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Podcast Episode Notes: Tony Hale: Just Stop Swimming
Podcast Overview Title: Dadville with Dave Barnes and Jon McLaughlin Description: The hosts, musicians Dave Barnes and Jon McLaughlin, engage in heartfelt conversations about life, love, and parenting while sharing dad jokes and experiences. They often feature guests who share their unique insights on parenting.
Episode Highlights Guest: Tony Hale Episode Focus:
- The evolution and expansion of Tony Hale's career
- Insights into his new film, *Sketch*
- Discussion on navigating Hollywood and personal growth
- Reflections on parenting and the emotional journey of raising children
Key Topics Discussed
- Tony's Career Evolution
- Tony Hale discusses his transition into what he calls his "evolution and expansion" season in his career.
- Notable mentions of his recent work:
- Voice roles in *Toy Story* and *Rugrats*
- Starring in *The Mysterious Benedict Society*
- His own film *Sketch*, which took eight years to produce.
- Experience with *Sketch*
- Development process took eight years due to financing issues.
- The story is inspired by a real-life incident related to processing grief and creativity.
- Emphasis on the importance of storytelling and the therapeutic nature of art.
- Navigating Parenthood
- Hale shares his experiences as a father, noting the struggles of “snowplow parenting” – the tendency to remove obstacles from children's paths.
- Reflections on how personal growth impacts parenting styles and relationships with children.
- Living in Birmingham
- Discussed his move from LA to Birmingham with his family.
- The adjustment to a quieter lifestyle and the importance of community.
- Navigating new friendships and maintaining old ones.
- Anxiety and Career Pressure
- Tony addresses the anxiety that comes with being an actor and the constant rejection in the industry.
- The significance of staying present and not getting overwhelmed by the pressures of career and family life.
Key Takeaways
- Authenticity in Storytelling:
- The importance of being genuine in both personal and professional narratives.
- Parental Evolution:
- As children grow, the dynamics of parenting change and require adaptability.
- Career Resilience:
- The acting industry is fraught with uncertainty; resilience and adaptability are crucial for success.
- Community and Connection:
- The move to Birmingham reflects a desire for a simpler, more meaningful life, highlighting the importance of community and deeper connections.
Lighthearted Moments
- Tony's amusing reflections on past experiences, such as his swim meet anecdote.
- Conversations about the absurdities of Hollywood and personal quirks, such as not wanting to see oneself on screen.
Final Reflections The episode concludes with a discussion about the significance of shared experiences, both in parenting and in the creative arts. Tony’s journey exemplifies the balance between professional ambition and personal fulfillment, resonating with listeners navigating similar paths.
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Links and Sponsors
- Join the Dadville community: [Dadville Substack](http://dadville.substack.com)
- Sponsors for the episode include:
- Shopify: One-dollar-per-month trial for new businesses.
- Nutrafol: Discount on hair growth supplements.
- Quince: Quality clothing with 365-day returns.
- NIV: Discount on Bible resources.
Note This episode reflects the whimsical yet profound conversations characteristic of Dadville, blending humor with heartfelt discussions about parenting and personal growth.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Transcript
Automatic transcript. May contain errors.0:29Hi, I'm Dave Barnes. too late. I've hit record. It's all happening. What is what on earth? How is this possible? Son of a what? Look at your backdrop. I know. Oh, trust me. It's all smoke and mirrors because look, nothing. Nothing. It's just a lot of sound panels. A lot of sound panels. I forget how loud you are, Tony. Do you? You're like, I really need to dampen. Let me prove it. I mean, just the, yeah, you got all the buffers in there. So are you in your place? We're in like a rental place, and then we're kind of redoing a house. I guess that's called renovating. Yeah, well, what's the rent looking like?
1:18What are we talking monthly-wise? Thank you for asking. I would love to share how much I'm shooting money out of a T-shirt gun in this town. because it is bat shite crazy that is shooting shooting shooting money out of a t-shirt gun it's such a clear it's such a vivid image when we walk into the renovation it should you're just gonna see like bills on the walls that's our wallpaper because i want people to know it's plastered yeah you're just plastered yeah it's like an art yes installation is my face really close no it's it's right where we want to be it's right where it looks great your teeth look great oh thanks wl on the where is it lw on on your hat white ladies it's white ladies yeah yeah it's uh it stands for white lion it's a it's dad's oh okay dad's friends of mine that do this ice cream company in um santa uh not santa barbara orange county california it's very good ice cream oh Oh, yeah.
2:20That sounds like a link up for me to make. For all our OC listeners. How can I hide myself? I don't want to look at myself. Is it possible on this technology? No. No. You can just move your window over. Or are you in the middle of your screen? I'm... Here, I'll do that. Okay. Anyways. Well, another way to just narcissistically stand on myself. I don't know. So this is, I just want to say this really quickly because John and I find this fascinating. Yeah. I know exactly what you're going to say. You know where I'm going with this, John. My new album or? If you think of migratory birds and the way that they move through this.
2:59No. We have had a few actors on Davil and there is a consistent thing and it is only with the actors that we've had that they don't want to see themselves. And I would think if there was one job where you want to see yourself, I would think you have been forced to do it for so long that you would be used to it. Can you walk me through that? Because this is a consistency. Is it? Is it really? Yes. Yes.
3:30Well, the only thing I can think is we're better than you. Okay. Sure. That's why we have you on. That's the first thought. That's actually the first three points. Yeah. number four is I I don't know maybe a we stare at ourselves so much yeah we're the product we're tired of ourselves yeah but I think also you know it's hammered into you as an actor to stay present stay present you got to stay in the conversation you got to listen you got to like get your eyes off yourself you know it's all that because that's where the authenticity comes from so when you have when you that's why actors the monitor when we were performing is way back there we don't look at ourselves we don't want to look at ourselves so this that makes it's like it's like acting with a monitor right in front of you yeah yeah because i'm acting today i'm this is that was exactly where that was going you're not going to see anything i'll look over and you're just like reading you're like that's a great question okay give me one this is 100 ai let me get there real quick okay yeah okay ask me the question one more time one more more time to me.
4:37So Tony, we've had you on Dadville. And so when we knew we were having you back. In Birmingham, by the way. Sorry, side note. Last time I was on your show, I was in Birmingham. You were? That's right. And I'm living in Birmingham. Were you for a Sanford thing, I feel like? Or were you all? I think so. I was at my friend Lisa Cole's place. She's a photographer here. And I was like, guys, I'm doing this podcast. And they're a great guy, but I don't know where to do it. And so she let me come over to her studio and did it there. Yeah. Well, which has changed. Your environs have changed. And not for the worse, I want to say um was that would you say that that was the moment when we were doing our episode that you were like you know what i want to live here oh thanks for bringing it up what is um i was full gung-ho and i stayed another two years in la because of this podcast that's okay well i don't know so it was just the opposite i just wanted it to have some effect i didn't care what effect oh it had an effect yeah it always has we don't we don't care what effect we just want it Okay, so we had you on in 2020.
5:39So what I want to do is just, you know, we always do the brag sheet. We just want to be talking about our guests. I know, it's been a minute. But so I broke this to brag sheet because we've had you. So, you know, we don't want to rehash for the people who are ready. They just want to hear you talk, and here I am talking. But just to kind of, you know, to catch the people up to now, the 2020, obviously the roles you've had, just massive roles. This has been heavily consolidated. Heavily consolidated. Heavily consolidated. on Arrested Development, Gary Walsh on Veep. Two primetime Emmys for that, by the way, for Supporting Actor, which is incredible.
6:11Thank you. Well done. Thank you. I didn't know this either frequent ensemble nominations for Arrested Development and Veep for SAG Critics' Choice. Did not know that either. Yeah, some of this. Honestly, I'm just making up kind of right now. But I didn't know that you were on Sopranos? I was. I was a nurse oncologist on Sopranos. I did not know that. 2000 maybe. And I was, you know, as I've shared before, I have a little bit of an anxiety string in my life. And I was so nervous on that show that I was shaking because my nerves typically manifest themselves, but my hands will start shaking. And I was playing a nurse oncologist.
