaggeration in there. A lot of it feels true. I will crazily exaggerate when it's necessary, but I have found that the hardest laughs come out of something that really happened. Yeah, and that's the fun part, is trying to figure out how to... Because you can have little moments, and so how do you... Even in that moment, it's a funny idea that I called my parents, and I went home, is what really happened. and then but then it's like how do you tell that in a way that's like not just a fun you know like your friend at his school oh my kid went into this real fast yeah so it's and that's the presentation of it and like tell them on the journey is like because it's one little thing that you're like everybody's had happen to them but it's how do you package it so they go along with it you know one joke that i had that i wouldn't tell you is uh when i did uh when you were here in uh la when he was in tbs and i had a joke about getting in a fight my buddy took a we took a bite out of his hamburger and then uh he thought some he just immediately thought someone else did it uh at the restaurant he got up to go fight him and we had to like calm him down and it's a it's a whole story with and but i uh this was back when i i sent that joke into letterman to do it.
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24:13And, uh, they told me it was, uh, mundane. And so I had to look up, I didn't know what mundane meant. And so I was in my head, I'm like, I bet it's not great. Like I don't, you know, I picture you carrying a dictionary on a rope around your neck. I looked at it. So mundane wasn't good. It wasn't a flattering thing, but then, uh, I was, you know, I think I just did yours. I couldn't do that. You swacked me during all these late nights, but then I went to you and you let me do it and that always meant the most to me because I told Letterman this he was mortified yeah I was like I'm glad I was glad too like it felt it was like uh I you know because there was a joke that I was like once I learned what mundane meant I was like well I don't think it's that yeah uh but it's you you've always let comics uh us come on your show and do stand-up and uh was very pro stand-up and so you were oh well uh I'm I'm glad it all worked out.
25:09The way my perspective is always different. I've had stand-ups, many stand-ups thank me for their time on the show. And I think, what are you talking about? You came in, Nate, four times and you were really funny for six minutes, made the show better and brought your talent and put your shoulder to the wheel. And that was six minutes that I didn't have to sweat. So it's not that I didn't, you were doing me a favor too. That's true. Yeah, you should present me. Yes. And frankly, I found that story very mundane. He told all the writers, we got a mundane one tonight. I think I said it in your intro.
25:47Our next mundane comic hails from old Hickory, Tennessee. Don't worry, folks. He doesn't know what that means. I come out. Thank you, Conan. Oh, you know what reminds me of this great... Thank you. You came out and you were holding the dictionary like, what? you remind me a lot and this is the highest compliment I can pay any stand-up or any comedian you you remind me a lot of Bob Newhart in that your stuff is I'm sure you've heard this before but very seemingly simple and delivered very quietly and as if it's just occurring to you in a very humble way with a straight face and the jokes are beautiful and you just reminded me of a Bob Newhart joke.
26:32Bob Newhart has this joke, which is, you know, I don't really like country music, but I don't want to condescend to those people who do. And by the way, if you like country music, condescend means to talk down to. And I always thought like that is a perfect, I've said this before, but a really good joke, you can riff and you can goof around and it's like, there can be a good spirit to it, but it's free. It's like packing peanuts that come when you open a box. It's, there's not much to it. A really good joke feels like a diamond in your hand. It has weight. It's like a little gold ingot. You can feel it.
27:04That's a joke, Newhart's joke, and your jokes feel like, oh, no, no, no. This has actual value. You can write this on a stone and hand it to people in like 500 years from now, it's still going to be funny. You've got so many of them. You're crazily prolific. And I think one of the times you came on our show, you had, I think you came on a second time or a third time pretty quickly after. After the first time. After the first time, you came back pretty soon, and people were saying, well, you can't come back that quickly because how you can't. My manager told me. I didn't tell them. Well, you just had Mulaney.
27:37So this is a long term. Mulaney just did it, and Mulaney came back pretty quick. I mean, like three months or something like that. And so then y 'all were doing more auditions at this comedy club Eastville. And I was like, oh, I want to try to do it again than my manager at the time, which they were great. I mean, they were like some of my favorite managers. uh but they all just he was back in the day new york days and they were uh they go you can't do it again and i was like why not and they go they don't let people come back i go well john malaney just came back not saying i was even malaney but just like being like well just give it a shot give it a shot yeah and so they go no and then i just got that i was like well i'm gonna go try to get on the thing so i just did the uh i i went and did it and uh the audition and i got it without I don't, they found out, I wasn't going to tell them.
