In short
Roman Britain’s religious “porridge” on and around Hadrian’s Wall—how Roman soldiers and communities blended Roman, Celtic, and Eastern gods, plus early Christianity.
Guests
Eleanor Baraclough, historian and author; she leads the discussion with Anita Arnone and William Drumpel.
Key claims
Roman hostility toward Druids was mainly political (Druids as an organized resistance network) and possibly tied to claims of human sacrifice, but Roman practice of interpretatio romana let local gods be worshipped under Roman equivalents. Evidence-rich archaeology in Britain (especially Hadrian’s Wall) preserves altars, inscriptions, and organic remains.
Notable examples
altars to Celtic gods by wall garrisons; Bath’s Aquasulis/Sulis Minerva and Latin “cursed tablets” naming Britonic victims; Coventina at Corbridge/Broccolitia; Antinocyticus (a local “Mr Tumnus” deity) at Benwell/Binchester; Mars Nodans at Lydney as a healing “Cotswold spa,” linked by Tolkien scholarship; Mithraea on the Wall and at Inveresk; earliest Christian community evidence at St Albans/Verulamium (dates disputed, tradition old), with Constantine’s York proclamation and the Edict of Milan.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Chapters
Tap a time to open that second in VOThe Arrival of Romans and Their Gods
0:27 to 1:35
Discussion on how Romans merged their gods with Celtic deities.
“Often, what changes the story is not ambition alone, but the system behind it.”
The Arrival of Romans and Their Gods
1:48 to 3:08
Discussion on how Romans merged their gods with Celtic deities.
“Persian deities arrive on Hadrian's Wall.”
Understanding Druidic Practices
3:08 to 4:18
Exploring the political and religious significance of the Druids.
“So it's not that they mine different religions in any way.”
Roman Hostility Towards Druids
4:18 to 6:06
Analyzing the conflict between Roman practices and Druidic traditions.
“Human sacrifice has most definitely been outlawed.”
Polytheism and Syncretism on Hadrian's Wall
6:06 to 8:00
How Romans incorporated local deities into their worship.
“The gods themselves, I think, as far as the Romans are concerned, are actually quite a big deal.”
The Significance of Bath's Hot Springs
8:00 to 11:26
The religious and cultural importance of the hot springs in Bath.
“First of all, the ability to suck in every local belief system so that you don't feel so foreign to the people that you've invaded and you've conquered.”
Sulis: The Convergence of Deities
11:26 to 14:03
Exploring the identity and significance of the deity Sulis.
“Let's go to Bath because I think that was certainly where I first came across this as a school kid going around the Baths.”
Sulis and Minerva: A Divine Connection
14:03 to 16:51
Explore the connection between Sulis and Minerva in Roman Bath and its significance.
“You mentioned the fact that it's Sulis Minerva when the Romans come in, and it's this sense, it seems, of these two goddesses here being conjoined.”
The Gorgon and Roman Practices
16:51 to 20:50
Discuss the Gorgon figure and its implications within Roman and Celtic traditions.
“Well, no, let's think about the Gorgons first, because you mentioned the Gorgon.”
Cursed Tablets: Everyday Life in Bath
20:50 to 24:38
Learn about the cursed tablets and their insights into the daily lives of Roman Britons.
“Now, we've moved from Bath up to Northumberland.”
Show all 17 chapters
Religious Syncretism Along Hadrian's Wall
24:38 to 27:30
Investigate the blending of Roman and local deities along Hadrian's Wall.
“So he's associated with one temple and I think it's like three altars and a sculpture of him exactly as you say, Anita.”
Mars Nodens: A Unique British Deity
27:30 to 28:00
Discover Mars Nodens and his significance in the context of Roman Britain.
Nodens: The Healing Deity
28:00 to 30:34
Explore the significance of Nodens, his associations, and the healing practices at his sanctuary.
“It's the Chipping Norton set from the first century.”
Celtic Religions and Adaptation
31:37 to 38:45
Discuss the adaptation of Celtic religions amidst Roman influence and culture.
“So, Eleanor, you know, the Celtic religions, the Celtic tradition, poetry, art, it stands proudly different and in of itself.”
Mithras and the Mystery Cults
38:45 to 42:00
Investigate the worship of Mithras and the influence of mystery religions in Roman Britain.
“So, you know, we've got North Africans, we've got Syrians, we've got Gauls, Spaniards, all sorts.”
Christianity's Transformation and Imperial Ties
42:00 to 45:30
Explore the evolution of Christianity from persecution to state religion in the Roman Empire.
“Christian communities because Alban himself is martyred there.”
Upcoming Topics and Show Wrap-Up
45:30 to 45:52
A look ahead to the next episode on the conversion of Ireland and a summary of the discussion.
“So anyway, lots more porridge and many more raisins to come.”
Transcript
Automatic transcript. May contain errors.0:00Anita Anand:If you want access to bonus episodes, reading lists for every series of Empire, a chat community, discounts for all the books mentioned in the week's podcast, ad-free listening and a weekly newsletter, sign up to Empire Club at www.empirepoduk .com. This episode is brought to you by Atio, the CRM of the new way of going to the market. On our show, we trace how people, power and ideas move through history. Often, what changes the story is not ambition alone, but the system behind it. For businesses, a CRM has long kept a simple record. Who you spoke to, what was said and where things stood. Atio is the only agent-native CRM built for teams and AI agents to work together across every customer relationship.
