Masienda's Storytelling Model Brought Fame, And Eight Figure Sales

25 May 2023 · 45 min

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In short

Podcast Summary: CPG Week by BevNET & Nosh

Episode Title

Masienda's Storytelling Model Brought Fame, And Eight Figure Sales

Episode Overview In this episode of the NOSH Podcast, hosted by Carol Ortenberg, the team discusses various topics within the consumer packaged goods industry, including new celebrity coffee brands, legal updates in the vegan food space, a leadership change at Ben & Jerry's, and an in-depth interview with Jorge Gaviria and Daniel Klein from Masienda about their unique storytelling approach and growth strategy.

Key Discussions

  1. Celebrity Coffee Brands
  2. Millie Bobby Brown’s Coffee Launch:
  3. The team discusses Millie Bobby Brown's entry into the coffee market with her brand, Florence by Mills.
  4. The product line includes ground coffee, coffee concentrates, and flavored syrups.
  5. Opinions are mixed regarding the brand's connection to Millie Bobby Brown and whether it resonates with her public persona.
  1. Miyoko Schinner's Legal Battle
  2. Resolution of Legal Disputes:
  3. A brief overview of the legal issues between Miyoko Schinner and her former vegan cheese brand, Miyoko's Creamery.
  4. Both parties have settled their disputes, with implications for the future direction of the brand.
  1. Leadership Change at Ben & Jerry's
  2. New CEO Dave Stever:
  3. Longtime CMO Dave Stever is promoted to CEO of Ben & Jerry's.
  4. Discussion about how this shift could impact the brand’s legacy and its commitment to social issues.

Interview Segment

Masienda's Strategy

Guests

Jorge Gaviria (CEO & Founder) and Daniel Klein (Creative Director)

Key Insights

  • Focus on Storytelling:
  • Masienda's success is attributed to their storytelling model through long-form video content.
  • The shift from influencer marketing to original storytelling has boosted customer acquisition and retail presence.
  • Market Impact:
  • Masienda’s strategy has allowed them to establish a strong presence in Whole Foods Market nationwide, attributing significant growth to their digital marketing efforts.
  • The brand has seen a significant increase in direct-to-consumer sales, now constituting 65% of their business.
  • Creative Content Approach:
  • Videos aim to connect culturally and emotionally with consumers, highlighting sustainable practices and the stories of Latin American farmers.
  • The interview elaborates on how they approach video content creation, balancing storytelling with product marketing.
  • Cultural Representation:
  • The focus on cultural representation has attracted a wider audience, resonating particularly with the Mexican-American demographic.

Audience Engagement Strategies

  • Social Media Focus:
  • The content produced is tailored for platforms like Instagram, emphasizing aesthetics and storytelling to engage audiences effectively.
  • User-Generated Content (UGC):
  • The brand has shifted its strategy toward involving influencers in a more organic way, focusing on partnerships that celebrate shared values rather than traditional paid promotions.

Concluding Thoughts Jorge Gaviria emphasizes the importance of cultural representation and storytelling in building a brand that resonates deeply with consumers. Both Jorge and Daniel share enthusiasm for Masienda's future as they expand into retail and continue their mission of connecting consumers with the sourcing and cultural significance of their products.

Notable Quotes

  • "This is a testament to how global of a culture we're in right now... The times have changed, and have really embraced this deeper dive into cultures that maybe don't reflect your own." - Jorge Gaviria
  • "Masienda has always been a brand with a lot of integrity and beauty in the work that they do." - Daniel Klein

Additional Information

  • Podcast Description: The NOSH Podcast provides insights into the natural, organic, sustainable, and healthy food sectors, featuring interviews and discussions on current industry trends. New episodes are released weekly.

Contact and Subscription

  • For feedback, reach out via email: [podcast@nosh.com](mailto:podcast@nosh.com).
  • Subscribe to the podcast on [Apple Podcasts](https://podcasts.apple.com/us/podcast/nosh-podcast/id1646533862).

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Transcript

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0:00Is Millie Bobby Brown entering the coffee category one of the stranger things to happen this year? What's the resolution in legal battles between Miyoko Shinner and her former vegan cheese company? Who's taking the reins at Ben & Jerry's? And how long-form content has helped one brand get into Whole Foods markets?

0:28Hi, everyone. I'm your host, Carol Ortenberg. On the Nosh Podcast, we go inside the business of natural, organic, sustainable, and healthy food. Today, the team discusses a new entrant to the celebrity coffee space, the resolution between Miyoko Shinner and her vegan cheese company, and leadership changes for Ben & Jerry's. Then we hear from Masienda founder and CEO Jorge Gaviria and creative film and video director Daniel Klein about why the company has found success turning its attention to long-form content. Joining us today are reporters Lucas Southerd. Hi. Hello, and Adrienne DeLuca. Hi there, Carol.

