Teddy Bear, beau ou un truc comme ça

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1:42Thank you to My Little Box for supporting in appearance and rendez-vous on mylittlebox.fr for receiving your box surprise. Anti -âge, maquillage, lifting, slut-shaming, botox, untox, elle a morflé, contouring, la skin, masque, peau flasque, relâchement, cheveux blancs, acné, zone T, brillance, en apparence. Bonjour, c 'est Nora Amzaoui, j 'ai hésité sur mon prénom, bonjour c 'est Nora Amzaoui et vous écoutez En Apparence. L 'artiste que je reçois aujourd 'hui est un chanteur, auteur, compositeur, je l 'ai découvert très récemment. Il chantait en live dans l 'émission C 'est à vous, son titre le plus beau et j 'ai été littéralement scotché par son talent et sa sincérité.

2:15Il y a des personnes like that, who touched you in the heart in two seconds, he's part of it. I'm very happy to receive Teddy Bear. Hello, Jules. Hello, Nora. How are you? I'm very intimidated. I already love it. I have a lot of hands on my portable like that. No, but it's also because you don't have the habit of finding someone so beautiful, I imagine. Sincerely, yeah. Also charismatic, I can tell you, you're very charismatic. And by the way, you do this thing that also makes my very agaçant. You have a patte foal. Ah, oui. Why? Why ? I would like to tell you, I don't know. You don't have time for all the time, this platform ?

2:49Yes, I think the body needs to extensor things, whether it's by the hands, the legs or the legs. It's true that it's often like that. It's also because I'm a batteur. So you're saying that you're just all the time in the rhythm. It's not nervous. Maybe that's it. My friend says that it's nervous, that he doesn't find the pain inside. Maybe I'm a plant. Maybe it's the next Phil Collins, I don't know. You imagine, that would be amazing. I don't think there's a chance. Why not? You really love Phil Collins? It's funny that you love Phil Collins. I love a lot what he did. But you have a little bit of a melancholic.

3:23I have an impression of something that I have touched in my heart. Because I think there's a great melancholic in you. It's possible. It's true. It's a bit paradoxical that I tell you myself. But it's possible. Melancholic, I'll call Phil Collins. His second name is Melancholic. No. A little. No, no. I'm not sure. I'm not sure. I'm not sure. I'm not sure. I'm not sure. because I'm humorist. So when I'm not the second degree, people think that I'm just a bête and they say, is she really capable of doing this job? There where you have the right because you're a artist, he's a sensible. Ah, it's possible.

3:56Is it possible? Do you want to tell me where Teddy Bear? Yes, it's true. It's a question that we ask very rarely. It's true? No. Oh, you're in the middle of the podcast. You're in the middle of the question that everyone asks. Yeah, but it's a question. It's a reason. When I arrived in Flandre You see what it is in Flandre The old of Belgium In all the terms And how I arrived For studying music And it's there that when I arrived Everyone called Teddy Bear Instinctively, without me asking And I told myself why they did that And they told me Maybe I had a bit of a reassuring And maybe I had a bit of an appearance Of course at the end And so it was like that, but before I chant But you think that normal, you?

4:44To say? That the people don't give... I don't know, imagine, on call it Chucky or my poupée de son or my poupée in porcelain, it would be very angry. Ah, yeah? It's a very angry. It's called like that, all of you? Ah, no, I didn't know. It's even worse. Hey, Teddy Bear. Ah, really? Yes. But I think it's affective. It's obviously very affective. But is it you want to be an ourself? Well, I'm very happy to be an ourself. Well, I know I'm a fan of Doudou. But for all... I understand what you mean. I think that it's all right in a position in the world that is that it's the person attendry, and douce.

5:19I don't know how to get it. I started to call it like that. But for example, there was an age where I wanted to be good, charismatic, strong, and not little things that we want to protect. You know what I mean? I understand. I see what you mean. In fact, you know what? I think that all my life, I've tried to get away from an image that we gave you, you know, of a little bit of a little, that we don't take a serious. But who did that? Who did that? No, but it was not the fault of the people who did that, in fact. It's really bad. But it's true, I think it's me-même who gave me this image for being a little bit remarquable, you know, for being a little considered.

6:01I think everyone seeks a way to be considered and to be remarquable. I confirm. I think it was a little bit like this. And so, this gave an image very sweet. And it's for that, of course, I think that instinctively, I had to have an appearance more dangerous, you know, with the tattoo, the body a little bit robust, you know. Well, in fact, I have a little heart. It's a little heart. I don't know if it's a heart, but it's a big heart. It's beautiful, all these tattoos? You have to come to that age? I was 18 years old, I was told to my parents that they were not going to leave me. Yes, because before it was an authorization parentale.

6:41So you had done what you wanted. It's part of it. And you're doing the first thing you wanted? Yes, it's the one. You're all direct. So for those who listen to us, who don't look at us, I don't know what to say. Look at us, it's better for you. So it's on your hands. Yes, it's not a croix. It's two epies, no? No. It's what? It's a battery. Oh, pardon. It's not too much. In addition, I just said that it was a Japanese baguette. Ah, yes? It could be. Yes, many people say that. It's true that you're not a chef sushi and you're a musician, it's a more sense than it was a baguette. Yes, it's true. I did that.

7:18It was the first one. It made so bad that I was in the middle of the pommes. I remember that. Ah, it's true? We had to have a cup in the middle of the hand. And you have, at all, decided to do the first one. That's the second one. That's the second one. That's a bad thing. That's a bad thing. Yes, but in fact, figure-toi que all the tattoos that I have, I got two friends, a guy and his wife. They've done everything because I love them. And because they're not paying them. They're not belges. Yes. I said in off that it's our first Belgian artist. I'm very honored that it's you. It's a good name.

7:52I'm very happy. So you're stylized. So you're in the middle. And then you're not in the middle. No. And so the first... Wait, you have a quel age? 24. And so the first thing you do is to 18 years And so you're still in accord with your own Where you say, oh, when I did that Oh, of course, but they are part of me I don't know, you know, for example Celui-ci Pardon, I have my eyes of sun, I have really looked I have a lot of fun But what's that? Well, it's written FTB Well, it's true that when I arrived in Flandre I was 18 years And that's the third time, I think And I had a group of rock there Okay Who's called Rover But Rover, like another artist?

