In short
Desert Island Discs with TV presenter and former motorcycle racer Guy Martin. He discusses lifelong engineering obsession, racing danger, fear management, crashes, and later endurance cycling and TV work.
Key claims
he’s a “mechanic first,” fear keeps him focused, and pain/suffering helps control his “chimp” (impulsive brain) after reading Steve Peters’ Chimp Paradox. He says he doesn’t regret not winning the Isle of Man TT, despite loving it.
Notable examples
17 Isle of Man TT podiums; speed records including fastest on a wall of death, in a soapbox, and on a tractor; building a bike aiming for 300 mph in a standing mile; switching from racing after an Ulster Grand Prix crash (broken vertebrae, hand, ankle, punctured lung).
Guests
none besides host Lauren Laverne; no additional guests appear. Music picks mentioned: Alabama 3 “Bambalam,” Rage Against the Machine “Testify,” The Streets “Blinded by the Lights,” Robbie Williams “Me and My Monkey,” Johnny Cash “Hurt,” The Prodigy “The Day Is My Enemy,” and U2 “With or Without You.”
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Chapters
Tap a time to open that second in VOThe Thrill of Danger
2:05 to 2:56
Guy discusses his need for excitement and what replaces racing in his life.
“Guy, you retired from racing quite a while ago now.”
Building a Fast Motorbike
2:56 to 4:04
Guy details his six-year project aiming for a speed record.
“If I'm not fully concentrating on what I'm doing, I'm going to end up...”
The Nature of Fear in Racing
4:04 to 5:21
Guy reflects on fear in racing and its importance for safety and focus.
“I mean, you know, and it sounds like you were very calm in the eye of the storm when you're actually racing.”
Experiences with Crashes
5:21 to 6:04
Guy shares insights on his experiences with crashes and coping mechanisms.
“Alright Guy, it's time to get into your music today.”
Family Background: Growing Up in Grimsby
6:04 to 8:14
Guy talks about his upbringing and the influence of his parents.
“because they came and they did a gig in Grimsby.”
Parental Influence on Work Ethic
8:14 to 9:32
Guy discusses how his parents shaped his work ethic and values.
“he was on his way to Canada, I think, and then stopped in Hull on the way there and then met my gran, Lil.”
Parenting Style and Challenges
9:32 to 10:38
Guy reflects on his own parenting style and the challenges he faces.
“and a wooden spoon and tan her back sides.”
Musical Choices: Rage Against the Machine
10:38 to 12:12
Guy shares his thoughts on music and its connection to his mindset.
“Your second choice today, what have you gone for?”
Influence of His Father
12:12 to 14:01
Guy discusses his father's background in motorcycle racing and its impact.
“So Guy Martin, we've heard about your mum.”
Early Fascination with Engines
14:01 to 15:01
Discover Guy Martin's childhood obsession with engines and destruction.
“while he was building his motorbikes I wasn't allowed to say anything I could sit on the shed just watch him And, yeah, just fascinated by how things work, what's going on.”
Show all 33 chapters
Father-Son Dynamics
15:03 to 15:46
Explore the complex relationship between Guy and his father regarding challenges.
“So it started with exploding lawnmowers, did it?”
First Bike and Early Crashes
15:47 to 16:44
Hear about Guy's first bike and the beginnings of his adventurous spirit.
“I used to work school holidays and Friday nights from being sort of a 12-year-old at his work, where he worked, and then when he set up his own business and then I went to work for him then.”
Musical Influences and Lifestyle
16:45 to 18:08
Learn how music shaped Guy's perspectives on life and experiences.
“And I've been in sort of rock and roll situations where going out and getting trollied or maybe taking drugs was sort of the normal thing and I've never done that.”
School Days and Adjustments
18:09 to 20:02
A look into Guy's school days and the challenges of fitting in.
“Freezes well cheap though, so I'll take three if I need to.”
Engineering Aspirations and Realities
20:03 to 21:16
Guy discusses his brief experience in engineering education and its challenges.
“having to be in the right gang, to have to wear the right trainers with the right jumper to be in that gang.”
Apprenticeship and Skills Development
21:17 to 22:24
Delve into Guy's apprenticeship and the skills he honed during that time.
“All theory, writing down, it just didn't.”
The Manx Grand Prix Experience
22:25 to 23:05
Guy recounts a pivotal experience that changed his life at the Manx Grand Prix.
“And there's me, I'd have been 16, before I'd left school.”
First Race and Crashes
23:06 to 26:06
Hear about Guy's first race, initial crashes, and his relentless passion for racing.
“Guy Martin, your first race meeting was at Cadwell Park in Lincolnshire You were 19, were you confident?”
Racing Career Challenges
26:07 to 28:00
Guy talks about challenges faced during his racing career and the lessons learned.
“And then a bloke from an Irish magazine, there was a famous Irish magazine called Irish Road Racing Ireland, it was called, and the editor was a bloke called Leslie Muir.”
Building the Motorcycle Dream
28:00 to 29:30
Guy Martin shares his early experiences self-funding and building his racing bike while working various jobs.
“You can come across and do that if you want.”
Racing in Ireland: A Risky Adventure
29:30 to 31:00
Guy recounts his thrilling and risky experiences racing in Ireland and the lessons learned.
“Oh, yeah, so it was kind of like a fake tape where you would post the tape thing in and it had a wire coming out of it and you could plug it into a CD player.”
The Harsh Reality of Racing
31:00 to 32:50
Guy reflects on the fatalities in motorcycle racing and how it affected his perspective on the sport.
“Lost a lot of mates, a lot of competitors, a lot of pain.”
Understanding the Chimp Paradox
32:50 to 33:20
Guy Martin discusses his insights from the book 'The Chimp Paradox' and how it helped him manage impulsive behavior.
