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Podcast Episode Summary: Empire - War of Succession: The Battle That Shook India (Ep 2)
Overview In episode 221 of the "Empire" podcast, hosts William Dalrymple and Anita Anand continue their exploration of the war of succession within the Mughal Empire, focusing on the tumultuous events surrounding Shah Jahan's illness and the ensuing struggle among his sons for power. Joined by historian Supriya Gandhi, they delve into the complexities of familial relationships, political maneuvering, and the brutal realities of civil war.
Key Themes and Discussions
The Context of Succession
- Shah Jahan's Illness: Shah Jahan's declining health stirs rumors of his impending death, igniting a fierce power struggle among his four sons: Dara Shukoh, Aurangzeb, Murad, and Shuja.
- Rumors and Fear: The people of Delhi brace for potential violence. Shopkeepers board up their shops, anticipating chaos.
The Brothers' Actions
- Initial Moves:
- Shuja proclaims himself emperor while in Bengal, adopting titles reminiscent of great conquerors.
- Murad follows suit, making a bid for power by seizing wealth and crowning himself.
- Aurangzeb, initially passive, adopts a cunning strategy, maintaining a façade of loyalty to his father while quietly building alliances.
The Battle of Samugar
- Dara Shukoh's Defense: As the anointed heir, Dara rallies the imperial forces to confront his brothers, who unite against him.
- Psychological Warfare: Aurangzeb employs tactics to destabilize Dara's leadership, including misinformation and psychological manipulation involving Dara's public image.
- The Turning Point: Dara's decision to dismount from his elephant, urged by Aurangzeb's spies, leads to a chaotic battle where Dara's troops lose morale and discipline.
The Fall of Dara Shukoh
- Dara's Flight and Desperation: Following defeat, Dara attempts to gather support but faces betrayal from former allies and personal tragedy as his wife, Nadhara, falls ill and dies.
- Betrayal by Malik Jeevan: Seeking refuge, Dara finds himself betrayed by the landholder Malik Jeevan, leading to his capture by Aurangzeb’s forces.
- Public Humiliation: Dara is paraded in rags, further symbolizing his fall from grace and eliciting sympathy from the public.
The Execution of Dara
- Aurangzeb’s Ruthlessness: As Dara is brought to Delhi, Aurangzeb opts for a brutal end to the potential threat his brother poses. Dara is executed in a shocking display of power, with his head presented to Shah Jahan.
- Importance of Narrative: The episode reflects on how history is recorded and interpreted, with varying accounts of the events surrounding Dara's execution and the political motivations behind them.
Key Takeaways
- Power Dynamics: The episode illustrates the brutal nature of imperial politics and the lengths to which individuals will go to secure power, often at the expense of familial bonds.
- Historical Complexity: The discussions underscore the complexities of Aurangzeb's character, challenging the simplistic views of him as a purely tyrannical figure.
- Legacy and Impact: The outcomes of the war of succession not only determined the fate of the Mughal Empire but also left a lasting impact on the socio-political landscape of India.
Conclusion The episode presents a vivid depiction of a critical moment in Indian history, infused with familial rivalry, betrayal, and the relentless pursuit of power. As the narrative unfolds, listeners are reminded of the intricate interplay between personal ambition and historical consequences.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Transcript
Automatic transcript. May contain errors.0:00If you want access to bonus episodes, reading lists for every series of Empire, a chat community, Discounts for all the books mentioned in the week's podcast, add free listening and a weekly newsletter. Sign up to Empire Club at www.empirepoduk.com.
0:28Hello and welcome to Empire with me, Anita Arnans. And me, William Durrumpur. And in the last episode, we ended on a cliffhanger. Shah Jahan has got some terrible illness. He's in bed. He isn't being seen in public. And the rumors are spreading that a civil war is about to break out. The shopkeepers in Delhi are hunkering down. Rumors are flying around. Post messengers are taking messages down to the Deccan, over to Gujarat, to Bengal, that Shah Jahan is finally heading for his deathbed and a war is about to begin. Spies in the Red Fort are reporting developments in the city to each of Shah Jahan's four sons.
1:15And this is the moment of crisis that all these children have known will come at one point in their life. And everyone is now assuming that this is about to happen. The big succession struggle, the big war, the civil war between the different brothers is about to break out. Who, Supriya Gandhi, makes the first move? Well, I think they all spring into action. Again, you know, this is sort of a very complicated time. There's a chronicler who's attached to one of Shah Jahar's sons, Shudja, who's in Bengal, who says that the times are as agitated as these sort of curly, torturous ringlets of moon-faced beauties.
1:58That's quite an image. That is, yes. It's a fairly common image, but it does reflect the times. And Shuja, who was far away in Bengal, takes the opportunity to pronounce himself emperor, and he styles himself by all kinds of titles, including Alexander of the Age. And Alexander is important here, and we're going to get to that in a bit. This is a reference to Alexander the Great, who's remembered in Islamic law as Iskandar, the great conqueror. Absolutely. So Iskandar or Alexander is very, very important in the whole tradition of Persian literature from, you know, Nizami to Amir Khosrow and so on.
2:39And anyway, so Shuja is the son who's been settled in Bengal for a while. He's had this post as governor. He's away from the imperial center. And he thinks, well, you know, with the news of his father's illness, you know, it's sort of inevitable, you know, why not stake my claim to succession? It's far away, but Bengal is also very rich at this point, isn't it? It's the center of the textile industry, and it's quite a good place to be based and to make your fortune if you were so-minded. It's a very good place. It is very fertile. There's been a lot of settlement of forested land for agriculture, which then, of course, increases the wealth of that particular region, and it has been absorbed into the Mughal state.