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1:35William Dalrymple:Hello and welcome to Empire with me, Anita Arnon.
1:38Anita Anand:And me, William Drumpel.
1:40William Dalrymple:Coming up in this episode, the Romans arrive in the British Isles and merge the gods of their empire with the gods of the Celts. Persian deities arrive on Hadrian's Wall. We're going to be visiting the Cotswold Spa of the Ancient World. and we discuss the first ever Christians in Britain. And we have with us the fabulous historian, author Eleanor Baraclough, to take us through. This is a rip-roaring story. Thank you so much for having me back. It was slight chaos last time, so I'm amazed you let me back on.
2:11Anita Anand:Slight chaos is what we do. Anyway, the idea behind this series came last summer when, just after seeing you, Eleanor, in York, Olive and I started doing a walk along Hadrian's Wall, which I hadn't done since my 20s. And what really struck me was those museums at Vindolanda, which I know you filmed at, but also the museum I'd never been to before, the Great North Museum in Newcastle, and the sheer religious variety of all these Roman altars put up by guys in and around the wall, but also the continuity. Because in the last episode, we had the Romans burning the Druids and massacring them all in Anglesey.
2:53Anita Anand:And whether or not that actually happened, that was what, is it Tacitus says? And what you seem to see in Hadrian's Wall is the opposite. You have lots of Romans worshipping Celtic gods. So how do we square all that? I think the key to understanding it is whatever happens on Anglesey, it's not so much about religion. So it's not that they mine different religions in any way. It's the fact that the Druids represent, as far as we can tell, and I'm sure this is very much what you were talking about, it's not clear because we only really have Roman sources. So they're very biased. But what the Romans don't like about the Druids is this idea that they're a political institution.
3:34So they're organised, they're this indigenous network with the power to coordinate resistance to Roman rule. And that's certainly true in Gaul. And Julius Caesar has particular problems with that. But that seems to be possibly what's going on on the Western extremities of Britain.
3:52Anita Anand:Are there like a kind of Celtic version of the Islamic Republic of Iran with the sort of Mullah network running stuff? This is the possibility that they would have viewed it like that. Yeah. And the other problem potentially is that what the Druids, whether or not, what this actually looks like, what is, as far as the Romans are concerned, the real problem with the Druids in terms of their religious practice is that they practice human sacrifice. Romans are fine with other sorts of sacrifice. Human sacrifice has most definitely been outlawed. And this is something they really, really don't like.
4:26William Dalrymple:Can I ask a question about the human sacrifice? Because in the films, we've seen depictions of children being bad, and normally children. I don't know whether this is held up by any kind of fact. But who was sacrificed? Do we know anything more about the sacrifices? I think it's hard to tell because we're really reliant on Julius Caesar. We see it sort of perpetuating down the Roman sources, this idea of bloody sacred groves where the bodies are hanging up and everything's very nasty. But then again, you also see that, for example, Battle of Teutoburg in 9 CE. These are Germanic tribes. They're not sort of what we might think of as Celtic tribes.
5:02But once again, what the Romans are saying when these three legions get wiped out beyond the northern borders of the Roman Empire. They're saying, yep, they hung up the Roman soldiers in groves, they sacrificed them. So, it's this gory, and I mean, it's fair enough you say it's a kind of film, it's a cinematic version of something. It's not to say nothing like this happened, but certainly they are painting it in these technicolour...
5:26William Dalrymple:In the worst possible propaganda. Yeah, I mean, it's going to scare... So, this is where the paradox comes in for me, Eleanor, and maybe you can sort this out for me. Because Rome didn't like the Druids. They were hostile to the Druids. You've got them in Gaul being suppressed, and you've got in Britain a banning of Druidic practice. You've got Suetonius, as you just mentioned, marching to Anglesey to destroy the Druidic order. But then you also do have, and this is where I get confused, legionaries on Hadrian's Wall making offerings to local Celtic deities, which is something that the Druids would have done too.
6:04William Dalrymple:So what's that all about? This is it. So it's not about the gods themselves. The gods themselves, I think, as far as the Romans are concerned, are actually quite a big deal. And this is something that we see more widely as well. It's more about, I think it's interpretatio romana, this idea of the Roman interpretation of foreign deities. So as they're going through the world, you encounter a local God, you often identify it with its nearest Roman equivalent, you give it a dual name, and then the worship can continue, but it can now be legitimised by its association with the Roman divine order. So it's actually quite an inclusive theology, more than we might expect from what we think about when we think of the Romans versus the Druids.
6:50Anita Anand:How does it work in practice at an everyday level, if you're on Hadrian's Wall? Yeah, so I think it is the starting point that divine powers can be worshipped under different names, different versions of them, but they're fundamentally, as far as the Romans are concerned, the same powers. So you've got Jupiter in Rome, you've got Zeus in Greece, you've got Tarnus possibly, although the etymology is slightly different there among the Celts. But this idea of the Diupeter, the sky god, the supreme deity, sometimes sort of elided with the thunder gods. Diupeter is Sanskrit, isn't it? Yeah. And it becomes Jupiter when it gets west.
7:31Anita Anand:Exactly. And obviously, I've got to get a shout out, early shout out to my Vikings here, because we've got the version there, which is tir. Tir, once again, is that same word. So it keeps on reiterate, it keeps on coming back in all these different forms. And this polytheism is the most important thing we have to remember, because the gods, as we say, are everywhere. It's not just, these are our gods, it's our way or the highway. It's, oh, nice to meet your version of this god. Let's see what we can do here. Let's see how we can honour them within a context that is local and fitting.
