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Podcast Summary: Decoder with Nilay Patel - Episode: Reality is Losing the Deepfake War
Episode Overview In this episode of Decoder, Nilay Patel engages Verge reporter Jess Weatherbed to discuss the urgent issue of deepfakes and the challenges of labeling images and videos in a world increasingly filled with AI-generated content. The conversation revolves around the C2PA (Coalition for Content Provenance and Authenticity) initiative and its shortcomings in combating misinformation in today’s media landscape.
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Key Themes and Concepts
- The Reality Crisis
- Definition: By 2026, society faces a "reality crisis" where manipulated images and videos are prevalent on social media.
- Implications: This crisis undermines trust in visual media, affecting public perception and reactions to significant events.
- C2PA Initiative
- What is C2PA?: A metadata standard aimed at authenticating digital content. It tracks the provenance of images and videos from creation through to sharing.
- Flaws:
- Initially designed for photography metadata rather than AI detection.
- Limited adoption across key stakeholders.
- Vulnerable to manipulation (metadata can be stripped or altered easily).
- Social Media’s Response
- Concerns from Executives: Leaders in social media, like Instagram’s Adam Mosseri, acknowledge the difficulty in trusting visual media.
- Shift in Trust: Mosseri warns that consumers will need to approach visual content with skepticism rather than trust.
- Broader Implications for Society
- Loss of Trust: The fundamental issue is the erosion of trust in visual media, which historically served as a reliable source of truth.
- Increased Misinformation: The current environment favors misinformation and deepfakes, complicating efforts to establish what is real and what is not.
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Detailed Discussion Points
AI and Creative Tools
- Generative AI Impact: The rapid evolution of AI tools has disrupted traditional creative processes, leading to a flood of AI-generated content that complicates authenticity.
The Role of Major Tech Companies
- Adoption and Responsibility: Companies like Adobe, Microsoft, and Google are involved with C2PA, but their commitment and sincerity are questionable given the current state of misinformation.
- Apple’s Involvement: Apple has not publicly committed to C2PA or similar initiatives, raising concerns about its responsibility as a leading camera maker.
Communication Challenges
- Labeling Complexity: There’s confusion around how to label AI-generated content effectively, leading to frustration among creators and consumers.
- Cultural Resistance: Labeling AI-generated content often triggers negative reactions from creators, who feel it devalues their work.
Regulatory Future
- Potential for Regulation: There is a likelihood that regulatory measures will emerge as the crisis deepens, particularly concerning misinformation and AI-generated deepfakes.
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Conclusion The conversation emphasizes the need for cohesive strategies to manage the reality crisis driven by AI-generated content. Both Patel and Weatherbed highlight that C2PA and similar initiatives, while promising, are currently inadequate in protecting reality and require significant improvement and greater industry-wide adoption. As societal norms shift regarding the trustworthiness of visual media, the episode concludes with a call for accountability from tech companies and regulators alike.
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Key Takeaways
- The reality crisis is exacerbated by AI-generated content and the proliferation of misinformation.
- The C2PA initiative has significant flaws and faces challenges in adoption and effectiveness.
- Major social media platforms are struggling to address the authenticity of content, leading to a breakdown in trust.
- There is a potential future for regulatory interventions as society grapples with these issues.
This episode of Decoder serves as a critical examination of the intersection of technology, creativity, and trust in the digital age.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Chapters
Tap a time to open that second in VOUnderstanding C2PA and Its Implications
2:25 to 4:23
Discuss the C2PA initiative and its relevance in addressing deepfake issues.
“The White House is sharing AI-manipulated images of people getting arrested and defiantly saying it simply won't stop when asked about it.”
Challenges in Labeling and Metadata
4:23 to 6:10
Explore the challenges of using metadata to combat misinformation.
“Okay, Verge reporter Jess Weatherved on C2PA and the effort to label our way into reality.”
C2PA's Limitations and Competitors
6:10 to 8:04
Examine the flaws in C2PA and its competition in the digital space.
“So can you just quickly explain what that stands for, what it is, and where it comes from?”
Industry Players and Their Roles
8:04 to 10:39
Discussion on the roles of various companies in the C2PA initiative.
“Well, it's a little bit of a confusing landscape because I think one of the few kind of like tech says that I would say there shouldn't actively be competition.”
Apple's Hesitance in AI Labeling
10:39 to 12:39
Analyze Apple's cautious approach to AI and standards adoption.
“the situation, just that they're using it and just that they're encouraging everyone else to be using it too.”
The Future of AI-Generated Content
12:39 to 13:54
Considerations on the future of AI-generated content and its impact.
“is to drive the standard so people trust the images and videos that come off the cameras.”
Challenges in Backdating Camera Technology
14:00 to 18:15
Explore the difficulties in integrating new technology with existing camera models.
“and nothing is going to offer them that at the minute.”
Stock Image Agencies and Trust Systems
18:15 to 22:08
Discuss the role of stock image agencies in establishing trust through metadata.
“And at the point of uploading any images, there are social media platforms.”
The Evolution of Trust in Media
25:07 to 28:12
Investigate the changing perceptions of trust in media and social platforms.
“We're going to move from assuming what we see is real by default to starting with skepticism.”
The Complexity of AI Labels and Creator Dynamics
28:12 to 30:35
Explore the tensions between AI labeling and creator perception in digital content.
“On top of that, and you've written about this as well, there's the notion that these labels make you mad at people, right?”
Show all 18 chapters
What Defines a Photo in the Age of AI?
30:36 to 32:20
Understand the evolving definition of photography and AI's influence on it.
“If you're a Verge reader, even listening to the Verge cast, you know that we've been asking a very simple question for over five years now.”
The Role of Social Media Platforms in AI Labeling
32:21 to 34:24
Discuss how various social media platforms approach AI labeling and misinformation.
“TikTok, for example, is nowhere to be found here.”
The Devaluation of Creativity in AI-Generated Content
34:25 to 36:24
Examine how AI-generated labels impact perceptions of creative value.
“So yeah, Google just had one of its best quarters ever.”
Misinformation and Bad Faith Actors in AI Usage
39:23 to 42:01
Analyze the role of misinformation in AI content and the implications for trust.
“If you've spent any time lately trying to get an AI to do something useful, not just sound impressive, but generally help you think through a hard problem or task, you may have heard the name Claude.”
The Government's Role in AI Manipulation
42:01 to 44:01
Explore how government AI-generated imagery affects public perception and trust.