3:23I feel like we haven't really done justice to poor old Shuja and the other brother, who is going to be quite, you know, they're going to be quite pivotal right now, Shuja and Murad. So, I mean, what were they like? I mean, we sort of spoke a while ago about the different attitude that Shah Jahan had, both to Dara Sukho, who he sort of coddles and keeps quite close to him, and micromanaging Aurangzeb, and Aurangzeb developing his own sort of shadow state and never doing anything that's good enough to please his father. Daddy issues. But what about the other two? How do they fit into this family?
3:52And what are they like? And what is their relationship with their father like? So one thing that we know about Shudja when he was much younger, was that Shudja was actually kind of taken away to be raised by his grandfather, Jahangir, and Jahangir's wife, Nurjaha. So he spent his early years being raised by them. Where he has the cutest ever picture of a Mughal baby painted of him. It's the greatest Mughal baby painter that Shudja looking like the most adorable six-month-old kid you've ever seen. It is a very cute picture. And actually, there are lovely pictures of, you know, a lot of Mughal babies during this Jahangir period, either with Shah Jahar, there's one of Darashukh playing with jewels sitting next to Shah Jahar.
4:37And then there's another one in that cot. And then there's another very cute one of Aurangzeb being held by Shah Jahar also. So yes, there are quite a few of them. So Shooja had that, you know, perhaps sort of unusual time, and he was very close to his grandfather. And then later on, he was actually known for his cultural patronage. So he had, you know, like poets and writers produce all kinds of literary works and other kinds of writings in his court. And he had a fair amount of, you know, independence in Bengal. So Shudja was very close to Jahangir and Nurjaha, having been raised by them. And then, of course, he's close in age to Dara Shukho.
5:16He's the second eldest son. He has spent a long time in this position in Bengal, enough to really get comfortable there, have his own little court, have a fair amount of independence from his father. He still, of course, has to carry out his father's orders, make visits to the imperial court and so on. Just like his father and his siblings, Dara Shukho and Jahanara. He even pays respects to Mullah Shah, who is Dara Shukho's Qadiri sort of Sufi spiritual teacher. He has his own Sufis whom he corresponds with. So he's really doing a lot of what Dara Shukho was doing, except that he's not doing this in the embrace of the imperial court.
5:57He's doing it in the province of Bengal. And Murad is the youngest of these surviving sons of Shah Jahar and Mumtaz Mahal. I'm the youngest of four sons. I'm on Murad. You're team Murad, are you? You're on team Murad. Spoiler, not going to go well. Anyway, Karen, what was Murad like? Was he sort of the precocious baby of the family? What was his personality like? So we won't hear as much about Murad, but we do know that Murad, again, was very close to certain spiritual Sufi teachers, and he'd have correspondences with them, and they'd encourage him, to do the sorts of things that he wanted to do.
6:35But he was, like Shuja, decided to spring into action. So when he heard of his father's illness, he actually put to death one of his officials whom he thought was sympathetic to Dara Shuko. Oh, really? Just on the suspicion? Okay. Right. Gosh. Yes. And then he plunders a fort. He seizes a lot of money. And then he coronates himself as well. And he has a poet, a distinguished Iranian literate term, write this amazing long narrative poem about, it ends up being about the war of succession, but it also talks about how Murad coronated himself and there was sort of gold and diamonds everywhere. And he's in Gujarat in Western India.
7:16And so he is trying to raise money and troops to make his bid for the throne in the West. Shuja is already doing that in the Northeast. So already Darashuko is potentially facing a war on these two fronts. And then Aurangzeb sprints into action. Aurangzeb, he actually is a little more reserved. He doesn't sort of go ahead of himself and say, like, I'm the emperor now. Or have someone write poetry about what a great ruler he is. Yes, yes. And have like, you know, jewel scattering clouds and sort of flinging gold coins to the crowds and all of that. So he actually, he's much cleverer. And he's like, He keeps sending Shah Jahan a lot of letters and fruits and grapes and all kinds of things.
8:01He wants to find out a little more information. Shah Jahan has been using him as a sort of source of fruit for some time. As a source of fruit, yes. And sometimes this gives Shah Jahan opportunities to be very dissatisfied with him. The pomegranates aren't good enough. The muskmelons are old and rotten. Yes. And what Aurangze probably really remembers is that Shah Jahar accused him of pilfering these emperor's special mangoes that were really grown for the emperor. The name was sort of the emperor's choice. Padshahar mangoes. Yes, the Padshahar pasan. And of course, he retorts, reiterates that he had nothing to do with the loss of that delivery, but something that annoys Shah Jahar.
8:45I mean, this sort of banana and mango diplomacy is absolutely astonishing. This could drive a wedge between two people. I find that often at home here, actually. My boys often eat my favourite mangoes before I get a chance to eat it. And it is a cause of conflict in our household. Thoroughly excommunicated. Okay. You say that he sort of, he bides his time. But is he doing things secretly on the down low? Because from what you've painted a picture of Aurangzeb, he's smart. He's smart and he's a mover. So he may not seem to be doing anything, but is he under the water paddling away? Absolutely. Uth leaves.
9:17And he knows that it doesn't really make sense to fight multiple wars. I mean, if Aurangzeb crowned himself emperor, he'd then have to fight a war with Murad. He knew that Shah Jahan was still alive, so he'd have to fight the imperial forces. And he'd have to eliminate Shujar in Bengal. And he certainly wasn't prepared to do all of that, you know, not immediately. And in fact, he'd already had some kind of alliance with Shujar because they'd had a secret meeting, a meeting actually that was arranged by Jahanara, you know, without perhaps knowing the outcome. But she'd been trying, of course, to get the brothers to meet.