8:32But yes, we didn't know that there was another one. Oh, zut. It's called Rover. And I'm a battery in this thing. And we recorded a EP in a cave, in a friend. And in fact, it was too good, you know. We wanted to call it the EP from the basement, from the cave. Ah, mignon. FTB. And we arrived at a night after, with a friend in Flandre. And there was someone who was tattooed. Ah. And we told them to come out with the other musicians, come on, we all did tattoo FTB. They did all the stuff on the ground. But you were not? No. Because it should be very, very bad. It's not a good thing. It's very fine.

9:07Yes, it's not a good thing. It's not a good thing. It's not a good thing. What's the worst? The tibia. The tibia, it's horrible. You see, I didn't have a bad thing. The tibia, he, he did well. Ah, because of the loss? Yes, I imagine. Because my partner is a barbarian. And there's no color? Yes, I'm the one. My partner is the one of my other people. He wanted to test the color. I said, but with pleasure. It's nice to do it. My heart is a toilet. It's beautiful, all that. I love it. You never leave it? No, after they make part of you a little bit. But you want to do it on the face, by example? No, no, no.

9:40That's the limit. Yeah, yeah. I think it's super, the tattoo. And every time I think I'm going to do it, I don't do it. And I don't do it. Because it was 43 years ago, I didn't do it. Why not? Because I think that the tattoo that I want, it's really tattooing. It's not tattooing, it's de la niazerie. For example, the only thing that I would like to do, it's a little bit of a heart. Well, why not? I can't even write a styloby, no? Franchement, you know what? I think we're in the thing where we confirm that an adult is a child who is victim of the time he passes, and so he's no more, he's a fear of you.

10:15You think? Pause, Nora, s 'il you want. But you know, I'm not asking my 18 years old. I've been having a parent's authorization. There was a boot chair that was in fact. D 'ailleurs, it was a bad thing. and my sister was going to cut the chair in the toilet, the McDo. It was a piercing playboy. I was really very elegant at the time. What an idea! I wanted to excite the girls. I found it very sexy. Britney Spears had one. At the end of the wear a suit of wearing a suit. I was going to wear a piercing. I understand. I found it hyper sexy. I found it a little sexy. I still have the trous. It's a little bit of a hat with my grossness.

10:52And then, when I was told that sometimes when I was asseyed, my burlets were hiding the piercing. I was thinking that it was probably the time for my body to say that you could have more age to wear a piercing. And clearly, if I wore it, I wouldn't wear it. I wouldn't wear it. I think no. I'm sure. Vive the burlets. Maybe I should try to make it a bit bizarre. No, it would be cool. I don't know how to do it. Do you think it would be cool? I would find it very cool. It's true? Yeah, I think it's beautiful. I don't know what people are talking about. But people who... Why don't you think I'm a moan?

11:28But no. Let's go finish the phrase. Is it in a podcast where it's you the guest, but unfortunately you're interviewed by someone extremely narcissistic, who takes everything personally? You think it's beautiful, what people do? The people who... You see, it's like if there was a limit limit to do something in the sense of, for example, this story of piercing, we say, but no, I'm 40, I can't do that now. And in fact, those who don't ask the question of, no, I'm not going to do that now, I find it very beautiful. They do, because they say, but I'm still... It's good, I can't do it anymore. No, I'm not surpassed in terms of timing of my life.

12:08And I find it very, very poetic. But it's a rapport to the death, I think. And the life, the time it passes. But there where you're right, I think it's a rapport to an energy vital and of insouciance or not. And I think that... It's funny that you talk about that because earlier I talked about it that in the moment I'm not going to libido and I think I'm not doing the love and in fact I realized that what I was going to do was that it was that it was still a link with the death. It's that I was thinking but it's a true there's not enough to be a rapport sexuel until my death. I was maybe even a little when I was an adult and there was this energy vital to say that it's a true that we didn't go to see when I was going to see what and where you were going to be to be found in love six times by night.

12:46not all the people do that and that you're there I don't know how I digress is that we can come back to your album we're going to put the picture there to place my face to forget this person who says there you have your picture I don't know I don't know but I think it's a rapport with what you say of time who passes and of insouciance your album is there He is there? He is there. Is it possible to analyze this picture? What it means? Very good. It's a photo of my face-to-face absolutely incredible. It's true that I took the most beautiful picture. In the sense... This photo, for being honest, my partners are in a piece of it.

13:38It doesn't like me. Okay. So you confirm that they know that it doesn't like you? No, just not. Ah, they're trying to take it? But... It's very good, it's super. There's really this thing... Everyone was quite hot on this photo. And I didn't find it really good. I found it really that there was something at home that didn't fit. But in fact, it's there that it became interesting. It's to say that... I have in my words and in what I love to say, an envie of going to assume things. You know, I never made a morceau of the lumière Or I found out many times in the house What's that if I put you on the floor You know, things like that That I never thought of saying a day But to assume a word like that I wonder why I don't assume a photo That I don't like to see I would be happy That I would be happy That I would be a photo of my album And I'm very happy And of course I adore this album Today, this album, this cover I'm very happy especially that what there is around represents all that I wanted to put it's to say you see the man of Vitruve Leonard Vinci with this calculation of beauty that I can more or less explain here but the answers to this post are in the clip of the most beautiful figure to on a tableau at a moment if the people are attentive they will see but who are in a way interrogated the norms and the norms of beauty the standards and the stereotypes in which we are supposed to accept and recognize it.

15:12And when we are not, what do we do? Exactly. But you see a number of dollars, 1 ,618 ? No. It's a response to the calculation of Leonard Vinci on the perfect. Okay. And it's also a lot of things that surround us. You take the measure of an escargot and everything, it will always arrive at that. Or the trees and everything. There's a lot of stuff with this number which is always 1 ,618. And so, I wanted to do the same, you know. I made the same calculation. But, I'm here to two. But it's too interesting what you say. Because you say something that I'm really fascinated. This thing, this photo, I'm really interested to use.

