In short
Podcast Summary: Desert Island Discs - Sir Tim Berners-Lee, Computer Scientist
Episode Overview
- Podcast Title: Desert Island Discs
- Episode Title: Sir Tim Berners-Lee, Computer Scientist
- Presenter: Lauren Laverne
- Producer: Sarah Taylor
- Air Date: Not specified in the provided transcript
Episode Description In this episode, Sir Tim Berners-Lee, the inventor of the World Wide Web, shares his life experiences, inspirations, and the profound impact of his work on society. He discusses his upbringing, his groundbreaking invention, and his views on the current state and future of the internet.
---
Key Themes and Discussions
Early Life and Background
- Birth Year & Family: Born in 1955, Tim was raised in a family of mathematicians who were involved in early computer development.
- Childhood Curiosity: Developed an interest in electronics from a young age, exemplified by his childhood projects including building an intercom and a computer.
- Education: Studied physics at Oxford University, a period he cherished for its independence and freedom.
Invention of the World Wide Web
- CERN and the Birth of the Web: While working at CERN in 1989, Tim published the foundational paper that led to the creation of the World Wide Web, emphasizing its accessibility and non-commercial nature.
- Philosophy of Free Access: He chose to release the web technology freely for public use, ensuring it would remain universal and not profit-driven.
- Recognition: Tim was knighted in 2004 and received the Turing Award in 2016.
The Olympic Moment
- London 2012 Opening Ceremony: Tim participated in a notable moment during the Olympics, where he symbolically declared that the web is "for everyone."
Music as a Thread in Life
- Personal Connection to Music: Tim discusses the importance of music throughout his life, sharing personal tracks that hold significance, such as lullabies from his mother and songs from his youth.
- Musical Choices: The episode features a series of music selections that reflect his upbringing and personal connections.
Perspectives on Technology and Society
- Reflection on the Web's Evolution: Tim shares insights about how the web has transformed society, including the dual nature of its impact—both positive and negative.
- Concerns About Misinformation: He expresses worries regarding the spread of misinformation and the addictive nature of some online content, suggesting that algorithmic design plays a significant role in this issue.
Future of the Web
- Digital Sovereignty: Discussion on the Solid project aimed at giving users control over their data and ensuring interoperability among applications.
- Optimism for AI: Despite concerns over potential dangers of AI, Tim remains hopeful that AI can enhance human capabilities and problem-solving, especially in scientific fields.
Closing Thoughts
- Legacy and Future Aspirations: Tim emphasizes the importance of continuing to advocate for a web that serves humanity and encourages individuals to engage in shaping its future.
- Desert Island Discs Selection: His final selection for a track to save reflects connections to family and memories, underscoring the theme of relationships throughout the episode.
---
Key Takeaways
- Innovative Beginnings: Sir Tim Berners-Lee's early fascination with technology and supportive family environment laid the groundwork for his transformative contributions to society.
- Ethical Considerations: The decision to make the web freely available was rooted in the desire for universal access and the prevention of monopolistic control.
- Ongoing Challenges: The podcast highlights contemporary challenges facing the digital world, including misinformation and the need for ethical considerations in technology development.
- Hope for the Future: Tim's vision for the future includes a balance between technology and humanity, advocating for a web that empowers and includes everyone.
---
Musical Selections
- All Through the Night - A lullaby from Tim's mother.
- The Erie Canal - Folk music from his childhood.
- Streets of London - Reflective of his early explorations in technology.
- Alice's Restaurant - A humorous American folk song.
- Brothers in Arms - Evokes memories of Switzerland.
- Four Strong Winds - A connection to family and nature.
- End of the Line - Represents his outlook on life and travels.
This podcast episode showcases not only Tim Berners-Lee's remarkable journey as a computer scientist but also reflects on broader themes of technology, ethics, and the human experience.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Transcript
Automatic transcript. May contain errors.0:00Hello, I'm Lauren Laverne and this is the Desert Island Discs podcast from BBC Radio 4. Every week I ask my guests to choose the eight tracks, book and luxury, that they'd want to take with them if they were cast away to a desert island. For rights reasons, the music's shorter than on the original broadcast, but you can find a version with longer music tracks on BBC Sounds. Listeners will also get access to episodes 28 days earlier than everyone else. I hope you enjoy listening.
0:46My cast away this week is the computer scientist Sir Tim Berners-Lee, inventor of the World Wide Web. The scale of his achievement is hard to overstate. The web has revolutionised everything from the global economy to politics, changing how we live as individuals and societies. Perhaps he was born to do it. His mathematician parents met at work. They were building one of the first computers, inspired by their contemporary friend Alan Turing. Tim grew up fascinated by electronics, and although he studied physics at Oxford, he spent his free time building a computer from an old television set. He moved to Switzerland to work at CERN, and it was there in 1989 that he published the paper that led to the birth of the web.
1:30In 1991, he created the first website. He was knighted in 2004 and appointed to the Order of Merit by Queen Elizabeth II. In 2016, he was given the Turing Award, which finally earned him a place on his proud parents' fridge. He eschewed the chance to make gazillions from his invention, insisting that his employer didn't take royalties either. Instead, it should be, as he memorably wrote in lights that flickered round the stadium at the Olympic opening ceremony in 2012, for everyone. He says, I watched the web grow from something where people had very utopian dreams about it to something where I had to point out to them that this is just a reflection of humanity.
