Blake V Justin: Slow dancing, circumcision and famous pals

11 Dec 2025 · 30 min · 13 chapters

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In short

The episode of Fame Under Fire (BBC Sounds) covers the ongoing Blake Lively vs Justin Baldoni legal dispute over the film It Ends With Us. Lively alleges Baldoni pressured her into unscripted nudity, made personal sexual remarks, improvised physical intimacy without consent, and helped coordinate a smear campaign/retaliation after she raised concerns. Baldoni and Wayfarer Studios deny all claims. Key evidence discussed: a slow-dance montage scene video—Baldoni says it shows professionalism and mutual respect; Lively says it shows visible discomfort and her pulling away. Another claim involves circumcision: Lively says Baldoni volunteered he was circumcised; he says it came up in a broader discussion about her unborn son. Deposition excerpts are heavily redacted. Retaliation is linked to a PR crisis manager and alleged online attacks; Baldoni says it was a response to publicity and not manipulation.

Notable examples

the “little bump” 2016 interview clip and Boone Hall plantation references used to challenge Lively’s reputation/damages.

Guest

Dr. Sean Kent, a resident trial attorney (from South Carolina).

Written by AI. May contain mistakes. Listen to the episode to check what was said.

Chapters

Tap a time to open that second in VO

Context of the Legal Battle

0:43 to 1:20

Overview of the legal claims between Blake Lively and Justin Baldoni.

“Today we are back with the Blake Lively vs Justin Baldoni case.”

The Accusations Against Baldoni

1:20 to 2:06

Details on the accusations made by Lively against Baldoni regarding harassment.

“And you should find in favour of the defendants and throw this case out.”

Conflicting Interpretations of Evidence

2:06 to 4:30

Discussion on how both parties interpret the same footage differently.

“And just like last time, we are going to focus on those accusations of harassment and retaliation.”

Juror Standards and Evaluation

4:30 to 6:38

Exploring how jurors evaluate claims in civil cases and the implications of subjective beliefs.

“Baldoni saying it shows professionalism and safe working practices on set.”

Deposition Insights and Redactions

6:38 to 8:34

Analysis of the deposition details and the implications of redacted information.

“And if you go back to the Diddy case, it's like we always go back to the Diddy case, but we all know about these jurors.”

Circumcision Comments and Context

8:34 to 12:45

Discussion on Baldoni's circumcision comments and their relevance to the case.

“You shouldn't bring the lawsuit to begin with.”

Baldoni's Response to Concerns

12:45 to 14:00

Baldoni's acknowledgment of concerns raised about on-set conduct and its implications.

“That's going to be her argument that, yes, John Q.”

Retaliation Claims in Hollywood

14:00 to 18:04

Explores the complexities of retaliation claims in the context of a high-profile film production.

“I think it helps her with her pervasive pattern claim because it's not that he is not saying that these acknowledgment and problems on the sets were not accurate.”

The Power Dynamics at Play

18:04 to 23:17

Analyzes the shifting power dynamics between actors and directors in the entertainment industry.

“unless you actually have a whistleblower to get on the stand and say, this was our actual intent.”

Defending Justin Baldoni

23:17 to 27:39

Discusses strategies for defending Justin Baldoni in light of the power struggle with Blake Lively.

“couldn't that be then used by multiple other famous defendants and plaintiffs going forwards to bring claims against all other PR and crisis management teams?”
Show all 13 chapters

Juror Bias and the Diddy Case

27:39 to 28:00

Questions the potential bias of jurors in high-profile cases, referencing the Diddy documentary.

“And these powerful, powerful people are trying to shut him down.”

Courtroom Dynamics in the Diddy Case

28:00 to 30:00

Learn about the implications of juror behavior in high-profile trials.

“So they're sitting in the courtroom the entire time and might not even use them as witnesses.”

Closing Thoughts with Dr. Sean Kent

30:00 to 30:14

Hear final remarks and reflections from the guest attorney.

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Transcript

Automatic transcript. May contain errors.

0:00This BBC podcast is supported by ads outside the UK.