15:56I'm using a photo in which you don't really don't know. And of course, what I'm interested in is also that it's not the person with whom you work. And that's something that we're talking about. And when we're in our jobs, in our jobs, But also, in general, in life, I think it's a thing that happens very often, where you see a photo and you can't. And people say, well, you're super. And that, it means what? It means that, you don't have an objectivity of beauty? Or is it means that we, instead of looking at it, we feel what makes a photo that can be detestable? quelqu 'un te dit mais non mais t 'es super dessus et à tel point je trouve même il va y avoir une fin à cette phrase que parfois t 'as une photo que tu détestes et tu la revois mais ne serait-ce que deux mois après quand t 'es plus dans le même état émotionnel et t 'es là mais en fait cette photo n 'a aucun problème comme si au lieu de se voir on se ressentait j 'aimerais avoir ton avis là-dessus mais je suis assez d 'accord avec toi figure-toi je vois une photo un peu comme une chanson tu vois je crois que a song, in fact a song is a moment during which you feel emotions and you put on paper and you put in music and this moment it can't change if you change it, it's not the same emotion and in fact, you see, for example, I had the opportunity in the album to try it, to do it, to do it because we didn't find it very well but it's not the same thing, you see and we're very rarely on the first voice, you see, well, we're going to take the first voice which is less good but it's not the same emotion we want this emotion and it's the same thing I think for a photo where this photo is taken you have an emotion on the top that you want to transmit and in fact it depends on how you feel this emotion so you want to see you at this moment you say I want to hear this emotion like I want to hear this song or not and so it's why I've had plenty of things like that with my partners because it's very hard this rapport to the body is always very difficult and at the face and at what we represent.

17:56And I have an idea. I know what I want to represent. I know what I want to see. I know what I want to see. But that people never will know. But they know well what they want to see. And they will see the same thing as you? Are they all the same way? Do you think? No. We look at something different for each person. Yeah. Yeah. It's funny, it's true. Yeah, I'm sure. But of course, I think it's super reassuring. In some way. Yeah, it's true. But you're funny because you have really interrogations. You've created a artistic work around a... I'm going to tell you the material. Around a question and interrogation on identity, on the physical, on the appearance and everything.

18:39Which is obviously the theme of this podcast. So that's why I'm also happy. But no. It's called En Apparence. I'm laughing. I'm not a second degree. I was going to tell you about it. If it's called En Apparence. I told you, you never answered. What? You answered my message on Instagram. You answered my message on Instagram one minute before coming. You're like these people who feel like they're paying the addition and who, in the outlaw, say, oh no, you're paying. That's what you're saying. It's a hard thing you say. You know what? I've never done that. I don't know. It's true? Yeah. But I've really had a tendency to say, I'm going to pay.

19:12I'm going to pay. And I'm going to pay. I'm going to pay. I'm going to pay. I'm going to pay. And generally, I'm going to pay. I'm going to pay. It's time to say it to each other. It's time to say, but no, I'll take it. Because there's nothing that I'm not going to do. It's the moment where you say, on share, on calcul, no, no, no, no, no, I've been eating three times more. Generally, I'm the one who has commanded to drink and eat more. So I prefer... But all this for saying that, at the beginning, your work is there-dessus and you're asking there-dessus. Sauf that the real difference of what's going on and happening, it's that you're going to become a star.

19:42And so, you know, your relationship to your image will be professionalized and that you will have to see more and more. And that's how? It's not a problem, in fact. I was really afraid of that, I tell you. There are plenty of photos that turn, you know, of people who post things when they go to concert. Or I say, but they're told, oh, the photo is beautiful. I say, it's serious. They're sometimes like, I don't know, I'm a moment. And they're often a little lower. Yes, you know, double menton, on voit que lui, quoi, où il dit bonjour aux voisins. Et je me dis, merde. Mais en fait, en fait, c 'est pas grave, parce que je crois que je me suis mis tellement à nu, j 'ai mis tellement mon cœur là-dedans, s 'il vaut mon double menton, c 'est le casé de mes soucis, au final.

20:32Je comprends. Et comment il est venu ce... C 'est quoi tes premières... Comment t 'as eu envie d 'écrire cet album ? Comment ça a commencé l 'histoire de cet album ? Alors, ça a commencé, en fait, je pense, and I noticed that, of course, thanks to my mother, it's not a long time, I thought I'd have started to write, it's to say, it's three years. But my mother told me, but not, you don't remember when you were little because it was my mother who taught me to write. I was in her class, in her first class. It's cool, it's not that? It's not that? I'm so a little bit in a different planet that I didn't even get that it was my mother.

21:07It's just her mother, she had two functions. She had two functions. When I was in, I was going to make the work and all, she told me, I said, I regretting it to be able to help you. And I said, no, ma dame, she said, you need to do this. I love it. She said, but he's a fool, this guy. What's going on? But it's a bit funny. And then what? What did I say? It's like a bêtise. And so, she told me, you already wrote it? Yes, in fact, she told me, I wrote a lot of stories where I wrote, but I wrote a lot of stories. But it's absurd. Genre, I wrote, hello, Christophe, you remember the anniversary of Jean-Claude?

21:37things that really don't have at all the time. But I thought, it's funny, why did I do that? In fact, I invented these stories, just simply. And you know what, I was thinking about something. But I always looked at the windows in the course, which made me a complicated student. Ah, complicated. But also complicated, even in terms of discipline? In terms of discipline, in the sense... In fact, my discipline, my dreams of doing and everything were in other things. I wanted to do music since I was born. But did you put the shit on? No, I wasn't at all agréable and méchant with the teachers. Never, I never spoke.

22:23But you were a radiator-fenetre. Yes, radiator-fenetre. Delicious. It's good, it's good. And I remember that I was dreaming that I was thinking of flying and looking at of the door. Well, in a little bit of a parenthesis. You make this dream again, sometimes? Yes, yes, It's very nice. It's very nice. Yeah. It's been a long time that I haven't done. There's a scientist who will comment on what that means. Yeah, I know. Now, let's not say our dream because you're right because you're saying that it's very long. A day, I'm talking about that with someone and someone said you should never talk about your dream in public because you're saying that you're saying that you're going to aghacer the audience with the bruit of your boules.

