How the Trad Wife Took Over

9 Oct 2025 · 41 min

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Podcast Episode Summary: Critics at Large | How the Trad Wife Took Over

Podcast Overview Critics at Large is a weekly culture podcast from *The New Yorker*. Hosted by Vinson Cunningham, Naomi Fry, and Alexandra Schwartz, the podcast discusses current cultural trends, classic works, and the intersection of the arts and pop culture.

Episode Details

  • Title: How the Trad Wife Took Over
  • Original Air Date: September 5, 2024
  • Description: This episode examines the rise of the “trad wife,” influencers promoting hyper-traditional roles in marriage and homemaking, through the lens of notable figures and contemporary media representations.

Key Themes and Discussions

  1. Definition of the Trad Wife
  2. A "trad wife" embraces traditional gender roles, often portrayed as feminine homemakers.
  3. Influencers present themselves as embodying domestic bliss while sharing their lifestyles online.
  4. Examples discussed include:
  5. Nara Smith: Known for making homemade products (e.g., toothpaste, cereal) and living a seemingly idyllic life with her family on a farm.
  6. Hannah Neeleman (@ballerinafarm): Portrays a pastoral fantasy life with her large family and engages viewers through relatable yet aspirational content.
  1. Cultural Context
  2. The episode contrasts the traditional homemaker image with the modern reality of women's rights and economic challenges.
  3. The rise of “trad wives” is viewed against the backdrop of increasing scrutiny of women’s roles and societal pressures.
  4. Schwartz questions the authenticity of the choices made by these influencers, suggesting that true choice is influenced by economic factors, such as child-care costs and women’s rights erosion in the U.S.
  1. Reality TV Influence
  2. Discussion of the show The Secret Lives of Mormon Wives, which examines modern Mormon women navigating scandal and traditional expectations.
  3. The show highlights the duality of traditional roles and the reality of contemporary women's experiences, illustrating that what is often presented online can contrast sharply with real-life dilemmas.
  1. Personal Choice vs. Political Context
  2. The podcast debates whether the trend of the trad wife is genuinely a choice or a reflection of societal pressures to conform to traditional roles.
  3. Schwartz articulates that the concept of choice is complex and often influenced by economic and societal structures, raising questions about the validity of so-called “choices.”
  1. Connection to Feminist Movements
  2. The hosts discuss how the trad wife phenomenon appears to contradict feminist achievements over the past decades.
  3. They analyze how the presentation of traditional roles as a lifestyle choice can be seen as a reactionary movement against feminist ideals.
  1. Social Media Dynamics
  2. The popularity of trad wife influencers is linked to the presentation of an idealized domestic life, which many find appealing amid modern challenges.
  3. There is a recognition of the performative aspects of these influencers' lives, blurring the lines between reality and curated content.

Key Takeaways

  • The rise of the “trad wife” reflects broader societal tensions regarding gender roles, choice, and economic realities.
  • Influencers like Nara Smith and Hannah Neeleman encapsulate a modern reimagining of traditional femininity, which some view as empowering while others critique as regressive.
  • The podcast emphasizes the importance of acknowledging the political implications of lifestyle choices, especially in a rapidly changing socio-political landscape.

Conclusion In this episode of Critics at Large, the hosts provide a multi-faceted analysis of the trad wife phenomenon, connecting personal choices to larger cultural and political narratives. Through a blend of critique and acknowledgment of individual experiences, they encourage listeners to consider the complexities behind the seemingly simple allure of traditional roles and lifestyles.

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Transcript

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0:03Welcome to Critics at Large, a podcast from The New Yorker. I'm Vincent Cunningham. I'm Alex Schwartz. And I'm Nomi Fry. Each week on this show, we make sense of what's happening in the culture right now and how we got here. Hello, guys. Hello. Okay, so we are here today to share a conversation we had a while back in part about the Hulu show The Secret Lives of Mormon Wives. When we first talked about it, the show had just premiered, but clearly it's caught on. Its third season will be coming out in November. So The Secret Lives of Mormon Wives is about a group of Mormon hashtag mom talk influencers.

0:40I love the Mormon church. But there are a lot of rules that we have to follow. We were raised to be these housewives for the men, serving their every desire. Have kids by the time you're 21. Or in my case, at 16. Well, I'm like, f*** this. Show me what you're working with. Show me, show me. There was a scandal in 2022 with these bunch of Mormon moms who love sharing their lives on TikTok and doing dances until scandal broke out. And one of them spilled the beans and said that there was a lot of what she called soft swinging going amongst the group with the husbands and wives. And so, you know, lots of drama, but also there is a reason beyond the kind of like fun, dramatic trashiness of this show that I wanted us to talk about the show today.