“faith actors at this moment in time are the United States government.”
Profit Motives and the AI Dilemma
44:01 to 46:04
Discuss the mixed incentives of AI companies in labeling deepfakes.
“They would have to stop and think about it.”
Challenges in AI Detection and Trust
46:04 to 48:49
Understand the difficulties in detecting AI-generated content and maintaining trust.
“There is like the systems for doing so at the minute are being developed by AI providers, as we've said, or they're at least AI providers deeply involved with a lot of these systems.”
The Future of AI Regulation
48:49 to 52:51
Examine potential regulatory efforts and their implications for AI platforms.
“I think this has failed for what has been presented to us, because what CTPA was for and what companies have been using it for are two different things to me.”
Transcript
Automatic transcript. May contain errors.0:00Nilay Patel:Support for Decoder comes from Adobe. Life is unpredictable, and that means you need your projects to adapt with whatever gets thrown at you. That means mastering the ability to pivot and collaborate with others to reach your goals. Adobe gets that, which is why they made a tool that's just as flexible as you are. PDF Spaces and Acrobat Studio. Your PDF files are no longer static. Instead, they're living documents that flex with you and your project's needs. Learn more at adobe.com slash do that with Acrobat.
0:57Jess Weatherbed:Wait, you want to shop Walmart with me? Alrighty, I think I can fit you in.
1:03Nilay Patel:When you want your spring break to feel like... And your kids' pool day to feel like... And your hotel bed to feel like... Ooh, and room service to feel like... Because at Hilton, hospitality feels like... Your cabana's ready. Would you like fresh towels?
1:24Jess Weatherbed:It matters where you stay. Book now at Hilton.com. Hilton, for this day.
1:35Nilay Patel:Hello and welcome to Decoder. I'm Neil I. Patel, editor-in-chief of The Verge, and Decoder is my show about big ideas and other problems. Today, we're going to talk about reality and whether we can label photos and videos to protect our shared understanding of the world around us. No, really, we're going to go there. It's a deep one. To do this, I'm going to bring on Verge reporter Jess Weatherby, who covers creative tools like Photoshop and Canva for us. It's a space that's been totally upended by generative AI in a huge variety of ways, with an equally huge number of responses from artists, creatives, and the people who consume all of that art and creative out in the world.
2:11Nilay Patel:Now, if you've been listening to Decoder or my other show, The Verge Cast, or even just reading The Verge over these past few years, you'll know that we've been talking about how the photos and videos taken by our phones are getting more and more processed and AI-generated for years now. And now, in 2026, we're in the middle of a full-on reality crisis, as fake and manipulated, ultra-believable images and videos flood onto social platforms at scale and without regard for responsibility or norms or even basic decency. The White House is sharing AI-manipulated images of people getting arrested and defiantly saying it simply won't stop when asked about it.
2:50Nilay Patel:We are just totally off the deep end now. Whenever we cover this stuff, I get the same question from a lot of different parts of our audience. Why isn't there a system to help people tell the real photos and videos apart from the fake ones? Some people even propose systems to us. And as it happens, Jess has actually spent a lot of time covering a few of these systems that exist in the real world. The most promising is something called C2PA. In her view, is that so far, these systems have been almost entirely failures. In this episode, we're going to focus on C2PA, since it's the one that has the most momentum.
3:22Nilay Patel:It's a labeling initiative spearheaded by Adobe, with buy-in from some of the biggest players in the industry, including Meta, Microsoft, and OpenAI. But C2PA, which is also sometimes referred to as content credentials, has some pretty serious flaws. First, it was designed as more of a photography metadata standard, not an AI detection system. And second, it's really been only half-heartedly adopted by a handful, but not nearly all, of the players you would need to make it work across the internet ecosystem. We're at the point now where Adam Masseri, who runs Instagram, is publicly posting that the defaults should shift and that you should not trust images or videos the way that you maybe could before.
4:03Nilay Patel:Think about that for one second. That's a huge, pivotal shift in how society evaluates photos and videos, and it's an idea I'm sure we're going to come back to a lot this year. But we have to start with the idea that we can solve this problem with metadata and labels, that we can label our way into a shared reality, and why that idea might simply never work. Okay, Verge reporter Jess Weatherved on C2PA and the effort to label our way into reality. Here we go.
4:42Nilay Patel:Jess Weatherbed, welcome to Decoder. Hi. I want to just set the stage. Several years ago, I said to Jess, boy, these creator tools are criminally undercovered. Adobe as a company is criminally undercovered. Go figure out what's going on with Photoshop and Premiere and the creator economy, because there's something there that's interesting. And fast forward, here you are in Decoder today, and we're going to talk about whether you can label your way into consensus reality. I just think it's important to say that's a weird turn of events.
5:09Jess Weatherbed:Yeah. I keep likening the situation to the Jurassic Park memo, where people thought so long about whether they could. They didn't actually stop to think about whether they should be doing this. And now we're in the mess that we're in.
5:20Nilay Patel:The problem, broadly, is that there's an enormous amount of AI-generated content on the Internet. Much of it just depicts things that are flatly not real. An important subset of that is there's a lot of content that depicts modifications to things that actually happened. So our sense that we can just look at a video or a picture and sort of implicitly trust that it's true is fraying if not completely gone. And we will come to that because that's an important turn here. But that's the sort of state of play. In the background, the tech industry has been working on a handful of solutions to this problem, most of which involve labeling things at the point of creation.
6:01Right?
6:02Nilay Patel:The moment you take a photo or the moment you generate an image, you're going to label it somehow. The most important one of those is called C2PA. So can you just quickly explain what that stands for, what it is, and where it comes from?
6:15Jess Weatherbed:So this is a metadata standard, effectively, that was kickstarted by Adobe. Interestingly enough, Twitter as well, back in the day. You can see where the logic lies. It was supposed to be that everywhere a little bit of content goes online, this embedded metadata would follow. So what C2PA does is at the point that you take a picture on a camera, you upload that image into Photoshop. All of these instances would be recorded in the metadata of that file to say exactly when it was taken, what has happened to it, what tools were used to manipulate it. And then as a two-part process, all of that information could then hypothetically be read by online platforms where you would see that information.
6:56Jess Weatherbed:So as consumers, as internet users, we wouldn't have to do anything. we would be able to, in this imaginary reality, go on Instagram or X and look at a photo and there'd be a lovely little button there that just says, this is AI generated or this is real or some sort of authentication. That has obviously proven a lot more difficult in reality than on paper.