22:57Of your... Well,

23:06So you're a kind of student, well, scolairement, you're a little bit, you have a desire to do music, but you're a little popular, a little what, how do you feel like school? Well, I'm a little, little little, I'm a little bit of a kid, I'm a little, I'm not the same for you, but until the third, fourth, fourth. Jusqu 'au college, yeah. Yeah. I imagine. I was 15 years old. Okay, just at the school. There, I was the big guy who tried to laugh for existing. But you think you're aware of that already? At that moment you're aware of it? I think there's a thing in the childhood, which change, which switch at a moment.

23:51There's a sort of insouciance on who you're, what you're representing. You're a bit just someone who floats in the world. And there's a moment where you're aware of it, And then there's a moment where you look at the other side. And I think it's very different according to each other. But when you say the little girl who made a mess of people, it's like, you think that during the primate, you feel it because it's what you feel or because it's what you feel like and that there's either a moquerie, so... How do you feel that? I think, I say I think because we can't be sure, I think I was really aware of what I represented in the eyes of others.

24:37And so, I've been really trying to have a critic on myself. And I remember many moments where I look at the end of the day, I say, okay, there's a problem. How can I do for that to be cool, you know? For that when I arrive in school, I don't think they're not at the end of us. I was really afraid of that, of being rejected But it was really about the physical Ah yeah, everything was related to the physical But it's a weird thing, right ? Well, maybe, but it's a lot of people who say that It's a weird thing, it's the most common in the world I think it's a weird thing, how it was built To say that this thing can determine our social place And our friends, you know But it's a bit the case, in fact I'm thinking about it twice But in saying, but no, but it's a weird thing In fact, it's a weird thing Well, of course.

25:27I don't know who I'm talking about. I don't know. But on said that at an age, the people cool are the people beautiful. Yes, of course. Or, first of all, those who really know who they are going to do art, who have instruments of music who don't exist. There was one in our school. She was a ballad with a pie in her bag like in Buffy vs. the Vampire. But she was also very beautiful. So it's not my theory. but what I mean is that there was a certain kind of fantasy where you said they were punking before the others, so I'm eating pain in the water in the Beverly Hills, you know? Yes, but it's that.

26:04So, you know, I had to find something, and I started to make a mess in playing the devil. It's a bit like that, you know, playing the rêveur who has not listened to what I said, pardon, and then the other thing is, you know, it was really the game of the thing. And I knew that I was not really like that, you know, that I had very well heard what she had said, but you know, but you know, it allowed me to know that the others didn't know really. Yeah, it's a way to take control. You're creating a sort of double where you don't know and where you don't know that. Exactly. Just as I started to have a group of rock.

26:45And we started to make a concert a little that really, often, like, around 16 years old. And then you change a little bit of stuff, you know. I started to lose a little weight. And it became a little cool, what. And then, on the other hand, we were always with the same group, we were not... We were not in another... I had the impression we were in another social dimension. Really. And then, it was really a very cool moment. But you have the feeling. 75 % of women who seek menopause care don't receive it. The lying awake at 3 a.m. wondering what's happening to your body ends now. Midi is virtual care built for women in perimenopause and menopause with clinicians who specialize in women's health.

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28:10that in all the family. But just because I believe, and it's a phrase of Rose, that my father told me, he told me, I told him, I told him, I told him, I told him, I told him, what's he just said? It was amazing. Well, amazing, paradoxically, because it's not as beautiful as that. But it gives sense. It was really, but yes, completely. And in fact, again once, we always approach something to something to exist, to exist, unfortunately, to the eyes of those who look at us. And in fact, what was the context of the family of mine who arrive in Belgium, who speak French or Italian, and who are viewed in the eyes of others as aliens who have nothing to do there.

28:59And so how it goes? It's good to find a way to exist. The music has made its appearance and it's amazing, really, in the family. It really saved the family. My uncle, of course, is here with a trumpet and it made everyone agree. Everyone has started playing music, my father, my cousins, and then it was driven to the children, so it's to me who I'm the generation of the next generation. So it's been the music, but it's really bad. Everyone has a problem in the family, and it's surely in relation with that. I don't know, it's really a lot of what we define, what we love or not. Because I don't know, the reality is that there's no objectivity there.

29:41We can say objectively, I'm not in the norm, I have the weight like this, or the face like this, or I don't know what, or the neck. But the reality is that you have people at physical level, who have been so loved and well-readed, who love it. I remember, for example, it's a little bit, but I was very complexed by my feet. that I found too big. Your feet? Yes. Your feet are too long when I was going to dance. They were so thin. I would have said two poissons panés. And the girls of the college said they were very thin, your feet are long and thin. And I kept them all in the sand. And one day, I met in vacation a young adult a girl who had six feet at each foot.

30:22And I thought, that would have been my aches. I was just a little too thin and too long in the sand. And she, she met a few feet. and she loved it this six-year-old. And she loved it. She said, I love it, it's my little thing. And I said, well, I'm not sure that her parents have always said it's cool, I don't know, or they have embraced this six-year-old. I don't know, but there's a thing, I'm a relationship, I remember of my mother who comment our physique. I think it's just a quick understanding. De? of her part, of the woman who understands who loves her teeth, who understands her precoce and who knows her world.

31:05Just not precoce, in fact, what I tell you about it? Attractive? No, just not, but when I say precoce, it's like if it was pejorative, but not, just not, precoce. You mean, she understood that she understood more quickly than the other? Yes, but you think that because of her strength or because of the love that we give her? You don't think that it's a bad thing? In my mind, I've got a lot of love. Franchement, my parents, I've got to do everything. I have a wonderful childhood with parents very very very very very it's not that the thing I think that if you have a thing in your head that you don't say you're not beautiful but this thing you don't have created all alone but yes and no it's to say that you have created in observating the world who entoure and saying where I'm found where I'm going to be where I'm going to be where I'm going to be where I'm going to be and then there's nothing to do it's in regard in regard to the others I mean when you say I say things I feel like I'm completely conscious that what I'm saying is nothing, it's nothing, it's not grave, you know, there are so much worse.