1:36And it's that it lines up really well with a trend that's totally captivated our culture recently. And that is the trad wife. Now, Alex, you have been begging, practically begging, to discuss the trend of the trad wife on the show for several months now. I've sent emails. I've sent texts. No, she really has. We're finally doing it. And I'm so glad we are because I think there's really a lot to say. And what are some of the characteristics, Alex, that kind of define this figure of the trad wife as we come across it online? A trad wife is a wife. She is often a mother. She is very feminine in her presentation, well made up, well quaffed, kemped, often wearing beautiful clothing, floaty, flowy dresses.

2:28And she really is a kind of domestic goddess who is packaging a piece of her domestic life to share with you, the viewer, in the service of basically saying, yes, I've decided to embrace the traditional stay-at-home mom kind of gender role. And here's why I think it's fun and great. And let me share it with you. Right. And it's a choice, but it also seems to negate basically every gain of feminism that we've had over the past like half century or so. And the accounts that are pushing forth this idea of trad wifedom are really, really popular. They have a lot, a lot, millions and millions of followers.

3:09So my question is, why is this content trending right now? And why does it feel impossible to look away? Today on Critics at Large, the trap of the trad wife.

3:29I'm curious, I guess, when you guys first started hearing the term trad wife, do you have a memory of when these figures really started picking up steam, at least for you? it's a this year thing for me it happened in the way that things often happen on social media where suddenly something has infiltrated something is put before you and you notice it and then it happens more frequently and then your friends start saying have you seen such and such and you get some dms with some videos you know a friend of mine said there's this woman who i follow on instagram and i really can't stop watching her videos and she posts under the handle Ballerina Farm.

4:13Ah, yes. So I check out Ballerina Farm. And Ballerina Farm turns out to be a woman named Hannah Nealman. She has, at this point, I think eight kids. She lives with her husband, Daniel, on a vast farm in a beautiful place in Utah where they do farm stuff, raise animals, sell products, which are all packaged and marketed. And they also sell themselves because Ballerina Farm has, I'm just going to briefly, you know, So let's go to the account, guys, if I may. Let's go to the tape. Let's just go to the tape. Ballerina Farm has 10 million followers. Is this on Instagram or TikTok? This is on Instagram.

4:53It's a lot of eyeballs on this person. And the reason she's called Ballerina Farm, I just want to explain briefly, is that she trained, Hannah Neelman trained as a ballerina when she was a young woman in New York City. She herself, she is from a Mormon family in Utah. She went to New York City, started to train as a dancer. at Juilliard, met Daniel Nealman, son of the founder of JetBlue, among other airlines, grew up with quite a bit of money. Quite a bit of money, yes. Like the dad is a billionaire. Let's just like take a look at one of the videos so we can, you know, see what they look like.

5:24There is one that I watched that I think is really, is a little more, it's not a cooking video. This is on TikTok. The caption is, I'm calling it a dairy date. Okay. Okay, here. This is the one. When we started to farm, I was swept up in the beauty of learning to make food from scratch. It makes sense why I soon fell in love with the idea of a family milk cow. So they're kissing at a field with a baby. We see cows. The husband is wearing a cowboy hat. She's wearing a long prairie dress. So for date night tonight, Daniel and I snuck over to the dairy. The temperature was perfect. Little Florida Joe was giggling.

6:06And the cows were gorgeous. It's the world we created. and I couldn't love it more. This has a lot in it. I just want to say, right? We have the perfect marriage. They still do date night, right? They're loving, they're kissing. She's happy. The baby is giggling. They're making their own, you know, milk products. And crucially, they're going to share these products with us. So this is a fantasy we can buy into. You know, I'm interested in the sort of more not only the portrayal, the descriptive aspect of how they live. Right. But the way that they also, I think, in their deepest form become prescriptive.

6:51That like they are not only living out this, let's call it a fantasy, but are describing it in ideological terms often. My favorite, I think, is Gwen the Milkmaid. Do you guys know Gwen? I'm not familiar with Gwen. Tell us about Gwen. Gwen is, and I think this is really important. Does she call herself Gwen the Milkmane? That is her handle on Instagram. And she, like Hannah, like many others, is always sort of in the kitchen often as she's showing you all the different, either playing with chicks or something like that, but often making things in the kitchen. But crucially, she is, and a lot of these people, just like we mentioned, Hannah, former performer, former dancer.