“It's interesting though, I know that you have benefited from thinking about your attitude and the way that you thought around that time though.”
Managing Impulses and Challenges
33:20 to 35:10
Guy explains how he copes with his impulsive nature and the importance of physical challenges in his life.
“The only way I could deal with doing these stupid things was this mad part of my brain is ran by a monkey called Brian.”
Pain as a Form of Control
35:10 to 36:10
The conversation turns to Guy's high tolerance for pain and its role in his mental state and racing career.
“Just go and sit on my push bike or suffer for a couple of weeks.”
Debut at the Isle of Man TT
36:10 to 37:40
Guy shares his debut experience at the Isle of Man TT and his feelings about racing and winning.
“Because if Brian's not quiet, I'm maybe not the best person to be around.”
The Decision to Retire
37:40 to 39:20
Guy discusses the crash that led to his retirement from motorcycle racing and his shift in focus.
“I'm late in hospital, having discovered my love for endurance mountain bike racing and thinking there's more to life than racing motorbikes, right?”
Transitioning to Television
39:20 to 40:50
Guy reflects on his experiences in presenting television programs and the challenges that come with it.
“kind of incredibly engrossing pastimes that we've been talking about?”
Navigating Fame and Attention
40:50 to 42:13
Guy shares his thoughts on dealing with fame and the challenges of being recognized in public.
“But it is just a bit much sometimes, and I do really struggle with that.”
Understanding Neurodivergence
42:13 to 44:16
Guy Martin shares his perspective on being neurodivergent and its impact on his life.
“So Guy Martin, in 2013 you found out that you're neurodivergent.”
Family and Happiness
44:16 to 46:30
Guy discusses what brings him happiness and the importance of family.
“You do love your time in the shed, so I think, actually, like you said, you are a bit of a lone wolf.”
Desert Island Choices
46:30 to 47:52
Guy reveals his book and luxury item choices for the desert island.
“Soul Guy Martin, it's time to send you away to the island.”
Emotional Reflections
47:52 to 48:52
Guy reflects on the emotional connection to his chosen music and family.
“I didn't realise I'd get that emotional when I start talking about Sharon.”
Transcript
Automatic transcript. May contain errors.0:00Hello, I'm Lauren Laverne and this is the Desert Island Discs podcast from BBC Radio 4. Every week I ask my guests to choose the eight tracks, book and luxury, that they'd want to take with them if they were cast away to a desert island. For rights reasons, the music's shorter than on the original broadcast, but you can find a version with longer music tracks on BBC Sounds. Listeners will also get access to episodes 28 days earlier than everyone else. I hope you enjoy listening.
0:46My cast away this week is the TV presenter and former motorcycle racer Guy Martin. On the track, he achieved 17 podium finishes at the Isle of Man TT races, one of the most prestigious and dangerous motorcycling events in the world. Along the way, he's survived numerous spectacular crashes. He's also set seven speed records, including fastest on a wall of death, in a soapbox and on a tractor. On screen, he's the hugely popular host of programmes that bring together his fascination with engineering, history and his daredevil nature. We've seen him build a replica army tank from scratch, train with the Royal Marines in the Arctic Circle and learn the skills of trollermen and firefighters.
1:29He's also the author of six hit books about his life and adventures. None of this, however, is his main occupation. He is, he insists, a mechanic first and foremost. He was born and brought up near Grimsby. He's been working with engines since he was 12 and he's never given up the day job, despite his success. His next escapade comes second to a busy M.O.T. season. He says, I like a bit of danger. I haven't got a death wish. But it makes things exciting, doesn't it? I guess I'd like to see how close I can come to death without actually dying. Guy Martin, welcome to Desert Island Discs. Sounds half interesting, doesn't it?
2:07I've been quite busy. No, no, thanks very much for having us. Well, you've packed it in. We've got a lot to talk about. Guy, you retired from racing quite a while ago now. Where do you get your hit of danger these days, day to day? Where do I start? It's never stopped. and I am looking forward to the day when I can get up in the morning and I'm just happy doing not a lot, but I can't see that day coming any time soon. So just since the racing stops, yeah, I've been getting on for sort of a professional. That was 10 years ago that that all stops. And then because I got bored, it wasn't interesting me.
2:47I was riding round on these motorbike races. thinking, what am I going to have for my tea? What's happening at work? And I just thought, right, something needs to happen here. If I'm not fully concentrating on what I'm doing, I'm going to end up... You say you're going to end up with a wooden top. You know what I mean? End up in the box. So that's a coffin lid, is it? End up with a coffin lid, yeah. So anyway, I have found things since then to grab me attention. Like what? Oh, my word. I've been building this motorbike for... I'm six years into this project. It's an own brood thing. And I'm trying to go fast, but really the eventual goal is to do 300 mile an hour in a standing mile.
3:24Do you think that's possible? Yeah, but it's as much of a science experiment as it is a hunt for adrenaline. What does it feel like to go that fast, to be going at 280 odd miles an hour? I go to a speed event and I have a good run, everything goes well. I do 270, 280 miles an hour. And I genuinely do not sleep for two days. There's just the rush is like nothing I have ever experienced before. No matter how extreme the road racing was, does not come up to the knees of mile racing. It is like nothing else. And what about fear? I mean, you know, and it sounds like you were very calm in the eye of the storm when you're actually racing.
4:12Is that fair to say? Were you ever frightened? Yeah, and I think that was the original buzz, was the fear. And when it's not scaring you, I think we have a problem. Because if you're not scared, then your mind starts to wander and that's when things can go wrong. So what I do now scares the living daylights out of me and that grabs my attention. So as it is, that's what I'm going to keep doing. you once described yourself as good at crashing, which I really liked. I'm a fair hand, yeah. I'm a fair hand. I know, yeah, if it's going wrong, get away from the bike and relax. Let it happen. And yeah, I've got away fairly lightly all the time.
