Jason Priestley on Hosting SNL, Hockey with Mike Myers, & Directing TV

1 Oct 2026 · 46 min · 21 chapters

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In short

Jason Priestley discusses hosting Saturday Night Live (1992), his hockey connection with Mike Myers, and his long career directing TV (including how he manages set “question fatigue”). He also promotes the CW reboot Private Eyes West Coast, now starring him and Cindy Sampson as a married private-investigator couple raising a baby in Victoria, BC.

Guest backgrounds

Jason Priestley is an actor known for 90210 and a director/producer with decades of TV directing experience. Cindy Sampson is his Private Eyes co-star (private investigator Angie Everett). Mike Myers is a Canadian actor/filmmaker Priestley has played hockey with and collaborated with via table reads.

Key claims

Priestley says he was “number one on the call sheet” on 90210, helping him stay grounded during teen-idol fame. He directed 15 episodes by the end of 90210’s run. As a director, he prefers calling “action” and “cut” himself and says he’s sensitive to actors’ fragility with notes.

Notable examples

SNL’s 1992 skating cold open; Priestley’s hockey charity games with Myers; Private Eyes escalation from “Moonlighting”-style will-they-won’t-they to married parenthood with a one-year-old stealing scenes.

Written by AI. May contain mistakes. Listen to the episode to check what was said.

Chapters

Tap a time to open that second in VO

Life Before SNL

1:09 to 2:27

Jason Priestley shares insights into his life before hosting SNL.

“You know those pieces in your closet, Dana, that you reach for every single week?”

Life Before SNL

2:31 to 4:00

Jason Priestley shares insights into his life before hosting SNL.

“And when Quince asks where you heard about them, let them know it was fly on the wall.”

Jason's SNL Experience

4:00 to 5:46

Jason discusses his memorable experience hosting SNL at a young age.

“And then 90210, rocket ship comes on and it explodes globally.”

Friendship with Mike Myers

5:46 to 7:11

Exploring Jason's friendship and collaborations with Mike Myers.

“And then it's like, hey, how about coming on SNL and hosting?”

Music and Celebrity Encounters

7:11 to 8:39

Jason reflects on his experiences with celebrity music acts during his rise to fame.

“i'm from canada too you know hey how you doing hey you know it's funny we i for a few years yeah i I did a lot of stuff with Mike.”

Fame and Its Challenges

8:39 to 11:22

Jason shares his thoughts on dealing with fame and staying grounded.

“yeah Norm was there oh great you got everybody I was super lucky.”

Behind the Scenes of 90210

11:22 to 14:00

An inside look at life on set during the filming of 90210.

“yeah walkin is really the do you have a walkin?”

Jason's Journey on 90210

14:00 to 17:23

Explore Jason Priestley's rise to fame and his early experiences on 90210.

“And he really stood out as well as just one of the nicest people I've ever met.”

The Financial Landscape of TV Shows

18:42 to 28:00

Discuss how salary negotiations and cast dynamics play out in television.

“Yeah, if you know what I'm talking about.”

Directing and Communication on Set

28:01 to 29:21

Learn about the nuances of communication and direction on film sets.

“Like being an actor, it's shorthand, right?”
Show all 21 chapters

Challenges and Realities of Filmmaking

29:22 to 30:42

Discover the unexpected challenges and realities faced during filming.

“And also, time versus money, and you have to manage that.”

Directorial Styles and Set Atmosphere

30:43 to 33:50

Explore different directorial styles and the impact of music on set.

“Do you, I always see, I don't see, sometimes on a set, we ask Ben Stiller this, the first AD yells action and cut.”

Discussing Favorite Shows and Movies

33:51 to 36:20

Engage in a light-hearted discussion about favorite movies and TV shows.

“movie on the monitor he puts pictures of feet and just puts them on like a montage and then everyone gets to look at him and he goes, you guys don't like feet too?”

Rebooting a Popular Show

36:21 to 37:46

Learn about the reboot of a well-known show and its new direction.

Rebooting a Popular Show

40:13 to 41:54

Learn about the reboot of a well-known show and its new direction.

“Banking services provide Cash App's bank partners prepaid debit cards issued by Sutton Bank, member FDIC.”

Rebooting a Popular Show

41:57 to 42:37

Learn about the reboot of a well-known show and its new direction.

