Billy Crudup on Working with Adam Sandler & George Clooney + Theater Horror Stories

4 Dec 2025 · 57 min · 26 chapters

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In short

Billy Crudup discusses his career and specific projects, moving between TV, film, and theater. He talks about returning to The Morning Show (season four), enjoying the long-term cast/crew familiarity, and how writers tailored monologues to his natural speaking style. He also promotes Jay Kelly, a dramedy starring George Clooney and Adam Sandler: an aging movie star confronts whether he missed his life while chasing career, after a mentor’s death; Crudup praises Clooney’s generosity and Sandler’s kindness, and notes the film’s critique of “gilded” American expectations. Crudup shares theater horror stories, including a 14-character play where he forgot lines during previews, panicked, and had to cut 20 minutes; he also describes stage “stand-in” mishaps and learning to trust stage cues. He recounts training for Steve Prefontaine in Without Limits, using interval training and learning elite middle-distance efficiency.

Guests

Adam Sandler, George Clooney, Steve Carell, Jon Hamm (mentioned), Donald Sutherland, Patricia Donnelly, Martha Plimpton, Ethan Hawke, Paul Giamatti, Justin Theroux, and director Carrie Aaron; plus David Spade as the interviewer.

Written by AI. May contain mistakes. Listen to the episode to check what was said.

Chapters

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Introducing Billy Crudup

0:10 to 1:06

Hosts introduce Billy Crudup and discuss his work.

“Pieces that feel easy but still look polished enough for meeting or a patio hang.”

Introducing Billy Crudup

1:12 to 1:22

Hosts introduce Billy Crudup and discuss his work.

“That's quince.com slash fly for free shipping and 365 day returns.”

Introducing Billy Crudup

2:45 to 3:27

Hosts introduce Billy Crudup and discuss his work.

“I called for line, and we didn't have any system in place for line.”

Billy Crudup's Career Highlights

3:27 to 4:52

Exploring Crudup’s roles and his impact on projects.

Connections with Justin Theroux

4:52 to 6:10

Discussing friendships and connections in the industry.

“Is it the sex or the symbol that's small?”

Stage Experiences and Panic Attacks

6:10 to 10:10

Billy shares his experiences with stage fright and mishaps.

“I'd say two ex-cons, you know, white-collar criminals become undercover cops and it's called We Know All the Tricks.”

Improvisation in Theater

10:10 to 11:26

Discussion on improvisation during performances.

“And so we didn't I've never forgotten my lines like that.”

Discussion of Tommy Stoppard and Diane Keaton

14:00 to 14:27

Exploration of Tommy Stoppard's work and a tribute to Diane Keaton.

“You know, it's like the Sam Shepard of the East Side.”

Discussion of Tommy Stoppard and Diane Keaton

14:53 to 15:19

Exploration of Tommy Stoppard's work and a tribute to Diane Keaton.

“See homedepot.com slash license numbers.”

Billy Crudup's Experience on Morning Show

15:50 to 16:55

Billy shares his experience working on the fourth season of 'Morning Show'.

“So it's like three months somewhere and you get really intense with a group of people and then you don't see him again for a while.”
Show all 26 chapters

Character Insights and Monologues

16:55 to 19:54

Billy discusses his character's development and the writing process behind it.

“So my wife and I are watching, I guess, season three or something.”

Pilot Highlights and Memorable Lines

19:54 to 21:08

Conversation about standout moments and lines from the pilot episode of 'Morning Show'.

“i'm 80 do not proceed why do him as a crosswalk guard in my standing back don't proceed don't Pussy.”

Billy's Athletic Background and Training for Roles

21:08 to 22:33

Billy shares his experiences with sports and training for his film roles.

“But you need those lines that stand out like that.”

Insights on Prefontaine and Running

22:33 to 28:00

Discussion on Pre and the physicality of running as portrayed in film.

“in boxing and football and track in North Carolina.”

Billy Crudup's Early Acting Challenges

28:00 to 29:40

Explore Billy Crudup's initial fears and experiences while working with renowned filmmakers.

“if you're really efficient and you have a gift like you you have a head start a little bit yeah you definitely do that's the gift of it you just can run and then you can train it but what so i I thought it was great.”

The Complexities of Amateur Athletics

29:40 to 31:30

Discuss the challenges faced by amateur athletes and the sacrifices they make for their careers.

“And I thought you actually had a resemblance once you got the kind of wig on and everything.”

The Reality of Professional Sports Contracts

31:30 to 32:50

Unpack the financial disparities and pressures within professional sports contracts.

“But at least they can do NIL, I mean, name, image, likeness.”

Reflections on American Dreams and Life Choices

32:50 to 36:30

Billy Crudup reflects on the American dream and the expectations it creates for individuals.

“They're like, this is the running back for the next four years.”

George Clooney's Multifaceted Career

36:30 to 40:00

A deeper look into George Clooney's character and his influence in film and life.

“There's an American kind of ideal that if you don't make it, then you have failed.”

The Charismatic Presence of Clooney

40:00 to 42:01

Discuss the charisma of George Clooney and his impact on others both on and off screen.

“And George's character is kind of regaling him and like, oh, you were the actor we all looked up to or whatever.”

George Clooney's Charisma and Career

42:01 to 45:38

Explore George Clooney's impressive impact on culture and his humble beginnings.

“I remember when we were in Venice, the paparazzi follows you on boats.”

George Clooney's Charisma and Career

45:42 to 46:05

Explore George Clooney's impressive impact on culture and his humble beginnings.

“That's the energy State Farm brings to insurance.”

Mentorship in Acting

46:21 to 54:28

Discuss the importance of mentorship and specific encouragement in acting.

“So I'll be interested to see who he leans on.”

Adapting High Noon for the Stage

54:28 to 56:01

Learn about the challenges of adapting the classic film High Noon for theater.

“They're like, Billy, you sure you want to add all this stuff?”

Character Development and Casting Ideas

56:01 to 57:44

Discussion about character traits and casting choices for a film role.