28:25I was just trying to see if I could get on the show and then have them find out with me on the show. Cause they, my own managers were like, no. Which is very funny to me. Your own team's like, I wouldn't even try again. He goes, we got lucky with that first one. So let's not, let's not push it. You should probably just, you should go work at the steel mill now. He goes, John Mulaney did it. You're no John Mulaney. All right. I think we know what we're talking about. These are great managers. you want to do comedy some more yeah isn't it something you do once and then you work the fields they were they're the best sure yeah you won't need them stories and i guess you're still not with them no i'm not with them anymore well i guess they really are the best then they're the best it's i had the most fun stories like it's it's like they're you know it's when you first get managers you're like they're they're just very fun stories uh and so then i went and did it and then they they conan your people called which i didn't know they were going to do and they go all right we got nate tonight on and whatever and so then he's like so you got it i go well you told me i couldn't do it again yeah and so then he came down and it was uh and then we did it and he took a commission on the thing that he didn't get you yeah yeah i like it trust me i've I've had my experience with that in the early days.
29:43You can't do that. Oh, I understand it's happening. Send the check to 1515 Milshire Boulevard. Okay, you called me a loser. Yes, you are. Send the check just to me, not to anyone else. Sorry, I used to have another manager that when I first got it, I would call his office and his wife was the secretary. And then he would answer the phone. or she would answer it like uh let me see if he's in and it would be like 35 minutes seconds a minute you'd be waiting and then she's like he's not here and then one day he invites me to his office his office is in his garage and her desk is touching his desk so then you're like where were you for the minute and then i'd uh it was just and i had another one where the guy would he would answer his phone and you could tell it was his voice and he'd be like uh answering for his name and then you'd be like oh is he there's Nate calling he goes uh let me see if he's in and then you hang up and he again you wait a minute and he goes hey uh yeah I'm in you're like yeah that was you I you're acting like your own secretary yeah yeah I used to love in the old days it was fun I would when I got treated like that to say well is it someone else's turn with the phone booth.
31:08I was pictured these people in a phone booth. Yes, yes, it's quite busy here at Talent Co. You called it a good time. Hey, buddy, buddy, buddy. That's your third quarter. When are you going to get out of the way so I can make my call? My wife's in labor. Come on. Well, the reason most people don't repeat that quickly is that they build up a really good set And it takes a long time for the well to refill. And to your credit, you're, and I'll say this about John Mulaney too, you guys are crazily prolific. Which brings me to my next point. You have had, I can't walk five feet in America without seeing your face.
31:47You are a huge success. And I'm wondering how you're processing all of that. Yeah, it's very different. I think you get used to it. You're not used to it, but, you know, But some of the hardest parts of this is when you don't know if they know you. Because then I can't, I don't know what to do. I'm either going to be a lunatic to this person or like, why is he acting like he has control of the whole room? Or they are fans, I don't know. So I always thought, well, if I can get everybody to know, then I'm a little more in control. So if you walk in a room, you can just be like, hey, what's up? And you kind of know they know you.
32:22So you can kind of make everybody feel like a fun room and we're all friends. and so when you're in that middle phase where it is straight up 50 50 if you i can't tell if are they you know do they know and then you'll be like i'm a comedian they're like yeah i know and you're like well you gave off like you didn't know at all right and so i you're screwed either way if you say um hi yeah um i ordered a coffee and it's for nate bergatz yeah we know yeah you're nate and so But if you say, I heard a coffee and I think you know who I am, you're a dick too. Yes. It's a hard balance. In an overall perspective, how I try to handle it, that's a deeper feeling, is I really try to remind myself that it's not about me.
33:08And so I'm living a life of service. Right before I go on stage, I remind myself this has nothing to do with me. This is not about me. It's not a celebration to me. It's a show for everybody in that crowd, and I need to do the best show for them. That's great. And so that's how I've, I learned that once I did. So starting out, I always wanted to play Bridgestone Arena in Nashville. And it's our arena. And so, you know, 20 years, I didn't really think I would get there, but I kind of daydreamed, you know, I was handing out flyers in New York City and all this stuff. And you're coming up and you're like, oh, man, what if I can do this one day?