9:49And this was earlier when Shadrha was keeping all of them very busy with their assigned activities. And now what he does is he reaches out to Aurangzeb. He fixes on a plan, and then he reaches out to Murat, because both of them are sort of in the general sort of south. So they could possibly team up, they could pull their forces, and then they could march on Agra if they got there, and then face the imperial army together. So he puts his hand impression and his signature on this letter to prove that it's authentic. And he suggests to Murad that, you know, maybe we can pull forces. And, you know, maybe if we can decide that our friends will be our friends and our enemies will be our joint enemies.
10:33And then if we were to succeed, Murad would get all of the Western territories of the empire. Now, you know, this may seem unusual, but it actually wasn't completely impossible. And this is because the way the Mughals operated, you know, had a variety of influences. But there also was an earlier Central Asian tradition of kind of shared kingship or a sort of joint rulership. So it wasn't, you know, something that was completely out of the blue. And Murad goes for it. He bites the carrot. And Murad goes for it. Do you think Aurangzeb means it? Do you think he means it or he doesn't mean it at all?
11:11Not at all, as we will see. No. We'll have to wait and see. But the fact is, he's doing that at the same time, playing nice with Murad, saying, yeah, yeah, we'll share. Sharing is caring, brother. We'll do it fine. But he's also, isn't he making moves to try and recruit some people who were once loyal to Dara Shukko as well? I mean, he's on manoeuvres big time. He's trying to charm the Rajasthanis, in particular. So he's trying to charm the Rajputs. And he's been on the Rajputs charm offensive for a while. You know, he's been sending them like beautiful diamonds and sort of nice gifts and all of that.
11:47Because being in the Deccan, he has access to the diamond mines, of course. He has access to the diamonds, yes, of course. That's a handy little gift to be able to hand out. Yes. I mean, he doesn't have access to as much as he would want. But, you know, that comes later during his reign. He also writes a very nice letter to Rana Raj Singh, who is a prominent Rajput. Which of the kingdoms is he associated with? Mewar. And in this letter, he actually, he says, you know, because rulers are shadows of God, he's going to follow his ancestors and ensure that people of different schools of thought and of variegated religious hues are cradled in security and tranquility and pass their days in repose.
12:30That's certainly like Trump at the last election going to Detroit and appearing on stage with all the Muslim leaders, isn't it? It's the very opposite of what he's actually going to do. Trump's case was more ironic and insincere, I think. Ornok Saeb has actually had very good relationships with Rajputs throughout. You know, it's not as though, you know, he's sort of… He's knocked down a few temples in Gujarat, hasn't he, as a young man? He knocked down a temple that was connected to a prominent Jain merchant called Shantidas, who had good relations with the Mughal court. The interesting thing is, well, eventually the temple was rebuilt, and Aurangzeb still continues to have relationships with Shantidas.
13:09This is the complex thing about Aurangzeb. Almost anything you say about him can be upended or re-examined, and all are comfortable assumptions about him being this sort of nasty bigot. Darth Vader of history. The Darth Vader of the Mughal Empire. You can always find evidence that he's done something slightly less wicked at another time. Well, the thing is, I'm just more interested in Shantidas. Oh, yes, you knocked down my temple, but we'll still manage a friendship of sorts. I mean, that to me is intriguing. Shantidas, of course, is lending money, is procuring jewels. And there are times when, you know, Dara Shukhu and Shah Jahar are annoyed with him.
13:46They don't like the quality of the gems that he's provided and so on. So it's a contractual sort of business relationship, and there are ups and downs in these relationships, of course. And of course, with Aurangzeb, is that he's around for a very, very long time. So we're going to see different phases, and we're going to see complexity, and we're going to see sort of change and sort of evolution in all of these phases. But Supriya, I mean, very bluntly, you don't buy the idea of Aurangzeb, which is, I suppose, very common in India today, that he's this fire-breathing bigot who goes around destroying temples and hates Hindus.
14:23So Aurangzeb does destroy temples. Shah Jahar has also destroyed temples. Shah Jahar destroyed a lot of unfinished temples that weren't quite built yet in Banaras soon after he comes to power. And he's doing this because it shows the Rajputs, many of whom had influence in Banaras and had ties to Banaras and patronized temples there and so on. It shows them that he's the leader. It's a way of asserting authority. It's not a permanent feature of his rule, but it was certainly an action of his early on. So Aurangzeb certainly wasn't sort of unique in destroying temples. Certainly, destroying temples wasn't the only thing he did.
15:04He also had relationships with a whole variety of Hindu religious figures. This crucially is seen at this point when it isn't what you'd expect. You don't see all the Hindus supporting Dharashukho and all the Fundo, sort of Beardy, Mullas supporting Aurangzeb. In actual fact, as many Hindus support Aurangzeb as Dharas. Yes. So again, this is something that's in flux. You know, at this point, when war of succession hasn't begun yet, it's looming and each side is sort of gearing up. He's trying to get Rana Raj Singh on his side, he has been cultivating another really important Rajput who's actually currently with Dara right now and with Dara's son right now.
15:45Aurangzeb has been cultivating ties with him also for a long time. And Jai Singh has a little bit of a falling out with Dara Shukho. Dara Shukho is getting his son married to a Rajput as well. So they're all trying to cultivate the Rajputs. So all of this is like a whirlpool of preparation. Who makes the first move and when does it all kick off? Aurangzeb and Murad pull their armies and they go to this place in central India. And actually, they're facing a Rajput at this point. They're facing just one Singh. Who is from what we would call the Jodhpur Maharaja family. And he is, again, representing the imperial army.