7:36Gwen the Milkmaid is a former OnlyFans model who then sort of has this like— Vegan, right? Vegan ASMR person, whatever, but then also OnlyFans and has this sort of like conversion experience. You mean a religious conversion? Yes, yes. She explicitly terms this in terms of like I don't find Christians as weird as I used to and like I'm like changing my lifestyle. But also a conversion, a platform conversion, you know, like moving from one form of Internet performance to another. And it feels to me she is like classically post 2020, which is how I think of all these people, which is like, you know, before I heard of trad wives, I heard in 2020 like that just like trad Catholic was often talked about.

8:24A person who cares a lot about the Latin mass and cares a lot about like forms of religious traditionalism. And then I started, as you mentioned, like last year-ish, hearing about the trad wife, the genre, which is really what it is. Like it's a sort of video genre. Yeah, it's an entertainment genre. Yeah. But they all have this like, at least the ones that I've encountered, this ideological edge. So like let's watch this one of Gwen. It's like hard. You'll see the text go by. But I'll narrate some of the text. It's just Gwen. Like there's music on.

9:02Wow. The speeded up version of like Elton John and the Don't Go Breaking My Heart. Don't Go Breaking My Heart. But over it, it's saying hills that I'm willing to die on. And it says red meat doesn't cause heart disease. Raw milk is nature's superfood. The sun doesn't cause cancer. Beef fat is the superior skincare. Butter over seed oils. So it's like all of these like anti-vax adjacent. Jordan Peterson-esque. What it is is really pretty women who are RFK Jr. It's like post-COVID. It's post - also the two things that are happening at the same time in 2020. Post-COVID and post-whatever we call the post-George Floyd, post-Great Awokening.

9:50It is a reactionary movement. It's a return. It's a reversion. The same way that 2020 radicalized people toward like social democracy and new forms of communitarianism, maybe push people to the left in the form of like the Bernie movement and other things like that. The other thing it did was push people to the right and be like, here is why the world was wrong. Here is why, you know, various promises of the sort of like post-feminist world, you know, made promises that obviously like the world is broken. Obviously they were wrong. Here is an alternative. And so it's weird. Like it's almost what's interesting to me about Gwen, Hannah and others is that they're proposing their lifestyle as a kind of punk.

10:35It's like, yeah, this is alternative. This is cool. That's right. It's cutting against the mainstream grain. I mean, I just want to say a couple of things because I've not yet encountered Gwen. Gwen herself is thin, long blonde hair. That, in a lot of ways, is what the traditional trad wife, the trad trad wife, looks like. A white woman who has this kind of, you know, very hyper feminine, almost doll-like aspect. There is another trad wife who I'm really fascinated by. Please. And I actually have friendly feelings for her. Yeah, her name is Nara Smith. Okay. So Nara Smith is, I learned this recently from a profile in GQ that our colleague Carrie Batten wrote about Nara Smith and her husband, Lucky Smith.

11:19Lucky Blue Smith. Lucky Blue Smith. She's 22 years old. Okay, I knew she was young. I didn't realize she was that young. She is. She has three kids. Two of them are toddlers. One is a baby. Nara Smith, like Lucky Blue Smith, her husband, is a model. She is extremely beautiful. She is black. Her father is German. Her mother is Misotho. And she is performative in a way that, of course, all social media people and all trad wives are, but differently so. To me, all tradwifery is drag. It's drag. And what I kind of appreciate about Nara Smith is that she, like, Vincent, you were talking about the performative elements.

11:54She really embraces. She leans in. Yes, she embraces the drag element. She's wearing extraordinary clothes, many of them designer. Very high fashion. High fashion, looking absolutely gorgeous, making outlandish things from scratch, such as cereal. And the way, and we'll watch a video of hers in a second, but the way that she presents these things is itself comic, to me at least, and I think to a lot of her followers. She begins most of her videos with the framing that a certain kind of food was requested by her toddlers. You know, my toddlers requested cereal today, but they wanted different kinds.

12:29So I thought, OK, I'll make two different kinds of cereal. When most people's toddlers request something, all you can think is what is the fastest route to get this? Not even buy. It's like, oh, do I have it in the cabinet? Whatever I got is what's going in your mouth right now because I need to stave off the screaming and the conflict and the chaos that's about to unfold. in the made-up world of the Nara Smith videos. What she does is calmly set around, set about making dough to roll into tiny little pieces to make cereal with. Let's watch one of her videos. We were about to go to bed when I realized that we were all out of toothpaste.

