Gary O'Donoghue, journalist

14 Jun 2026 · 51 min · 26 chapters

Ask about this episode

Ask anything about it. ChatGPT or Claude reads this page and answers with the times it was said.

Connect VO and ask about every podcast you hear, including the moments you saved. Add to ChatGPT · Add to Claude

In short

BBC journalist Gary O’Donoghue discusses reporting under pressure, disability and access, and his life story through the Desert Island Discs format.

Guest background

Born in London, raised in Hornchurch, Essex; blind from childhood after partial sight deteriorated (retina detachment at 5; consultant told family he would not see again before age 8). First disabled BBC foreign correspondent; studied philosophy and modern languages at Oxford; worked at BBC Radio 4 and later as a political and foreign correspondent.

Key claims

Blindness shaped his journalism via heightened listening and reading others’ reactions; he says audiences trust him when he admits uncertainty. He describes being told a blind person couldn’t be a television reporter and later winning/settling a disability discrimination dispute after being dropped from a flagship role during the 2007 foot-and-mouth crisis. He argues workplace attitudes have improved for younger colleagues.

Notable examples

Live eyewitness reporting during a mass shooting (watched by 300m+ on social media); a 20-minute exclusive phone interview with Donald Trump; reporting from the Macedonian border during Kosovo, the Iraq War, and seven British general elections.

Written by AI. May contain mistakes. Listen to the episode to check what was said.

Chapters

Tap a time to open that second in VO

Introducing Gary O'Donoghue

0:30 to 2:12

Discussion about Gary's background, achievements, and challenges as a journalist.

“conducted live as the incident unfolded, won the Royal Television Society Breaking News Award.”

Navigating Modern Politics

2:12 to 3:40

Gary shares insights on the challenges of understanding current political events.

“Well, Gary, you're a very busy man, so I'm glad that you've got time to see us.”

The Advantage of Being Blind in Journalism

3:40 to 5:00

Exploration of how blindness influences Gary's approach to journalism and communication.

“And I'm one of those people that believes that if you don't know, if you're not sure, then say so.”

Gary's Early Musical Memories

5:00 to 10:35

Gary discusses his first musical influences and childhood experiences related to music.

“Now, it's not just journalism that we're talking about today, Gary.”

Growing Up with Sight Issues

10:35 to 14:00

Gary recounts his experiences growing up with sight issues and the impact on his life.

“So, I mean, I was born in North London, but, you know, I grew up in Essex, you know, until I was sent away to school.”

Reflections on Childhood and Family

14:00 to 15:35

Explore Gary's early memories and the challenges faced by his family.

“And later in life, my mother actually said to me, there was a point in those early years where she considered killing us both.”

Friendship and Loss

15:36 to 17:10

Gary shares a poignant story about his best friend Tim and their bond.

“He was blind too, and we talked about everything, and he was loyal and honest.”

Schooling for the Blind

17:11 to 19:28

Gary discusses his experiences at a boarding school for blind students.

“I remember the day we went and they took me on a Sunday and I remember on all, you know, the whole journey telling them I wasn't going to do it and they might as well turn around now.”

Adaptation and Life Skills

19:29 to 21:44

He reflects on the life skills learned and the adjustments made during his schooling.

“I mean, you know, I learned to ski at that school, you know, my parents scraped the money together to allow me on a skiing trip to Austria.”

Musical Pursuits and Early Bands

21:45 to 23:02

Gary recounts his teenage years playing in a band and the joy it brought him.

“And they said, of course, you'll never drive, but you should know what it's like.”
Show all 26 chapters

Oxford University Experience

23:03 to 27:08

Discussing his transition to Oxford and the challenges of being a student with a disability.

“We would sit up all night trying to make up names for the band and just collapse into hysterics for hours on end, finally rejecting Iron Fist for Shogun.”

Path to Journalism

27:09 to 28:03

Gary shares how a chance encounter led him to pursue a career in journalism.

“And I realised that, you know, at that point, you know, there was a roadmap, you know, there were ways of dealing with this sort of stuff, and that you didn't have to make it up yourself.”

Early Career and Influences

28:03 to 29:32

Learn about Gary O'Donoghue's beginnings in journalism and his passion for storytelling.

“I looked at it and I kind of got a bit starstruck by this whole business.”

Overcoming Challenges in Reporting

29:32 to 30:57

Discover the obstacles Gary faced as a blind reporter and how he navigated them.

“Part of Debussy's La Fille aux Cheveaux de L 'Anne, performed by Arturo Benedetti Michelangeli.”

Disability Discrimination at the BBC

30:57 to 34:55

Explore Gary's experience with discrimination at the BBC and the changes over time.

“Was there anti-discrimination legislation in place at the time?”

Generational Change in Attitudes

34:55 to 35:30

Understand how attitudes towards disability have evolved in the workplace.

“And they just don't have those deep, inbuilt sort of issues about disability that people of my generation sometimes do.”

Memorable Musical Moments

35:30 to 37:04

Hear about the significance of music in Gary's life and career.

“So I'm making an exception for this song, and I've chosen this for two reasons.”

Reporting on the Trump Assassination Attempt

37:04 to 41:42

Gain insights into Gary's experience covering a high-profile news story involving Donald Trump.

“and that assassination attempt on Donald Trump.”

Documenting the Blind Bluesmen

41:42 to 42:01

Learn about Gary's documentary project on blind blues musicians and its impact.

“So there was this documentary idea I'd had in my head for years about the blind bluesmen in the south in the early 20th century.”

Road Trip and Musical Choices

42:01 to 43:10

Explore Gary's road trip and his chosen song reflecting on blues music.