16:23He's team Dara Shuko, right. He's representing Shah Jahan and Dara Shuko. He's team Dara. And there's another general, Qasim Khan, who's kind of also team Dara and team Shah Jahat. And they're trying to monitor the, I mean, because there's only a few crossing places, aren't there? And you have to cross these rivers. And so armies can wait at the forwards. At the crossing and wait and just cut people down as they try and cross. So what happens then, Seprie? Where does the imperial army go? So Murad and Aurangzeb actually make quick work of them. They send them off. They send them packing. There's a battle.
17:00Yes, it's a battle. And Murad is jubilant. And he actually writes to his Sufi teacher, because he's in touch with him, he's getting his spiritual guidance, just as Dara Shukur was getting the spiritual guidance of his own Sufi teacher, Mullah Shah, when he was going into battle and all of that. And this is when Jahanara tries to step in. And she gets a letter delivered to Aurangzeb. And in this letter, of course, she talks about the importance of filial duty, that you shouldn't go against your father. It's a horrible thing. It's against religion to do that. And then your elder brother too, she says, is like your father, and you shouldn't go against him either.
17:43This wasn't the first rebellion, but it was certainly, we see now a concerted effort that is being led by Aurangzeb against his father and brother. Can I revisit somebody who we've taken our eye off? Because the last time we saw him, he was in bed in pain, in agony, not feeling very well at all. And that was Shah Jahar. Sort of rumors of his demise are very premature. Does he rally and wake up amidst this turmoil? Where is he while all this is going on? So he does rally and he's very dependent on Jahanara and on Dara Shukor. I think he's in a weakened, enfeebled state. But he's alert to this. He can see what his other children are doing and he can't like it one little bit.
18:23No. And, you know, of course, he had rebelled against his father and now he has, you know, three of his children rebelling against him. Do we have any sort of first person accounts of what he threatens his wayward children who are threatening him? What does he say about them? What does he want to do to them? because, as you say, he's done it before. So I wonder whether that teaches him a little bit of, you know what, if I speak softly or if I just tell them to snap into line, I can learn from what was done to me and maybe this can go a different way. Well, I think he actually tries to reconcile.
18:55No doubt, Jahanara is writing with his blessings and trying to get Aurangzeb to change his mind. They're focusing on Aurangzeb at this point. And is there a sense of panic in the Red fort as Shah Jahan and Dara sitting and these two armies are coming up the spine of India, moving ever further northwards, threatening now Agra. Absolutely. Because, you know, again, the imperial army has been defeated. You have Murad and Aurangzeb swiftly moving. And that's why they're not sort of issuing a threat at first. They are actually asking for a kind of reconciliation and sort of persuasion. And They're saying that it's the holy month of Ramzan that's coming up, and you shouldn't spill the blood of other Muslims during this time.
19:41And why not just pause and write down your grievances, and then maybe we'll see how to address them and how to help you. We're about to head into a break, but we have now Aurangzeb has got into Madhya Pradesh. He's with his brother Murad. The two hostile armies have united. They have managed to cross the various rivers blocking their path. They've defeated the imperial army and panic is growing in Agra. Dara Shuko is about to leave the Red Fort and face his brothers in battle. More after the break.
20:25Welcome back. So we left it with Dara marching out of the Red Fort in Agra. with the imperial armies. His father's rallied a bit, his health is better, and he's now anxiously waiting the outcome of the battle. And Dara lines up his troops quite near Agra, isn't it, Supriya? Where is Samugar, this famous battle? Samugar is this area that's quite near Agra, where Dara Shukho and Shah Jahan are based. And actually, I must add that there's also action in Bengal. But one of the people who's actually helping Dara's young son, Suleiman Shukot, to sort of lead the armies there, is another Rajput, Mirza Raja Jaising.
21:11And Jaising is waiting to see what's going to happen. He's sort of stalling a little bit. So we have the ambivalent, vacillating Jaising trying to handle Suja in Bengal. We have the imperial army already defeated in central India. And now there is this looming battle that's in Samogar because Aurangzeb has paid no heed to his sister's entreaties and her desire to have a peaceful reconciliation. And he's pressing on. Now, our old friend Manucci, who at this stage is part of Dara's army or claims to be an artillery man and to be present at the battle. He says that Aurangzeb is already sending bribes and missives to all of Dara's generals, and that he's waging this sort of brilliant intelligence campaign, splitting and dividing the loyalties of Dara's troops.
22:09He even describes various soldiers crossing the battlefield before the battle begins. So, Manucci at this time, he was quite young, Barely 20. Handsome young Italian man, Anita, very much your sort of… Oh, well, thank you. That's great. I hadn't looked him up, but thank you for the official image. These things are important, Supriya. What can I tell you? This is all part of history. And so he was supposedly operating artillery. It wasn't unusual for the Mughals to hire European artillery experts. They had hired some to sort of help with the Kandahar campaign. There was a general impression that Europeans were better at cannon, weren't there?
22:44There was a Ferengi Pura outside Delhi, which was entirely the habitations of European artillerymen. Yes, Ferengi meaning sort of, you know, foreigners. So, Ferengi Pura would be, you know, the foreigner enclave, foreigner-ville. Yes. So, not all foreigners, but sort of Europeans, you know, Franks and so on. So, Manucci was supposedly recruited into the army, yes, and it's quite plausible that he was. And he did notice people trickling into Aurangzeb's camp before the war had started. Poor Dara. All these people sort of stabbing him in the back. And he may not even know how many people are skulking in and talking to his enemies.