8:05William Dalrymple:Right. So, I'm always really struck by this. First of all, the ability to suck in every local belief system so that you don't feel so foreign to the people that you've invaded and you've conquered. Is it more political or is it genuinely theistic where they think, we've got loads of gods, plenty of room on this bench, move over, we can pull a few more in or repurpose them. I mean, what is the thinking? It's like, come on everyone, in you come yeah we don't know possibly a bit of both definitely it sort of it helps if you have the locals on the side but what's interesting is that when we see for example altars being put up on hadrian's wall by um well all sorts but but say roman soldiers particularly but sort of the community generally they are putting up of their own as far as we can tell volition they're putting up altars to local gods a lot of the time they don't have to do that there's plenty of their own gods they can choose from.
8:59And what we have to remember there is that, and maybe we can talk a bit more about the context because here I'm thinking about Hadrian's world particularly, but when the Romans come in, they're not all coming in from, say, Italy. They're coming in from all over the place. So it's already this very interesting mix of different cultures.
9:19Anita Anand:And that's very much there in that Newcastle Museum. We're going to come to this at the end of the program, but we've got Mithras and all these very, very foreign Middle Eastern gods, as well as the Celtic gods. Yeah, very, very much that. I think it's much more, hey, we've got a long bench, everyone's welcome, squeeze up, here you go, and maybe you'll find a friend that you didn't realise you're related to on that bench of gods.
9:41William Dalrymple:Is it remarkable that we've got such detailed records of this? I mean, because it was such a long time ago, and as you say, it's a clash of civilisations. One is the conqueror, normally conquerors obliterate everything that they've taken over. But we have records, we have relics, we have real tangible evidence of religious devotion in this kind of mishmash, patchwork kind of way. Yeah, exactly. And I think sometimes we forget how lucky we are to have that. And Britain actually is particularly well evidenced as far as this is concerned. Partly because of, it's not just the wall, I mean, the Hadrian's Wall is really important, but you have these concentrations, and Hadrian's Wall is an extraordinary example of that, of military votive activity in one place.
10:25You also find it in the urban centres in different parts of the Roman province, as it were. But there's also this wonderful thing, which is the condition, because I love that there's two extremes, because you get something similar going on in Egypt for exactly the opposite reasons. In Britain, it's cold and it's wet and it's boggy, and that often creates anaerobic conditions. Anaerobic is nothing to do with keep fit. No, it is not. It's a lack of oxygen. It's a lack of oxygen. Yeah. So things don't decay. And of course, the reason I love the kind of bookends of Britain on one hand of the empire and then you've got Egypt is because it's very, very dry and hot.
11:03So it does the same thing, but for the opposite reasons. And so what this means is we've got all sorts of wonderful organic material, but we've also got the stones and the metal and everything else. thousands of inscriptions, hundreds of altars, all sorts of little objects like figurines and votive tablets and little cursed little. We can talk a bit more about the cursed tablets from Bath because those are fabulous. Well, that's where we're going next.
11:28Anita Anand:Let's go to Bath because I think that was certainly where I first came across this as a school kid going around the Baths. And then you've got, as you say, these little curses and at the middle of it, you've got that big Gorgon figure who is Sulis, who's kind of half classical but also a bit Celtic with a kind of moustache and he looks like the sort of guy you might meet in a pub in sort of Sky or somewhere.
11:50William Dalrymple:Well, I mean, and we should say that Bath, you know, Aquasulis is what it was known as. They wouldn't have, the Romans would not have called it Bath or Bath. They would have called it Aquasulis. So, yes, talk a little bit about that because likewise, my children, it's the one place that they were transfixed when I dragged them around the country to try and improve them. They actually helped in bath they were quite into it both i have to say one year i actually made my now husband a birthday cake in the shape of the roman baths and um you know we put little jelly beans uh you know is this there's another year we did hadrian's wall you know i mean we're committed to this historical cause in this family i'm going to say but the lovely thing about bath and i think the reason that it's so yeah it's so enduring it's so fascinating is well let's start with the landscape because there is nothing quite like Bath.
12:37Before the Romans arrived, you've already got these hot springs and they seem to have been very important in some way, religiously speaking. But of course, the question always is the evidence and we don't have much evidence for it. It's not the only geothermal set of springs in England or in Britain, but it is remarkable for the concentration and the temperature. So it produces, I think it's like a million litres of water a day, something like that. The temperature is about 46 degrees Celsius. You would not want to be diving into that. You've got to imagine it bubbling up from the earth. It's steaming.
13:14It's red. It's full of iron. It's apparently inexhaustible. It just keeps coming. It keeps coming. For the pre-Roman Celtic-speaking inhabitants of the area, and I want to say the Duboni, I think I'm right, but you will get the emails if I'm wrong or you can check afterwards. but we've got the likelihood that this is then a divine presence. It's this idea the other world is almost reaching up and through. Again, you were talking about bog bodies with Ronald, you think it's that divine space between worlds. Well, we've got it here, except it's moving, it's alive, it's steaming. There's something really otherworldly about it that makes it incredibly important.