13:04So my husband went downstairs to make some. Lucky is very precise in his measurements, so he started out by measuring some bentonite clay. He added that to a bowl with a tablespoon of water. My co-hosts are absolutely wrapped. watching Nara and Lucky Smith make toothpaste from something called bentonite clay. If you know what that is and you don't have to look it up, I guess hats off to you. The last two ingredients, which were some stevia and peppermint essential oil. We love our toothpaste quite minty, so he added a lot of essential oil before mixing that up. Okay, this one is actually, this is kind of making me actively angry.

13:44Yes, I would say that this is an angering one. Yeah. In part because most people, and they don't have toothpaste. And by most people, I mean all people simply go out to purchase it. Yeah, this is the one that makes me think it's like sort of comedy. But it's also like, when I'm all out of toothpaste, all I do is go to the motherfucking store and act like a regular person. And then I come back home with it and use it. Yeah, like, what the fuck? What the fuck was that? I think it's comedy. I think that's comedy. It's like, how do I make my life as hard as possible is like actually the genre. While making it seem as simple and easy as possible.

14:26In a minute, we're going to be talking about the secret lives of Mormon wives, which in some ways is a complete 180 on the Tradwife form. Stick around.

14:52I'm Jonathan Goldstein, and on the new season of Heavyweight... And so I pointed the gun at him and said, this isn't a joke. A man who robbed a bank when he was 14 years old. And a centenarian rediscovers a love lost 80 years ago. How can a 101-year-old woman fall in love again? Listen to Heavyweight wherever you get your podcasts.

15:29Okay. My friends, the secret lives of Mormon wives just came out on Hulu. It's finally here.

15:43the most important show of the past decade has finally arrived on our screens okay laughter aside i do think there is something to the show that's worth discussing um absolutely especially in the context of what we've been kind of like uh talking about so it's an eight-part series coming out on Hulu. It's been pretty buzzed about. Can one of you guys say a little bit about what the show is about? It is in many ways about the sort of afterlife, the wreckage of a big scandal. There are several women, as described by the title of the show, they happen to be wives and they happen to be Mormon. And they, crucially though, like are part of a sort of group of, again, social media performers and they call their sort of genre hashtag mom talk.

16:48One of the moms, her name is Taylor, and we'll get into her. Taylor Frankie Paul. She describes herself early on as looking like the cool mom played by Amy Poehler in Mean Girls. Right. She's very much like, hey, fellow kids kind of energy. And she sort of online, this was a big thing, was covered by, among other august outlets, the New York Post. She kind of like came out saying that all these groups, these women, sort of inside their friendship or whatever, their ring of friends was also soft swinging that was happening. That resulted in what sounds like very mild, awkward key parties, I guess.

17:31but this like given the milieu that they work in which is like a lot of them are devoted members of the Church of Latter Day Saints and sort of have a sexual ethic to which they all at least outwardly adhere this counts as a big scandal in their world but in that way it's like a sort of meta-treatment of not only Trad Wives but any number of these phenomena because it's so explicitly about what happens when your real life contravenes the performance that you have put forward You know, something comes forward that makes your online performance of, as we've mentioned, like a genre, seem like a bit of hypocrisy.

18:10What it does is show that any trad wivery of any variety is already a sham because this kind of thing takes so much work. These women are all media entrepreneurs. Therefore, none of them are trad. I know you don't want to make a TikTok, but we've got to pay the bills. I mean, who else is going to pay the bills? Who is currently like the breadwinner at home? I think all of us. Yeah, definitely. For sure. All of us. Really? Yeah. We all are. Look at us. Social media has been like the greatest. I would actually say, you know, that there is a big difference between the kind of social media performance that the women in The Secret Lives of Mormon Wives put on and the trad wife performance.

18:55And to me, the difference is that the wives, the Mormon wives in this reality TV show, started out as real traditional wives. I mean, I was taking some notes when I watched the show. As a critic does. As a critic does. And, you know, one of the first things that one of the wives says is we were raised to be housewives. And we just, she goes on to say, you know, we kind of found a sort of freedom in putting things online that represented a different side of life. After I had my first child, I had this, is this my life now? Like, am I just a mom? Which I'm not saying is a bad thing, but I didn't want that to define me.

19:36And being invited to MomTalk and getting together with these other women who had the same goals was refreshing and it was exciting. So when you look at MomTalk or when you look at the depictions of MomTalk on this TV show, it's not like anything like what we were just describing. It's actually the exact opposite. It is not women in cute dresses, cleaning and, you know, taking care of kids and milking cows. It's the opposite. It's women doing what I also consider at this point to be a somewhat traditional genre, like content house creation. They're wearing tight black exercise clothing. They're doing coordinated dances as you do on TikTok.