6:54So doing the IV for Uncle Junior's chemo, doing the IV. And so here's this little nervousness just shaking while putting the tube in his arm. And I was like, this is not going to work. Let's get one more, Tony. Just one more for us. Maybe one more for us. Everything is normal except the hands. Yeah, which could have been great because in the script it could have been like you knew he was like this scary guy. So you're like, I can't get it wrong. That's how I would have played that. Archibald's Next Big Thing, which my kids and you have been so kind to send us the voice memo years ago. Thank you.
7:26It was not just a book. It became an animated series. Just tons of work, as John said. That's obviously the most consolidated I've ever done of one of these things. Now, since 2020, so we're catching us up to now. What I like to call the E and E, that's the evolution and expansion season. Gosh. Yeah. Wow. So we've had - You guys have changed. Well, we both moved when you did. We just kind of felt the peer pressure from it. So Mysterious Benedict Society happened, won Children's and Family Emmy for that performance, which is great. Thank you. Movies, Nine Days, Eat Wheaties, which is great. Being the Ricardos, Hocus Pocus 2, Quiz Lady, Unfrosted, lots of things.
8:08Voice actor and animation, which has become a much bigger thing now, which is really fun. Forky and Toy Story, which is a small Pixar product. Small budget. Fear, Fear, Frightside Out, another two. I didn't know that you were in Harley Quinn, Rugrats, Ultron, which is to me so cool. Oh, do your kids watch Spider-Man and Friends? No, but now we will. No, Iron Man and Friends. Sorry, it's Iron Man and Friends. So you're Ultron in that? I'm Ultron. I talk like this. Oh, my gosh. That is so cool. Very dark. Actually, I felt things need to do that. Oh. Was producer and creator, which sketch, which we know just came out, and is rave reviews, by the way.
8:47And I know it's kind of a Nashville, got a lot of Nashville ties, which is really fun. And then co-hosted the 2024 Emmy nominations, which is really fun, and then honored with Career Achievement Award, the Fairbanks Award in 2022. So a lot of things. Yeah, it was an internet thing. Check your emails. I don't know if that's true. I think you missed some texts or something. Yeah. I didn't get an award for that. Congrats. I don't know what that is. I'm pretty sure it was an Applebee's coupon. So it's probably in your email. Not even a gift card. It's just a discount. It's just a discount. They want you to have some skin in the game.
9:24i do love their sheet sticks who doesn't who doesn't um okay so so i wanted to start here with this because tony i'm not trying to be um well first of all i have an apology to make about for you guys when i okay so we screened a sketch in nashville at the beginning of the summer and i was in so in my anxiety brain that i forgot to let you guys know so i hugely apologize about Tony. That's okay. What an A. I think we're good. That's all I wanted this to be on. That's what we needed. Yeah. Yeah. Good. I just was on a rollercoaster of anxiety this past summer and just wasn't thinking. Because you were so involved in the whole process of that.
10:06Did you executive produce or produce it? Produced it. And it took us eight years to get made. So one of my questions I was going to get to later, but let's jump to it right now. Eight years. What does that even... feel like with the arc of that are you involved the entire time yeah so do you guys know seth worley yeah so he's an actual guy right he's a nashville guy he's we met in la when him and his family were living in la and he's an incredibly talented writer director and he kind of brought me this idea and i was like oh i really really like this this was eight years ago and it just took forever to get financing.
10:49It just took forever to get financing. And then we also pitched it as a TV show at one point. And then that didn't fly. We went back to an independent film, which it was always supposed to be. And just kind of many iterations of the script, all that kind of stuff, having producers attached, producers fall out, all that stuff. And so then finally, John Irwin was kind enough to give us the money through his company for the film and we shot it in nashville and then post and all that took forever uh with a lot more of a budget so you know it's film independent film is no joke like it is and you have to really love the piece that you're working on and we did i just loved this story so much so it's such a well it's such a unique story i mean it's you know and i think some of the eight years i would imagine is you're trying to, because it's so unique.
11:41I mean, and also the CGI. You're having to envision, yeah. It's super involved. Yeah, and well, it came from Seth's personal experience because his sister was drawing these pretty dark pictures as a kid and his parents took her to a therapist because they were nervous. And the therapist said, did you, because it was a bullying situation. And the therapist says, did you like want these things to happen? and she was honest and she said yeah wow and the therapist said well i think it's a good idea you drew them rather than did them yeah and she says because the worst thing you can do is have a blank page and it all festers in your head wow and so it was just this whole thing of and also at the time because in the movie my wife has died so at the time she's dealing with grief so it's a way that she was working out her grief and we me as the dad i was compartmentalizing grief i was not wanted to deal with it.
12:36I wanted to move forward. And so she taught us that we need to all process grief in different ways. Playing a role like that, is it fun for you to get out of sort of like, to get into just a different kind of character? Just a non-emasculated character, you mean? Is that what you're saying? No, but I mean - Because that's kind of true. Well, it's just such a different, I don't feel like it leans as hard on your comedic chops. yeah you know no you're right yeah it was nice it was nice just to have i don't know i mean that's that character is as close to who i am honestly i'm a dad i'm i deal with i there's this term i don't know if i created this term but i heard this term maybe or something but it's called snowplow parenting where you want to remove all the challenges from your kid's path because you don't want to see them walk through challenges it's too painful and i so resonated with this character because he thought he was making a good choice like let's just move on and i have a daughter she's almost 20 and like all i when i i mean any time that i can try to fix a solution so she doesn't have to walk through that i want to do that but that's the worst thing for her yeah right you know yeah so did it feel like this role for you was almost a non-role because it was the most authentic to who you actually are in real life yeah i would say this it wasn't the it wasn't it was a very hard experience because i was producing and acting in it so you know rain delays all that kind of stuff held a little more weight in my mind yeah but it was um i don't know it was mixed because sometimes with comedy you can kind of hide behind all that character i didn't know if that would be really easy or if it would be really challenging because it was close to who you actually are i kind of i kind of relate it to sometimes when i'm on talk shows and those tend to be the hardest because i'm just myself and i can't i get more nervous about talk shows than i do about being in front of the camera because i can kind of hide so this character was really close and it's like you know i had to ride the wave of in the movie i don't know if my kids are alive you know my wife has just died you know all those things you don't necessarily aren't necessarily highlighted in the comedy i've done so it's a mixed bag yeah that that is well it it uh the movie is everybody's freaking out and again it's just such a creative i just love oh it's seth man seth is so talented and you know No, it was tricky because releasing it, you know, we so believe in it and we wanted it to be a real family experience and all this kind of stuff.
15:21But you put it out there and then there was a huge portion of the faith community that thought it was demonic. Oh, wow. You know, and you're just like, oh, come on, guys. It's unreal because these are the same people that like watch, let their kids watch crazy stuff. and this is dealing with grief, which is dark. And the movie has scary moments, but it's not like, you know, demon hunters or whatever's out there, you know? But it's like, not to say that's demonic, but it's, they're just, maybe, I don't know. It got tricky and that kind of is heartbreaking, you know, because you so believe it and you're like, just watch the movie and just let that go.
16:02Do you feel like because you were so involved and you know you're leading in it you're you're producing it and it took so long to make yeah did the did the release of it was it a different experience than than your normal project where maybe you were acting and you're not so involved and once it's out you just let it go and i mean thank thankfully it's like i think it has one of the highest ratings on rotten tomatoes that you can possibly have i mean the reviews are amazing yeah people have been the reviews have been fantastic because we went to we went to tiff last year toronto film festival and that was a really great response to your question yeah it has been a roller coaster of putting something out there and um it's very different than because you're with acting you're acting someone else's material you know you're and obviously i love it and it's so fun and i wanted to continue and i have great relationships but this is like seeing it from the genesis of it and it's you know it's a very vulnerable feeling but like in a couple weeks we're going to show it um because there's like this panel on grief so they're going to show it at the the school and i get excited because i watching it with people seth always gives the example that when jurassic park i think it was Jurassic Park came out, he took every one of his family members and that's a, a how he got to see a lot, but B he loved watching other people watch it.