2:11Sir Tim Berners-Lee, welcome to Desert Island Discs. Thank you so much for having me. Tim, we're delighted to have you here today. And I want to start with that Olympic moment because it was so special. You were invited by Danny Boyle to take part in the opening ceremony at London 2012 and it was celebrating British innovation throughout the years. What was his pitch to you? His pitch was that this wasn't just going to be a big boastful national thing. It was going to have a tongue in cheek. The humour in it was brilliant, the humour with Her Majesty coming down from a helicopter and so the whole spirit of it was tongue in cheek and it was a lot of fun.
2:50It's very moving to watch that opening ceremony back though. What was it like from your point of view? What was it like to be in the middle of that stadium and in the spotlight? I was in a house on the set. And I was hidden initially. And the house had a winch so they could lift it up. The house was about the size of this studio. So quite little then. Yeah, quite. You know, 10 feet by 10 feet, I guess. All the people who had been dancing in the previous act all came streaming through the front door of the house. And so on each one, they were all wearing different things and they'd each dance the dance of their life.
3:24and after that dance then there was my time when they winched up the house above me and then I typed out this is for everyone and hit return and then the words went all the way zooming around the stadium and around the world because we tweeted it as well. I love that. So this is for everyone. How did you settle on that phrase? Well, it was kind of obvious in a way. If you're going to summarise about the web the fact that it should be free it should be for everybody and if it's for everybody it has to be free. Were your family able to be there and share the night with you? Were they watching from the stands in the stadium?
4:02They were and the McCartney family were a few rows behind them in the stands and they were saying to their kids well they're waiting for Tim to come out just like you know and they were excited just like when we wait for Grandpa to come out. Do you know what? There's only you and Paul McCartney probably comparable achievements creating the Beatles and creating the web and what was it like for you being in the spotlight Tim? You know you are a self-described nerd so I'm guessing that's a strange place for you to be in some ways. How did it feel? Very proud actually because I was more or less the only computer scientist in the whole Olympics.
4:38So I was representing all of the nerds out there. Oh yeah doing it for the nerds. Love that. And what did you want viewers to take from that moment? You know those words like you say ricocheting around the stadium in lights. This is for everyone. You can take the word for granted most of the time, but then every now and again you may have to fight for it. You may have to fight for its openness. Well, that's something that we might come back to today, I think, because I know that's a big passion of yours. But let me ask you about another passion, music, because of course we're going to be hearing your discs.
5:10How important is music in your life? Music, I think, has been a constant thread from listening to records, I suppose, with mum and dad, going to Festival Hall, classical music when we're kids and then I'm not a good pianist or a good guitarist or a good harmonica player but I can keep myself occupied with various instruments. And do you see that musical creativity as being analogous to scientific creativity? Do you think they come from the same place? Well people say that don't they? They say that if you're a mathematician or a musician they're very close in the way your brain works What do you think?
5:47Maybe. I don't know. I do a lot of scientific experiments to prove that one way or the other. All right. Well, let's get stuck into your first discs at Tim Berners-Lee. Your first choice today. What is it and why are you taking it to the island with you? So my first choice is All Through the Night, which is a song that mum used to sing to us as a lullaby. And so I think for any of our family, it was one of her favourite songs. You were one of four, the eldest, right? I was the eldest of four, yes. OK, so would you all be tucked up and she would be singing this to you all at once, or did you get the individual treatment, what happened?
6:23I think we'd get the individual treatment. O算 damn
6:40go
7:23CHOIR SINGS So there's a Welsh connection with that first disc and that connects to your family, doesn't it? My mum had her Welsh grandmother, Mother Henry Jenkins. Your own creativity must have been inspired by your parents, Mary Lee and Conway. They were mathematicians, as I mentioned, and met working on one of the first commercially available computers. So that was the Ferranti Mark I, I think. Tell me a little bit about your mother. How would you describe her? Ooh, she had a twinkle in her eye. And she was shorter than people imagined after they'd talked to her on the phone. Lots of different facets to her, I suppose.
8:00At one point, she'd gone to Australia to work at the Mount Stromblo Observatory, helping them take photographs of the sky. She got a motorbike when she was out there, so she had a tent made from parachute material. I think her experience of being on a motorbike, going out in the bush in Australia gave her the feeling that she didn't really need anything else. She was tremendously self-sufficient. And I think partly going camping with the family again, you know if you're lying on the ground and there's only a tent between you and the planet and you know that's actually all you need. She sounds like she would have been a great castaway, doesn't she?
8:40I mean, absolutely extraordinary. And what a spirit of adventure and a pioneer too. So she got that job working on that early computer. But I know that when she did that, she realised that the women were being paid a lot less than the men. And she wouldn't stand for that. What happened? Well, I think none of them would stand for it. But they decided that Mary Lee would be the one to go and make the case to the bosses. And she made the case successfully. And so she got the pay of the women raised to be the same as the pay of the men. Well done, her. And what about as a parent? I think she described her mothering style as watchful negligence.