0:06Shaun Kent:He's widely recognised as one of the greatest footballers in history. He's won the prestigious Ballon d 'Or award five times. He's the all-time leading goal scorer in professional football. And according to the Bloomberg Billionaires Index, he's the first active footballer in history to achieve billionaire status. Guess who we're talking about yet? That's right, Good Bad Billionaire is exploring the life and fortune of football icon Cristiano Ronaldo. That's Good Bad Billionaire from the BBC World Service. Listen now wherever you get your BBC podcasts.

0:42Shaun Kent:Hello and welcome back to Fame Under Fire from BBC Sounds with me, Anushka Matandadauti. Today we are back with the Blake Lively vs Justin Baldoni case. we are looking at this one in depth and if all goes ahead to a jury trial i'm going back to new york to cover this one for you every day just like we did with diddy so please subscribe and tell your friends about us tell your family about us send us your questions and tell us what other trials you want because we are listening but if you have no idea what i'm talking about first they were co-stars in the movie it ends with us now they are locked in a bitter and very expensive legal feud with Blake Lively accusing Justin Baldoni and others involved in the film like Jamie Heath who's the CEO of Wayfarer Studios that's the production company that made the movie she's accused him of sexual harassment and coordinating a smear campaign against her these are claims that all of the defendants deny now a couple of weeks ago we told you about the latest response from the defendants it was a motion for a summary judgment essentially saying judge just make the decision there is no need for this to go to a jury you can decide if this meets the bar for sexual harassment, retaliation, defamation, etc.

1:51Shaun Kent:And you should find in favour of the defendants and throw this case out. Now Blake Lively's side have responded to that. We also rather helpfully now have access to bits of Justin Baldoni's deposition so we can hear some of what he said when he was questioned under oath. And just like last time, we are going to focus on those accusations of harassment and retaliation. Joining me now is our resident trial attorney, Dr. Sean Kent. Hey, Anushka, how are you doing? See, I threw the doctor in there because people don't know that. You threw the doctor in. The doctor is in. Dr. Kent is in the house. Sean, I missed you.

2:24Shaun Kent:Sean was on a holiday in Las Vegas playing the slot machines. That is a true statement. With your parents, which I think is so cute. Oh, wait. Y 'all say mom. With my mom and dad. Yeah, because that's the way you're supposed to say it. Also, what am I wearing? You're wearing a Brooklyn United States sweatshirt. Wait, no, that's a jumper. It's a jumper. Yeah, yeah. That's a jumper. You're wearing a jumper today. I got it. It's not a sweatshirt. It's a jumper. I text Sean that he was wearing a jumper and he was like, what the hell is that? What is a jumper? We've got to get down to business with this because these guys file all the time.

2:58Shaun Kent:This is the Justin Baldoni, Blake Lively case. Now, in Lively's filing, she alleges that Baldoni pressured her to perform unscripted nudity, made personal sexual remarks and improvised physical intimacy without her consent. These are all claims that he denies. But that is in her response. Those are allegations we've heard before. She's been making those accusations consistently. One example she cited in her original complaint is a slow dance scene for a montage in the movie. Now, it says, quote, Mr. Baldoni chose to spontaneously improvise the scene while the cameras were rolling. During the filming, Mr.

3:32Shaun Kent:Baldoni repeatedly leaned in towards Miss Lively, attempting to kiss her, kissing her forehead, rubbing his face and mouth against her neck, putting his thumb to her mouth and flicking her lower lip, caressing her and telling her how good she smells. They say that none of this took place while Mr Baldoni was, quote, in character as Ryle, because both the intimacy and dialogue departed from what had been agreed to in the script. In January, Baldoni's attorneys released the footage of that scene and they released it because they say it disproves the allegation. Their statement read, both actors are clearly behaving well within the scope of the scene and with mutual respect and professionalism.

4:10Shaun Kent:Now, in Lively's response, her team alleges the video proves her point, saying behind the scenes footage captures Lively's visible discomfort, including her leaning and pulling away from Baldoni and repeatedly suggesting that their characters should just talk. Sean, this is a bit of a unique situation, right? Same piece of evidence. Both sides feel that it speaks to their argument. Baldoni saying it shows professionalism and safe working practices on set. Blake Lively saying it proves that she was uncomfortable and she didn't want to be in that situation. When both sides claim the same footage backs their version, how is the judge, let alone a jury, supposed to decide which one is right?