32:05But anyway, we're talking about it because it's funny. But yes, because if it's a context of something that's something, it's something, it's a surface that, in the way, it tells a lot more, more profound and interesting things. But when you go to football... I'm not sure what's going on in my life. but you play football and they play the team and you choose the last one I don't know what you're talking about and then you don't tell ah cool loin of that you say okay there's a problem my theory wasn't so false dis-moi you have a shirt and all well that's a question bah écoute it's sure, everyone is obligated I think?

32:48non peut -être, you don't know this expression non peut -être bah pourquoi elle veut dire autre chose que non peut -être c 'est une expression oui l 'écrit en belge non peut -être mais bien sûr que oui ah c 'est ça que ça veut dire parce que je vais dire si je connais non peut -être ah non peut -être pas je connais tu m 'as embrouillé encore plus moi aussi je me suis auto-embrouillée c 'était comme un micro et c 'est ce que j 'aime faire bien sûr que oui si quelqu 'un se pose une question et tu dis tu vas y aller ou pas non peut -être pas et j 'ai cru que tu me disais tu connais pas cette expression de maintenant peut -être pas et je disais bah c 'est pas It's not an expression, it's just words the ones after the others.

33:22But in fact, no, to you, it's an expression. It's like if I tell you, you put the pills of your son, no, maybe. Ah, it means that you're sure. But yes! Ah, it's the equivalent of in India when you say that for no. You say no, maybe, it means that you're sure. Oh, you're still fatigant. No, but it's not really that. Because it's a bit the inverse, you know, no, maybe. You're trying to make a gesture which means that you're not a little con. For example, I turn in Belgium my show and someone asks me you want to put water on the wall? No, maybe not. Why not? It's very arrogant what I just wanted to do.

34:05It's a look at an arrogant. No, but no. It's the same thing. You turn your stuff in Belgium, you arrive and they'll say you'll have a little beer. No, maybe not. Ah. Of course. Yes, in fact, it's not a question. but it's not in the mode I put the water no, maybe it's parisian méchant pardon on is who we are I said it was you who had a grand cœur I said it was me because at a time you told me why you told me no, maybe for the costume of Seine I'm sure that's it it was arrogant I told you you told me you told me no, maybe exactly like on my bottle of water it depends on the day if you say no, maybe or if you say no, maybe it depends and if the person ne comprend pas en face.

34:48En fait, tu ne peux l 'adresser que à des Belges. Oui. Parce que si quelqu 'un te prouve le nombre de dates que tu peux rater avec ça, tu imagines ? Tu veux boire un coup ? Non, peut -être. OK, ciao. Et tu es là. Non, non, peut -être. Ça voulait dire c 'est trop dur votre truc. C 'est impossible. Il ne faut pas faire ça. Non, mais c 'est marrant si tu fais des anecdotes. Mais qu 'est-ce que vous avez les Belges, en fait, à envahir le monde artistique avec votre succès ? Qu 'est-ce que vous avez ? Excuse-nous, It's true that we have a bit of defaced your market. It's hallucinating. I think that in humor, we are still a little safe.

35:18I'm sure you are many. There's a guy that I love. Who is it? Giver Stratton. I don't know. But it's not like a plate. Guillermo Guiz. Why is he called Giver Stratton? Because he's called Giver Stratton. Guillermo Guiz, what is it? It's his name? Maybe. It's his name? But his name is what? It's Giver Stratton. Guillermo Guiz Guiz I imagine it's his name He never said it The only time we talked about Guillermo Guiz It was for talking about George Michael I think I'm a fan I think I'm a memory And that's how it's been written In saying we haven't had this conversation But sincerely I think we've had this conversation Yes he's super But he's not like He's super And I love But he's not like He's not like He's not like He's not like He's not like Yes but I know I know what you want to say It's true Even in humor Chez you You have You have You have You have You have You have You have in France, if you want to say?

36:11Oui. Like me? Par exemple. Merci. Je l 'ai tellement réclamé. C 'est vrai ? Là, je l 'ai vraiment réclamé. Je ne l 'ai pas dit spontanément. Hier, j 'ai reçu un invité qui était un jeune humoriste, très jeune. Et il dit à moi, avant de commencer, j 'ai vraiment écrit à tout le métier. Je pense que tous les humoristes ont reçu un message de moi en disant... Et je dis, ben pas moi. Et il me dit, non, ce n 'est pas toi. Mais je ne comprends pas qu 'on me méprise dans ma propre émission. It's not bad It's not bad It's not bad It's not bad It's not bad It's not bad It's a bit marrant Because it's true That you can't get the perche You can't get the right A bit like when To your Instagram And you told me That I told you That I was going to tell you But no It's really On en parlait D 'ailleurs Listen to the message It's a marrant It's a vocal But I can hear it Ah yeah Ah yeah Toi Teddy Bear What's he says So I wrote The 19 September At 13h49 I wrote The day The day You're going to pass To you That's true Ah yeah It's the 18 You see, because I've been watching, I've been watching.

37:11Yes, I've been really fragile this week. I think it was hormonal, even if it was really great. But I've been pleading, I've been pleading. But also, I was in the same movie Dying for Sex. You've seen it? No. Look, I've been asking. Ah, really? That's a chance to not even have seen it. But on the episode 1 to 5, you've been listening to it. 5 to 7, you pleaded, you pleaded, you pleaded. But you're sure? That it's possible to watch? Oui. It depends if you want to pleurize. I've never been able to pleurize. It's true. It's true? It's true? You've never been able to pleurize? It's really... I like it, you know, because it makes all the cliches.