33:46And then. That was sort of the bucket list thing. I want to do Bridgestone Arena. Yeah, yeah. Yeah, it was just kind of far away and you, you know, it's kind of dangerous. It's like, I'm not, it's a, it's a goal that your, your goals should actually be simple. They should be like, you'd be embarrassed if you can't get them. And then your dream should be embarrassed to say them out loud. And so you just kind of have your goals are like, I'm trying not to hand out flyers. Well, what do I got to do to stop that? And that's a, that's a realistic goal. Cause you're like, it's just a guy, one level.
34:13It's achievable. Right. And so you can then figure out, all right, I got to do this. How do you get on late night? and then once you get in late and you're like, all right, I've kind of got in late. So if I keep doing late night and get TV credits, I can do cruise ships if I have to. Like you can do whatever with, you know. But then when I did Bridgestone and we sold the most tickets ever. 250 people. 250 people. It's a big room. It's a big room. I just looked it up. It's a very, he says arena and that's cute. It's an actual bridge made of stuff. It's a horse arena that you get home. And I'll see it.
34:44Talk about a small dream. Yeah. No, how many people is it? Bridgestone Arena? uh it was 19 ,365 and then so but it's that night I remember having a feeling of like like what what am I like what do you you know I've been looking at that dream for 20 years and so then you're like well what is there what am I looking at now you know and then you just got to kind of find and what I've started with like my Nate Land company is like you just find something else that you you realize like oh I need to have something else yeah and you put it out there and then have a daydream and do the same do the same thing see if it happens this is amazing you're gonna make you call it an amusement park uh yeah I guess I guess I'm gonna find out um I'm gonna call it this was not amusing at all yeah I was not amused we want to be a decent park just where people you set the bar low yeah yeah a place you can go we're a little bit above the Bucky's like it's Bucky's then we're just a little bit above a bemusement part yeah um well i mean good luck with that and yeah i just love the idea of you looking at different people are going to be making sketches and drawings of different rides and things and you're going to be saying nah no or a little more of this a little bit more steeper yeah steeper more dangerous is there a mascot is it is there going to be like a mascot of you no i don't know look i mean this is so this is we're very early obviously this could all crumble and fall apart and goes nowhere the idea of it is like theaters i don't think theaters are are like you know they're not going away like people love going out and to do stuff and there's just not stuff for them to go do so if you can go make movies where a family can go out i love taking my daughter to the movies it's a great experience uh a lot of this hollywood i would say hollywood out here but they've gotten so far off where they're either making an animated movie or a horror movie and there's nothing really to go to.
36:44And then a lot of stuff's on Netflix. So you just kind of at home. So I think experiences is something that, you know, you're seeing even younger kids really want to do experiences. They want to go do something. You know, the idea of like my, we used to get dropped off at the theme park at Opera Land and you could just go hang out with your friends all day. And you want to, like, I want to give that to a parent because that's like, even for that kid, like they get to go be around their 15 year old friends and it's part of growing up and it's the fun aspect and have a safe place for them to go do that where you know you can trust they can do it.
37:16Like, you know, I like the old-timey, like, people worked at Ford. Their whole family worked for Ford. Like, you know, the idea of that where people just worked at this company and they had real pride. You see, like, an older person that worked for, like, a Ford. They will defend Ford to their death. And I loved the, like, pride of whatever they did that it was like a company. My first car that I bought was a Ford. and the first new car that I had, I had a lot of crappy old cars. Your Ford Taurus? My Ford Taurus. Yeah, and guess what? They just found it. Okay. It was involved in a crime. Did you try to take it for insurance reasons?
37:52No, I'm telling you, this is a true story. Three days ago, I get a message from Jason Chalemi, who's been with me forever, who's my right hand. And he said he knew someone who worked over at Warner Brothers and he asked them to drop by their parking garage and just look around. and they sent back photos of the 92 Ford Taurus that I owned that I had through. I got that show. I mean, I got that show. It is a show. It's a super high output. I got that Ford Taurus. I got that Ford Taurus in my 20s and I had submitted a packet to the Simpsons and didn't know what was gonna happen. And I was so cautious about money, but I just decided I'm getting a new car and I get a 92 Ford Taurus.