1:11Hi. And of course, Editor-in-Chief Jeff Kleinman. Thrilled to be here. Guys, I have to admit I'm kind of low on the caffeine today, but it sounds like I'll have a new blend to try out. Stranger Things and Enola Holmes star Millie Bobby Brown Last week launched her new coffee line under her Florence by Mills brand. There's a pretty robust array of products, including ground and whole bean coffee, flavored syrups, coffee concentrates, and cold brew coffee bags, all of which are launching in the U.S. and Europe. Jeff, you interviewed Emma Chamberlain, founder of Chamberlain Coffee at Nosh Live. What do you think about this launch?

1:50Well, I think it's interesting. They don't really operate on the same platform. right? So Millie Bobby Brown is known for her work on television and streaming cable, whereas Emma Chamberlain is much more of a social media influencer. That said, I'm not sure that there's ever been a situation where Millie Bobby Brown's coffee consumption has been part of any of her character arcs. Although I haven't seen Enola Holmes, it's apparently pretty good, but that would seem to fit more with the tea brand, right? So are you saying, Jeff, that there's not enough like stranger things tie-ins or that she just doesn't have enough like coffee drinking credentials to really make this feel original?

2:45The thing about Emma Chamberlain is she's famous for the things she consumes in one sense, right? And that's a big part of her character. Now, Millie Bobby Brown's characters are famous for their consumption of things like Eggo waffles, which her character, Eleven, in Stranger Things is lured around by. So you think she missed it? She should have been doing frozen waffles instead of coffee? Maybe like a Belgian boys collab or something instead. Ooh, now we're talking. I think there's room for something there. And again, I am not a Millie Bobby Brown stan, and I'm not super knowledgeable about what her fan base is like.

3:46But I think it's hard at times to make these things work without something to close the loop. She may very well have that. And I'm not taking the position that she doesn't. I'm just saying that if you're going to go for it, there should be a reason. And I think the consumer appreciates that. Florence by Mills also is the name of her cosmetics brand. And certainly that to me is a little bit more of a fit as she grew up as an actor. There's been a lot of discussion around her clothing, her makeup, and how she's really become kind of a style icon for our younger generation. But you're right. I haven't seen as much about coffee.

4:34We'll see how this develops. I know the Florence by Mills brand is also going to be used for her new pet care line. Does she have pets? I think so. I think she has a dog. I hope so. The picture had her with a dog in the announcement. That's good to hear. It's good to hear. I mean, look, Donald Trump famously hates dogs. I wouldn't, you know, be surprised if there was a Trump pet food out there. It wouldn't resonate, just like Trump vodka did not resonate. How did Trump steaks do? Probably better than Trump vodka. As long as you like your steaks, like, well done, then I think they probably did pretty well.

5:19that would be the way to bring that back, is these steaks are specifically designed to be overcooked. Yeah. I have a quick update. I did a search. There is a lot of dog content on her Instagram. It appears she helps get dogs adopted. I have not quite seen her own dog, but I'm guessing she probably adopted a dog and is now working with whatever agency that is. Well, Quick Search says that she has a three-legged dog named Whiskey and that her family has six dogs in total. So, OK, we've cleared her. She's a pet enthusiast. We're there. I'd like to point out that in the one thing that I looked up when it came to this was that she's engaged to Jon Bon Jovi's son, which is fine.

6:10Great. You know, I'm sure they're going to be a happy couple. So she's going to be Millie Bobby Bon Jovi. Millie Bobby Banchovy. She could start a Florence by Mills anchovy brand. Anchovy by Bon Jovi. Maybe she gets a pet seal. And so it's both the pet care line and the seafood line. We're done. Adrienne, talking about platforming this, when I showed you the product line images, you had some strong feelings about this. Yeah. You know, I get what we're all saying. You know, she's making this kind of like her, her lifestyle brand thing she's apparently interested in. But I took an issue with just like the packaging and the color and like not changing that up between these different brands.

6:57You know, the coffee lives on its own separate website. It's yes, it's the same brand name as her beauty line, but it looks like it is a beauty line. You know, to Jeff's earlier point, it kind of looks like it maybe could pass as a tea or something, but coffee, I was not really getting that at all. And I shared with you all earlier that may have shown a picture of the coffee to a family member this weekend who just asked, is that a box of tampons? So I don't know, maybe something to consider, Millie. We found another platform for her to go into, Adrienne. That works well. See, that would be a great line extension for the personal care line.

7:37coffee i'm not seeing it speaking like in a totally non-sarcastic way i absolutely agree she has shared the journey into young adulthood on a variety of media with a variety of consumers And I think that there is something there that resonates, right? Millie Bobby Brown tampons, you know, is, again, something that makes some level of teen vogue-oriented sense. We'll have to keep an eye out on that, see how Millie Bobby Brown evolves her coffee connoisseur persona. In the meantime, Freddie also saw the resolution of the long simmering back and forth between founder Miyoko Shinner and Miyoko's, the vegan creamery she founded.