4:50Well, you just got the first part of what I was exactly thinking. How is a judge supposed to decide? Because remember, all the judge is trying to decide is as a matter of law, should this go to the jury? Is there a genuine question of fact that a jury needs to decide? Based upon what you've just said, there really is. Both people are looking at the exact same piece of evidence and they both can look at it differently. So someone might say, well, won't everybody always say that? No. Give you an example of a car accident. If in a car accident there is a video and one side says the light is green and the other side says the light is red and all of a sudden we have a video of a green light.

5:27Well, that doesn't need to go to the jury because we know what the facts show. A green light. In this situation, what they're saying is this evidence is subject to interpretation by two different people. If it is subject to interpretation by two different people, then one person, a judge, should not make the decision and it should go forth to a jury. So that's why I think Blake is going to have a stronger argument that this should go forth to a jury and should win the summary judgment motion filed by Justin would be my gut reaction.

5:58Shaun Kent:And just remind me, what is the bar for jurors? It's not beyond a reasonable doubt in civil cases, is it? Exactly. So the bar for juries is much lower in a civil standard than it is in a criminal standard and a civil standard. It is beyond a preponderance of the evidence. And so when you want to make that more simply stated is, is it more likely than not that this happened? He is saying she's loving it. And she's like, no, no, I am not. And so that's going to be what's put in front of the jury. is she's going to be able to say, he may have thought that I enjoyed it. I, however, did not. And so if they can prove that, that more likely than not, that Blake's beliefs were reasonable, then they've got a real chance.

6:43And if you go back to the Diddy case, it's like we always go back to the Diddy case, but we all know about these jurors. Jurors bring their subjective beliefs to that jury room with them. And let's say you have seven women and three or four of them have been in that uncomfortable situation where I don't want to say anything. My boss has made me uncomfortable, but I don't want to lose my job. He's hugging everybody and hugging me and I'm not comfortable with that. Those jurors bring their subjective beliefs into the room with them.

7:10Shaun Kent:Let's look at some of the other allegations, because what we now helpfully have is access to some bits of Justin Baldoni's deposition. Now, there are huge chunks missing. The page numbers jump from like one to page 34 and then jump again. There are also huge chunks redacted, blacked out, literally blacked out in Blake's response to the motion for summary judgment. Sean, why are there bits redacted in both of these, taken away from the deposition, taken away from Blake's response? And why do you not love that? I personally hate it. Like I said, when we take a deposition, what we tell everybody is once you file a lawsuit, you've heard me say this a million times.

7:50If you choose to file a lawsuit, everything comes in with you. There is nothing to be hidden. And we tell people that you sure you want to file this lawsuit? Because if you do, they can ask anything, your personal life, your sex history, everything can come in. And so when we are blacking those things out from a deposition that we are releasing to the public, you better have a good reason. And there could be attorney client privileged information. That's usually the biggest one. Some type of privileged information that John Q. public should not be allowed to know. There could be impermissible questions asked during the deposition that some judge has ruled that those are subject to questions that can't be asked.

8:29And there could just be embarrassing details that she doesn't want John Q public to know. That's my problem is number three is I don't care if it's embarrassing. You shouldn't bring the lawsuit to begin with.

8:39Shaun Kent:Now, for us as journalists, that's annoying because you're trying to give a fair and impartial representation of what's being said. So Lively's latest response also claims Baldoni directed personal sexual comments at her. While the exact language is redacted, blacked out, the filing argues that agreeing to act in a romantic drama does not indicate her consent to discuss personal sexual fantasies, her sex life or pornography. In his deposition, Baldoni addressed one claim about discussing his own love life. He said the conversation that he has with Blake arose after a creative meeting with the intimacy coordinator.