17:36It was almost like, can you believe I just gave you this gift? And when I watch with other people, I know the parts that are coming. I know the excitement and that kind of communal experience is fun.
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20:10John, I just want to say it. I just want to say it. No, I want to say something. I love the pieces you're wearing today. Oh, thank you. This whole stuff? Well, it's just, it's a great collection of pieces. Can you tell me about which stuff? Would you say that they're well-built, like it's a well-built wardrobe? Well, you are. Listen, Dave. Yeah. I'm glad you bring all this up because I was going to say a well-built wardrobe is about pieces that work together and hold up over time, you know? That's what Quince does best. Premium materials, thoughtful design, and everyday staples that feel easy to wear and easy to rely on even as the weather shifts.
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21:26My favorite right now, you were going to ask, the Mongolian cashmere quarter zip sweater. Are you kidding me? You know what? It's only 99 bucks. What? I'd pay 100 for it. Yeah, I wear it almost early day. Well, you look amazing in that quarter. Don't do that. Look. Don't make sense. Guys, refresh your winter wardrobe with Quince. Go to Quince.com slash Dadville for free shipping on your order and 365-day returns. That's right. Now available in Canada, too, eh? That's Q-U-I-N-C-E dot com slash Dadville. Free shipping and 365-day returns. Quince.com slash Dadville. One of the things that I think is so, you know, there's so many ways that music and I think movies are analogous.
22:15One would be, you know, you spend this time making it. It's a collaborative effort. You know, it's creative. It's all these things. But the difference, and I think, you know, for the most part is when John and I, whoever make a record, we then go tour it. It's in our zeitgeist, in our brain or whatever, for a while, because then you go to promote it. Something I've always thought that would be tricky if I was an actor is when you're done, it's done. You leave the set, it comes out, and you do the press rounds and that thing, but then you're moving on the next thing. It's got to be interesting, though, for a project like this that you are so involved in, that it probably feels a little more like what we do.
22:53where you're like, no, I'm still a part of this months and months later because I was so invested in it. Yeah, it does. It does. Acting in general is weird because once you do a take, that's it. You can't, unless it's theater. Unless it's theater. So I'd love to get back on stage because then not only are you able to refine it and every week try something or day try something new, but you're going from beginning to end with a full continuum. Yeah, yeah, yeah. whereas in tv and film it's obviously chopped up and you're doing different stuff so yeah i mean i i it's this definitely having the ownership or just the attachment to this i can kind of see it i'm thinking about a lot more after the release and i think that would make it harder because you you know you were so involved with the the making of it and like you know unlike when you're just an actor yeah if there's some kind of like problem with the financing that's a problem for you to solve you get involved yeah there's like rain delays there are decisions to be made and then once it comes out you know it's still like every other release you can't really apart from coming on your favorite podcast obviously and talking to your favorite podcast hosts you can't really do anything about it but i i mean here's the thing the good thing is i'm not carrying it by myself like there's great producers Steve Taylor's attached to it Dusty Brown there's a lot of people that carry the weight but yeah I mean it's it's tricky it's tricky because also you're coming together and you this is why a director who has a very specific vision is so key much like you guys have producers and the artists and stuff very specific because you're going to have a lot of people coming into the camp a lot of people coming in And they're going to be like, we got to pick this up.
24:47And that visionary has to say, we can't half-ass this. Yeah. Like, this is what it's supposed to be. Yeah. And without that, it just becomes kind of like a hodgepodge of stuff. Yeah. You know, I feel like with this, with Sketch, with a lot of the voiceover stuff that you've done, I would imagine, now keep in mind, I know nothing. Let's not have a state. Well, we're not going to talk about ourselves like that. well but no true i do agree though yeah yeah i have to say that i would imagine all these projects you're working on while you're doing the work you're not it's the opposite of a play where like you're seeing it happen in this movie sketch you're like okay let's say like action and pretend that there's this gigantic thing happening.
25:42And then maybe you'll see that in two years. Maybe the eye line is right. Yeah. Yeah, we'll see that in two years. I will say I had experience with that because I was the bad guy on both Alvin and the Chipmunks and Clifford the Big Red Dog. Yes, you had to get used to it. And so I knew like, because they'd be like, the dog is this big. However, on Clifford, you had a big red puppet. So we had an idea of like how big Clifford was. And Alvin and the Chipmunks, They put these little stuffed animals on sticks and like ran them up your body and all this kind of stuff. So you could kind of see it, whereas we didn't have that budget.
26:15So it was really Seth going, okay, Dave, who's the big blue monster, he's about yay haul. Everybody look to that tower back there. So we all just trusted him. And he really has such a touch of the genius man, Seth. By the way, I want to acknowledge that both John and I look like Princess Leia with our cinnamon buns on our ears. And you, Dave, have cool little headphones. You don't even want to know that it actually has my handwriting of my name and it's glittery. So it's monogrammed? And this is another, you can't hide money, but you try and you just push it deep in your ears. Are those as powerful as what we have, would you say?
26:54Some would say more. Some would say more, and I'm one of those. All right. Tony, when I think of you, I think of a couple things. And these things have occupied my mind. Yeah, just two. One of them is that we didn't get the invite. I'm going to add that as a good A. Wow, you only think of one thing about me? Well, no, it's two, but I added a third. Okay. One would be that still one of the – I'm going to laugh when I say this. One of the funniest things one has ever said on this podcast. And, Tony, I'm not kidding. I can't wait. I think of this intermittently in my life, and when somebody brings you up, I will interrupt them and say, can I tell you one of the funniest things?
27:32I know exactly what you're going to say. It's not even in our notes and I know exactly what you're going to say. I'm starting to cry laughing because it makes me laugh so hard. Dave Barnes' laugh is one of the best laughs. Because it sounds like you're either having a heart attack or you're laughing. I'll lose years of my life every time I laugh. It's like a superpower. It's when you talked about your swimming meet where you stopped in the middle of the swim. Yeah. He just said, I don't think I want to do this. I don't want to do this. So for the listener who hasn't listened to this, Tony Hale was in a swim meet.
28:11How old were you? Well, I wouldn't even say I was officially in the swim meet. Technically, you were in the pool. I signed up and got in the pool with the only one wearing trunks. Everybody else had Speedos. I'm not about to outline my junk like the other ones did. You weren't ready for that? No. or maybe they weren't ready for that um but i get in the pool and everybody's starting and i stood up because you know you can stand up in those pools and my dad goes what are you doing and i said uh because i said why i'm exhausted it's so tiring it's tired why are we doing this and you just stood up and And we're talking full, full, like next, like next breaststroke, whatever it was, are going full force on either side.
29:04And I'm just standing there like some Wes and like some Paul Thomas Anderson, Wes Anderson movie, just staring. Breathing. Probably. Breathing hard. Breathing hard. Probably dreaming of my inhaler. That was I had three in my dad's pocket, probably. it is something about that is like the venn diagram of humor to me and i think it's like so great i think it's it's just the it's the so many kids would power through that every other kid in that pool was miserable it's so yeah it's so you had something and you was like no no screw that no no because everyone wants to stop i i swam my whole life it sucked the whole time yeah You always want to stop.