8:43It's a very quick refresher that started back in February when Miyoko sent out a press release that Miyoko was no longer CEO, a transition that was actually months old. And then that was followed by lawsuits by both parties with allegations including the theft of trade secrets and claims of gender discrimination. Now, I don't want to relitigate those claims, but last week, the two parties posted rather generic statements to each of their social media channels, stating that both complaints had been settled and essentially complementing each other's hard work. There's a lot of hard work to be done there in explaining how Miyoko's, the brand, no longer employs Miyoko, the CEO, it's going to be a pretty big step change, I think, for that business.

9:32One of the things in Miyoko's complaint was that Miyoko's was still using her name in imagery. And with this settled, I noticed that the about page talks about Miyoko and how she founded the company and how she expanded the company before switching to more of a broader narrative, let's say, talking about all the team members and the company that was built. But they are kind of going back to referencing her in that storytelling. It's hard to get around the cult of personality that can build up around a founder. And, you know, it's good IP to name the brand after yourself. You just hope there's a cleaner breakup when you break up with yourself.

10:15Well, I think the industry is happy to see this settled and interested to see what both parties do next. Adrian, you pointed out that Miyoko is leading vegan tours of Italy, and I know she's heavily involved with her nonprofit as well. And then on the Creamery side, you know, they've talked a lot about how they want to broaden the platform and reach new consumers. So we'll have to see how they do that in the upcoming year. But speaking of company leadership changes, last week, Ben and Jerry's also announced some news. Lucas, you covered this. What happened? So Ben & Jerry's announced that they were promoting their longtime CMO, Dave Stever, who has been with the company for 34 years.

11:00He started as a tour guide, running tours for the legacy ice cream brand. And now he's the new CEO. he's taken over from Matthew McCarthy who ran Unilever's foods uh North American foods division for about six years and then took over Ben Jerry's has been um the CEO for the last five years um so it's it's a kind of a fun story great that they're hiring or they're promoting from within and And obviously, Stever has a lot of institutional knowledge about the company. So we'll kind of see what comes of it. Now, Carol, you always thought that Matt had pretty much drunk the psychedelic Kool-Aid over at Ben & Jerry's anyway, right?

11:49I mean, he came in as a Unilever exec. And oftentimes when you see that happen, let's just say some of that creative spirit sometimes disappears. It becomes a little more corporate. And I actually think under his leadership, the company became even more outspoken about societal and political issues. Yeah, it's an interesting change, too, because, look, Ben & Jerry's and, you know, the new CEO sort of goes back to those days. Originally, yeah, it was a it was sort of a capitalist product with purpose. It also, you know, was really well known for the way it wanted to treat its employees and its sort of new wave of pop culture references.

12:39Seeing it get explicitly political over the past few years is something that's, you know, actually, as we see now, proven to be kind of risky for some companies. So he definitely kept those purpose irons in the fire. It's funny, right out of college, I actually did consumer research and one of my clients was Ben and Jerry's. And I'll tell you, we tested a lot of new products, smoothies. I think there were novelties, some other ones that never made it to market. Not once did we test, you know, mission or consumer sentiment or brand personality. It was all very product focused. Yeah. I mean, I wonder if at the time you're doing it, it was just assumed to be really baked in to the brand.

13:32Half baked, maybe. Oh, it's a good one. I got a Jeff pun in. No, you didn't. I'm doing my best. You know, it's hard. You got big shoes to fill. They're small shoes that have tiny feet. Honestly, it felt like mostly they were trying to figure out new categories to go into because it seemed like they felt the pint market was saturated. And so they needed to expand into other parts of the freezer case. And that was the main vibe I got. But I was just a peon straight out of college trying to get people to try the latest Ben and Jerry's flavor on Newberry Street or run focus groups, which required one required a wall of microwaves and we blew out all the power to the center several times.

14:25Needless to say, that product never made it to market. I think I need more explanation on a wall of microwaves. Yeah. Yeah, was this the hot ice cream? Yeah, we're talking about an ice cream brand here. Ice cream soup. It was a play on a hot fudge sundae that they were trying to create. Okay. Okay. I'd still be interested. Maybe they should go back to that one. It sounds like unethical to put a sundae in a microwave to me. One of the ways Ben and Jerry's is typically consumed is people microwave the whole pint and then eat a slightly melted pint of ice cream. What? No. No. Google it. I don't know.

15:09To loosen it up within the pint. Like a solid seven seconds in the microwave. That's all you're allowed. I've heard you eat it out of the pint and people actually like it to be a little melty, but I'll have to do a little research on this. Ice cream. That implies cold. I'm officially disappointed in humans for this one. To be fair, a lot of plant-based ice creams will advise you to microwave them. So maybe that's where you're picking up on this because a lot of the base ingredients freeze at a lot lower temperatures. So in a normal freezer, it stays like rock hard. I thought it was just to kill the plants.