“So you'll be 6 '4 with the cowboy boots on.”

Podcast Engagement and Promotion

57:45 to 58:09

Hosts encourage listeners to engage with the podcast through ratings and subscriptions.

“I know we're busting your balls, but it's great to have you on here.”
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Transcript

Automatic transcript. May contain errors.

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2:45Let me see what you got, Spade. Look. Not as good. Not as good. Nice. Scribbles. I called for line, and we didn't have any system in place for line. So calling it back? From the booth, I hear our poor stage manager go, I don't know what it means to me, but I'm going to be here. Yeah, you have to tell the audience there's real bullets, and you're really shooting at each other. It's just a great idea. And one person gets the kind of producing we need. So Billy, crewed up is, what did we, will he's on the morning show he's in prefontaine right yeah i was really excited to talk to billy because i've just you know he he's one of those just kind of always good actors you know uh everything he does is great he amazing in the morning show like an electric yeah and yet he's sort of under the radar as a celebrity i don't know how you describe those kinds of people he's always good but he's he's not around then he comes in he's always great and he's in uh j kelly which he was promoting with with adam sandler and george clooney yeah and just very very interesting guy to talk to very interesting yes adam says a lot of great things about him because once we talked to him i went on the road with adam and loves this dude thinks he's a big star he's a great looking cool dude that uh you you guys get into that prefontaine movie a lot yeah and he started steve prefontaine there was a few movies about this famous olympic runner uh from the 70s and his was great he did a great job with that so i don't know it's just fun talking to a guy like that you know he's in so many once you see his face he's he's very well known anyway but you go oh that guy okay okay yeah we were watching spotlight last night it's a michael keaton movie spotlight and and then he shows up in spotlight it's like and he's great you know so anyway really fun nice guy and um highly entertaining highly intelligent anyway i enjoyed it i hope you will there he is billy cruder we're not going to talk about how good looking he is we're going to skip that because people get so look at those notes look at look at let me see what you got space look not as good not as good scribbles man who prepares that's right you and uh i found justin thoreau is when i found out you were friends i went oh that makes sense yeah this is how i connect it good looking guys handsome guys because i'm obviously spade and are you know sex symbols with a small s but you guys and you don't you don't play it up that much the Small what?

5:36Which S? Is it the sex or the symbol that's small? I don't know. Or the wiener. What? No. Somewhere an angel gets their wings when he says wiener. Wait, Taylor. Got it in fast this show. This is where Justin and I met. We were doing a play in New York, and he and Paul Giamatti and I were all in it. And the three of us used to take breaks regularly while the rest of them were doing drama to go play video games in New York Times Square. and that's when he and I became friends back in 1996. Whoa. I love it. There's something about you guys. I'd say two ex-cons, you know, white-collar criminals become undercover cops and it's called We Know All the Tricks.

6:19We go to the same surgeon. We've been using the same guy year after year. Giamatti decided to go with a different guy.

6:28God, these are three of my favorites. You're already in my top three. Giamatti, I love. Talk to Justin and now you. We can stop right now. You guys are my... Because that guy's... Both those two are incredible. They're incredible. I can't keep up with them. Well, Giamatti is just... He's a monster. Yeah. Are you in New York now? I'm in LA right now just doing some press and stuff. Now, here's a big question everyone gets with you. Is it... Three options are crude up, crude up, or... Some people pronounce it fuckwad. Fuckface. I, my family and I have always pronounced it Crudup. Crudup. It's German and I think there used to be an umlaut over it.

7:13Oh, an umlaut. Yeah, like in Lowenbrow. Yeah, Crudup. Yeah. I'm doing the movie with being Crudup. Crudup. That's right. You did that play where you played 14 characters. You get, what were some, did you do a lot of different voices and accents? Can you do seven of them? Could you do, I've already seen two characters. German. I'm not giving it away for free, pal. If you want something on the side, I'll give you three. I heard that movie multiplicity with Keaton was seven or eight. That was, I thought that was impossible, but this was a play where you came out naked and then you do 14 characters.

7:52I think you're complaining two things. I'm not a good researcher. That's right. Your fantasies and the actual off-roadway production. Actually, the theater that I did do the play in, that was the first place I ever did a play in New York in 1994. And in fact, there was a scene where I appeared completely naked for$225 a week. And what I might say was a relatively chilly theater. That being said. Yeah, I would say that. Did you ever consider saying? Put it on the playbill. It was an esoteric think piece on Japanese internment camps, so I'm sure you didn't miss it, Spade. You know what? I was sick that week, but I usually try to get out and watch the boards.

8:34Spade worked as a stand-in naked guy. Remember the Broadway show you did, Spade? There was a guy supposed to be naked and then you would stand in for him. It was kind of a shadowy thing. Remember the last time we used stand-ins on stage? Yeah, it was the stage version of Police Academy 4. It said there's no such thing as a stand-in. It's like, I'm here and I'm naked. so when i'm a stand-in the audience was like this girl or boy and they go um just go skate that's all yeah they go it's a spade whatever that is yeah uh the other one that i did was um uh just i told a story for you know an hour about a guy who's going through a bit of an identity crisis and he's from indiana but he grew up wanting to speak with a british accent so his dad beat the shit out of him and he'd never none of them had ever been to england but he didn't like he didn't like that his son like to speak like this all the time and so he came up with this other alter ego which was like oh go you want to fuck with me go fuck yourself how about that dad you know let's take this punch in the nuts you know so there was uh that kind of character was going back and forth so i was having dialogues between the two of them and so by the end of it you just feel like you've seen a story and then the lights come up and it's just one dude so you go oh theater's fun So that was the kind of hole.

9:56Is that the 14? Yeah. Oh, wow. So you had to do all that is very tough to do. It was it. Well, it it was so tough, in fact, David, that they during the first preview, first week of previews, I went up, I forgot my lines. And so we didn't I've never forgotten my lines like that. And I started to have a full blown panic attack. You know, you get tunnel vision. My heart's coming out of my chest. There's only 150 people there. It's not like anything terrible is going to happen, but still you feel responsible for their$30 in each seat. So I called for line and we didn't have any system in place for line.

