In short
Spoiler-heavy discussion of the Alien: Earth season 1 finale and what it sets up, including Noah Hawley’s intentions, the show’s moral themes, creature design, and how the “Alien” mythology is expanded while staying constrained by franchise canon.
Guests
Noah Hawley, creator/showrunner of Alien: Earth (also directed/wrote multiple episodes, including episode 5 “Space No One…”). Podcast hosts also appear: Chris Hewitt, Helen O’Hara, and Adam “James Dyer” (plus Boyd Hilton/“Boydie” as a recurring co-host voice).
Guest backgrounds
Hawley is an established TV creator/showrunner and wrote much of the series; the other guests are TV/film critics and Alien franchise commentators (discussing franchise history, character motivations, and episode craft).
Key claims
The finale is an underdog rebellion where Wendy and the children seize control (“now we rule”) against corporate immortality plans. Hawley frames the season as complex morality (good intentions vs practical megalomania) and emphasizes “containment” as the core Alien: Earth concept. The “eye” creature and other new monsters expand unpredictability beyond the xenomorph alone. The show’s corporate politics and monopoly dynamics are positioned for future seasons.
Notable examples
“Now we rule” as the pivotal audience moment; the Kirsch vs Morrow fight; the “alien language”/communication idea tied to Cameron’s egg chamber scene; the grunge needle-drop ending (Pearl Jam “Animal”); and the “hms Beagle”/Darwin specimen-collecting rationale for creature variety.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Chapters
Tap a time to open that second in VOIntroduction of Guests and Context
0:45 to 2:56
Hosts introduce themselves and the concept of the podcast episode.
“Anyway, this is an Empire Pilot Co-Pro, as they say, with the emphasis very heavily on co.”
Discussion on Alien Earth Finale
2:56 to 5:18
The hosts begin discussing the final episode of Alien Earth and its themes.
“Yeah, it's not like, because the baby bang is a very difficult thing to pull off.”
Interview Setup with Noah Hawley
5:18 to 7:01
The hosts introduce the upcoming interview with Noah Hawley about Alien Earth.
“We're here to discuss the final episode, of course, which is now on Disney+.”
Interview with Noah Hawley
7:01 to 14:03
Noah Hawley discusses the finale, characters, and themes of Alien Earth.
“There's necessarily a long game and there is a hubris to Wendy believing that, you know, maybe this xenomorph can be good, right?”
The Dilemma of Humanity vs. Robots
14:03 to 16:43
Exploring the tension between human existence and the rise of robots.
“And if it goes away, then it would force him to look at himself in a light that might not be survivable.”
Villains and Their Complexity
16:43 to 20:04
Discussing the intriguing nature of villains and their motivations.
Creatures of the Universe
20:04 to 24:10
Details on the creation and role of creatures in the series.
Nostalgia and Emotional Connections in Film
24:10 to 27:53
Reflecting on personal connections to childhood films and their narratives.
“Ice Age 4, Agatha Christie, and Metallica are now all alien canon.”
The Child's Unique Connection with Aliens
28:00 to 29:13
Explore how the child in the story uniquely communicates with alien creatures, raising ethical dilemmas.
“Clearly, she calls the drones off and there's some level of communication going on there.”
The Impact of Childlike Decisions on Alien Behavior
29:13 to 31:05
Discuss the consequences of a child's decisions regarding alien species and the resulting behavioral changes.
“But it has a great ripple effect, doesn't it?”
Show all 43 chapters
The Enigmatic Character of Kirsch
31:05 to 33:15
Analyze the complexities and ambiguous motivations of the character Kirsch within the franchise.
Future Possibilities in Alien: Earth
33:15 to 36:18
Discuss potential future storylines, including corporate politics and children's autonomy in the series.
“What do you think the future would hold if you get to continue it?”
Closing Thoughts on Alien: Earth
36:18 to 36:30
Wrap up the discussion with reflections on the show's reception and hopes for renewal.
Corporate Capitalism as the Real Monster
42:00 to 43:10
Exploration of capitalism as the underlying theme in the Alien narrative.
“but what if the other companies also get involved?”
Containment and Canon Limitations
43:10 to 44:20
Discussion on the restrictions placed on storytelling due to established canon.
“Or in a small town in, I don't know, Oregon or somewhere.”
Analyzing Weyland-Yutani's Knowledge
44:20 to 45:50
Examining the implications of Weyland-Yutani's potential knowledge of aliens.
“But like they could take over a city, which could be nuked from orbit.”
Reframing Alien and Aliens
45:50 to 48:40
How the new series reframes the narratives of the original Alien films.
“What doesn't make sense to me is why they would try and colonize that planet in the interim.”
Final Episode Reactions
48:40 to 51:50
Discussion on the reception of the final episode of Alien: Earth.
“parallel alien timeline and I certainly read that as a Ridley Scott's a nice guy and I don't want to upset him but those films are not my alien hashtag not my alien and he doesn't Hashtag not all aliens.”
Exploring Character Dynamics
51:50 to 55:40
Analyzing the complexities of character interactions and motivations in the finale.
“So he is cock-a-hoop because he thinks this is fucking great.”
The Role of Alien Intellect
55:40 to 56:01
Discussion on the nature of alien intelligence and its implications.
“Like, we get her point of view that, oh, I like them because they're honest, like they don't lie.”
Exploring Xenomorph Intelligence
56:01 to 57:55
The discussion revolves around the intelligence of xenomorphs and their communication with humans.
“And I would have liked to just, I'm not saying answers, but just a bit more exploration or a bit more acknowledgement that those are questions.”
Kirsch's Character and Motivations
57:56 to 59:15
Analysis of Kirsch's character and his ambiguous motivations throughout the series.
“He's, I mean, Kirsch is a fascinating character to me because even at the end here, I still don't fully know what his game is.”
The Eyeball as an Agent of Chaos
59:16 to 1:02:25
Discussion about the eyeball creature's role as an agent of chaos in the narrative.
“Is he in some ways comparable to the eye, to the octopus eyeball?”
Alien Threat and Tension in the Series
1:02:26 to 1:04:38
Exploration of the alien threat and how tension is built in the storytelling.
“they could have milked a bit more tension from that scene, if I'm completely honest with you as well.”
Character Dynamics and Relationships
1:04:39 to 1:06:48
Analyzing the relationships and dynamics between key characters, especially Morrow and Kirsch.
“No, the big one is the one that Wendy has bonded with.”
Final Thoughts on the Episode
1:06:49 to 1:10:01
Concluding remarks on the episode's events and character arcs, along with viewer insights.
“I thought Mora would manage more damage.”
Character Impact and Motivations
1:10:01 to 1:10:46
Discussion on character actions and their significance in the episode.
“in a jail cell and finishes it in a jail cell.”
Episode Setup and Cinematic Techniques
1:10:47 to 1:11:53
Analysis of the episode's setup and visual storytelling techniques.
“Just trying to think about any other surprises.”
Exploring Boy Cavalier's Character
1:11:54 to 1:13:49
Insights into Boy Cavalier's character and his tragic backstory.
“Well, didn't he say he uses Atomines as a front to start his own corporation?”
Discussion on Themes and Character Dynamics
1:13:50 to 1:16:11
Exploration of themes surrounding childhood and character dynamics.
“Morrow's backstory and we start to understand him a little bit there's an element of sympathy that we get from Morrow not loads but we'd get some.”
Future Directions for Alien: Earth
1:16:12 to 1:17:49
Speculation on the future narrative direction of the series.
“Claude from The Apprentice although Claude from The Apprentice has never tried to beat the shit out of someone that I know of.”
Communication and Powers of Characters
1:17:50 to 1:20:44
Discussion on the characters' unique abilities and communication methods.
“Here's another couple from Bruby underscore Chris.”
Cliffhangers and Anticipation for Season Two
1:20:45 to 1:24:00
Debate on the cliffhanger nature of the season and audience anticipation.
“Well, yes, but also she is communicating with the aliens before that.”
Anticipation and Cliffhangers
1:24:00 to 1:25:29
Exploring the frustrations with long waits between seasons of shows.
“Would that dilute any anticipation for it, as we see with quite a lot of these high-budget cinematic shows now?”
The State of TV Series Production
1:25:30 to 1:27:45
Discussing the impact of production schedules on viewer engagement.
“I think, and also there's much less to keep track of in these films than there is in some of these shows.”
Excitement for Alien: Earth
1:27:46 to 1:28:40
Conversations about the potential renewal of Alien: Earth and interviews.
“and that way, the show might be cancelled.”
Casting Insights from the Finale Screening
1:29:00 to 1:30:11
Sharing experiences and impressions from the finale screening event.
“who plays Smee and Lily Newmark who plays Nibs.”
Character Analysis and Show Dynamics
1:30:12 to 1:33:02
Analyzing character dynamics and their impacts on the story.
“And you know what they say about men with Littlefinger?”
The Role of Children in Alien: Earth
1:33:03 to 1:35:59
Discussing the unique role of child characters in the narrative.
“Certainly, like, the subreddit was awash with people furious with the performances of adults playing children.”
Final Thoughts on Music and Themes
1:36:00 to 1:38:00
Wrap-up discussion about the music style and thematic elements of the show.
“oh, this little fly, that's not going to take out one of these multi-billion dollar prototypes.”
A Close Call and Ghostly Thoughts
1:38:00 to 1:38:40
A humorous recounting of a near-miss incident involving keys and heights.
Musical Moments in Alien: Earth
1:38:40 to 1:40:14
Discussion about the unique music choices in the show and their significance.
“No, and Metallica is now canon in the alien universe, which is wonderful.”
Character Fate and Alien Lore
1:40:14 to 1:40:48
Exploring the inevitable doom of a character and tying it to the Alien franchise.
“I was like, fucking hell, this is Queens of the Stone Age.”
Transcript
Automatic transcript. May contain errors.0:15Chris Hewitt:Hello pod, I'm Chris Hewitt and welcome to the third and final Empire podcast. Pilot TV. Slash Pilot TV. Did we put the last one up on pilot? We did, yes. Did we? Yes. Okay, there we go. I wrested it from your hands. Did you? and stuffed it on Pilot Plus. You beat me. Yeah. For an inch of my life with a pulse rifle and grabbed it off me. You said, get away from that podcast, you bitch. I did. That's literally what I said. And then put it up on the Pilot feed. All right. Keith says thank you, by the way. I'm so glad that we are providing for Keith. Anyway, this is an Empire Pilot Co-Pro, as they say, with the emphasis very heavily on co.
0:56Chris Hewitt:Empire and Pilot, we are, you are the Weyland to our Yutani. Dedicated to, what's the name of the show? Alien Earth. There you go. That's a salt. When it's pilot, I don't think I care as much about my antros. Wow. You know? I mean, professionalism. I don't think there is finely sculpted or crafted. I'd say. Wait, your usual ones? Yeah. Finely sculpted and crafted? Jesus. What does throwing together at the last minute look like? Anywho. This is a podcast dedicated to the final episode of Noah Hawley's Alien Earth, which has just gone out on Disney Plus. Or is it Hulu and FX around the world? That's very, very exciting.