15:46That too. You want to hear them scream before you eat them? I like it when they're dead. I don't know about you guys, but in the pint market, there is apparently, I say apparently because as we discussed, I don't have a sweet tooth. I'm not really the core ice cream consumer. There's a lot of like rotation between brands and wanting to explore new novelty flavors. And I think part of Ben and Jerry's marketing tactics really kept it front of mind where you were purchasing more than just a flavor, though certainly they have done a lot of collabs recently. Last year, they also launched a few new flavors with Tony's Chocolonely.

16:29In addition to launching some co-branded chocolate bars with them, that whole move was done to support Tony's mission, which has now been adopted by Ben and Jerry's as well, which is to eradicate modern slavery within the cocoa supply chain. So looking to pay farmers, living wages, reduce deforestation, child labor, all of those problems that have continued to plague the cocoa supply chain. Lots of storytelling going on there, which ties in great to our featured interview with Jorge Gaviria, the CEO and founder of Heritage Mexican ingredient line Macienda. Jorge and I sat down with Daniel Klein, Macienda's creative director of film and video.

17:15Now, you may know Jorge from a recent Capital One advertisement, but beyond that, video has played a really important role in the company's development. The three of us discussed how Macienda has pulled away a bit from influencer marketing, or at least paid influencer marketing, instead choosing to focus on long-form content. It's a strategy that's paying off the two said, both financially and creatively. Not only is the brand headed into Whole Foods nationwide later this year, a jump they believe occurred because they had such a passionate audience following, but also two of Macienda's videos, as well as Jorge's cookbook, are finalists for the James Beard Awards this year.

17:57So let's learn more about this marketing strategy. Hi, Jorge. Daniel, thanks so much for joining us today. Thanks for having us, Carol. Very good to be here. Thank you. So Masienda's strategy and product has really evolved over time. How did the company start and what do you guys make now? Masienda is the Better Masa company. Masa is the building block for tortillas, tamales, arepas, pupusas. It's really the connective tissue of Latin America. And we make a dehydrated version of that to just add water and then you basically have that dough to shape all of those products. And what has the distribution or path to market, I won't say retail, look like from Hacienda?

18:45It took us almost nine years to build the supply chain just to get to where we are today. And to build it organically, we work with food service. So that has really been kind of the channel that we specialized in before anything. It's typically an afterthought for direct-to-consumer or grocery retail brands. And we kind of started with the hardest part first, I think, and are now working our way toward kind of that fun kind of mass distribution component with retail grocery. And, you know, the supply chain is based on corn. And in the U.S., there's not much to really speak of in terms of really high quality corn.

19:16So it's taken us a number of years to build a supply chain to kind of really meet consumers where they're at in terms of values, regenerative farming, sustainable practices that taste really great. And so to do that, we sort of sold that raw ingredient for a long time to chefs in the food service industry as we were kind of building up sufficient scale on the supply chain side. You know, a very big part of what we want to do is encourage folks to be real active consumers as opposed to passive. So really kind of take the time to connect with that food at a deeper level. And it's also just an amazing category.

19:46It's about a$48 billion category globally, 12 billion in the U.S. on the rise and just a really sleepy space where there hasn't been any innovation. And so this is a long-winded wave thing. We are the better Masa the company. And it's taken us about nine years to get here. And I think you, you know, really ramped up the food service side of things right as COVID hit as well. Yeah, the pandemic happened right after we bought over a million pounds of corn for food service specifically, and all restaurants shut down. And so very quickly, you know, we scrambled, we actually thought it was sort of a pre-mortem, we thought we were going to go out of business and kind of a graceful kind of moment of like pause and silence.

20:26And then D2C just became an incredibly sort of prolific part of our business and is now, you know, what, 65 % of the business that we have today as a eight-figure company. And as we pivoted in direct-to-consumer during the pandemic and that those numbers really held, you know, we decided if we're going to be playing at all in the direct-to - consumer space, we need to really have a robust storytelling strategy for social and also paid social. And, you know, I had kind of, I had explored paid advertising beforehand, just, I mean, like as a, as a, not even an armchair expert, like just like really very, I very remotely dabbled with paid social beforehand.

21:05And I knew that it's basically, it's a content game. You know, you have to, to be successful, you have to constantly innovate with what you're working, tested as much material as possible, different audiences. And you really need a strong video team, especially as the algorithm is prioritizing video. So I knew that as we were getting the direct direct consumer and we raised a little bit of money to double down on that channel, video was mission critical to what we were going to do. And it also just so happened that it's a passion that I've had for a long time and a great excuse to work with my buddy, Daniel.

21:35It's great that you bring up, you know, the size of the market, the size of the company to set the stage for what we're going to talk about today. How big is Masienda? end up? Yeah, it's a great question. So we started really incorporating video strategy at about, I think we were kind of about the$4 million or$5 million run rate. And since then, we've jumped up. So I mean, really, we track that, attribute that change directly to kind of our strategy with regards to video and audience acquisition. Jorge, let's get to what everyone wants to know specifically. How has this financially benefited the company?