7:19Nilay Patel:Tell me about the actual label. You said it's metadata. I think a lot of people have a lot of experience with metadata. We are all children of the MP3 revolution. Metadata can be stripped, it can be altered. What protects the C2PA metadata from just being changed?
7:34Jess Weatherbed:They argue that it's quite tamper-proof, but it's a little bit of an action-to-speak-louder-than-words kind of situation, unfortunately, because while they say it's tamper-proof, this thing is supposed to be able to resist being screenshot, for example, by the way. But then OpenAI, who is actually one of the steering community members behind this standard, openly says it's incredibly easy to strip to the point that online platforms might actually do that accidentally. So the theory is there's plenty behind it to make it robust, to make it hard to remove. But in practice, that just isn't the case.
8:03Jess Weatherbed:It can be removed maliciously or not.
8:06Nilay Patel:Are there competitors to C2PA?
8:10Jess Weatherbed:Well, it's a little bit of a confusing landscape because I think one of the few kind of like tech says that I would say there shouldn't actively be competition. And from what I've seen, from what I've spoken to with all these different providers, there isn't competition between them so much as they're all working towards the same goal. Google Synth ID is similar. It's technically a watermarking system more so than a metadata system, but they work on kind of a similar premise that stuff will be embedded into something you take that you will then be able to assess later to see how genuine it is.
8:38Jess Weatherbed:Like the technicalities behind that are difficult to explain in a shortened context, but they do operate on different levels, which means technically they could work together. A lot of these systems can work together. whether you've got inference-based systems as well, which is what they will look at an image or a video or a piece of music and they will pick up telltale signs that apparently may have been manipulated by AI and they will give you a rating. They can never really say yes or no, but they will give you a likelihood rating. None of it will stand on its own to be like a one true solution.
9:07Jess Weatherbed:They're not necessarily competing to be the one that everyone uses. And that's almost kind of the mess that CTPA is now in. It's been lauded, it's been grandstandard, this say, this will save us, whereas it was never designed to do that. And it certainly isn't equipped to.
9:22Nilay Patel:Who runs it? Is it just a group of people? Is it a bunch of engineers? Is it simply Adobe? Who's in charge?
9:27Jess Weatherbed:It's a coalition. The most prominent name you'll see is Adobe because they're the one that shout about it the most. They've kind of like one of the founding members of the Content Authenticity Initiative, which helped to develop the standard. But you've got big names that are part of the steering committee behind it, which are supposed to be the groups involved with helping other people to adopt it, which is the important thing, because otherwise it doesn't work. In part of this process, if you're not using it, a CTP falls over. And OpenAI is part of that. Microsoft, Qualcomm, Google, all of these huge names are all involved with that and are supposedly helping to they're very careful not to say develop it, but to promote its adoption and to encourage other people.
10:04Jess Weatherbed:So in regards to who's actually working on it.
10:07Nilay Patel:Why are they careful not to say they're developing it?
10:09Jess Weatherbed:There isn't kind of any confirmation I can find where it's got something like, I don't know, Sam Altman saying, we've found this flaw in CTPA and therefore we're helping to address any kind of like falls and pitfalls that they have. It's always just, anytime I see it mentioned, it's whenever a new AI feature has been rolled out and there's a convenient little disclaimer slapped on the bottom, kind of a, yay, we did it. Look, it's fine. A new AI thing, but we have this totally cool system that we use that's supposed to make everything better. They don't actively say what they're doing to improve the situation, just that they're using it and just that they're encouraging everyone else to be using it too.
10:44Nilay Patel:One of the most important pieces of the puzzle here is labeling the content at capture. We've all seen cell phone videos of protests and government actions and horrific government actions. And I think Google has C2PA in the Pixel line of phones. So video that comes off a Pixel phone or photos that come off a Pixel phone have some embedded metadata that says it's real. Apple notably doesn't. Have they made any mention of C2PA or any of these other standards that would authenticate the photos or videos coming off an iPhone? That seems like an important player in this entire ecosystem.
11:16Jess Weatherbed:They haven't officially or on record. I have sources that say apparently they were involved in conversations to at least join, but nothing public facing at the minute. There has been no confirmation that they are actually joining the CIA initiative or even kind of adopting Google SynthID technology. They're kind of very carefully skirting on the sidelines. And for some reason, it's a little bit unclear as to whether they're kind of letting their caution about AI generally kind of stem into this at this point, because as far as I'm concerned, there is not going to be a one true solution. So I don't really know what Apple is waiting for.
11:46Jess Weatherbed:And they could be making a difference. But no, they haven't been making any kind of declarations about what we should be using to label AI. That's so interesting to me.
11:56Nilay Patel:I mean, you know, I love a standards war. And we've covered many standards wars. And the politics of tech standards are usually ferocious. And they're usually ferocious because whoever controls the standard generally stands to make the most money. Or whoever can drive the standard and an extended standard can make a lot of money. Apple has played that game maybe better than anybody, right? They have driven a lot of the USB standard. They were behind USB-C. They drove a lot of Bluetooth standard. They extended that standard for AirPods. I can't see how you make money with C2PA. and it seems like Apple is just letting everyone else figure it out and then they will turn it on.
12:36Nilay Patel:And yet it feels like the responsibility to be the most important camera maker in the world is to drive the standard so people trust the images and videos that come off the cameras. Does that dynamic come out anywhere in your reporting or your conversations with people about this standard? It's not really there to make money. It's there to protect reality.
12:55Jess Weatherbed:The money making side of things never really comes into the conversation. It's always that people are very quick to assure me that things are progressing. There's never any kind of conversation about incentive to motivate other people to do so. So yeah, Apple doesn't stand to really gain anything financially from this other than maybe the reassurance that people know that if they're taking a picture with their iPhone, it could help to contribute to some sense of establishing what is still real and what isn't. But then that's a whole other can of worms, because if iPhones is doing it, then all the platforms that we see those pictures also have to be doing it.
13:30Jess Weatherbed:Otherwise, I'm just kind of verifying that this is real to my own eyes as me, the person that uses my iPhone. I think it's just Apple may be aware that all the solutions that we currently have available are inherently flawed. So throwing your lot in as one of the biggest names in this industry and one that could arguably do the most difference, you're kind of almost exacerbating the situation that Google and OpenAI are now in, which is that they keep lauding this as a solution and it doesn't fucking work. It just, like, I think Apple needs to be able to stand on its laurels about something and nothing is going to offer them that at the minute.