1:43Chris Hewitt:This has been a show that we all love. And by we, I mean, of course, me and my two colleagues of such lethal cunning. Or my co-pilots. our fairy own Wendy is here the smartest person in the room who may at any moment start making the screens change with her her fairy thoughts it's Helen O 'Hara a small child in a woman's body it's Helen O 'Hara thank you someone who really shouldn't have cut her fringe that high it's me I've been there are you set whoa whoa whoa whoa whoa whoa whoa whoa whoa Adam Eines hang on two seconds okay James is here he's a robot he was in disguise all along although I fucking called it you did call it I called it you did call it he is our very own Adrian Edmondson he is James Dyer hello that means I'm I'm probably Kirsch right because I'm like the cool dude with the great hair you've got big smee energy I think you're Arthur from down the beach fucking fucking weekend of Bernie's hey hey hey at least he was a nice guy before it all went horribly wrong poor old Arthur may he rest he just did his best in peace anyway okay listen we're going to get into the show in two seconds but Helen sorry are you implying that Wendy Sidney Chandler in this has bad hair what are you saying I think do you know I actually thought when I was watching it today I thought wow they're kind of continuing a bit of an alien tradition here of having synths who perfectly mimic humanity apart from their haircut and I would put Kirsch in the same in the same category he's pretty good obviously he does because he's played by Timothy Olyphant not Chalamet I was about to Chalamet they both have good hair they both have good hair but he's it's weird hair like it's not Cobb Vanthgood is it it's just like baseline Timothy Olyphant he's channeling the collector right exactly so they've given him slightly either way they've given him slightly off kilter hair I would argue that Sidney Chandler, although she looks very good with the sort of mini, the Joan of Arc bob, it's slightly off hair.
3:58Yeah, it's not like, because the baby bang is a very difficult thing to pull off. Very difficult. But she's not quite in like Aunt Gladys territory. No, no, I'm not saying it's full on weird. I'm just saying it's a little bit left of centre. Like, it's just, and I would argue if you go back through the history of since in the franchise, you know, Ian Holm obviously maybe less so, But generally speaking, you will find hair that is just a little...
4:20Chris Hewitt:I think you are criticizing... I'm not criticizing. I'm just noting. Actors' actual hair. That is Lance Henriksen's hair. That is what he looks like. So who's this? Is there a synth in Alien 3? I don't recall there being a synth in Alien 3. There is no synth in Alien 3. Well, technically, you see Bishop's corpse. So, you know, Bishop speaks a bit. So again, that's Lance Henriksen's hair. In Alien Resurrection, it's Winona Ryder. are you saying Winona Ryder but with the pixie cut she does have a pixie cut which she had not previously really had very much do you know what I mean and then she found it worked for her and she went with it but like it wasn't her typical hair I'm just saying they just go a little bit this is what Helen's saying is you don't need a Voight-Kampff test to detect a replica you just look at their haircut you just need a Tony and Guy test yeah basically that or a Nicky Clark Tony and a real boy test that's what you need anyway welcome to the supporter special for Alien Earth all the hair related chat will now be part for the foreseeable future.
5:18Chris Hewitt:We're here to discuss the final episode, of course, which is now on Disney+. You will be delighted to know that we have an interview with Noah Hawley himself. Do you discuss hair in this, Jimbo, at all? Not overtly. I think it was implied. It was implied, yeah, yeah. So Noah Hawley, of course, is the creator and showrunner of Alien Earth. He directed a couple of episodes, including notably the first episode in episode five in space no one dot dot dot he wrote a whole bunch of episodes co-wrote a whole bunch of episodes basically his dabs are all over this and he's a big brained type of guy so there was only one person we could send to interview him but they weren't available so I went along it was of course Mr.
6:07Chris Hewitt:Mr. Alien himself did he think you were Adam Iones did he have like a little double take whenever you He referred to me as aid the second I appeared, which was unexpected. Did he throw a ball at you and then see what happens? No, but I had to take my jacket off just before I sat down with him. So this is a spoiler special conversation with Noah Hawley, principally about the final episode, but also with a general overview of the show itself as well. Yes, we talked about Ice Age 4, we talked about music, we talked about all manner of wonderful things. Ah, you want something done right. unbelievable the ice age four question is a legitimate one yes yes it is uh anyway so here we go here is jimbo's interview with noah holly about all things alien earth if you haven't seen alien earth stop listening to this and then come back once you have but here we go noah holly do please enjoy no welcome to the empire podcast um alien earth it's safe to say i loved it i in fact i wrote the empire review and gave it five stars so i definitely loved it we've just seen six i think has just aired as we record this two more to go but let's talk about the finale for a moment like how do you think people react to where the dominoes fall with the final now we rule moment right and and also how do you want them to react to that final episode well at some level it's an underdog story right and and um wendy and and these children you know they they are they were terminally ill and and then they were saved but they come to realize that well you're saved but your property now right your floor models uh of this immortality product that we want to create and you're it up right because you know you you're insisting on having your own mind and everything and and you know i think it's very satisfying in an alien universe in which the individual is always at the whim of the corporation to see an act of rebellion there and to watch that play out and to see it you know my hope was that the the whole season really wrestles with some complex morality you know of of the dame sylvia's in her mind you know she is just good intentions left and right you know and and and boy cavalier with his practical megalomania you know um and um you know it's and these children who are asked um to do to make these impossible moral choices i think there's a moment in which they take control um that's that's really satisfying for the audience At the same time, they're children and they don't always think things through, right?
9:04There's necessarily a long game and there is a hubris to Wendy believing that, you know, maybe this xenomorph can be good, right? Which she says, you know, so I think we're afraid on some level. And, you know, what's been interesting is, you know, to hear, you know, I have a teenager and to hear from teenagers that the show is so compelling to them because they want to see how these kids grow up. They want to see it. And then, of course, you know, those people in our age group who maybe have teenagers, you know, or children at all, we're just worried about these kids. You know, we want things to turn out okay.
9:51And, you know, so I think that moment of now we rule is such an exhilarating moment for the audience. And then the question is, well, it was an exhilarating moment when Dustin Hoffman ran out of the church and they got on the bus, but it's what comes after, right? It's the moment after you go like, yeah, now we rule. And now you have to rule right now. And we see the ships are coming in and we see, you know, all they have is problems right now. So, you know, how are they going to solve it? I mean, my son can't even pick up a towel from a hallway floor. Right. How are they going to solve this? And also the other characters reactions.
10:35Hermit looks distinctly uncomfortable. And then Cavalier laughs and seems to love it. Yeah, I think he. um i think he realizes in that moment that what he's created is so infinitely better than an immortality product you know that there's something about this idea that is such almost a religion in the tech sector of disruption right and this idea that he's created the ultimate disruption right which are these kids and these synthetic bodies who he can't control and and now they're gonna rule and he's i mean i think he goes from his lowest point to his highest point almost within a minute which again speaks probably to his mental state um but yeah i mean hermit you know the whole season has been trying to say well maybe we should just get out of here and go be a family and i think he realizes that that is never going to happen now because she you know what's the line in matrix he's beginning to believe like she's beginning to believe that she is a you know a special person imbued with you know with these powers and and uh you know he's deeply worried about that she's evolved into something so i think she says she's not wendy she's not marcy she's not a child she's not an adult she's not human she's not a machine she doesn't really know what she is and i don't think cavalier does either because you know we talked about you know her abilities that she has to manipulate the cameras and the machines to get onto the network to shut things down like i got the impression from this that he has no clue how she does it and she has no clue how she does it it's like that uh the magic line that she he uses like she's so advanced she just thinks it and it happens right and you know it's on on some level it is it is i mean it's a staple of of you know messianic storytelling right that that you have one special person who has these abilities that no one can understand or or duplicate and at the same time you know it plays into my own deep suspicion of well you can't say that um that bluetooth works if it doesn't work every time right like why can't i print it's you you know the these things about technology where everyone acts like it's science and then half half Half of your day is spent up like trying to log back into Hulu.
13:04Right. Because why did it decide to log me out? I don't understand any of this. The bit in this where you have, I guess, hierarchies of technology, right? So you have, you've got the three sort of branches of immortality. You've got the hybrids, you've got synthetics. And then of course you have the cyborg in Moro. I love the kind of jostling for positions on the podium between them. and you know the the kind of the fallibility of the flesh but also the fallibility of the machine as well and you know cavalier who's supposed to be this absolute genius and then of course he lays out the oh i'm just going to quote uh isaac asimov here except of course it's not asimov it's the author c clark which you may have noticed blew up reddit when it happens like did they make a mistake it's like i think it's a commentary on the character yes i think so i think so well i mean then there's that exchange you know obviously there's a big uh fight between kirsch and and morrow and and and the story of john henry you know who fought the steam engine and won but then didn't he die afterwards and and you know we we obviously are in a moment now where we're all trying to decide if if if flesh and blood is doomed or to to be replaced by robots or you know enslaved by robots or what what's going to happen and then there's some of us who think well i don't know i can't even get chat gpt's to stop making stuff up when i ask it questions so you know i don't know if we're if i should really be that worried about it yeah i love that line like in the end man will always win it's a matter of will which i thought because that's just morrow through and through isn't it like he is sort of will personified like this very singular person uh yeah i love him as a character and i love the way that you you humanize him so well in that fifth episode where we start to understand why he is the way he is but i guess it's only part of the story isn't it because yes his daughter died but if she'd lived she'd have been in her mid-70s by the time he saw her again right yes yeah but i think he could have convinced himself on some level that it was all worth it you know obviously she would have grown up without him and and got grown old without him and and all of it as we saw in in nolan's film interstellar right and you know but but it plays into this myth that he's sacrificed everything you know i mean he says i think it's in the fourth hour he says people do a lot of terrible things in the name of loyalty right which which that's a confession as much as anything because he has this loyalty to yutani the grandmother and that loyalty caused him to abandon his own daughter for her whole life basically right and then he wasn't there to protect her and and you know that's before any of the events on the ship take place you know so there is a sense in which this blind loyalty because she rescued him from the street is the only thing that matters on some level.