23:21So, I mean, the writing seems to be on the wall for Dara. But I mean, how does it actually happen? Well, I think the Imperial Army did have a lot of prominent people. They arrayed themselves in this battle formation. There's a wonderful picture of the battle, isn't there, which you reproduce in your book, of these two leaders or the elephants surrounded by this wall of cannon and armies with the space in between and clouds of gunpowder rising in the air as the cannons fire their first volleys. Yes, it's a picture of the battle. And, you know, it seems to me to be the kind of picture painting that was sponsored by the winning side.
24:03Crucially, what we see is Dara getting down from his elephant, which Minucci says was the moment which everything begins to go wrong. Everything's looking okay. But according to Minucci, Aurangzeb has spies in Dara's army. And they persuade him to get off his elephant and to get onto a horse and to charge Aurangzeb. And this is actually a treachery. This is a clever ruse that Aurangzeb has. Yes, as long as he's on his elephant, he's seen as being in control. He's visible. But the fact, by mere fact of tricking him and saying, you know what, you're less exposed on a horse, they're actually making it look as though he's not in charge anymore.
24:44I mean, it's dark ops, it's black ops, but it's very effective, isn't it? Yes, they clearly seem to have a plan because you do have this very impressive army that is sort of, again, arrayed in this splendid formation and then they start firing and then they don't actually receive anything in response. And then they try again. And again, there's just this very tepid response. They're sort of wondering, what is actually going on? And of course, this was a ruse. It was a ruse to kind of play with them psychologically and eventually, of course, destabilize Dara as the leader. I have to say that we've been rude on this podcast and the previous episode about Manucci, and we've questioned his credentials as a harem doctor.
25:28But his sort of psychological portrait of the Battle of Samugar with Aurangzeb running the dark ops and the clever intelligence operations reads quite plausibly to me. Do you buy it, Supriya, or are you skeptical? I mean, he does position himself as an eyewitness observer and, you know, as someone who was actually sort of in the battle. So, I mean, it's definitely an interesting perspective. It's not the only perspective, but it's a perspective that one adds to, again, this whole kaleidoscope of other perspectives, because we have people who are supporting Murad and kind of, you know, for whom Murad is sort of the center and, you know, this person who crowned himself emperor.
26:10And then we have others who are supporting Shujar. We have then Shah Jahar's historians who then are writing retrospective accounts sort of as things are unfolding before them. So it's a very interesting time, you know, when it comes to history writing. But in this kaleidoscope, the one picture that is clear is, you know, Dara is not seen and therefore his troops, the discipline starts ebbing first of all and then melting, then disintegrating altogether. They can see that the elephant is empty. They think he's been killed or something's gone desperately wrong. Yes. Well, you know, in Minochi's account, it's sort of Khalilullah Khan who is really sort of this, you know, the pivot, the person who is really responsible for getting Dara to dismount for him as elephant and sort of see what's happening because, you know, why isn't the enemy firing back?
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26:57He's presented as being in Aurangzeb's pay, that he's acting for Aurangzeb. So he gets off, he gets onto his horse and his army panics. It begins to disintegrate. His army panics and then Aurangzeb's army then takes that chance to really release a volley of, you know, like cannonballs and bullets and so on onto the Imperial army. They were tinkering them like a cat playing with a mouse and now they're going to let loose. And as a result, everything just fragments on Dara's side. and he's forced to flee. And he flees to Lahore. You know, all he's left with is just get the hell out of here and try and save my life.
27:34And he's got allies there who he can seek refuge with. Yes. There are other accounts that just say that the prince dismounted from his elephant just because of what was going on and he thought that he'd be an easy target. It's because they held off firing and then they started firing. So, again, not everyone goes along with Manucci's account. Okay. All right. So you've got Shah Jahan left behind and Jahanara left behind. Dara has fled. Aurangzeb has never had animosity towards his sister, it seems. He may have grief with his critical father, belittling father. What does he do to his family members now that Dara's gone?
28:13Shah Jahan is detained and he's put under the control of Aurangzeb's guards. And Jahanara, no doubt together with Shah Jahan, they come up with this last ditch solution that harks towards, again, this earlier Central Asian model of shared governance. So again, it wasn't something that was totally unheard of, but clearly not something that the sons wanted. And they say that it's okay if you come to the throne, but how about actually sharing the kingdom and dividing it between the brothers. So keep Murad and Gujarat, keep Suja in Bengal, kind of far away, so they can, you know, hopefully not bother you too much.
28:54And then let Dara Shukho be in Punjab. Dara Shukho had been governor of Punjab in, you know, the northwestern region. And Aurangzeb would look after the rest. And Aurangzeb's own son would govern the Deccan, just as Aurangzeb had. But this is too little too late. Aurangzeb has won a battle, he's not going to accept this, is he? He doesn't need to. Why does he need to? So how does he reply? Does he straight out say no? It doesn't seem to be his style to be sort of as candid as that. Or does he just, right, I don't need to talk to you anymore at all? He certainly doesn't respond positively. And again, of course, he has his own sort of things to worry about now, which is how to eliminate Murad and Shudja.
29:33So he leaves Dad bottled up in the Agra fort. Tell us about what he does with Murad, because this is very clever. He invites him over for dinner and plies him with wine. He invites him and plies him with wine, but he sort of leaves Shudra aside for now. And Dara Shukho, you know, has fled away from that region. He's fled west to sort of, right now he's in the Delhi region. So he then tries to rope Murad in to pursuing Dara with him. And of course, he and Murad have signed the agreement and all of that. Aurangzeb then pretends to be ill. He pretends to be horribly ill with dysentery and he's sort of begging for his brother.