14:03Nilay Patel:I want to come back to how specifically it doesn't work in one second. Let me just stay focused on the rest of the players on the sort of content creation side of the ecosystem. There's Apple, there's Google, which uses it in the Pixel phones. It's not an Android proper, right? So if you have a Samsung phone, you don't get C2PA when you take a picture of the Samsung phone. What about the other camera makers? Do Nikon and Sony and Fuji, are they all using the system?
14:27Jess Weatherbed:A lot of them have joined. They've released new camera models that have got the system embedded. The problem that they're having now is in order for this to work, you don't just have to do it on your new cameras because every photographer in the world worth their salt isn't going to go out every year and buy a brand new camera because of this technology. It would be inherently useful, but that's just not going to happen. So backdating existing cameras are where the problem is going to be. we've spoken to a lot of different companies as you said like sony has been involved with this like all of them nikon the only company willing to speak to us about it was like her and even they were very vague on how internally this is progressing they just keep saying that it's part of the solution it's part of the step that they're going to be taking but these cameras aren't being backdated at the minute if you have an established model it's it's 50 50 as to whether it's even possible to update it with the ability to log these metadata credentials in from that point.
15:20Nilay Patel:There are other sources of trust in the photography ecosystem. The big photo agencies require the photographers who work there to sign contracts that say they won't alter images, they won't edit images in ways that fiddle with reality. Those photographers could use the cameras that don't have the system, upload their photos to Getty or AFP or Shutterstock, and then those companies could embed the metadata and say, you can trust us. Are any of them participating in that way?
15:46Jess Weatherbed:We know that Shutterstock is a member. at the minute, like the system that you're describing would probably be the best approach that we have to making this beneficial, at least for us, as people that see things online and want to be able to trust whether protest images or like horrific things we're seeing online are actually real to have a trusted middleman, as it were. But that system itself hasn't been established. We do know that Shutterstock is involved. They are part of the CTPA committee, or they have general membership, so they are on board with using the standard, but they're not actively part of the process behind how it's going to be adopted at a further stage.
16:21Jess Weatherbed:So unless we can also get the other big players involved for stock imagery, then who knows where this is going to go. But Shutterstock actually implementing it as a middleman system would be probably the most beneficial way to go.
Read the full transcript
16:32Nilay Patel:I'm just thinking about this in terms of the stuff that is made, the stuff that is distributed, and the stuff that is consumed. It seems like at least at the moment of creation, there is some adoption, right? Adobe is saying, okay, in Photoshop, we're going to let you edit photos and we're going to write the metadata to the images and pass them along. A handful of phone makers, Google, at least in its phones, is saying we're going to write the metadata. We're going to have Synth ID. OpenAI is putting the system into Sora 2 videos, which you wrote about. On the creation side, there's some amount of, okay, we're going to label the stuff.
17:05Nilay Patel:We're going to add the metadata. The distribution side seems to be where the mess is, right? Nobody's respecting this stuff as it travels across the internet. Talk about that. You read about Sora 2 videos and they exploded across the internet. This is when it should have not been controversial to put labels everywhere saying this is AI-generated content. And yet it didn't happen. Why didn't that happen anywhere?
17:26Jess Weatherbed:It generally exposes the biggest flaw that the system has. And every system like it, to its credit. So I would always argue I don't want to defend CTPA because it's doing a bad job. It wasn't ever designed to do it on this scale, right? It wasn't designed to apply to everything. So in this example, yes, platforms need to be adopting it to actually read that metadata, providing they're not the ones ripping it out during the process of actually supposedly scanning for it. But unless this is absolutely everywhere, it's just not going to go. Part of the problem that we're seeing is as much as they can credit it saying it's going to be really robust, it's going to be really efficient, you can embed this at any other stage.
18:04Jess Weatherbed:There are still flaws with how it's being interpreted, even if it is scanned. So that's a big thing. It's not necessarily that platforms aren't picking up the metadata or stripping it out. It's that they have no idea what to do with it when they actually have it. And at the point of uploading any images, there are social media platforms. LinkedIn, Instagram threads are all supposed to be using this standard. And there is a chance that when you upload any kind of image or video to the platform, any metadata that was involved in that is just going to be stripped out regardless. So unless they can all come to an agreement, every platform, literally every platform that we access and use online, You come to an agreement that they are going to be scanning for very, very specific details.
18:41Jess Weatherbed:They're going to be adjusting their upload processes. They're going to be adjusting how they communicate to their users. There needs to be that uniform, total uniform conformity for a system like this to actually make a difference, not even just to work. And we're clearly not even going to see that. One of the conversations I had actually was when I was grilling Andy Parsons, who is head of content credentials at Adobe, which is another, that's their word for implementing CTP. data. I commented on the fact that the Grok mess that we've had recently, Twitter was a founding member of this. And then when Elon purchased the platform, it disappeared off.
19:15Jess Weatherbed:And by the sounds of it, they've been trying to entice X to get back involved, but that's just not going anywhere. And X, however we see its user base at the minute, has millions of people using it. And that is a portion of the internet that is never going to benefit from their system because it has no interest in adopting it. So you're never going to be able to address that.
19:35Nilay Patel:we have to take a quick break we'll be right back
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22:08Hi, everyone.
22:09Nilay Patel:This segment of Decoder Sessions features my boss, Helen Havlock, the Veritas publisher, and L 'Oreal Group's global vice president of tech and open innovation. I think you're going to enjoy this conversation.
22:19Jess Weatherbed:We're going to start with a Decoder classic question, Giv. What does tech and open innovation mean at L 'Oreal? Who is on your team? What kind of projects do you work on?
22:27Nilay Patel:Open innovation is all the partnerships that we have in L 'Oreal, working with startups outside. And it's really a great time right now to be doing open innovation because we're doing things in vertical farming and sustainable cultivation and biotech. So we do all those partnerships and our team is responsible for them. And the augmented beauty team is all the tech that started 15 years ago when we kind of had a blank page and now how can we bring beauty and tech together?
22:53Jess Weatherbed:How do you decide which projects to invest in?