16:12And if it goes away, then it would force him to look at himself in a light that might not be survivable. Because he's not, I mean, he's the antagonist, I guess, but he's not a villain per se. He just has a very clear objective and focus. And he's not all that bothered about collateral damage. No, I mean, I think he's a villain to, obviously he's a villain to slightly, he's using him, he's manipulating him and is very cold to him. But I do think that there's humanity that's left in him to explore going forward if we get that opportunity. but you know he it's what i've learned you know i over the last 20 plus years i've created a lot of villains and and you know this it's a it's a truism to say that you know villains are always the best characters on some level and and people really love them billy bob used to laugh because everyone called him the protagonist of season one of fargo he's amazing he's one of my favorite villains yeah but we we love you know we love villains because they make things happen they don't follow the rules that you know they're dynamic they don't have to pretend to follow the social norms you know there's a lot of things about villainy that that um you know is very romantic especially to americans um as we see um but um you know i think and i think the other thing you know in terms of myths that we've bought into is you know the man with the code right john wick the man with the code the western hero it's like well he's not a good guy but he has rules that he follows and somehow that makes it okay that he's murdered 480 people in four movies right like it's a crazy volume in which we go no no no Keanu I'm with Keanu all day long yeah the paid killer yeah there's a Funko now of the eye but have you seen it with the sheet it's amazing I have it it's yes it's uh the the disturbing children's Troy every child should want I mean what was the thought process in coming up with these creatures like what were your conversations about like how many should they be like how should they work like what's our sort of governing parameters for creating these things yeah i mean it needed to feel like enough that that we had this sense of the zoo and and you know i refer in the in the show to the hms beagle and darwin and and collecting specimens from around the galaxy and then you know i think i settled on on these these four additional creatures which felt like it gave me enough of an ensemble of creatures that that you know over the course of one season or two seasons you could continue to discover things and and you know as we see with the with the eye um you know it's a very strategic thinker right and and it's often doing things not to help itself in the moment but but knowing that by destabilizing the environment and the humans it's going to ultimately get what it wants so that you know it's exciting to to when you go okay well so this one actually is the one we should really worry about the others are sort of more animals you know or insects and then how are we using them you know one of the things one of the reasons that i wanted to do that fifth hour which is the which is my alien classic alien movie episode that i was not going to hand to another director because you know if if anyone was going to do classic alien i i wanted to do it you know but the last 15 minutes of that episode the complexity of moving pieces and the number of creatures who are not contained and the mystery of the sabotage you know it it created a level of of unpredictability that that i haven't really seen in the franchise before and what i was really trying to do was to get you to that to a point where it's just literally thrilling because you don't know what's going to happen next crazy shit is happening there's a guy biting a xenomorph right like it's it's really things are just out of control in a way that my hope for alien fans is is you know the the possibility of what alien can be is suddenly expanding at a geometric rate yeah i think the eyeball is central to that as you say it's thinking head but you're like is it an agent of chaos does it have a plan or does it just like to watch people die because it seems like it summons the alien and then it fights and bites the alien and the unpredictability keeps you guessing yes well i think we've we've learned that that um that real villains don't always have great plans right um and there is something you know to i mean to the eye as the sort of um lorne malvo of of space uh uh creatures where it just wants to create chaos um on some level because it knows that it will benefit from that chaos and and it clearly it it believes in its own ability to survive just about anything some creatures just want to watch the world burn it's true and any any ether results i mean look we i think we described that particular episode as the best alien film since 1986 and i think that's very true like it's it has all the things you want but it feels so organically alien not just the set design but you know the slow dissolves you use the atmosphere all of it but then you also have like james cameron coded moments in this certainly in the first two episodes loads out the pulse rifles the marines all that and it does feel like you know referencing let's be honest the two pinnacles of that franchise but doing it in a very subtle way rather than an overt way yeah if that make sense yeah i mean those moments that that you know obviously there's a little bit of comedy in there as well when she says how big did these things get and then you cut now the handguns or pulse rifles you know it's it's you know i'm playing both on what we know right and then playing into what we don't know and and you know there's something very satisfying and i did a screening here in austin of of episode five at in um you know a theatrical screening because i wanted to see it on the big screen with 300 people and and you know it was it's so satisfying to to watch it with an audience and to feel that level of immersion in into this world and the reality of of you know of of a movie that we saw when we were kids right some of us in real time and some of us kids later but you know it does it does collapse time and bring you back into it and and i think that that it was very important to me and in starting the series on that ship and designing the ship the way that we designed it you know to signal that that that these first two films really were the movies that I was adapting, and that was the tone of voice that we were going to be in, and to bring it back to just that original intention.
24:02There's something that I feel like is a pressing question that I think many people are probably asking when they watch this show, is do you personally have an abiding love of Ice Age 4 Continental Drift? Well, having watched every Ice Age movie probably 400 times because there was a three-year span where those were the only movies my son wanted to watch i can't say that that one is my favorite of the of this five going on six movies i don't i'm you know i certainly i do love the peter dinklage uh performance and um i don't know it's it's it's a rollicking a good adventure um and you know but it's also ice age four is not my favorite movie of all time but i have seen it more than any other movie right because this is what we do when we have kids we watch these they they they just want to see the same things over and over again and clearly there's something about how they're learning about the world and people and stories but you know and so you end up watching these there's a comfort to it right of watching these movies over and over again so you know i knew and i needed a shorthand something economical visual that they could create an emotional bond i mean she's watching her brother i've got four minutes you know to do that whole sequence and and you know i thought well this is the shared memory and and there's something comforting he comforts himself by watching it and she comforts herself by watching him watch it and i I think there's something really romantic about that, not in a romance way, but, you know, in a human way.
25:45I love that. Ice Age 4, Agatha Christie, and Metallica are now all alien canon. That tickles me, that does. You know. But actually, can I ask you about the grunge thing? Yeah. Because I love that, you know, you've got Cherub Rock in there, Jane's Addiction, Ends of Sandman, and of course you end on Animal by Pearl Jam. For people of a certain age, this is just, this is catnip for me. I love all that stuff. Like, why did you want to end with big sort of like 90s-esque grunge numbers? Well, I'm just going to say, I see you, man. That's why. I see you. I see all of the Alien fans driving around in their vans with their Frank Frazetta paintings on the side.
26:20I know the records that you owned, the CDs that you owned. And, you know, I know, you know, there's because there's something, you know, dark, but not too dark, anthemic, right? You know, I want this show to be arena rock. And so I got to play arena rock, right? I don't want it to be, you know, late night at the, you know, whatever it is, the Palladium or something where, you know, it's good. It's a good theater. You can see 2 ,000 people in there, but it's not Shea Stadium. It's not Wembley, right? You want that. You know, I watched, along with everybody else, that Ozzy's last, you know, concert.
27:03And that crowd wanted to be there, and they wanted to be there in that size, you know. And I wanted to end each episode with a big feeling, a throw to next week. There's a bit of a cliffhanger. And so I was like, I'm going to call in the big guns here. And, you know, I love that we, you know, each week when that song kicks in, it just, you know, the hair stands up on the back of your neck, right? So that's the feeling. Yeah, it's a perfect button on those episodes. I mean, it's just on sound, actually. That makes me think about the alien language aspect, which is a big thread that runs all the way through this.
27:43Like, it works brilliantly, but it could have been very goofy. Like that feels like something that was a big risk and it pays off. But did you worry about introducing that aspect to this? Well, I just, you know, for me, it seemed because that that moment really stuck with me from Cameron's movie where, you know, Ripley is in is in the egg chamber and and the queen. Clearly, she calls the drones off and there's some level of communication going on there. And so, but no one had ever, you know, picked up that gauntlet of story. And so, it felt like, well, that's a really satisfying seminal moment from the films that maybe people haven't really considered or thought about.
28:26And, you know, and it also raises this idea that, you know, this child has this ability to hear these creatures and clearly communicate with them, although it's not clear how she knows necessarily what she's saying to them. There's some trial and error there. But it's not necessarily a good thing. We all know, you know, I think about Pan's Labyrinth or a movie like that. it's like you know you're given this ability to to enter this monster world usually that doesn't end well for people right and and because she's a child and you know my daughter decided she was a vegetarian when she was nine and and you know nothing with a face and it's there is a really noble idea to the idea that these creatures didn't ask to come here and they're just animals and but But if you're making decisions for a whole species as to whether to allow them to live among us and you can't control it and you don't really understand it and you haven't really thought it through, you know, it is sort of the mind of a child in a way.
29:34But it has a great ripple effect, doesn't it? Because the alien we see behaves very differently to how aliens normally behave. And you feel like part of it is that she almost imprinted on it when it was born. And so they have this kind of connection that you see it with the young alien at the end. That's something we've never seen in an alien before. the way it deals with um at the gravesite with uh um with the the therapist who's named escapes me at the moment dame sylvia yes way it deals with her and it just kind of looms over her right and again these are all things we've not really seen it do before yeah i mean look i think i think that introducing these other creatures allowed me to use the xenomorph in a different way it didn't have to fill the entire monster space right it didn't have to be the one big evil right it could be a sort of fan favorite and we could say all right well we're look we're going to use it we're going to make you happy it's going to attack there's going to be these elements to it but what i want to do is to say well what else is it and what else could it be and and you know what is the hubris of of um you know making one uh i mean it's not a pet necessarily but but you you know it's it's siegfried and roy i mean you're training these tigers right but you know all it takes is one bad day and and and now you've lost control and and is she really going to be able to have it kill one person and then not kill the person standing next to to that person who's on the good side like i don't know this it's it's a bit like calling in a hurricane and and thinking that you can be selective i mean the things people i guess latched on to most about the series we talked about the eyeball i mean i guess you couldn't really know how much of a kind of cult hero that would become but kirsch is the other thing the ambiguous kirsch yeah because his motivations are very cloudy all the way through this the fact that he knows exactly what's going on with the facehuggers and then you're like but he doesn't tell anyone and he doesn't tell cavalier and all the way through we're unclear about that was he always kind of put in there as a kind of enigmatic figure i mean i think it's one of the gifts that that the franchise gave us right is is you know ian holm was clearly just distrustworthy and and and you you know ash was played on that right we she was deeply suspicious of him and then he turned out to be a good guy um but you can never tell is what alien tells us with with these synthetic characters you can never tell and you should always be a little worried you're right to be cautious and you know i think tim and i talked a lot about what he's capable of in terms of programming right this idea that well probably you do have some some immutable laws about you can't hurt a person maybe in this case specifically your boss right physically attack whatever but maybe also he doesn't even want you to contradict him right so maybe in these moments where he insults you or talks down to you you're kind of programmed to smile right and just sort of take it but we can tell something's building up in there you know and for me there at least there's just this you know there's this moment where in the third hour i guess where curse throws boy cavalier out of the lab because um he's at risk of of opening the egg where boy cavalier says you're in charge to him and and i was wondered if that didn't override something you know what i mean that that that kirsch now has has a sort of autonomy under the auspices of science right where he's just doing these experiments but now the experiments kind of involve the hybrids also right what's going to happen let's see a little controlled chaos and i do think that it makes for a really enigmatic character at the heart of this show I'm out of time but can I ask you one more question about this it would obviously be about going forward it's not been officially renewed I would hope that it's definitely going to be given how much of a hit it's been with people but like you've talked before about wanting to be able to do the other side of the conversation when the Nostromo is sent to the planet and you've also talked about the fact that obviously we have a number of corporations here this is a prodigy series you have other sort of like sand pits to play in I wondered like you know what do you think you know what would you like to explore with it going forward.
34:20What do you think the future would hold if you get to continue it? I do think we, you know, I'm interested in exploring the corporate politics of it. You know, I do think that, you know, as we've seen, there's a sort of irresistible gravitational pull toward monopoly that that corporations have that that billionaires and you know that i don't know what whether it's the you know it's just a particular mindset but you know it's there is a bit of game of thrones to to the corporate world that that feels interesting to me um and you know i do think the story of of these children's autonomy you know continues to be the the heart of of the show um but you know alien is always levels of containment right and and you know the island is a level of containment and and what happens when you expand past that level right what you know ultimately the show is called alien earth and i you know I I know that given the canon I can't blow up the earth or there's a lot of things that that that I have to um think through about it but I but I do think that that containment is going to be very hard hard to maintain and and I don't know it's you know there's there's a lot which is what what's exciting about it is is and why I took it on in the first place is you know if it was just a monster movie i don't think there would be much to say but because it's literally a story about humanity trapped between nature that's trying to kill us and the technology we've created that also seems to be trying to kill us that feels a lot like the world that i live in and so i feel like there's there's still a lot to really grapple with yeah sadly true well no thank you so much for your time and also for the show which i've enjoyed enormously i cannot wait to see more of this so here's hoping that it definitely gets renewed soon.
36:30All right. Well, thank you so much.
36:33Chris Hewitt:Okay, that was Noah Hawley or Noah Hurley. Did you ask him about the fact that he plays Wendy's dad? I didn't. It didn't come up. Woodward and Bernstein, I am not. No, because you're only one person. That's true. And no one would ever cast Robert Redford as you. Also true. Whoa. Harsh, but true. That is so harsh. But also true. I don't know if it is true. I think Bob Redford could have pulled you off. I mean he was a man of many talents Alien Earthen oh god shall we shall we shall we get into it Jimbo you wrote the review for this Empire Magazine you gave it five stars I did but you'd only seen six out of the eight episodes at the time of writing that review now you've seen all eight episodes do you stand by your own words and star rating do you concur with yourself I do as it happens I do think episode 5 remains the high point of the series.
