The end of the human internet

30 Jul 2026 · 43 min · 16 chapters

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In short

The episode argues that the internet is becoming “post-human” as bots, AI-generated content, and algorithmic recommendation increasingly shape what people see, creating disorientation and paranoia (“dead internet”/“cuck internet” ideas) and a “crisis of agency” about what humans are for.

Guest backgrounds

Charlie Warzel is a staff writer at The Atlantic and author of its newsletter Galaxy Brain. He previously wrote about AI and a “crisis of agency,” focusing on how bots, algorithms, and AI slop make online life feel fake and manipulated.

Key claims

Synthetic content now overwhelms search and feeds; marketing increasingly targets algorithms rather than people; the “liar’s dividend” lets real claims be dismissed as fake; paranoia can become self-trapping; “slop” is defined by contempt for the audience.

Notable examples

King Gizzard and the Lizard Wizard’s music being mimicked by AI “domain squatters” on streaming; AI-generated “jazz” playlists with no human presence; viral seeding of songs to game TikTok/Spotify rankings; “psyop” accusations around the band Geese.

Written by AI. May contain mistakes. Listen to the episode to check what was said.

Chapters

Tap a time to open that second in VO

The Paranoia of the Digital Age

0:00 to 0:27

Charlie discusses the feeling of paranoia in a bot-dominated internet.

“Support for the show comes from ServiceNow.”

The Paranoia of the Digital Age

1:16 to 1:45

Charlie discusses the feeling of paranoia in a bot-dominated internet.

“Support for the show comes from Atio, the AI CRM.”

The Paranoia of the Digital Age

2:54 to 4:04

Charlie discusses the feeling of paranoia in a bot-dominated internet.

“He's a staff writer at The Atlantic and the author of their newsletter, Galaxy Brain.”

The Impact of Synthetic Content

4:04 to 6:09

Exploring how AI-generated content affects perception and reality online.

“What is the feeling you are describing in this piece?”

The Marketing to Algorithms

6:09 to 7:58

Discussion about how marketing strategies focus more on algorithms than humans.

“promote something that either isn't real or that is, you know, a scam or, you know, like pretty awful.”

Reality in a Synthetic World

7:58 to 10:19

Analyzing the blurred lines between real and fake content on the internet.

“And I think that that's the way that culture works now.”

Defining the New Internet

10:19 to 14:01

Conversations about what the new internet represents compared to the past.

“that i think is made by another human being and it's not and again it that sense of paranoia creeps in when you start to recognize some of these things.”

The New Internet: A Different Environment

14:01 to 18:09

Explore the evolution of the internet and its impact on human experience.

“I mean, maybe if the question back in, you know, 2018, 2019 was, you know, is this a bot or not?”

The Rise of the Synthetic Internet

18:10 to 20:50

Discuss the concept of the 'cuck internet' and the role of machines in our online lives.

“I'm going to forward that to whatever you have that, which is synthetic.”

Crisis of Agency in the Digital Age

20:51 to 22:59

Understand the growing concern over human agency and the implications of AI.

“Like, that was not how I wanted to use those 20 minutes, right?”
Show all 16 chapters

Crisis of Agency in the Digital Age

23:21 to 24:08

Understand the growing concern over human agency and the implications of AI.

“Here's the thing about scaling your business.”

Understanding Psyops in Technology

26:50 to 28:05

Delve into the concept of psyops and its prevalence in today's tech landscape.

“Maybe the answer really is just the paranoia.”

The Psyop Phenomenon and AI Perception

28:05 to 40:38

Explore how societal perceptions of AI are shaped by fears and misinformation.

“They weren't nefarious backroom, horrible experiments in brainwashing and mind control.”

Reflections on the Internet's Evolution

43:10 to 44:25

Exploring personal favorite aspects of the internet and nostalgia for early internet experiences.

“What's your favorite part of the internet now?”

Reflections on the Internet's Evolution

44:30 to 45:08

Exploring personal favorite aspects of the internet and nostalgia for early internet experiences.

“Made a little app to put on my desktop that just gives me a little notification.”

Promoting 'Galaxy Brain' and Parting Thoughts

45:08 to 46:34

Discussing Charlie's newsletter and podcast, with a call for audience engagement.