13:58Now, we think that the deity involved there is Sulis. You mentioned the fact that it's Sulis Minerva when the Romans come in, and it's this sense, it seems, of these two goddesses here being conjoined. That's why we think it's Sulis. We don't have pre-Roman evidence that it is. In terms of Sulis as a name, possibly it's connected to a proto-Celtic root, meaning something like sun. There's also, I think there's an old Irish cognate.
14:29Anita Anand:Solis. Solis. Yeah, exactly. Solis. It's there. Sol Invictus, I think we'll probably come back to later if we go. So, it's important, the sense of the heat and the light. I wonder whether that's what's going on.
14:43William Dalrymple:Well, there's also, I mean, look, I'm very happy to open a new branch of scholarship, but it also sounds like Surya, Sanskrit word for the sun. Surya. So, you know, there's sort of that, you know, Indo-European thing going on. I always find that really tantalised when I hear echoes of it.
14:59Anita Anand:And human sacrifice in Hinduism too, until the 19th century. We've got to say there's nothing new under the sun, pun entirely intended, right?
15:08William Dalrymple:Under the Surya Sulis. I mean, I'm, you know, the beauty of Bath is that the earth seems to have given so much to this place, but it, you know, it was there before the Romans arrived. So the people who were there before the Romans, before they got their grout and tiling out, did they also treat it as a holy place? We think so. You're having to compare it with how it works elsewhere, because really, in terms of the archaeological record, we're dealing with the Romans. But yeah, it looks like, partly because the Romans are linking it to Minerva, that there is definitely this sort of religious associations with it beforehand.
15:49hand, it's interesting as well that they link Sulis to Minerva. So, we're not talking about Venus or Juno or Mars, anything like that. And we do see those elsewhere. Minerva is the goddess of wisdom and healing and craftsmanship. And so, that identification possibly tells us something about how Sulis was understood by that.
16:12Anita Anand:As a god of healing. Exactly, exactly. So she's there already and we can possibly extrapolate and that maybe also tells us something about how she's... And Sulis is a girl? Yeah, yeah. Sula is, again, because she's linked to Minerva and because we then have this fabulous, the very famous, is it bronze? What's it made of? That incredible head that they found in a sewer in the early modern period that looks like it is Sula's Minerva, this incredibly sort of, she's so. She's fabulous. She's fabulous, isn't she? But she is Sula's Minerva. She's not Minerva. I think that's really, really important.
16:50Anita Anand:And that takes us back to your curses. Well, no, let's think about the Gorgons first, because you mentioned the Gorgon. So we think Gorgon, we think woman, right? That's anyone who's Clash of the Titans, all the rest of it. We've got a female Gorgon figure. He's most definitely male. He has an enormous beard. And it's been suggested that he may, it's hard to know what's going on with him, but he seems to encapsulate that whole religious syncretism and the tension that's sort of held and embodied within that. Because the idea of a Gorgon's head on a temple is totally standard Roman practice, that's fine.
17:25But then there's something really Britonic, sort of Celtic we might say. There's wild hair and the moustache and this glaring, I mean, I'm sure Anita, when you took your children. children are all just they're staring at it they love to be terrified by it but I when I looked at
17:42William Dalrymple:it it sort of reminded me a bit of the green man you know that you see stretching back into you know early British folklore as well that kind of sort of you know hair that could be alive like grass or you know that that kind of thing that's such a good point I've never thought of that what what I would love to see is because what people are now able to do there's these wonderful research projects where they use spectroscopy to find out what colours these now grey pieces of carved stone would have been painted.
18:11Anita Anand:There was a great show at the Met in New York last year with all these classical statues in these sort of bright, I mean, it wasn't very nice to look at, but it was fascinating to know what they... I don't like it.
18:20William Dalrymple:I like my statues white and grey. It just really throws me when they get lips and blush and stuff. I don't like it. I can wonder if we've got... I have no idea, but any sense of what the Gorgon would initially have been painted. So, yeah, would he have been more of a fertility figure? Would his hair have been green or would it have been blue? Is he something to do with sort of Neptune, Poseidon type sea god, which also would fit the context? So, who knows? But, yeah. Okay, well, look, Willie mentioned cursed tablets. Now, tell us a little bit about that because that really is a fascinating thing about Bath.
18:59William Dalrymple:The cursed tablets are absolutely amazing. So they are written in Latin for the most part, but they do actually have some Celtic names or Britonic names, you might say as well, both in terms of the thieves and the victims. And so these are ordinary people of Roman Britain. They're literate enough to write Latin, but as I say, some Roman names, some Celtic names, and they are carrying their grievances to a Romano-British goddess, Suleis Minerva in the temple. And we've got to think about the sorts of things that it's like, you know, someone stole my cloak, someone stole my shoes, someone stole my pants.
19:35And you can see again, because they're bathing there, it's not just a religious outfit. They go there to get clean and they're in the baths having a lovely time, you know, eating there. I don't know if you remember, there's this wonderful depression in a line outside the main bath where people were queuing up for their oysters. So they're sitting there, eating their oysters, throwing them in a pile, having a lovely time in the water, they come back and someone's stolen their pants. And so they write a ghost tablet and they're like, where are my pants? Give me back my pants. Just imagining all these Roman Britons walking home through the streets of Bath, dripping wet and naked.
20:08William Dalrymple:These are curses, but they're not saying, I want you to kill the person with my pants. That's not what they're asking, right? It's more like, may this person not sleep. May they not have any rest until my pants are returned. And there's other versions of that. There's one where someone's stolen a ring. This is not one of the cursed tablets. It's from elsewhere in Britain. But it's very much like, again, may he not sleep, may he not eat until this person whose name I'm just going to slip in here because I definitely know who it was who did this, has returned my ring to me. Thank you very much. And you get these things widely, but at Bath, it's just this wonderful concentration that gives you a sense of the texture of everyday life in this city.