37:30But generally speaking, I was very, very happy with it. And I liked it a lot. Now, Boydie disagrees on this. He did not enjoy everything...
37:37Chris Hewitt:For Empire listeners, that's Boyd Hilton. Yes, for Pilot TV listeners, it's Boydie. He was less impressed with the post episode 5 episodes. I don't think he liked the sort of final act of the arc. And for... Well, we talked about it on Pilot, but he didn't get into details because we didn't want to talk spoilers. But I don't think he liked the ending and I don't think he enjoyed the amount that you see the alien and I think his whole thing was like the alien works best in shadow, in darkness, as a kind of a menace and unknown force and he didn't like that you see it kind of in daylight and it's basically just a golden retriever at this point and I think that was an issue that he had with it.
38:13I mean, most golden retrievers don't decimate.
38:16Chris Hewitt:I mean, depends on the dog really, doesn't it? I guess, but yes, but you'd have to be a pretty bad golden retriever owner for a teacher to do that. Particularly well-trained golden retriever. But to which point I would say that ship has very much sailed. Like saying, oh, you need to keep the alien in the shadows. Like, sure, that's fine in 1986. But at this point, we all know what the alien looks like. God knows we've seen it in enough things. I don't think the alien has that, you know, visceral power just in the way that it looks and the way that it used to, which is why Hawley created these other creatures, right?
38:47That's the whole purpose of them. So I actually, I don't mind that you see a lot of the alien. I don't think you see a lot of it in the series because I think he was very judicious in how he deployed it. But certainly it turns up a lot more at the end. I enjoyed, you know, alien, good boy alien. You know, I thought that was, because we've never seen the alien do that before. We'd never seen that side of it. And, you know, it's responding to her. It is almost like a trained dog. And you see it with the little baby chestburster alien. It has a weird kind of maternal streak to it. And again, it's something we've not seen the alien do before.
39:17And I think Hawley bringing new ideas to this mythology is to be celebrated. and I don't know what we gain from hiding the alien. It's not like, it's like saying, oh no, don't show Ghostface in the Scream film. You don't want people to know what he looks like. Everyone knows what he fucking looks like. But also, you have to deliver alien Earth, I think. And if you don't have the alien, you know, out on Earth, like if it's just in another corridor, what is the difference? I feel like it had to be on the planet surface a little bit to kind of justify the title. I want to get into that.
39:53Chris Hewitt:I want to get into whether we feel like the title of the show has been justified. Clearly Noah Hawley has plans. I think he said for four more seasons, although maybe he's not, maybe he's been very clever not to say how many seasons he wants for this thing. They haven't as yet, unless I've missed this at time of recording, recording this at four o 'clock on Wednesday, 24th of September. They haven't as yet confirmed whether there is going to be a second season or more of Alien Earth. As far as I can tell, it's been well-received, and people seem to like it and seem to be watching it in numbers and seem to be talking about it, and the social media seems to be pretty much abuzz with it every week.
40:31Chris Hewitt:Equally, I know people who have gone off it, have a few episodes, or maybe just couldn't get past the conceit of the Lost Boys, you know, kids and adult bodies. We'll get on to that in due course, of course. But for you, does the title earn its keep? Has enough been gained from placeness, setting this on Earth? Or could this have been on any planet? Because it's on an island, it's on the Neverland Research Facility. How much impact on actual Earth has there been so far? I would argue minimal. I would agree with you to a point. I think it depends to a degree where they go with this. And I find the ending a little bit frustrating just in the cliffhangeriness, that's a word, of it.
41:24It is a word. I want my shows to have an ending of the season as well as just baiting me for season two. And I felt like I didn't quite have that this time. And I feel like what they could do with this would 100%, like a million percent justify the title. Like if this is what causes a bit of a war between the conglomerates that rule this earth, totally unlike our own, thank God. Then that would 100 % justify the title to me. I feel like that's kind of maybe, I think, what he's setting up right now, is that this one little island becomes the flashpoint for initially, at least, a conflict we know is coming from the final episode between Weyland-Yutani and Prodigy.
42:17but what if the other companies also get involved? And given that we've mostly seen Weyland-Yutani in the future of this universe, maybe this is not so much a story of an alien's taking over Earth. Maybe it's something worse. Maybe it's the real monster here is going to take over Earth.
42:37Chris Hewitt:It's capitalism. Capitalism. Well, no, it is unrestrained corporate capitalism, actually, and we're all dealing with that, but that's fine. But I do think that's maybe where they were going. And if that is the case, then that would 100 % justify the title. I do see what you mean. Just putting it on an island. It's like putting it, you know, it's like if you have your aliens loose, but they're in a, God help us, underground pyramid in Antarctica. Oh, I see, yes. Because there has already been an alien Earth. That wouldn't really justify the title. You know, that would be a terrible idea. I don't know where I got that one from.
43:09No one would ever do that. No. Or in a small town in, I don't know, Oregon or somewhere. that would also be freaking dreadful. But this has the potential to go somewhere. It does. I just feel like it hasn't gone there yet.
43:23Chris Hewitt:It has very specific confines in which to maneuver. Yes. Well, this is the whole thing. And Hawley talks about this interview. It's the idea of containment. It's that there are levels of containment. Like, it's out. It's on the island. And will it get off the island? And as he kind of referenced, he is limited by canon in what he can do. Like, the aliens can't take over the Earth. Like, that cannot happen. You can't have a full-blown outbreak because that wouldn't gel with the chronology of the films. That said, as he points out, and as we know, there's not an awful lot of canon in Aliens. Given how many films there have been, there's very little we know about the universe, about the structure.
44:01In fact, if you want any of that stuff, you've really got to look at the... There's an alien RPG, like an alien tabletop role-playing game where they go into all of this stuff. It's fascinating. But in actual proper canon, it doesn't really exist. So he has actually got a lot of wiggle room, except obviously if aliens are taken over the Earth, that might have come up at some point in a subsequent film. So we kind of have to, you know, shelve that. So I guess... But like they could take over a city, which could be nuked from orbit. 100%. So if they took over... But then I suppose you also need a point where the alien presumably cannot become public knowledge.
44:33No. So it can't get out. So it really would have to be scorched earth. No one can capture it on their camera phone. That's something they can't have.
44:39Chris Hewitt:Whenever Ripley is discovered after the Nostromo, 57 years after the Nostromo is destroyed, and she goes back to Earth, essentially, when Burke doesn't seem to know, he has some knowledge, obviously, but as far as he's concerned, this is a crazy lady saying crazy things. I don't know that whenever he initially meets Ripley in that movie that he has prior knowledge or ulterior motives. But this is an interesting point because what this series does in part is reframe both Alien and Aliens. So in Alien now when Weyland-Yutani sends an Ostromo to the distress signal, you kind of got to think they know exactly what they're doing when they do that.
45:25And Ash knows exactly what they're doing at that point. And in Aliens when Ripley is being, let's be honest, gaslit at that sort of debrief board meeting, they all know that this is real. They may not. I suppose the company does. You're right, layers. Yeah, they may be at two lower layers. But that idea that maybe they do know and that idea that maybe the Burke knows, it makes that whole thing quite chilling. And I quite like that idea.
45:48Chris Hewitt:I don't know if it makes sense. Because if the company redirects Nostromo to pick up, you know, to answer that distress beacon, and to pick up the engineer's ship because they suspect very strongly that there's alien eggs and xenomorphs on board and we, hey, look at this, we can make billions, maybe even trillions with this. That makes sense. What doesn't make sense to me is why they would try and colonize that planet in the interim. That's fair. That's a legitimate question. Because it's the same company. They're sending the same people to the same place. So something that the company, I think, changes in between alien and aliens.
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46:33So again, it might be siloing at the company. Like you might have the colony, the terraforming group at the company going, here is a planet that is terraformable. That's a word. And we're sending colonists there. Brilliant. They don't have access necessarily to the files of this top secret files, which have, hey, there's a, on the other side of LV426, or at least some miles away, there is a site of interest to us. So it could be that the company isn't shaking hands with itself. That does exist in massive stage capitalism.
47:07Chris Hewitt:Classic Weyland-Yutani fannying around. It's true. But also, bear in mind that the idea of the Maginot is it is like the HMS Beagle. It's been going around collecting specimens. And the aliens are not indigenous to LV-426. They're brought there by the engineer's vessel. and like if we are completely pushing Prometheus and Alien Covenant out the window as not being canon which this kind of is right so you've got to think that they could have found those two alien eggs anywhere couldn't they like where did they get so you could argue that Weyland-Yutani knows that aliens exist it knows what they are but it didn't know they were on LV426 and it was generally just like go and check that out and then when they find out they're there they're like oh fucking bonus brilliant bring that back but that still doesn't necessarily mean that Van Leeuwen when he's talking to Ripley doesn't know that everything she's saying is real.
47:56He's still like, no, no, you break it. You bought it. You didn't pay for that fucking chip.
48:00Chris Hewitt:Yeah. That would also be like in character for the corporation, wouldn't it? To just deny all knowledge of the thing they want kept secret and blame the person who brought them the knowledge. And this is not, again, it's not that far from the real world. Not for reasons unknown. So I think, yeah, I think a lot of that can be explained away. And I actually think that the Covenant and Prometheus could still stand. I think they still stand. I don't think what disregards those movies I think he has talked about this kind of alternate timeline idea that this doesn't directly impact everything that comes after and it doesn't necessarily draw on everything that comes before it's kind of he's talked about as like a parallel alien timeline and I certainly read that as a Ridley Scott's a nice guy and I don't want to upset him but those films are not my alien hashtag not my alien and he doesn't Hashtag not all aliens.
48:52He doesn't want black goo and any of that kind of nonsense because look, I actually genuinely enjoy Prometheus but in my head canon, it is not an alien film. It is a separate science fiction film that I enjoy. I do not consider that alien canon.
49:04Chris Hewitt:Next, you will be telling us that Aliens vs. Predator Requiem isn't canon either. That's definitely canon. That is canon. That does end up with them taking off and nuking the entire site from orbit so that's all right. But all right, okay. So let's talk about Alien Earth and that's Focus. us focus back on the final episode so helen you felt that the final episode didn't quite deliver for you i have to say for me it surprised me i didn't do anything i thought it was going to do yeah i liked a lot of what it did don't get me wrong but i just wanted um maybe i just wanted a longer season again i don't know maybe i wanted some like two more episodes getting us to a slightly more advanced space or something yeah uh you know we obviously saw a bit of payoff for the Kirsch-Morrow fight.
49:52I may have shouted just kiss at the screen during that. I admit nothing. We saw, you know, we obviously saw some kind of, you know, claiming her authority, claiming her power from Wendy. We saw, I was unsatisfied with the confrontation she had with Joe, actually. That Wendy did. That Wendy did, yeah. Because on one hand, she's giving him grief for like, you turned against us when you fired on, what's the name? Nibs. Nibs, thank you. One I can't keep straight in my head. But she's also saying, but I'm not human. So it's like, well, pick one. Because a little bit, you're trying to have your cake and eat it with that.