“So that is a little piece of internet that I love.”
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Transcript

Automatic transcript. May contain errors.

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2:21Nick Statt:it feels increasingly overrun by non-human actors. Sean and Charlie dig into some classic web culture concepts, including the dead internet theory, and they connect that idea, that most of the internet is now just bots in disguise, to algorithmic recommendation, AI slop, and why it feels like the internet you grew up with is now gone, replaced by something more manipulative, deceptive, and in many cases, outright fake. Okay, the gray area with Sean Illing, interviewing The Atlantic's Charlie Warzel about the increasingly inhuman internet. Enjoy. This is A Gray Area. I am Sean Illing. My guest today is Charlie Warzel.

2:58He's a staff writer at The Atlantic and the author of their newsletter, Galaxy Brain. Charlie wrote a piece about AI and what he calls a crisis of agency, which is this feeling that so much of our lives online are being shaped and distorted by bots, algorithms, and various AI-generated content. Everything feels a little fake, a little manipulated. If you spend any time at all online, you know what I'm talking about. So we get into why the internet feels so strange right now and whether it's still possible to build spaces online that feel genuinely human. Hope you enjoy it.

3:37Charlie Warzel, welcome back to the show. Thank you for having me. Yeah, man, it's been a while. Let's talk about your recent piece in The Atlantic. There is a lot of AI discourse right now, but this piece is sort of getting at a part of it that seems a little under-discussed, which is the increasingly weird bot-haunted internet we all live inside now. So let's just start there. What is the feeling you are describing in this piece? The feeling that I'm describing is one of disorientation, but also paranoia, I think. I think what I feel a lot on the Internet right now is this paranoia. And I started the piece with a callback to a piece by the internet tech writer, Max Reed, who wrote New York Magazine back in 2018 about what he called the inversion, which is this tipping point where, you know, the bot and fake content, content made synthetically instead of just by, you know, you or me, human beings, may like surpass some of, you know, the content that was made.

4:54we all make and that the internet would sort of be just a majority fake to some degree or majority, you know, automated. And that at the time, I remember was a real revelation for a lot of people. This, this feeling that, oh, whoa, like, so you're telling me there's all these people using these sock puppet, sock puppet accounts on Twitter or Facebook or wherever that, you know, There's these fake bots trying to sell me stuff that a lot of websites are populated with automated comments or whatever it is. And now that's honestly a pretty quaint idea that someone wouldn't be as aware of that. Because in the generative AI age or whatever we're going to call it or whatever we're in, basically since the arrival of ChatGPT, but even before it, you have an internet now that is jammed full of synthetic content in all sorts of ways.

5:54So you have synthetic text, you know, all the, um, all the things that we would call AI slop, right? And now you just have people generating whole sites with the click of a button, right? To promote something that either isn't real or that is, you know, a scam or, you know, like pretty awful. You have that happening on this vast scale, so much so that Google search, most of what you see is going to be garbage, right? Then you have synthetic music, AI slopped videos and things, you know, clogging these feeds. And you have organizations that are doing a new style of content marketing, of viral marketing, in which they spin up fake accounts to seed algorithms with information that is befitting their client, right?

6:55So if you're an artist, you can have these viral marketing firms that will spam TikTok with your song so that it becomes the algorithm thinks, oh, this is a popular song. And then when other people start posting it, it gets priority inside the feeds. So it's this idea that like what people are really doing now is they're not marketing to human beings. They're marketing to these algorithms. The end result of all of that, right, this idea that everything around you might be fake, it creates this sense of paranoia. It's not just that there's not one thing that people are talking or thinking about.

7:36It's that you can make a convincing case that anything you don't like or that you think is suspect or that is weird in some way is a psyop. It's fake. Somebody has seeded that, right? And that, to me, is a change. change it is a dramatic change in the way that people behave online and it really affects everything from our politics to our culture because you walk around with this feeling there's this this great term the liar's dividend right which is the idea that um you can when there's so much garbage out there people can cast dispersions on things that are real right and say oh i i think it's fake i think it's i think it's a lie right you you can sort of completely blur and warp reality.