9:15over you and your siblings. So that meant being aware of us, but in general just letting us do whatever we wanted to a certain point. So a free-range childhood for you and your three siblings. There was lots of curiosity. And obviously, you know, an incredibly intelligent woman as well. I know that she constructed a calendar that I think is still on, is it your office wall? You have it. How exactly did it work? So it's like a clock. She'd have a sheet of cardboard and she made a clock with, instead of having the hours of the day around it, it had the days of the year around it. And so every year you'd move the hand by one notch to point to the next day.
9:54So 365 days instead of 60 minutes on this clock face. Yes. And then what would she have around it? All of the upcoming birthdays and holidays and things like that? Yep, everything coming up. And we've got these sheets of cardboard from each year where you can look back at what was happening. Oh, I love that. So a record of family life. And what about her career then? So a very busy family life, you and your three siblings to bring up. She stopped work when you were born and looked after you. How was she able to go back to work and resume what she was doing? Well, she fitted in part time at work.
10:24I think there was a sort of a wave of women starting to work from home when they had kids. What do you remember? What did she do? She was a consultant programmer. So she would code things. She would type up a program and five-hole punch tape. so that was the medium that the computer could read. You could hold this tape up to light and she could read what the programme would do just by looking at the light shining through the paper tape. And as a little boy, how much did you understand about what she was doing? This was a time when they were building the first computers, they were discussing what it actually meant.
11:01So an insurance was defining what a computer actually is. And so once you've defined that, because of the imitation game thing, that one computer can imitate another. In a way, anything you can do with your computer, I can do with my computer. So it's not a question of what the power of our computer is, it's only the question of the power of our imaginations. So I realised that that was a tremendous challenge. She and all her colleagues, all the people that sort of came back to dinner after work, they were excited about this sort of gauntlet that's thrown down to the whole community. What you can do with a computer is only limited by your imagination.
11:41So were you listening to those conversations at the top of the stairs then when they were having dinner? You bet. All right, Tim, let's have some more music. It's your second choice today. What are we going to hear? So this one is the irregular as performed by a band called The Daybreakers. And why have you chosen this today? So The Daybreakers album was one which we had around at home. It was folk music, so it was not classical music. songs that you could sing along to. And so checking in with my siblings, I think it was quite a formative thing for all of them. They could all remember the songs on this album.
12:16So I picked the first one, The E-Rai-E Canal. Oh, the E-Rai-E was rising and the gym was getting low. It's a good thing that we get a drink till we get to Buffalo. Till we get to Buffalo. We're 40 miles from Albany. Forget it, I never shall. What a terrible storm we had that night on the E-Rai-E Canal. Oh, the e-righ was rising and the gin was getting low A scarce good thing that we get a drink till we get to Buffalo Till we get to Buffalo The barge was full of barley and the crew, they were full of... Daybreakers and Erie Canal. I wonder about your parents' worldview, you know, being into folk in the 1950s and I'm imagining that lively dinner table that you described with their computer programmer friends, all of them discussing this new age that was coming.
13:07What kind of house was it to grow up in? For me, it was normal. I guess I was really lucky. My dad was also a big part of it. I discussed with him, for example, the question of the fact that computers are good at doing some things, doing things which are very regimented, doing things in tables, but they're not good at doing things in thinking random things. So I think that there was a discussion with Dad, partly may have sown some seeds. He revised speeches for Battle de Ferranti. the head of the company. Rather than front, he would give these speeches and in fact he was dead as a writer. It was your dad's vision of where the company should go.
13:45So tell me more about him then. I know that in the war he was in the Corps of the Royal Electrical and Mechanical Engineers. What was his job? He did electronics. In the war he was in Egypt at one point. He also drove around Peter Shurm fixing the radar sets and so on with the scleroscope on the back of his motorbike. He was a wonderful guy. He was a little bit absent-minded. Some of the work they had to do in London, some of it was in Manchester. And so there was one time when he was working with the people in Manchester, so he did this sort of commute from London to Manchester and then on the way back, he was with his friends on the train, his colleagues.
14:24He couldn't find his return ticket stub and all of his colleagues had shown the second off the ticket and he couldn't find it anywhere. But they explained he was just absent-minded. You'd never steal from the railways. He wouldn't. They let him through. And then he gets home. And my mother, she says, Conway, where's the car?
14:50I see. That was Dad. I've got it. That was Dad. And what about when your parents met? You know, they met in their mid-50s. How did it happen? Did they tell you? They were the team that worked in this little tin hut on the side of the Franti computer. There was an electronics factory and Franti put in a tin hut on the side of it. They were one of the couples who met and got married. Oh my goodness. How many Franti babies? At least six Franti babies. At least six of you. Well, that's good to know. It's interesting that the birth of the computer age, it sounds quite lo-fi. the way that you're describing it.
15:30They were in a tin hut on the side of the factory and it was quite a normal family life that you lived. It's not like, you know, the digital innovators, the computer innovators of today, where it's people living in gated communities in Silicon Valley. It was a very, a much more ordinary kind of life by the sounds of it. Yeah, I think ordinary with all the positive meanings of the word ordinary. Yes, it was a great life. Your parents were friends with Alan Turing. Did they ever work with him? No, they were colleagues in that same set of people. They weren't in the same lab. What did they tell you about him?