37:53I'm not. In fact, it's like a mal alpha. I'm not. I'm not. But you don't get out of your pain? No, but it's so. I feel that I pleurize. Really. All the time. Very often. But I'm not really. But physiologically, can you get out of the arms? No. Have you already tried to get out of your nose? Yeah, you want to ask me. I wonder if physiologically it can get out of your nose. It's that my question. Ah, well, yes. So, okay, you don't have a broken heart, like a problem of the arms. I'm going to get out of the nose. That's a pain. Yeah. Especially, bizarrely, it's one of the rare things. Surtout, it's one of the rare things where if you take 10, I think it's less bad than if you take one.

38:32That's not bad. I'm listening to your message. Go ahead. I love to talk with you. That's great. Well, of course. Is that the phrase? Maybe. Oh, absolutely. Hello, Nora. With pleasure. Franchement, I would like to come. I would like to come. I would like to come. I would like to come. Nicholas Randic, for example. Really, if it's possible to come. I would like to come. Thank you for your invitation. I would like to make a big kiss. I'll see you soon. You're really in my mouth. It was just right there. But you want to be actor, no? Moi? Yeah, I have a flash of joy. I would like to play. You'll play in a film.

39:04I would like to play. If I was really. I can't jure. I can't jure. What's that I can't jure, for example? I don't know, I've had a flash. To what's your role of dream? In fact, the problem is that I've had a flash that you're all playing for a player who I'm playing. I think you're going to play for... But maybe not, but not all of a sudden. I don't know why I'm going to play a game like this, if we could see if we could see. But in any case, you could be Pascal Brutal or Brouillette Satouf. That's not wonderful. It's incredible what you're saying. What? I'm joking. Oh, no. But you know that I'm really like, and I'm like, it's incredible what you're saying, and it's fine.

39:43And I'm like, here's my place on earth. I'm intelligent. You're not intelligent. Instinctive, instinctive. I'm intelligent.

39:51But... I'm not joking. I'm not joking. I'm not joking. In addition, I said it's a tough, but it's not true because I think that the first film in which you're going to play, it's not a comedy. It's maybe even a drama. But you know what? What? To tell you. You're not joking. No. No No Eh ben on m 'a proposé des films Pour te dire Et quand je les ai reçus je me suis dit Bah ouais j 'ai vraiment envie d 'essayer Mais Mais j 'ai pas envie de faire De comédie effectivement tout de suite T 'as pas envie de faire de film mauvais c 'est ça c 'est tout Mais non mais j 'ai envie de faire un truc un peu Tu vois même un truc à la rigueur Tu vois même si c 'est pas Enfin un truc vraiment Spécial Yeah, I don't know, I have to start with a super niche I don't know why You have to do something that you like, exigeant And that you would like to watch Yes, but I would like to say If you say you play François Damien In a film You know, I don't know Why do you play François Damien So he can play his own role When I say I play François Damien, it means to play a comedy Because this guy represents It's also a belge You created an expression for saying to play a comedy I just want to invent it.

41:01What's he is strong, he loves it. I love it. You know what, I wanted to invite him in appearance, but he comes to one of his characters, Didier Lambrouille. De? François Lambrouille. Didier Lambrouille. You know what, there is a name of Didier Lambrouille. Ah, really? Yeah, it's Antoine de Cône, at the time of Gildas. Because I know you're saying, there it's completely out of the way. It's vieux, it's vieux. I'm in 1983. And Didier Lambrouille, It was a guy with a ballad Who said With the teeth But Françoise Lambrouille I'm not a imitatist It's Françoise Lambrouille I love you so much If you knew how much I love I started to show his videos to my son He passed away from the moment extraordinary You're in the middle For the moment Depuis the clip we made He called me A month after He was coming to the clip It was the first time I saw it in my rencontre And it was pretty fast It was a very good moment And then we had to continue our lives So he calls me And since We call it very often And it lasts It lasts a long time And in fact he invents Des stories in direct And in fact I told you You know it's a person timide, tout comme moi, je pourrais parfois être vraiment timide et pas être la personne qu 'on pense que je suis.

42:29Mais en fait, non. Tu veux dire qu 'il est extrêmement sympathique ? Oui, très sympathique, mais surtout tellement marrant. Il a l 'air génial. Mais j 'étais par terre avec un mettre les mains sur le ventre. C 'est de mal de ventre. Quelle joie ! Tu veux me raconter cette histoire de chaussures roses ? Avec plaisir. Vas-y. Yes, well, you know, first, my main partner, no, what's that I'm talking about? No, what I'm talking about? It's null. I'd love to say that you're my main partner. It's not a thing to say. I don't know why I'm saying that. It's just the person with whom I'm talking about on the artist's side.

43:15Which is Matthew Tessier. Who told me, it would be good if you'd do something you present yourself. But it was a few months ago, it was almost a year ago. And I said, I said, I said, I said, I said, I said, I said, it's true. I'm not present yet. I said, I said, I said, hello. So I wrote on my note, I said, point. And then the life continues. And I arrived to a little coffee and my grandmother called me and said, you remember the vest rouge? I said, I bought the red. So you're going to look like that. You're going to be better bien mieux sur scène, parce que la dernière fois, c 'était compliqué.

43:52Je me dis, mamie, purée, tu vois, quand même, elle n 'a pas peur, quoi. Déjà, d 'où t 'es ma styliste comme ça, là, maintenant ? Elle a raison, elle a trouvé que t 'étais mal sapée sur scène. Ouais, vraiment. Du coup, je suis arrivé. Enfin, des raisons, je sais pas. Oui, ça, parce que là, tu parles à toi et à travers, Nora. On sait rien de ce que tu dis. Et donc, du coup, t 'es arrivé. Je suis arrivé à la maison, c 'était pas du tout des rouges, elles étaient roses. Et je regarde, je me dis, mamie, t 'as vu qu 'elles étaient roses ? Comment ça ? I said, but they are roses and all. She said, but it's not fair.

44:21She's trompant. She said, but it's not really trompant, I believe. Because it's really a 45. It's my pointure. And it's really a model that you know I love a lot. But she's not trompant. It's you who have to do well with the color. She knew the model that you liked? Yeah. It's the Doc Martens. It's the Doc Martens? Yeah. She's very nice. Too gentle. She's very nice. Dès qu 'elle a the possibility of making a gift, she's a direct. She calls my nounours? No, it's one of the only ones who call me Jules. Yeah. The other calls Teddy Bear. All right? All right. Like your father and your mother? Yeah.