8:20And I think that that's the way that culture works now. So not that we can know this really with any precision, but if you just had to guess, if you just had a big, giant pie chart of all the shit on the internet, like roughly what percentage of that pie chart do you think would be synthetic stuff? Oh, it's such a good question. You can't take the temperature of the entire internet, right? But you're seeing this play out in music with, I interviewed on my podcast this guy who is the front man of a very beloved progressive rock band, King Gizzard and the Lizard Wizard. And they took their music off Spotify in protest of Spotify funding, their founder funding a defense company.

9:09and when they left they had domain squatters basically king gizzard squatters who came in and took their page essentially by creating ai slop music that sounded similar to their stuff and was making money off their streams and all that and had to you know fight spotify to get it taken down which they did you have you you have so many different playlists on spotify that are i've done some reporting into this you go into especially like like jazz or just instrumental type music classical music and you start clicking around on some of those artists and you don't see anything any human beings there right like you don't you go to these these you know their youtube page and then the youtube page is just you know like like the when you don't when you don't put a profile picture on it right and it only directs you back to the spotify link there's no you know manager page or anything like that or label and you start to realize oh well then i guess i guess that's i guess that's fake right and so you have so you're i'm listening to jazz music that i think is made by another human being and it's not and again it that sense of paranoia creeps in when you start to recognize some of these things.

10:31I think a lot of us want to walk through the world and say, listen, I've got reasonably good taste. I've got reasonably good judgment. I'm not sitting around listening to, you know, fake jazz music. And you might be, right? We all might be. It's not a question anymore of taste because there's so much volume. It's just so strange. You know, I mean, I know what you mean, but it's very hard to name. You You know, somehow the internet feels fake and real and dead and alive all at the same time. You know, people are clearly still there, but you're never really sure who or what is speaking. You're never sure who made the thing you're looking at or why it appeared in front of you.

11:10It seems like we should definitely take a step back maybe and just think about how bizarre this situation is for our primate brains. Yeah. And that, you know, was kind of coming off the backs of a lot of the early social media backlash to the election of Donald Trump and people starting to look into, well, what is happening? How is Facebook changing this? Right. And then you had the Cambridge Analytica scandal that same year, 2018, where there was what turned out to be, honestly, a bit of an overreaction to what is known as psychographic profiling. I was part of that overreaction. I think I was, I was, I was too, because we were all figuring out, and this speaks to some of these platforms and their, their prominence in our lives, right?

12:03It makes a lot of sense to want to assign them an extreme amount of power. You know, they're connecting billions of people. They have all this money. They're building these tools of surveillance to track our every move. There's reason to be paranoid. You know, Cambridge Analytica was in the business of selling you the idea that they were changing people's minds left and right all the time, that they could come into a place and affect an election because it's a great tactic. Like, not coincidentally, that's what the artificial intelligence companies have done for the last four years or so, right?

12:41They started with the Doomer marketing. They started with the, we're going to build something so powerful. It's a Manhattan project for, you know, for words, et cetera. And so. Yeah, we're going to blow up the world, but subscribe wherever you get your AI. Right. It's like, okay, cool. interesting choice i think we used to think of the internet as an engine of connection right of of sharing information of a real of like a human to human thing but it was it was still deception and fakery fakery of all kinds is obviously a volume game and artificial intelligence degenerative artificial intelligence boom that we've seen it's it's a tool of scale you push a button you you get a moby dick you know sized uh tome of words if you want right you can make the same video uh and a lot of creators do this 200 ways in 15 minutes me talking, doing my thing.

13:52Okay, now make that, put me in 200 locations. Let's spam the internet with it. See what the algorithm likes, see what people like, and then use that. It's like, it is a tool for volume. And that volume is synthetic. I mean, maybe if the question back in, you know, 2018, 2019 was, you know, is this a bot or not? I mean, now it just seems like more fundamentally, what the hell kind of environment even is this? Right? And like, we don't even have a name for it yet. It's just weird and different. It's not the old internet. It's something else. And in the same way, I don't really think we have a real name for this period of history.

14:32Yeah. I don't think we really have a name for whatever this new internet is, but it's like fundamentally different. It's a different thing altogether. together it is and it's what is fascinating to me is the way in which it it functions in the in the what's interesting to me is the way that it is a outgrowth in some ways of of the the post-truth moment like it we've created we've had this environment, right, where we're all given access to so much information that we can rationalize it any way we want. It's one of my hobby horses that nobody knows what anyone is doing online. And that is a problem, right?