16:04Most of what I heard about was the unfortunate circumstances around his rejection. The end of his life. Yeah. And of course, in 2016, Tim, you were awarded the Turing Prize, often called the Nobel Prize of Computing. How did your parents mark your achievement? Oh, they loved it. Yeah, they stuck it up on the family fridge, along with all the other achievements of my siblings. all right Tim let's have some more music it's your third choice today what are we going to hear next so we're going to hear Streets of London by Ralph Mattel and what does this track mean to you well of all of the things which I sort of learned to play myself after my mum gave me a guitar Streets of London sorts of sums them up and it's always been a favourite of course for me Streets of London weren't being destitute Streets of London for me where I went to go and buy transistors to build my computer with.
16:57So that was Tottenham Court Road. So how can you tell me you're lonely And say for you that the sun don't shine Let me take you by the hand And lead you through the streets of London Show you something to make you change your mind
17:30Ralph McTell and Streets of London. So, Sir Tim Berners-Lee, you grew up in London and, as you mentioned, would head up to Tottenham Court Road to buy the things that you needed to build electronics. So that was a lifelong fascination for you. Yeah, well, I suppose it started off with when you're in primary school, building things with relays. Just in case listeners don't know, what is a relay exactly? Okay, so a relay is the most simple electronic device you can imagine. It's either on or off, and a relay is made from, it has an electromagnet. So when you put power onto the electromagnet, the electromagnet operates the switch.
18:09So there's a little switch and a little electromagnet connected together. So when you put power onto the electromagnet, the switch switches. It can switch on or switch off or both. And so it's a way of building logic circuits. OK. It's the most simplest thing. As you get older, then you want to do more and more complicated things. So transistors are more effective than re-days. And then you can build more and more complicated things like an intercom or for the house and so on. And you did that. You built an intercom for your family home. How did it work? Basically, I got some old telephones and put some power on them and collected them and strung a wire from the top of the house to the bottom of the house.
18:49Did the family use it? Yes. So you started off with relays and then, you know, you went on to create things like this intercom in the house. What else did you build? Well, I had to build a computer. There's a sort of TV shop down in Barnes where I went down to find whether the guy had any old TVs where the screen part would work but the rest of it didn't. He had a whole stack of them, so I took two home. In fact, I put one I had up in my bedroom and the other one I had on the whole table. I had them connected together, so whatever signal I could produce, whatever pattern I could produce on the TV, they could see it on the whole table too.
19:29Oh, wow. They could see my progress. Oh, my goodness. So you had that idea of connectivity right from the beginning? Yes. So you were already thinking about that. And your parents must have obviously encouraged this and allowed it because they must have been quite unwieldy things that you were building, these big old TV screens, quite thick and heavy in those days, I'm guessing? They were, well, TVs, yeah. They were these big boxes. So did your parents encourage you to pursue this interest? Yeah. And of course they'd done a bit of electronics. Mum had worked at Malvern in the lab there and Dad had worked on radar during the war so they'd both done electronics so they could understand and appreciate what I was doing.
20:07How wonderful. Did they ever make any suggestions about what you were building? I did get one suggestion once. I was running through the kitchen with my soldering iron and mum stopped me and she said wait a moment, don't you go around using your soldering iron this cable was put together so badly ok, let me show you how to do that and I never knew that she knew anything about this sort of stuff she stopped me and said ok, let's cut the wire like this twist it around so that the wires don't touch each other tape around each wire now let's put a little flour on it so it isn't sticky ok, that's the way to do it and I said mum, how did it?
20:42And she said, well, you know, in the war, we used a lot of solder guards. How fantastic. You must have just thought she could do anything, young mum. And in terms of where you were getting the information that you needed, to what extent were you just experimenting and making things up? And to what extent were you able to access guides, you know, by pamphlets about how to build your own computer at home? Did you just have to make it up? As the level of building of things gets from individual transistors to integrated circuits, these little chips that you buy in Topham Court Road, those always had manuals.
21:16So each chip you bought would have a data sheet about it. And after a while you'd get to know what they were. So you could imagine, as you'd solder them in, draw diagrams, like a kind of Lego in a way. Each chip had a very different function inside, but there were always manuals about that. Tim, after school you went to study physics at Oxford, So there was no computer science degree available back then in the mid-70s. How much did you enjoy your time at university? Oh, I loved it. Did you? Totally. What did you love about it? Independence, I suppose. Being able to chat to whoever and about anything.
21:54Just the freedom of being away from home and going punting along the Oxford rivers. And tell me about being born in 1955, because you are not the only tech titan to be born in that lucky year. There's you, Steve Jobs and Bill Gates. I wonder what it was about your micro generation that made you very well placed to be part of the birth of this new digital age. I think it was the fact that everything got invented at the right time. So when we were in school, in high school, then the transistor got invented. When we were in university, the processor chip got invented. But we could understand about relays when we were in kindergarten.
22:33So my cohort was really lucky. the world invented what it needed as it were just in time and they were also, it was quite accessible wasn't it the components and your ability to do it you know you describe you as a kid running around with a soldering iron there's something very and spending pocket money going down Topical Road spending pocket money it's time for some more music we're going to have your fourth choice if you wouldn't mind Sir Tim Berners-Lee, what's next? fourth one is Alice's Restaurant by Arlo Guthrie another folk song another folk song This one from America, this one very much sort of core of the whole being a more processed culture.