50:32He didn't hurt. I thought at one point that he'd killed Nibs. So did I. In which case, she would be absolutely justified in being furious with him. He knocked her out. He knocked her out and stopped her killing his friend. That doesn't seem disproportionate to me. No, I agree. but I think she's very much in the midst of a massive existential crisis where she's like I don't know what I mean she says it doesn't she I'm not a machine I'm not a person like what the hell am I and I think she's trying to mentally stay in two worlds like she thinks she's better than people she thinks they can rule but equally and is he even still her brother but part of her thinks she is so yes I think she's trying to hold on to she's desperately trying to hold on to all the different fractured pieces of herself and the contradictory pieces and make a hole out of it and I think she's struggling with it but as Hawley says in the interview, you know, the whole now we rule thing is interesting because they're just kids.
51:23They don't know what the fuck they're doing. They're playing pirates in a fort. Like, they have no fucking clue what they're doing. So next season is Lord of the Flies, potentially. Yeah, basically that. And because, you know, the ships are coming, Weyland's coming, or Yutani, I should say, is coming. Don't know what Weyland's doing. He's off the, on the Prometheus. Indeed. So, if it were canon. But that's, you know, so what happens next? Is this even a good idea? Like, what the hell are they doing? and I think it's interesting at the end that Cavalier seems to find this endlessly amusing like he's clearly just excited at the chaos he hath wrought
51:56Chris Hewitt:and that he has created that's not how I read that smile at all I read that as a smile of utter fucking mania and terror that he doesn't this is not in his plans oh funny I read it that way as well Hawley says that from that he goes from his lowest point to his highest point in about 10 seconds because he's like with these tech pros it's all about disruption and he realizes then he's created the ultimate disruption. So he is cock-a-hoop because he thinks this is fucking great. Well, he might well be, yeah. Some billionaires just want to watch the whole world burn. Yes, they do. But that's interesting because there was a lot of things at the end of the finale that I didn't expect it to do.
52:34Chris Hewitt:I thought there would be a lot more blood on the walls, I'll be honest with you. I didn't think the boy cavalier would end up either dead or eyeballed. I thought so too. I thought there was a possibility. I didn't think that was going to happen because he's too interested in a character to do that to this early on. I did think that a few more characters, major characters, would die or at least be taken off the board, so to speak. He doesn't do that wholly. He flips the status quo. He leaves Wendy and the Lost Boys in a very, very interesting position where almost they become the antagonists of the show.
53:14Chris Hewitt:I think that's really interesting. And he left a lot of people alive, even including Arthur, who was one of the few major characters to die. And one of the reasons why I'm so... I mean, undead is not alive. Well, and that's not Arthur, obviously, but I'm still... There's a lot of dramatic mileage to be had from scenes like eyeball Arthur comes back and meets Dame Sylvie. what is that conversation going to be like is that going to be a conversation can he talk what's going to happen in season 2 I really desperately desperately want I should be checking my phone every 5 seconds to see what they've announced the renewal I'm so intrigued by where this is going to go that I'm prepared to forgive it not really having a sense of conclusion in this episode I thought it was a very very good episode and I love this series I love what Holly has been doing with this series throughout.
54:13Chris Hewitt:I think it's terrific. I think it's the best slice of Alien since Aliens. But this episode could maybe be seen as anticlimactic for a lot of people. I think, I mean, look, I feel like people, I have read that said online today. I was doing some reading up on this and a lot of people were saying, oh yeah, it's a bit of a calm down from episode seven, never mind episode five. And I think the love for episode five to me feels a bit regressive. You know, I thought it was magnificent, but it's also, you know, you love it because you love Alien and Aliens a bit. I don't feel like it's its own thing to the degree that the rest of the show is.
54:54Episode seven definitely had bigger action beats than this one does, but aren't we used to that by now? This is, it's 10 years since Game of Thrones. Do you know what I mean? Like, the second last episode of the season being the biggest action episode is now a very, very common thing in TV. It's happened a lot. Are we still shocked when that happens?
55:18Chris Hewitt:Yes. I mean, I guess, apparently, yeah. Yes, I am. But I feel like, you know, there was a lot to work out in the scene. I do feel like, you know, the idea that Wendy has the alien under too much control is interesting. and I maybe would have liked to have seen a little bit more. I don't know, tension or something there, or maybe for that to be explored a little more. Like, we get her point of view that, oh, I like them because they're honest, like they don't lie. But so what does she know about them? Like, what are they telling her? What's she getting? I mean, obviously she's getting a, you know, a dog like Brad Pitt in Once Upon a Time in Hollywood out of this.
55:57But apart from that, what is she getting from them in terms of information? These are all kind of questions that are just kind of left hanging. And I would have liked to just, I'm not saying answers, but just a bit more exploration or a bit more acknowledgement that those are questions.
56:10Chris Hewitt:I didn't take from that the idea that they've been telling her stuff, especially because the only one she can communicate with is the xenomorph. And if that's just a drone xenomorph, then how much knowledge does it have about xenomorph society, etc.? I just took from it that she observed how they behaved, and they behave like animals or insects or whatever and that that in itself is honest. You don't see them fucking each other over for a goddamn percentage. I don't think they are, no. And it's interesting. The aliens, I mean the eyeball, yes, not the aliens. Well, it's not intelligent as in it doesn't know prime numbers and it can't do pi.
56:47Chris Hewitt:But of course it's an intelligence and the aliens. On the reference, is it more intelligent than a Jack Russell? I don't know. Possibly. Is it on a level with it? But I think we are talking animal intelligence rather than like Like Velociraptor. Sure, yes. I don't think it's communicated with her in that way. I don't think it's going, hey, I'm a xenomorph, and this is how we work, and blah, blah, blah. I think it's more, she's observing their behavior. And also, crucially, as something Hawley referred to is, he's not sure she knows what she's saying to them. I don't think she can speak their language.
57:14I think it's similar to, like, you know, Chris Pratt talking to Blue. Like, she can make herself understood to it, but they can't have a conversation. And also, an interesting thing he said is, do we know, does she, is what she's saying to it what she thinks she's saying to her. Well, that's my question, essentially. Is it fully, like, is it on the same page as her or does she just think it is? And I thought that was an interesting thing for her to say. How much control does she really have? How much control does she have? That's what I'm kind of getting at. Like, I don't think, and look, again, I don't need that to be fully established, but I would like that to be a bit more hinted at, explored, acknowledged, or something, because I don't feel like it's really been gotten into.
57:51I feel like it's the kind of thing that Kirsch would have talked about if he wasn't being distracted by having his back broken, maybe this episode. He's, I mean, Kirsch is a fascinating character to me because even at the end here, I still don't fully know what his game is. Because all through these point of specials, I've been going, what is that dude's deal? What is his deal? What's his deal? Because he's clearly a fucking anarchist. You know, he knows all this shit is going on. There's a bit where Cavalier directly asks him, is everything okay? And he's like, yep. Now, you can interpret that as Cavalier's in on it and he's saying, is everything going according to plan?
58:25Like, is all this shit going on? and he's like, yes it is. Or, and this again is an interesting thing that Hawley brought up, it's like, Kersh doesn't like Cavalier. He's a good judge of character. Fundamentally, yes. Cavalier is a dickhead. But his programming limits him in how he can or cannot resist control, how he cannot resist instruction. Direct instruction. But does he try and undermine him in every conceivable way within the boundaries of what he's allowed to do? Yeah, I think he does. I think he does too. I also think he does feel something of a feel is maybe the wrong word uh see something of a possibility or feel something of a connection with the hybrids i like if it's not a traditional father-child relationship and it isn't but it may not be feeling based but i think it's very much a these are my creation based yes and i think he has more of a kinship with them than certainly than they feel with boy cavalier actually and um and has been much more of a kind of mentor to most of them than boy cavalier has been with the possible exception of wendy who's been more taken under his wing and kind of you know talked up by him so i just feel like there's a really interesting relationship there that again i'm hoping they explore a bit more and i just would have liked tiny bit more from him in this yes uh do you think
59:42Chris Hewitt:because kirsch in particular in episode seven is really interesting where he is literally showing slightly in Smee the way to get incapacitated face-huggered Arthur to the beach. That's really... Is he in some ways comparable to the eye, to the octopus eyeball? Because I know Jimbo from talking to you, but you're a Hawley interview. He describes the eyeball as an agent of chaos. Who just likes to put things against each other to see what happens it's not necessary it doesn't necessarily have a great plan or a great strategy it's just like what would happen if i stomp my feet at this exact moment close that caused that door to close and then see what happens oh this is fun and kirsch is doing that a little bit more dispassionately i think he's like okay well this is interesting so this guy's now infiltrated my lost boys and he's he's got slightly on his side and now i know he wants slightly to get a human to implant an alien embryo.
1:00:46Chris Hewitt:All right, let's just see what happens here and how can I use this to my advantage? But he can't go directly against, he can't directly attack Boykavim here. But he might be able to sow the seeds of rebellion by fucking around with different areas. He's a fascinating dude, isn't he? He is. But it's, I love the kind of competing motivations like the eyeball, which is great because it is a complete agent of chaos. Like, it sows mayhem. But the idea I guess is that it believes that much like Littlefinger chaos is a ladder like it can sow the seeds of chaos and it can use that chaos to its ultimate advantage so it's an opportunist and it recognises that as long as the humans are in control it's fucked but if everything goes to shit it can improvise and just get up like you see that when it takes over Michael Smiley right where it's in there and it's just like okay now I'm in the shit I'm going to call the alien it calls the alien the alien tells me it goes fuck me now I've got to bite the alien and he jumps literally I love that scene because he tries to bite it and then it just becomes the eyeball and then the eyeball is on the thing's head and the alien's going fuck fuck get this fucking thing off me it's just brilliant yeah I love the eyeball I think this is a controversial statement maybe I think the eyeball is the greatest small screen big screen monster of the last 10 years easily it's so I was the way I was waving my hands at the TV when it was attacking Joe.
1:02:12Like, just as if I myself were being attacked and needed to fend it off. I was literally like, I couldn't keep it still. I find it so scary and so off-putting and so gross.
1:02:25Chris Hewitt:That was such a... I think they could have milked a bit more tension from that scene, if I'm completely honest with you as well. It's really good the way that Joe gets into the crate. And then it reminded me of that scene in Scream, where Sidney gets into the car and Ghostface is... That's the second time we mentioned Ghostface in this podcast. And then he sinks out of sight. He sinks out of sight and then the boot starts to open up behind her. It reminded me a little bit of that, but it's much more frenetic. But yeah, I love that. I love that little shit so much. Not Joe. No, no. The eyeball.
1:02:55Chris Hewitt:Joe, I can take relief. Joe, I think, has not maybe had quite as much development as he needed in these last couple of episodes, except for maybe that scene with Wendy. But then again, I just think he wasn't presenting the alternative point of view as much as he should have for me in that scene. And she's a kid. That's the thing as well. She is the smartest one, the most powerful one, but they're still kids. But it's because they're kids, I find the hind and seek thing quite chilling. Do you remember when she just goes, run. Yeah. Now you run. And he runs off and she goes, I've got someone special looking for him.
1:03:30And she's like, the fucking alien after him. I'm like, that shit is cold.
1:03:33Chris Hewitt:And now the, now we rule line at the end is great as well. There's so much I love about this series and so much I love about this final episode. So little quibbles. That's all I have. Little quibbles. Like I think the alien is too deadly. If that makes any sense. So we have gone from the, yes, the colonial marines and aliens are ultimately outrunned, outgunned, out-seen and morphed. But they can take them down with some pulse rifles. They can kill aliens. This is one alien in broad daylight and these motherfuckers can't hit it from 10 paces? When it's sort of like corner Dame Julia, Dame Julia, Dame Sylvia.