44:57Teddy, yeah. Yeah. To, you call Nora? Well, how are you going to call me? The cold, thank you. End of the episode. Well, yeah, yeah. You call Nora, yeah, yeah. I don't have any... I don't have any... I don't have any names. No, I have no name. When I was younger, my brother called Thomas. But because he wanted a friend. And then... Oh, it's horrible. A little. Ah, it's not a thing, what? Not a thing. And he's called how, Thomas? Amro. Hein? A-M-R-O. Well, it's not a bit on his name. Well, I don't know. I don't know, because... I've never had this part. Ah, yeah. No, but Is it that I've had other Pré...

45:47No, no, no, no I don't like that I'm calling Nono I don't call Juju No No You take care of your skin You have a beautiful skin You think? Yeah, I think you have a beautiful skin I just said before I said no Ah, who? You said no? My mother, she doesn't say no And then the partners who are here present What are they saying? Well, it's not no longer The most soaring of the pews Why do you say that? I'm sorry like that because I'm myope it's going to be because I'm myope and I'm looking for my lunettes because to see you have a super myope when you're in flou but it's going to be I'm not at all I'm not at all I'm not at all I'm not at all I was at all I knew I was a very good actress I'm not why she's very good I would have to do a little bit of rosacee that I don't know de?

46:37rosacee? it's what? it's a maladie? not at all I don't know. No, you're not. You're not. A little bit of rosacee. It's a little inflammation. What did you eat here? Or this midi, by the way?

46:57This midi, I ate a Welsh. Because we made an episode in a restaurant. I didn't eat Welsh. It was very good. But the fries are in there, no? Yeah. It's not like a poutine from the north, the Welsh? I don't know. It's what the Welsh exactly? I don't know. I don't know. It's not from chez me. It's not from chez me. No, it's like a Lille. Yes, it's the north. And I heard it, of course. But I can't tell you exactly what there is in the part of the bread and beer, the jambon, the fromage, the cheddar or the maroilles. And it's very good. And the fries, no? It's extremely good. Franchement, I recommend it.

47:35It's extremely good. and I'll be able to eat it. There's a restaurant of Welsh at Paris? There's a very good one. At the side, yeah? Yeah. But I don't like it at all when the fries are moles. No, but not at all. In Welsh, they're moles. No, they're at the side. Ah, really? Yeah. I think I'm going to mix with the poutine. It's possible. Yeah, it's possible. It's possible. But for talking about the peau, Nati, she's really good. You find, thank you, I'm going to take care of. Yeah, it's true. It's true, you find? Yeah. I'm going to take care of it. I don't know if I can believe it. You're here. I'm thinking, it's the man who has the heart the most pure world.

48:11And then after this episode, I'm thinking, I'm going to be a little bit cingled. I'm going to say anything. That's not what I'm going to do. It's a good one. I have a good one. I'm going to pay attention. But if I eat a Welsh, I can tell you that my skin is inflamed in two seconds. Yeah. I can have a problem. I have a problem. You have a acne? Yeah. Yeah. It's okay. You don't have a problem? You don't have a problem? You don't have a problem? No. I had a thing that was a two-footed button. It was a part of it. Two days. And it's what your tenue of scene? Ah, yeah. We should have talked about it.

48:47No? It's completely in the same subject. Ah, yeah. Ah, yeah, it's true. Well, then, it's true that I had a desire that I was the same. The same. On the scene that in life. Oui. Not that it was... Ah, it's a good idea. Ah, he's got his outfit of light. Now it's the time of the show. Au secours ! Au secours, d 'accord. Oh, le rideau s 'ouvre. Non, quoi. Non, non, non. Du coup, qu 'est-ce que j 'ai fait ? J 'ai juste peut -être... Ben non, en fait, j 'ai envie de dire que j 'ai pimpé le truc. Mais j 'ai eu un concert hier. Je t 'ai habillé exactement comme ça. Mais exactement comme ça. Et j 'ai par contre fait une veste...

49:23Comment ? Un peu différente. C 'est -à-dire que j 'ai toujours une veste rouge que ma grand-mère m 'a offerte. Mais là, j 'ai fait faire une veste rouge avec écrit Teddy Bear derrière, en gros. OK. Point. But I mean, the shirt below can change? Yes, but if I have always a shirt blue and a black shirt, I have a black shirt. That's in all case. But, given the fact that I have a little bit of a partner for a little bit of budget, and then they look at me and say, what's he going to say? We're in direct now. But I'm not, I'm thinking about a thing. Just not for that it's different, but for that, I don't know, I feel like it's even better.

49:58But wait, because you have that and the docs? Yeah, and of rose, of my mom. But there you don't have it. I don't have any other shoes. Comfortable for the whole day. You can't play basketball. Ah, no, no, no. I put my shoes on my mom, always. Ah, yes, no. There's a photo of my grandparents in my pocket. You have a little superstition. Oh, yeah, yeah. Putain, yeah. Yeah. I'm a sick. I'm a sick. And you're doing attention, genre, at your hygiene of life. There you go to go, you're going to have a tournée, have a ton of dates. And you're plein. Purée, you've seen it? Plein. It's a ding. I don't know when I'm going to say it It's when?

50:33Because we see when it's broadcast It's when it's broadcast Look at it Look at it Wait, wait Wait, wait, wait Not all your dates You're not going to tell them No, but No, but All right, we start Fin november, début décembre Yeah The creation of Transmusicals de Rennes Yeah You see it? Yes, I see I'm happy to do that It's great that you're happy And then after We continue the dates And what was a funny thing, my partners told me that it was a two months ago, that we announced a trianon for Paris. I was like, it was a four months ago, we did a pop-up. You saw the pop-up at Paris? It's great, the pop-up.