“and then eventually a very good producer I've worked with before called Lee Kumata, she got us an interview with someone from Radio 3 who said, yeah, go and do it.”

Balancing Family Life Across Continents

43:10 to 44:24

Gary discusses the challenges of maintaining family connections while living abroad.

“but your partner Sarah, a former journalist, and your daughter Lucy live here in the UK.”

Pride in Perseverance

44:24 to 45:08

Gary reflects on his pride in overcoming obstacles as a blind journalist.

“Because if you're a blind, I mean, 70 % of blind people of working age are out of work, don't have a job.”

Reflecting on Family and Career

45:08 to 46:18

Gary shares memories of his parents and their views on his career achievements.

“I felt a little bit like I'd done her a disservice by not really grieving properly, probably.”

Preparing for Life on a Desert Island

46:18 to 47:26

Discussion about Gary's feelings towards being cast away and his music preferences.

“and I said we can't afford oak it's ash obviously so I might be able to build a bit of a shelter All right, well, I think we should have one more tune before you go.”

Books and Luxury Items for the Island

47:26 to 49:18

Gary chooses the books and luxury items he would take to a desert island.

“So, Gary O'Donoghue, I'm going to send you away to the island now.”

Saving a Track from the Waves

49:18 to 49:44

Gary explains the significance of his chosen track by Blind Willie Johnson.

“Okay, we'll definitely make sure that you don't leave what a soulful luxury, I love that And finally, which one track of the eight that you've shared with us today, Gary, would you save from the waves?”
Hear the part that matters, and keep it.Open this episode in VO. Double tap your headphones to save a moment as you listen.
Get VO free

Transcript

Automatic transcript. May contain errors.

0:00Hello, I'm Lauren Laverne and this is the Desert Island Discs podcast from BBC Radio 4. Every week I ask my guests to choose the eight tracks, book and luxury, that they'd want to take with them if they were cast away to a desert island. For rights reasons, the music's shorter than on the original broadcast, but you can find a version with longer music tracks on BBC Sounds. Listeners will also get access to episodes 28 days earlier than everyone else. I hope you enjoy listening.

0:30Thank you.

1:00conducted live as the incident unfolded, won the Royal Television Society Breaking News Award. His interview with an eyewitness, which was rebroadcast by every major news network, was watched by more than 300 million people on social media and nominated for an Emmy. Viewers were impressed by his journalistic skills and by the fact that he was covering an event he could not actually see. Gary is blind. In fact, he's the first disabled person to be posted as a BBC foreign correspondent. During his career, he's reported on mass shootings, filed stories from the Macedonian border during the Kosovo conflict, covered the Iraq War and chronicled seven British general elections.

1:41He was born in London, where his dad worked as a black cab driver. When Gary lost his sight aged eight, support was limited, but his parents were determined that he would succeed. They got him a place at a boarding school for blind children and he went on to study philosophy and modern languages at Oxford. He spent a year at the Sorbonne in Paris, where he took his first steps into journalism, filing pieces for Radio 4's In Touch. He says, being blind is absolutely and undeniably a part of who I am, but it's not all of me. Gary O'Donoghue, welcome to Desert Island Discs. Thank you for having me.

2:15Well, Gary, you're a very busy man, so I'm glad that you've got time to see us. You have, let's say, a hectic journalistic beat. We're speaking in April, and I think plenty of listeners at home will be struggling to keep up with American politics right now. How are you finding it? Well, I share their frustration because we struggle, I struggle day to day to keep up. The pace of what is unfolding in the US and around the world is mind boggling and mind blowing. and our job, my job, to try and interpret that and make sense of that and sort of impose some kind of rationality or structure on it is a day-to-day challenge.

2:52It's hugely hard. All the rules in politics have changed in the last few years. The politically impossible has become possible. All sorts of things have been turned on their head and we're all day by day struggling to try and keep up. And the personalities. I mean, we have such an unpredictable president right now. We do. And he has rewritten the rules of politics. He has the ability to, you know, shock day by day and does so. And because he's the most powerful man in the world, we have to report that. And that upsets a lot of people. But he is the most powerful man in the world. He has been elected.

3:33So we have to sort of respect that mandate, even if it's hard at times to understand. what he's trying to, you know, achieve. And I'm one of those people that believes that if you don't know, if you're not sure, then say so. You know, I've been on air and said, I don't know, I'm not sure, I don't really understand this. And I think audiences do appreciate that. What I'm trying to do the whole time when I'm broadcasting or writing, you know, I'm trying to give them not just an analysis or the news or whatever, I'm trying to give them a bit of me, because that's how you get them to trust you. They feel they know you.

4:09You talk about journalism as a very good fit for blind people. Tell me a bit more about that. Why? One of the things you have to do as someone who can't see, who's blind, is right from a very early age, actually, you have to learn to listen. You sort of have to learn to understand other people's reactions because they react differently to you as a disabled person. And you learn to put yourself inside their head a bit and know when that sort of thing is going on. And so I think that means you're outside yourself, you know, quite a lot of the time. And there's also, you know, in maybe slightly more stressful circumstances when people might not necessarily want you around, it can be harder to, you know, shut the door in the face of a blind bloke who's a reporter.

4:57So if you're doorstepping someone, you're at an advantage. Maybe. Now, it's not just journalism that we're talking about today, Gary. You're, of course, sharing your music with us. Tell us about your first disc today. Well, I'm pretty sure this was the first single I ever bought. But I think when I started listening to music or becoming aware of it at 6, 7, 8, I didn't really like what was around very much. I kind of hated disco. Although, ironically, there is a disco track in one of the ones I've suggested. It's a broad mix today, Gary. I've had a sneak peek. There are reasons. But suddenly there was this kind of new music around, well, punk basically, and new wave.