9:12Shaun Kent:He says the idea was that Lily, that's the character that Blake played, had climaxed and Ryle did not. We were exploring what might feel authentic and appealing to the female gaze. When I shared that with Miss Lively, she said, oh God, that would mortify me if that happened. I responded by saying, some of the most beautiful moments have been when that's happened with me and my wife. And that was it. Sean, in that example, don't we have an exchange of information about sexual situations? Because he's saying, you know, it's beautiful when that happens with me and my wife. And she's saying, God, that would mortify me if that happened.

9:42Shaun Kent:Or she's sharing a piece of information there. Even with our Diddy situation, we always talk about power dynamics. We always talk about the fact there's a dynamic in power. And so I'm engaging in these consensual conversation, but they're not consensual because of the power dynamic. And she might make those conversations that I was very uncomfortable, but I was trying to stay as professional as possible, but I did not enjoy this at all. We're going to get into some conversations about power dynamics later on because it does come up a few times. The next comment is around this circumcision. I know a lot of people have been talking about this on social media.

10:15Shaun Kent:Lively's filing says Baldoni volunteered that he was circumcised when they first met without her prompting. Baldoni disputes that, saying the topic came up in a broader conversation about her unborn son and whether the baby would be circumcised. He says, quote, there were people all around. This is during his deposition. Assistants, nannies, even Mr. Reynolds, Ryan Reynolds, was in and out. It wasn't a private conversation. So there we have essentially bringing in broader context. My question is when a jury are considering if a comment is inappropriate, if it meets the bar for harassment, are they told to consider just the comment itself or when, where and who else was present when it was made?

10:54And that's also a great question, because if you think about it, when we talk about our two different types of sexual harassment, remember, when we talk about pervasive pattern, that there is that pattern of sexual harassment. If you go to work and your boss says the same sexual jokes around 30 different people, if there are sexual pictures in the office, if there's emails that are going around, if there's inappropriate means that are going around. individually they may not seem like a big deal but what blake will argue is the pervasiveness of this environment overborne the ability for me to feel safe in a hostile work environment that it will go directly towards what she is saying now if it's just one it's not enough and that's why we have to have that one that is so extreme so egregious to make it one she's saying there's more than one there's so many that this was a hostily charged work environment but with

11:47Shaun Kent:With that specific topic of circumcision, and he's saying it arose from a conversation about her unborn son, a lot of people online are arguing, you know, it's not directly sexual. She's talking about something which is a medical procedure. Some people get it for religious reasons. Some people get it because they think it's cleaner. And he's saying, yeah, I've got this. That doesn't meet the bar for sexual harassment because it's not inherently sexual. It's just a conversation about a bit of your biology that you've had altered. The argument from her is going to be by itself. I can see why somebody would say that.

12:19But if I'm in an environment where we're talking about male penises, male body, if he's talking about my body, if he's in my face, if he's pulling me tight, if he's saying these things over and over and over again, one innocuous, innocent comment may seem that way to you if we take it in a vacuum. However, because of the way that this atmosphere was, that was not an innocuous comment. It added to the pervasiveness of the hostile work environment. That's going to be her argument. I'm not saying it's a strong one. That's going to be her argument that, yes, John Q. Public sees it by itself, but it wasn't by itself.

12:53It was not in a vacuum and it wasn't the only thing that was said or done.

12:56Shaun Kent:Now, in the deposition, Baldoni was also asked about reports that some crew members felt uncomfortable with daily hugging. This was something Lively had mentioned as an example of gender based conduct. He said he stopped the practice but did not escalate the issue to HR despite policy requiring supervisors to report concerns. Now, both Jenny Slate, she's another actress who actually played his sister in the film, and Blake Lively, raised concerns about Baldoni's comments and the set culture. Baldoni acknowledged sending messages through producer Alex Sachs to apologise and assure adjustments. He testified these concerns were genuine and not fabricated to seize control of the film.

13:32Shaun Kent:So he didn't escalate the complaint, but he did, he says, take steps to address it. He's accepting those concerns were genuine. Does this help his case at all? Because his team can say, you know, he's not flat out denying everything. When he thought concerns were genuine, he addressed it and took steps to remedy it. See, that's funny. On my side of view, I think it hurts his claim. I think it shows that he acknowledges that there are stuff that was wrong there and that she is not being frivolous in her thoughts. He did not take these to HR the way that he was supposed to. I think it helps her with her pervasive pattern claim because it's not that he is not saying that these acknowledgment and problems on the sets were not accurate.