22:55Nilay Patel:At the beginning, I was trying to push as much as I could to get people to think that beauty was relevant for tech. So we're really tech centric. And then over time, we started thinking about how to look more at beauty products that we can upgrade thanks to tech. And so we have a little bit more kind of process behind how we choose projects. Now we try and kind of do things like upgrading the hairdryer to be able to do three out of four people have a hairdryer at home. And so how can we make it better? Or this year, like the flat irons that we're using and LED masks and stuff like that. So we do have a little bit of that kind of process, but we leave some space for serendipity and some creativity.
23:33Nilay Patel:So we have scientists all the way to engineers, and we let the scientists kind of think of some new clever ideas, too.
23:48Nilay Patel:We're back with Verge reporter Jess Weatherman. Before the break, Jess was explaining the origins of the C2PA standard, and why attempts to label AI imagery have been moving so slowly among phone makers, camera providers, and other parts of the photography ecosystem. This effort to label AI images and videos is also falling apart at the distribution level, because not all of the major social media platforms agree on how to handle and display this metadata, so they can share that information with the people looking at stuff on the platforms. So where exactly does that leave us? Well, the head of Instagram, Adam Masseri, had some big ideas about all that that he published to the platform about a month ago.
24:24Nilay Patel:And I think his post tells us a lot about how the most influential social media executives see this problem evolving in the future and reckoning with what, if anything, they can actually do about it. I'm going to read you this quote from Adam Masseri, who runs Instagram. On New Year's Eve, he just dropped a bomb and he put out a blog post in the form of a 20 carousel Instagram slideshow. which has its own PhD thesis of ideas about how information travels on the internet embedded within it. But he put out a 20 slide slideshow on Instagram. In it, he said, quote, for most of my life, I could safely assume photographs or videos were largely accurate captures of moments that happened.
25:04Nilay Patel:This is clearly no longer the case, and it's going to take us years to adapt. We're going to move from assuming what we see is real by default to starting with skepticism. This is the end point, right? This is you can't trust your eyes. You can no longer trust a photo. You can't trust a video of any event is actually real and reality will start to crumble. And you can just look at events in the United States over the past month. The reaction to ICE killing Alex Preddy was, well, we all saw it. And it's because there was lots of video of that event from multiple angles and everyone said, well, we can all see it.
25:37Nilay Patel:And the foundation of that is we can trust that video. And I'm looking at Adam Aseri saying, we're going to start with skepticism. We can no longer assume photos or videos are accurate captures of moments that happened. This is the turn. This is the point of the standard. Do you see Maseri saying this out loud about Instagram is the end point of this? Is this war just lost?
25:57Jess Weatherbed:I would say so. I think we've kind of been waiting for tech to basically admit that. I see them using stuff like CTPA, almost kind of a meritless badge at this point, because they're not endeavoring to push it to its utmost potential, really. even if it was never going to be the ultimate solution it could have been at least some kind of benefit and we know that they're not doing this because in the same message like missouri is describing this like oh if it would be easier if we could just tag real content that's going to be so much more doable and if any of we could that would be good and we'll we'll we'll circle those people it's like my guy that's that's what you're doing that is like like ctpa is that like It's not specifically an AI tagging system.
26:40Jess Weatherbed:It's a where has this been and who took this? Who made this? What has happened to it? So if we're going for authenticity, like Mozeria is just openly saying, we're using this thing and it doesn't work. But imagine if it did. Wouldn't that be great? It's like, that's deeply unhelpful. So yeah, it's his way of kind of like deeply unhelpfully musing into some system that we'll be able to, I don't know, regain some kind of trust, I guess, while also acknowledging that we're already there.
27:08Nilay Patel:I'm going to make you keep arguing with Adam Assari. We've invited Adam on the show. We'll have him on, and maybe we can have this debate with him in person. But for now, you're going to keep arguing with his blog post. He says, platforms like Instagram will do good work identifying AI content, but it'll get worse over time as AI gets better. It'll be more practical to fingerprint real media than fake media. Labeling is only part of the solution, he says. We need to surface much more context by the accounts sharing content so people can make informed decisions. So he's saying, look, we'll start to sign all the images and everything, but actually you need to trust individual creators.
27:42Nilay Patel:And if you trust the creator, then that will solve the problem. And it seems like you're really skipping over the part where creators are often fooled by AI-generated content, like all the time. And I don't mean that to say like creators as a class of people. I mean literally just everyone is fooled by AI content all the time. And so if you're trusting people to understand it and then share what they think is real and then you're trusting the consumers to trust the people, that also seems like a whirlwind of chaos. On top of that, and you've written about this as well, there's the notion that these labels make you mad at people, right?
28:20Nilay Patel:So that if you label a piece of content as AI generated, the creator gets furious because it makes their work seem less important or less valuable. The audiences yell at the creators. And so there's been a real push to get rid of these labels entirely because they seem to make everyone mad. How does that dynamic work here? Does any of this have a way through?
28:43Jess Weatherbed:I mean, it doesn't. And the other kind of amusing thing is Instagram knows this the hard way. Missouri should remember. but one of the very first platform implementations they did of reading CTPA was done by Facebook and Instagram a couple of years ago, where they were just slapping maybe the AI labels onto everything because that's what the metadata told them. The big problem here that we have isn't just communication, which is the biggest part of it. How do you communicate a complex bucket of information to every person that's going to be on your platform and get them only the information that they need?
29:16If I'm a creator, it shouldn't have to matter if I was using AI
29:19Jess Weatherbed:or not but if i'm a person trying to see if again a photo is real i would i would greatly benefit from just a easy button or label that verifies authenticity finding the balance for that has proven next to impossible because as you said people just get upset about it but then how do you define how much ai and something is too much ai you know like photoshop and all of adobe's tools They do embed these content credentials that all of this metadata will say when AI has been used. But AI is in so many tools and not necessarily in the generative way that we assume it's going to be like, I'm going to click on this.
29:57Jess Weatherbed:It's going to add something new to an image that was never there before. And that's fine. There are very basic editing features that video editors and photographers now use that will have some kind of information embedded into them to say that AI was involved in that process. And now when you've got creators on the other side of that, they might not know that what they are using is AI. We're at the point where, unless you can go through every platform, every kind of editing suite with a fine-tooth comb and designate, what do we count as AI? This is a non-starter. Like, he's already hit the point of we can't communicate this to people effectively.
30:35Nilay Patel:Let's pause here for a second, because I want to lay out some important context before we go any farther. If you're a Verge reader, even listening to the Verge cast, you know that we've been asking a very simple question for over five years now. What is a photo? It sounds simple, but it's actually quite complicated. Because after all, when you push the shutter button on a modern smartphone, you are not actually capturing a single moment in time, which is what most people think of a photo as. Modern phones actually take a lot of frames, both before and after the second you push the shutter button, and then merge them into a single final photo.