“Cut your wireless bill to$15 a month at mintmobile.com.”

Transforming Home Office Spaces

42:37 to 43:50

Discuss the impact of furniture on home office design and comfort.

“we recently decided to transform our cramped home office into a cozy reading nook.”

Life Changes on Set

44:08 to 47:56

Jason discusses the evolution of his show and balancing family life.

“living in Victoria, British Columbia, as opposed to the bustling metropolis of Toronto.”

Directing Challenges with Richard Dreyfuss

47:58 to 49:51

Jason shares his experience directing Richard Dreyfuss and the collaborative process.

“if you get hooked on a show and you like a show, especially if it's lighthearted.”

Jason's Racing Accident

49:52 to 52:32

Jason recounts his serious racing accident and the impact on his life.

“you have to kind of come in a little soft and say, hey, man, let's maybe try a different way or whatever, whatever.”

Wrapping Up the Interview

52:33 to 54:51

The hosts conclude the conversation and discuss upcoming projects.

“Yeah, there was a lot of bad stuff happening and surgeries and stuff like that.”
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Transcript

Automatic transcript. May contain errors.

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2:58When you tell Shannon to, you know, not block the other girl with her shoulder, does she go, just relax? They say you answer 400 questions a day. That sounds about right. It's a real thing, right? Question fatigue, right? you just clean them at the end of the day you're like I don't f***ing care I do I ease everybody into it I say okay okay everybody ready and action

3:24Dana Carvey:I get very easy you go down action wait a minute hey guys hey this is a first for us you are you're oh this is great you were just awoken and said go on a podcast is that right I mean no not quite I was I'm in the middle of a whole I thought we were just doing a pre-interview today. Because aren't you guys sending me a hat? And I'm supposed to wear a hat? We never knew about a hat. We've never done a pre-interview. You're fine without the hat. I don't even know what that is. I thought this was later, guys. I'm sorry. Jennifer, I'm on with the boys. I'll talk to you later. Jennifer, be cool. It's all happening.

4:05Oh, my God, guys. I'm so sorry. Jennifer, he's fine. What is the deal? Trust me.

4:09Dana Carvey:Hey, guys. I haven't seen you guys in the years. Jennifer, I'm hanging up. What's going on? Not since 1992. The cold open You were Now that I was a double right Most of the time or do you skate I skate But most of it was a double I did a little bit of stuff but The double did most of it for me The cold opening on Saturday Night Live I just so people understand In 1992 Jason came on But it was a pretty good look alike And it kept the shot wide You're built the same And then when you came in at the end to all beat the shit that was really funny just like could barely talk yeah it was that was a good i love the life that that uh that that piece has had oh you know every winter olympics it seems to come back around right they throw it back yeah yes that's true yeah it's become a thing we had kerrigan on and that was in rotation for a while because uh she got to skate with farley were you guys over rockfeller is that usually we did our stuff no we did our stuff up at sky rink which is what the heck somewhere in manhattan somewhere in midtown manhattan at the top of a skyscraper there's an ice for real yeah oh how cool is that it's hilarious don't fall so what what i mean since we're on this topic we just bounce around so we don't have any rehearsal like okay so it's just all a pre-interview it's just longer it's a little bit like a fever dream You know, you're acting and you're doing well, you're doing things.

5:39Dana Carvey:You started pretty young. And then 90210, rocket ship comes on and it explodes globally. And then it's like, hey, how about coming on SNL and hosting? Then that's where we saw you in 92. So right at that point, and you didn't seem to have anything but nice. You know, you're Canadian, right? So it wasn't like, hey, you know, guess what show I'm on? Vancouver. you know it's like yeah so just talk us through that real way if you want to just the experience of the you know going on snl and you're like 22 or something yeah i was i was maybe i was 22 or 23 years old um i mean for me having the opportunity to come and do snl with you guys was unbelievable i you know i'd watched snl my whole life um so for me to have that up i mean i definitely understood the importance of that uh opportunity and it was and it was definitely uh definitely an experience that i'll never forget that was that was one of the most fun professional weeks of my entire career which has been very long at this point in time it has congratulations he got a fat cast too dana because yeah 92 was my i was still really new just mostly yeah he wasn't he wasn't but you had you guys yeah he had you and mike and uh and farley probably jan farley and sandler was there that they were there yeah oh that was the crossover that was a good year that was a big really fun did mike myers take you under his wing kind of at being a fellow canadian i'm from canada too you know hey how you doing hey you know it's funny we i for a few years yeah i I did a lot of stuff with Mike.