5:37And this came along and I bought the single and I remember taking it to school and forcing one of the teachers to play it in the classroom. Was it your French teacher? It was my French teacher and I asked her to translate it but she refused to. I didn't know whether she could or couldn't or wouldn't but she wouldn't translate it. Anyway, so this has a sort of very special sort of place in my memory. It's Sa Plane Pour Moi by Plastic Bertrand.

6:07a girl de bois a pu ma pierre dans un grand verre en caoutchouc comme un alien dans son igloo ça plane pour moi ça plane pour moi ça plane pour moi moi moi moi moi ça plane pour moi ça plane pour moi plastic Bertrand Gary O'Donoghue you were born in North London in 1968 and you grew up in Hornchurch in Essex. And your parents, Connie and Frank, both had big passions outside family life. Let's talk about your mum first. Before she got married, she taught ballroom dancing, didn't she? She did. My mum and dad both left school at 14 and my mother went to a dancing school, ballroom dancing school, and did loads of all her qualifications and was completely qualified by, I think, the age of 21 and used to sort of effectively, when the owners were away, run this quite well-known Borham dancing school in North London called Morgans.

7:09And that's where she met my father because he was one of her pupils. And in fact, that's where one of her sisters also met her husband. Very successful, isn't he? It's a bit better than speed dating. So what did she tell you about meeting your dad then? What kind of impression did he make? He must have been a good dancer too. To be honest, she was always quite critical of his dancing. I remember her telling me there was a sort of policeman and she slightly fancied a bit more than him. But they ended up together. I think he had an incredible sense of humour, my father, and he was always larking around and I think that captured her heart eventually.

7:46And what about your dad? He had been a semi-pro footballer. In his early, yeah, in his sort of teenage years, he was a pretty accomplished footballer and played for various teams around the South East, I think into his 20s. What kind of teams? Who did he play for? Well, he had some trials at some quite big teams like Watford and Chelsea and places like that, but he ended up playing in like a non-league kind of Eastbourne and I think Hastings and Whitstable and places like that. He was a midfielder and his great talent was that he could kick equally well with both feet, which many Premier League footballers nowadays can't do.

8:23Oh, wow. And do you think he could have gone all the way in different circumstances? Who knows? And he never showed any resentment or anything. And eventually he became a cab driver. But he did used to take me to Tottenham from when I was very little, mainly because a lot of his mates, who were also cab drivers, were tickets out at Spurs at the weekend. And so we could get tickets pretty easily and then keep some back for us. But the first game he took me to the old White Hart Lane was against the Arsenal and we got walloped 5-0. But he knew the assistant manager, who'd happened to be a, was also a former cab driver who got us down to the dressing room afterwards.

9:04I mean, I think I was probably seven or eight at the time. Maybe a little older, but I got to meet some of the players and stuff like that, which was, it was lovely. One of them patting, I remember distinctly one of them patting me on the head and saying, sorry, we lost for your son. I mean, your mum and dad sound wonderful. Tell me about their personalities. What kind of people were they? They were very tolerant. They were hardworking. My dad worked nights most of the time. My mum, when she sort of gave up dancing and had a family, then sort of spent a lot of time working in bars and shops and things like that.

9:40And they were incredibly patient. They were great parents. So when your dad was training to become a cabbie, he would have done the knowledge. Do you remember that? Was that before your time? That was before I was born. Although, funnily enough, when I was growing up, he would sort of offload some of this knowledge to me so when we were driving around in London going to see my grandparents or whatever he would tell me where we were and which road led to which road and then he would ask me, test me how would you go from this place to this place and so I have this sort of, still to this day I have this knowledge that runs from sort of Camden in the north to the river in the south and then kind of the city in the east probably as far as Notting Hill in the west, where I kind of pretty much know where things are.

10:29So you have this mental map of London. A bit of a mental map to have passed on. All right, Gary, let's have some more music. This is your second choice today. Tell me about this disc. So, I mean, I was born in North London, but, you know, I grew up in Essex, you know, until I was sent away to school. And quite early on, I think through my elder brother, Stephen, I started listening to Ian Jury, who's sort of quintessential Essex. wrote a song called Billerickie Dickie and I remember on the day of the Royal Wedding in 1981 Princess Diane, Prince Charles the GLC, London Council was putting on this alternative event where Ian Drury was headlining and I begged my parents to go and they wouldn't let me and made me sit at home and watch the Royal Wedding instead but the song I've actually chosen from him is a sort of gentler what I regard as sort of a bit of a poking fun at Essex and the kind of ways of Essex, and it's Clever Trevor.

11:28You ain't got no call not to think of what I'm fooling To thinking I ain't too clever

11:38And it ain't not having one thing, no, not another I've a neither is it anything, whatever

11:49And it's not, not knowing that there ain't nothing showing in the eyes of the name of Trevor However Clever Trevor, Ian Dury. So, Gary O'Donoghue, tell me a bit more about growing up and specifically your sight, because you had problems from birth, didn't you? What was the condition that you had called? No-one knows. I think there was some sort of speculation that maybe my mother had had German measles or something when she was pregnant, but no one really knows. And one of my eyes, they took one of my eyes out when I was a baby. I spent quite a lot of time in hospital when I was a baby, which, you know, huge burden for my parents.