20:14And they're sexy. They're very purposely trying to be sexy and trying to show off a different side. It actually reads as a kind of gentle rebellion against the mores that they grew up with. But in a kind of charming way to me, these women seem like behind the curve. The curve now is like get out your gingham ladies. We're going to pack a perfect picnic. And they're still like get out your lululemons. We're going to do a little hip hop and toss our extensions. I do feel, though, I mean, I totally agree with you, Alex, that they are kind of bucking the trend. They are engaging with the trend of the trad wife, of course, because they come from tradition.

21:01You know, they're like 23 and they have three kids already and they're married and they were taught to be housewives and they were taught to be helpmates and so on. And they're kind of like pushing against that with their like hair extensions and so on. But there is something, you know, the kind of claim of like we're going against patriarchy. You know, it's like we're like we're not tradwise. We're going against the patriarchy. They, it seems to me, in a slightly different way than the tradwise, but nonetheless still completely beholden to the patriarchy. Nomi, I totally agree with you. It's – there are two sides of a patriarchy coin.

21:41I mean, the tight athleisure, showing off your midriff, showing off your cleavage, you know, your face looks a bit plastic and sculpted, all of that, to me, it's about a certain kind of male attention. And one question that's been asked of the trad wives themselves, and I actually think this is somewhat complicated and not totally straightforward, is are the trad wife influencers just seeking out a certain kind of male attention? Are the real viewers men who want to live this fantasy of a submissive woman? I think the complicated answer is no, not entirely. But a lot of women are really into this as well.

22:15I think both kinds of – both of these, like whether they're the classic trad wives or the Mormon wives, I think they would both answer that with a strident no. And I think the reason is like basically saying I can have both things. I can identify myself as a mom, for instance, but also be interested in these other things. Like it's a way of saying no to a certain form of patriarchy but also saying no to a certain hypermodern, let's say, Sheryl Sandberg, lean-in style, you know, career-first thing too. It's like, no, I can have it all. The key ideology there is you people, you hypermodern women who like don't like what we're doing, don't like this, you are just enforcing another like mandatory femininity on me.

23:03And no, we choose to be like this. And every time you say that it's just a male thing, every time you say this is just patriarchy, you are actually like contravening my choice. There's this video that I would like us to look at and, you know, to discuss a little bit by this trad wife influencer named Estee Williams. And she explains in it what it means to her to be a trad wife. And I think it touches on this issue of choice. The misconception about the Trad Wife movement, it's not really a movement. Nobody's pushing it. People are typically just living it and maybe showcasing their lifestyle like me.

23:41And we believe our place, specifically us as individuals, believe our purpose is to be homemakers. It doesn't mean that we are trying to take away what woman fought for. No Trad Wife TikTokers are saying every woman's place is in their home. We as individuals are just choosing to be homemakers. That's all. To be a homemaker and to have traditional values does not make us bad people. It's 2022. Women should have the choice to be homemakers or not without being judged. And women should also be able to use the term tradwife, which means traditional wife, and not be shunned for wanting to be more traditional.

24:22Well, of course, no one is really shunning. I do think, you know, the judging is absolutely happening. It's judging as rampant in all aspects of American life. So, you know, this gets to one of my favorite kinds of things, something that we all love, which is how does culture influence politics and how does politics influence culture? When you're talking about choice of any kind, particularly these ideas of women's choice, you have to ask what choices are available. Yeah. In American society, the way choice works is especially for a wife or a mother is – has everything to do with, you know, child care options, financial options, who is making the money, who – I mean who takes care of the children?

25:09We do not have universal child care as we all know all too well. Yes. So choice is not a pure thing. The set of choices is not a pure thing. This may seem a bit out of left field, but I do just want to say something that has occurred to me since watching all these videos and being kind of inundated in this very female world of the trad wave. I was recently on vacation in Stockholm in Sweden. One thing that is so noticeable on the level of culture in Sweden is how many dads are out with young kids. because the structure of the society is such that both parents have paid leave. And in fact, it's mandated that the dads have to take their leave.

25:51They cannot say, oh, I have the leave. I'm just not going to take it. Like they actually have to take the leave. And to an American, that looks totally shocking and different. So what would like a trad wife situation look like, we could ask, in a society in which, you know, structurally and politically, more gender equality has been created in the first place? It still might be there, but I dare say it would look somewhat different than in, you know, when you talk about the idea of choice, are we just talking about false choices?

26:25So why are Tradwives having such a moment right now? That's right after the break on Critics at Large from The New Yorker.