15:26If I say something as a, you know, a columnist at the Atlantic and put something out, the main beef that I get is you're living in some stupid bubble. That's not real. That's not representative of the information experience, right? You're seeing all of this. Get off Twitter, man. Like, it's a bubble. Like, you're just seeing this. That's totally valid and totally true. But there's also a lot of people who are dismissing certain things that are real because they don't want to see them. And also because it doesn't reflect their algorithmic experience of the internet. And I think it's really difficult when you don't know what anyone else's experience is like, right?

16:14You walk around a little bit feeling kind of insane. Like I feel this sometimes when I plug into whatever discourse or conversation and, you know, I write about the internet. I'm not terminally online in my real life. Like I go there for the purpose of understanding it, you know, reporting on it, studying, seeing things that bubble up. I like to be outside in my other times. People constantly will say like, dude, you got to get off the internet. And I think that that is in some ways a response to what you're saying makes me uncomfortable, not only because I maybe disagree with the information, but because your experience is clearly so different than mine that it's it's awkward for me to imagine that we are existing inside the same culture or that we have to interact with each other and, and, and talk about these things.

17:09Yeah. I mean, it's, it's, it's not really post truth at this point. It's, um, post real or post human, like how much of the internet at this point is basically just like machines performing humanity back at us under the guise of being people, right? So this, for the piece, I referenced this researcher named Aiden Walker. He's a Gen Z online researcher. He is extremely smart about memes. And, you know, it's a great example of someone who takes something that's like kind of silly in concept and actually gets to like the philosophical human understandings of all this. and he came up with this theory so what we've been talking about uh with the you know there's machines and algorithms are just kind of like running the whole show right that's been referred to as the dead internet theory the idea that there's really not a lot of humanity on the internet it's all the bots and we kind of just sit there aiden walker took that a step further recently and he his theory it's it's somewhat colorful is that it's like the cuck internet theory say more yes i will have to say more which is that the product the synthetic product of these artificial intelligence things be it like you know a slop video of of a cat you know dancing on a street in paris or whatever right that a bunch of people are flicking through you know instagram reels or Facebook and just, you know, hitting like or whatever, or, oh, that's cute.

18:49I'm going to forward that to whatever you have that, which is synthetic. It's machines. It's machine made. It's trained off of all, all of these other machines. Then you have the algorithm, which is predisposed to like that stuff because that stuff is all trained off of what the algorithm has already shown you and given you, right? You have this, when you, what's happening is those things are meeting. Those things are in the room interacting with each other. And the human is sitting in the corner in the chair watching that. The human is the consenting observer to an interaction, a melding of sorts of these two machines that have been predisposed to do this in service of viral advertising revenue.

19:39And that is a lot of what the internet is. The internet isn't dead. The internet is really active. It's moving. It's doing stuff. These two elements that aren't human are, you know, doing it all night long. And we, the human, are just sort of sitting there like, okay, yeah, no. I'll have some more, I guess. Yeah, sure. You know, we are consenting to it in some sense. Other people would argue that, you know, we're being coerced. You know, on the old internet, you had the capacity to explore. Truly, right? You would stumble and click around and kind of get lost. And now so much of it is just a giant sprawling machine designed to mainline into your veins as much content as possible, content optimized for engagement.

20:29So you're not really exploring or participating in that way. You are just a passive product. I mean, as you put it to piece, right, we basically now exist humans to feed data into the machinery. That is what we are doing. And it is keeping us stupefied and entertained along the way. But that's fundamentally what we have been reduced to. yeah i don't know that all is is lost yet but i think that what i described this moment as is as a as a crisis of agency not that it's it's over but we are all really concerned about our future agency like i don't think these tools are powerful enough yet like i think it's giving these tools in Silicon Valley, it's buying too much into the narrative to say, we're all automatons.

21:21Like, you know, I think from a culture standpoint of consuming, you know, endless scroll vibe, like the best example of this is you go on a social media app or something like that, or you're just wasting time on your phone and you look up and you go, man, what? Like, that was not how I wanted to use those 20 minutes, right? But that's like that feeling of regret that you might have. That's an example of that consuming part of the agency. But on the side of jobs and, you know, and AI job loss, things like that, I don't think these tools yet, I mean, maybe if you're, you know, a programmer or someone in this highly technical space where these agentic coding platforms are doing such a good job of cranking out inhuman amounts of code so quickly.