14:11He's in a way to me, if I'm on the side defending her, I would get in front of the jury and I'd say, look, things were happening there. He was not looking at them from a lens of a woman. He was picking and choosing the things that he thought were problems and didn't take them forward to H.R. I think this hurts his claim in front of a jury personally.

14:32Shaun Kent:And then we come on to retaliation, which is a huge part of this. To understand the retaliation, you really need the background. During a break in filming when we had strikes, Lively called a meeting at her apartment where she presented a list of demands that would need to be met in order for filming to resume. These included things like an intimacy coordinator must be present at all times when Blake Lively is on set in scenes with Justin Baldoni. It also includes the proviso there shall be no retaliation of any kind against Miss Lively for raising concerns about the conduct described any change in attitude, sarcasm, marginalization or other negative behavior, either on set or otherwise, including during publicity and promotional work, important that bit, as a result of these requests is retaliatory and unacceptable and will be met with immediate action.

15:15Shaun Kent:Lively argues that the retaliation began almost immediately and continued through a coordinated PR campaign. So in her response, they've said, quote, Quote, defendants repeat their mantra that the instantaneous avalanche of online attacks against Lively and other women associated with the film was somehow, quote, organic backlash to Lively, hoping to conceal the fact that their untraceable social manipulation campaign was designed to appear organic. Now, Baldoni's team have told the BBC they hired a crisis manager. They don't deny that they did that because they believe Lively's demands could derail the film.

15:48Shaun Kent:In the motion for summary judgment, they say that Baldoni and Wayfarer were reasonably attempting to protect themselves in a response to an onslaught of vicious negative publicity launched by Lively and her famous husband. That's Ryan Reynolds. Now, Sean, it's not illegal to hire a PR crisis team. Whole industries have been built off controlling your narrative, having your say, freedom of speech. I mean, it's very American if you think about it. Extremely. There's nothing wrong with it. You know, we have been hired as crisis management. We have sent other people to have people as crisis managers.

16:21There's nothing wrong with it. If he would have come to us, we would encourage him to do the same.

16:47Shaun Kent:podcasts. So we're talking about retaliation here. Her team was saying that Baldoni and the defendants are saying this was organic, that they were secretly manipulating what was going on behind the scenes. But ultimately, this was going to happen anyway. My question to you is, if Baldoni and the defendants and his PR crisis management team start releasing some stories and they say, Blake is trying to derail the team. Blake's not a nice person. Blake causes problems on set and a bunch of people everyday people not in the music industry not in the film industry nothing to do with it joe q public as you would say start seeing they see some of those reports and they go hmm i'm gonna look into this or oh i i think i saw an interview where she came across quite mean they start finding and digging out old clips old reports of stuff that she's done in the past, completely unrelated to the movie, it ends with us.

17:43Isn't that technically organic?

17:46Shaun Kent:Like, Baldoni and the defendants might have planted the seed, but it was the internet that watered the garden and fed it the fertilizer. Wow, that was dramatic. Oof, look at that language. Look at that word, Smith. You're rubbing off on me. You're exactly right. I believe that is her weakest claim. By far, the retaliation claim. One, it's going to be almost impossible to prove unless you actually have a whistleblower to get on the stand and say, this was our actual intent. Two, you are worried about her reputation that was already pretty toxic because of all of this started. And three, what does the public already think of her?

18:21Like, did this really ruin her reputation? And if you do a cursory Google search, you'll see that it does not. So I think this is her worst claim and it's not even close.

18:32Shaun Kent:I mean, I think I've said this to you before but i studied her and ryan reynolds wedding at university because they got married at boone hall which was a plantation and that caused a huge boone hall plantation down in south carolina mount pleasant i mean it's like it ain't just a plantation it's one of the plant it's huge it's a plantation let's make that clear i mean that was that was in my degree at university way before this film came out so that yeah i mean you could definitely make the argument there were negative stories about her and her partner long before this but people did go and dig out clips you know whether they were instructed to or whether they did that organically is for a jury or potentially a judge to decide but let's take a listen to one of those that did the rounds first of all congrats on your little bump congrats on your little bump so is blake lively being interviewed in 2016 eight years before the film it ends with us was released and you hear the interviewer first saying congratulations on your little bump because she's pregnant and And Blake Lively says it back, but the interviewer wasn't pregnant.