23:12It's a wonderful song, it's funny, it's long. You can spend your time trying to learn all the words. You can get anything you want at Alice's Restaurant You can get anything you want at Alice's Restaurant Walk right in, it's around the back Just a half a mile from the railroad track And you can get anything you want At Alice's Restaurant Now it all started two Thanksgivings ago Two years ago on... Arlo Guthrie and Alice's Restaurant. It is a long track, that, Sir Tim Berners-Lee, and I'm told that you can sing the whole thing. Who told her that? Your wife, Rosemary. You know every word, is that true?
24:01I did once. You were doing pretty well there, singing along, I have to say. So listen, tell me what happened after graduation. You worked in electronics in the UK, but then you went on to CERN in Geneva for the first time in 1980. What kind of environment was that to be in? Wonderful. People come from all over the world to put together this big underground accelerator, 27km. So you've got people collaborating from all over the world, speaking different languages, using different sorts of computer as well. So a very heterogeneous environment. So when I arrived, there was a feeling of that. It was really hard to keep track of what was going on.
24:46In fact, the crucial thing was the coffee space. There was a coffee counter at the intersection of four different corridors. You'd pull people out of the flow of the traffic between the offices, is give them a coffee, which, of course, for somebody from England, actually to have a decent European coffee was already pretty good. But then maybe even a croissant. But then once you've got this person, this was the way you found out what was going on. Right, OK. Buy somebody a coffee, talk to them about the bit they designed worked, how you can work with that. So obviously, you know, the kind of environment that gets you thinking and, you know, it was really fertile ground for your creative imagination.
Read the full transcript
25:32I know, Tim, that even as a teenager, you'd had a fascination with the idea of connecting machines. When did you start to develop the idea that became the World Wide Web? Well, in fact, the first time I went to CERN, I went there twice. The first time was just for six months. And I wrote a programme called Inquire Within Upon Everything, or Inquire for short. So Enquire was a programme which would allow you to type in a note about, because this was in the days when computer terminals were boring, sort of text-only things. It would allow you to make a text note about anything. But it always asks you how the thing that you're talking about is connected to the other thing.
26:13So the interesting thing about it was that you could connect together any two things in a sort of a mesh of notes. So you were starting that kind of cross-referencing process. And am I right in thinking that the name of that programme, Inquire Within Upon Everything, that was named after a book that you had at home? It was named after a book on mum's bookshelf, yes. Inquire Within Upon Everything was this Victorian guide to running a house in all points west. So a sort of Mrs Beaton's, but for the whole home. That sort of thing. I see, OK. So in 1989, Tim, you published a paper that married hypertext with the internet.
26:49and that created this globally accessible information system and you coined the name the World Wide Web. Did you know at that point that you had a world-changing idea on your hands? Well, I wanted it to be global and I wanted it to be universal. I couldn't appreciate how successful it would be, but it took off sort of the number of hits per day on our first web server, went up by a factor of 10 in the first year and then it went up by a factor of 10 in the next year and then it went up by factor 10 the next year. So then it was a thousand times the original level. And so it looked as though something was going on.
27:25Did it take years then before you realised the scale of what you'd created? There was no one point when you could look back and say, oh, this thing's really taking off because it took off so exponentially. So there wasn't a moment when it exploded. It's hard to imagine the web being called anything else now, but there were other possible names for it, I think. What were you considering? I thought mind of information, or the information mind. But the information mind would have been Tim. And that sounded a little bit egocentric. And mind of information would have been moi. Moi. Wish. Even more.
28:06Yeah, mesh, I thought about, but that sounded a bit too messy. So World Wide Web it was. Yes, people complain that the World Wide Web itself is bad enough, But WWW is actually longer, more syllables than World Wide Web. What were some of the biggest hurdles that you faced in the early days when you were trying to build it and get people connected? Just people understanding what it could be like. You show them a click on a link and it could go and it goes to something else. But they can't imagine that could go to anything in the world. because nobody had ever thought of taking this idea of clicking on links and connecting it to the internet.
28:47And even people who worked on the internet, I say, hey, why don't you build a link-clicking thing? They wouldn't understand why it would be useful. People who worked on hypertext systems asked them to connect to the internet and they said, no, they didn't have time. How did you go about convincing them? So I'd give a talk to 100 people and there'd be maybe three people at the front somewhere which would come back and find me. They're not all right. Somebody would email me. And so bit by bit, it would spread through the people who got it. You talked about being that kid who went up to Tottenham Court Road to get bits and bobs to solder together to make a computer.
29:21And by the sounds of it, the early days of the web weren't that different. You were literally writing the hypertext that still provides the building blocks for the web as we know it today. I know that 404 not found is a great line. It's one of yours. You actually typed that out? Yeah, I picked 404 as a number. The 400 codes are error codes. That was an internet tradition already that used 400 numbers for errors. OK. 200 means good. 400 means bad. 404 means bad because we can't find the document. Oh, so there's not like an error 403 and 405, either side of it? No, there is. There is a 403 and a 404.