29:49I think too. Your body's in pain. I think I feel the plight of the other swimmers. I stopped. Yeah, I just feel like so many of them were doing that thing where they were kind of looking back. Wait, what is he doing? Can I do that? Option? I didn't just stop. I started and stopped pretty quickly. Tony, I'm telling you. This repetitive action is not going to work. It is one of my, forget Dadville, it's just one of my favorite stories. And it's like, it's become like an Ebenezer of humor, of childhood humor to me. It just sits in my brain as its own like pole that I refer. I do have a compassion for, I mean, cause I was, there might've been a little bit of like, you know, a quirk of like rebellion of like making a joke or something about it.
30:30I do. My dad says I was not a sports kid. I'm not still not a sports kid. Having to get into football because we just moved to Birmingham. So I'm trying, I'm trying to learn. You better learn quick. My dad said he would teach baseball and look over, and I just was building a sandcastle on the ground. Yeah. Or just staring at a cloud. Yeah. Just checked out. And he would get so upset. I mean, just because he was like, oh, great, my kid is the one. But I just, I don't know, it was just somewhere else. He was like, we better get voice work. But your sight lines were killer. You were just practicing for days later in life.
31:08So the second thing that I want to say that I've thought about, and I'm not kidding, Tony, I think about this a lot because I think it is such a... Oh, I love that I occupy so much of your mind. Well, you do. This thing to me is really, it's impactful to me. So you've moved to Birmingham and you and I have talked about this just over text or whatever, but I just think that is such an amazing thing. I think I have so much respect for it, and I think I find myself always really drawn to people who move in the different direction that an industry moves or like that convention says to move. And so when you said, I don't know when that was that you maybe even told John and I both you're moving, I just thought, okay, that's immediately fascinating to me.
31:53Because it's not someone – I think it's inspiring. Well, that's it too. I think it sort of makes me, it gives me, it encourages me. It gives me courage in some ways. And so that's why we're moving down there. It makes me feel not so locked into whatever my thing is. But I think a large part of why I think it's so compelling is it's not someone who's on the other side of a career. It'd be one thing if you're like, you know, I had a great run. You know, I'm kind of reading the tea leaves in LA and it just kind of feels like this is kind of a good time to throw the deuce, still do some work here and there.
32:25but I'm going to sort of like half retire to Birmingham. But that's not it. I mean, you've never been busier. You're working so much. You're still so involved in acting community. And so it's like some part of my brain is just like focused on that because it can't figure it out. And as John said, it's so inspiring too. I just think it gives me a lot of courage as a creator to sort of go, no, you can do whatever with your life. It doesn't have to stick to this thing. And so I think that's one of the things I want to talk about with you, you know, is sort of like what precipitated that move? Like what made you want to do that?
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33:03Well, first of all, it's very kind of you to say all that. Very kind. And also what doesn't inspire you from me. Let's just acknowledge that.
33:15True. True. True. I mean, that's one of many things. No, I'm kidding. But that's really kind of you to say. I mean, I wish I could say that. I think it was just, well, here's, let me say this. All of us are married. I'm married. And we definitely, my wife and I hit a place where we were both on the same page about it. Because other times we've been on different pages about it. Like one of us kind of wanted to check out. And then the other one was kind of, I think we need to stay. And then it swapped. And then this was a time when we both were on the same page. and which is a powerful thing in marriage i mean that can't be overlooked especially a decision like that when both you go oh my gosh yes because when we moved to la my wife was a makeup artist on snl she loved new york and i i booked arrested development in 2003 and i was like i think we got to move to la and she was not happy about that now we developed we became comfortable with LA, but it took some time.
34:21So we're both on the same page about this and my daughter graduated high school. So the timing was, you know, we wanted to stay for her in high school and then leave. And honestly, for me, this is just for me, I had, cause some people, we had, we had been in kind of urban centers for 30 years, whether it be in New York to LA. And for me, maybe it's because of my anxiety, but it's like, you're kind of in this heightened state when you're there. Like, it's always kind of like walking outside and something's on the street or the noise or just this kind of height, or you go to a party and it's like, there's like really extreme careers and all this kind of stuff.
35:03And you're kind of like, what's kind of what's coming at me? And I just turned 55 and, um, well at the time, no, I just turned 54. And so I was like, for me, I, my normal cannot be at this heightened state. I've got to start detoxing down to where I'm just life and simplicity and ordinary things become as heightened as these kind of dramatic things that I'm around all the time. And it was just, and by the way, it hasn't been easy. Like when you're, when you're, when your nervous system is, is that trained to that? It takes, It has taken a good year and continued to kind of detox down from that.
35:46Now, the business also has been in a place because of post-COVID where I can have meetings on Zoom. If I need to audition, I can audition on Zoom. I can meet directors. That was not the case pre-COVID. So that's helpful. And my last five or six jobs haven't even been in LA. Wow. so there was a lot of factors that was kind of helping make the decision um but just like the main one was just back to simplicity for me you know now i've never thought about that that just the low level yeah there are i will say there are things that i'm we're growing pains big time for me like when you're in la much probably like you guys in nashville you're surrounded by people who are doing the same thing as you're doing you know i'm surrounded by people that are used to a freelance life.
36:39For 30 years, I've never known what the next gig is going to be. Yeah, right. I'm, you know, all of a sudden, friends are gone for two months and then friends are back and all this kind of stuff. And you're like, whereas down here, you know, people are used to like a nine to five job. And they're always asked the question like, what do you do during the day? And I'm like, I don't know. Like I just, you kind of make structure where you don't have structure. So it's like, I knew I was doing this podcast. I worked out this morning. I do have a voiceover this afternoon. Or if it's not that, I'll work on these rope bowls I make or whatever.
37:12But like, I'll have meetings. We're developing scripts. We're developing projects. But you kind of make structure in a very unstructured world that people in LA are very used to. Yeah. Whereas down here, it's kind of a little foreign to them. So is that that pace of work, is that that like, you know, if you're making rules for yourself as you're detoxing from the last 30 years of pace of life are you are you allowed to work at that clip still or are you like no in two years from now i would like to be doing you know one less thing or whatever um i would say like for instance i just did this job in syracuse and when you do jobs you kind of get back into that pace you know it's like you're on set, you go home at night, you're looking at the script the next day, you're talking to the director, you're meeting cast.
38:06So you kind of get into that pace and then you come back home. And it's more like, whereas in LA, you'd come back home to the kind of same, for me, the same kind of surrounded by people in that same pace of life. Down here, I'm coming, I'm kind of coming back to a resting place that is a little more simple. So at this age, that's what I need it because i love going i love sets i love being in that pace but when i go back to my resting place i need it to be a little kind of slower yeah like like more of a discrepancy between those sort of heart rates right and you know what's funny by the way i i had never really thought about this i met with a buddy of mine who's a business coach and we were kind of having coffee and he was asking me all these random things about my you know just like what it's like to be a musician but he said something i thought was really interesting because he was like, what do you think is the most important thing to you about your work-life balance?
39:02And I was like, man, autonomy is a big thing for me, ability to move at the pace I want to or whatever. And he said something I thought was really interesting, because I kind of said that sort of shameful. I was kind of like, because if you compare me to most men my age, they're locked into these things and they're whatever. And he was like, man, that's actually kind of a superpower. hour. And it really took me aback because I was like, what do you mean? He said, well, most, he said, myself included, most men, because that's what I am, he said, wouldn't know how to do that. It would really be hard.
39:36It'd be hard for men to go, okay, Tuesday I have these things, Wednesday I have nothing, Thursday, Sunday in the morning, you know, and then, okay, next week is full, you know, and then the next week. And it really helped. It was kind of a grace to me, honestly, because it helped me realize, there are some weird strengths to being able. And I think to your point, Tony, it'd be interesting, especially going from, again, because you're right. I mean, in Nashville, John, whoever, there's a lot of my friends, if I can go like, hey, you want to go have lunch today? And they're like, yeah, I can meet you.