10:35So calling it back from the booth, I hear our poor stage manager go.

10:44At which point I shit my pants. I cut about 20 minutes from the show and it's a thriller that things are supposed to accumulate over time. so nobody knew what the hell i was talking about and then i get home and um my wife is like i'm sure it wasn't that bad and i'm telling this story a couple years later and there's silence that we're at a um a brunch and there's silence at the end of the table and this director who my wife knows says gabby you you i'm sure it wasn't that bad right and she goes i was at that production and that night one of the worst experiences of my life I said, well, put it on for me.

11:23But you know what? The audience would never forget it, though. I'd actually rather see a debacle because it's fascinating. Yes, it was. It was a complete train wreck. Why do they say - I was like selling it live, yeah. This is - We have so many - It's going to be a two-hour. But why do they say when an actor loses their train of thought or they've gone up? Is that their expression? I mean, this is the first time I've thought about it, Dana. But I suppose because when you forget your lines, you typically go like this. oh yeah looking for you look up because you go wait yeah maybe that's it i don't know i'm sure there's a better explanation the first few beats they think you're acting so they don't know and then someone is it you're standing supposed to yell it out is someone well typically it's a stage manager but actually that reminds me of another time that i went up but i didn't have a panic attack on this when it was just a quick you know as you get older you i think this is my theory guys any actor already has a brain that's hardwired for internalizing text so you can take a speech you read it once or twice and you know the general gist of it you get the story of it and the words kind of go you just have a brain that's ready for that and as you get older that starts to atrophy a bit and you don't until you're front of people and all of a sudden the words aren't there and i was doing a play with martha plimpton and ethan hawk amongst many others and And I had this big, long, like five minute monologue.

12:49And at the beginning of it, I went up and that was the first time I'd really gone up on stage. And I thought it was kind of funny. So I just kind of paused and I'm supposed to be lecturing the whole group and they're listening to me. And I paused and I was like. And it works. This is an awkward experience. So I went and sat down and just kind of put my hands together waiting for the lines to come. And to watch Martha Plimpton go from fake listening to real listening was my most joyful feeling. She was listening like this and then she was like, something's happening. Yeah. This isn't the way it's supposed to go.

13:34They have to adjust their acting because you're adjusting. You're like, oh, he's doing this. It's real happening. Exactly. Somebody might die. They think you're coming over to make a new move on your speech. And they're like, okay, we're doing this now. Right. There might be. Billy's going to improv some Tom Stoppard. Some Tom Stoppard. It was. It was a Tom Stoppard play. There's no improvising there. That's funny. Sounds like a Dennis Miller reference. Oh, Dennis Miller had some great references. Tommy Stoppard. You know, it's like the Sam Shepard of the East Side. All right. I don't know where that came out of here.

14:09I just watched Baby Boom last night with my wife in honor of Diane Keaton. Sam Shepard was in that. It's slapstick. It's 1930s. It's absolutely brilliant. And so is Diane Keaton and Sam Shepard. But anyway. Thinking about refreshing the carpet in your home? Now's the time to do it. For a limited time at the Home Depot, get 10 % off installed carpet projects on trusted brands like LifeProof, Life-proof with pet-proof technology, home decorators collection, and traffic master. Plus, with installation starting at just 49 cents per square foot, upgrading your space is more affordable than ever at The Home Depot.

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15:30Let's go! Get ready for a new case. We're going to crack this case and prove we're going to create as partners of all time. New friends. You are... Gary Death Snake. And your last name? Death Snake. Dream Team. New habitats. Zootopia has a secret reptile population. You can watch the record-breaking phenomenon at home. You're clearly working at it. Zootopia 2. Now available on Disney Plus Rated PG. So, where do you want to begin? I mean, morning show's out now. yeah we've got the fourth season out now uh and um you know it feels like we did it more than a year ago i can barely remember what happened but i know it's a great experience working on it i have never worked on a character you know more than a couple of months so to return to this uh this guy where they keep writing you know weird shit for me to do has been it's been really fun.

16:28Actually, the best part has been just being with the cast and the crew, because it's been seven years now and you never get a chance when you I mean, you've had the you know, I do plays and movies and wherever kind of jobs come up. So it's like three months somewhere and you get really intense with a group of people and then you don't see him again for a while. So this one getting to come back again to Los Angeles year and year with the crew and the cast has been And that's been fucking awesome. I'll say that this true story. So my wife and I are watching, I guess, season three or something. And Jon Hamm's in it.

17:03And you're in it. And, you know, with live streaming shows, sometimes you miss a season, you come back. So we watched your character, who's sort of a genius egomaniac. And by the end of it, we went, fuck, Billy Crudup. We both said, we were just sort of reintroduced to you. by that that season and that arc and that character where someone is so in the pocket and so ribbed and so connected and those monologues and your alpha male confidence it just must have been a blast but it really landed with us we're like hey honey you want to watch anything else like fucking billy i had to convince them though they didn't want me for that part i i had just done that um a play where i was doing all those different characters so i was like no if you guys give me a lot to say.

17:53I bet I can do it okay. And then when I read that specific character, if you've ever spent any time in New York and gone to a gala of any kind, it's just riddled with dudes who are room readers looking for the power. They don't care about the charity. They don't care about their jobs, whatever. They just want to be in proximity to power and they know how to read people. They talk fast. They think fast. They're very proud of themselves. They've never failed before. If they have, they thought it was a lark. And so that's not how I live. It's a sweaty experience for me being in those, but I knew those guys.