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20:49Anita Anand:Back at the wall again. Now, we've moved from Bath up to Northumberland. We're on the edge of Caledonia with the kind of picks making dirty faces and throwing insults over the Moorland. What are the Celtic gods that the people there are absorbing into their pamphlet? Yes. So we've got all sorts. In some ways, you might think of it as a microcosm of the whole religious Roman world, sort of broadly beyond Britain as well, because you've got the Roman state cult, you've got the worship of the emperors, for example, but you've also got mystery religions incorporated from the East, you've got local deities.
21:30So it's just this bubbling, boiling, melting pot of all these different religious ideas coming together. We've got some really wonderful ones. I was up there looking. It was basically in one field. You find this wonderful goddess, Coventina, and she is or seems to be an incredible native goddess from Roman Britain. But she's particularly associated with a sacred spring at Corabra Fort, which the Romans would have called Broccolitia. And I cannot say that without saying broccoli. So I'm very proud of myself right now. I forgot that. But she's very local. She's not even local to the wall. She seems to be local to one part of the wall, but she's very popular there.
22:12Anita Anand:There's a very good little museum there, isn't there, we went to last year. Yeah, it's full of her stuff. I love that. I love, because I always feel a bit sad when you see, and I understand why it happens, but religious sort of artefacts that have been placed somewhere so carefully that have been removed in the modern day from where they were. because for me that feels like they've been removed from their whole context. The reason they were there, I always imagine the local gods just sitting there going, oh, they're taking my coins away. Oh, okay, never mind. But this one is quite nice because at least they all left it together.
22:47Thousands of coins she's got and altars dedicated to her by Roman soldiers. And there's one very famous one, this extraordinary relief, and it's three women and they're sort of separated but they're together and they're pouring out from these vessels the waters of what seem to be her sacred springs it looks like she's the one in the middle because she's dressed differently she's almost got it almost looks like armor but i'm not saying it is armor but she's she's dressed differently possibly the two on either side of her her attendants maybe they're nymphs of some sort
23:20Anita Anand:they like to do three of anything don't they the cults there's lots of three goddesses yes this
23:26William Dalrymple:sort of triple aspect idea and we've got other examples of that i was going to ask you about another local deity i hope i say right antinocyticus did i ran at it so glad you said that not me the trick is eleanor you run at great speed and hope not to get concussed so let's talk about antinocyticus which i've now nailed i mean he sort of reminds me a little bit and this is what i also find interesting of a mr tumulus type of creature you know that curly hair two little horns you know it just shows that we have a collective memory that gets passed on one way or the other tell us about Antonisiticus what is he for and who is he local to right so yeah exactly as you say imagine a little cute Mr Tumnus type figure possibly he's from well it looks like slightly further east along the wall so he's known from the fort at Benwell he seems to be a very local deity because there's this one temple at Benwell or Kondakarim as the as the look at me running up to the name.
24:26William Dalrymple:Fast and hard. That's what you need to do. So we can locate him somewhere near Newcastle. He's basically one of the Geordie gods he's been described as, which I love. He's got a flat cap. Yeah, he's great. He's such a... So he's associated with one temple and I think it's like three altars and a sculpture of him exactly as you say, Anita. He's got this beautiful, these locks of hair and then these two locks that just come round and it's like horns, not horns, but they do look quite horn-like, exactly as you say. There is another one. If you see again the sculpture of him, he absolutely looks similar.
25:03From a little further away, the fort at Binchester, he was found in this ancient rubbish dump in this midden. Someone put him there. Here, again, he's got these two little pokey horn hair bits and he's also got this torque around his neck. We might remember the most famous talk wearer, Boudicca, you know, it's Cassius Dio quite a lot later who says that she wears this torque. But we know from other sort of Britonic hordes, for example, we've got this kind of torque, this kind of golden, often big, thick, heavy necklace going around. And he seems to have one of these. So he's already sort of signalling Britonic, local, indigenous through this Celtic, we might say.
25:42So it's this idea here that he's a local god, he's worshipped locally, he's absorbed into this Roman British framework romano british framework because he's there being worshipped as the fort at the fort
25:55Anita Anand:by the soldiers so in india you have in a sense two tiers of gods to this day you have the big universal gods like lord shiva and lord vishnu and madurga who are all over the place but you also get the little gods who have their particular hillock or their tree clump or their ferric quarters bubbling up red or something is the same thing happening in in newcastle and or what would have been the the site of newcastle centuries later yeah i think i think potentially so just given that there are local ones and they are definitely there um but but then we also have ones that we might recognize their names of because they're not local in that way and there's If we sort of come off the wall for a bit, if we go south, we've got a really good example of this.
26:46Mars Nodans. And obviously everyone knows Mars as a god. So this is someone where we've got potentially the local pairing with the not local.
26:55William Dalrymple:So, you know, you have that pairing in Lydney in Gloucestershire, which I know very, very well, actually. It's a beautiful place. Yeah.
27:03Anita Anand:You and your fancy Cotswold holidays.
27:05William Dalrymple:I have a very fancy friend in Lidney, who's got a very lovely place there. So tell us about that pairing. Who's Nodans? Because there is a very exciting link to Tolkien with Nodans, which I want you to tell me about. We've got C.S.