22:19I can understand that there's fears, but it's more the anxiety of what is coming. We are in this crisis of like, generative AI is making us ask this really weird question, which is what is a human for right and that's that's that's a wild thing to have you know publicly traded companies asking you right what is the human for and and i think that is what we are feeling right now as as a society whether you are a booster who is worried and has a little bit of the doomerism stuff in it, or you're somebody who's out protesting data centers in your town. It's, a lot of it is centered around this idea of like, what is a human for?

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26:49I wanted to go back to the idea of psyops, right? Maybe the answer really is just the paranoia. But that word, psyop, has broken containment. What exactly does that mean? And also, why has it become so prevalent now? Is it just everyone's paranoid of everything? Well, psyop is like a, you know, it's kind of like a military grade. You know, it's an operation that is meant to, you know, trick you psychologically. I don't have the definition, you know, in front of me. Like a clandestine manipulation campaign. Yes. Basically. Great way to put it. And I think that, again, when we talk about anything that's happened in a technological, cultural sense, it all builds off of the stuff that came before it, right?

27:43So that's why the Cambridge Analytica history, I think, is really important here. It primes people to see these things as experiments. These tech companies made news because they did experiments. They were experiments in service of trying to tweak their platforms to be better at advertising. They weren't nefarious backroom, horrible experiments in brainwashing and mind control. But again, I think we get to this situation, we're seeing it so much right now in AI. Where all these people in Silicon Valley are like, why does every person in the country who's not deeply involved in these niche discourses or working at these places, Why does everyone just reflexively hate artificial intelligence?

28:41Why does it poll worse than Donald Trump? Like, this stuff is so cool. I'm racking my brain. Why doesn't this? It's like, well, you spent a lot of time talking about how dangerous it is, how civilizationally perilous it could be in the wrong hands, right? How if we don't put the exact right guardrails up, awful things can happen. We could, you know, we could destroy our economy overnight, right? One of these things could, you know, could could take over and manipulate the stock market and crash everything. You hear all of this stuff. And the thing is, when you repeat a lot of. Ominous crap over time, people start to internalize it.

29:25And that is to go back to the psyops, that that is part of it. Right. We we hear that these these companies are so powerful. They're so able to manipulate consumer sentiment. They're so able to drive, you know, people to make purchases. They're so useful to drive people to go out to campaign rallies and then they get hooked on whatever and then they start getting in these groups, right? You know, QAnon was this fringe message board thing that was kind of silly and stupid. And Facebook groups became this gathering place during the pandemic for otherwise pretty average Joe normal type people to engage with this thing.

30:14And it became this cultural, tribal, community-based ideology that broke contain and radicalized a whole bunch of people. When you see and you have all of these past examples of how this technology can get away from us and change us, people start to internalize that. And now people reach for this idea of the PSYOP in the same way that people reach for QAnon, right? It's a way to explain something that you don't want to grapple with or that is uncomfortable or that you don't understand or that you can't easily assign something to, right? the the whole the most recent psyop thing uh controversy is over this band geese this indie band who uh are very popular they've been around for a little bit but they're they got very popular in the last year with this album they were everywhere they are as a band using some of these viral apparently viral marketing firms or whatever that is its own thing the the core issue with the band geese is that they're polarizing their singer has this like warbly kind of sometimes atonal voice they're like a little bit hard to listen to for for some people and other people think that they're the velvet underground right it's the super polarizing thing where someone listens to it and has two completely diametrically opposed opinions and instead of trying to grapple with that it's so much easier to just say, if you hate geese, yeah, man, it's a freaking psyop.

32:02Well, the problem with paranoia, it kind of becomes its own trap, right? I mean, like, if you think everything is manipulated, then you just become manipulable in a totally different way, right? Like, but where is that line between healthy skepticism and losing your damn mind online? Because I think a lot of us are living uncomfortably right on that border all the time. It also doesn't help that we live in an era of great corruption, of great conspiracy theorizing, right? You look at what has happened with Donald Trump and cryptocurrencies and things like that, and you see an unbelievable amount of corruption just happening in plain sight, like rug pulls from the president of the United States and his family.