22:14I think in terms of content strategy, when Daniel came on board, Bon Appetit was imploding. Murr had just imploded. And that Test Kitchen model that had really launched an entire YouTube channel was seemingly up for grabs. And we were really, really chomping at the bit to get after that category of content. And we realized really quickly, one, it's super hard to do that on YouTube. Maybe the moment that window wasn't there. And two, the type of content that we wanted to create didn't lend itself as apparently to that channel as it did Instagram. So we were doing these long-form docs or short-form docs, but longer-form content as far as social goes on YouTube and not seeing those results.

22:59We weren't seeing as drastic of an audience growth trajectory that we had hoped. And then we started kind of basically thinking about how that would look on social Instagram first and kind of working backward from that point. It was sort of in that transition that kind of that storytelling model was sort of applied for short format. And we started to see kind of a breakaway hit in terms of audience acquisition and what that translated to for for sales across the site. I mean, we had long heard that performance marketing and social strategy were critical to growing a D2C brand, but couldn't quite relate to it because we hadn't gone through those motions.

23:38And in just the last year, direct-to-consumers become 65 % of the business, and then food service and increasingly now retail grocery. We've been able to triple year-over-year our direct-to-consumer channel. So that, I mean, those metrics are kind of directly correlating that we're seeing with our growth in followers on Instagram, for example. So I mentioned 10 % growth month over month. That's tracking to about triple year over year. We're seeing the same kind of results on the ad side. You know, our return on ad spend, which is kind of the metric everybody thinks about with performance marketing, is consistently around 400 % to 500%, which is unusual for a consumable brand.

24:20And I think we're lucky. Our customer acquisition costs are pretty low. They're between$20 and$30, depending on the season, which is great. And our AOV is like between$120 and$140, which is, again, very unusual for a food company. But the reason we're able to do that is because we're offering complementary tools and experiences that really enrich that masa experience that we want people to have. So a tortilla press, right? If that's added to your basket and two bags of masa, you're walking away spending$110 and you're really kind of building an experience that's going to emotionally connect you with the product we want you to keep consuming after that, which is our masa.

24:57So Daniel, we've come to the point where you enter the picture. What on earth did Jorge say to get you to join Masienda? And what was really appealing about this proposition to you? Well, I met Jorge like eight years ago, and he actually reached out to me, kind of cold called me to make their original Macienda documentary. After doing research on Macienda and seeing how our values aligned, I offered Jorge on our first film project to be paid in equity instead of, you know, in cash or however I would usually be paid. Sadly, he turned me down, but our relationship continued and we have, you know, worked on projects over the years.

25:38And so when Jorge came to me a little over a year ago with the idea of working full time, it was really appealing to me, first off, because I value the company and the work that they do. So much of what I've put focus on over the years has been companies that are able to make sustainability scalable, that really work with farmers, that improve lives and also improve the food that we eat. And I think Masienda does that through and through. And then also over the years, I've done a combination of documentary and then working in like PBS and advertising. And this was an opportunity to really combine those things together.

26:18Having made documentaries for many years, I think it can be a very frustrating process for a lot of filmmakers is that, you know, they're not getting their film scene in front of people. Maybe they reach a tiny film festival audience or something like that. But like they have these dreams of impacting, but like what is the impact, you know, whereas working with a company like Masienda that works with, you know, over 2000 farmers who are actually like being impacted by the sales that we do here in the US by the advertisements, etc. By telling their stories and enticing the, you know, the imagination of our consumer like that to me feels like real impact.

27:03Daniel, what's your role at the company and how do you kind of fit into the team and the structure at Masienda? I'm the creative director of film and video, but I really work with a team, a core team, which includes Jorge, my colleague, Hallie and Allegra. And we sort of come up with a strategy, a monthly, bi-monthly strategy to release a wide variety of enriching video content, which includes recipes, documentary stories, fun ride along restaurant review type films. Um, so I'm part of that team that sort of ideates and then executes the, you know, those stories. Um, and I just happen to be the one who's like more focused on video and ends up, you know, filming and going on doing all the fun stuff, like traveling to, you know, restaurants and farmers in Oaxaca and doing all these wonderful things.

27:58But we're, we're a team that sort of like collectively creates this strategy for, for our films and photos and videos. While everyone else toils away in an office somewhere. I do feel bad about it, actually. That would be me. Yeah. Or I used to come with me on the trips. It's too busy now. What kind of content are you guys producing? We've sort of learned the players now. Let's talk about the actual content that's coming out of your work, Daniel. We've learned that social comes first. So we are making sure that Instagram is sort of a priority in the content that you create. But we do that from like a much larger, bigger storytelling picture.