12:27But I could see a bit, you know, I was sort of partially sighted, and so I could see out of one eye and I could see enough to ride a bike. But it was pretty unstable, and when I was five, I fell off my bike and detached the retina and had to have that fixed. and then when I was in fact it was the day before my 8th birthday I have a very clear memory of I was at a school for the partially sighted day school and I remember walking out into the playground after lunch I think I was the first one out there and I climbed the climbing frame and I couldn't see the way down and I thought okay there's something, something's wrong here and they'd bought me this I'll never forget they'd bought me this sort of action man doll right, ironically enough the six million dollar man with his bionic eye right and i'm in the kitchen trying to stare through this little hole in the back of this doll's head trying to persuade my parents i really can see something still um but i went to the hospital and i was there for another few weeks and eventually the the consultant i'd had from birth famous ophthalmologist called um greaves he sat my mother down and said look it's over he's not going to be able to see ever again and

13:40he gave he said straight away after that he said he's not going to see again and the thing you must do right now is make sure he gets the best education he can possibly get and that's exactly what your mum and dad did that must have been so difficult to have that conversation with your consultant from their perspective and you said it was just your mum at first I think there was no support in those days at all My mother told me that at one point when they'd made an artificial eye for me, the nurse couldn't manage to put it in, so she wrapped it in a tissue and said, you try when you get home. Which could be a good job.

14:18Yeah, off you go. Off you go, here it is. And later in life, my mother actually said to me, there was a point in those early years where she considered killing us both. Oh, my God. But I was so touched, actually, that she'd told me that. the courage to tell me that and trusted me enough to tell me that because I kind of I got it you know I can understand it made me understand how lonely it must have been for her and my father and the sense of desperation that that she would have had as you say with with no support around it and really unsure what the future held you know all of that I think I sort of understood that that they were worried for me and I think you know I was obviously I must have been a bit anxious because I remember trying to run away from home a couple of times.

15:05Where did you go? I told my mum I was going to her mother's, my nan's. Where did she live? She lived up in Kentish Town. And I would apparently pack a bag that contained only three things, which was a pair of underpants, a toothbrush and a toy car. That was a lot. And my mother would actually, she'd actually let me go. She'd let me walk up the street and follow me. and when I lost my bottle before the top of the street she'd be there. Let's take a minute for some music. What are we going to hear? The best friend I ever had was a guy called Tim, Tim Goebbels and we first met when I was sent away to school at eight and we went through two schools together, we went through university together and in our adult life we talked all the time, and we met up all the time.

15:59He knew me better than anyone. He was blind too, was he? He was blind too, and we talked about everything, and he was loyal and honest. And then he died nine years ago, and he got diagnosed with pancreatic cancer, and three months later he was dead. And not a day goes by that I miss him. And I don't have him to talk to anymore. And this is a track that you've chosen for him in his memory. Yes, this is for him. We were at the same university in different colleges and he was a big fan of this band. And when I went round to sat in his room and drank the Queen's College sherry, which was actually quite nice, he'd play this and we would agonise about all the girls we weren't getting.

16:57We were sitting, I remember us sitting and helping one write love letters to the latest crush and things like that. And out of his speakers was the Pet Shop Boys, and so I've chosen West End Girls.

17:26In a western town, a dead-end world The East End Boys and West End Girls West End Girls

17:41Perchop Boys and West End Girls Gary O'Donoghue, after you lost your sight your parents sent you to a boarding school for blind and partially sighted children in Kent What do you remember about that time? I remember the day we went and they took me on a Sunday and I remember on all, you know, the whole journey telling them I wasn't going to do it and they might as well turn around now. I think I felt slightly like I was being punished for losing my sight a bit. I mean, that's obviously not what they were doing. And they were just silent in the front of the car because I knew this was, well, I know now, this must have been tearing them apart as well.

18:17Oh, God. You know, and I went and this is this sort of big old form a manor house in the middle of these sort of huge grounds and the way up to the the dormitories was the the old servant staircase up 52 stone steps how old were you at this point so i was eight so this is six months after i'd lost so it was only six months after because that's not long is it not long for them not long for you no not long at all and they um you know my mother said that you know she could hear me bawling my eyes out she walked down the stairs and that must be hugely hard for them. I mean, hugely hard. And so you were desperate, you were homesick, were you?

18:54I was really, well, I think I was homesick. I think I adapted pretty quickly. I mean, it was a huge change. I mean, it was a working class background I'd come from and these schools of blind children in those days were, you know, they were modelled on the English public school system. So culturally, just like a complete culture shock as well. Complete culture shock. Tell me about that. What kind of thing? How would you describe it? Sort of things like the stories they would read us were all kind of you know jenny's goes to school and we had houses that we were in you know and it was quite regimented and i mean there was still corporal punishment you know i got hit at one point and in those days the sort of pastoral care in those sorts of schools was very much secondary to the academic stuff but there were good things about those early years as well.

19:44I mean, you know, I learned to ski at that school, you know, my parents scraped the money together to allow me on a skiing trip to Austria. And, you know, that was completely out of the realms of anything. Right. So what was that like then? Because as well, you were a weekly boarder. So you're going home at the weekends, like talking about skiing and speaking French, which you ended up being very good at. I mean, how was all of that? How did that affect the family dynamics? You sort of become a different person and you grow apart a bit. I mean, from 11 years old onwards. And was that when you went to Worcester College?

20:17That was when I went to the hothouse of Worcester College, which was a massive grammar school for blind boys. It was two lives, really. I'd come back at the weekend. OK, so they call that code switching now, I think. Is that what it is? Yeah. So you were sort of one person at school and then... Of course, my accent changed. I went from the kind of Essex estuary to this place where everyone who'd come from different parts of the country, and we all sounded the same at the end of the first year. Yeah. So did your relationship with Stephen and Andrew, your brothers, change? I think so. I mean, I think, you know, they probably suffered quite a lot from the amount of time my parents had to spend looking after me when I was having all my sight problems and spending loads of time in hospital.