4:58What do you mean relax? Like as you're mid-air, essentially. Try not to tense up. Is that what you mean? That's just that. Just that. I've been, yeah, the bike chucks you off and you can see the roofs of the vans in the pits. You think, oh, this is going to hurt. but just let it happen, don't fight against it and then I've got away quite lucky over time really. I've got lots of nuts and bolts and screws and plates in me but I'm alright really, I'm still here. Alright Guy, it's time to get into your music today. I know you are a huge music fan. What's your first choice? This is Alabama 3, Bama Lam.
5:33A mate of mine called Bill, right? Sponsoring us a bit, he's a legend of a bloke. He's a legend of a bloke and always a man for wise, calm words in awkward situations. Oh, OK. So if I've ever had something a bit tricky, it always, just without getting emotional about anything, yeah, he's been a great man for wise words. And he got me to my first Alabama 3 gig. This song is a massive standout because they came and they did a gig in Grimsby. Yeah, and there was two hours late coming on stage and the place was going wild. And yeah, this was just a standout song.
6:45Alabama 3 featuring Aurora Dawn with Bambalam, Here Comes Daddy. So Guy Martin, let's go back to the beginning for you, shall we? You were born in Grimsby, 1981, and you grew up in the nearby village of Kermington. You're the second of four, and I know that you credit your mum and dad, Rita and Ian, with teaching you your work ethic. How did they do it? Well, that's all we ever knew as kids. I've got an older sister, younger brother, younger sister, and that's all we ever knew, right? We didn't see that much of Dad. It was great, Dad, but just work. Work, work, work. Get home from work at 7 or 8 o 'clock.
7:24He'd fall asleep watching the news with his newspaper on him, eating his tea, and my mum was only the same. She brought the kids up, and while we was all at school, she would go out picking tits, and then back home and make a tea. And then when we were all at school and we'd all grown up a bit, she went off and trained to become a nurse. Wow. You know what I mean? So she's just never stopped your mum? No, she had an interesting upbringing. She had four brothers, a dad, Walter, Walter Kiddals. He was Latvian, came over to England on the way to Canada after the Second World War. He was in, I mean, it sounds bad when I say it, He was in the Waffen SS.
8:05He was conscripted, right? Yeah, conscripted. Any Latvian conscripts was automatically assumed as Waffen SS, and that's what he was. So, yeah, after the Second World War, he was on his way to Canada, I think, and then stopped in Hull on the way there and then met my gran, Lil. Yeah, and then that's where it all started from there. So you said your mum had quite an unusual upbringing, so quite kind of no-nonsense, quite tough from what I've heard, what I've read? Yeah, just, I mean, there's this one, she used to tell her when she was a kid, pet rabbits, you know what I mean? Because Walter loved to have sheep and a load of pets, all for, as it turns out, for eating.
8:47I mean, mum had a pet rabbit and she gets home from school and says, I couldn't find me rabbit, where's my rabbit? Her dad said, you're eating it. And that's sort of how she was brought up. and then we've all, yeah, she's a good person, but no emotion. It sounds bad, but no hugs when we was kids. Yeah, I think in later life, we've probably all struggled a bit. We're all a bit different. That kind of physical kind of touch, and you didn't learn the language of that as a little kid, you mean? No. No, we never did. Now I've got a daughter, and I think I try and learn from Bill words, but then I look back, she used to get a spaghetti measure and a wooden spoon and tan her back sides.
9:36You know what I mean? That was great, that put discipline in, and that's frowned upon now, isn't it? And I think, yeah, but I don't want that for my daughter. I just think, maybe not stern words, It's just words should police her, not wooden spoons. Yeah, so you're having the conversation instead of... Yeah, my daughter, she's eight-year-old. She's not quite... Yeah, she's cheeky. She definitely takes after me. I could get dead. Yeah, because she was... I mean, my mum, she was a great mother. She was a great... But just strict. Don't mess with her. Don't mess with her. And what kind of dad are you, then?
10:16How would you describe your parenting style? I struggle. I struggle. It doesn't come naturally. I look at mates of mine with kids and they're loving the great and I really have to try. And I really, like, to kiss Dot and just to give her a cuddle, but it does not come natural to me and I really have to try and I do try, I really do try. Yeah, I just, yeah. Let's have some more music, Guy Martin. Your second choice today, what have you gone for? Testify, Rage Against the Machine. because of the last few lines in the song, right? Like, 1984, George Orwell, I read that book 20 years ago, right? And I'm not much of an academic type at all, really.
11:02But I don't know why. I just got into reading deep books, and I just... I spent a lot of time in tractors, spent a lot of time driving and listening to Rage Against the Machine, and just the words from the end of that. I thought, hang on, I know those words. He who controls the past controls the future. He who controls the present controls the past. I thought, I've heard that before, and I know where I've heard that. I'd read it in 1984, yeah. They're just sort of simple words, but yet so, so meaningful.
12:09Rage against the machine and testify. So Guy Martin, we've heard about your mum. Tell us a bit more about your dad, Ian. He was a motorbike racer himself when you were growing up. What kind of competitions did he take part in? My dad. What a boy. Ian Martin, yeah. Yeah, he raced. And we'd go and live out of a caravan for a weekend. He knew that there was compromises to family life when you race motorbikes. So that's why he never encouraged me as a kid to go and race motorbikes. Ah, he thought it would take too much away from the rest of your life. Yeah, yeah, yeah. Just once you get addicted to it, that's it.