31:10Nilay Patel:So that's to do things like even out the shadows and highlights of a photo, to capture more texture, to accomplish things like night mode. And over the years, things have gotten even weirder. There was a mini scandal a few years ago where if you tried to pick a photo of the moon with a Samsung phone, the phone actually just generated a picture of the moon. Super weird. And of course, Google Pixel phones have all kinds of Gemini-powered AI tools in them, to the point where Google now says the camera is there to help people capture memories, not moments in time. This is all a lot. And like I said, we've been talking about it for years here at The Verge.
31:43Nilay Patel:I bring this up because generative AI is taking the what is a photo debate to its absolute limits. It's hard to even agree on how much AI editing makes something an AI edited photo, or whether any of these features should be considered AI in the first place. And if that's so hard, how can we possibly reach consensus on what's real and what we label as real? Camera makers have all mostly given up here. And now I think we're starting to see the major social media platforms do the same thing. I wanted to talk about this for a second here because obviously it's an obsession of mine. But also I think laying it all out makes it obvious how very, very complicated it is.
32:19Nilay Patel:Which brings us back to Adam Masseri, Instagram, and the debate over AI labeling. I will give some credit to Instagram and Adam Masseri here in that they are at least trying and thinking about it and publicly thinking about it in a way that none of the other social networks seem to have given any shred of consideration to. TikTok, for example, is nowhere to be found here. They are just going to distribute whatever they distribute without any of these labels, and it doesn't seem like they're part of the standard. X, I think X is absolutely just fully down the rabbit hole of distributing pure AI misinformation.
32:59Nilay Patel:YouTube seems like the outlier, right? Google runs SynthID. They're in C2PA. They're embedding the information literally at the point of capture in Pixel phones. What is YouTube doing?
33:09Jess Weatherbed:A very similar approach to TikTok, actually, because weirdly enough, TikTok is involved with this. They use the standard. They're not necessarily a steering member, but they are involved. And they have the similar approach where you will get an AI information label somewhere towards, depending on what format you're viewing on mobile or your TV, your computer, you'll get a little AI information label that you have to click in and ascertain the information you need from that. So their kind of problem is making sure it's robust enough because this doesn't appear consistently. There are AI videos all over YouTube that don't carry this and there's never a good explanation.
33:43Jess Weatherbed:Every time I've asked them, it's always just, you know, we're working on it. It's going to get there eventually, whatever. Or they ask for very specific examples and then run in and fix those while I'm like, okay, but if this is falling through the net, how can you stand by this as a standard and your own synth id stuff and you're clearly using it to soothe concerns that people have despite its ineffectiveness they don't seem to be progressing any further than just presenting those labels probably because of what happened to instagram and now we've just got the situation where like meta does seem to be standing on the sidelines going well we tried so let's just see what someone else can do and maybe we'll adopt it from there but youtube doesn't really want to address the slop problem because so much of uh youtube content that's showed to new people is now slop and it's proven to be quite profitable for them.
34:28Nilay Patel:So yeah, Google just had one of its best quarters ever. Neil Mohan, the CEO of YouTube, he's been on the show in the past. We will have him on the show again in the future. He announced at the top of the year that the future of YouTube is AI and they have features that they've announced along the lines of creators can have AI versions of themselves do the sponsored content so that the creators can do whatever the creators actually want to do. And there's a part of me that completely understands that. Like, yes, my digital avatar should go make the ads so I can make the content that the audience is actually here for.
35:00Nilay Patel:And there's a part of me that says, oh, they're never going to label anything because the second they start labeling that as AI-generated, which clearly will be, they will devalue it. And there's something about that in the creative community with the audience that seems important. I know you've thought about this deeply. You've done some reporting here. what is it about the ai generated label that makes everything devalued that makes everybody so angry
35:24Jess Weatherbed:i think it's people trying to put a value on creativity itself right if i was looking at luxury handbags and i see that they've not paid a creative team this is a creative company that makes like wonderful products it's supposed to stand on the quality of all of the stuff that it sells you if i find that you're not involving creative personnel in that to make an ad for me to want to buy your handbag? Why would I want to buy it in the first place? And not everyone will have that perspective, but as someone that worked in the creative industry for a long time, you kind of see the work that goes into something, even if it's something as laughable as a commercial.
35:56Jess Weatherbed:I love TV commercials because as annoying as they are, and as much as they're trying to get me to buy something, you can see the work that went into it, that someone had to write that story, had to get behind the film cameras, had to make the effects and all that kind of stuff. So it feels like if you're taking a shortcut to remove all of that, then you're already cheapening the process yourself. Like that's what I feel. And from the conversations I've had with the other creatives, that seems to be the initial response of AI looks cheap because it's meant to be cheap. That's why it exists. It exists for efficiency and affordability.
36:28Jess Weatherbed:If you're coming across with trying to sell me something on that, it's probably not going to make the best first impression unless you make it utterly undetectable. And if you have a big made with AI or assisted with AI label on that, it's no longer undetectable because even if I can't see it, you've now just admitted that it's there.
36:45Nilay Patel:We need to take another quick break. We'll be right back.
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40:48Nilay Patel:We're back with Verge reporter Jess Weatherbutt. You heard us talking about how AI labels are falling apart at the distribution level, the social media level, and how some tech executives, like Adam Masseri, the head of Instagram, are trying to wrap their heads around a world where we can't trust anything posted to social platforms. But now I want to shift the focus away from all these people who are ostensibly acting in good faith towards some of the people who are accelerating the chaos on purpose, including the White House. That's a lot of mixed incentives for these platforms. And it occurs to me as we've been having this conversation, we've been kind of presuming a world in which everyone is a good faith actor and trying to make good experiences for people.
41:26Nilay Patel:And I think a lot of the executives of these companies would love to presume that that is the world in which they operate. And whether or not the label makes people mad and you want to turn it off or whether whether or not you can trust the videos of significant government overreach and cause a protest, that's still operating in a world of good faith. Right next to that is reality, the actual reality in which we live, where lots of people are bad faith actors who are very much incentivized to create misinformation, to create disinformation. And some of those bad faith actors at this moment in time are the United States government.