21:02and certainly when I went to school I really didn't see them very much and so we've obviously stayed together and we still talk, you know, but I don't think I've I don't feel like I've ever really known them And have you had that conversation about what they went through? Because it is very hard on the other siblings when one child and a family has health problems, they obviously become the focus, but it's difficult for the siblings for sure It is and we haven't had that conversation maybe we should And in terms of the new world that was opening up to you, I mean, you did well academically. You also learned some very important life skills.

21:38It wasn't just skiing. What were the kind of things were you learning? Oh, I mean, I do remember that they took a group of us over to a disused airfield a little few miles away and taught us how to drive. Wow. And it was great. And they said, of course, you'll never drive, but you should know what it's like. And so, what, I was 14, there's five of us in this dual-controlled car with one teacher. And there's four blind kids in the back saying, oh, faster, faster, faster. And we're driving around this old airfield and it was so exciting. All right, Gary, it's time to go to the music. Disc number four, if you would.

22:17So my dad took me down to Denmark Street here in London, Tin Pan Alley, they used to call it. and he bought me a Fender Strat copy in Sunburst, and me and three other guys, when we were about 15, started this band, and we used to go and play the pubs around Worcester and in the West Midlands and Birmingham, and we'd get paid in beer by these pubs. We were underage, all of us were underage. I mean, you wouldn't get away with it now, but they would pay us in beer. It was enormous fun. Fantastic. I can't tell you how much fun. What were you called? What was the band called? We were called, for some random reason, Shogun.

22:56We had nothing to do with Japan. I think it was on the telly at the time. I love the ambition of the name, though. That's impressive. We would sit up all night trying to make up names for the band and just collapse into hysterics for hours on end, finally rejecting Iron Fist for Shogun. Well, they're both good. They're both very, very strong. So in the band, we used to do a lot of cover versions and from that sort of era I got introduced to ZZ Top. So this song is from a live album they did and it's just a fantastic kind of lazy but energetic blues song and I just love the title and it's Jesus Just Left Chicago.

23:41Jesus still left Chicago And he's bound to move all the way

23:55Well, my beautiful left Chicago And it's bound for the early

24:08ZZ Top and Jesus Just Left Chicago So, Gary O'Donoghue, you read Philosophy in Modern Languages at Oxford University. your parents as you mentioned left school at 14 what did it mean to you and your parents that you got a place there my parents were beside themselves i mean they they weren't very expressive but they were chuffed beyond belief and they had no idea you know what was involved i don't think and the first day we we went up my dad said to me do you mind if we is it all right if we turn up in a van. I said, that is fine. Van is fine. And those Braille books won't fit in anything. Yeah, exactly.

24:50So he was sort of unsure, but also completely delighted. So they didn't know what was in store for you. I mean, what about you? How did you find life at Oxford after being at school that was specifically entirely for blind students? It was a bit of a shock. I mean, I was made to feel very welcome, absolutely. And there was a sort of quiet support that I got from my college which was Christchurch you know I remember in the very early days saying to someone just randomly the braille books are a different size to ordinary books they don't fit on the shelf in my room and like two days later there's a sort of knock on the door and the college carpenter is there saying we've come to build some shelves for you to fit the books so they would do like quiet simple things like that and made it very clear that if I needed anything I was to talk to them but it was it was a shock in the sense that you know I kind of thought of myself as completely well obviously I knew I couldn't see but I thought myself as normal I thought well the world's just going to be fine why would the world be strange and these are all clever people why would they be strange and some of them were were lovely and some of them were strange and didn't really know how to relate or talk to you and I do remember you know overhearing a conversation at dinner one night a few seats down with someone say oh yeah i went to knock on his door but the lights were out so i wasn't sure whether he was in or not and i remember thinking god you know you do need to turn the lights on but otherwise people are not going to know you're in your room um so it was you know as i say there were lots of people who were lovely um but it took some and some never you know some people never get used to it i mean i remember in the first term going to the university's counseling service and talking to someone there and they sort of I'd explain what sort of feeling not really understanding it and this woman gave me this book I never forget it was a book called stigma by a psychologist called Irving Goffman it was an anatomy of difference and how difference and is dealt with by the world and how people react and all different not just blindness but all different contexts of difference I remember thinking at the time someone's thought about this before.

Read the full transcript

26:59Isn't that amazing? You know, you're not experiencing anything unique here. This has been anatomised and categorised and analysed. And that was a lifting of a burden for me. And I realised that, you know, at that point, you know, there was a roadmap, you know, there were ways of dealing with this sort of stuff, and that you didn't have to make it up yourself. And in terms of your own map and way forward, at what point did it occur to you that you'd like to be a journalist? It's pretty much by chance, I think. My dad, again, picked someone up in his cab, which I know always sounds like the start to a bad story.

27:37But he picked up a... He was actually a blind chap called Kevin Mulhern who ran a production company making a programme for Central Television at the time called Link, and it was a disability magazine programme. He happened to pick him up, and my dad got talking to him, And Kevin said to my dad, oh, why doesn't he come along and have a look at when our shows go out? And this was when I was like in the second year or something like that, university. And so I went up to Birmingham. I looked at it and I kind of got a bit starstruck by this whole business. And I like the fact they were, you know, just having people on telling stories and talking about issues and things like that.