40:05A couple hours, cool. Because we have sort of a similar pace and structure of life. But I guess the thing I would ask you being in Birmingham, have you found that to be lonely? I mean, do you find yourself kind of going like your friends, you're texting and like, bro, let's get into it. You're going to work again? Are you around yesterday? Or I just sit next to them at their desk and I say, what's that? Is that a pencil? Wait, that sharpens pencils? Are you effing kidding me? You're like, this isn't, oh, these things work. I push a button and a paper comes out of that machine? This isn't like a set where nothing works?
40:42Exactly, right. Guys, the water came out of that sink. For real water. for reals water but like has there been some sense of i mean i would imagine that'd be a pretty big adjustment yeah it is i mean it's i think i will say at at this age i think it's generally tough to meet new friends you know and we have met a lot of great people and it takes time you know it takes like whenever you move places it takes time i really do miss my friends in LA a lot, but you know, it's just, we got to give it time. Just like we gave LA time. I gave New York time. I've got to give, you know, this time. Yeah. But yeah, it's, it is tricky.
41:23It's tricky. What's the response been from, you know, kind of your inner circle out in LA? Are there, are there other friends of yours that are like, well, I've kind of always been thinking of moving to Omaha. Yeah. Maybe I can do it. I mean, I don't know if it's been that, but they were very, I mean, everybody was bummed. Like I was, we were sad. I feel really bad for my, and it wasn't easy on my daughter. You know, my daughter goes to college, her childhood home, we had to sell it. You know, it's like, and it kind of broke my heart because she went to LA to visit her friends. And that's the, you remember in college, you would come back for Christmas and Thanksgiving and see your pals.
41:59And she's now coming to a totally different place. So she went to LA and I said, Hey sweetie, did you drive? Did you drive by our house? And she goes, no, oh, it just made me too sad. And I was like, okay, well, then just put that in the therapy file of another thing I'm adding to your layer. But it's, you know, that's hard. That's tough. So I forgot your question, but yeah. And I think too, just the loneliness, I think I would struggle with one, just community. But I think too, just knowing, because some people don't like this and you may be one of those because more people than I think in Nashville actually don't like this, I do.
42:34but like um having being able to talk about work in a conversational manner with a lot of people like some people i know are like i don't want to do that like i work and then i want to not talk about work but for me i like like what you're working on what you've been listening to how are those shows this week and whatever but if you i mean that's i'm assuming not as much as your common vernacular now from day to day is that something you miss or you like that do you know what actually that's a really good question because you're one good question i have one a show um But I think that tracks. You didn't do it word for word.
43:09Sorry. Next time. It's like an Aaron Sorkin movie where it's like word, word, word for word. That's right. But I, oh shit, I already forgot your question. What was it? Just the comment, like being around business. Oh, yes, yes, yes. Oh, this is what's interesting is now that I'm thinking about it. In LA, you have your really good friends. You don't really talk about your work. that much. I don't know if that's because, I don't know why that's because, you know, but it's, it's not, it's not necessarily because it's maybe because each relationship, there's a danger of it becoming transactional. Yeah.
43:49Yeah. Yeah. Yeah. You know, so you always want to protect that it doesn't become transactional. Yeah. So actually, if anything down here, people are very curious. Oh, wow. Your work. So it's, yeah, it's kind of fun to talk about it like i was exercising today at this i go to this um exercise place and we sign our name and this woman comes up to me goes you should have put you should have put buster bluth on the list and i was like ah yeah yeah yeah yeah fun but that's like yeah you know that's not it was sweet you know and it's like it's fun to like i don't know talk about it yeah yeah it's not such a taboo i guess maybe i always find that like i am really fascinated with people who have you know a more traditional nine to five job yeah and i i find that my friends who do which aren't that many because in nashville most people like david's saying you know don't really have they have a non-traditional job like we do but yeah the ones that do i really i'm like i actually do want to know like yes that little thing you just said yes about the spreadsheet i'm like i don't know what that is what do you do thank you thank you and i feel like somebody yeah they they don't want to talk about it maybe they don't want to talk about because they don't want to talk about it and that's fine but i feel like a lot of people don't want to talk about it because they think well this is boring no but i'm like it's what you do more than anything else that you do yeah and don't you have this i have this i want the simplest questions but i'm afraid to ask i'm like, how do you get the number in the grid?
45:25Oh my God. Yeah. Like, like you haven't, I mean, this is stuff I should know. Yeah. But it's like, everybody talks about Excel. Everybody talks about, I'm like, what, how does that add up? And where do I push return? If you drop an acronym on me that is business related, you would think you just told me the secrets to the galaxy. So I'm like, well, I had to drop that, you know, uh, OFK into it. And I'm like, stop, stop, stop. Please tell me exactly what that means. I don't know what that is. Because that is amazing. Because I'm still in Word Perfect Brain from 1989. With the little pen that would be like, are you sure this is the word you want to use?
45:59Remember that little guy that would pop up? Yes. What's the word I'm looking for? The little paper clip. Remember him? Oh, yes. Oh, yes. Did you really mean, you know. Sticky note? I forgot. That was an old school Forky. That's true. It was exactly that. Do you know what I was thinking when you were talking about kind of people that are in the nine to five? And it's true. They'll say to me, gosh, I don't know if I could do it. I don't know if I could do it. And we're so used to the freelance. I genuinely have no idea where the work is going to come from. Yeah, yeah, yeah. I'm renovating a house, so take me out.
46:38But then again, because people say, I don't know how I could do it, but there's that part of me, and I never say it, but there's a part of me that's like, the truth is you don't really know you're going to have a job. No, you don't. That's right. That's right. Next year. That's right. And there is kind of this kind of blind faith that's put into these steady gigs or jobs that people have. When in actuality, life is so chaotic. You really don't know you're going to have that. And that's where it actually, it's so funny you said that, that is where actually ours becomes a superpower. Because if you really zoom in tight on anyone's life, which is terrifying, and thank goodness God tells us not to do this.
47:17But when I really start going like, what's going to happen tomorrow? That is where we actually have a super power that most don't. Because it's like, oh, I don't know. And if you really had to sit with somebody like, hey, you realize you can be fired tomorrow? They'd be like, oh my God, what would I do? I'd be like, oh, well, I mean, I'm kind of fired after every gig. I mean, it's like. Oh, totally. We're used to the walk of faith. That's right. I'm very, very, very used. And I'm used to like, when I'm on a job, I got to wake myself up to that job and be present on that job because I have no idea what the next one's coming from.
47:44Well, and you know, I told John, this was something that was so fascinating to me. And I know it might have just been a joke in passing because you're funny and we're both funny. And that was such a common vernacular between you and me being one of your funniest friends. But when you texted back about, I just said, I think I said something to the effect of like, I know you're busy. Thanks for the time to do the dadville. We're excited about it. And you said something about always looking for a gig. And it really struck me because I was like, yes, that could be funny because obviously you're funny.
48:10But is there some part of that that you do feel? because again, and I know you get asked this probably a million times, but the way that I perceive your career is it's like, I don't, I literally can't think of someone that I think is busier. I feel like I see you all the time. If you're not, if it's a movie, it's a TV show, it's your voiceover. And it's fun because I'm like, oh, that's Tony. Like, look, there's Tony. But, but, and so it may be like, if you're shopping for van, all you see is Vans. You know, it's like, if you, if you see your friend, all you see is, but, but, because I know you, I see you more or I'd notice you more, but I do think of you as successful and you're working and you're going, but is there some part of you that that text is true where you're kind of like, oh, I don't know.
48:52Oh, always. I think it's Dustin Hoffman who said maybe that every job he's on, he thinks it's going to be his last job. I mean, this is the time when my wife should step in and go, let me tell you the real story that goes on BTS. Because it is very, and it's not just that, you mentioned it before and it's true. You don't, not only do you not know where your next job is, but when you guys might not experience this, I experienced this, experienced this so much. There is so much rejection in my business. You are, you are signing up for a career of somebody saying, not you. And so when you, for 30 years, you want a job or you're up for a job and then somebody else gets it.