32:51and no real accountability for that, such that society just goes, ah, well, nevertheless.

33:00And after a while, again, people are going to internalize these lessons and say, well, if this is what I can see, if this is what I am allowed access to, then I'm pretty sure this is just how the world works. And so the things that I don't have the tools to explain that's you know in some ways it's a rational response to some of these things that are happening even if they tend to be irrational theories What makes something slop? Is it just bad AI content? Really feels like slop is broken contain in terms of nomenclature I'm inclined to say that it follows that pornography standard of you know when you see it right you know when you see it you know when you see it I think what for me the way that I think about slop what a sentence the way that I deem something as slop would be having a kind of contempt for its audience right like uh you're you're an idiot you don't care you're just scroll like i'm gonna yeah here's shrimp jesus you know dummy like that when you feel that thing from someone who's like i'm doing click volume ad arbitrage from the Philippines from this, you know, center building as many different Facebook pages to spam, you know, unsuspecting older people without this media literacy to just, you know, oh, yeah, like, you know, did you see that Garth Brooks spoke out about the Supreme Court case, you know, at this sold out concert in South Africa, you know, like something totally random that didn't happen and just like shoving it down people's faces because not because they have any particular political ideology, but they're just trying to make a quick buck.

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35:04That is what I consider to be slop. You know, I think when you look at very recently, there's been a spate of either sanctioned or non-sanctioned campaign videos that have come out like for Spencer Pratt in Los Angeles is one of him like as Batman, totally AI generated, would have taken, you know, millions of dollars to make now somebody can just make it on the outside. The campaign can promote it for itself. It goes viral. I don't see that. It is slop, technically, but I see it slightly different, right? That's almost just propaganda or all that stuff, those Lego videos of Donald Trump coming out of Iran to knock on the US military response there.

35:57I don't see that as slop as much as propaganda, as a tool. For me, slop has to have contempt for its audience in this sense of it's just like really low rent. I'm wasting your time and energy in order to make some money. Well, you may have just answered this, but people seem to get hung up on whether AI can make good art. Do you have a strong take on that, whether something vaguely sloppish can count? is good art you know i just i just read um this new book coming out by uh cory doctorow the activist writer science fiction writer who coined the term and certification and he notes in the book and i i i think this is a pretty incisive observation that ai art is supposed to be it's not good, but it's like, it's good enough to be offensive.

37:01And that AI art, I may be, you know, slightly butchering his, his understanding here, but it's, it's, it's really, it's a, it's a proof of concept. It's supposed to make people, a certain group of people really mad, right? It's supposed to have someone see it and go, oh man, they're going to put everyone who can draw out of business is going to change all this art because that's really useful marketing for these companies. It's a really useful narrative. It's, oh, look how powerful this stuff is. Right. And I think what's interesting about that is that a lot of this isn't, is it good or is it bad?

37:47Is it powerful? Does it have the ability to disrupt livelihoods? For me, it's still like the deeper, probably slightly nerdy question is, is art still art if you don't experience it as an encounter with another person? I don't really think it is, but I also can't really explain to you why it isn't. I just know piece of art that didn't come from a human mind that wasn't rooted in human experience, it doesn't mean anything to me. It is literally meaningless. But again, I don't really know why that is. I just feel it. And isn't this part of what's so exhausting about this moment that's been foisted on so many of us who enjoy the human stuff?

38:34Like, you're describing why that conversation is really so hard. And it's that there's like something ineffable about human contact, right? And like, that's why we're all here. We're all here on earth. Like, I think so much nowadays of that, again, I'm butchering it, but the Kurt Vonnegut quote that like, we're put on the earth to fart around, right? Yes, I can go have somebody mail the letter for me, or I can send an email, or I can go down to the post office and interact with some weird people and see some stuff and then get a sandwich and then watch the birds, you know, and do all, and it's like, and then I get a flat tire and I have to call someone and then they help me, you know, on and on.

39:20And it's like, that's why we're all here, right? To do that, to have those weird, unexpected interactions. And this machine's like, what if I told you you don't have to do any of that ever again? And then you go, what is a human for?