42:06Nilay Patel:So the White House publishes AI photos all the time. Department of Homeland Security, AI-generated imagery up, down, left, right, and center. You can just see AI-manipulated photos of real people modified to look like they're crying as they're being arrested instead of what they actually looked like. This is a big deal, right? This is a war on reality from literally the most powerful government in the history of the world. Are the platforms ready for that at all? Because like here's the, they're being faced with the problem, right? This is the stuff you should label. No one should be mad at you for labeling this.
42:40Nilay Patel:And they seem to be doing nothing. Why do you think that is?
42:44Jess Weatherbed:I think it's because it's the same process, right? What we're talking about is a kind of a two-way street that is on the same road. You've got the people want to identify AI slop, or maybe they don't, but people want to be able to like see what is and what isn't AI. But then you've got the more insidious thing if we actually want to be able to tell what is real. but it unfortunately benefits too many people to make that confusing now. But the solution is for both. AI companies, platforms that are profiting off of all of the stuff that they're showing, how they're making it so much more efficient for content creators to slap stuff in front of you.
43:12Jess Weatherbed:Like we're in a position now where there's more online than we've ever seen, ever, because everything is being funneled out. Why would they want to harm that profit stream effectively by having to either slam on the brakes of development until they can figure out how they are going to effectively be able to call out when deep fakes are proving to be a problem when they're going to be able to like the methods of being put in front of it rather than setting up some kind of middle system like a shutterstock thing like we discussed earlier where all press images now have to come from one authority that has to verify the identity of everyone taking them like maybe that's a possibility but we are so far from that point and no one's from to my knowledge no one's instigated setting something like that up so they're just kind of relying on everyone talking about this in good faith again every conversation i've had with this is we're working on it it's a slow process we're going to get there eventually oh it was never designed to do all of this stuff anyway so it's very blasé and kind of low effort really it's kind of a we've joined an initiative what more do you want um which is incredibly frustrating but that seems to be the reason that everything is kind of not developing because in order to develop any further in order to actually help us they would have to pause.
44:23Jess Weatherbed:They would have to stop and think about it. And they're too busy running out every other tool and feature that they can think of doing because they have to. They have to keep their shareholders happy. They have to keep us as consumers happy, while also saying ignore everything else that's going on in the background.
44:37Nilay Patel:When I say there's mixed incentives here, one of the things that really gets me is that the biggest companies investing in AI are also the biggest distributors of information. They're the people who run the social platforms. So Google obviously has massive investments in AI. They run YouTube. Meta has massive investments in AI. To what end? Unclear, but massive investments in AI. They run Instagram and Facebook and WhatsApp and the rest. Just down the line, you can see, okay, Elon Musk is going to spend tons of money on XAI and he runs Twitter. This is a big problem, right? If your business, your money, your free cash flow is generated by the time people are spending on your platforms, and then you're plowing those profits back into AI, you can't undercut the thing you're spending the R &D money on by saying we're going to label it and make it seem bad.
45:26Nilay Patel:Are there any platforms that are doing it that are saying, hey, we're going to promise you that everything you see here is real? Because it seems like a competitive opportunity.
45:36Jess Weatherbed:Very small. There's an artist platform called Kara, which says that they're so for supporting artists that they're not going to allow any AI-generated artwork on the site. But they haven't really clearly communicated how they are going to do that. Because saying it is one thing and doing it is another thing entirely. There are a million reasons why we don't have a reliable detection method at the minute. So if I, in complete good faith, pretend to be an artist that's just feeding AI-generated images onto that platform, there's very little they can really do about it. So anyone that's making those statements saying, yeah, we're going to stand to merit and we're going to keep AI off of the platform.
46:10Jess Weatherbed:How? They can't. There is like the systems for doing so at the minute are being developed by AI providers, as we've said, or they're at least AI providers deeply involved with a lot of these systems. And there is no guarantee for any of it. So we're still relying on how humans intercept this information to be able to tell people how much of what they can see is trustworthy. That's still kind of putting the onus on us as people as well. We can give you a mix mash of information and then you decide whether it's reliable or not. And we haven't operated on that way as a society for years. People didn't read newspapers to make their own mind up about stuff.
46:43Jess Weatherbed:They wanted information and facts. And now they can't get that.
46:47Nilay Patel:Is there user demand for this? This does seem like the incentive that will work. If enough people say, hey, I don't know if I can trust what I see. You have to help me out here. Make this better. Would that push the platforms into labeling? Because it seems like the breakdown is at the platform level, right? The platforms are not doing enough to showcase even the data they have, let alone demand more. But it also seems like the users could simply say, hey, the comment section of every photo in the world now is just an argument about whether or not this is AI. Can you help us out? Would that push them into improvement?
47:20Jess Weatherbed:I would like to think it would push them into at least being more vocal about their involvement at the minute. We've got, again, it's a two-sided thing. At the minute, you can't tell if a photo is real, but also a less nefarious thing is like Pinterest is now unusable, right? As a creative, if I want to use the platform Pinterest, I cannot tell what is and what isn't AI. I can, but a lot of people won't be able to. And there is so much demand for a filter. But for that website, just to be able to go, I don't want any of this. Please don't show me anything that's generated by AI. And that hasn't happened yet.
47:50Jess Weatherbed:They've done a lot of other stuff on that. But they're involved with the process behind developing these systems. It's kind of more, it's the problem that they've set themselves an impossible task. In order to use any of the systems that we've established so far, you either need to be best friends with every AI provider on the planet, which isn't going to happen because we've got nefarious third party things that focus entirely on stuff like nudifying people or like a deep fake generation entirely. This isn't kind of the open AI or the big name models, but they exist. And they're usually what's used to do this kind of underground activity.
48:22Jess Weatherbed:They're not going to be on board with it. So you can't make bold promises about resolving the problem universally when there is no solution at hand at the minute.
48:31Nilay Patel:When you talk to the industry, when I hear from the industry, it is the drumbeat that you've mentioned several times, look, it's going to get better. It's going to be slow. Every standard is slow. You have to give it time. It sounds like you don't necessarily believe that, right? You think that this has already failed. Explain that. Do you think this has already failed?