27:21Anita Anand:Lewis and Tolkien in this episode already.
27:23William Dalrymple:Well, I was going to say, I should really explain. I said Mr. Tuminous as if everybody knows The Lion, the Witch and the Wardrobe. Mr. Tuminous as if he's our accountant, the podcast accountant. he's a fawn character in a book you may not have read called the lion the witch and the war droid but tell us about mars nodens he would by the way totally have been an accountant
27:41Anita Anand:i would have nailed it yeah so mars nodens is wonderful exactly as you say so he's linked to litany in blostershire and we've got to think a little bit about the context in which his temple there or a temple complex this is there's big stuff going on here it's basically like a a spa health resort, something like that. It looks like... In the Cotswolds. It's perfect. It's the Chipping Norton set from the first century. And this promontory that it's up on, oh, it's a lovely view. It's overlooking the Severn Estuary. And we've got to think as well, you know, the Severn Estuary has that incredible tidal bore wave event that happens.
28:17So it's already this place that, again, we think of, you know, Sulis Minerva, same sort of thing here. It's associated with a place where we've got unusual landscape features, the power of the natural world that you can actually see there. So Nodens is very much a British deity. He seems to have been associated with maybe hunting and healing and water and also, interestingly, dogs. There's lots of little dog statuettes that are found there. It's been suggested this is because dogs are associated with healing in the classical world because they can lick wounds. So there's this kind of curative aspect to their presence there.
28:54The idea is that this Lindley Sanctuary, this Cotswold Spa lovely place, is a place of healing. People come to sleep, to maybe receive visions. It's not all physical healing, but very much it's this sense that they can heal their bodies and their minds in the context of this religious deity. The temple has this long hall. It's designed for maybe a guest house. It's got bugs. It's even got a little amphitheatre. And so we've got this sense of Nodens as a healer, as a visionary, paired with Mars, because in the Roman world, he has his own healing aspects. And so it's this coherent theological matching, we might say there.
29:43And as you say, Tolkien wrote a paper on him. Tolkien loved him. He was really young. This is way pre-Lord of the rings 1932 1932 exactly so i think sometimes we forget that tolkien was a serious scholar he's professor of old english at um oxford and within this context of him being you know this very serious scholarly don he writes a philological appendix which i don't think is quite as exciting as as what he writes later on but sort of you know let's let's go with it well look we've talked
30:16William Dalrymple:about the pairing we've talked about absorption um but what happens to you know the celtic religions fully formed religions we'll find out after the break
30:33introducing meta glasses hey meta any last minute tables for two tonight sure there's a great
30:41Anita Anand:Italian restaurant 15 minutes away. Hey Meta, where's the nearest flower shop? Five minutes away, straight down Broadway, past the bodega. Their lilies are trending on Instagram. Just saying. Hey Meta, am I forgetting anything else? How about setting a calendar reminder for next year? Meta glasses, available in more than 20 styles. I'm not giving up. I am selling the building.
31:09William Dalrymple:The final season of FX is the bear.
31:12Anita Anand:The restaurant is flooded. Everything's either going to be okay. No. Or not. We are outgunned and we are outmanned. We have each other.
31:26William Dalrymple:FX is the bear. The final season. All episodes now streaming on Disney+.
31:36William Dalrymple:Welcome back. So, Eleanor, you know, the Celtic religions, the Celtic tradition, poetry, art, it stands proudly different and in of itself. You know, when you're looking at a Celtic cross or a Celtic, you know, sort of a piece of ephemera, is that also the same with religion, that it is distinct, stubbornly so, and no Romano-British nonsense is going to get in the way. I think this is a story very much of adaptation and where the resistance, that stubbornness happens, that's where we get the friction. But where we see, I think the Celtic art is a really interesting one because what we think of when we say Celtic art is it's sort of La Taine style.
32:21Anita Anand:We should explain that term because it's an important one. La Taine is a place in Switzerland, which is not somewhere we normally associate with Celts if we're thinking of sort of Ireland, Scotland and Wales. But this art style begins in Central Europe. Exactly. And that reminds us that when we're talking about these sort of Celtic speaking cultures, they are very much connected. We're here sort of in Britain and Ireland. We're out on the fringe of that. But that's part of the reason that it survived so long. And when we think of Celtic art, specifically maybe the Latin style, it's flowing patterns.
32:52Dr. Peter Robinson We see that often in, say, Iron Age deposit cultures, ritual cultures, if we're thinking about really - Dr. Peter Robinson
33:01Anita Anand:Battersea Shield. Dr. Peter Robinson Battersea Shield, exactly. Thrown into the Thames, Llin-Kerig-Bach over on Anglesey, all these places where we see this distinctive style. Exactly. What's really interesting is that we know the Roman style is different. It's essentially naturalistic. It's more about the accurate representation of bodies and things. But what we see in Britain is this co-mingling of these two styles in all sorts of extraordinary ways. And I was up on Hadrian's Wall. You mentioned Vindolanda. And I was making a programme up there about Celtic influences there. I mean, it is an incredible place.
33:41There's nothing quite like it.
33:42Anita Anand:One of my favourite places is everything you want from Northumberland in one sort of concentrated burst. That's it. That's exactly. And an excellent cafe as well, I have to say. A very good cafe with excellent coffee.