28:14You know, that was interesting. And he put me in touch with a couple of other people. and that meant that by the time I went on my year abroad to France, I sort of had some contacts and I started going down. I was meant to be going to some of the lectures at the Sorbonne but I would go down to the BBC office in the Rue du Faubourg Saint-Honoré and borrow their reel-to-reel viewer, tape recorder, and do little interviews and sneak back to London and this legendary producer from In Touch, Tina Heschel, who I've got so much to thank for. She took me under her wing and gave me an awful lot, as did Peter White, who has been the presenter of that programme forever.

29:01So you were doing philosophy and modern languages at Oxford and it was French in particular for you, wasn't it? Yes, I always loved the language and one of my friends at school, in fact, said you should listen to some Debussy. And he played me this piece and I've never forgotten it and I always have it around and I listen to it regularly because it's a kind of reverie and it sort of transports you somewhere and it's a piece called La Fille aux Cheveux de L 'Ain which basically translates as The Girl with the Flaxen Hair.

29:49Thank you.

30:34Part of Debussy's La Fille aux Cheveaux de L 'Anne, performed by Arturo Benedetti Michelangeli. Gary O'Donoghue, so you'd started filing radio pieces for the BBC, but you were turned down for several traineeships. Why do you think you were turned down? Well, I was told at one point by someone that they didn't think a blind person could be a reporter and certainly not a television reporter. And what was the situation? Was there anti-discrimination legislation in place at the time? No, no, that's before any of that. I mean, fortunately, a couple of people at Westminster, the BBC's Westminster office, Bob Egginton and Richard Eyre took a punt on me, to be honest, you know, gave me a chance.

31:15And I worked on the local radio desk at Westminster through the 1992 general election. And then I got a job after that. And so, ironically, all the people that I would have been, you know, were on these training courses were still on their training courses. And you were in work. Suddenly I had a job. And that was the beginning for you. That was it, the door kind of swung open. Yeah. But this was still a pre-digital world. So how did you get the information that you needed and how did you get through it all to keep on top of the news agenda? It was this sort of constant process of begging and borrowing time from colleagues, friends, family.

31:52You know, I remember living with a girl and, you know, at night time, you know, going to bed and say, would you mind reading these cutting, these newspaper cuttings? Like not the most. That one didn't work out, did it not? Quite rightly, she thought that was a bit much. How does that compare to now? Because obviously there's more information but presumably more accessible information because you have this text-to-speech technology. Yeah, the landscape has been transformed, but you're always going to be one step behind because the technology moves on and your special technology doesn't keep up as quickly.

32:28Right. Because, you know, the market is small and, you know, innovation takes time and all that kind of thing. But you rely on the flow of information. That's the crucial thing. how do you absorb what's being said, written, broadcast in a landscape that's kind of exploded in terms of outlets and media formats and online and social media. And as a sort of blind person, you can only really absorb things in a linear fashion. You can't skim an article or skim through a timeline. And I spend a lot of time in the evenings, in the early mornings, trying to sort of keep up, I suppose. and that takes a certain amount out of you.

33:10Gary, in 2008 you came quite close to taking the BBC to an employment tribunal for disability discrimination. So this relates to the 2007 foot and mouth outbreak in Surrey. You'd found out that the then Prime Minister Gordon Brown was returning early from his holiday to deal with the crisis. You were the duty reporter at Westminster and expected to present your scoop on the flagship 10 o 'clock TV news but you were dropped in favour of a cited reporter. What do you remember about the incident?

33:42I'm pretty limited in what I can say about that, to be honest. But what I will say is that it was a really difficult time, actually, and it was a very hard decision, and it didn't come out of the blue. I'd spent a couple of years knocking on doors quietly, trying to tell people that I felt there was a systemic problem and that I wasn't being treated the same as other colleagues. And it was heard but not understood. And a moment came where I felt I had to make a stand. And it was hard because I loved what I did and I felt a genuine loyalty to the BBC. You know, I'd worked for 15 years by that time.

34:29But I thought it was important. And I felt it was important not just for me, but I thought it was important for those who come after too. I mean, I should say the BBC had an internal inquiry at the time and didn't find evidence of discrimination, but in the end they settled with you. We're 20 years on from that almost. How much have things changed? How much more inclusive is the workplace that we find ourselves in today? It is much more inclusive. The one thing that really encourages me is that in the work I do day to day now, Now I'm dealing with people who have responsibility who are sort of a generation or two younger than me, you know, in their 30s, people controlling day-to-day the main news bulletins and things like that.

35:11And they just don't have those deep, inbuilt sort of issues about disability that people of my generation sometimes do. You know, my daughter's generation, their attitude to difference, they're not thrown by it. All right, Gary, I think we should have some more music now. It's your sixth choice today. What's it going to be? OK, so I said I hated disco, didn't I? So I'm making an exception for this song, and I've chosen this for two reasons. One, because it takes me back to those early working days in the 90s where we would work late till 6 at Westminster, and then we'd go out to Soho till 1 in the morning and then get up and back in for 8 again.

35:54But there was a club we used to go to particularly, I think on a Friday night, I don't know if the night or the club was called Car Wash. And we used to go there ironically, obviously, to dance. That's what they all say. I know, disco music. But later, when my daughter Lucy was born, when she was very little, this was one of the songs I would put on in the car and turn it up really, really loud and sing to the maximum extent of our voices. and annoy Lucy's mother incredibly. And it has a lot of joy about it. So it's Car Wash by Rose Royce. Ooh, you might not ever get rich But let me tell you it's better than digging a ditch There ain't no telling who you might be A movie star or maybe even a Indian cheerleader At the Car Wash Working at the car wash, yeah Come on and sing it with me, car wash Rose Royce and car wash.