38:36And then I got the job at the Simpsons. So that became my car in LA. And I had all these adventures in that car and it became a standard thing that everyone knew about me. Yeah. And it always got a laugh. It would come up a lot of times with celebrities where they would say, well, I drive a, I just got a new Ferrari or something. They go, what do you drive, Conan? I'd say, 1992 Ford Taurus SHO, super high output. And it would get a laugh. And I'd be like, no, I'm being honest. That's what I really have. What are you going to do with it now that you've found it? I want to get it. I want to chronicle this, but I want to get it rehabbed and bring it back.
39:08And I'm so excited. It is covered in grime. This person took photos, which we can post. It is covered in dust, but it's got its inspection sticker from 1992. Yeah. It was just on a lot? It's in the parking garage at this moment at Warner Brothers. I don't know why they haven't toted away. It's got, we did a bit with it when I went through the whole Tonight Show thing where I'm coming to work and I assure the audience, I think he has a little tension with NBC right now. And we shot this thing where I pull in to the parking lot and suddenly all this gunfire breaks out and all these squibs went off in my car and it blew holes in my car.
39:46Are those holes still there? Their holes are still there. And it's claim to fame is that the clutch is stripped because Brad Pitt did a bit with it once and got in it and peeled out, which I didn't know he was going to do. It's got a stick shift and he's, it's this Ford Taurus with a stick shift. That's the novelty. And he peeled out in this thing, like the F1, you know, Superman that he is. And later on I noticed, oh, the clutch is all fucked. Brad Pitt fucked up my Ford Taurus. And who can say that? Brad Pitt fucked up my Ford Taurus. So I want to bring it back. Maybe you and I will take a ride around.
40:22Yeah, I would love it. I like a stick shift. I have a stick shift too. I do too, yeah. I have a joke. If you ever want to, if you want to valet and leave your car up front, just drive a stick shift. because they don't want to. If they're younger, they don't know how to do it. And if they're lucky, they got like a cook in the kitchen that hasn't done it. And he goes out, he's like, all right, everybody turn around. Don't look at me. No one look at what I'm doing because he's got to get back into it. It's how he learned, but he's like, give me a second. It's been a while. Turn your backs. Hold on.
40:57Put buckets over your heads. I have to ask you because a couple of things. One, you talk a lot about these restaurants that were your favorites when you were a kid and they're still your favorites. Like you talk a lot about Applebee's, places like that. And I was thinking, I relate to this because when I first came out to LA, I think I was pretty, I was not a worldly person, but I remembered when I first, when I get out of college, I come out to LA and I was so excited. There was a Denny's across the street from where I worked. and I could, I remember it dawning on me, no one's in charge of me anymore and I'm making my own money.
41:34I can go to Denny's anytime I want. And I felt like I was the king of the Nile. You know, I felt like the greatest. And I would go over there and I'd be like, I'll have an extra large Coke and no one can stop me. And I'm 22. You'd think I'd have been a little more sophisticated, but I've always had a soft spot for those places. I relate to that so much. I think I have a big problem because of that reason. Like it was like getting all this fast. I like not that you can't eat it, but I eat it so much. And it's that aspect because no one can tell me I can't do it. Yeah. Because growing up, if you went to McDonald's or went out to eat, it was kind of like a big night.
42:16It wasn't like you weren't you weren't getting it all the time. Right. So it was a big deal. And then once I you live on your own and you make your own money and then you're like, I can just go. I mean, I go to McDonald's like at any point. And now we've got down a little slippery slope. I had, my dad was a lovely man and never got angry. But when he did get angry, it was always about the smallest thing. And I remember my brother, Justin tells me this story, but he got us food from McDonald's and we came in and we were, I mean, again, I cannot stress enough what a lovely man my dad was and um but he starts unpacking all the mcdonald's food and then he realizes he got the chicken mcnuggets but the guy forgot to put sauce in and he's looking around for the sauce and he's getting more and more uptight you can see him gritting his teeth and then he he opens up the bag and the kid forgot to put the sauce in and he just he starts like shivering with anger and he just went this is a guy who if i came in and said dad i just totaled the family station wagon he'd like, well, I'm glad you're safe.
43:24But it was the smallest thing. Jesus. If you wrap your head, because once you accept that you're going to do this too, that's what's so frustrating. When you're like, I'm going to eat chicken nuggets. I'm going to have that sweet and sour sauce. Whatever, sweet and sour sauce, whatever. They got hot mustard. I'm a big fan of hot mustard. You just have it all pictured. And then when it's not there, the only reason you're eating chicken nuggets is for the sauce. yeah you're not eating them they're just a vessel yeah yeah yeah chicken anywhere eat a dry nug yeah hard pass are your yeah your house ketchup like you're just like so disappointing no i know that my dad a great a very good man is is in heaven right now um and and god is saying to him you led an exemplary life but about the mcnuggets moment and my dad is probably holding his ground And I'm like, the guy's a shitter!