29:57Do you know what they are? You just don't get it. 403 is you don't have authorisation. What about 405? That I forget. All right, Sir Tim Berners-Lee, let's have some more music. your fifth choice today. What are we going to hear next and why? Dire Straits, then we're going to hear Brothers in Arms. Why have you chosen this track? All the Dire Straits music is good, but this particular one reminds me of Switzerland. I bet it's got this mist-covered mountains line. So the Brothers in Arms, for me, reminds me a bit of Switzerland. Misty Switzerland, let's hear it. These mist-covered mountains
30:36Are all now for me
30:42But my home is the lowest
30:49And always will be
30:55Someday you'll return to me Dire Straits and Brothers in Arms. Sir Tim Berners-Lee, from the very beginning, you were determined that the web should be free for everyone to use. Why exactly? Well, it's really important that it's free because otherwise it wouldn't be for everyone. If I had made it for pay thing, then there would have been competing systems, they wouldn't have all been compatible, it has to be universal. The fact that you can click on a link, it can take you anywhere in the world, that's a huge ask. You can't also ask for two cents a click. You'd pioneered this technology while working at CERN.
31:33How did you persuade your employers not to insist on taking royalties? That was hard. It took a concerted effort to get them. Eventually, we ended up with a certificate stamped by CERN and signed by the director of CERN, saying that CERN would pass this into the public domain. That was a crucial stage. And did you ever meet anyone who said to you, you know, during that process, and that, what are you thinking? You know, you could make a fortune here. Why are you giving this thing away? People of CERN who wanted to commercialise it for the sake of European industry. They wanted CERN to spin off a company to do the web.
32:14But fortunately, they were in the minority. And CERN didn't really know how to do that. So what we had to do, we had to move to MIT and start a consortium of all the companies that did know how to do that. But you knew what you were aiming for. Did it feel like a bit of a revolutionary act to say, I've come up with this idea and I'm going to give it away? No, not really, because all the existing protocols were free already. So the tech billionaires hadn't arrived yet. They were on the way. They hadn't. I see. So, Tim, you moved to the States and established the W3 consortium, as you mentioned, at MIT in the mid-90s.
32:52What advantages did the university setting bring to what you were doing? So, as you say, MIT, but also INRIA. Enria was the French lab, also a non-profit, government-funded sort of lab. So MIT knew how to run an industry consortium. It brought to the table being a neutral party. So when Netscape and Microsoft were frantically fighting about which way HTML should go, MIT could rise above that battle, point out to them that it was really important to have one standard. You use the word battle, and if people read your book, they'll be able to see just how much of a battle it was with rival tech companies in some ways at the time.
33:35Were you surprised by that? You know, you seem to have a very collaborative, open-minded attitude right from the beginning, but others didn't. And you understood the commercial pressure. If you're running a company, your company has the bound and duty as a commercial entity to maximise its revenue. And to do that, if you can take over the web and dominate the web. Whether you're Netscape or Microsoft or Google, still there's always an incentive to become a monopoly. Yeah, but how hard did you have to fight back against those companies at the time? It wasn't all fighting because they understood what was going on.
34:12It's a little bit sometimes I think it's a bit like a boat when you're sailing. Your sailing boat has got a keel which goes into the water and there's a lot of force on the keel from the water. but at the same time there's force in a slightly different direction on the sails. So you've got the force on the sails pushing against the force on the keel and the boat ends up going forwards. And it goes forward because of the constructive tension. Of course, at this point, you know, access to the internet was limited around the world and even by 2009 it had only reached 20 % of the world's population.
34:46I know that you and your wife Rosemary launched a foundation aiming to reach the other 80 % and get them online. And you visited Ghana, Uganda and Kenya to see what was happening there. What did you learn on that trip? Well, one thing I should say is that it was great working with Rosemary. Rosemary put a huge amount of effort into that. She's always brought order to my chaos and a good intellectual sparring part. So at the time when we did that sort of sub-Saharan Africa trip, I seem to remember that the fiber optic cable was just arriving in Mombasa and each country had some more. So it was going to go from Kenya to Uganda to Rwanda.
35:30And I know that Rwanda, they planned to have nine different places where they had it linked into different countries. So they definitely wanted it to be a mesh rather than a single fiber cable. And to what extent were the big companies getting in there and flexing their muscles and, you know, trying to lay claim to different places? Well, what's interesting, you could see who's bought which telephone because they had which type of telephone, mobile telephone. Of course, mobile telephone is where most of all internet connectivity was. And people would paint their houses red or yellow as an advertisement for the phone company.
36:09so you go past whole stretches where I guess the phone cover when he wants to provide them with a paint so you could see who was willing It's time for some more music, Sir Tim Berners-Lee your sixth choice today What are we going to hear? So this one's going to be Four Strong Winds This is the version by Ian and Sylvia Some poll of Canadians found that this was like the most Canadian song or something So this is our connection to Canada My grandmother is Canadian and my wife is Canadian and every summer we go to Canada to a lake and then we sing songs around the campfire. Do you have your guitar out?
36:48Is this one you can play? Four Strong Winds. I still wanted to play it. A few years ago I taught myself a harmony by just listening to it in the car over and over again. Think I'll go out to Alberta Weather's good there in the fall I got some friends that I can go to work in full Still I wish you'd change your mind If I asked you one more time But we've been through that a hundred times Ian and Sylvia with four strong winds. So Tim Berners-Lee, how much of your original vision do you see online today? There are some amazing things on the web, but there's also a few things like misinformation and disinformation.