7:21We played hockey a lot together. Oh, yeah, you do hockey too, yeah. A lot of charity hockey games and stuff. Oh, okay. But then also he would invite me to, you know, he was doing a table reading of something in Los Angeles. He would always call me and I would go and be a part of the table reads and stuff that he was doing, you know, trying to get all his projects off the ground. Yeah, it was great. It was really cool. Mike's a great, I mean, you guys know better than I do. He's an awesome guy. He's just fantastic.

7:45Dana Carvey:yeah i mean canadians just have a vibe you know i don't know what it is a humbleness not fake humble but also you know have their own ambitions and talent but there is sort of a polite carefulness that i find with canadians maybe that's a cliche but dana and i are fake humble my wife's canadian yeah david's ego was sort of i don't want to say this out of control but he's caught i had a big ego i wasn't even on 90210 i was like a writer on snl i was peacocking around like i did anything yeah he goes what's up with this jason guy he says to me day two jason jason priestley from 90210 what do you mean what's up with him i don't know what he meant by that i made that up wait who was your music it was uh it was it was a band called teenage fan club oh yeah some of those come and go but um you know you never know and they're big when we get them and I remember they were really pushing hothouse flowers on us and then they finally did it and they disappeared later that night I think same thing happened in Teenage Fan Club they just disappeared it's so funny because then you get Nirvana the next week then you get Pearl Jam and you just don't know we break new people we put them on the stage then we see if it like sticks that was a pretty good Lorne Michaels impersonation that was pretty good what it is Jason Priestley's here I think he's going to be very game oh you're happy so far Jason there's only three people in North America that don't do a Lorne Michaels impression they've hunted them down and there's three in both Canada it's too far did you have Norm MacDonald on when you were there?

9:34yeah Norm was there oh great you got everybody I was super lucky. I had an unbelievable cast.

9:41Dana Carvey:It was a great show. You did the, you did it with, was with Chris Rock doing the RC new hall show. Yeah. On the, yeah. Oh, you did. Wasn't that part of our whole backstreet boys thing where we, where we all, Oh no, it wasn't new kids on the block. That's what we all played. And that was on the show, right? right oh my god so you're saying look at that stuck in my shirt i got on for you and what was the angle on 90210 nice yeah oh he does have that hey he's a bare naked lady guy no no i love it it's true i do love bare naked ladies there's room for in what's not to love about them there's always room you guys were probably huge stars crossing over like did you ever see those guys in sync uh yeah occasionally um vmas yeah yeah yeah i knew those guys a little bit um i would see uh i would see the new kids on the block out more often than more often than other bands though like i always i always found myself in an elevator with the new kids on the block which was yeah i'm not sure why i don't know how i can two two times i remember perfectly one was in miami and one was in vegas and i like i'd step on the elevator and the whole band would be in there and i was like you could blend right in did you ever audition for that no did someone did some producer somewhere because you're on this rocket ship and you're a teen idol kind of go can you sing oh yeah you know oh yeah oh they tried to make an album with him did they make it out.

11:24Other ways of making money.

11:26Dana Carvey:Well, tell us about that. What did they say? Oh, no, I never did it. I never even entertained it. I was like, yeah, thanks, guys. But who do you think I am? William Shatner? There's only one Shatner. Yeah. Another Canadian. I can't believe you brought him up. Rocket man. He'll bring up Shatner. It's a Canadian thing. You got a lot up there. You got a lot of stuff. So everyone's got a Shatner. Everyone's got a Walken. Everyone's got. yeah walkin is really the do you have a walkin? yeah who doesn't? you gotta have it ready and willing at all times oh you got the growl too here's walkin sees a sees a UFO wow that's it David you're up oh you're gonna do the act of cat no he just tells me he goes you know act of dog's a smile You know, he goes under sometimes He does, he does He goes grab him as this Oh, he's a friend, and we're hoping he hosts this year Is he a Canadian?