1:04:17Chris Hewitt:Dame Judi Dench is in this. When it corners Dame Judi Dench, who would absolutely take it down. But when it calls her at the gravesite, and it's behaving in an unusual way at that point because it just sort of watches her and kind of looms. It looks like it gets shot in the head because it looks like it gets shot. It does. It gets shot, but not by full bullets. it gets shot by I think like little not darts but electrical stuff that makes it are they using okay so they're not using they're using blank live rounds yeah not live rounds right okay because I couldn't work that out I was like suddenly bulletproof what the fuck is going on here yeah so can we count the aliens right now like I I kind of got confused about who's who and where's where so there was one live one on the Maginot that was killed and brought back as a body right yes and then we had one the little one was born out of the lung yes That's right, yes.
1:05:10And then the big one is the one...
1:05:12Chris Hewitt:No, the big one is the one that Wendy has bonded with. Right, and it came from where? It hatches on the Maginot. No, no, so you had... Yeah, so that one is the one from the lung, and then the other one is the one, like the small one is the one that came out of Arthur. And then the one that was from the Maginot is the one that she cuts his head off in the first episode. Yes, yeah, okay. Okay, so we've just got one normal size-ish. alien and one tiny baby alien. That's right. That's right. Little cute dinky alien. Yeah. And then the eyeball, a bunch of assorted insect looking things and the plant motherfucker.
1:05:51Well, because we got, so yeah, because there's four, aren't there? There's the eyeball, there's the tick, there's the kind of hornet thing and then there's the plant. And I think it's Smee says the eyeball and the plant are in the wind. Like, they don't know where either of those are but the tick and the hornet, they're locked down and they know where they are. I thought there were five.
1:06:05Chris Hewitt:I thought there were five. The alien is the fifth. There are four and then the traditional eye. So who are the four? Okay, so there's the xenomorph. Jesus. There's the xenomorph. There's the eyeball. There's the plant thing. The plant monster. Which kills that soldier at the end. The tick, slack, slash leechy, slash tadpolly things, which is one. And those are the things that suck your blood in its entirety. Right. Which is not good. No, it's bad. And they urinate in your AVN. And then there's the fly thing that kills toodles. Yes, the vomit hornet. Okay. All right. Okay, now I'm on board. Okay, just wanted to check that I had them all straight.
1:06:38Chris Hewitt:And there's the one, what's the one on Helen's shoulder right now? What is that? Oh, God. Oh, no. I don't like it. Were there any surprises? What surprised you about this episode? What took place? I thought Mora would manage more damage. Oh, it rhymes. I feel like I wanted maybe, I mean, he has a one-man army, but he's only a one man, I guess. You don't get quite as much. I enjoyed the fight. Aside from the just case, I enjoyed the fight with Kirsch because I enjoyed that relationship. and I think thinking about it now and based on what you were just saying about Kirsch, I think maybe the difference between them is that Morrow has the freedom to say, fuck you, I'm out of here, and doesn't use it.
1:07:20And Kirsch is like, why the fuck would you not? These people are awful. I hate this. That seems to be a lot of the kind of antipathy maybe between them. I love that on the surface of it,
1:07:33Chris Hewitt:their goals may be the same, that Morrow wants to kill Boy Cavalier and burn the whole thing to the ground. And that might, might be what Kirsch wants as well, ultimately. And yet they just fucking hate each other. Hate at first sight. It's like that moment in Pulp Fiction where Bruce Willis and John Trafalto meet at the bar and they just have that moment of enmity. And it's like, what the fuck did you say? And there's that great shot of Bruce Willis watching John Trafalto walk away. And they just fucking hate each other from the start. that's what this relationship is like loathing
1:08:12absolutely true I really enjoyed the not just the fight but the conversation you know the John Henry conversation John Henry versus the steam engine this idea like mankind will always win it's a matter of will and that's because Morrow just believes that and then Kirst very correctly going yeah but he died of exhaustion what the fuck yeah
1:08:31Chris Hewitt:but then he did become the name of a Lay My Be Giants album, so... Who's the real winner? Yeah, who is the real winner, ultimately? Whoever wins, we lose. Yeah. I love Lay My Be Giants. But, yeah, I thought that was an interesting conversation and an interesting idea, you know, what wins out sort of flesh over, you know, synthetic goo or whatever it is. But Mauro, like Mauro's character kind of evolves as you go through it, as you understand his kind of slightly weird backstory, but he is just driven by essentially loyalty at this point, like, because he doesn't have anything else left in his life apart from loyalty to Yutani.
1:09:06But that's everything to him. So I feel like the Cavalier thing, he hates him mainly because he wronged Yutani and he stole something that his duty bound him to deliver to Yutani. So it feels like he's just on this very singular blinkered mission. And obviously Kirsch is in the way. And also, like, he literally killed or allowed to be killed every single person on his ship in order to accomplish this mission. Crew expendable. Yeah. And then these fuckers are going to get in his way? Like, come on. Yeah. You know?
1:09:37Chris Hewitt:He's brilliant. He's so good. I love that character. I love that scene where Wendy has freed them essentially from the cell and they've got out and he's about to beat that guard to death and Joe stops him and says, I'm going to save the ones I can. And Mario goes, you better get to the children because I've got to burn this place to the ground and he's just growling it. It's so great. You could argue, of course, that he starts the episode in a jail cell and finishes it in a jail cell. And what really changes in between? I mean, he does break Kirsch's back and they do at least get to have that fight slash flirtation, Helen.
1:10:13I mean, there's just a bit of grappling, I'm just saying.
1:10:15Chris Hewitt:But what impact does he have on the overall events of the episode apart from incapacitating Kirsch? Which I guess is pretty major. Yeah, I guess pretty major. But I do think, yeah, I did kind of want more for him for his own sake. That's a weird thing. he's effectively a mass murderer I just want the best for him I want him to be able to complete his mission of bringing back aliens to the evil corporate shit I haven't thought this through that's a very good point I really loved we have a question we have a question about Kirsch and that fight in a second but I really liked how it was framed because I've seen the episode twice we did an Empire VIP club event last night where we showed it on the big screen and I love that the setup to it where you're introduced to the fact that there are two guards outside the laboratory and Kirsch is inside doing some experiment doing whatever the fuck he's doing and then Kirsch is at his desk and then he moves across and the camera pans with him and then the camera pans back again and those two guards are now bloodstains on the wall.
1:11:23Chris Hewitt:It's really, really nicely done. Just trying to think about any other surprises. I'm trying to think if any character was revealed as an android here we go fucking smart articulate here listen I don't get these things right very often but when you do you never we never get the end of it is this genuinely the very first successful you better believe it buddy I will I will many many spoiler specials my predictions are correct with uncanny accuracy I will I will point you towards me predicting Luke Skywalker at the end of The Mandalorian season 2 that's true he did yeah I think I don't remember I fucking did I've got the tapes mate if only there was some kind of audio record but I did I called it Adrian Edmondson yeah that was fun wasn't it that was fun I did have some questions about the boy cavaliers oh thank god I thought you were going to say geography of the island I was like not even you can have a question about that no it's a bit Jurassic Park-y the island but that's okay we can allow it I just kind of felt like okay so his his his reputation as a prodigy is because he was able to build a synth from parts question mark at the age of six yes I mean that would be prodigious because I know six year olds and they are not at that level it's just Lego I guess and they do build some impressive things out of Lego except I don't think that's where his reputation as a prodigy comes from because nobody knows Adam Aynes is a robot true although they must I was still to say he hasn't aged.
1:13:02Well, didn't he say he uses Atomines as a front to start his own corporation? Yeah. And then presumably does lots of clever things that makes him a trillionaire. That makes him a lot of money. Yeah. Exactly. So I think, but I guess what my issue with it was, if we're talking about this as a sort of satire in any way on current capitalism, most of the current billionaires are to some degree dickheads who got lucky once. and I kind of did want that for Boy Cavalier I think that's where we are
1:13:32Chris Hewitt:I think that's where we are I think he is genuinely well he does mix up his science fiction authors and that gives me hope but he does appear to have as they say some game and I kind of wanted him to have no game because I'm mean that way I guess but I like that you have that story so when we see Morrow's backstory and we start to understand him a little bit there's an element of sympathy that we get from Morrow not loads but we'd get some. Cavalier's interesting because he gives us a tragic backstory and it just makes him more of a cock which actually I thought was very well played and you have no sympathy for him after that whatsoever and yeah he's just an arsehole.
1:14:11And interesting that Wendy calls it I love the way she called it she said you act like you're the boy that never grew up and actually you're the person who never had a childhood and that is a powerful flip of the scales now we could have an argument about whether that does lack sympathy as you just liked sympathy for a kid who grew up in an unsafe and unnurturing environment, perhaps.
1:14:32Chris Hewitt:But as she says, he's not Peter Pan, he's Captain Hook. Yeah, that's fair. Yeah, the whole Boy Cavalier origin thing. I mean, Samuel Blankin is incredible in this. It's so weird how many of the cast are British, by the way. He's one of them, which is wild. But yeah, that's so unbelievably creepy. I'm still trying to get my head around how it works. So he's six years old. His dad is scared of his prodigious intelligence. And he senses that his dad is going to kill him because he's so jealous of him. Okay. All right. So he builds Adam Einz, which, by the way, is a six-year-old kid's idea of what a grown-up smart person would be called.
1:15:17Yeah. Adam Einz.
1:15:19Chris Hewitt:He just stops sort of Einstein, which is another little wrinkle that I love. So he builds Adam Mines, programs him to kill his dad, and then, as far as I could tell from Boy Cavalier's monologue, take his place as his dad to the world. Yeah, okay. And no one notices that he doesn't age. But that's okay, because A. Edmondson hasn't aged. To be fair, I mean, and, you know, once you kind of lose your hair, you kind of stop aging. look at him he's looked the same for the last 20 years but I am also a synth so you have to put that in mind that is true podcast crew expendable no yeah it's interesting but the the Adamines revelation and the fight I thought was terrific and it's such a shame that I haven't had a chance to talk to Ed Edmondson yet because I'm still convinced he's channeling Claude from The Apprentice although Claude from The Apprentice has never tried to beat the shit out of someone that I know of.
1:16:19Chris Hewitt:Yeah. And I love that. And the moment where Wendy goes full Neo on him and goes, no, and stops him. And he is frozen in place and his eyeballs are flicking around. That was so Eddie Hitler. I can't even begin to tell you. I had so, I had very welcome bottom flashbacks at that point. So that was great. Hopefully it'll give him a frying pan in the next season. The less we hear of your bottom flashbacks, the better. getting flashbacks to that chicken restaurant we went to that time oh no okay let's not name it let's not name it oh dear shall we have some questions please sure alright so Brewy Chris Brewy underscore Chris on Twitter sent in a bunch of questions as ever thank you for those I'm reading these as I'm seeing them if there were future seasons of Alien Earth I thought it may have charted the downfall all of Wayland Yutani's competitors, starting with Prodigy, each one somehow involving their quest for the Cenomorph.
1:17:23Same.
1:17:24Chris Hewitt:But it looks like going forward, everything will be set on Boy Cavalier's island with the hybrid now trying to escape. What direction do you think they should go in? I don't think it will. He's mentioned that this is a Prodigy series and there are other corporations to explore. And I think he definitely wants to look at that. I think the whole, you know, corporates, corporocracy, whatever you want to call it. Oligarchy. Sure. I think that form of governance and all that that really interests him so I think we'll explore that more but I definitely think like the nature of the hybrids is going to be centre stage for the foreseeable whether it will be for the whole show I don't know but it feels like that's that's certainly where we are at the moment but I think I think absolutely we'll get off this island and yes I think we'll see more of Weyland-Yutani and I think you know what's it threshold and dynamic and Lynch will all come into it at some point like which is the one that controlled the moon like 100 % I feel like we should have a moon base.