18:29And so when those monologues started to come, the writer Carrie Aaron, she just started writing them for me. Like she would use the kinds of ways of speaking that I would use. So it was, and I never had that experience either it was just she was teeing it up for me so all I had to figure out how to do is think more quickly because the guy thinks in paragraphs he doesn't think in you know like little phrases and he's sure he's seeing around corners knows a lot more than everybody else does very proud of himself it's very easy it's a good character in that environment too because everybody's so um it all the the stakes are so high everything's so yeah it's kind of wound tight so tightly wound and so when you've got a guy who comes in and goes hey this won't be a problem let me tell you the very laissez-faire the audience gets a quick reprieve and then you get back to the drama so the smartest guy in the room who knows he's the smartest guy in the room and you know what's funny too is that there are plenty of producers out here and politicians too who will either come up to me or come up to my agent and say that's based on me isn't it because they're the smartest guy in the world really and bernie sanders said that to you wait how would he have said it jana yeah i'm you'll base the character on me did you just have a cup of coffee this is how i talk i'm 80 do not proceed why do him as a crosswalk guard in my standing back don't proceed don't Pussy.

20:04The system's rigged. The system's rigged. He has a lot of energy for an 84-year-old. He sure does. He sure does. He's only 84. Yeah. Billy got a good line in the pilot where, well, the setup is, we're setting the whole stage for the whole series, but I thought the pilot was super cool because it's very glossy, very expensive. It looks great. Mimi Leder, I guess, is the director from the old ER days, maybe? Indeed. She pioneered a lot of those winners. And so when Steve Carell gets fired and Jennifer Aniston is sort of soaking in it, and he says, nobody wants to watch a widow get fucked. I'm like, if I was reading the pilot, I would circle that and go, make sure that stays in.

20:51Let me tell you. And that was a temp one. They were like, we're going to go ahead and do a couple of takes of this. We're not entirely sure. And I have to say, I think we have a couple others that were even, I don't know. The rougher? Hard hitting. Is the right way, yes. Yeah. For a more late night audience. But you need those lines that stand out like that. Everyone goes, whoa, okay. And I would say it and they'd go cut and I'd say, I need a shower. That would be so loud. Fuck, man. Are you guys actually going to put that out there? Yeah. Yeah, Steve Carell being a bad guy is just so much fun.

21:28Oh, that was great. He was brilliant in that. I was sad to see him go. Such a sweet, sweet guy. There's one little fetish I have about this interview, and that is that you play. I'm a track and field guy, and I am a stretcher. Distance running, mile through. Oh, you did? All right. So you knew about pre-pontaine. Yes. Yeah. And yours is this. I'm a play the field guy, but go ahead. Okay, that's similar, but not the same.

21:59That's not a dick athlete. That's a dick athlete, right? That's something like that, yeah. I interrupted Dana. Dana's actually a good runner, so I'm glad we're talking about this. I was during that running, and Prefontaine was the beetle of distance running, and Jared Leto did one called Prefontaine the year before, and then yours was Without Limits, and you had Donald Sutherland, And I was just curious about your training. Did you do sports in high school? I did. My dad was kind of a jockey guy. My granddad, he set records, high school records, in boxing and football and track in North Carolina.

22:39And he had all the pictures up, all the clippings and the trophies and stuff. And my dad was always trying to live up to that, tried out for the semi-pro Jets team, but blew up both shoulders. and was selling yarn. But he was obsessed. A natural next move. You know, all of the guys who don't make it into the semi-pro, they're selling yarn one way or the other. But he had a crazy affection for sports. You know, it ended up coming out in a not necessarily legal way. He was a bookie for many years. But we had TVs on all the time. And so sports, it was a big thing. I don't know if you guys ever saw The Great Santini.

23:32We both lived it. Yeah, so that was my dad. Oh, really? After my dad saw that, he called us sports fans for about two years. And he was the kind of guy who my brother played baseball in high school. And my dad would bring, you know, six pack of Miller High Life or whatever. start to get drunk in the stands start yelling at the umpire get kicked out to the parking lot where he had another six-pack and start laying on the horn and yelling at him from out in the parking lot so there was a lot of sports um and i was you know i was the feelings guy i was short and skinny and i put on shows and stuff but i liked to compete and about when you get to high school, first of all, a fastball your freshman year, if you're not feeling it, that looks really fast.

24:21And baseball wasn't going to be the thing for me. And soccer, which I had played since I was like, you know, first grade or whatever, I became, you know, a lot slower as the guys got faster. So much so they called me flash for a while. And I thought, nope, that's not for me either but i had always i had wrestled since fourth grade and that's when you know it's a handicap system so you're always wrestling guys your weight so i wrestled when i was in high school but i was not a great asset to the team uh the year was your weight class yeah what were you i was 148 um and i think we had 152 at the time were you that's that's big for i would have wrestled oh you were a heavyweight i don't even know how tall you i don't know anything

25:14i would have wrestled it at 112 i think i was about honestly i was 114 or something i was like a fucking full pipsqueak so but i i loved the competition so when i i uh i got to do that movie yeah i did like exercising and stuff but there was a a woman named patricia donnelly who was in another of robert town's movies called personal best um which was yeah you remember that david i do sort of i know you do and robert town made a lot of great movies there was a relationship between two of the athletes and there was a shower scene and that's why i'm thinking you might remember that all right let's look at a call yeah so we did our research about you and you did your research about David.

25:57I mean, yeah, the research comes from just taking a hard look at him, right? There's nothing to know. It's already, um, she said, listen, the, the, the thing that'll screw you up if you do this is if we run anything more than 200 meters at a time, because we're going to, we're going to do these takes and then we're going to, there's going to be an hour between the setup. And during that time, if you cool down, you're going to tear something when we get back up and going again. So I'm only going to train you with intervals. And we spent about like six weeks training out here. And the guy ran in the kind of specific way, sort of barrel chested and arms a little bit.

26:39Exactly. It's kind of given it. And yeah, he wasn't as efficient as some of the other runners. He liked to run with guts. So I just had a incredible time getting to hang out with all those people and and and some really world-class athletes and runners you know that and all of them when when when you see middle distance runners it looks like they're jogging they're running like four minute mile pace you know they're just so efficient with their movement and a four minute mile pace for anybody else is a full sprint yeah learning how to do that you know was um that was that was a really fun experience i think you see them chunk together and it looks like they're all going medium totally because they are all together but if anyone else was running they wouldn't be able to keep up but a hundred percent you can't really tell the cardio on those guys it's unusual they all have you know pretty physiologically unique bodies yeah vo2 max is a big vo2 max measurement and prefontaine was 84 85 uh there was a norwegian cross-country skier that was 93 then some of the people stopped testing but lance armstrong apparently was an 83 or an 84 he knew he could be 91 or 92.