12:35Dana Carvey:So what You probably never asked any of these kinds of questions But so that 10 years on that show Yeah So huge What, you know, what year in Did someone think maybe you were going to change because you're mobbed at shopping malls and stuff. I mean, you went through like a Beatlemania thing in a sense, right? Yeah, yeah, very much so. What the hell? And you're so young. Were you Canadian smart and kind of kept level or did you spin out a little bit or did you have the time of your life? I tried to stay level-headed and to not let it really affect me. And that was easy for me because I was at work all the time because I was number one on the call sheet of that show.

13:22So I was at work all the time. So it was easy not to. Just work and work. Yeah, just, you know. And after a while, you know, and we did so many episodes of that show every year that, you know, after a while, I just felt like a hamster on a wheel. And I had to keep running as fast as I could or it would, you know, spin me out. Those shows shoot like a movie, right? They're just nonstop shooting. It's not a sitcom.

13:43Dana Carvey:And how many, what was your peak episode count? Was it 22 was average, but maybe more? We would do 32 a year. whoa you fucking er wait a minute and it takes five to eight days to shoot to shoot it that's the whole year well that's like that's a year and a half for a year that's like 240 days of shooting or something i don't know i went to junior college do you remember anybody that was in the cast before can you remember any of the names yeah no i'm kidding um what about jason when you get on the show so everyone's at a different level probably pretty new how do they decide like who gets the most money someone who has a microscopic quote or some way how do you end up number one in the call sheet or is it just random uh no i i was number one on the call sheet just because i think that uh brandon you've done stuff i've done stuff like i i was just coming on a series that was on nbc and you know my and you know i mean shannon had done lots of stuff too before we started you know she's on little house on the prairie for christ's sake so whoa you know we we'd sort of been around for a while and i think so shannon and i had the highest quotes uh if anybody was she number two yeah yeah she uh she hosted after that yeah she did and luke and luke did too as well right oh yeah luke did too yeah luke hosted as no god rest his soul We love Luke.

15:09Dana Carvey:And he really stood out as well as just one of the nicest people I've ever met. And the most centered. I don't know. He really stood out. I mean, there was you guys. There's something pretty magic. Three from the show is a big deal. That was a big, chunky show that we could pluck off of. Yeah, he was. Luke was Luke was an incredibly kind, generous, smart, funny guy. He was. Yeah, definitely. Yeah. Sure, sure. He's smart. the show so you get there he what what number was he three he was number Luke's number seven on our call sheet oh yeah and when you go seven when you go back and watch the show though he really like Dylan McKay was sort of like this you know sort of like this mythical cool guy he's a little Fonzie comes in and out you know and then hey guys yeah it's like James Dean kind of yeah exactly All of us would trudge along Doing our, you know, whatever And then Luke would breeze in And Dylan would be there riding his motorcycle And hey, kids Dylan's like, do we have to eat at the Peach Pit again?

16:15Yeah, exactly

16:15Dana Carvey:Yeah, that sounds like the fun part, in a way What Luke was doing In the new breezy mystery series Private Eyes West Coast Jason Priestley stars as former hockey player Matt Shade along Cindy Sampson as private investigator Angie Everett. Now married with a baby, this husband and wife crime-solving team has traded late-night stakeouts for late-night feedings and faces its most unpredictable assignment yet, parenthood. Shade and Angie move to the West Coast for a fresh start, but when their date night becomes a crime scene, these new parents put their private eye skills back to work from missing hikers to mysterious murderous mermaids.

17:00They'll uncover secrets, catch killers, and try to make it home before bedtime. Between babies, bad guys, and barely any sleep, Shade and Angie are soft on parenting, tough on crime. This fall, watch closely because Private Eyes are watching you catch the Private Eyes West Coast series premiere Monday, October 5th, 8, 7 central on The CW. Next day on The CW app and the Roku channel. Fly on the Wall is sponsored by Bluetooth, the number one brand for better sex.

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19:02Dana Carvey:one thing I'm curious about is like as you guys went along and the show got bigger and bigger you kind of at lunch go hey uh did you get a bump last year I mean did you know what everyone was making because in friends didn't friends decide you probably had a bigger cast but friends decided quid pro quo everyone gets the same right yeah at one point yeah did you guys but you were you were before friends so yeah no uh we were we were before friends and then and then you know and then after with with alongside our friends um uh it we didn't we we all didn't talk about money very much and we didn't all collectively get together and and negotiate yeah as a group you know i don't know in retrospect that might have been it might have helped or it might not I really don't know what the right answer is on a show like R.C.