37:41And in particular, the things which are addictive. So those are the things you don't like. I mean, starting on a positive note, where do you find that original dream that you had, that more utopian side? There's things like Wikipedia, for example, is collaborative. It's a great resource. and so it's sort of the spirit of the digital web with everybody collaborating together to produce something which is valuable. What about innovations that you couldn't have foreseen? Since then, of course, AI chat GPT has surprised me, the fact that chat GPT was so effective and I think mum and dad would have been really surprised as well when they were thinking about whether we could make it something which is intelligent.
38:22I mean, surprised is an interesting word, isn't it? Because there's an ambivalence there. How do you feel about it? Are you optimistic? Are you concerned about AI? There's a lot of concern out there at the moment. Well, there's concern out there about containing something. If we make something which is smarter than us, if we make it super-intelligent, then we have to contain it. So I am concerned with that. But at the same time, I'm excited by the new AIs, which, for example, can help scientists and doctors do it, diagnosis scientists, design drugs, all that sort of thing I think is very exciting.
38:56What about the negatives, Tim? I mean, you mentioned misinformation. Obviously, there's political polarization, online harassment, that kind of thing. How do you think this type of damaging content should be controlled? What would you like to see? If somebody posts a nasty message and you read it, then there's two things to think about there. One of them was why did the person originally post a nasty post? But the other one is why did the algorithm send it to so many people? So I have a suspicion that the algorithms out there are using angry-making posts to keep people involved because they're trying to optimize it for engagement.
39:40Rage bait, as people call it. Rage bait, indeed. Some people suggested that you could actually make that illegal to use rage bait. If you're actually deliberately trying to bait people with rage to say on the platform, then that has a very negative effect on society. So you're saying that those algorithms are choices and that if we're programming the algorithm to prioritise content that will anger people and therefore more deeply engage them, draw them into the rabbit hole, we can just make a different choice and prioritise other things, prioritise positive content. Are there websites that do that?
40:14Well, if you compare Snapchat or TikTok and say Pinterest, for example, I haven't heard of people getting addicted to Pinterest. I go through quite heavy use phases if I'm redecorating, to be completely honest. But yeah, I would say addiction. I'd stop short of that. So that's a more positive algorithm. There are websites out there. There are platforms which are useful. You might use it quite a lot, but they're not designed to be addictive. They don't bait you with rage. They bait you with things you're looking for. You're currently involved in the Solid project. Can you tell me about that? What do you hope to achieve?
40:49We hope to achieve that Apple programs can work, save things in Google in G Drive and that Microsoft programs can save things in the iClouds. And so basically, I'm looking at all of these. When you use programmers online or on your phone, it'll store, depending on which, who wrote the program, it will store data in a different space. So you've described these digital silos, Tim, is that right? So different companies develop a technology and then they keep all that data in one place. So like if you've got an Instagram account, for example, you can't have the same friend list in another app, LinkedIn or whatever.
41:30Those things aren't compatible. That's what you're talking about, is it? Yes. Digital silos. Silos is a good word for it. So the solid protocol is about that. Solid protocol is about you having things like GDrive and a bit like iCloud, but where they're all interoperable. so any programme can save data to it. It sounds like that would very much put the user back in the driving seat. You know, you're talking about digital sovereignty there, aren't you, really? That we'd be in charge of our data and what can be done with it where it is. Absolutely, digital sovereignty is what we're talking about.
42:01It's a bit like the power when everybody could make their own website back in the day. Then we had digital sovereignty. Right now we have to fight for it again. All right, Tim Berners-Lee, time for your seventh choice today, your penultimate piece of music. What are we going to hear? Yo-Yo Ma playing the cello. I was privileged enough to be able to hear a small concert. He just picked up a pillow and cello and played some Bach, and it was wonderful. Am I right in thinking there was a dinner that you were at with Yo-Yo Ma? What was the occasion? It was a dinner of geeks. In fact, it was a geek dinner.
42:35Sounds great. Who else was there? I can't reveal. OK. So, the geek dinner, you and Yo-Yo Ma was playing the cello? Yeah, well, I was planning to tell him. Yeah.
43:16Thank you.
43:43Yo-Yo Ma playing the prelude from Bach's cello suite number one in G major. Sit-in Berners-Lee, how optimistic are you about the future of the web today? Basically, I'm optimistic because I can imagine the world in which it's Interrupt. We've built systems where you have control of your own data and you have all your data in your data wallet and then you run an AI on it. so that the results that it gives you are very, very much better. This sort of combination of AI, the power of AI, but then with digital sovereignty that AI works for you, I think it could be really powerful and valuable for the world.
44:26There are many people with different motivations taking part in that. How confident are you that we'll reach your vision at the end of it? Well, it's not clear. It depends on lots of things. I'm optimistic and hopeful, but there are many ways in which it could come off the track. You once said that you wanted the web to serve humanity. Do you think that it still does that? I think net, it serves humanity. We talked about other pieces which are addictive, but most of the web in general is mostly good. And what legacy do you hope to leave, not just as the inventor of the web, but as somebody who's actively shaped its principles?
45:04Like any web user to a certain extent, what we found with the Web Foundation is that you have to get, every now and again, you have to get people to fight for the web. So I've spent a lot of my life fighting for the web, but also people listening to this, there may be a point when they have to fight for the web that they want rather than the web that they're going to get otherwise. And where should they take that fight? How do you see that playing out? Is that a case of them as individuals? creating the web that they want to exist? Or are you talking about lobbying politicians and government? All the above.