49:34It is such a part of the business of just, you're constantly either they want you and they went out to a bigger name or they want you and they went for a completely different type or, I mean, it's, it's so crazy. You're so used to that rejection. So there's something in you that's like, well, I'm kind of waiting for someone to say, like, I think I told this to you guys, maybe, but when Toy Story came out and I'm not kidding, it wasn't until I heard my voice in the trailer that I thought that I wasn't cut because I, in my head, and it's, this has happened by the way before with, with animated movies, cause they can replace your voice easily.
50:14Whereas in on camera, they can't do that. So I was like, Oh, they're going to get a bigger name. And when I heard my voice in the trailer, like two months or a month and a half before it came out, I was like, okay, I'm locked in. Wow. Because you just don't know. So it kind of, that kind of caters into that, we'll see. We'll see. A little bit of that anxiety. There is something that is so akin to... So part of my career is songwriting for other people. And I can't tell you how much that is so the same thing. Because you can... I mean, that's the joke in Nashville in the songwriting community, because that's a part of my life too, is we love the song.
50:54They're going to record it. She loves it. She went in the studio to record it. And the smart people, like you're saying, I mean, John and I, and you have done these jobs for a long time. You learn the hard way. Like, great. Sounds great. Can't wait to hear it. Because the minute I go, oh, my gosh, they're like, oh, Dave, so sorry. I mean, one of my career jokes, and it's actually back here on a plaque, but there was a song I had recorded by a country artist named Billy Currington. It was one of my first big cuts that I got. It was on the front cover, front sticker featuring these songs, was one of my songs.
51:23and I mean I was like let's get this here we go by the boat babe we're good you know exactly and it was my first brush with this uh hey Dave uh he we're doing a second a different single second it's gonna be the third you know we're on the third single it may and then it just disappeared and I remember being like but it was on the front sticker and so you learn as a songwriter like yes you just it is not until I mean I had a buddy of mine send me a video of him singing years ago the song in the studio and i was still like yeah it doesn't matter it doesn't matter it does and also this is sad to say but words don't mean anything they don't they don't hollywood is there's a lot of words yeah and you just have to go oh like your point like oh that's nice yes that's we'll see we'll see that's really nice you know you would know this way more than we would but i think it is the same in in both scenarios with the album that dave's talking about and some role there are a a million reasons why yeah you might not get that role it's not that you you didn't do a good audition no you might you may have crushed it and there may be a budget thing or there may be yes the director loves you but like the the studio feels like they got to go a different direction what it could be so many and you have no control oh god i had i had an experience Well, I had many experiences.
52:47One, I remember I was auditioning for this movie. I won't say the movie, but I was auditioning for this movie, and the director stood up in the audition room, started clapping, and said, Oh, my gosh. Finally. Okay, when I book you. So that's what he said. Wow. So, of course, this was years ago, and I remember calling my wife and being like, Oh, well, we need to get a sitter because we're going to Vancouver for three months. They obviously found somebody else. And I was like, Ouch, that. And then I was attached to this movie over Christmas. It was, I remember it was during Christmas and I was attached to this other big movie.
53:23And this was a go. It was a go. And then something happened in the world that they couldn't shoot in this Pacific area. And the entire thing was canceled. Holy cow. And it's that kind of thing like, wow, until I'm on set, until I've signed the papers. Yeah. You know, and even that, you hear of movies that have been shot and then somebody gets canceled or whatever. and it doesn't get released. I mean, you have no idea. That's why I go back to, which I suck at, staying present. Just staying present.
53:55John, it's near Crema and people be shopping. Shopping! I mean, be shopping. And if you've shopped online, which I don't know if you have, chances are you've bought from a business powered by Shopify. John, you know that purple shop pay button you see at checkout? Okay, Dave, picture this. Okay, you're lying in bed. scrolling through this incredible website that you found, putting items in your cart left and right. Then, right, you hear Annie coming, and you know you've got to act fast, right? I've got to go. Your wallet's all the way in the kitchen, Dave. I mean, in your palacious house, that's like half a mile away.
54:31I mean, I'm going to have to sprint. Then you see that purple shop button. Oh, here we go. It's got all your payment and shipping info safely stored, so you're good to go. Purchase made, off to bed. I'm going to sleep before she even gets in the room. That's right. I'm not really asleep, but I'm faking it. That's Shopify, John. And there's a reason so many businesses sell with it, because Shopify makes it incredibly easy to start and run your business. By the way, Annie got an alert on her phone on how much I spent, but it was okay, because it was gifts for her. Oh, yeah. That's Shopify. It's the commerce platform behind 10%.
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58:10Well, you know, I look back at seasons like where I've been struggling with anxiety. and I'm kind of in one now. And it's so funny if I trace it. I just signed a new publishing deal that I'm so excited about, but now I'm thinking about those things again. And I'm like, to your point, I just think that's a very astute observation you said about city centers. And I think it applies. It's like in this scenario, which the way I would apply it is, what are these things that bring, that just kind of kick my heart rate up a little bit without me knowing it? And I think to your point, one of the things that's tricky about what we do is that there is this sense of you just don't know.
58:49And so I think as much as me, you, John, all these people that do these careers, you get good at it. You don't ever escape this thing that's just this low-level hum of like, I don't know, man. And I think knowing I'm going to start writing songs for people again, it's like, boy, just get ready for all that rejection again. Because it's what you said. it's just rejection after rejection and then oh that worked okay and then yeah reject and it's not kind of stepping on you're kind of stepping on the hamster wheel again yes a little bit which is which is tricky and but the beautiful the beautiful thing is i'm very curious about your journey with this next thing because even though you're going to struggle i'm going to struggle in the next thing there's a little growth there's a little more growth absolutely from the last time that you know okay i see that red flag yeah i'm not gonna i'm not gonna carry that yeah you know and even though i mean this last job i had i still found myself falling into some some patterns but it was a little better yeah yeah you know it's that kind of thing well i think yeah i wonder well go ahead john i've been talking too much no i was just gonna say it's i'm 43 now and i i know if you know if i were in hollywood i could play much younger but at this point i you are really thank Why is every high school drama comedy not calling you?
1:00:08John has been getting the Zac Efron parts. And then I would get the quirky vice principal that's like, you guys, you guys, what are you doing again? If you don't buckle down. Jonathan, get out of the locker room. Is that a cigarette? Exactly. Exactly. No, I was going to say, at 43, I do feel like, like you're saying, Tony, like, I do feel like I weathered these storms much better. But the way that I weathered them is not the way that I thought I would have grown when I was 23. I don't feel like I have got to some place where, like, they don't bother me. It's more like I just can't get worried about that thing again.
1:00:56Yeah, yeah. Yeah. It's more like this is the 49th time that I have seen this red flag. I can't get that worried again. You know, I think it's something also to acknowledge is I think it's also healthy. You know, when I talk about my codependency and all this kind of stuff and I make jokes about it, there's the other side of it's like, Tony, you're thinking about others. You know, you're caring about others. And it's like when you're getting nervous on your job, that also shows that you really care about your work. you know and like if i'm going on stage and i feel like i'm about to have a panic attack you know it's because i care you know so there's always that kind of you know it's not all awful it just comes from a good place it's just gotten a little off the track well it's a it's a common thing in like artists creative uh circles to sort of be resistant to any kind of growth when it comes to anxiety and stuff like that and the quirks because it's like well what if that's part of the magic sauce whatever i've got then what if what if i lose it and then i'm healthy and i have no work yeah gosh totally totally totally totally you don't want to be completely grounded nobody nobody wants to hang with that guy nobody wants that guy don't give me a bunch of songs about how i'm fine with what life happens everything's pretty good i'm well adjusted exactly yeah i i do want to ask you about you mentioned earlier that your your daughter loy is uh she's starting her sophomore year of college yeah is that right so you this is new uh yeah empty nester phase yeah and i think about i actually was thinking when we interviewed you last you were kind of in the phase where i'm kind of am right now i have two girls um and i think about empty nest transition so much i always have thought about it i think i think it's you know it's teetering on healthy and unhealthy of course sure but i i am so worried about you know a i just want to see these girls be able to function in the world you know i just want them to be able to live and b i you know i don't want them to leave and then amy and i have that classic we turn and look at each other and we're like i forget who you are yeah you know which i don't think that we i think because of i've been so neurotic about this yeah hopefully that will stave that off but yeah what's that transition been like for you guys um we are loving it um but i at the same time i like whatever's about to follow i like whatever's about to follow but at the same time we're in therapy 24 7 no you have a live-in therapist oh that's why you guys donnie come here uh i um at the same time it's i guess it's just like everything there are times we look at each other and it's like who are we yeah you know yeah we got it we got it you again and we have to work on this and we got to go out and we have to, you know, also we're in a new place.