12:52Because he loved it and he'd go and race British Championship and then he'd be away for two weeks and go and race the TT. Wow. And then, oh, yeah. Was he successful? He must have been quite successful. He was all right. Yeah. He was all right. Yeah, he got on all right. Always, the older he got, the faster he was. when he's looking back you mean yeah the addiction of motorbikes and he was what was called a privateer your dad what's a privateer? yeah he just owned his own motorbike put it in the back of his van and went and raced, didn't ride for a team just did his own thing funded it himself, he had a few mates that helped him a few mates that would go with him and that's all I grew up hearing the stories so he worked as a mechanic your dad on lorries you know like you do you went to work with him quite often when you were little I think what did you learn from him?
13:44I've been doing it this way for 40 years that's the way it's done but I learned some off my dad I learned some off my dad just very meticulous in the way that he does things very much stuck in his ways but he was yeah just as a kid when he was building his motorbikes he'd let me sit on his bench in the shed while he was building his motorbikes I wasn't allowed to say anything I could sit on the shed just watch him And, yeah, just fascinated by how things work, what's going on. And then that sort of evolved to going to work with him when I was a 12-year-old. So, yeah, what were the first engines that caught your eye when that started to happen?
14:21Because it was such an early interest for you. Oh, no, I started younger. I started, oh, my word, I'd been about seven-year-old. Started building lawnmower engines. And then folks from around the village had given me their old knackered lawnmowers to rebuild. And I just fascinated by taking them to bits and getting them running. And then I got into this obsession with trying to blow them up. I used to drill bits of the piston. So if you couldn't fix it, you would blow it up, would you? I used to fix it, get it running, get it running, and then try and take bits out of the engine until I get it to blow up.
14:53Lightning bits and polishing bits and just, oh, I love destruction. Just, yeah, I just love blowing stuff up. Yeah, pushing stuff to the limit. That's where it all started from. So it started with exploding lawnmowers, did it? And what about you and your dad's relationship? You know, you talked about your mum and dad, both obviously very supportive. I don't know if supportive would be, but just, it wouldn't be, I'm always for doing the hardest, most impossible thing that I'm never going to achieve, but I love that. And like when I first went from racing club motorbikes to racing at the British Championship, he was like, why would you do that?
15:31You're never going to do it. Why would you do that? And I just, that's all I wanted to do. something that was outside of my comfort zone. Let's get stuck in and see how it goes. Oh, right, and he's the man from, as you described, like routine, I've been doing it this way for 40 years. So just different personalities. So did you clash? Loads of times. Just an example. I'd have been working for him. I used to work school holidays and Friday nights from being sort of a 12-year-old at his work, where he worked, and then when he set up his own business and then I went to work for him then. and that must have been a right smart mouth on me when I was a kid right I'd lost his adjustable spanner he said I've had that for 30 years this adjustable spanner I said well it's about time you got a new one then anyway I got a thick ear for that rightly so rightly so so guy you got your first bike for Christmas I think what was it it was a I'd have been five years of age my sister it had been seven and we got a yamaha ty80 straight well first time out on it's crashed it in the rose garden didn't put me off did it honestly straight in the rose garden that's set the tone for a lot that was to come mate yeah get used to it it all starts here a lot of crashing mate a lot of crashing guy martin i think we should have some more music it's your third choice today tell us what we're going to hear next and why are you taking it to your island yeah the streets we've got other streets in now haven't we this is club music to me you have been a big clubber?
17:03No, I'm not. And I've been in sort of rock and roll situations where going out and getting trollied or maybe taking drugs was sort of the normal thing and I've never done that. I think we went out one night on a filming job in Brixham. I think that was the one night, I had four pints that night and that's the most rock and roll I've ever been. But I've never taken drugs. I've never yeah, I'm not a drinker. I'm not teetotal because I just can't be doing with a thick head in the morning. So what is this music? I mean, the track you've gone for, it's really hedonistic. It's about that kind of lifestyle, isn't it?
17:41Well, I think, for me, that song is so descriptive. I never need to take drugs because I might as well have been taken because of that. You can just listen to this instead. I know, I know. Just the words. It tastes like airspray. All of those lines out of that song. yeah, I don't yeah, so I don't need to take drugs I don't need to get drunk because that song does it all These look well speckled, a bit green and blue. Freezes well cheap though, so I'll take three if I need to. Right, I'm on the plan. I wish the bouncers would go away. Borrow water off this man. Here goes nothing to cake. And I'm thinking...
18:21Lights are blind in my eyes. Oh, that's proper rain. That tastes like hairspray. And I'm thinking... People pushing by, then walking off into the night. I hate coming to the end. The streets and blinded by the lights. So Guy Martin, I want to hear about your school days. We've heard about you as a little lad, a daredevil from a very young age, looking for a buzz. Luckily, you had a primary school. That sounds like it could accommodate that because it was quite unusual, the school that you went to, wasn't it? Bert Acom, the headmaster. Norma Acom, his wife. She was head of the infants and then Bert was head of the juniors.
19:05And we was all in, that was in two separate classes throughout the whole school, 18 kids in the whole school. Wow. Mad sports days, slow bike and fast push bike races. Right, he used to have a putting green out the back of school. That was, we used to go and keep the putting green for him. More the grass, just. Is this at in school hours? This was in school hours, yeah. So this is the curriculum. What else was on the curriculum? I don't know how I'm going to put this. Ari was always an interesting topic for me but I was just too many questions how does that work? feeding the fire thing how does that work?
19:43I was just always asking questions and I thought well how does that work? yeah interesting curriculum but great maybe not the best preparation to go to a secondary school with 400 kids in it what was that like? that adjustment for you? more having to be in the right gang, to have to wear the right trainers with the right jumper to be in that gang. And I was just, to me, it was just, wow, my word, just how does this work? Right. It was just green. Yeah, it was just awkward. Bit of bullying, which you'd sort of expect. What kind of bullying? Just fighting. Punching, fighting, spitting, getting cold names.