45:41Partly it's things you actually do yourself, for example, avoid those sites which are addictive. Use the ones that aren't. When you're giving phones to children, for example, then make sure that you give them a phone with parental control so that you can make sure that they don't use the things which are addictive and so on. but also every round again you have to lobby governments, companies to do that, I think. And are you up for doing that? Is that something that you are prepared to do in future? Yes, I'm afraid so. I'm prepared to, if I have to protest, then I'll get out my posters, my stick, and put them together and protest if I need to.
46:23It's almost time, Sir Tim Berners-Lee. We're going to cast you away on your desert island soon. Now, obviously we know you can build things. I mean, you can build computers, great with electronics. Do you think you could construct a shelter on the island? Do we get tools? No. Yeah, I have a go at constructing a shelter, certainly. What sort of island are you hoping for? A warm one with an ice on beach to run along. So when I'm not building the shelter, I can enjoy the ocean. And how will you be with the solitude? Do you enjoy being in your own company, along with your thoughts? If I could do that for a few days, a few days that would be fine.
47:02Then I think I'd want somebody to come and be with you. And how do you feel about being completely offline? I mean, you'd be disconnected from the whole of humanity. I think it'd probably be absolutely fine. Well, we'll let you have one more disc before we cast you away, Sir Tim Berners-Lee. Your final choice today, what's it going to be? This is my default music. If you arrive in a new place and you get on the Wi-Fi and you find the speakers, and let's try them out, or for getting wrapped up before going on stage or something. This is the travelling Wilburys, End of the Light. Well, it's all right Riding around in the breeze Well, it's all right If you live the life you please Well, it's all right Doing the best you can Well, it's all right As long as you lend a hand You can sit around and wait for the phone to ring The Travelling Wilburys and End of the Line.
48:09So, Tim Berners-Lee, it's the end of the line for you. I'm going to cast you away to the island. I will give you the Bible, the complete works of Shakespeare and one other book of your choice to take with you. What's it going to be? The Bible, can I choose a different religious book if I want to? You can, yeah. Would you like to? I'll take the Bible. I wanted to make sure that I had the right to choose. Oh, absolutely. You can take one other book. What would you like? A Pattern Language by Christopher Alexander and Friends. It's a book about spaces, designing spaces, patterns for architecture, patterns for designers of towns.
48:48so it's just a book full of all kinds of interesting thoughts about people in space. And building, I mean this is a bit of a classic I think of its genre is that an interest of yours, architecture and the built environment? Yeah actually, if I hadn't been in computer science I would have loved to have been an architect, yes. Well, maybe on the island you can start to experiment in that vein once you've done your shelter you can make a start. Then start arranging the outside spaces. A new conurbation, exactly. You can also have a luxury item. What will that be, Tim? So I've thought about it. I wondered about the toolbox, but I think I'll go for the harmonica, a chromatic harmonica.
49:27A chromatic harmonica? Yep. OK. And are you good at playing the harmonica? I'm OK. I'll be a locker by myself. And finally, which one track of the eight that you shared with us today would you save from the waves first if you needed to? I think Four Strong Winds, In a Sea of Rear. And why would you go for that one first? It will remind me of all those families and friends on the lake. Sir Tim Berners-Lee, thank you very much for letting us hear your Desert Island Discs. Thank you for having me.
50:07Hello, it was lovely to chat to Tim and I hope he's very happy on his island with his harmonica. There are more than 2 ,000 programmes in our archive for you to listen to. We've cast other computer scientists away to the island over the years, including Dame Wendy Hall and Sir Demis Hassabis. You can hear their programmes if you search through BBC Sounds or on our own Desert Island Discs website. The studio manager for today's programme was Phil Lander, the executive production coordinator was Susie Roilance, the content editor was Mugabe Turia and the producer was Sarah Taylor.
50:45Hello, I'm Kimberley Wilson. I'm a psychologist. And in my new podcast, Complex, I'll be your guide through all the information and misinformation that's out there about mental health. I'm joined by expert guests covering topics from people-pleasing to perfectionism, burnout to empathy, to find tangible advice so we can understand ourselves a little better. Complex, with me, Kimberley Wilson. Listen on BBC Sounds.
From the publisher
Sir Tim Berners-Lee is a computer scientist and the inventor of the World Wide Web. He was born in 1955, a golden year for technology innovators. Steve Jobs and Bill Gates were also born in the same year. A curious child, he learned about electronics from his train set and spent his pocket money on transistors. His first significant connecting invention was building an intercom as a teenager for the family home before moving on to build his first computer. His parents were both mathematicians and coders who met whilst building one of the first commercially available computers in the early nineteen fifties. Sir Tim came up with the idea of the World Wide Web whilst working at CERN and insisted that the technology be released to the world without commercial reward so that it would be free for everyone to use. He was knighted for his world changing invention and also appointed to the Order of Merit. In 2016 he was given the Turing Award. Sir Tim Berners-Lee divides his time between the US, the UK and Canada with his wife Rosemary, who is also a technology entrepreneur.
Presenter Lauren Laverne Producer Sarah Taylor
Desert Island Discs has cast many computer scientists away over the years including Dame Wendy Hall and Sir Demis Hassibis. You can hear their programmes if you search through BBC Sounds or our own Desert Island Discs website.