1:04:11There's been a lot of transition. So we have to, we're for each other because in times of stress, it can seem like we're against each other. You know, I guess what I'm saying is you're going to have those times rather than be afraid of them. They're going to pop up, but you're going to, again, back to that care thing, you're going to care so much about the relationship that you're going to work on it. My thing is what I always go back to is it is it will really mess with your identity. you know like especially me leaving LA especially my daughter going because I can't I can't ignore the fact that so much of my identity is wrapped up in being a dad so much of my identity is wrapped up in being Tony the actor and it's like and not beating myself up for it because that's a very natural thing but it's like okay um when i'm 85 and if i have given too much investment into that i just that identity and all that goes away i mean not my daughter's not going to go away but it's like she's going to be living her life and acting is not going to be as you know maybe good as it is now who am i yeah you know and that was a huge part of moving back here because it's like Like I got it.
1:05:26My definition is not to sound super spiritual, but it's like God loves me. I am a human being on this earth. I love people. I can serve people, whatever. It's like finding the core of that rather than how I have, you know, very naturally just because of circumstances can define it other ways. Right. Yeah. That is. John and I have talked about this amongst each other too. I don't know why empty nesting has been on so much top of my mind too. maybe it's your fault john but i do think it's always john's well welcome to dadville um so so with her being in school how do you what is y 'all's relationship change like what does that look like now as a dad yeah what does it look like um loy and i have the best time i love hanging out with her like we always like go to dinner and we chat and i kind of like to hear where she has where she is but on a day-to-day basis she always calls my wife like she'll which i love like she's very honest with her which i'm so grateful for whatever's happening in her life she's she'll call her and then you're just hoping to like the thermostat breaks thank you like she called me with like you know how she wants me to book a ticket for a plane yeah or like she'll she called me yesterday because her car died and she needed someone to jack like she didn't know how to jack the battery and stuff like that so and so and then she'll then i'll be hearing in the other phone like her just yapping my wife about other stuff and i'm like oh hello um but when she's home like that's when we tend to we'll go out for coffee and we'll chat and like we went to the beyonce concert together all this kind of stuff like that's where we kind of connect yeah that is a transition i'm excited about but i am i'm dreading isn't the right word but i just think um so how old are each of yours they stair step so so we have eighth grade seventh grade fifth grade fourth fifth grade fit to fifth and then but age wise i'm surprised you didn't go with age sorry i mean why did i even start they go 13 12 11 10 9 okay yeah you guys are you guys are busy that's yeah you guys are those those those busy i will say the the if there was a heartbreaking time for me it was not i did cry when i dropped her off at college and my daughter i don't think my daughter ever see me cry she was like uh-oh what's happening are you researching for a role but um when she was little and stopped wanting to hold my hand and when she that that that middle school when she which i get you know the cool stuff came in and she didn't want that was like oh okay that that's that definitely stung yes the ship is starting to jettison a little bit yeah my my youngest um just kind of stopped doing that yeah like they you know how the the the the younger one is always older i don't know how to say this but like like the younger one is as old as the oldest in the house yeah you know what i mean yeah yeah yeah so she my uh livy would kind of like you know she she stopped doing a lot of those kind of like little kid cuddling things but she would always when we would walk to school she would always when we were crossing a street would just grab my hand.
1:08:57Like mid-conversation would just grab my hand. And I would be the guy walking so slow across the crosswalk. And I'm just feeling her hand in my hand. I know. And she doesn't do that anymore. No. That doesn't happen anymore. You know, it's funny. Zanna, my daughter, had a friend. And ever since this conversation, it clicks. I'm in her brain. But I think this is the cutest thing ever. her friend every i think every day she comes down stairs and she's in fit she's in the fifth grade my daughter she jumps into her dad's arms because they've said you never like there's gonna be a day when you don't want to do this and so they both it's a sweet little father son moment or daughter where it's like okay this is like today it's not today it's not today it's something in zanna's brain clicked and so now she does that with me we won't do it every day but she'll always so it's like it's made her more affectionate that way where she's like she'll grab my hand more and i'm like thank you for whatever happened in that moment.
1:09:55And being the only daughter, she's sandwiched by brothers. So I think she feels more of that sort of heart level stuff than my two retrobates do. Prisoners. What did I say? Sorry. Let's go to prisoners. Yeah. I would always sing to Loy when she was little. Right before she went to bed, I would sing the song, like I'm so proud of you. And then she didn't want to hear it anymore. Yeah. And I was like, well, I'm going to go take my life in the bathroom. see you never i'm just imagining like every now and then she picks up the phone at school and she and she starts dad no and i'm so proud speaker as you're crying i'm so proud of you so selfishly i always whenever i'm talking to a guest who has been through the middle school years because we are we're in the thick of it um you are you know i i am always looking for any kind of guidance or whatever but is there is there anything that you look back on and it doesn't have to be specific to those years but just in general um that you're like man i'm glad that i i kept doing that thing or i'm glad that i pushed through in this way you know what i mean yeah i mean man i think i have regrets my one regret i remember this one time and i've told this to my daughter so many times recently and she's like dad please stop asking forgiveness for this one time because i got really angry at her for something so stupid and i just got kind of like i was just like don't do it i was just like really angry and i just remember her face in that moment just this kind of like shocked face and i think it just plays in my head and so like two or three times i'm like hey loy do you remember this time she's like dad if you mention that time again because it's me trying it's my own guilt yeah like now now the damage is this exactly it's the iteration you're opening the wound but i look back on that time and i i mean obviously i would if i could go back it's back to that present stuff because everything in me is thinking about work it's thinking about how am i going to fill five hours with this child it's thinking all this kind of stuff rather than just I mean honestly you hear the story over and over that's why grandparents love kind of that second chance because they're a lot more present all that but I do think Loy and I just did a lot like we would do stuff together like we would go even if it was not like that like learning experience we would literally go to the mall all the time and we would just walk around the mall i genuinely think she learned to walk on a playground mall experience than like the grass yeah because we just would go that and i i don't that's what i get so excited about that like to this day we'll just like walk around the mall you know i don't know if that's answering your question yeah no it is i do look back because because those middle school years are a roller coaster, you know?
1:13:08And the more that I was just like, this has nothing to do with me. This has nothing to do with me. And also my wife and I would always remind each other, just think of how you were in middle school. I was just, I was, I was hormones and a nose. I literally had one large nose and was just a walking hormone and just smelled and just didn't know. hated swimming it was like i was nose i was a nose on a stick and i was so bullied and didn't know who was my friend and i think good lord somehow i got through that yeah you know somehow by the grace of god i got through that and she's going through her own stuff yeah yeah that's great uh you're the you're a legend tony thank you for hanging um because i I know you have another workout.