27:53just the engine your the way your oxygen gets to your muscles and through your your cardiovascular system heart lungs arteries and all that and so if you're really efficient and you have a gift like you you have a head start a little bit yeah you definitely do that's the gift of it you just can run and then you can train it but what so i I thought it was great. I thought you really captured it. And Donald Sutherland was, was great as Bowerman. So that, that was a tremendous movie. I don't know. And Conrad Hall, who shot Bonnie and Clyde, he was our cinematographer. And, you know, the fact of the matter, I was just scared shitless.

28:30That was my first like big part. And I did not want to let anybody down. And I wasn't sure that I was up for the task, you know? And so I couldn't really ever take the time to, enjoy the fact that I got to was getting a chance to work with these you know great people I I Conrad Hall was testing out some new equipment because he wanted to do these these specific kinds of shots where he was using a very long lens at magic hour so low light long lens means you have a very small depth of field which means the focus puller if you are running at him has to be able to keep up with you in a very precise way.

29:12Otherwise, you know, you'll be in real time. It's constantly moving. He was developing the laser at the time. He was one of the first ones using the laser to try to, well, meanwhile, I'm running over these hills again and again and again. He's like, all right, we got precisely, which is not the exact great attitude to take with Conrad Hall. So it was, it was, it was a bit of a mixed bag. I look back at it now and I think, oh man, And I wish I wasn't such a... I thought your pre was great. And I thought you actually had a resemblance once you got the kind of wig on and everything. And you're playing this insecure, but hyper-confident, hyper-cocky.

29:51I mean, pre was so charismatic. He was. I'll get it down to a pure guts race because then no one can beat me. His interviews are bonkers. I mean, he had such incredible confidence. and uh he also he he had he was kind of prescient about uh athletics as well he was one of the first guys who was advocating saying you're not paying for anybody you should pay for somebody i mean these amateur athletes are busting their balls they're living in you know squalor and um yeah you're the colleges are making money off of it so yeah i've always said that like the olympics is another feels like a scam because you go there you train your whole life and then it's over and And even if you won, what's next?

30:32Coaching? I mean, you win or you lose even worse. So you train all that for nothing or whatever. And then you go, I have to start studying for a life or a career or this late in the game. Because I love amateur athletics. I do love it. It's a big sacrifice for sure. It sucks. I mean, I went to Carolina, so I'm a college basketball fan. and trying to figure out, one of the things that is exciting about watching college athletics is you will inevitably be watching a game where a young person becomes themselves and they'll do it in front of a crowd of 30 ,000 people. And it is incredible to watch.

31:11All of a sudden, this young athlete becomes the professional athlete that he's going to be the rest of his life. That's cool. And, you know, you don't, if you're paying for it one way or another, I'm not sure you're going to get the same experience, but obviously I always thought it should be deferred income. They should be able to, there's like a pool of money that at 25, they start to get to tap into the rest of their lives or something like that. But at least they can do NIL, I mean, name, image, likeness. They can monetize. Yeah, they can do that. Yeah, exactly. So that's, you know, they almost don't use any of those letters.

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31:50It's just money. it's like what happened to the image like they go no no we'll just shovel you some cash well some of those attractive people or uh gymnasts that they can go on instagram whatever they they make really good money they got to stay in school but there's a lot of money in professional sports i'll just go out and say it i don't know that's a hot take it is but you want to get like brock purdy and the 49ers got it he came in as the you know the last guy drafted and then he had these great seasons, but he got his contract. He's hurt now. And it had a guarantee. Yeah, he's rolling out there with 900 grand a year when everyone else is getting 40 million.

32:26He must be like, my ship better come in soon. Right. If he finishes this game, then he's on to his$200 million contract. Oh, he's tackled. He's down. They're taking him off. Yeah, I wouldn't give it to him. I wouldn't give it to him. But he made$3 ,800. Absolutely heartbreaking. It's so brutal. I thought we were calling it now. I mean, they've got the lines up on every game while you're watching them. So the probability to have a career will be the next one. We have nine lives. We can keep coming back. It's true. I watch those running backs. They're like, this is the running back for the next four years.

33:01And they, they pull their hamstring. They go next guy up. We forgot about the other guy already. It's unreal. That's a rough one. Shall we talk about Jay Kelly? Oh yeah, man. I don't want to drive the interview. because I could talk to you about pre for a half hour. Well, it was a fun experience, and typically it's the people who were runners in high school or college that respond to it. So I'm always happy to talk about it. But, yeah, Jay Kelly. You know who does some running in this? George Clooney. Clooney running? He's not doing the same kind of running. He's running from something. Yeah, what is the premise?

33:42Well, the premise is there's a guy who's in the last part of his career, an actor, a big, famous, fat movie star. And he's got two daughters who he has a kind of unfamiliar relationship with. They both wanted more from him than he could give. And he finishes this one big picture. And he's at home, has a sort of brief rest, and his mentor dies. And he goes to the memorial, sees some of his old friends, some of his old classmates, and realizes that maybe in this process of trying to pursue this career, he's missed out on his life. And, you know, for me, there's something just gorgeous about George playing that character.

34:29And Adam is his agent in it and is absolutely spectacular. And he's really loving, adoring, kind. Yeah, he's a nice guy. Yeah, he's a nice guy in it, right? Sure, Adam. Yeah. He's beautiful in it. Yeah. Yeah. And George is too. And also too about America and how we attach our own expectations on a movie stars. That's like the gilded idea. What if everything goes perfect? You could end up with this sort of life where limousines are always pulling up for you and you're in the perfect place. And is it perfect? Perfect. It's a great, interesting concept because someone who doesn't get to do that, they have their kids and they give up their career.