20:30And then just, there was a big line. As soon as I learnt to throw a punch, oh, and it was quite, and I'm not a fighter now, but if it has to happen, it happens, and I'll fight. But it just changed people instantly in the way that they look at you. Well, how did you get on academically at school? Just left school, I think I remember we got four or five GCSEs, enough to do. and for some reason I thought, oh, I'm going to go into college and become an engineer. So yeah, left school, started an engineering course at college. Yeah, that's what I'm going to be. I'm going to be an engineer and I think I got one term in and thought, this is not for me.
21:17Why not? Why wasn't it?
21:21All theory, writing down, it just didn't. I'm a practical person. and I just really struggled, I really struggled. And I think I had that mindset about me then that, oh, we didn't do something about it. So, yeah, I ended up going to a truck dealer down the road, John Ebb, and then did my apprenticeship there. How did that go? Did you enjoy it? I, amazing. What I loved is they gave me enough rope to hang myself so many times in fixing things. And I just loved it and I did it. I heard, Guy, that you developed an incredible recall for vehicle registrations while you were there. Is that true? That's always been the case, yeah.
22:04Transit vans, truck wrenches, M303 GRH, first transit van I took to Spain, W173JDO. Yeah, my dad's new type of transit, yeah. Now, around this time, Guy, you met a truck driver called Baz Kirk, and I know that he inadvertently changed your life. What happened? My mum would tell you, I went a boy and came back a man. And that was going, Baz Kirk, he'd come into my dad's, he'd worked for a truck firm, he was one of the drivers, and he said, oh, I'm looking for someone to give me a bit of a hand at the Manx Grand Prix, which is the amateur version of the TT. OK. He says, how do you fancy it? And there's me, I'd have been 16, before I'd left school.
22:47Will you come and spanner for us at the Manx Grand Prix? And there I went. went in that van a boy and came back a man yeah what happened in the interim tell me about it ten pints of guinness most nights for yeah and just working at motorbikes and just dealing with men dealing with men that race motorbikes let's have some more music Guy Martin your fourth choice today what is it my mate Paddy oh he's like a few years older than me oh he's mad for his music oh get a listen to this get a listen to this had a sub in his van. One of the big speakers this is. You've got to listen to this. Yeah, the band, the music.
23:29Because at the time, I've always listened to the music, but at the times of racing, doing dangerous things, there was just lines in this song that stood out to me and I thought, oh yeah, that I can sort of, I can reason doing these things. what's it like up there does the pain stop when you see the light you know what I mean maybe I'm over exaggerating these but I can sort of justify oh yeah if I'm gonna pay a chance I might not come back but does the pain stop when you see the light but this song just because I could pick lines out of them I just thought I could sort of justify what I was doing what's it like up there do you worry
24:41The music and getaway. Guy Martin, your first race meeting was at Cadwell Park in Lincolnshire You were 19, were you confident? Oh no I got a 1997 Honda CBR600 I'd only ever rode, rode my dad's classic BSA and my AR50 moped before then It wasn't that fast, it was fast for a moped, it was 80 miles an hour but to go from that to a CBR600 They're really fast, you know, maybe 160 miles an hour. Anyway, the first race didn't last long. I think I got about four corners in, took about four boys down and had a massive crash. Oh, God. Massive crash, yeah. I got up, but I'd absolutely destroyed the motorbike.
25:29Oh, no. You'd think it would bring it home to me. Guy, what are you doing? Yeah. But I just, it was just an obsession that I... So you never thought about giving up? Never thought about giving up. even though my mum and dad was like Guy, I think this may be in for you this isn't for you I would do whatever and that first year I ended up crashing 14 times I'll never forget that, I just kept crashing because I wasn't very good and I didn't know, but I wasn't scared I wasn't scared, I just kept crashing but I just loved it I just loved it, obsessed and by 2002 you had got your racing licence but you ended up having it suspended did why at that point i went and did british championship i got half all right really i was getting in the top 10 then the second year came and i made a bit more preparation and i got a couple of podiums and then after one of the podiums i ended up getting a penalty for running across a chicane right and the clerk of the course at the time called me in for um a telling off and told me he was going to give me a 10 second penalty he was going to take the podium off me because I'd run across the chicane which I had and I hadn't read the rules that if you cut the circuit and you just gain time then you would get a 10 second penalty but actually I'd lost time and I was really stubborn about this I'd actually lost time so so by going across the chicane you'd actually like ended up further back than you would have been so it wasn't like you were trying to get ahead of someone it was just right okay exactly that and I was dead I was adamant I had lost time right and the clerk of the course would not listen to me one bit and at the time I thought he was being smarmy so obviously my time at school I wasn't shy of a fight so I slammed his laptop on his hands and told him um I told him what I thought of him so that got me banned from that championship so I thought oh that doesn't matter I'm gonna go race at Scarborough where my dad's career finished, I thought, right, I'm going to go road racing.
27:41And I did all right. And then a bloke from an Irish magazine, there was a famous Irish magazine called Irish Road Racing Ireland, it was called, and the editor was a bloke called Leslie Muir. And he saw me race at Scarborough and he says, oh, right. He said, there's a race going on in Ireland next weekend. You can come across and do that if you want. I thought, oh, yeah, I'll have a go at that. So you're self-funding, you're building the bike yourself, you're fixing everything that needs to be fixed and training and everything else. Well, and having to work jobs outside of my normal job to be able to earn money, right?
28:15Spend a lot of time in trucks, driving on the docks we didn't need a licence for just to be able to, so I could work a night shift to earn enough money to pay the tyre bill for the forthcoming season. But Ireland was different. Went to Ireland, raced at Scarborough, earned a few quid, went to Ireland, right? Me, W173JDO, Red Transit, and me me mate jim andrews and my brother stew went in a van and went and raced in ireland we got there with the pits and we just said to these lads where's the track we're on this bit of road outside this field where's the track and they'd look at you and say you're on it oh that's like a goat track where you're on it and they was not joking anyway won a couple of races and come back with like 1500 quid.