44:18Yeah. No, he's in heaven. He's just eating all the sauce. But you know what makes my dad angry? The guy's up there too. Yeah. He died two years later in a terrible shootout. I made that up. I don't know what happened to that kid. They have one job. I think your dad murdered him. Well, God, they have one job. Yeah. I have to bring up what I believe is the Washington sketches. They got to be in the Smithsonian. Those are works of art. I was blown away by that, as was everyone. I was so happy that it went viral. I was curious before this interview and I checked it out. It's like 28 million people have watched it.
44:51I mean, it's just, uh, yeah. And it's great because it's all true. That's what I love about it. It's all true. And in that new heart spirit, all of it is exactly accurate and it's touching on some really powerful stuff, uh, with Keenan and it's done just perfectly. It's just, it's really, uh, I was here and Mikey, straighter side down like you do yeah yeah just great just really great and um is it fun when you go out there with a sketch that good it must be really fun to do that in front of a crowd at snl yeah well that's especially the first time yeah you know well it almost didn't make it because during the table read i did it and i'm like i'm so i just you know used to performing for a live audience so when it's just everybody's kind of quiet and you're reading like i'm not reading it very fun because it's like it's just awkward and so when we got for the dress rehearsals it was on the maybe side and i really liked it and i was like because i knew i was like oh do good once i'm in front of a crowd like i just need yeah like timing you know it's hard to have timing and uh lauren put it in at the uh we was like all right we can try it last and then we tried it last and dressers learned to destroy and then move up to third now here's my pet peeve did lauren enunciate he lauren reads the stage directions at the read-through yeah did he enunciate or was he eating food at the time he gives popcorn yeah little popcorn popcorn he used to have popcorn and he used to have like carrots and you'd work all night on a sketch and be like this is a perfect sketch and then i'd forget it depends but lauren if he was in a having a little hankering for something you you know like we we open on and then crunch crunch crunch i love that you still remember that.
46:34Oh, I do. And I'd be like, swallow and then say the directions. And it'd be a key direction like, what the audience sees immediately that he's dressed as an astronaut. And Robert would say, the audience sees immediately And then people aren't laughing because they don't know he's an astronaut. And then
46:55They don't know he's an astronaut. Why is he in space? Yeah, exactly. It's a moon landing skit. No, read. Read it yourself. Don't just listen DeLore. Yeah, if he had been eating, they wouldn't have known that you're George Washington and you're talking to the troops. Hello, my people. This isn't funny. This blows. Who cares about weights and measures? Hey, you're hosting the Emmys. I am. They are very lucky to have you and you're going to have a blast. I'm excited. That's what I wanted to talk about. You killed it on the Oscars. So it was, it was, it was very fun that night too, to see you just cause it was like so perfect and it was so fun.
47:38And then it was like that, it seemed like after that party, like you're just like, oh yeah. You know, when you're like, this dude killed it. Like it was the best. That's nice. That was fun. And, uh, yeah. But I mean, you're gonna, you're, they're fortunate. We're in an era where not everybody, the good people don't always get to do it. And I think it's great that you're doing it. I think you're going to have, you're going to have a really fun time and people are going to be very happy that you're doing it. So. Well, thank you. Yeah. I'm excited. Is there any, like, you know, I've not watched all the shows.
48:07That's the, that's the part I got to get on that. Oh yeah. You got to watch the shows and, uh, I know this. I mean, I know generally. Yeah. You just. I've seen all the commercials. That's enough. I feel like that should count. Is that enough? Yeah. Just only the commercials. Yeah. You should do all your jokes about the commercials that air around the shows. Yeah, yeah. Yeah, because if you make yourself happy, it's going to be fantastic. And that's the only thing. The only trick is make yourself happy. We have some pretty fun ideas for some stuff. So I'm looking forward to it. The monologue is, you know, that's just kind of doing stand-up.