33:53William Dalrymple:Yeah. So what makes this place so special? Why do you love it so much? Oh, so many other than the cafe. Well, these brooches. So these brooches were found within the context of the Roman fort, the garrison, you know, the whole sort of military establishment there. But there's one, for example, it was this dragon-esque brooch. It was inlaid with coloured enamel, very gaudy. And I remember Andrew describing it as a fusion fashion item, which is, I think, an excellent phrase, because it very much is based on the indigenous art forms. There was another one. It was a little silver one. It had open lattice work.
34:33Anita Anand:We should say that there's often more in common than we imagine. But you mentioned knotwork, Anita, but those Roman pavements have exactly the same knots that you later see on Celtic crosses. This is it and I think that's it. There is often a lot more that is recognisable as we move between cultures because we don't have those hard lines between them. A really good example of that actually because one has just been discovered a couple of months ago they announced it. There are these incredible vessels that we find dotted around. There's some in Britain, I think there's a couple in France, a couple in Spain, and the Spanish ones just been found.
35:10And they're basically, they look like they might be retirement gifts. They're souvenirs that come from Hadrian's Wall, but you see on them again, this fusion of styles. So you often have the little turrets, the square lines of Hadrian's Wall with the stones, but then you have this amazing swirling massive sort of latent style artwork on there too and i think that's conscious it's saying look i was here at this lovely exotic place and look at this lovely artifact i got when i retired i mean
35:39William Dalrymple:it's completely appropriate that a knot should you know tie together two different cultures i think that's wonderful but i mean i just i'm interested to know how the roman religions influence back you know so how much do we find you know zeus and mars and minerva in scotland or wales or ireland Do we have that sort of bounce back as well? Yeah, that's a really interesting one. I think it's hard to tell. Part of the reason is because when we move outside the Roman centres, we don't know how much they are really being influenced by Rome that's come in and sort of imposed its socio-political sort of programme on it.
36:16So basically, if you are, everyday stuff like, you know, coming in from the hinterland and selling goods, you are going to have that. But if we're getting out from there, it's hard to tell. In the case of Wales, for example, Wales is very much part of that Roman province for the most part. Lydney is very close to the Welsh border, for example. So, yeah, it looks like there is that movement between. So, about 100 miles north of Hadrian's Wall, we have the short-lived Antonine Wall, which is sort of the Firth to the Clyde line.
36:46Anita Anand:Rough Castle. Yeah, exactly. And Baresden, where they, oh, we won't get into that because I was reading recently this amazing study of the poo that was found in the latrines from Baresden. Well, actually, it is relevant. It was showing you what the Roman soldiers were eating and how much of it was imported versus local. And so in this poo, you have a microcosm, I think, of the religious situation up there as well, this movement between cultures. The altars there are very mixed, religiously speaking, but beyond the Antonine Wall, where you don't have that same sense of settlement. You have incursions, you have invasions, but you don't have - You have massacres on a big scale.
37:27You've got massacres. Yeah, exactly. And very famously, Calgigas' speech saying, you know, you make a desert and you call it civilisation, you call it an empire. But here, there's the possibility that they are taking Roman artefacts, things like coins, and using them as votive deposits. For example, when they're building new buildings, they're putting brooches and bronzes in these ritual contexts as deposits. But it's harder to tell beyond that. Obviously, they don't conquer Ireland in the same way, But Roman material certainly does appear in Irish contexts, religious contexts specifically.
38:06William Dalrymple:Can we talk about a thing I know that William's obsessed with? And that is Mithras and the presence of Mithras, who is a Persian far eastern deity. But you do find him in this sort of porridge of belief that you're describing.
38:22Anita Anand:And quite prominent. A Mithraeum on Hadrian's Wall and another one in Inveresk near the Antonine Wall. Yes. So these are really important. And I should just say Porridge of Belief has to be the title for this series. That is excellent. I am totally with you. Mithras is just fascinating. So we have to remember how sort of cosmopolitan the legionaries stationed on the wall really were. So, you know, we've got North Africans, we've got Syrians, we've got Gauls, Spaniards, all sorts. Dacians. Yeah, this is it. And so they are bringing all these incredible gods with them. It's the things that travel with them in their minds.
39:02And writing home for woolly underpants.
39:05Anita Anand:Exactly. So, Mithraism is one of the great enigmas of religious history. And I think those who worshipped Mithras would have been extremely pleased about that because that was the whole idea. It's a mystery religion. The central teachings were revealed only to initiates. They weren't written down for outsiders. And so, we don't really know very much. What we know, as far as we can tell, is that Mithras is this divinity. He is possibly born in a cosmic egg? I think there's one at the Great North Museum where he's died. There is. He pops out of an egg like a little David Attenborough starling or something.
39:43No, he kills a sacred bull in a cave and then possibly from the bull's blood, the life of the world springs forth. So it's very much this rooted deep time cosmology. Now, in terms of those who worshipped Mithras, there's seven grades, which I think are linked to the seven planetary spheres and they move through these seven grades and it's very hierarchical. You know, there's feasting and there's ordeal. It's almost Mason-like. I think that's probably the nearest thing. And the Mithraia, these temples to Mithras are underground or they resemble caves and it's where mostly, or I think exclusively really, men get together.
40:28It's particularly particularly popular with soldiers and merchants.