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26:42Fear is the virus is trending on TikTok. Vaccines are poison. Then your yoga teacher says that sex-trafficked children are being sacrificed by satanic liberals. But it's all okay. The Great Awakening is coming. What is happening? Every week on Conspirituality Podcast, we explore the fever dreams that suck friends, family, and wellness gurus down the right-wing cult spiral in a search for salvation.

27:15The end of this month is going to be a very busy time here at Critics at Large HQ. First up, we are doing a live show at the New Yorker Festival. Nomi, Vincent, and I will be in conversation with the one and only Padma Lakshmi on Friday, October 24th at 8.30 p.m. You can go to festival.newyorker.com to get tickets to our show and the rest of this year's incredible New Yorker Festival. We will see you there. But also, we are plotting an episode all about horror movies. So just to lay our cards right on the table, the reason we're doing this is because none of the three of us is particularly into horror.

27:53We are all scaredy cats. We watch the screen, if we do at all, with our fingers over our eyes. But we have decided it's time. It's time to face our fears. It's spooky season. It's October. We're going in. And what we want is to hear from you about why you like horror. If you do, what are your takes on it? What are your questions about it? What draws you to the genre? Can you just help us get our feet wet here because, you know, in the blood or whatever it is? We need some assistance. So please send us your voicemails to themail at newyorker.com with the subject line critics. Tell us all about your life as a horror fan.

28:30We can't wait to hear from you. And now back to the show.

28:37We've been talking about the trad wife. We've been talking about the secret lives of Mormon wives. Obviously, we're having a moment with wives and with tradition. Oh, yes. Why now? How did we get here? Yeah. You know, the more sophisticated arguments from a sort of populist conservative angle might put it like this. The 20th century, the late 20th century feminisms that we all know and understand were really a bait and switch. They said, don't you want to enter the workforce and leave the domestic sphere alone? What this really created was, first of all, for capital, more workers, more drones that can go into offices and do their bidding.

29:24And two, make it mandatory really for there to be a two-income household instead of a one-income household. You know, it really just created a harder life for all of us. And wasn't that bullshit? Are you happier, men or women? Why can't we have, again, the choice for why shouldn't it be possible for there to be one income and then the other parent stays home and tends to the house? And yet somehow the other parent is magically. It tends to be a woman. It doesn't have to be. But this is – but I'm laying out the sort of anodyne argument. This is what the smartest of them, the most sort of subtle would say it like this.

30:04This is why – and this connects to like all kinds of policy mechanisms as well. It's like this is why we should have a child tax credit. This is why – the pro-natalism movement then becomes part of this, right? This is why we should make it easier for people to have children, not harder. This is why we should make it easier. If a parent stays home, you should have a tax credit for that. There should be – it should be easier for our lives to sort of – if we want, return to this traditional ideal as opposed to the raw deal that was cloaked as a kind of feminism but was really a way for capital to make our lives harder.

30:41But this all depends on a sense that we all have, which is like our political economy sucks. and life is indeed not easy for anybody who wants to have a family of any composition. The thing is, yeah, it's not— It depends on that disappointment. It's not completely wrong in the sense that, of course, as— but from the perspective of, you know, kind of what Alex was saying about how when she was in Sweden, she saw, you know, young fathers kind of like trotting around with their babies because they have paternity leave, you know. In fact, I even heard an anecdote about an American saying to a Swedish person, It's amazing how many male nannies there are here.

31:17Like, no, it's just a different system. Right, right. And this is something we don't have here. We don't have the universal health care that would allow, you know, I mean, all of the kind of like possibilities of social democracy that we don't have here that make work in general and women's work in particular that much harder to kind of operate, right, alongside a family. So that's correct. And yet somehow the kind of result of this reasoning is women should be barefoot and pregnant, which is not necessarily the correct takeaway. Well, Vincent, you said something really interesting earlier that I've just been thinking about and trying to tease out a little bit in my own mind, which is you said that you think some of this comes from a kind of post-2020 radicalization.

32:12And in some ways, I think skepticism might be the word that plays in here to why the Tradwi phenomenon is happening now, such as a skepticism of, for instance, what's in your food? Well, that's not, you know, just a right wing or even a left wing thing. I think many of us are concerned. You know, we read about forever chemicals finding their way into our food, into our water. Microplastics. Microplastics and such. You know, there's a concern about like what is actually happening and how can I control my environment and how can I take care of my own health and how can I take care of my family's health?