30:13So Murad kind of drops everything, goes to his brother's tent. And his brother has dysentery, but he's clearly well enough to sort of lay out this amazing feast at which there's wine served and quite a bit of wine, these beautiful jeweled goblets that is then being plied upon Murad. And then Murad falls asleep. There's a slave girl who massages his feet, as I seem to remember. So Murad is encouraged to have a nice snooze after lunch. And he wakes up and he's a prisoner without any weapons. His weapons have been taken from him discreetly while he's sleeping. And he's put in chains and sent off to Gwalior, which is the state prison.
30:50Yes. And, you know, he's initially sent off to Salimgarh, which because they're kind of on their way to Shah Jahanabad and pursue Tavdara. And apparently he wakes up from his snooze, his fateful snooze, to see that he's got no weapons left and the writings on the wall for him as well. What a calamity that the covenants and agreements of Muslims can be dissolved all at once, so it is said. So he's off to jail. Aurangzeb is now free to break that deal, doesn't have to share anything with anyone. Chances are he never thought he would. Yes. So in Delhi, he crowns himself because his dad is imprisoned.
31:24Dara's on the run. Murad's in prison too. And Murad is also in prison. Murad is out of the way. And Shudja is like, you know, for him at the moment, too far away to really do anything. And this is in the then lovely Shalimar Bagh, which is now a rather sort of stinky suburb on the edge of Delhi with sort of crumbly pavilions and no water, no runnels. But in those days, was a magnificent Mughal garden with jets of water and gorgeous places to throw a big coronation. Yes. I mean, there are lots of beautiful gardens and Aurangzeb has a couple of coronations. So at this point, then Dara Shukur is in Lahore.
32:00And now he is desperately trying to sort of drum up support from really from anywhere. Jai Singh is still like stalling, giving him all kinds of excuses. you know. I've seen those letters. They're up in Bikinare at the moment in the archive. Jay Singh's very dodgy letters where he's giving all sorts of incredibly implausible excuses, as is that wonderful handprint you talked about earlier. Anyone that goes to the wonderful archives in Bikinare, they can see them on display. And these are the crucial letters that means that Dara does not get the support of the House of Jayapur and is left in the Punjab with no one to turn to.
32:40Yeah, I mean, like a beggar with a bowl. No one is helping. It's one of those sort of moments like in a Shakespeare play when after a defeat, the gods leaving Antony and the sound of all the support disappearing and one by one, the allies make themselves scarce and he's left on his own. But what astonishes me about this is that Aurangzeb doesn't catch up with him sooner because he is sort of left to do this rather sad and heartbreaking lobbying for about a year and a half, isn't he? before Aurangzeb catches up with him. Well, Aurangzeb is, again, busy with a variety of things. And Dara Shuko is in, he's moving to the Punjab where he thinks he can get support.
33:20And one important thing, though, is of course, Dara Shuko isn't completely bereft. He does have his wife, Nadhara. So we haven't talked about her. Nadhara is a very important figure for him, isn't she? So Nadhara was his cousin, the daughter of his uncle Parvez. And they had this grand and lavish wedding, which is also beautifully illustrated in the Pajranama. With all those wonderful presents being presented, it's the kind of the Ambani wedding of the 17th century. Maybe more aesthetically appealing. Supriya, that was almost catty and I applaud it. Okay, so the golden couple, is she pivotal to his thinking and decision-making?
34:03Does he love her? Like so many of his forebears have loved their partners. He seems to. Now, again, of course, there wasn't this idea of monogamy that one might have sort of later in times, but he really does seem to have loved her. We know that, of course, always were together. They traveled together. And in the 1640s, and this happens around the time that Nadhara is, you know, perhaps she suffers an illness. She's sort of indisposed for a while. Dara Shukho gifts her this most magnificent Mughal album of miniature paintings. And it's one of the few Mughal albums that's actually still intact.
34:41You know, so it hasn't been sort of disintegrated with each folio, like being auctioned off separately. And he inscribes it with a note where he actually calls her his most intimate friend. You know, it really is sort of this beautiful glimpse of affection. We do hear rumors of other women in Dara's life. There are some portraits of a woman called Gul Safa. We don't really sort of have too many accounts of who she was or anything like that. So again, it seems that there might have been other women in Dara's life. But he and Nadara were sort of very close. She's one of the people who's standing by him, and she actually tries to help him get support.
35:19So they're trying to get the support of a Rajput ruler, another Rajput ruler, who was promising, maybe if you raise the money, I can give you an army. And Nadhara actually performs this ritual where she is making the Rajput her foster child so that their bonds would be bonds of kinship. And actually, we haven't talked about this, but foster family, foster kinship was very important for Mughals. It's not only a Mughal practice, it's a Central Asian practice, it's been a Rajput practice, and it's quite common in a variety of areas, it's a way of ensuring that your children have a whole foster family that are linked through ties of milk.
36:01So all the children of your wet nurse are going to be your foster brothers and your foster sisters. And it's a way of noble families furnishing foster kin for their children. You write very specifically, Supriya, something that we haven't seen before in the series, that she sends the Rajput a bowl of water, which she's used to wash her breasts with. Is that a common practice? Well, it's a symbolic act. So what's more common is that if you're a noblewoman and you have a child, a newborn, that you would give that infant to some other noblewomen or important ladies to nurse, and that their children would then be the foster brothers and sisters of your child.
36:45And it means that they would support your child no matter what, because they weren't your sort of blood. They were linked through milk. They're not in the line of succession. They're not competitors. So it comes to be really important. And you actually often have buildings that are made by the foster brother of a Mughal ruler and so on. So the foster can come to be very important and influential. But it doesn't work, does it? Because the wicked Rajput goes and joins Aurangzeb despite this breast water. They just can't catch a break, can they, these two poor things? So it's beginning to go badly wrong.