48:47So it's like I'm looking at, luckily I had a couple jokes that I had that kind of can fit in this kind of scenario. So then you're going to be able to put that in there and then just really work on the monologue. And, you know, it's like, I think we have some sketch stuff because you don't have as much time as you think. That's what's, I think it's like 12 minutes or something. You know what the thing is? It's not total. Yeah. So that's like, and it's all can be - Well, I think you can get more because you're Nate Bregazzi. I think you can get more time, but - Yeah, you don't want to be - No, exactly.
49:20Exactly. But the other thing is, I always remind myself the times I've done award shows, when I would do the Emmys or when the Oscars, I always remind myself, this is not my show. This show is about other people. I'm here to perform a very specific job. Because people would come up to me and say, hey, why don't you switch the categories? I'm like, hey, it's not my, you know, how come this takes so long? Or what was that about? I'm like, it's not my show. My job is to just do the best I can with the time I have and really try and make it fun. And so, yeah, it's not a lot of time when you boil it down.
49:54It's less time than people think it is. Yeah. But you're going to have a great night, and you should just enjoy it. I tell you what, I've been very happy with CBS. Because we were shooting some promos, and some of the jokes that some of the producers and they have written were very, very funny and self-deprecating, and I could tell they were written with me in mind. yeah like so uh i was very you know excited to be like you know what i think cbs is like they get it and they're gonna at least for this image like they're they understand and like they're being like yeah just go be you and i don't feel like there's any uh you know just from that phase of and the promos we shot were very funny i think they're uh it's real simple yeah they know that they have a great host.
50:44They do. They know that and they want you to be happy. So make yourself happy with everything you do on this show and it's going to be the best Emmys ever. Seriously. So, um, honor to have you here. I'm so happy for you. Thank you. You're a great guy and you're crazily talented. And, um, I'd love to, I'm going to get that Taurus repurposed and I'm taking you to the Denny's in Gower Gulch in Hollywood, which is where I used to go back in 1985 when I was just getting started. Oh, yeah. And it was, and I ate hundreds of pounds of food there very quickly. Exactly the same too. They haven't done anything to that place.
51:27I thought I went back when we were doing the podcast. You and I went back. Yeah, we did. And we had a feast. Yeah. This was like four years ago. Sona and I were in this Denny's four years ago and we had a blast. Yeah, it was fun. And I was like, you know, I used to come here and they're like, we don't care. I sat right over there. Okay. Knock yourself out, Conan. But continued success with everything. Thank you so much. Please come back anytime you want to talk about anything because I'm your biggest fan. Yeah, I would love that. Thank you. Thank you for everything you've done in my career. You played way more of a part than you might think you did, but you've played a giant part in my career, so.
52:04I'm very aware of what I've done for you. And now that you're in the big money, I want compensation. $600. I'll fix the clutch. I'll fix the clutch on the torch. Deep hit the clutch. All right, Nate, take care. Yeah, but.
52:30Three, two. I'm not saying no one says it that way. And we're back. We're back and this is now a segment out of nowhere that's happening because Sona won't stop talking about this. Sona goes back on the attack about how you can't milk Dee's nuts. I explained that, yeah, I think you can. Matt, this is quite unusual, came in on my side. And then, Eduardo. I said, sorry, I'm in tears over one place. Well, let's reconstruct. We gotta cover that too. I'm sorry. Guys, let's reconstruct what just happened in Dealey Plaza so that the listeners know what's happening. Get out the red yarn. Go ahead. It's Spanish.
53:10You know. Are you going to be okay, Eduardo? Yes. You're crying. I am. It's referred to as leche. It is. What is it? You know, sperm. Male sperm. Nut milk. It's referred to as milk. Yeah. But why are you quibbling? Because your whole thesis is premised upon the fact that you're a woman saying suck my dick. I know. I'm saying you can't milk a dick. You can. But you can't suck your dick. I can't worry about whose side are you on? I'm uncoated. Well, this is the United States of America. It's poetic. I understand what they do in Mexico, but you can't milk. It's metaphorical. No one, no guy says, milk this, bitch.
53:46You don't know that. What are guys that work on the farm routinely probably refer, you know, who knows what they say, but what I'm, Blay, what did you have? Well, I came in very earnestly. I was just saying they have almond milk. They have a thing called almond milk. The milk of the nut. The milk of the nut. You're referring to the testicles as nuts, and they have their own milk. He's not talking about almond milk. No, I know he is, but what I'm saying is, Blay has come in with the proof that nuts can yield milk. That's right. We now have the evidence that in Mexico, courtesy of Eduardo, I'll let them know I'm Mexico, by the way.