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43:10What's your favorite part of the internet now? I mean, like the pods and newsletters, Reddit boards. I mean, is there like, where's like the little pocket of like the old internet on the new internet that you'd retreat to? Well, I will. Okay, I have, I have, I have a couple things. I'm not like, clearly given all this stuff. I'm very skeptical of all the AI stuff. In the in the sense of like the future that's being pushed on us. The people who are in charge of it, who in many ways are a lot of the same people who brought us social media web to and then it's like, Oh, we're not going to deal with the consequences of that we're moving on, you know.

43:55that said i have some real delight using the coding agents sometimes to build little things i live uh i live on an island i can frequently see from like across the road and down this little window i can see container ships as they pass sometimes and i love that so i coded this thing I'm not a coder. I coded this little thing that was basically like, go to vesselfinder.com, get the API code, and then here's my physical location. Made a little app to put on my desktop that just gives me a little notification. It's quiet, doesn't ping, doesn't do anything, just shows, and it says what the ship is.

44:43And then I can click the link and see where it came from, where it's going. I love that. I think that's so fun. and it does it as it's supposed to pop by my thing. And that's really actually feels in a way like it evokes the spirit of like the early internet, which is like, I want access to something. I want to try to do something a little bit creative. And you just gave me, you gave me some tools with which I can do that. It didn't harm anyone. It's not taking anything. It's just for me. I'm not voicing it on anyone. So that is a little piece of internet that I love. let's leave it right there.

45:21Charlie, uh, what is your newsletter and what is your podcast called and where can people check those out? Uh, both are called galaxy brain. Uh, you can find it on the Atlantic. Uh, you can subscribe to it on the Atlantic. You should subscribe to the publication, but it's also, uh, we're on YouTube or app, Apple, Spotify, wherever, wherever you get them. And yeah, thanks for having me. I appreciate this. This is a great conversation. All right. Check it out, people. Charlie does great work. He has for a long time. And he will be back. I have an unreasonably good authority. Awesome. All right, man.

45:55Thanks for coming in, dude. Thanks for having me.

46:03All right. I hope you enjoyed this episode. Charlie has always been one of my favorite people to talk to about anything involving tech and culture. So I hope you enjoyed that. As always, we do want to know what you think. So drop us a line at the gray area at vox.com or you can leave us a message on our voicemail line at 1-800-214-5749. Please also rate, review, subscribe to the podcast. It helps us grow our show. This episode was produced by Thor Newrider and Beth Morrissey, who also runs the show. Engineered by Shannon Mahoney and Christian Ayala. Fact checked by Melissa Hirsch and Emma Munger wrote our theme music.

46:45Our executive producer is Miranda Kennedy. The Gray Area comes out on Mondays and Fridays. Find it wherever you listen to podcasts. If you watch podcasts while you listen, you can do that too. Go to youtube.com slash Vox for video versions of The Gray Area. The show is part of Vox. Support Vox's journalism by joining our membership program today. Go to vox.com slash members to sign up. And if you decide to sign up because of this show, let us know.

47:15Thank you.

47:45Nick Statt:From the Exodus Road. Follow and listen now.

47:51I'm Glenn Washington, host of Snap Judgment,

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From the publisher

Hey everyone, this is Nick Statt, senior producer on Decoder. We’re taking a brief publishing break while Nilay is out on vacation. We’ll resume regular programming next week, and we’ve got some great episodes in the works. 

In the meantime, we wanted to share an episode from the excellent podcast The Gray Area, with host Sean Illing. In this one, Sean sat down with The Atlantic journalist Charlie Warzel to talk specifically about the state of the internet in 2026 — and what it means that it feels increasingly overrun by non-human actors. 

Links: 

The Gray Area with Sean Illing | Apple Podcasts

Galaxy Brain | The Atlantic

The internet is all bots now | The Gray Area (YouTube)

How much of the internet is fake? Turns out, a lot of it, actually| New York Magazine

How bots took over our lives | The New Yorker

The ‘dead internet theory’ is real — and it’s killing the web | Fast Company

The fanfare around the band Geese actually was a psyop | Wired

Credits:

Decoder is a production of The Verge and part of the Vox Media Podcast Network.

Decoder is produced by Kate Cox and Nick Statt and edited by Ursa Wright. Our editorial director is Kevin McShane. 

The Decoder music is by Breakmaster Cylinder.
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