1:18:15Yes, aliens on the moon. Yeah. Alien Earth, alien moon, alien Mars.
1:18:21Chris Hewitt:Alien Uranus. Hey! Ew, that sounds very painful. In Uranus, no one can hear you scream? I mean, that's possibly accurate. I don't really know. I don't want to test it. I shouldn't have maintained icon. That was quite creepy. Part threat, part promise. Oh, no. Jesus. Oh, dear. Is this what's like a pilot? This is so much fun. All right. Here's another couple from Bruby underscore Chris. How did the creature hear Wendy slash Marcy when she was inside the facility and it was outside? And then also, any ideas why Wendy is special? She can hack into the systems. she can talk to aliens she can talk to Doodle she can talk to the animals she can do things that the other Lost Boys cannot why?
1:19:23she might just be more developed because she was the first I suppose but the sound thing is interesting because I meant to ask Holly about that and I didn't get a chance to what the fuck did you ask? we just chatted about Metallica for 20 minutes we were just going
1:19:35Chris Hewitt:I love you yeah a little bit like that but I yeah because I wondered about that because it seems to have extraordinary hearing whereas he references the communication in Aliens when the queen sends its drones away when Ripley threatens it with a flamethrower now that felt almost when I watched Aliens I've always interpreted that is it part psychic is it part you know is it just like a gesture pheromones even yeah because it hisses but I didn't get the impression that it was talking to them it just maybe it's like you know it's not even that it's kind of just gestures you know when kids are fucking about and the parent just looks at them and raises an eye about mmhmm And they just know, right?
1:20:13They know they're misbehaving. That was the equivalent. It just raised an eyebrow and looked disapproving. And they backed off. But given she does control the systems of the whole base, and given that she does have this weird connection to the alien, which, yes, I would have liked to have been a bit more explained, if I'm honest. I think there was some random stuff online about, well, she's a new body and the alien's a new creature, and therefore they can sort of bond over that. It didn't make a lot of sense to me.
1:20:40Chris Hewitt:But if the alien came out of her body, I could maybe understand that, but it comes out of Hermit's body, or Joe's body. Well, they are kind of related then. Well, yes, but also she is communicating with the aliens before that. Well, she can hear them. That's when she wakes up, she can hear them. But if she can hear them, what I'm saying is, and she controls the systems in the building, she could maybe literally kind of put herself over in a loudspeaker at that end of the building. Yeah, conceivably, that's true. That's a very good point. But I like the fact that when Cavaliss has talked to her, And she's like, how?
1:21:10And she's like, it's like the whole magic thing, isn't it? You're so advanced. If you just imagine you can do it, you can probably do it. Which is a wonderful hand-wavy way of saying, we don't know how this works. Shut up. Shut up. Don't ask questions. Do you think Holly knows the answers to these questions? I don't. And actually, I think Helen's right. We want to know the reasons why, but I equally think it's important that they don't tell us. Because inevitably, the answers are more disappointing than the questions. So I think it's nice that we don't fully understand it. And I kind of hope we never do, even though I want to.
1:21:39Chris Hewitt:Do you not think we could have maybe done with a little bit more resolution in this season? A little bit more resolution, yeah. Because I wanted more of it. I wanted this story to continue, but we're going to have to wait for the second season, if we get one, to find out where it goes. So, yeah, I definitely agree with that, but I'm a big believer that less is more in terms of answers. And I think so many TV shows undo themselves by giving you too much information too early on. And it takes some of the fun away of it. Part of the joy of these things is the sense of unknown, the sense of not understanding.
1:22:06It's why he came up with these new aliens, right? The thing about the alien, when you first meet it, is I don't understand what this thing is, what it wants, or how it works. And the more we understand about it, the less interesting and scary it is. Whereas the eyeball, we don't understand what it is, what it wants, or how it works, which is why it's so fucking cool. And I think that's important. I agree, yeah.
1:22:25Chris Hewitt:All right. Another one from Brewing underscore Chris. I love the eyeball. MVP. How do you feel about its ability to puppet a dead for at least a day body? I can't wait to see the result of it walking Arthur around but shouldn't its host be alive nearly dead or a fresh corpse to work? I mean don't overthink it would be my suggestion yeah I mean like if its blood started to kind of like you know pool and its like muscles are atrophying you could argue that it wouldn't really work but that's not fun let's not let's not go down that road it's cool I mean this is like arguing about zombies and not being impossible why are they eating they're dead it doesn't make any sense Why do they want your brains?
1:23:06Chris Hewitt:Isn't the cat half dead anyway? The cat has a face off or something? So I think it's established that it doesn't need to be a living host for that to work. I'm just really intrigued. I can say, can it make Arthur speak? Will it be satisfied with Arthur? Or will it want to upgrade? Will not make it intelligent? I suspect it will not be satisfied with Arthur. I'm interested that it went all the way to the beach when, as we know, there are a whole number of corpses right around the facility that have been killed in the recent past. But anyway, maybe when it went through the little grate in the floor, it came out by the beach.
1:23:41Chris Hewitt:Maybe it's the beach bomb. Maybe it is. It just wants to go to the beach and have a great time. Who could blame it? 20%. Okay, here's one from Adam Shortland. This is on Twitter. There's another couple from Blue Sky as well. My Alien Earth question would regard the likely two to three year wait for the second season if we even get one. Yeah. Would that dilute any anticipation for it, as we see with quite a lot of these high-budget cinematic shows now? Yes. And is the lack of any real cliffhanger good or bad? Lack of any real cliffhanger. I think there's a cliffhanger. I think there's a cliffhanger.
1:24:16I think there is a cliffhanger, and it makes me very annoyed that I will have to wait two to three years. And what I would like them to announce this afternoon is that they actually already have season two in the can. They've gone full slow horses. Yeah, they've shot it. Yeah, and they just have to spend, like, I don't know, six months to a year, that's fine doing the effects. Yeah, that would be amazing. But this whole giving us like eight, ten episodes of something and then you have to wait three years for the next freaking series is bullshit, if I'm honest. I could not tell you what happened in the last two seasons of Stranger Things.
1:24:47No fucking idea. Well, I re-watched them recently, but otherwise I wouldn't either. I'd like, and I'm not anticipating the new one because I don't remember who anyone is. I literally don't remember most of their names. Yeah. And I'm going to have, am I supposed to do homework? Yes. Fuck off. Like, no. I just want seasons to be predictable and especially if they're only 10 episodes at a time at the very least hire writers and get the things written so you can start the you know the cheap stages of pre-production and everything else in good time at least do that much this is why you kind of want networks and streaming services to just green light two series off the bat you know save yourself some money make them back to back produce them and then you know take the slow horses model just go with that like that's great because that's that's easier on the viewer but you're absolutely right like certainly for for some of these shows the wait between seasons can be interminable like it really can be can be a real problem and you exactly you said
1:25:43Chris Hewitt:you forget stuff why is that such a problem though because we're willing to wait three four years between installments of movies why is it different with TV because you wouldn't like you'll definitely wait between alien and aliens because one's not built predicated on the other really like no one went into alien thinking we need to see how this story ends we would not have been happy if we'd had to wait three years between June Part 1 and June Part 2 although we kind of nearly did but if better analogy maybe Fellowship of the Rings to Two Towers if that had been a three year wait fuck off do you know what I mean like we can just about do a year but yeah and there's also I mean you know we are having to wait for example for something like Spider-Man Across the Spider-Verse the third one Beyond the Spider-Verse I mean we are you're absolutely right and you know it has blunted my excitement a little bit just because I can't maintain it for four years or whatever it is.
1:26:32I think, and also there's much less to keep track of in these films than there is in some of these shows. Exactly, and you can re-watch a film in an hour and a half. Exactly, I don't have a day to commit to re-watching every freaking show. I had to watch four seasons of Stranger Things to find out what's, like that's a big ask. Yeah, it's too much. And yet too little because it's only eight to ten episodes so it's not like, you know, like all day stuff like Supernatural, 22 to 24 episodes a season. Yeah. It had only been six months since you last saw it. It's not that big a deal to try and refresh yourself on the little bits you missed, you know?
1:27:06On the quote-unquote story. Hey, there was a lot of story. They fought literal God. Don't get me started. The point is, like, that was a smaller gap between seasons. Even if there was a lot of story to remember, it was a smaller gap between seasons. Classic network production schedule, yeah. Exactly. And this shit that we have now, honestly, is killing TV for me. I hate it. I mean, look, we waited three years between Severance Season 1 and Severance Season 2. Fuck knows how long it'll be till we see Severance Season 3. Will we remember what a Severance is by the time the third one comes out? It's hard to say.
1:27:40But look, I guess these are very first world problems, right? They are, but I mean, it genuinely makes you hesitate before diving into Season 1 of something, and that way, the show might be cancelled. You know, if you know... That's always been a danger. That's true, but if you know that there's more coming, you're much more likely to invest. But then that was a problem since the dawn of network television, where if not enough people watched a show, it would get cancelled, but then you didn't want to start a new show in case it got cancelled, so you kind of have a problem there, don't you? I think it's much more of an issue now.
1:28:08So there's a lot more entertainment. Yeah, maybe. Anyway.
1:28:15Chris Hewitt:Glad I asked now. Sorry. Sorry. That was a downer. Have you heard of Fantastic Four Sports Special where you talk about the death of cinema? That's a downer. Anyway, Helen's in her soapbox again. Get her off the soapbox. Jesus Christ, get her off the soapbox. Like every day is Christmas Eve. Hey, here's something exciting. No news yet about a renewal for Alien Earth. I've been refreshing news on my phone, poking it with a stick, going, make it happen. But last night at the Empire VIP Club screening of the finale, sign up now, empireonline.com forward slash VIP for possible access to those events.
1:28:58Chris Hewitt:I interviewed at the end Jonathan Ajayi who plays Smee and Lily Newmark who plays Nibs. Nice. And they were very, very lovely and Nibs was not terrifying in the flesh, which was good. Hooray. And they still have their hairdos. Now, of course, it could be just their hairdos. But they might also have been told to keep their hairdos just in case we're going to go. We get a season two renewal order and we're going. We're going. Go, go, go, go. Both of you are obsessed with hair this episode. We just need one more mention of Ghostface. But it can be a giveaway. He's right. It can be. I mean, it can be conspiracy theories.
1:29:37But also, do you remember when Robb Stark, not the other one, Jon Snow. Jon Snow. Tony Stark. Jon Snow was dead and he was all like, I'm definitely dead. I'm not coming back. But he hadn't cut his hair. And everybody was like, He's totally coming back. And you know what? Well, no spoilers, obviously. He totally came back. Oh, my God. Yeah. That's one of Game of Thrones.
1:30:00Chris Hewitt:I understood that reference. And I know, Littlefinger as well. That was a big reference. Which I totally understood. Oh, my God. That guy reaped the benefits, didn't he? Yeah, it's such a Littlefinger. Oh, my God. And you know what they say about men with Littlefinger? Tiny gloves. Yeah. Small rings. Small rings. He was the Lord of the Small Rings, wasn't he? Do you know why he's called Littlefinger? Because he's, I don't know why. Because his sort of, his holding was in an area of land called the Fingers, because they're sort of promontories, and his was the smallest promontory, and so it was known as Littlefinger.