1:14:01I was really looking forward to this because I missed you guys because I haven't seen you in so long. I know, it's been a long time. And now I'm only three hours from Nashville. I know. So I can do a little road trip. Don't you. And we can hang out and go to that place, that cowgirl, what is it called? It's like cow, it has great pizza bites. I feel like this is a strip club. Cowgirl pizza bites? It's cowgirl pizza bites. No, it's outdoors. Oh, that hotel that's also a - I don't think it's a hotel. I think it's in East Nashville And it's Cow something Urban Cowboy This is going to be the rest of the podcast Like I said I feel like this is a strip club Oh this isn't a strip club The number of strip clubs I've been into Nashville Let me just save a list No I thought it was like Cow something But it's like an outdoor area They have a really cool bar And then they have like pizza bites Oh I love that place so much Seth Worley took it to you I blame him it wasn't a strip joint is it a Nashville Pizza Hut but just sort of a Nashville okay it was Domino's and everybody had Western gear so I bought and surprisingly I think I've had a fever dream that started that exact same way hold on well anyways it worked with when you're when you're editing this podcast and you figure out what that is or I figure just cut that in this will be at the beginning just to kind of give people a taste of what they're in for.
1:15:29Yeah, just that. Just a minute of us. Is it the one that's over? You know what, this is just one big no answer podcast. Okay, so we always end with the lightning round. And I know you, yeah. And I know you have another workout I know this afternoon that you got scheduled. So we want to get you back to that. Yeah, why three? So buckle up, because here we go. I'll ask the first one. Okay. What would be the character? All right, so let me set this up. This is more fun if I set it up this way. I love everything about a lightning round. Okay, good, because this is a good one. This is good. You get a text from a director you've always wanted to work with.
1:16:08So let's say this afternoon, bing, you look down, he's like, Tony, I've got the role for you. Everybody's so excited. Is that the text sound? What's your sound right now? It's in LA. They have a different sound. Mine is. Yeah, because the bing didn't sound right. The bing didn't sound right. I knew that was it. And I've heard that my whole life. but you in in that moment then he sends you part of the script and you realize oh no what would that character be what is the character like oh please don't i can't do that that's oh and i don't mean like it's you know it's some like rapist that's not but like what is the one you'd be like oh i don't know what if i was like because that's fine um uh what i couldn't do or just you'd be like oh this is i'm not sure i can pull this off i don't know what that i don't know what that is but let me tell you a quick story so my wife cracks me up and i remember coming to her once and saying sweetheart there's this role that i was offered and i'm really nervous about it because it's really dark and i'm nervous the only thing she said is how much no and i said sweetheart i i'm i don't that's not really the issue right now she's like yeah it is because we got a house to furnish yeah we can pay for therapy with that money how much we can pay for therapy with and i was like okay well we need we know where our priorities stand yeah um i don't know what that would be though um i mean this is a classic thing for me though because i think probably 20 years ago and this is not a lightning round now but 20 years ago i was very drawn on the line of like what i would do and what i would yeah yeah yeah now it's really dependent on the story wow i mean it's really something that i thought i wouldn't do in the past um i'm if i if it's i really believe in the story and to tell that character truthfully yeah i would you know do it do you think that's second half of life stuff i think it's oh don't you love that richard roer book yeah um have you I think so.
1:18:14Yeah. I think so because, A, life is really messy, and if you're going to tell a story authentically, sometimes you're going to play a character that's, you know, very different than you. Yeah. That's good. All right. Question number two. I love this question. This one will be quick. Who's your favorite Alabama football coach? Oh, my gosh. Okay. You can use Google for 20 seconds if you need to. No, I'm not. Okay. I'm not. Okay. the only reason i'm going to say this is why i did know this but i'm going to say nick saban because i just saw him in an aflac commercial that's amazing and so him and i have common ground now now you do you're both alabama people um what's the role you haven't played that you want to play um oh man i'm so always so thankful for gigs the role i wouldn't have i don't know I mean, I think I really did enjoy doing sketch.
1:19:09I liked playing things a little more grounded. So, you know, I think I've gotten that question so many times and I never have an answer because I think it's because I've had so much for K weird roles that to pinpoint one, you know, I just wouldn't know what that would be. That's cool. All right, dinner with four people. Who are they? Alive or dead. Alive or dead. Alive or dead. Dead, Dave Barnes. dead john um uh a lot of the dead version yeah i was gonna say well i'd say after this is over um oh you meant career dead sorry oh yeah yeah yeah dave barnes okay yeah no we can do that here um who would i have alive or dead um dang these are questions okay i would say henry nowen oh yeah because he just his writing is incredibly impactful for me um tim keller um tim conway from carol burnett show oh this is one of the best answers we've ever had and i would say the fourth would be i met her which is very exciting but i would say they were on the same show, but I would say Carol Burnett.
1:20:31You know, a pairing that I would, there's maybe not an amount of money I wouldn't pay to watch these two people sit and just like riff would be Tim Conway and Martin Short. Yeah. His or Martin Short as Jiminy Glick. Oh, and Tim. That would be unbelievable. Jiminy Glick is, my wife and I laugh so hard at his and it's not even his jokes that he says in there it's how comfortable he is how fluid that stuff comes out of his brain it is fascinating to watch yeah his interview with bill hater yeah one of my favorites oh so good and just so awkward oh and mean so mean yeah unbelievably mean yeah um okay what is the tv feature of a movie you wish you'd been in oh man that okay i wish i would been i would say i mean i can only say like because it's one of my top five is punch drunk love oh wow i loved it's between that or lars and the real girl because those are two movies that i just absolutely love and to be a part of that world would have been how creative those two movies are yeah very very creative.
1:21:50Gosh, I haven't thought about Punch Drunk Love in a while. I'm glad you brought that up. That's good. Okay, this is the final question. What's your favorite ice cream? Favorite white lion white ladies of Orange County. They have pizza bites. I feel like it's outdoors. They do. They are in western wear. White ladies of Orange County.
1:22:17Is that our title? It is. Now it is. It sounds like a terrible wine. Just awful white wine. It's on one of the Bravo shows for sure. Oh, for sure it is. Gotta be. If you wrote a screenplay about being a dad, what would it be called? If I wrote a screenplay about being a dad, what would it be about? What would it be about or what it would be called? What would it be called? It would be called, I think, Lifeline. Oh, wow. Lifeline. It has been my, and God, but, and having Loy, I think was a real, just beautiful focus and lifeline for my life. Wow. Yeah. That's good. Well, Tony, you're a legend. We're going to do a fake ending.
1:23:11Remember John, Jason told us to do this. That's true. So we're going to do like a. Both of you guys have really held onto those follicles, those hair follicles, man. Well, we're sponsored by Nutrafol. Are you? No, John. It's not. Don't even start. Don't even start. Now they're gone. Look at that. There we go. Boom. Thank you so much for doing this. Yeah, you're the best. Thank you, guys. I'm looking forward to hanging out in person now that I'm closer, so we've got to do that. Yeah. Where would you guys take me in Nashville if I were to come? There's a place that has pizza bites, and it's a Western theme, and I can't remember.
1:23:45So you want snap buttons on that button down? You can find some boots. But not many snaps. Just a couple. Just for access.
1:24:05Okay, Nicola, Quizfrage. Homeoffice-Bastade oder Fahrtkosten? Was bringt uns mehr? Moment, ich check das kurz. Oha, Homeoffice gewinnt. Bringt uns 150 Euro mehr im Jahr. Ja, richtig. Aber wieso weißt du sowas? Because WiesoSteuer shows live the Steuers app for all cases. And questions answer she also. 24-7 and without a language. That's just the app that understands us. Steuern completed? Safe! With WiesoSteuer. Now to try it out.
From the publisher
Tony Hale returns to Dadville! You might know him from Veep or Arrested Development, but we know him best as that lovable actor who's entering the "evolution and expansion" season of his career. Tony chats with the fellas about the long process of producing his new film, Sketch, and the motivation to move out of Hollywood. Also, he talks about the amazing experience of playing a nurse oncologist on The Sopranos. Don't miss this one!
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