19:36That is the most Sean Kent thing that I have ever heard just now. That is something that I would do, and I'm stupid, so I would hope she's a tad bit smarter than me.

19:44Shaun Kent:In her defence, people have said that Lively had faced intense media speculation about her body and potential pregnancy in the weeks leading up to that interview, with articles questioning whether she was pregnant or not at various events. And they said that potentially the reporter's comments on her, quote, little bump felt intrusive. It could have been an honest mistake. She might have genuinely thought the interviewer was pregnant. But lots of people, a lot of people, let's be clear, interpreted it as passive aggressive. And we're asking, you know, why did she have to say that and make the interviewer feel uncomfortable?

20:15Shaun Kent:Even though that clip of that interview is eight years old, this clip was uploaded and went viral at the time of the release of It Ends With Us. Could they show this at trial? Yes. Zaldoni's team and say, look at this clip. Look at this. Absolutely. We didn't record this. We didn't script her to say that. Don't forget, she'll have to take the stand and she'll have to testify. And once she ends up testifying, she'll be subject to cross-examination. And once she is cross-examined, she can be asked anything and she can open the door to stuff like that, especially when she gets into the retaliation, because she's going to have to prove her damages.

20:51And so when she gets in front of that jury, she's going to have to say, this damage It's my reputation. And the second she says anything like that, all of those clips are fair game. And a good lawyer on the other side are going to bring up the Boone Hall plantation clips. They're going and let's assume there's an African-American on the jury. They're going to bring up the baby bump clip. Let's assume that there's somebody pregnant on the jury or who has been insulted by their weight or somebody who has been bullied. All of those clips come in there. And that's why I say that's the weakest of her claims, because juries are people, too.

21:25We tell everybody when we get in front of a jury trial, it doesn't matter how strong your claim is. If a jury hates you, you lose. If they like you, they'll try to find a way to help you win.

Read the full transcript

21:37Shaun Kent:Yeah. And I should say, you know, Blake Lively and Ryan Reynolds, they apologize for their marriage on the plantation. In a post on Instagram, they said, we're ashamed that in the past we've allowed ourselves to be uninformed about how deeply rooted systemic racism is. So you're saying if she gets up there and in any way says, you know, they launched a retaliatory campaign and that ruined my reputation. She opens the door to everything. I mean, she's been in the public eye for a long time. So there is no shortage of clips, information, social media posts to go at. And then it's open season for, you know, Baldoni and his team.

22:08That's what we would be doing. and having a file, you know, we have a cross-examination file where we're just ready for her to open the door and we can bring clip after clip after clip. And when a judge said, when they try to object and say this is irrelevant, the response would be like, no, Your Honor, she opened the door. They say that we were the ones who were responsible for her damaged reputation. And we now have a right to show the jury that she has damaged her own reputation. And I can't see a court not letting all of this information in. And I think that is going to that's why I said I think this is her weakest claim and the claim that can derail her entire lawsuit.

22:43Shaun Kent:But an important claim, because this is something that's coming up in a lot of different cases. I mean, before we heard about Amber Heard and Johnny Depp, their civil trials that were going on and there was conversations about PR crisis management teams being hired. We have our episode on Rebel Wilson. Go and listen to that because there's conversations about actually the same PR crisis management team being hired in that. And it feels like there's the opportunity to set a precedent here when it comes to famous plaintiffs and defendants and what counts as retaliation and what is just within the remit of a PR team.

23:16Because if they do find that this was retaliation, that this crisis PR management team had actually caused her severe damages, gone out of their way and constructed a wave of hate and abuse against her,

23:32Shaun Kent:couldn't that be then used by multiple other famous defendants and plaintiffs going forwards to bring claims against all other PR and crisis management teams? Yeah, it has strong potential precedential value. But we also hear how Justin Baldoni said this all felt to him. In his deposition, he says he found hearing Lively's list of demands traumatic and embarrassing. He says, quote, that list that was read to me contained complete fabrications of the truth. So I very well could have could have had that be a part of what I felt scared of, comma, lies. But I didn't know. I didn't know anything. I knew that at this point, my gut feeling was that she was going to take over the film.