35:13The whole life, they're going, wow, what if I had that? I never got that. And then the person gets it goes, I didn't get that. I didn't get the other thing, which they got. Well, I'm going to put this out there for you guys to discuss. But I do think there's something very American about that. This capitalistic idea that we're the land of opportunity leaves a lot of people feeling like because most of the lives that people lead are normal and they are fine but they're not gilded and so when we in this country has the expectation that you have all the opportunity in the world most people end up feeling like oh my great life is about to start and meanwhile while you're waiting for your great life to start you miss your life rather than accepting the fact that you know you can still work hard you might have some there might be some great uh payoff there but there's a beautiful life to be had just the same.

36:06But I think there's some of that in Jay Kelly. Yeah. You know, it's funny because they always say, tell your kids, you can do anything in the world. Like you can't, that's a little overreaching. Cause then the whole time they'll make whatever they're doing, like, wait, I could do anything. And you're like, not really. That's what I mean. And, and, and you, you end up feeling, my dad, he felt like shit about himself the whole time because he never hit the jackpot. And that's a tough way, you know, Death of a Salesman is all about that. There's an American kind of ideal that if you don't make it, then you have failed.

36:41And by make it, you're the bigwig. And in a free market system, there's whimsy to it. Like my friend knew someone who just was a nice young woman out of junior college or something, got a job at Apple in 97, got shares, retired millionaire. You know, we're in a casino where people can pull the slot. And I'd say the things that had to come together for just me to get on SNL that the previous season wasn't so good. I was there at that time. my manager bernie burlstein knew lorne michaels i mean so there's always whimsy to it and luck but in the end of the day most people are hanging out whether it's george colini or you and me you're with your wife watching this show going for a run whatever most people just hang out but it's very difficult i think especially right now hot take social media for young people everyone's a star are everyone's making millions everyone seems to be better looking than they are in the Mediterranean everyone's on a yacht and they're all curating their lives none of it's like I'm like how much of that shitty picture why not post that one because we look terrible and that's kind of how we felt that day wouldn't that that makes for good content that might be a real like shows the life that it's not always 10 out of 10 every second I think that would be great whatever platform is going to uh take over uh i don't know there's some instagram corollary in there you could come up with you're like hello sharks smart guys everything you get you give up something and everything you give up you get something so if you're gonna get all that fame then you're you're sort of an exotic insect uh out in the world precisely what noah is taking a look at you know I think part of him too was kind of disenchanted with movie making.

38:31After this movie, he did White Noise came out and he didn't feel like people understood it in the way maybe that he wanted. And so he wanted to make a movie that was about how lovely movie making is and how lovely the experience is for the people who get to do it. So part of it is really charmed. But there's an underbelly of I think I've really missed my entire life. and there's this great line by his daughter where she says, you know why I know you didn't want to be there? Because you weren't there. And it's like, oh, and he goes, but all of this, everything that I've done, all these movies that I've made, all the ways in which I've transformed culture and entertainment, it must be worth something.

39:20And she's like, but what if it isn't? you're like god damn what if i'm talking to that kid because they are just just i'd be like you're out of my way just those two and he yeah he goes he you know it's probably he's going you know i did all this for you and she's like no you didn't yes exactly that's exactly it yeah and um it's uh it's i think it's a really it's it's a beautiful it would take some of the pretense off if we got rid of the word acting and said and the you know the best pretender goes to he can pretend in front of a lens really good this liar i've never seen a pretender like this but actor now your character in the movie is the one who quite didn't make it who's friends with george yeah he was in acting school um or and they took acting so perfect and he didn't that always happens it i mean the our worlds are replete with them it's just of course it's an impossible business and um and so george's character runs into him at the memorial and because george is feeling like he he's just on the on the verge of having that idea that he may have missed out on his life and he was like hey man you were one of my buddies back in the day we should go have a beer and the guy's like oh that would be really nice should i you know call your office or something And he goes, no, no, let's go right now.

40:43So they go and have a beer. And George's character is kind of regaling him and like, oh, you were the actor we all looked up to or whatever. I could watch you do anything. So he kind of peer pressures him into doing some impromptu acting. And so it's like it's a great weird trick that Noah tries to pull off. That's Noah Baumbach. Yeah, Noah Baumbach. We didn't say that. Oh, I didn't say that before. Director, writer, director, writer. I mean, just a fantastic collaborator. It was it was it was a completely charmed experience for me to get a chance to do it and work with those guys. So I breezed in for four days and now I get to do you know, we went to we went to Venice.

41:28No, this is great. Was Adam there? I think he was right. Was we had a great time in Venice and then we went to Telluride together. So I feel it's all icing on the cake for me. Yeah. So behind the scenes, just man to man, is Clooney, what's that all about? Yeah. No, I wanted to give Clooney a compliment in case he hears this, but. Yeah, he hasn't had one. Clooney is phenomenal. He's almost exactly as you might imagine. He has the most brilliant stories. He is incredibly generous, really gregarious. I remember when we were in Venice, the paparazzi follows you on boats. It's kind of a nerve wracking experience.

42:15And so Naomi and I were kind of hiding under the canopy from them. And George does the opposite. He goes up and takes the wheel of the boat. And so he can get all the pictures. He can't escape. He's like Mickey Mouse out in the world. Venice is my life. And he's pretty impressive, the number of ways that he's involved, not just in the career, but involved in our culture and our politics. And he's out there. He's out there. He lives a very, very big life. He did a nice thing early on and came to the premiere of either Black Sheep or Tommy Boy and talked to my mom for 10 minutes. And my mom will always remember it.

42:52Yeah. And he was he was killing it then. He's actually never really been not killing it for most people. From ER on, it's been up here. So even back then, he talks about his career with a level of humility, too. That is unusual for someone who's accomplished the kinds of things that he's accomplished. But he still has that old memory of being a working actor, not having ER yet, trying to get jobs, doing some shitty movies. I mean, he doing facts of life. Yeah. Yeah. And Laura Dern were on the stage at the New York Film Festival talking about the fact that they had both been in Grizzly 2, which wasn't released.