37:18Raja Rajrup, who supposedly is going to join them, actually joins Aurangzeb. Potential allies like Juswant Singh and Raj Singh stay out of the conflict. They know that Dara is a loser. And so rather like his great-great grandfather Humayun, he ends up having to flee westwards into the desert, away from the centers. And we had that picture earlier in the series of Humayun having been twice defeated, heading westwards. Now, in Humayun's case, despite nearly running out of food, he meets his future wife on the run and eventually makes it to Persia, where he gets an army. But Dara is not so lucky.
38:00And instead, he goes to stay with a landowner who has a terrible reputation for treachery. Malik Jeevan, tell us what happens there. Well, I'll just tell you actually about, again, the very sad thing that happens before this. So Dara is being like sort of pushed westwards, you know, with these armies that are chasing him. Now, including Mizarata Jaising, who had earlier recently been on his side. So everyone is turning on him and they're supporting Aurangzeb. And actually, ironically, by this time, he's gotten to be sort of a little more savvy about, you know, being a soldier and being a general and, you know, how to plan for battle and so on.
38:42But it's sort of that experience is a sort of a little bit wasted now because he doesn't have the adequate support. And, you know, with lack of resources, his wife falls gravely ill. According to one report, the grief from the separation of her oldest son, Suleiman Shikoh, and other endless tribulations. And so they have to find somewhere where they can rest. And the nearest landholder, as bad luck will have it, is a complete two-faced, treacherous… Bastard, I think is the word you're looking for. Bastard is the word I was avoiding that he's using. Malik Jeevan. Darath has spared Malik Jeevan from execution earlier in his life, and he hopes that Malik Jeevan will be grateful.
39:24But what happened, Supriya? So as they are approaching, Nadhara finally succumbs, and she passes away. Agonized and stupefied, out of misery and illness, became veiled by the curtain of God's forgiveness. Tragic, she breathed her last. Darashukho's light-filled eyes clouded over with darkness. And he grew crazed with grief. A tragic moment. So by this point, Dara doesn't really have much fight left in him. So he is, of course, forced to try to get Malik Jeevan to shelter him. And in the end, again, he sort of lures him in. And Dara by this point is really alone. He's broken and sad and alone and no one will help him.
40:08And he's also had to send his late wife's body back for her to be buried eventually. Next to his Sufi friend in Lahore. Next to his Sufi teacher. So then Malik Jeevan, once he has Dara, he quickly sends a message saying, I've trapped the golden-winged bird. He sends that to Jai Singh. So Jai Singh, who had been his friend, goes in hot pursuit. And the next day arrives, surrounds Jeevan's house. It's very filmic. You can see the Rather like in Butch Cassidy, when that moment comes when the troops surround Butch Cassidy and there's no escape. Jai Singh and the army of Aurangzeb surround Dara in Jeevan's home.
40:50As the pursuing army arrives and surrounds the house, Dara's one remaining loyal supporter, who is his daughter, rushes out of the house and begs Jeevan to unshackle her father. and the stone-hearted landowner refused to free him. And he's shackled and taken off in prison at Delhi, to his terrible brother, to Aurangzeb. And we actually don't hear anything about his daughter in most accounts, but this is Murad's poet who's writing this very dramatic, poetic account of the whole war of succession. And he clearly isn't an eyewitness, but he makes the daughter into this figure who's begging for her father's life and saying, I'm ready to become a maidservant in your home.
41:36I'll say what she says. Bring me with countless gold and jewels into the train of your maidservants in your kitchen. My mother is the daughter of Parvez Shah. My father is Timur's descendant, possessor of glory. But exhibit me to the world in the position of a maidservant, but release the fetters from Dara's legs. And he doesn't. What a bastard. So tell us the terrible fate of Dara. He's brought to Delhi. He's in rags. And he and his younger son, Saper, they're dressed in rags. They're paraded around, you know, really in a, this is a spectacle that is meant to humiliate them. Our friend Bernier is in the crowd.
42:14Yes, your friend Bernier. Did you know your friend, not Supriya's friend, your friend Bernier, one of the dodgy doctors in the court at the moment. But he does write, I mean, he says, you know, he was dressed in dirty cloth, of course, his texture, and his sorry turban was wrapped around with a muffler like that worn by the meanest of people. So this is like utter degradation, a portrait of an imperial fall. On a deliberately filthy elephant, back to front. You know, one thing that we do see a pattern of is that there seems to be a kind of popular support for hapless princes. Understandably, given what's going to happen to them.
42:56Yes. So there does seem to be, again, some sympathy for these princes. It wasn't sort of just, well, you know, they deserve their fate or kind of let's mock them to be in the good graces of the new ruler and so on. And Bernier says that the crowd even stones the horrible Malik Jeevan, that people start hurling things at him. And so while it's meant to be a crowd jeering at Dara, in fact, there's a worry on the part of the authorities that they actually might free him. They might free him and stone Malik Jeevan. So this actually ironically seals his fate, doesn't it? Well, you can't leave him alive if there's that much sympathy for him in this traduced state.
43:36You can't leave him. Not if you're Aurangzeb, not if he has that much sympathy left. And Aurangzeb doesn't, does he, Supriya? He doesn't leave him. Well, we do get, again, in Behishti's account, sort of this reconstruction of what's going through Aurangzeb's mind. And he's very disturbed by this sort of sedition against something that is disrupting the harmony that he seeks to achieve by being a strong ruler who's binding the empire together. And he's now painting his brother as a heretic who's embraced infidelity. In other words, he's nearly become a Hindu. And he's producing all this propaganda.