32:52It actually paradoxically reminds me of the hippie moment in the 60s, the sense of, you know, back to the land. Yeah. One thing that's very funny here is one question I have persistently that I want us to think about is what is traditional about the trad wife? What is the tradition? Because in a lot of ways, it's a totally manufactured pastiche of what a traditional woman's life might have looked like in the past. So one answer to that question is the 1950s. A lot of these women we just saw, I think, Esty Williams is a key example, are hearkening back in their look to a kind of Mad Men era. I'm the wife who stays at home.

33:32My husband's going to go off to the office. I'm going to set my hair in curlers. I'm going to, you know, make up my face. You know, the character of Betty Draper in Mad Men is a perfect example of this. Take no responsibility for anything that goes on in this house. I hate the bills, clothes on your back, the damn stables. Don't you dare. I'm here all day, alone with them, outnumbered. What about Carla? Doesn't she count? It's not her job to raise our children. I'm here, and then you come home and get to be the hero. You want me to bring home what I got at the office today? I'll put you through that window.

34:08But of course, the 1950s was, in a lot of ways, the height of total artificiality in terms of products in the home. Food came out of a packet. The idea was we're going to make, the industry is going to make the life of the household easier, better for women. Yeah, and that's where you get this kind of female ennui that we've seen depicted in so much culture. You know, this idea of, well, actually, I don't serve a purpose. I'm really bored here. I have all these nice labor-saving devices. I have my iron. I have my vacuum cleaner. What am I left to do with my time? I'm not – there's kind of nothing for me to do.

34:41This is where, you know, the trad wives themselves are saying, why are you so worked up? This is my choice. And I think the answer for a lot of people is because we fought so hard to not have that be the default, you are still presenting the default. You're just now presenting it as a choice. I think that is why, you know, we were mentioning earlier, like Nomi, you said you had a real hate reaction to some of these videos. And I think it's disingenuous for the women in these videos to say, but why? Why do you feel so strongly about it? I think it's because it may seem to run counter to the culture if the culture is lean in Sheryl Sandberg.

35:19But that has never really been the culture. Totally. It's a much longer history. You know, I for me, you know, when I was watching these trad wife videos and thinking about the phenomenon in general, it really took me back to Little House on the Prairie. The Laura Ingalls Wilder series of books from the early 20th century depicting the 1880s where her family went west and, you know, very famously homesteaded. And I love those books in a similar way to how I feel when I watch some of these videos right now because they're about process and they're about making. Okay. A lot of them. You know, when I look at Inara Smith TikTok, there is something incredibly soothing about seeing kind of the steps it takes to make like a loaf of good bread from scratch.

36:19It presents a world that can be broken down into kind of consumable bits because the world is really complicated. Things are really complicated. And there is something very soothing about feeling like you can have a grasp of something with no kind of mess to muck it up in a way. Absolutely. And I think that's the pleasure of it. And of course, the trap of it as well, because where I'm watching it and I'm like, oh, how cozy, how nice. But I'm also like, wait a second. This is like you're choking these women or these women are choking themselves. And we're watching it happen. Yes, and it's important for people to know.

37:10And there's a wonderful piece published in The New Yorker magazine in 2009 by Judith Thurman about the writing of the Little House books, which is so fabulous and I recommend to everyone. Little House is a fantasy. They're the TikTok of their day, if one can say. They're not diaries. They're not contemporaneous accounts. And there also is something fundamental about them, which is that this kind of hardscrabble, do-it-yourself world, first of all, has a lot of poverty in it. That's not something that we're going to see on social media. And second of all, and Judith Thurman makes this point in her piece, the expansionism, the do-it-yourselfism of these pioneers is only possible if the government helped.

37:49You know, the government is building the railroads. They're financing the schools. And in fact, when the railroad stopped working because of the long winter, if everybody remembers, that was my favorite actually installment. They almost die. Right. And there was this. Yes. They can't do it themselves. Exactly. So I find that really interesting. I mean, the other thing, you know what a lot of this is making me think of in the present is we're talking about the ways that culture nostalgizes the past. And that's a lot of what's going on in our politics these days. Like I do think that is a big, big reason why 2024 – like last year we talked about the year of the doll.

38:30Guess what? The trad wife is the doll too. She's making bread now. She's making bread. Exactly. She really bakes. We're still in the year of the doll. We're in the world of the doll. It's really important I think to think about. We are in a post-Dobbs America where women have less control over their bodies and therefore their lives than ever. And so that is why these choices are not merely personal. They are also political or this kind of framing of these choices. I do think it's worth saying, we haven't mentioned yet, that there was a big article about Hannah Nealman, Ballerina Farm, in The Times, the English paper, The Times, not The New York Times, that came out of the summer and caused an enormous firestorm of commentary because the interviewer basically could not get her alone, either alone from her kids or alone from her husband.