29:03I thought, oh my word, this is the future. I've seen the future. I've seen the future. Anyway, after then, this would have been fairly early on in the year. After then, they said, no, because of the laptop incidents, maybe the month before they said, we can't have that. We're going to take your racing license off you. So I didn't race any more that year. But that gave me time to plan what I'm going to do for the year after. You had it in your sights. I think we should have some more music on that note Guy Martin what's it going to be next? Yeah this is Me and My Monkey by Robbie Williams this was the Red Tranny again W173JDL driving to Spain me and Johnny the lad I used to work with my best mate and Longy another lad we used to work with borrowed my dad's van drove down to Spain with the motorbikes in the back for a bit of an adventure and we had one of those devices it only had a tape player in the van we were one of those devices that you could put the tape in that had wires coming out of it that would actually play CDs.
30:02Oh, yeah, so it was kind of like a fake tape where you would post the tape thing in and it had a wire coming out of it and you could plug it into a CD player. I do. You've got it. We didn't have many CDs, but one of the CDs was Robbie Williams' Escapology. We flogged it to death, yeah, and Me and My Monkey. We just thought, yeah, such an odd song. There was me and my monkey And with his dongeries and rollerblades Smoking filter tips Reclining in the passenger seat of my supercharged jet black Chevrolet He had the soft top down He liked the wind in his face He said, son, you ever been to Vegas?
30:46I said, no He said, that's where we're gonna go
Read the full transcript
30:53Robbie Williams and me and my monkey. Guy Martin, during your time racing in Ireland, you've admitted that you were taking too many risks. Why was that? Lost a lot of mates, a lot of competitors, a lot of pain. And you just learnt to... I don't even think you learnt to deal with it, you just learnt to ignore it. Is that good for you, do you think, pushing through? I mean, you know, when there are fatalities on the track, it's a huge thing to ignore. That's what you did, and it was sort of the unwritten rule. I remember, yeah, Tommy Clukas got killed. He got killed. Went to his funeral, right? And I thought, oh, my God, this isn't healthy.
31:41This, going to fellow racist funerals, I best not do that again. so that's the last racist funeral that I went to. Even people you knew, even friends, wow. Well, my best mate in racing, Martin Finnegan, yeah. I was at his wedding six months before he got killed. Yeah, didn't go to his funeral. I was my best mate in racing, didn't go to his funeral. Because you're just in it. Don't question the madness. Was there a point that you thought, this is not healthy, this is not a healthy response to people that you know and care about dying, doing the thing that you're doing? No, I didn't. And I still don't.
32:20Because no one is making anyone do anything. We all know. The buzz, you cannot. Money cannot buy that. And we all know the price to pay for that sometimes is not coming back. it does not do your head any favours going to funerals. So they stopped that and just carried on. And to be honest, that was the only way to deal with it. It's interesting though, I know that you have benefited from thinking about your attitude and the way that you thought around that time though. You got very into the chimp paradox by the psychiatrist Steve Peters and started to look at the way that you were thinking and the way that you were behaving, what did you learn?
33:11What did you take away from the book? I do stupid things on impulse sometimes. And it's made me understand why I do these things. The only way I could deal with doing these stupid things was this mad part of my brain is ran by a monkey called Brian. So this is the essence of the chimp paradox, that we all have an inner chimp, and you read the book and you're supposed to name yours, and you've named yours Brian. Brian. I know what it looks like. What does it look like? You know the film Sexy Beast? Yeah. Ben Kingsley, Sexy Beast, right? But imagine Ben Kingsley as a chimp. That is my chimp. And that's how he talks to me, pointing at me and telling me exactly how things are going to be done.
34:10Ben Kingsley is scary in that film. Yes, he is. And that's how Brian is. Do not mess with Brian. But now, I now know how to deal with Brian. You have to put him in his box and I know exactly how to deal with Brian. and so does my wife Sharon. She knows, ah, that's not Guy, that's Brian. Right? So we know how to deal with him now. How do you put him in his box? Go and sit on my push bike for a couple of weeks and pedal to Mexico down the Continental Divide or pedalling through Arizona to Utah, to Grand Canyon. The only way to deal with the chimp is to sit on a push bike and suffer for a couple of weeks at a time.
34:58So this is the only way, and we're at this point now, really, Sharon's saying, you need to get out on your bike. Like, I do bike, whether it's to work. I'm on the bike. But you need a big mission. You need a proper big challenge. Miserable mission. Just go and sit on my push bike or suffer for a couple of weeks. Then you come back a different person. It used to be every couple of years we had to do this, just to keep Brian in check. But it sort of turned out to be an annual occurrence over the past four years. But it just, that keeps everything sweet. Guy Martin, let's go to the music. It's your sixth choice today.
35:37What's next? Johnny Cash, Hurt. Just for that reason, really. Hurt. Oh, yeah. How are you with pain? Physical pain? You seem to have an unusually high tolerance for it. You could say it's a tolerance for it or I enjoy it. Whether it's getting over broken bones or peddling for days at a time. What feels good about it? Yeah, I don't know. I don't think I want to know. I don't want to know. It just puts the chimp in his box. The pain keeps him quiet. Because if Brian's not quiet, I'm maybe not the best person to be around. he needs the pain, he needs to suffer. I hurt myself today To see if I still feel I focus on the pain The only thing that's real The needle tears the hole The old familiar sting.