37:03So, Gary O'Donoghue, let me take you back to Butler, Pennsylvania in 2024 and that assassination attempt on Donald Trump. You sourced some incredible eyewitness testimony that day and there was one interviewee who, you know, your interaction with him went around the world. There was a team of us. It wasn't just me and all that. You know, my producer, Iona, my cameraman, Sam. You know, it was a joint effort. But I didn't know this, but he was holding a can of beer. He had this weird orange kind of headpiece on, I suppose. He'd had... That clearly wasn't his first can of beer. It was kind of a combination of a Donald Trump hairstyle and a sort of bit of a red Make America Great Again hat, right?

37:44It was striking, I think. Striking is a good word. So Iona found this guy who said he'd seen the shooter and tried to warn the Secret Service. It was a risk putting him on live. But I talked to him and all I did really was keep asking him the same question in a different way. And he just kept being consistent. And I thought, OK, this is someone who is not making stuff up. Well, I want to talk about another moment, which was in a way unexpected, which was an exclusive 20-minute phone call with Donald Trump, President Trump, which happened last year. So you had put a lot of preparation into this interview happening, but it didn't happen when you were expecting it to.

38:30I got the word back that this could happen, this might happen. We got sort of ready, we were going to film my end of the phone call. And the ringtone on my phone is the theme from Succession. and when we were rehearsing this thing we sort of reprogrammed the phone number on my phone so it just came up with the president sort of thing and when my phone rang my producer said you cannot, people think that's deliberate that will become a meme, you need to change that to something more vanilla so I have changed it back since to be fair and the next day I thought the moment had passed they weren't really responding and so that following evening I went back to my apartment, sort of, you know, nap on the sofa and then sort of mid-evening the phone rang and the press secretary said, hello Gary, it's Caroline and the president's with me and I'm handing him over now.

39:27And I was kind of... So you've just woken up at this point? And I sort of touched the phone screen and accidentally hang up and then they, fortunately they rang back and I was scrabbling for my little recorder thing and we started to do the interview and I wasn't entirely sure I'd started recording. Oh, no. You know, but the pressure was on and so we talked and I thought I might get five minutes and I got 20 minutes. So what was your approach? There are plenty of interviews where, you know, are sort of competitive and stuff like that. But what I wanted to do was try and draw him out a bit and so I would ask as open a question as I could and when there was a bit of a silence, I wouldn't fill it.

40:08And he would fill it. What do you remember taking away from it? Well, it was the end of a long, it must have been the end of a long day, certainly for me and probably for him. You know, he was in a slightly more reflective mood and he was on his own in the Oval with the press secretary. That was, you know, they were the only people there. And, you know, I remember at the moment, you know, one moment when I, I think I asked him whether he trusted Putin or not. And there was a sort of pause, this long pause. and he said, I trust almost nobody. And I remember a sort of chill running up my spine and thinking that must be really lonely, a really lonely place.

40:47So you've just hung up. What happened next? I ring Iona and say, can you come to my apartment and see whether this has worked or not? So an adrenal wait to see if it's actually recorded. And she takes the recorder and plugs it into her computer and says, yes, I can see 20 minutes of recording there. What would you have done if it hadn't worked? Well, I thought about that. I thought maybe I should just tell no one that it had happened, pretend it hadn't happened. But if you're the foreign press in the United States, you're kind of quite low down the pecking order. And, you know, the BBC hadn't had an interview with a US president for nearly a decade, a sitting US president.

41:31I mean, he does a lot of interviews and he's done several since with British outlets. But we were, you know, we were the first. So that's what gives me a lot of pleasure. Let's go to the music, Gary. It's your seventh choice today. What are we going to hear? So there was this documentary idea I'd had in my head for years about the blind bluesmen in the south in the early 20th century. And this title popped into my head, Blind, Black and Blue. and then eventually a very good producer I've worked with before called Lee Kumata, she got us an interview with someone from Radio 3 who said, yeah, go and do it.

42:11And we had this road trip through the south. And I've chosen a song from that. I mean, they played all sorts of different kinds of blues. You know, some of it was very raunchy, kind of, you know, quite lewd. And then, you know, on a Sunday, they'd go and play sort of spirituals in the church, you know. But I've picked one that is very much on the sort of spiritual end. and this is Dark Was The Night and Cold Was The Ground and it's Blind Willie Johnson.

42:37Mmm, mmm,

42:45love, oh wow.

42:53Ah, ah, ah

43:04Dark was the night and cold was the ground, blind Willie Johnson. Gary O'Donoghue, you've lived in the States for over ten years now, but your partner Sarah, a former journalist, and your daughter Lucy live here in the UK. you've got a place in Yorkshire how do you maintain family life with that distance? We see quite a lot of one another we're lucky enough to do that but there are times when it's a strain and you know I'm certainly not in a hardship posting or anything like that but you know being away is difficult and there are times where you know you wish you weren't just there in your own much as I like my own company there are times you wish you weren't just there in your own head or cooking for one is boring.

43:49Is there anything you've missed out on, do you think, over the years? I've obviously not been around as much as I would have loved to have been for Lucy growing up, not least because even when I was in the UK I was working in London all week and things like that. So I think that there's been a bit of a price for that, for her particularly. But we're very close. Gary, obviously we've been looking back on your story and reflecting on what you've done. And I wonder what you're proudest of. What am I proud of? I'm proud of kind of staying the course, actually. Because if you're a blind, I mean, 70 % of blind people of working age are out of work, don't have a job.