43:32Someone else just told us that. Yes. Until like recently. And it's like they die in the first scene, but they're the headliners now on the case. Oh, that's so funny. Wow. I love George Clooney and the Descendants, which is one of a movie, one of those movies that my wife and I will visit once in a while. yeah because it's so brilliant and his scene at the end where he says goodbye to his wife in the hospital that is master class i mean that's as good as it gets i agree you know yeah i agree he's a superb actor and he's and there is a funny kind of thing that happens in the movie is there's a tribute to jay kelly and you you see the george clooney movies all the actual ones that's funny Oh, funny.

44:19So it's kind of like... I hope you said a spoiler alert there. No, that's interesting. Okay. I'll reel them in. And it's supposed to be at a film festival. So when we took this to film festivals and watched the film festival crowd watching George watch a trivia, it's really, it's an exceptional and unique experience. And would you call it dramedy, comedy? What would you say? Yeah, dramedy sounds good. Okay. It looks like a good movie. I always like to bring in a little bit of... Pathos. There's some edge to even his most lighthearted movies. There's something uncomfortable, something... But George and Adam's relationship in particular is...

44:59It's really sweet. And it's executed so well. And it's just charming. Introducing Taco Bell's new jalapeno citrus salsa with bright citrus, real red jalapenos, guajillo chiles. Usually, you add sauce to the food, but when the sauce is this good, the food is just there to get the sauce to your mouth. That rolled quesadilla, not a rolled quesadilla anymore. Now it's a sauce shovel. Taco Bell's jalapeno citrus salsa. Get it with any item on the cantina chicken menu while it's here. The participating U.S. Taco Bell locations for a limited time only, while supplies last. Contact store for availability.

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46:14Whichever you choose, delicious coffee awaits. Find Starbucks frappuccino drinks wherever you buy your groceries. I think, you know, we're in the same management company as Adam and, you know, we know four or five managers, you know, so Adam would have a lot to draw from. So I'll be interested to see who he leans on. He might be more like himself. and himself as well because he's kind of a mentor and we've all had people in our lives, you can't do this alone and you can see in some of them raw ambition in some of them you can see distraction, in some of them you can see they're biding their time but very few do you see some mentorship and they see what you specifically, David Spade, have to offer.

47:07And they're able to promote that in a way that not only makes you feel good about it, but tells the story of you to people who want to hire you. And that's who he plays. It's hard to find. That's hard to find. There's a great line in the movie where Adam says, he goes, you're Jay Kelly and I'm Jay Kelly. exactly you know it becomes like this and you know it's i'm sure you've done it yourself um you know a young actor you saw in a play or you meet and you want to say nice things or encouragement or and that's a skill set and an art really too so not look like you're shining a mom but actually specifically i always say specific compliments absolutely and not condescending either like oh i'm an old sage or whatever it's really hard to but it's important i mean i remember the people who um terrific actor victor garber who i did uh play with and do you know victor uh i just remember him being on like manix yeah so victor victor was like a veteran when i was working with him first time but the way that he was supportive was you know unique it was It's the kind of thing that you feel like, oh, okay, this might be a hard profession, but at least there's some people in it who I can align myself with.

48:31Right. And some people are too competitive. It's not always the case. There's not everyone's out there to help you out. It's mostly competitive. They want you to go away, especially if you're any good. They want you out of there. So it is good to get someone that actually feels like they give a shit. It's unusual. For some reason, Soap This just popped in my mind. Soap This is great. It's a great movie. I mean, Kevin Kline, though. But there was some kind of competitive thing between them. Oh, Soap. I love that scene where he's on stage and he's doing, but it's dinner theater. And he's doing Death of a Salesman.

49:05And somebody's eating. And he turns to him and goes, you're doing very well.

49:13Oh, man. What's the play you're doing? I want to talk about this because this fascinates me. First of all, Jay Kelly, November 14th in theaters, December 5th, Netflix. Okay, so then London, December 17th. High Noon, which I saw as a kid, and I remember it to this day. It really hit me hard. I think I might have been alone in 10 years old, black and white. You're making High Noon, the Gary Cooper movie, 1950s, 2, 3. Right. As a play in London. Okay. That's right. Tell us a little bit about it. There's a great screenwriter, Eric Roth. He wrote Forrest Gump, recently did Star is Born, and has collaborated on a million things, probably been nominated for six Academy Awards.

49:58He's never written a play before, but he was really interested in this story. He and I worked briefly together on The Good Shepherd, it was called. It was a spy movie. And I just had a ready affection for him. He was like one of the guys you're talking about, like a real mensch, like really wants to support and encourage the creative process. He understands how insecure everybody is and is just a really expert writer. In any case, High Noon, it turns out, it was written by a guy who was blacklisted. The timing is not necessarily correspondent, but what I think he saw coming was that in the face of a physical threat, people and communities will capitulate.

50:50And that this sheriff who's been taking care of this town for 15, 20 years now, and has just turned in his badge, the bad guy is coming back to town on the high noon train. he's about to leave because he's just married a Quaker and she says I don't want you to have anything to do with guns and the town is like nope we'll be totally fine don't worry and he's like wait I can't leave you guys I know what you guys were like before I got here you're about to get screwed this guy is you know slaughtered he is a badass and he shouldn't have been released from jail I don't know what happened the politicians up north released him but so So he goes around to try to get a posse together and everybody's like, I don't know.

51:36My shop is in really good state. I'd love to help you. The apple dumpling gang. Exactly. The apple dumpling gang. Tim Conway popped out of it. Don Knotts. What? Don Knotts. Wow. One of my all-time favorites. We need a Don Knotts in this one. But so he wrote this for the stage. Yeah. And it's. Who are you? I play the Gary Cooper part. And so I've got to figure out who my sheriff is right now. So that's what I'm going to do. I've been watching a lot of Westerns now. They're actually great to revisit right now. There's one called the Oxbow Incident with Henry Fonda. Another one that blew my mind as a kid.