1:30:32See, you should have known you would get an answer like that. The question, I guess, really is, why would he tell us?
1:30:39Chris Hewitt:I mean, what useful information has been pushed out of your head to make way for that? I do often worry about that. Like, basic things, like how to do the household tasks. If I had a heart attack right now, would you know how to do CPR? Well, I've recently watched all 15 episodes of The Pit, and there is a CPR episode in that. I don't have time for you to re-watch all 15 episodes. It's in here somewhere. Look, Noah Wiley managed this at one point. What episode is it? Oh, yeah, here we go, here we go. That's it. Okay, one a second. Good, good, good. Yeah. All right, so I'd be in safe hands? Yeah.
1:31:13Chris Hewitt:Or would you just hope that an eyeball creature would reanimate me and walk me around for a bit? Okay. We'd go full weekend of Bernie's. Because I do worry about that. Because I've got all the eyeballs. Being reanimated by an eyeball creature? No, about all the shit that's got out of my head. Yeah. Oh, yeah. You know, in order to store all the useless arcane nonsense that will mean nothing to me, ultimately. Have you ever done that thing where, like on your iPhone, you can check storage, and it gives you that line which color codes how much your music is using up, your apps are using up. Mine is being like, Game of Thrones knowledge, like 48%.
1:31:44Taylor Swift knowledge, 20%. And it's like, basic human tasks, 0.3%. Like, there's nothing left. Bottom wiping, nothing.
1:31:53Chris Hewitt:It's just no idea. Yeah. Didn't want to bring it down, but there you go. You did. Yeah, you did. And yet you did. And yet I did. Well, you know what to do. If you have problems wiping your bottom, just use your little finger. And we're back. Okay. Bye to the pilot listeners who have... They've long since deposited. Boyd, he would never do that. Boyd, he would never do bawdy humor. Filth Pure filth Boyd Cavalier Does Boyd walk around with his shoes and socks off? Regularly Misquoting Arthur C. Clarke Alright, let's wrap this up Oh shit, more questions Shit, I forgot Fileshopaholic Has nobody ever taught Kirsch never to sit with his back to the door?
1:32:38Yeah, it's bad luxury
1:32:39Chris Hewitt:Reacher would be fucking disgusted by that behaviour Who would be? Reacher Reacher, yeah Never said we'd be about to know. Good scene, though. Yeah, it was. It was a good scene. Did you think he knew? Did you think he was aware? Were you waiting for him to turn around and confront Morrow? Oh, yeah. Or did you think he was going to be caught unawares? No, I didn't for a second think he'd be caught unawares because he's Kirsch. He's Kirsch. He's cool, even though we still don't know what the fuck he's up to. Yeah. Yeah, we like that guy. What about the Lost Boys? Are we happy with the Lost Boys?
1:33:11Chris Hewitt:Do we think that conceit works? I mean, they got a lot of shit. Certainly, like, the subreddit was awash with people furious with the performances of adults playing children. I thought it was spot on. I thought their performances were great. Yeah, I loved it. I thought, in particular, Smee and, insert name of... Nibs. No, not Nibs. Jane, as she knows. Again, not Jane. Oh, the other one. Keep going through them. Yeah. The one who's always with Smee. Yeah. Smee's friend, who is... Slightly. Slightly, yes. Those two together were brilliant, where they're, like, pushing each other, and they act so much like young teenage boys.
1:33:43And just the way they talk, the way they're like, oh God, I'm bored. I thought that was great. I love them so much. Really enjoyed them as a double act. I was a bit worried that something bad would happen to them and I would have been furious. Yeah, I thought that was great. And yeah, I think it did work as it can see. And I think it's a fun wrinkle. And again, and all your references in the interview, who else would have come at this from a Peter Pan perspective? Who else would have come at this from a hey let's put kids in and what the fuck like as a pitch for alien on earth this is extraordinary yeah i love the ball swings that it takes i guess it's a way of playing with some of the alien iconography without being boring yes um so you're kind of you know you've got you had newt in in peril in aliens and it worked really well my name's newt and he calls me rebecca except my brother okay are we done now what's her surname go on what's her full name tell me now get fucked fine my point is
1:34:48Chris Hewitt:CPR has gone out of my head but I know she's called Rebecca Newt Jordan so since that we've had endless action movies that have put a kid in peril in the middle of the you know big burly whoever's who are trying to save the world right I just feel like partly because aliens is aliens, right? Everybody wants to be aliens. This is a way of kind of referencing that and putting kids in the middle of the action without putting kids in the middle of the action. And I think it also plays off this idea of the alien as an animal because you have kids who are also kind of figuring out the moral universe and how to be humans, which is also an interesting thing to play against the synths.
1:35:30And then if you have these kids and these pretty near indestructible bodies, but not totally indestructible, which is important. I think that gives you such rich pickings, frankly, for this show to play with. So I'm loving it. I don't understand why you wouldn't.
1:35:46Chris Hewitt:Yeah, in that regard, the death of Tootles in episode six was really startling. Tootles, Pip. Very good. Because you were already conditioned to see them as indestructible. indestructible. And it's like, oh, this little fly, that's not going to take out one of these multi-billion dollar prototypes. And then, oh shit, no, he's gone. He ain't coming back. I think it was a smart move because I guess there's an element of so many of these alien films have tried to recreate the kind of Ripley archetype. And I like that this leans more into the Newt archetype, which I think is a lot of fun. So, yeah, here for it.
1:36:21Chris Hewitt:And also, because they're kids, they can make dumb decisions. Yes. Yeah. And you'd be totally fine with it. Yeah. And Amon can stop shouting at the person for running upstairs or whatever. The thing is, I put it to you that if you were being chased by an alien, you would not necessarily make good decisions. You would just shit your pants and run into a wall. But things like Tootles, you know, in a normal, if he were an adult and he has that moment where Curly's like, oh, do you want me to come to the library with you, mate? And he's like, no, no, no, I'm totally fine. I've got this because he's got that childlike hubris.
1:36:57Chris Hewitt:Yeah, very much. very much that and then he makes the dumbest decision possible but it's fine because he is a kid but also not being funny not just a kid like how many times have you done something kind of like oh if I just I know it's a bit and you don't really think about it and you know it's stupid but you think oh it'll be fine like I could totally see even an adult just thinking oh that's fine I'll just hold the door I'll just hold the door open it'll be fine for a second yeah and of course and then fucking psycho sheep head past the glass in one of my favourite moments yeah the night because I lived in LA for a year and the night I was due to fly back to London and I was packing furiously and I was really well behind as you might be surprised to know and I got very little sleep that night and I had to take something to the garbage bin, the massive bin outside the block of flats which had a, or the apartment block which had a automatic door that closed and I went outside and I went to hold it up on my foot and I put the thing back in the thing and the door literally an episode of Friends isn't it the door closed and I was suddenly like I don't have my keys on me like one time I don't go out with my keys I can't get back in and it was like two in the morning and I couldn't call anyone to come and get me and I had to I had to somehow clamber onto the bin and clamber over the fence and you know what I'm like with heights and it was it was it was a thing it was a thing yikes I could have died wow maybe I did maybe you did anyway maybe you are like the Lost Boys ghosts that's a fun story for the pilot listeners so last last knockings what else do you like about the show music yes I like the music and some people really didn't like those kind of because it's very kind of 90s rock metal grunge type stuff but also it's not just the music it's just the fact that no one has ever done anything like that really in an alien thing before.
1:38:57No, and Metallica is now canon in the alien universe, which is wonderful. But I really liked the final episode, which is Animal by Pearl Jam, which the whole song is about I'd rather be with an animal, just basically how awful humans are and that animals are better than humans. I thought that was a really nice button to end the series on. And that's from Versus. And what's on the cover of Versus? Oh my God, a fucking sheep! Wow! Wow, it all comes full circle. That hadn't even crossed my mind. I think it's a sheep, unless it's a ghost. It is a sheep. No, it's a sheep. It is a sheep. It's a full-on sheep.
1:39:23oh my god so what we're saying is it works on so many levels yeah the eyeball fuck me wow
1:39:30Chris Hewitt:the eyeball fuck me yes it would it would I fuck you completely but yeah that's it would I fuck you E-Y-E-I I understood not I okay wasn't another what did you say bottom remnant
1:39:48Chris Hewitt:yeah I loved it I loved the music I thought those those those Passion Pumpkins, Chirp Rock, Ends of Sandman, there was Jane's Addiction in there. It was distracting at times. Episode 7 ends with Songs for the Dead by Queens of the Stone Age, which is one of my favorite introductions of all time. It has this amazing guitar riff, and then Dave Grohl comes in because he was a drummer at the time. And it's just one of the best pieces of drumming I've ever heard. And I was so, I genuinely was watching it. I was like, fucking hell, this is Queens of the Stone Age. And I started getting ready to air drum.
1:40:22Chris Hewitt:And I was air drumming so much, I missed the key for the dialogue at the end of the episode. Should I rewind it? Nah, I'm air drumming. Fuck it. It'll be fine. Arthur's fucked. It's good. Wow. Yeah. Not that it's good for Arthur. I liked Arthur. I didn't want him to die. Yeah. Did you hope he would get out? Somehow they would find a way that maybe he would be taken tomorrow before the alien came out of him. No, he was always doomed. Yeah. I don't think you could be that revisionist and still be alien, if I'm honest no although I guess Prometheus kind of did it yeah she did yeah yeah alright are we done?
1:41:01Chris Hewitt:is there anything else you want to say? or should we I think we're yeah can I dream? of electronic sheep hi hi hi hi there we go anyway on that note it is game over folks a game over for this Alien Earth spoiler special I hope you've enjoyed it and for the pilot TV listeners who are experiencing us for the first time, this is what we're like all the time. Yeah, I'm so sorry. It's true. Yeah. It is true. So, so sorry. But anyway, there we go. That is it. Hopefully we'll be back in four or five years for season two. Keep and peeled on your Empire Supporter special feed for some movie stuff and on your pilot TV feed for some TV stuff.
1:41:44Chris Hewitt:I can't be more specific than that. But we welcome and cherish your love and ongoing support. Speaking of love and ongoing support, bye James. Not bad for a human. Eh, I don't know. I don't know. Goodbye Helen. Toodle, toodles pip then? Wow. Too soon. It doesn't really work. Too soon. Hey! It was brilliant. He's barely cold. He's been cold for two episodes. It's fine. alright. And it is goodbye from me. I'm off to airdrum and thus miss my own outro. To the queens of the Stone Age. Oh yeah, here he goes. And then he goes. That is indistinguishable from the real thing. It's the real fucking thing.
1:42:34Chris Hewitt:That's the rhythm and everything. Oh God. Thanks for listening. See you next time. Bye. Pilot out.
From the publisher
And so, Alien: Earth — for our money the best slice of Alien-related content since Ridley Scott's original and James Cameron's one-louder sequel - has come to the end of what we very much hope will be its first, and not its only, season. And to mark the occasion, Chris Hewitt, James Dyer and Helen O'Hara popped into the podbooth and recorded their thoughts and feelings about the season and its final episode, referenced hair, Scream, and Game Of Thrones a lot, and answered some listener questions into the bargain. But that's not all — front and centre of this spoiler special is an exclusive interview with the show's creator and showrunner, the brilliant Noah Hawley, conducted by our very own Atom Eins, James Dyer. Do please enjoy!
