Covering the ICE surge in Minneapolis

0:00It's all things considered from NPR News. I'm Emily Kwong. It's been a really intense experience to be living here and then also reporting here. That is Meg Anderson, a correspondent for NPR's National Desk based in Minneapolis, where for two months, the Trump administration's sweeping immigration campaign has resulted in violent, sometimes deadly confrontations between community members and federal immigration agents. Renee Macklin-Good was killed in just a residential neighborhood. I knew exactly where it was as soon as I saw the videos. And same with Alex Pretty. Where he was killed is just this really vibrant street.

0:39It's Nicollet Avenue. People call it Eat Street. There's tons of really good restaurants. Most of them, or many of them, are immigrant-owned. And you watch the videos and you're like, there's a really weird element there of being really familiar with a place and then seeing these horrible things happen. For Meg, life looks normal in Minneapolis until it doesn't.

1:29my friend's house. This blend of the normal with the not so normal has been difficult for her. And then there was the time she was tear gassed while covering a protest. I was okay. I was I was pretty far back and it was it was fine. But it was just weird to like have that happen and go home and you know have to shower and wash my clothes and then like we made dinner you know and it was kind of like well what else are we gonna do? Consider this when a national reporter is covering a story they're also living through, the job changes. Coming up, Meg Anderson on reporting on the surge of federal immigration agents in Minneapolis, the city she calls home.

2:14From NPR, I'm Emily Kwong. This message comes from the Pulitzer finalist NHPR team. Their new four-part series, Safe to Drink,

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2:57It's Consider This from NPR. NPR correspondent Meg Anderson has called Minneapolis home for several years. And when thousands of immigration agents arrived in the city earlier this winter, she had to adapt to reporting on a major story that had all of a sudden made her familiar surroundings in many ways unfamiliar. When we sat down for this week's Reporter's Notebook, I wanted to talk to Meg about what it's like to cover this story unfolding in her own community. I think it is a level of emotional drain that is really intense. But then also, like, what I'm experiencing here is the experience that, like, local reporters have, right?

3:38Like, this is, like, the definition of being a local reporter is that you're reporting on your own community. And when really bad things happen, like, it's your own community. So I want to like acknowledge that. And there's been really amazing local reporting happening here. And I do think like, there's also an element of like, worrying or feeling like the national spotlight is gonna drift away at some point. And I've been thinking a lot about that lately, how, you know, you think about those really awful floods that happened in Texas last year, or California wildfires. You know, any of these huge disasters that, like, upend a person's life, often they go on after the national media goes away.

4:25I worry, and I can feel how that might happen here, where it's like, oh, but, like, people's lives here are going to be changed. Forever. Really? Yeah. Yeah, forever, for a really long time. That's a really interesting thing to hear you talk about and grapple with because, right, we at NPR, we are national reporters in what we do. You cover criminal justice issues in places where you don't live all the time. But because – and we sometimes call that parachute journalism. Sometimes we just call that journalism. But you are having this experience of – right, of being a local reporter in a way for a national outlet.

5:02How has that changed your approach to your job itself, this experience? I think the way that I approach talking with people who are going to tell me about something that directly happened to them, about them being approached by ICE or detained or how they're staying at home or whatever, I think I'm approaching all of that with the same philosophies that I always have of just being really gentle with people and spending time with them. But I do think there's like a level of like commiseration that's happening, right? Where I'm like, yeah, I live here too. I understand, right? Yep, I live right over there.

5:39Or I know exactly the place that you're talking about. Or yeah, that happened to a friend of mine too. That has felt much more present in the way that I'm talking with people when I'm interviewing them. How has that changed how protesters or community activists, people you interview, responded to you when you reveal that, hey, I live here too? With some people, I think it has created a little bit more of a sense of ease to just be like, oh, yeah, okay, you live here. Like, oh, you get it. But then I think there are other people like I have noticed, you know, because I was at the site where Renee Good was shot like two hours after it happened.

6:21And I have watched over the last month, like people become more guarded with the media. Oh, wow. I think people are scared and freaked out. And, you know, as we see more reporting about like facial recognition technology or there are, you know, rumors that I believe still are. I don't know if they're founded or not, if there's reporting on this, but like ice infiltrating signal chats. Right. Or that there's going to be more focus on signal chats and things like you can feel people kind of becoming a little more insulated. And a little like, actually, I don't want to talk to you or can I talk to you anonymously?

6:54The administration has seemed to pivot a little more than a week ago. They swapped out Border Patrol field leader Gregory Bovino for the White House immigration czar Tom Homan. And on Wednesday, Homan reduced the number of immigration officers in Minneapolis, removing 700 of them after state and local officials agreed to cooperate by turning over arrested immigrants. Meg, as we talk now, has this changed the situation on the ground? I think it is too early to say. What I'm hearing from people in the community is, nope, like nothing is different yet. There are still federal agents kind of roaming the streets.

7:35There are still kind of these very tense clashes between observers and these federal agents. Another thing I think is important context is, so the surge that started at the beginning of December was about 2 ,000 federal agents coming to Minnesota. Then after Renee Macklin-Good was shot, they escalated that number to 3 ,000. They added 1 ,000 agents. And then, so really, I think important context here is that this drawdown that was announced this week is still, it's like a de-escalation from an escalation, right? That there's still more federal agents on the ground than there were before Good's killing.

8:25Yeah. And so. It's a step back from what is a heightened. And it's a step back, but it's like not there's still there's as many as there were. There's more than there were than at the very beginning of the surge at the beginning of December. Tom Holman's rhetoric is more calm for sure than like Gregory Bovino, who was in charge before him. But it isn't it's it feels way too early, I think, to say if it's going to cause any sort of real change for people living here. Meg, like this situation is not over, but even so, like what lessons from this month of reporting will you take with you on stories that you report far from home?

9:06Yeah, I mean, I like to think that I knew this already, but I am one of the parachuting in reporters sometimes, right? And I just want, I do think I already knew this, but it's just like this continued reminder of like, when you go to a place and you report, it is like happening so deeply to the people that you are reporting on. And it is so vivid and that it and it doesn't go away when you go back home and write your stories and you're there for, you know, a week or a couple of days or whatever, like just continuing to remember, like it's still happening to those people. It is like at the very, very center of their lives.

9:48And I do think I knew that, but I think it's just that much more vivid now. Well, we really appreciate your reporting and everything you're doing. And thank you for it. Yeah, well, you're welcome. And thank you for, thanks for having me on to talk about it. This episode was produced by Lina Muhammad and Matt Ozuk. It was edited by Adam Rainey. Our executive producer is Sammy Yenigan. It's Consider This. I'm Emily Kwong.

10:33Thank you.