39:20it was revealed that she, you know, kind of – her husband basically seems to be controlling her life. And she had to drop out of school. She had to leave her ballerina life. She has given birth without epidural except for once when her husband was not present at the birth. And she gave birth in a hospital and did use an epidural and kind of confesses it was great. There was a whole other thing about her wanting to go on vacation and – To Greece. Yes, to Greece. And he gets her an egg apron instead. And her husband giving her an apron instead. So, again, you know, I think that lit everybody up with this sense of whose choice is it anyway?

39:56I mean, there's these women online. OK. Yeah. Why do we care right now? I think we care because, as usual with these phenomena, the people that are making the videos are doing it because they think that there are marks out there. Right. Like they think that there is an audience for this performance. And there is. And of course there is. Yeah. But to me, the troubling aspect of that for all of us is that to me it says there are lots of people out there who are dissatisfied with whatever promises our world has made them. and that that dissatisfaction centers crucially around the idea of role and identity.

40:46Like I always worry that a lot of our society, whether it's like politics but also like whatever, academia, corporations, whatever, always articulate freedoms from. It's like, oh, we don't have to do this anymore, from gender roles, from the kitchen as a space, from X, from Y. but is so bad. We're always so bad. And this is a creative, artistic problem often, a problem of the imagination, but doesn't articulate freedoms too. It's like, so, okay, we're not doing that, so where are we going?

41:30This has been Critics at Large. Our senior producer is Rhiannon Corby, and Alex Barish is our consulting editor. Our executive producer is Stephen Valentino. Condé Nast's head of global audio is Chris Bannon. Alexis Quadrato composed our theme music and we had engineering help today from Jake Loomis with mixing by Mike Kutchman. You can find every episode of Critics at Large at newyorker.com slash critics. If you're enjoying Critics at Large, go ahead and leave us a review. It really is helpful for the show. See you soon!

42:33Milan. You'll also hear interviews with top designers from Mark Jacobs and Rick Owens to Daniel Roseberry, Sarah Burton, and many more. On Thursdays, Chloe Maul, editor of Vogue.com, and Choma Nadi, head of editorial content at British Vogue, take you behind the scenes at Vogue and share their thoughts on fashion through the lens of culture. You'll hear interviews with some of your favorite stars like Julianne Moore, Pharrell Williams, and celebrity stylist La Roche. Join us to get your fashion and culture news twice a week. Listen to The Run-Through with Vogue every Tuesday and Thursday, wherever you get your podcasts.

From the publisher

Scrutiny of the figure of the “trad wife” has hit a fever pitch. These influencers’ accounts feature kempt, feminine women embracing hyper-traditional roles in marriage and home-making—and, in doing so, garnering millions of followers. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss standout practitioners of the “trad” life style, including Nara Smith, who makes cereal and toothpaste from scratch, and Hannah Neeleman, who, posting under the handle @ballerinafarm, presents a life caring for eight children in rural Utah as a bucolic fantasy. The hosts also discuss “The Secret Lives of Mormon Wives,” a reality-television show on Hulu about a group of Mormon influencers engulfed in scandal, whose notions of female empowerment read as a quaint reversal of the trad-wife trend. A common defense of a life style that some would call regressive is that it’s a personal choice, devoid of political meaning. But this gloss is complicated by societal changes such as the erosion of women’s rights in America and skyrocketing child-care costs. “In American society, the way choice works has everything to do with child-care options, financial options,” Schwartz says. “When you talk about the idea of choice, are we just talking about false choices?” 

This episode originally aired on Sept. 5, 2024. 

Read, watch, and listen with the critics:

@ballerinafarm
@gwenthemilkmaid
@naraazizasmith
“How Lucky Blue and Nara Aziza Smith Made Viral Internet Fame From Scratch,” by Carrie Battan (GQ)
“The Secret Lives of Mormon Wives” (2024–)
@esteecwilliams
“Mad Men” (2007-15)
The Little House on the Prairie series, by Laura Ingalls Wilder
“Wilder Women,” by Judith Thurman (The New Yorker)
“Meet the Queen of the “Trad Wives” (and Her Eight Children),” by Megan Agnew (The Times of London) 


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Critics at Large is a weekly discussion from The New Yorker which explores the latest trends in books, television, film, and more. Join us every Thursday as we make unexpected connections between classic texts and pop culture. 

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