54:26The sperm is called, referred to sometimes as leche. So it's literal and figuratively, there's precedents. There's literal and figurative precedents. You can't, but no, I'm saying you can't say it in like a sexual way. Like, hey, I have a bag of almonds. Milk these nuts. Why can't you? Why can't you? Because we're talking about it in the sexual sense. I don't say suck my dick in like a dick is a guy I'm with. And I'm like, suck dick. What? Are you having a breakdown? I know, but what is your problem? We weren't speaking sexually. Yes, you were. You were saying milk these nuts in a sexual way. No, you meant you meant jizz it.
55:04Jizz it? What's wrong with you? Jizz it. I was simply saying and it wasn't in a sexual way. It was someone who had gone to, you know, a center to have their sperm harvested so that they could use it to one day have a child. Not me. A farmer gets on a little three-legged stool and I just stand there. You were a cowbell. What are we talking about? What I'm saying is an ejaculation does not have to be sexual. You know, it just doesn't. Wait, what? So you are talking about sperm. Right now you've lost me. What do you mean? It could be journalistic? What do you mean? When I read Robert Caro's first book on Lyndon Johnson, I ejaculated several times as a place marker.
55:56I didn't have a bookmark. And later on I'm like, where was I? Oh, right. The new deal. Here it is. But the pages would all stick together. They don't all stick together. And you know what? You have to know what to do. You use a green tea to get it off. Great. Guys, I don't want to be taken down a pack, which I don't think is right for anyone to listen to. But I am just telling you, Sona, that we have once and for all proven, and this is a rare alliance. This is a really rare alliance. You've got, over there, You've got Putin with Eduardo. You've got Zelensky over here with Matt. And I'm Trump.
56:30I'll take it. And the three of us are in agreement that you can milk D's nuts. Mic drop. Oh boy. Yeah. You got that one. Yeah, we sure did. And you're with me on this one, aren't you, Eduardo? I mean, Eduardo is. And what about you, Bley? Just say yes. Yes, I don't even know what we're, I'm not sure what the alliance is. Yes, I'm into it. Just join the alliance. I'm into it I guess Yeah Honestly the only thing Going through my head right now Is I was at the first day of school With a bunch of 12 year old parents Oh my god Oh my god Let's hear it All I can think about Is that I talked to a mom I had never met before And she like Found out what I did And she was like Oh our whole family Listens to the podcast Together And we love it And so that's all I can think about right now Turn it off And I'm really I'm really sorry Giles Who's the listener Sorry Giles The 12 year old Sorry, you shouldn't listen to this.
57:25And don't milk these nuts. You'll go blind. Well, that's all our time today. Oh, wait a minute. That's not how podcasts work. Definitely. We're out of time. All right. Well, I guess we did some good work today. My God. Conan O 'Brien Needs a Friend. With Conan O 'Brien, Sonam Avsessian, and Matt Gourley. Produced by me, Matt Gourley. Executive produced by Adam Sachs, Jeff Ross, and Nick Leow. Theme song by The White Stripes. Incidental music by Jimmy Vivino. Take it away, Jimmy.
58:02Our supervising producer is Aaron Blair. And our associate talent producer is Jennifer Samples. Engineering and mixing by Eduardo Perez and Brendan Burns. Additional production support by Mars Melnick. Talent booking by Paula Davis, Gina Batista, and Britt Kahn. You can rate and review this show on Apple Podcasts, and you might find your review read on a future episode. Got a question for Conan? Call the Team Coco hotline at 669-587-2847 and leave a message. It too could be featured on a future episode. You can also get three free months of SiriusXM when you sign up at SiriusXM.com slash Conan.
58:37And if you haven't already, please subscribe to Conan O 'Brien Needs a Friend wherever fine podcasts are downloaded.
From the publisher
Comedian Nate Bargatze feels a heaviness about being Conan O’Brien’s friend.
Nate sits down with Conan to discuss accusations of mundanity, fulfilling his dream of performing at the Bridgestone Arena in Nashville, designing an amusement park, his iconic George Washington sketches on SNL and hosting the Primetime Emmys. Later, chaos erupts as Conan and his team attempt to level the playing field with gender-equal slang.
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