28:43So we're creating regular YouTube films, really. They're short films, like between three and nine minutes long, that tell the stories of chefs, farmers, foragers, all of these different players that connect with Masienda in some way. I was just in Oaxaca filming the like crawfish, crawfish harvest that our farmers there do. So it's not really directly related to like buying masa in Whole Foods in the United States or off of our website, but it is like connected to our brand and who we are. So then we take these stories, these films that we make, and we adapt them across many of our platforms. We make a long form YouTube version, you know, six minutes long that people are interested in film or who are really connected to us as a company will watch completely.

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29:33We make a short version for usually both Instagram, Facebook, TikTok. And then we also adapt these films for advertisements. And we've had huge success with showing how our Mocahete is made and making a 15-second ad for Meta and seeing that people really do connect with this handmade product and visually seeing that and hearing from the farmer, hearing from the producer how it's made. So we sort of take something that we value, which is enriching film, and try to bring it across the board. then we also have a number of other small projects we love you know cooking good food deliciousness is central to macienda and sort of the reason why anyone's going to buy any of this because they like to cook so we're always making recipes for instagram and we we sort of wanted to buck the trend in that category as well not just doing phone footage not just making it quick, but we like film it with intention.

30:37We make sure it's beautiful and we make sure it's clear and we try to have value in all the things that we put online. Not to say that those other things don't have value, but I think Masian has always been a brand with like a lot of integrity and beauty of what work that they do. And we try to like make that clear also in the video that we, that we present. What's the balance between storytelling and selling in the content you're creating? I think the big difference is, I guess, brand building versus sales. Brand building leads to sales, whereas sometimes we're also just trying to sell product and acquire new customers.

31:15But even within that space, I think the consumer is quite tired of advertisements and aware of how much they push. So it's a matter of trying to find the best way to reach those people without, you know, frustrating them. I think what's interesting about our brand is the rich storytelling that we have. So our ability to show the, you know, the actual artisan producer who makes the Molka Hedding and then get a good click through rate from that, but they're not clicking through to an expensive product from a UGC video. They're clicking through and realizing already the deep value that this product has, that it was made by an individual or a team.

32:03And so that sort of advertisement storytelling, I think, at least has the capability of getting better numbers and better sales, despite it being a little less heavy handed with like, by this product? Though there is, like Daniel mentioned, a strong sourcing component to it, we found that that actually is something that people really want to see when we've A-B tested a video. But the same product that has some kind of sourcing component to it versus not, even in 15 seconds, it makes a really big difference in terms of what the conversion is and the return on ad spend is. So there's consistency in storytelling across the board, but obviously in a 15-second format compared to a 60 or 90-second format on Reels that's organic, Like you got to get that point across really fast and really kind of just basically call it what it is, which is you're trying to sell something to somebody who doesn't know you.

32:54Given that the masa is kind of your hero skew in your videos and storytelling, Daniel, are you focusing on that? It really depends. But I think the core series, Masienda Presents, which is what has been nominated, one of the first that was nominated for the James Beard Awards. jorge said earlier that all ships rise with the tide and i think that was the like leading philosophy behind that is that these were all stories that are centered around masa not necessarily our masa but they are stories about connecting with heritage with food that is related to corn and nixomalization in masa and so we are not you know showing bags of our of our masa in those videos, but we are celebrating the sort of food culture and product that surrounds that.

33:47And so if, if the audience is learning more about that, is being excited about that quality, about that rich process, then they in turn, like associate that with us. And also we provide a product that enables them to have that experience. I mean, I think one thing that's really important to note, Carol, is that we are working with a product that is grown and produced in Mexico. And our core consumer is a Mexican American audience. But it's interesting to me that the approach here of really highlighting what that supply chain looks like and the roots of where this food comes from, it resonates with a type of consumer that I don't think is being approached or sort of considered in this recipe for growing what is a Latin American brand.

34:30And I think the numbers really show themselves. I think when you're able to reflect what the culture looks like and, you know, really take, I think, great lengths to represent that kind of visual accordingly. It's an incredibly powerful tool for us and one that, you know, I think it's finally, it's time that people are kind of really leaning into that demographic because it's not going anywhere. There's 60 million of us living in the United States. Now, Daniel, you mentioned UGC. Jorge, how have you guys approached influencers or a user-generated content. Have you shifted your strategy there or the budget you're allotting to this part of your content strategy?

35:13Yeah, we learned a lot. So I wrote a book that came out last year and we used that as kind of a - An award-winning book, I should say. Yeah, no, it's also, it's the third, it's the hat trick. It's the third nomination we got for James Beard's interview, which is really exciting. But I wrote that book, which by the way, it was like considered to be unpublishable. And I think it's a similar kind of like, It's allegorical in a way for what our approach to video has been. We took a longer format, deep dive into the storytelling behind this food in a written format. And really, I think influencers came in the sense that we seeded the book in kind with a little bit of masa, which was the product that we were now doubling down on as the hero lineup that we have.