36:56Johnny Cash and Hurt. So Guy Martin, in 2004 you made your debut at the Isle of Man Tourist Trophy event. You received the Newcomers Trophy that year. How did it feel? Oh man alive. I would have died for it. I loved it so much. I put so much effort in. It was just an amazing experience. Just the pinnacle of road racing it was. And does it ever rankle that you never managed to pick up the winner's trophy there? I packed in racing 10 years ago and I thought, right, give that a couple of years. I will regret not winning a TT. I should have put more effort in. I should have kept going. But not one bit of me regrets not winning a TT.
37:42That's interesting. Nothing. It was great. it made me realise it was all about the journey of getting the most out of the bike it wasn't about winning but it took for me to stop real to me to realise it wasn't about the winning so Guy Martin in 2015 you retired from racing it was after a bad crash that you'd had at the Ulster Grand Prix after so many others why was that the crash that changed things for you I think did I break eight verbrae, broke my hand, broke my ankle, punctured a lung, a lot of damage. I'm late in hospital, having discovered my love for endurance mountain bike racing and thinking there's more to life than racing motorbikes, right?
38:29If I wasn't fully committed to doing it, I shouldn't really be doing it because something like this would happen. And that crash didn't happen through lack of concentration. that crash happened through trying to win and I was leading at the time and you don't mind crashing if it's for a win but crashing through a lack of concentration I'd have a job living with that or would it would that be what finished me off so I thought I can't deal with that really I'll tell you what I'll do I'm going to pack in and I'm going to go do these daft push-by rights. So you'd switched to, you found a new obsession, something to grab your attention, but you'd also been making TV programmes for a few years by that point.
39:15You started in 2011. How do you feel about the job? How does presenting compare to all of these other kind of incredibly engrossing pastimes that we've been talking about? Well, I'm not a presenter because I can't talk to a camera. they've tried to get me to talk to a camera through mirrors because i can't talk to this oh so they film you in a mirror i talk to someone yeah and i talk to the the director but they arranged the camera lens in such a way that it looks like i'm talking to the camera because it was just too weird to talk down the lens was it i can't do it it's quite as i can't do it because there's nothing there i just can't i'm not i'm not a presenter i can't do it and this is oh that don't really work so they could get me to talk to a camera that said it didn't really work the same so we just stuck to doing it the same way for the past 17 years and do you enjoy it i love it it's amazing but it's the attention that it brings is that difficult i struggle yeah i struggle i've always struggled what's difficult about it people knowing who you are approaching you, talking to you?
40:30I'm just a bit of a loner in ways. And we'd just go out and anyone would just come and sit and talk to us. And I can talk until the cows come on, but sometimes it's a bit intrusive if I'm out for Sunday dinner. And then someone would just come over to the... Oh, yeah, I'd say your programme's great. I'm like, oh, thanks very much, thanks very much. But it is just a bit much sometimes, and I do really struggle with that. Guy, it's time for disc number seven. What's next? We couldn't miss The Prodigy. As big a fan as I am of The Prodigy, I only got to see him live for the first time a few weeks ago.
41:15Me and Sharon got married recently. We've been together for years, but we got married recently, and that was a wedding present. It was Prodigy tickets. We got some special tickets and we got backstage and I met, yeah, I met Liam. Yeah, and he was just quizzing me about some of my own stuff. I'm like, how do you know about me? And he knew about Keith because I ended up with, sort of Keith ended up with my bike and I ended up with his bike. Oh, right, okay. There's a long... I didn't know he was into his bikes as well. My first... I'm not surprised, obviously, but I didn't know. He was as much into horses as he was into motorbikes.
41:50But my first ever motorbike race was Keith Flint's first ever motorbike race. No way. Yeah, yeah, yeah, yeah. Yeah, sort of legend. Yeah, so The Day Is My Enemy is from the album The Day Is My Enemy.
42:12Good night.
42:34The prodigy, the day is my enemy. So Guy Martin, in 2013 you found out that you're neurodivergent. What did it mean to you? How did you feel about the diagnosis? I don't see it as a problem. I think whether it's the lads I work with or my wife, it just makes them understand a bit better. But I'd just say, if anything, it gives me, I don't know how to say, honesty to retes. I'm just straight to the point. I'm black and white. And then it maybe upsets a few people. But, yeah, I think it helps. It helps me. It helps me deal with situations better. I'm just straight to the point. Everyone knows where they stand.
43:17And we're all different. We're all different. So I wouldn't. I think it's a benefit. When are you happiest? Maybe changed over time. I've grown up. go out, me, Shazza and Dot just Sunday dinner just go out and have a Sunday just go out Sunday dinner somewhere with your family? yeah with my family I can imagine Sharon wouldn't expect me to say that she'd say when you're in your shed I don't think it is I love just sitting and going to have Sunday dinner somewhere always trying new places just sit in our Sunday dinner and watch the world you look quite emotional yeah yeah Yeah, love, family. I'm happy, I'm happy.
44:02I'm happy, I don't need, I'm just happy. I've got my wife, I've got my daughter, I've got my dogs. I'm happy, I'm happy. Well, I'm very sorry to say we're going to be casting you away from all that because we're sending you off to your desert island. How will you get on on your own? You do love your time in the shed, so I think, actually, like you said, you are a bit of a lone wolf. That bit might be OK for you. You know the saying, ill-sitting hen, don't you? Well, that's what I'd be. I think I'd be all right for a fortnight. And then I'd just be looking. And little Brian would be screaming his head off inside my head.
44:38They'd land over there. Get cracking. I'd be like an ill-sitting hen. What does it mean? You know what that means, an ill-sitting hen. No. A hen that's ill-sitting, that's sat on her eggs, and she keeps sitting about and jiggling about, getting her eggs warm. It's an ill-sitting hen. An ill-sitting... This is a new one. I'm a city girl. I'm like northern, but I'm, you know, I'm Sunderland. I'm like, I'm a townie. I don't know about hens. Jiffling about like a bloody ill-sitting hen you are. That's definitely one of my mums, but it's not. I've heard other people say, oh, you're jiffling about like an ill-sitting hen.