48:50Jess Weatherbed:Yeah, I would say this is failed. I think this has failed for what has been presented to us, because what CTPA was for and what companies have been using it for are two different things to me. CTPA came about as a, I will give it its credit because Adobe has done a lot of work from this, right and the stuff it was meant to do was if you are a creative person you this system will help you prove that you made a thing and how you made a thing and that that has benefit i see that being used in that context every day but then a lot of other companies got involved with that and said cool we're going to use this as our ai safeguard basically if we're using this system and it'll tell you it'll tell you when when you post it somewhere else whether it's got ai involved with it which means that we're the good guys because we're doing something and that's what i have problem with is because ctpa has never stood up and said we are going to fix this for you a lot of companies came on board and went well we're using this and this is going to fix it for you when it works and that's an impossible task it's just not going to happen if we're thinking about adopting this platform just this platform even this in conjunction with stuff like synth id or inference methods it's never going to be an ultimate solution so i would say like the resting the pressure on we have to have ai detection and labeling it's failed like it's dead in the water it's never going to get to to a universal solution that doesn't mean it's not going to help if they can figure out a way to effectively communicate all of this metadata and robustly keep it in check make sure it's not being removed at every instance of being uploaded then yeah there'll be some platforms where we'll be able to see if something was maybe generated by the aisle maybe it was like a verified creator badge something whatever missouri is talking about where we're going to have to start verifying photographers through metadata and all this other information but there is not going to be a point in the next yeah three five years where we sign on and go i can now tell what's real and what's not because of ctba that's never going to happen
50:40Nilay Patel:it does seem like these platforms maybe modernity as we experience it today have been built on you can trust the things that come off these phones, right? Like you can just see it over and over and over again, social movements rise and fall based on whether or not you can trust the things that phones generate. And if you destabilize that, you're going to have to build all kinds of other systems. I'm not sure C2PA is it. I'm sure we will hear from the C2PA folks. I'm sure we will hear from Adam and from Neil and the other platform owners on Decoder. Again, we've invited everybody on. What do you think the next turn here is?
51:18Nilay Patel:because the pressure is not going to relent. What's the next thing that could happen?
51:23Jess Weatherbed:From this turn of events, there's probably going to be some kind of regulatory efforts. There's going to be some kind of legal involvement because up until this point, there have been murmurs of how we're going to regulate stuff. With the Online Safety Act in the UK and everything, now kind of pointing and going, hey, AI is making a lot of deepfakes of people that we don't like and we should probably talk about having rules in place for that. But up until that point, these companies have basically been enacting systems that are supposed to help us out of the goodness of their heart of the oh we've spotted that this is actually a concern and we're going to be doing this but they haven't been putting any real effort into doing so otherwise again we would have some kind of solution by now we would see some sort of widespread results at the very least it would involve working together having widespread communications and that's supposed to be happening with the cai with the initiative that everyone else is currently involved with there are no results we are not we are not seeing them we instagram made a bold effort over a year ago to stick labels on and then immediately ran back with its head between its legs that is the point of this so unless regulatory efforts actually come in so clamping down on these companies and saying okay we actually now have to dictate what your models are allowed to do and what they we're going to have repercussions for if we find out what your models are doing and not supposed to be doing that is the next stage we have to have this as a conjunction i I think that will be beneficial in terms of having that with labeling, with metadata tagging and stuff.
52:47Jess Weatherbed:But alone, there is never going to be a perfect solution to this.
52:50Nilay Patel:Well, sadly, Jess, I always cut off Decoder episodes when they veer into explaining the regulatory process to the European Union. That's just a hard rule on the show. But it does seem like that's going to happen. And it seems like the platforms themselves are going to have to react to how their users are behaving. You're going to keep covering this stuff. I find it fascinating how deep into this world you've gotten. starting from, hey, we should pay more attention to these tools. And now here we are on can you label reality into existence? Jess, thank you so much for being on Decoder. Thank you.
53:22Nilay Patel:I'd like to thank Jess Weatherbread for taking time to join me on Decoder today. And thank you for listening. I hope you enjoyed it. If you'd like to let us know what you thought about this episode, what you think a photo is, or really anything else, drop us a line. You can email us at decoderatheverge.com. We really do read all the emails. Or you can hit me up directly on Threads and Blue Sky. We're also on YouTube. You can watch full episodes at DecoderPod. and we have a TikTok and an Instagram. They're at DakotaPod as well. They're a lot of fun. If you like Dakota, please share it with your friends and subscribe over to your podcast.
53:47Nilay Patel:Dakota is a production of The Verge and part of the Vox Media Podcast Network. The show is produced by Kate Cox and Nick Statt. It's edited by Ursa Wright. Our editorial director is Kevin McShane. The Dakota music is by Breakmaster Cylinder. We'll see you next time.
54:01Jess Weatherbed:Rinse knows that greatness takes time, but so does laundry. So Rinse will take your laundry and hand deliver it to your door expertly clean. and you can take the time pursuing your passions. Time once spent sorting and waiting, folding and queuing, now spent challenging and innovating and pushing your way to greatness. So pick up the Irish flute or those calligraphy pens or that daunting Beef Wellington recipe card and leave the laundry to us. Rinse. It's time to be great.
From the publisher
Today, we’re going to talk about reality, and whether we can label photos and videos to protect our shared understanding of the world around us. To do this, I sat down with Verge reporter Jess Weatherbed, who covers creative tools for us — a space that’s been totally upended by generative AI.
We’ve been talking about how the photos and videos taken by our phones are getting more and more processed for years on The Verge. Here in 2026, we’re in the middle of a full-on reality crisis, as fake and manipulated ultra-believable images and videos flood onto social platforms at scale. So Jess and I discussed the limitations of AI labeling standards like C2PA, and why social media execs like Instagram boss Adam Mosseri are now sounding the alarm.
Read the full transcript on The Verge.
Links:
This system can sort real pictures from AI fakes — why aren’t we using it? | The Verge
You can’t trust your eyes to tell you what’s real, says Instagram | The Verge
Instagram’s boss is missing the point about AI on the platform | The Verge
Sora is showing us how broken deepfake detection is | The Verge
Reality still matters | The Verge
No one’s ready for this | The Verge
What is a photo, @WhiteHouse edition | The Verge
Google Gemini is getting better at identifying AI fakes | The Verge
Let’s compare Apple, Google & Samsung’s definitions of 'photo’ | The Verge
The Pixel 8 and the what-is-a-photo apocalypse | The Verge
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Credits:
Decoder is a production of The Verge and part of the Vox Media Podcast Network.
Decoder is produced by Kate Cox and Nick Statt and edited by Ursa Wright. Our editorial director is Kevin McShane.
The Decoder music is by Breakmaster Cylinder.
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