44:31And so, like, every day of my life, I still believe, despite your one's experience and whatever, if I lost my job tomorrow, I probably wouldn't be able to get another one. I do genuinely believe that. and so staying the course and being one of the lucky ones is something I'm proud of, of not having given up. You know, when I became a political correspondent, my dad, as I say, who didn't have a formal education but was fascinated by politics, constantly writing letters to government departments, he was just so pleased about that and he wasn't around when I became the Washington correspondent and I know he loved it.

45:09And I know that your mum did get to see, you know, a lot of your success what did she make of it she again she was just quietly proud of it um she came out to to washington but um it was like in just after the the trump she died the next month after the trump the trump assassination attempt and and i was kind of in the midst of the election campaign and i think i maybe got three days back at home before i really had to sort of you know carry on and I didn't really get a proper chance to sort of absorb it. I felt a little bit like I'd done her a disservice by not really grieving properly, probably.

45:52But you must have made her so proud, you know, that moment she was so frightened for your future and look at you now. Well, I think she would have thought we'd done all right. Well, Gary, there's a new adventure awaiting you because I'm about to cast you away to our desert island. how are you feeling about life there? Yeah, I don't mind my own company at least for a bit I don't know if I could build a shelter I did do some woodwork at school in fact the only time I met the current king was when he came to our school just before he got married and we were doing a woodwork class and we were making stools and the only thing he said to me was is it oak?

46:30and I said we can't afford oak it's ash obviously so I might be able to build a bit of a shelter All right, well, I think we should have one more tune before you go. So Lucy, my daughter, has forced me to listen to new music. We have a shared Spotify playlist, which she has entitled Club Bangers, which I quite like. And she keeps putting stuff on there. I don't really share her love of K-pop, to be fair, but she... Yes, you were just telling me you didn't like disco a minute ago. Well, indeed. But she keeps putting stuff on there. and the one I've chosen is Charlie XCX and her song Von Dutch. My club going days are long behind me but I could maybe do a bit of dad dancing to this one because it is an absolute storming record.

47:20When that sort of bass line comes in you can feel it go right through your skeleton.

47:52I love that. So good. So, Gary O'Donoghue, I'm going to send you away to the island now. I'm giving you the Bible, the complete works of Shakespeare, and you can take one other book. What's it going to be? Well, just say, you do know that the Bible in Braille is 48 volumes. I heard it's a substantial tome. Yeah, it's going to keep you busy. It's like two metres high. So we'll have to find somewhere to put that. So thank you. The book I've chosen is The History of Western Philosophy by Bertrand Russell. I'm so glad I did philosophy at university. I was never very good at it, but it taught me a way of thinking that was a sort of lifelong gift.

48:32You can also have a luxury item. What will that be? I think what I've decided to have is a cricket ball, a red cricket ball that they use in the test matches because I've listened to the cricket on the radio since I was a small child and loved it. And I have a cricket ball in my apartment on the little table next to where I spend my life sitting around. and when I think I just have to I throw it from hand to hand and I don't know if you've ever smelt a cricket ball but the leather smell is lovely and then the texture of the seam the only thing is that kind of if it rolls away on the beach can it be like a magic one that comes back because that would be tragic if I lost it Yeah, either that or we just get you like a massive pile so you can never run out and you know where they are Okay, we'll definitely make sure that you don't leave what a soulful luxury, I love that And finally, which one track of the eight that you've shared with us today, Gary, would you save from the waves?

49:29Blind Willie Johnson. The fact that he doesn't, there are no words means you can add your own words and your own meaning to it. And it sort of reaches into your soul in a way that I think might be constantly fruitful. Gary O'Donoghue, thank you very much for letting us hear your Desert Island Discs. It's been such fun. Thank you.

50:22MUSIC PLAYS centre Peter White is in our archive too. The studio manager for today's programme was Steve Greenwood. The executive production coordinator was Susie Roilance. The content editor was Mugabe Turia and the producer was Paula McGinley. Next time my guest will be the actor Emily Watson. I hope you'll join us.

50:51If you've got a scrolling problem then this is the podcast for you. It's called Top Comment with me, Matt Shea. And me, Marianna Spring. We both investigate social media for a living. Whether it's disinformation, conspiracy theories, internet culture, memes. We're going to be getting behind the stuff that is popping up on your feed on this podcast. That's Top Comment on BBC Sounds.

From the publisher

Journalist Gary O’Donoghue is the Chief North America Correspondent for BBC News. Last year his coverage of the 2024 assassination attempt on Donald Trump won the Royal Television Society Breaking News Award. He made the news himself in 2025 when he secured a 20-minute exclusive phone interview with Trump who was by then the US President.

Gary was born in London and brought up in Essex. When he was eight he lost his sight and attended specialist schools for blind and partially sighted children. He read philosophy and modern languages at the University of Oxford before embarking on his BBC career.

He has reported on mass shootings, filed stories from the Macedonian border during the Kosovo conflict, covered the Iraq War and chronicled seven British general elections. He became the BBC’s Washington correspondent in 2014 and, as well as Donald Trump’s two terms, has covered the administrations of Presidents Obama and Biden.

Gary is based in Washington DC and when in the UK lives in West Yorkshire with his partner Sarah.

Presenter: Lauren Laverne Producer: Paula McGinley

Desert Island Discs has cast other journalists away to the island over the years including Lyse Doucet, Clive Myrie and Lindsey Hilsum, You can hear their programmes if you search through BBC Sounds or our own Desert Island Discs website.

This episode was recorded before the shooting at the White House Correspondent's Dinner on 25th April 2026.

More from Desert Island Discs

All 76 episodes
Gary O'Donoghue, journalistDesert Island Discs · 51 min
Listen in VO