45:12I know that you say it makes perfect sense, but I was just checking. Anyway, yeah, I'd be like an ill-sitting hen. alright one more disc before we cast you away Guy Martin your last choice what is it today my wife Shazza Sharon she's Irish so we've got a bit of U2 in there haven't we she's from Ireland didn't you play this one at your wedding yeah she's everything I bloody cry when you play it I bet but I don't you are getting emotional thinking about her Yeah, she's ever, she's mega, she's mega, she deals with me, she's brilliant. Yeah, with or without you, you two, it's got to be. For Sharon.
45:55Yeah, Sharon. Sleight of hand and twist of fate On a bed of nails she makes me wait And I wait without you With or without you With or without you
46:23Through the storm we reach the shore You give it all You too, with or without you. Soul Guy Martin, it's time to send you away to the island. I'm going to give you the books, the Bible, the complete works of Shakespeare, and one other book of your choice. What's it going to be? Matt Oxley, Stealing Speed. Motorbikes, that's what he does, writes about motorbikes. but it's a story about Nazi V2 rocket technology being used for two-stroke motorbike exhaust technology. And this technology was all in East Germany at this point. It's an amazing story. It's an amazing story about a rider nicking the technology, getting it across the border, getting it in, and then it just took off in motorbike racing from then on.
47:12And yeah, I've read that book loads of times. I still pick bits and I think, what a story. Well, I'm not surprised you've chosen that. History, motorbikes and engineering. I mean, it's all in there for you. A bit of adventure smuggling stuff in the boots of cars, getting over Brandenburg Gate and all of that. Oh, my word. Heavens to Betsy, that's yours. You can also have a luxury item. What do you fancy? I think we're at about 145 magazines, race engine technologies. I think that's what number I bought the first 100 back catalogue of race engine technologies and it just blows my mind the entire back catalogue of race engine technology it's a bit left field you're not going to get that out it can't be too niche for me guy that is I would like nothing better than to gift you the entire back catalogue for the island so we'll go with that right okay thank you very much it's yours it's a great read and finally which track of the that you've shared with us today, would you save from the waves first, if you had to?
48:19I didn't realise I'd get that emotional when I start talking about Sharon. So, yeah, it's got to be you too, hasn't it? With or without you. Honestly, I didn't think I would. Yeah, I didn't think you would. I'm surprised. Yeah, I'm from an old family. We don't cry, we don't show emotion, but I've just done that. So yeah, it reminds me of Sharon and Dot. Oh, so lovely. Gary Martin, thank you so much for letting us hear your Desert Island Discs. Thank you so much. It's been an honour.
49:13Hello. I hope you enjoyed my conversation with Guy. I am so grateful to him for gifting us the phrase like an ill-sitting hen. We've cast away many speed enthusiasts, including motorcyclist Barry Sheen, racing driver Jackie Stewart, commentator Murray Walker and motorsport executive Toto Wolff over the years. Their episodes are available on BBC Sounds or via the Desert Island Discs website. The studio manager for today's programme was Jackie Marjoram, the executive production coordinator was Susie Roilance, the content editor was Mugabe Turia, and the producer was Paula McGinley. Next time, my guest will be the glass designer, Peter Layton.
49:51I hope you'll join us.
50:03Hello, it is Danny Robbins here. For years now on Uncanny, we have explored real people's potentially paranormal experiences. But one thing that listeners have often asked me is why don't we look at supernatural cases from the past? Well, you asked and we listened. Our new series, Uncanny Cold Cases, takes a deep dive into some of these stories, from the most haunted house in England to the original UFO abduction case. Can we make sense of these strange stories that have haunted history? Uncanny Cold Cases. Listen on BBC Sounds.
From the publisher
Guy Martin is a television presenter, mechanic and former motorcycle racer. During his career he achieved 17 podium finishes at the Isle of Man TT (Tourist Trophy) Races – one of the most prestigious and dangerous motorcycling events in the world. His television programmes often focus on his daredevil nature and combine two of his greatest loves - engineering and history.
Guy was brought up in the village of Kirmington in North Lincolnshire. When he was five his father, who raced bikes himself, bought him his first motorcycle which he promptly crashed into the rose garden. His father is a mechanic and Guy used to sit and watch him at work in the shed from a young age and at 12 he began working for him at weekends and during school holidays.
Guy’s first race meeting was at Cadwell Park in Lincolnshire when he was 19. Less than a minute into the race he crashed. He was not badly injured but the bike was destroyed in the process. In 2004 he made his debut at the biggest road race of them all – the Isle of Man TT, finishing seventh in the Senior race and winning the Newcomers Trophy.
Guy retired from racing in 2015 after a very bad crash at the Ulster Grand Prix. After that he turned to his bicycle and has taken part in several endurance cycling events, including the Tour Divide, to test his resolve and stamina and fill the adrenaline gap.
Guy lives in Lincolnshire with his wife Sharon, their daughter Dottie and three dogs.
DISC ONE: Bam Ba Lam (Here Comes Daddy) - Alabama 3 DISC TWO: Testify - Rage Against the Machine DISC THREE: Blinded by the Light - The Streets DISC FOUR: Getaway - The Music DISC FIVE: Me and my Monkey - Robbie Williams DISC SIX: Hurt – Johnny Cash DISC SEVEN: The Day is My Enemy - The Prodigy DISC EIGHT: With or Without You - U2
BOOK CHOICE: Stealing Speed by Mat Oxley LUXURY ITEM: The back catalogue of Race Engine Technology magazine CASTAWAY'S FAVOURITE: With or Without You - U2
Presenter: Lauren Laverne Producer: Paula McGinley