52:17My Darling Clementine, another great, like the first Wyatt Earp story. Henry Fonda again, freaking incredible. Shane. The man who shot Liberty Valance. The man who shot Liberty Valance. that balance that's another phenomenal one um so you're in on that you can sort of help figure out i'm gonna try to david we went we've got some fantastic um collaborative the director thea sharick who is really um a brilliant director and a great designer named tim hadley and uh an actress named denise goff who is just um otherworldly on stage and um so yeah we're We're going to give that a go in London. It's exciting.

53:00I love theater in London. Oh, me too, man. I saw the ferryman out there and I was just - Oh, that was a great production. I saw that one as well. Did you see Jerusalem there? No. Oh, it was a Mark Rylance one and just sublime. I'd be interested with a set design, like a Western town. Well, that's the problem of it. Exactly. So when you watch the movie, they cut from inside the saloon to then to the barbershop Yeah, yeah, yeah. You can't do that on the stage. So it's going to take some inventive. Also, too, there's a gunfight, you know. Yeah. How exactly do you stage that in a way that is both, you know, dramatic enough, reveals something about what it means to be shooting at each other.

53:43Yeah, you have to tell the audience there's real bullets and you're really shooting at each other. That's a great idea, David. And one person gets just the kind of producing we need. That's outside the box. You need fresh ideas. there it is guys real guns real guns think about it lunch everybody signs the waiver let's just say it's after the intermission we use real bullets it's blank you can decide to leave if you want you come to that you want to come to the good show or the bad one but gary cooper didn't have much dialogue so you probably won't have a lot of dialogue and dana you have hit on two major challenges in trying to stage this is he he's he's known as a guy of few words oh yeah on stage that doesn't really translate you know are you adding your precious monologues well so what they've done is they've given him like an internal monologue um where he um gets to speak to the audience you know um he's thinking yeah yeah no you go like this here's the new one And you walk in on the horse, you go, check out the saloon.

54:47That looks pretty cool. Oh, look, they have a general store. They're like, Billy, you sure you want to add all this stuff? Hold on. I got to write this down, David. Check out the saloon. A lot of good filler. Yeah, yeah. You need filler. Here's my Gary Cooper. This is your only line in the first act. I reckon I don't know where I'm going to be going. Is that Obama? Oh, no, no, no. I should have done Henry Fonda. If you have any problem, just do Henry Fonda. Nobody knows what he talks like anymore. Oh, that's it. You can use that voice the whole time. He could have done that. That's dead on, man.

55:23That is dead on. Nobody wants to listen to anyone but Jimmy Stewart from old-timey actors. Oh, no. I mean, when Henry Fonda, his voice actually in those Westerns in particular, that's the thing that gives him authenticity. That's the thing that makes you feel like, oh, yeah, that guy seems like a marshal. Well, I figure I better figure out what I want to do. You know, it's kind of a very distinct rhythm. And then, Ken, I don't like your attitude. I don't have that one yet, but I'm going to be working on it. But you're going to be stoic. And how tall are you? I'm 6 '2". Okay, so you're 5 '6". I mean, I've played 5 '8 my whole life.

56:01So you'll be 6 '4 with the cowboy boots on. You know, it's one of those things like when you meet someone of a stature like myself who's running in about$65,$5.859, you have to figure out what community would want him to run the show with respect to law enforcement. So he's got a couple of chances. He's got to be really good at talking. He doesn't mind negotiating uncomfortable situations. And it helps that this character is a vet. He fought in the Civil War. So he must have. And there's a couple of guys that I found online that were small guys who were, you know, awarded a lot of medals and stuff because they just had to screw loose and they didn't mind going into a dangerous situation.

56:49Audie Murphy. The third is you've got to be really good with guns. So those are the ones that I'm going to lean on primarily is that he doesn't mind getting into weird situations and he's really good with guns. Maybe Kevin Hart could play the other guy. By the way, if I had him as Frank Miller, people would say, well, that makes a perfect parent. But, you know, Kevin Hart, he's pretty stocky there. Yeah, he's always working out. Think about De Niro. De Niro, he plays the power guys, but, you know, played the power guys because they got to screw loose. So there's something unpredictable about them.

57:24And, you know, if you're on the short side of it, what's going to happen is he's going to rip your throat out. It's Pesci and Goodfellas. Yeah, precisely. Pesci and Goodfellas. Exactly. So you've got to figure out the good guy version of that. Hmm. That's interesting. That's interesting. I might come to London to see it. That sounds cool. And Billy, I have to say, very nice to meet you. And thank you. I know we're busting your balls, but it's great to have you on here. Right back at you, David. I appreciate it. Yeah, a lot of fun.

57:57Hey, guys, if you're loving this podcast, which you are, be sure to click follow on your favorite podcast app. Give us a review, five-star rating, and maybe even share an episode that you've love with a friend. If you're watching this episode on YouTube, please subscribe. We're on video now. Fly on the Wall is presented by Odyssey, an executive produced by Danny Carvey and David Spade, Heather Santoro and Greg Holtzman, Maddie Sprung-Kaiser and Leah Reese Dennis of Odyssey. Our senior producer is Greg Holtzman, and the show is produced and edited by Phil Sweetek. Booking by Cultivated Entertainment.

58:32Special thanks to Patrick Fogarty, Evan Cox, Maura Curran, Melissa Wester, Hillary Schuff, Eric Donnelly, Colin Gaynor, Sean Cherry, Kirk Courtney, and Lauren Vieira. Reach out with us. Any questions to be asked and answered on the show, you can email us at flyonthewallatodyssey.com. That's A-U-D-A-C-Y dot com.

From the publisher

Actor Billy Crudup joins Dana and David for a lively conversation about his expansive stage and screen career — from unforgettable theater experiences (including a few horror stories) to the highs of live performance. They dig into his edgy role on The Morning Show and his upcoming film Jay Kelly (starring alongside Adam Sandler and George Clooney). Plus, the trio takes a detour to unpack the meaning of the American Dream and debate the best Westerns ever made — no, not the hotel chain.

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