40:32William Dalrymple:Is it because it's very, I was going to say testicular, but sort of kind of manly and men associated with men? I mean, is that why the soldiers love it as much as they do? Could be the hierarchy. They're like, yeah, I know what this is. I know what a regiment is. I know how that works. I recognise that. Exactly. And certainly, again, I'm not saying they're like masons, but there's something in that sort of sense of, okay, so we know who to look to. We know who we have to keep on side. You know, there's that sense of wheels within wheels, which works very well. So, I mean, look, into this porridge, we should sprinkle some raisins of Christianity now, shouldn't we?
41:08William Dalrymple:Because, you know, it is the newest religion on the block. How does that get sucked in and where do we start seeing it? So, Christianity, the raisins of Christianity arrive, probably sort of we can see them start to arrive in the second century. And it's the same channels that bring Mithraism and other Eastern religions there. So it's soldiers and merchants. It's the ordinary movement of people across the empire. And that's what we have to remember. This is a really fluid place. By the late second, early third century, there are hints of Christian communities in Britain. But it's really important to remember we have very little evidence for this.
41:48We do have St. Albans, what was Verilamium, one of the places that Boudicca attacks back in 60-61 CE. We see there some of the earliest evidence for organised Christian communities because Alban himself is martyred there. The problem is we've got a whole range of dates to play with. This can be anything from 209 possibly up to 304. So the dates are disputed but the point is the tradition is old and it reflects some sort of real event.
42:19Anita Anand:And you begin to get those lovely villas in East Anglia with Cairo and the Beardless Christ, the stuff of the British Museum. Exactly. And that Cairo is very important because we've got the Emperor Constantine associated with that. He's a critical figure, but he's also a very British emperor because he's proclaimed emperor at York in 306. So the legionaries have just watched his father die and they proclaim him emperor. and then there's all this fighting and then this culminates with his victory at the milvian bridge in 312 and this is where he's said to have seen this chiro figure in the sky and like words saying you know by this sign i will conquer exactly by this sign i will conquer and what follows is christianity up to this point has been a persecuted religion a legal religion subversive in quite a similar way to when we were talking about the druids that same sorts of political subversion that the Romans really don't like.
43:17But suddenly we've got the Edict of Milan in 313, which legalises Christianity. We've got the Council of Nicaea in 325. Story goes there that St. Nicholas, who's basically Father Christmas, punches a heretic. We've got a lovely mug that says, St. Nicholas, punching heretics since 325.
43:36William Dalrymple:But the point is that Christianity is becoming sort of very linked to the imperial machine. So, you know, and eventually it becomes the state religion. Well, what is interesting to me is that even though you have it as a state religion, we saw an echo of this when we did our Egypt series, where you suddenly had, you know, someone deciding that we're not going to worship the gods anymore. We're just going to do the art in the sun disc. And everyone goes, yeah, no, no, we definitely will. But they will keep their shrines secretly at home. Is that what happens with Christianity? You know, the heralding of this new religion and everyone goes, no, no, this is terrific, but we'll just keep our stuff going the way we would have.
44:12Anita Anand:Keep Mars-Noans. Yeah. I think this is something that, again, we see over and over and over again when Christianity comes in, because the issue with Christianity is that it's saying, one God, you worship this and nothing else. And most religions outside that tradition are polytheistic and they're like, well, I mean, he can join the party, he can sit on the bench, but I mean, we're not getting rid of the bench. So it looks like, yes, there's something like that going on. There are examples even of this pagan votive activity at rural shrines in the same locations that you have villas with Christian altars, for example.
44:48So you've got this sense that even within the same household, maybe it's the same individuals who are swinging both ways. Maybe it's different individuals within the household. Maybe there are tensions as a result of that. You know, I'm not saying it's necessarily easy, but certainly it's not like everyone wakes up one day and say, oh, well, I guess we're all Christian now. And, you know, we can just push that bench out the door.
45:10Anita Anand:So we're going next to the conversion of Ireland, St. Patrick, who's born in Britain and takes Christianity with them. That's going to be in our next episode. But as we see when you come back later in the series, this isn't the end of paganism. There's a whole new chapter of paganism waiting to unfold. So anyway, lots more porridge and many more raisins to come.
45:36William Dalrymple:Porridge for everyone. Anyway, listen, thank you very much. Well, you'll be back. And of course, if you want to listen to that, if you want to get early access to things, extra bonus episodes, join our club, empirepoduk.com, empirepoduk.com. Till the next time we meet, it's goodbye from me, Anita Arnand.
45:55Anita Anand:And goodbye from me, William Durimple.
46:25Anita Anand:You know, we're in an era defined by depolarization and American institutions are breaking under Donald Trump. Cady and I will be live on stage breaking down what's really happening, sharing insider perspectives and answering your questions.
46:42William Dalrymple:This October, we're heading to Toronto, Boston, New York, Washington, D.C., a host of other American cities to get into all of the political action. We would love to see you there. Come and join us.
46:52Anita Anand:So head to the restispoliticsus.com to get your tickets and come see us live.
From the publisher
The Roman Conquest of Britain. The furthest western point of the empire. How did life change for ordinary people after the invasion? Why do Middle Eastern gods end up on Hadrian’s Wall in Northern England? And how does the famous gorgon face carved into stone in Bath blend Celtic and Roman spiritual beliefs?
In Episode 2 of this series, William Dalrymple and Anita Anand are joined by Dr Eleanor Barraclough, author of Beyond the Walls: In Search of the Celts, to discuss how the arrival of the Romans altered the gods of these isles.
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