35:56And we sent these out to influencers, maybe about three to 350 influencers across the spectrum. and people were really excited to promote it for free. You know, like, of course, there's the expense of the product itself, which is really de minimis compared to kind of what the fees are. And so, you know, the Molly Baz's of the world, literally Molly Baz did a few highlights of the products that we sent her and the book and kind of that whole process, which would have cost tens of thousands of dollars. And so I think the point is, and what sort of is related to video, is that people are really excited to share things that resonate with them, that feel really authentic and that are just overall beautiful and compelling and parts of culture that we're proud of.

36:37And so that model has been applied where we'll involve influencers, maybe in kind, the product sort of swap here is that we're giving them a platform or we're producing something for them because we can do that in-house and we have a James Beard award-winning team to do that. And they're really excited to share that from their own platforms at no additional cost. Have we worked with influencers? Yes. It's not to say that it's not an effective strategy. It's obviously, as we know, very expensive. And so there's ways to kind of like reconfigure that budget to still involve them, still work with their platforms and their communities that they, you know, they tend, but in ways that are not sort of as dependent on them, I should say.

37:16I just want to add one thing to that. The, we work with influencers, we work with chefs, we work with people. And I think what we offer them is a really beautiful product that they can be proud of. Documentary film that shares their purpose, that shares their life, that shares their passion. So it's not like we're trying to get something for free from them. We're actually just trying to like have a shared experience together that we can both celebrate and be excited about. You're a digitally native company. Do you feel like investing in content like this is just table stakes? You know, is it something you felt like you had to do in order to be successful?

37:51Because it's certainly something we've seen other brands who are D2C first also take advantage of? Digitally native brands, you know, like the playbook is basically that you acquire as many customers as you can. And then at some point you gain efficiencies, obviously on a retail grocery shelf, you leverage the data, kind of the community you've created online and try to kind of shepherd them to the shelf and concentrate sales to really, you know, just blow the velocities out of the water. And then just that cycle kind of repeats itself. Once you get an into one retailer, you take that data and start to spread that around.

38:27We're no different in that way. What we're doing is able to really build an amazing tribe online that we can then say, hey, we're launching in Whole Foods in a few weeks. Thanks so much for being a repeat customer. Thanks so much for being a single purchase customer. We've got a way better value proposition for you now that you've got this amazing tool at home and you're addicted to our product. We're selling it now at a fraction of the cost at Whole Foods. Go get it now. And that's an amazing way to kind of build, you know, a following at the retail level, the grocery level. Digital marketing is just such an amazing tool.

38:58Like we're already seeing, you know, we've had Masa Rina on shelves in Whole Foods in one region. And I've been testing that now for the last year or so. And the averages already for the first quarter of this year are 3x what they were for the entire year last year. And that's because we've incorporated paid social and we're seeing that folks are going through that customer journey. They're buying online, they may be buying it one more time online, and they're realizing that they can get it cheaper on shelf. And so that's a really, really compelling, I think, reason for us to continue doing digital marketing while incorporating kind of that traditional trade spend you'd see at the retail grocery level.

39:34Does that mean we're going to see you on more retail shelves if that's a focus right now? Yeah, it definitely is. Yeah, we're launching with Whole Foods globally and really this month, actually, I think it's being trickled out now as far as launches go. It's obviously a softer launch. It's like scaffolded, we'll say. But yeah, by September, we should be on shelves all across the country with two SKUs, our bestsellers, the white and blue Mafa. And we're already seeing that from a category kind of leadership perspective, the numbers are really, really promising. And that's at the premium grocery channel.

40:05That's not even really the kind of that core audience that I was mentioning before. Though the Mexican-American audience is definitely shopping at Whole Foods, we really want to take a crack at the Hispanic markets as well. And so that's definitely kind of going to be kind of a parallel track for us that we're considering along with that premium natural space. Daniel, as Macienda expands its customer base, goes into retail, do you see that impacting the type of content that you're shooting either in form or theme? it definitely does impact it but like i mentioned before i really think it's about reaching all of our different audiences so we don't want to leave our core audience behind we don't want to leave the you know the the chefs who bought corn nine years ago like out of the picture we're still there for them while we're also growing to reach this much broader and wider audience and as well as reaching Latinx audience in the United States.

41:04So our pie and who is part of that is just getting bigger. So for me, it's really important to reach all of them and to create content that is applicable to all of them. And so, yeah, we will create content that is more just like broader consumer base and we will create Latinx based content that really appeals to that audience. I'd actually, and I'd love to add to that, Daniel, if it's okay. I mean, I think What we've realized after a year, Carol, is that we were throwing a lot at the wall to see what stuck and really trying to appeal to a very wide demographic. And what's fascinating is the narrower we have gone, the faster the audience has grown.