44:12So that's something that actually isn't entirely clear. There are hints of this. It's not the only narrative. Because remember, Aurangzeb is reaching out to Murad, he's reaching out to all the Rajputs, he's telling the Rajputs that I'm going to follow the example of my illustrious forebears who let people of different religions live in peace, and Aurangzeb is saying this very explicitly. But there are some hints that Dara Shukhu is doing isn't quite right. And of course, Aurangzeb needs some justification. He needs justification especially for the very unpious and unfilial act of overthrowing his father.
44:50So, you know, there's a way in which, again, these hints make sense. They don't cohere into a sustained account, you know, so it's not like Aurangzeb is very explicitly fighting this religious war against his brother just because his brother got some Sanskrit texts translated. This is an account that gathers coherence later. You know, one thing that's sort of commonly thought is that there was a trial, you know, something that you see in a lot of modern plays on Dara, that, you know, once he's captured, and then there's this trial where he's accused of blasphemy and infidelity and so on. And he tries to defend himself.
45:27And then, of course, he's sentenced to death. And it doesn't quite work that way. But there is a sense that the sympathy, that the crowd that appears when he is paraded is indeed a source of threat. And this is a threat that must be diffused immediately and swiftly. Okay. So, I mean, let's talk about the actual denouement of all of this, which is going to be so horrific. At least, you know, that's what the story tells us. There comes a point where he says, right, that's enough. He's got to go. and you have nobles who are keen to impress Aurangzeb who break into these quarters of Dara, the poor Beliga Dara is being kept, a small garden outside the walls of Shah Jahanabad towards Nizamuddin and that Dara sees that there is danger coming and he sees a kitchen knife, he tries to defend himself but they overpower him, they throw him to the ground and they hack off his head in front of his son, which is just appalling.
46:27So my question to you, Supriya, because what happens next might inform us of how much Aurangzeb wanted this to happen, but did he order it or were these people trying to impress Aurangzeb acting on their own? I mean, it doesn't feel like they would dare do a thing like this unless Aurangzeb told them to. You wouldn't kill an imperial prince with that authorization. You wouldn't do that. No. I mean, I think it clearly was happening on Aurangzeb's orders. And again, it wasn't the first time that that had happened. Shah Jahar had a whole slew of imperial princes killed. Yeah, yeah. Sort of slaughtered a lot of his family in a similar way, but with deniability and distance.
47:03If you have a bit of distance, at least you have some cover for this. But then is it true the prince's head is cleaned, it's wrapped in a turban and presented to Aurangzeb on a golden dish? I mean, again, biblical drama here, isn't it? It's Minucci, right? Minucci tells a good story. He does tell a good yarn, no doubt. And then that story is then pinched later on in 1857. And again, an equally untrue version of it has the princes of Pahadoshar Zafar sent the head of one of the princes to Zafar and he opens it up, thinking it's present. And there's the head of his son. Again, not true, but it's one of these tropes.
47:42Well, I mean, look, since we're diving into Minucci, let's just bathe and backstroke in his prose, shall we? Because he also says that Roshanara, another bitter sister of Jahanara and Aurangzeb, says, wouldn't it be hilarious, brother? Wouldn't it be, you know, like some horrible Lady Macbeth brother in this witchy voice, wouldn't it be lovely if we just sent the head of Darashukho, our brother, to daddy? Let's send it to daddy in the place where he's imprisoned in Agra. And Minucci says the following morning, Aurangzeb's chief eunuch takes it over. Shall I read a bit of Minucci? Shall we just abandon ourselves to Minucci just for this bit?
48:21The eunuch waited until the hour Shah Jahan had sat down to dinner. And when he had begun to eat, the eunuch entered with a box and laid it before the unhappy father, saying, King Aurangzeb, your son sends this plate to your majesty to let you see that he does not forget you. The old emperor said, blessed be God that my son still remembers me. The box having been placed upon the table, he ordered it with great eagerness to be opened. But on withdrawing the lid, he discovered that face, the face of Prince Dara. Horrified, he uttered a cry, fell on his hands, face upon table, and striking against the golden vessels, broke some of his teeth and lay there, apparently lifeless.
49:05Now, Manucci writes well. It's a good story. Even in its complete nonsense. We like the story. It may not have happened at all. I mean, it's brutal enough as it is, but Manucci makes it unbearable. And anyway, listen, what did happen is that we were delighted to have your company. Supriya Gandhi, thank you so much for being with us. We're so grateful. That is it from us. Till the next time we meet, it's goodbye from me, Anita Arnon. And goodbye from me, William Durimple.
From the publisher
With their father in very bad health and rumours of his death swirling around the empire, Shah Jahan’s four sons decide it is their time to take his place. Only one has been chosen by Shah Jahan… The accomplished oldest son Dara Shukoh. However the war of succession has begun, and it will be brutal and stained by betrayal.
The people of Delhi are terrified at the coming storm. Shops are boarded as they prepare for a possible bloodbath. Two of Shah Jahan’s sons, Murad and Shuja, make the first move. They go through coronation ceremonies while Aurangzeb bides his time. He sends his father letters and fruit from the Deccan, acting like a loyal son.
Miraculously Shah Jahan does not die but begins to recover, only to see his sons tear each other apart and in open rebellion against him. Dara Shukoh, his anointed heir, rallies the imperial army to protect the weakened emperor. Aurangzeb, springs into action, rallying his own armies to advance not only on his brother but his father too. This will be one of the most crucial battles in the subcontinent’s history…
Listen as William and Anita are joined again by Supriya Gandhi to discuss the rise of Aurangzeb, one of the most controversial historical figures in India today.
Twitter: @Empirepoduk
Email: empirepoduk@gmail.com
Goalhangerpodcasts.com
Assistant Producers: Anouska Lewis & Becki Hills
Producer: Callum Hill
Exec Producer: Neil Fearn
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