24:10Shaun Kent:He also describes spinning because of Lively's power and powerful friends. I think when you are somebody small in the industry, he says, like myself, and you're dealing with a titan like Miss Lively and some of the most powerful people in the world, which are her best friends. It's a nod to Taylor Swift there. And you're in the situation that I was in. I think it's very reasonable, especially at this point, to be concerned about what's possible and what's not. I was spinning at this point. It is interesting, though, because what we're looking at here is power dynamics. and you're looking at if you're typically looking at a hostile work environment or allegations that might come from that situation you're probably looking at a boss and an employee maybe in an office and a nine-to-five where the roles are very entrenched and defined but in this Justin Baldoni offers a different power dynamic he says because of your real world position and your real world friends actually in the grand scheme you are you have de facto power whereas Blake Lively is saying Justin Baldoni and Jamie Heath were her employers, employer employee situation.

25:11Shaun Kent:So that's the power dynamic. What do you do with that? Are the jury instructed to think about the power dynamic on paper, which would make her the employee or to look at the real world context? I personally think that's the most fascinating thing about this case is, as you mentioned, the power dynamic, because Blake Lively is not some B-list actress who is just trying to get her life into movies. I mean, she is, and Ryan Reynolds are A-listers. They are strong. They are powerful. And so when we talk about power dynamic, of course, the argument he's going to be making is, what are you talking about?

25:46They're the powerful ones. If something was really bothering and or upsetting her, she had more power than I have. And she's going to say, I don't care what you say. That's my boss. He is the employee. That to me is going to be the most interesting. But to answer your question on what does the judge tell the jury, the judge simply instructs the jury on what the law is. He explains to them what power dynamics are. And then he says, it's up to you to make the determination on if the power dynamic made any effect on this situation whatsoever. He won't give examples of the Justin situation or the Blake situation and who's the most powerful.

26:22He'll just tell the jury that if there is an uneven situation and power dynamics. You have the right to make the decision based upon that is what he'll tell the jury.

26:33Shaun Kent:If you had to defend Justin Baldoni on this and convince the jury of the real world power dynamics, what would you say? I would look at the jury in closing arguments and and I would talk about the movies. I would get very personal. Either you or somebody you know have seen a Ryan Reynolds movie. Either you or somebody you know and have seen a Blake Lively movie. You know these people. You've seen these people. You've seen them going up and down Hollywood Boulevard. Everybody knows who they are. I would show clips of them in movie theaters. These are two of the most powerful, well-respected individuals in the industry.

27:09And then I would say Justin Baldoni was not known until this lawsuit. He was not known until he came into this case. He is trying to build himself into Hollywood. And let's make this clear. When we are looking at this case, this is another example of somebody, a Hollywood elite, using their power to bully the small guy, the little fella. And that's what we have here. That's how I would defend him. I would make him the smallest individual that they have ever seen. I'd make him a nobody. And all he is doing is trying to make a movie, a quality movie, and make his name in Hollywood. And he knew what was going on.

27:39And these powerful, powerful people are trying to shut him down.

27:43Shaun Kent:Would you bring would you call some of those a list of friends to the stand? Yeah, absolutely. There would be more subpoenas sent out right now and they would be angry. I'd have them in the front row. And the thing about subpoenas is what I would do with my subpoenas is I would send subpoenas out and make them for the entire term of court. So they're sitting in the courtroom the entire time and might not even use them as witnesses. Just sit them in that front row and all the time just candidly look back at them and say, that's who we're dealing with. I got one more question for you about Diddy documentary, Jura 160.

28:15Shaun Kent:Oh my goodness. I haven't had so many questions about Diddy in a while. 160, Jura 160 in the documentary, if you haven't seen it, expressed that they were familiar with Diddy's nodding. They saw it on making the ban. They witnessed the same nodding in the courtroom. They said at times they were making the same facial expression as Diddy when listening to things in court that they were like, that's not believable. She particularly referenced the testimony of Capricorn Clark. The streets are asking, the people have the question, Sean, is this not bordering on that juror being biased and potentially being a fan of Sean Diddy Combs?