51:15This is great. We made four pop-ups in the tryout. We made a trianon. And in Brussels, we made an ancient Belgium. I was like, you're crazy. That's it, it's open, the trianon? It's complex, it's right? So we put the trianon and the ancienne belgique in vente The end of the day, there was nothing Oh la la That was not at all You were happy, you were happy Ah yeah I was going to get a car It's not normal It's a thing, they tell me You thought there was a bug? Or you thought there was a joke? No, it was written completely I was going to say, wait My wife is a pote who has to take For all his family But no, it was really complete Putain, the two Ah yeah, okay And so they said, we had planned an Olympia for November 2027.

52:00Oh, great. Or in a year. Yeah. And they said, well, we'll put it in a way. So here, we announced an Olympia, the 1st March. You found a place. You are strong. Yeah. You have a chance. Yeah. But you have announced it already? I was announced it here. I'm going to take my place. It's almost like the end. Oh, that's a joyous. It's very joyous. To fill it in advance, it's a joyous. I'm very, very, very, very, very good. to get to the end. And there you have dates that you have more hâte than others? I have hâte of everything. I have hâte of everything. I have hâte of everything. When we arrive, that it is a little bit of a house in Brussels, I go out of my wallet, and I arrive in my wallet, my friends are in sign like this.

52:45Hey, hey, we come, you come with us? Yes, we chant. And then I put my wallet in the coffin and when we close the door, we are going to for a tournée, you imagine ? La joie. There was a noise. It's not my heart, this time. I don't know, but... I wanted to stop it. I thought it was too beautiful. I said, and then, we're going to go to the tournée. And then I said, all doucement, thank you, Jules. And then there was a... And you gave us a lot of fun, I don't know what to say. Professionalism zero. But, you imagine this pleasure. I'm so happy for you I'm going to come You're going to come Yeah You're not going to come It's an enormous But you're going to This joy of doing a job of doing a job This joy It's incredible Yeah And when we say that we have a desire to chuchote Oui I find that a lot more intense Moi I often I don't know I don't know I don't know Look I have an impression that if I chuchote I don't think I try to You think I want to tell you You think Oh ?

53:51Bah oui, regarde. Non mais moi, je suis arrivé à une phase, je te ferais bien compris, ma libido. C 'est genre hormonal. Donc j 'ai de la libido 4 jours par mois. Point barre. 4 jours par mois ? Ouais, c 'est déjà pas mal. C 'est bien une fois par semaine. Non, non. Bah non, si ça se regroupait comme ça, pas du tout. C 'est 4 jours d 'affilée. Si je loupe le coche et que je suis en tournée, c 'est terminé. Quête, tu ne peux plus de tout donner à 4 jours, quoi. Non, parce que je ne suis pas non plus genre feu au cul, tu vois. Oh là ! Non, non. Vieille chute ! It's just that to pass these four days, it's to be forgotten.

54:19Well, at this level, I want to interact socially, talk to work, even to make some gratis on the head, to cook, to live, everything, but not the rest. Sort of this. It's not bad. It's not bad. It's not bad. It's not bad. It doesn't mean that I do four days a month. I don't want to. We started with that. We ended with that. What's this? It's not bad. The problem is that I've seen my psy. I don't want to I'm recording the podcast on Monday. You've seen your post-casts this morning? Yeah. My routine, normally, the morning morning, it's Psy Musculation Podcast. In fact, I think that's not a good idea.

54:55And by the way, my Psy, it's not to say podcast. It's a bad idea. It's your post-casts. Post-cat. Post-cat. Yeah, it's a good thing. It's like a post-cat. But I love it. But it's not easy to say. Podcast? Podcast. Ah, yes. Assez simple, when I'm going to hear it. Sur ce, I hear it. I'm hearing it. I'm going to get it. I think they are going to be like. Sylvie, you're going to calm down!

55:18She's going to do it! Well, we're going to stop! They didn't even say that! She said that she was going to talk about it!

55:28Every time that someone tells us to stop doing this, in the comments on YouTube, they say that it's okay, come back. So I know you're going to do this with you. I didn't understand what I said? Even I didn't understand it. I've had a second episode with you. Psycholog. I'm not a orthophonist. I'm not sure of his skills. You're not a professional. Thank you for everything. It's a real thing. It's a real thing. Thank you for everything. I've loved to receive it. Nora, it was wonderful. But you're a beautiful thing. You're a beautiful thing. You're a beautiful thing. I've heard you say a beautiful thing.

55:58A beautiful thing. A beautiful thing. A beautiful thing. B-E-T-C-H. B-E-T-C-H. It's a new skill. It's a new skill that I discovered at home. I'll try to play the words. Oui. Ultra vite. But... Ah, you like Motus? You like this game? No. You see what it is? No. For example, imagine, visualize. You show up in the entire world that you're also HPI, in addition to being talentue. Visualize a bar, and there I write... Okay, there's a M and a N.

56:29It's impossible to remember. So you're going to read the word and you're going to spell. It begins with a M, it ends with a N. Maman. ii 1 I can't do it I can't do it Sorry I'm sorry I'll stop this podcast I promise you I promise you I'm sober I don't know what he is I'm not sure You're not TDAH Or something like that Moi But not It's more of a thing That we found For giving Some things I can't remember You're a bit Like some people Who apparently In this podcast It's TDAH But wait It's more of a You can't give If we liberate It's more of a Welsh and Jules Thank you. Thank you. Thank you. A little bitch.

57:09Anti-age, makeup, lifting, sweat-shaming, Botox, intox, contouring, mask, wash, wash, zone T, brillance.

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58:07Plus the products you should actually use, not just the products going viral on your feed. We are two beauty journalists who've been in this industry long enough to know what's real, what's marketing, and what's basically a group hallucination. And we're obsessed with the why behind trends. Why everyone suddenly wants to smell like a cupcake. Why teens are doing nine-step routines. And why some celebrity brands work and others don't. And if you want the real insider experience, join Los Angeles Confidential, where you get to test products before they launch. It's like being a beauty editor without the inbox trauma.

58:39So if you want the truth, the tea, the science, the scandal, and the occasional emotional breakdown over sunscreen, welcome to Los Angeles.

58:59Thank you.