41:42And so I think this is a testament to just how global of a culture we're in right now. Bad Bunny is the highest performing, highest grossing artist of all time. He doesn't do interviews in English. Like he literally just speaks Spanish. And that is a cross-sectional audience that reaches billions at this point. So I think there's a, the times have also changed and I think have really embraced kind of this deeper dive into cultures that maybe, you know, don't reflect your own, but like are fascinating and like deserve representation. So I think it's an interesting moment where kind of that narrow and deep is really helping.

42:19There's a huge emphasis on regionality, like even in Mexican cuisine, Mexican music. You know, this is not just limited to food. And we're taking cues from kind of how culture is showing up across the board and applying that to food. And it's working. And it's not just, it's amazing, not just that core customer is what's growing along with us. It is so many more people who are coming along for the ride. Jorge, as you've alluded to, you're nominated for three James Beard Awards. For those of you who don't recognize your voice, you also were the face of, I think it was a Capital One commercial this year.

42:54what's in your wallet? How have all these things benefited the business as a whole beyond content, you know, these other means of gaining attention? It's been an amazing moment. I think the commercial you mentioned, like that was filmed three years ago. We actually have totally different branding in it. Like none of that really lands with what our brand is today in some ways. But what's amazing is that it has served kind of a retargeting ad on channels that we couldn't afford to place, you know, or buy media, right? They're still showing that ad. Oh gosh, it is like the best, it is the best publicity we could have ever gotten at a time where our site can actually support it, which is even better.

43:34But James Beard, while that's like prestige and kind of like a dream for me, I mean, Daniel's got a few of them. I don't. So I'm excited to even be in the contention. It's fun because, you know, the earned media and kind of conversation and sort of organic content we can create around that are really all, you know, helping drive all sorts of audiences and cross segments that we work with to purchase or to stay engaged with the brand. So really, this is just about bragging rights with Daniel. Is that what I'm understanding? You're tired of him flaunting his beard awards. Our investors were like, that's great, but like, what is it doing?

44:09And it all, you know, all ships rise with this tide. You know, momentum is a really hard thing to get. And when you have it, we've learned because we've been doing it for nine years and not had momentum that entire time. You know, it's something that you really want to guard and invest in when it's there. And so we're doing that, obviously, with all the content we do, whether paid or organic. Well, Jorge, Daniel, good luck at the Beard Awards in just a couple of weeks. Thank you so much for joining us today. Thanks so much for having us, Carol. That wraps up our episode of the Nosh Podcast. Please rate us on your podcast platform of choice.

44:45Subscribe and continue to tune in next week to hear more about the world of natural food. Thank you.

From the publisher

This week on the NOSH Podcast, Carol Ortenberg, Jeff Klineman, Adrianne DeLuca and Lukas Southard sit down to discuss celebrity branded coffee, a resolution to Miyoko Schinner's battle with her former company and new (but veteran) leadership taking over Ben & Jerry's. In the interview, Carol speaks with Jorge Gaviria, CEO and founder of Masienda, and its creative director Daniel Klein about how the company's focus on video and storytelling  has fueled new growth in customer acquisition and retail placements -- and led to several James Beard award nominations this year.

In this episode:

1:20 - The team starts the podcast with a conversation about celebrity-backed coffee brands in light of Millie Bobby Brown's announcement that her cosmetics brand Florence By Mills had released branded coffee.

8:35 - Carol explains the recent update (and seemingly end) to the legal battle between Miyoko Schinner and her former vegan cheese brand.

10:50 - Lukas talks to the team about the leadership change at Ben & Jerry's and what it says about the brand's legacy and future in the premium ice cream category.

17:00 - In the interview this week, Carol spoke with CEO and founder of Masienda Jorge Gaviria, and the company's creative director Daniel Klein about the company's digital marketing strategy of focusing on film.

22:15 - Gaviria talks about how the brand's change in content strategy to longer form videos helped build customer acquisition. 25:08 - Klein explains his journey with the company and how video became a big part of not only telling Masienda's story but telling the story of scaling sustainability among farmers in Latin America.

34:00 - Gaviria discusses how the brand's videos and D2C strategy has allowed Masienda to go nationwide in Whole Foods Market and establish its retail presence.

 

"This is a testament to how global of a culture we're in right now. Bad Bunny is the highest grossing artists of all time -- [and] he doesn't do interviews in English, he literally just speaks Spanish…The times have changed, and have really embraced this deeper dive into cultures that maybe don't reflect your own, but are fascinating and deserve representation."

-Jorge Gaviria, Masienda CEO and founder

 

"Masienda has always been a brand with a lot of integrity and beauty in the work that they do. And we try to make that clear also in the video that we present." 

- Daniel Klein, Masienda Creative Director of Film and Video

 

About the NOSH Podcast

The staff of NOSH.com takes listeners inside the business of natural, organic, sustainable and healthy food during the NOSH Podcast. Using interviews and discussion, the team illuminates the news, brands, people, trends, and money affecting the world of packaged food.

New episodes are released every week. Send us comments and suggestions anytime to podcast@nosh.com.

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