28:48Shaun Kent:And could the government use that to say we need a new trial? Zero point zero chance this could result in a new trial. We have something in the United States called the Fifth Amendment. The Fifth Amendment protects against double jeopardy. Double jeopardy basically means you cannot be tried for the same offense twice, no matter what. The United States of America doesn't have what are called appellate rights. They cannot appeal if a jury finds somebody not guilty. Now, we could have different charges. Let's say Diddy engaged in jury tampering or something of that nature. You can charge him for that.

29:22But as far as the underlying charges, no, there is zero chance. Now, if it turned out that one of the jurors was a big prosecution fan and they were in the wedding with the prosecutor and they didn't tell anybody and they found him guilty, then Diddy would be entitled to a new trial because he has separate rights. But as far as juror 160, it doesn't matter what she says. No new trial is happening for the government because he has jeopardy rights and he should have those.

29:49Shaun Kent:Well, this is an interesting thing for Blake Lively trial as well, because how do you figure out who, you know, who's the jurors favorite actors on that one? we will be watching it every single day it's coming around quicker than you think keep sending us in what other trials you want us to cover as well we are obviously listening sean thank you so much for joining us today i'll let you get back to that real world job that you have always a pleasure thank you so much for having me much appreciated that was our resident trial attorney dr sean kent joining us from south carolina and that's it for this episode of fame under fire from bbc sounds make sure you subscribe and turn on your push notifications on BBC Sounds so you never miss a thing.

30:27Shaun Kent:And please tell your friends and your family about us too.

30:34Shaun Kent:Hi, I'm Katie Razzle, and for BBC Radio 4 from Shadow World, this is Anatomy of a Cancellation. I'm a symbol of a particular time and an extreme version of cancel culture. Poet and teacher Kate Clanchy wrote a book about her 30-year teaching career, which was initially praised. It's a wonderful book. But later, others said it was racist and deeply problematic. The language in this book is so dehumanising. Unjustified cancellation? Long overdue reckoning? Subscribe to Shadow World, Anatomy of a Cancellation, on BBC Sounds.

31:16Shaun Kent:He's widely recognised as one of the greatest footballers in history. He's won the prestigious Ballon d 'Or Award five times. He's the all-time leading goal scorer in professional football. And according to the Bloomberg Billionaires Index, he's the first active footballer in history to achieve billionaire status. Guess who we're talking about yet? That's right. Good Bad Billionaire is exploring the life and fortune of football icon Cristiano Ronaldo. That's Good Bad Billionaire from the BBC World Service. Listen now wherever you get your BBC podcasts.

31:50You

From the publisher

Two major developments in the epic legal saga between former co-stars Blake Lively and Justin Baldoni.

Lively has responded to Baldoni’s attempt to block the case from going to trial, arguing that a jury should decide.

And Baldoni’s sworn deposition has been released. We hear how he responds to her allegations of sexual harassment and retaliation - claims he denies.

Host Anoushka Mutanda-Dougherty and resident trial attorney Shaun Kent discuss power dynamics, why circumcision appears in the legal filings, and how a slow dance montage could be key.

The trial was due to begin in March but has now been pushed back to May because the judge has two criminal trials to oversee.

Got questions? Send us a Whatsapp message on 0330 678 111 4. Subscribe to Fame Under Fire on BBC Sounds and turn on push notifications so you never miss an episode. We’ll let you know as soon as new episodes are available. Host: Anoushka Mutanda-Dougherty Series Producer: Vicky Farncombe Impact Producer: Sophie Millward Senior Impact Producer: Melanie Stewart-Smith Production Coordinator: Helena Warwick-Cross Technical Producer: Richard Hannaford Editor: Clare Fordham Assistant Commissioning Producer: Rechmial Miller Commissioning Producer: Adam Eland Assistant Commissioner: Will Drysdale Commissioning Editor: Rhian Roberts

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