19:54I'm sure you guys did fine, though, right? Oh, yeah, yeah. You always get those bumps to shows they hit.

19:59Dana Carvey:Oh, yeah. It is interesting. Sometimes on shows, I don't want to know what anyone else gets. I couldn't tell you what anyone on Just Shoot Me got at a show I did. Grownups, I never know what anyone else got. So I would rather just not know in a way because it can lead to mental craziness. Well, it was the analog world, too, where if a TV show's on, it gets massive. I was canceled on a sitcom in 1981, me, Mickey Rooney, and Nathan Lane. And I was told we were getting 24 million people. Get that. Take your 24 million and get the fuck out of here. What? So I'm sure your numbers kept growing. And yeah, the 90s, it was just everybody knew about 90210.

20:42Dana Carvey:Yeah, sure. It was a different time, right? It was appointment television time. It was all that stuff, right? All the things that are gone now. Mm-hmm. Yeah. It was definitely a different time. Ah, yeah. Now they said, what if Paramount goes away? I just heard that today, Dan. I'm like, oh, if that moves out of town, I don't know what's going to happen. Paramount might move to Tennessee. Might move to Nashville, Tennessee. Yep. God dang. And that's maybe where you live, ironically. Yeah, I live in Nashville. Oh, do you? Yeah. Oh, nice. Nashville's a nice town. It's a great town. When did you move?

21:15We moved here about five and a half years ago. there was a private school here in West Nashville that we wanted our kids to go to. And so we, they got in, they got accepted and so we moved.

21:27Dana Carvey:Well, what I, cause everybody in Hollywood or everyone out on the West coast occasionally will mention Nashville or Florida or Texas, or maybe Georgia or places where this is a little less tax heavy. So your expectations in Nashville and then, and then what is, what's it been like? What are the upside surprises about living there? If there are any. Absolutely. First of all, it's a beautiful place. Tennessee is a gorgeous state. Oh, I'm sure you have. Sure, I love it. I think the thing that surprised us the most is the group of friends that we've assembled here. Some of the most dynamic, interesting, driven people people i've ever no i'm not hanging out with jelly roll he lives on every street donut hole is now also like the mayor walking around donut hole donut hole has an album out oh that's a new guy yeah that's not jelly roll but donut hole has that he's i love that guy is it hotter than you think or colder than you think it was it's hotter than i thought in the summer and colder than i thought in the winter it's both of those things well that's where California comes out ahead, but after that, it gets a little murky.

22:46Dana Carvey:Well, we get shakers. Do you get twisters or tornadoes? Not where I live. No, I live in, it's hilly where I live, so we don't get any twisters here. Okay, so there's no... Occasionally in other parts of Tennessee, yeah. That's usually more for like the, you know, Oklahoma and places like that where it's super flat, right? More mid. So one thing that I found kind of interesting, I'm just jumping around here, but that you, while you were doing 90210, you were already directing episodes. You're already having this other career, which was just really smart of being a director, producer, writer, making things.

23:21Dana Carvey:And so that you've done a lot. I have. Yeah, I do. I spent a lot of time behind the camera and I have done for the last 25, 30 years, which is great. I mean, you guys know what it's like being a performer. Your focus is very finite, and you only have to worry about you and the character and what you're doing. But I enjoy being the director and having a more macro vision of what's going on and having to solve - It's such a puzzle. Yeah, and film acting or TV, it can be, if you don't have chemistry with the director, you have a different sensibility about, you know the puppeteer in this particular project is probably hurting the project and you can't get out of it but if you're the puppeteer you go you're gonna try to make it like you want it yeah exactly right yeah and i and i enjoy when do you get to come to them and ask like are you i'm sorry but you're like newer you wait a year you wait two years and then it strikes you like i could probably figure this out i started uh bug and erin at the end of the first season i started you know oh wow that yeah i started hammering him to to let me direct it and yeah by the end of the third season he did he gave me the he let me direct my first episode and by the end of the show i directed 15 hours of it like i directed a lot wow great that's very cool that's real did anyone else make that move on the show anyone else direct uh i you know in in the in the 10th and final season i everyone you know they gave everyone a shot to direct an episode oh really but uh yeah The other guy who directed quite a few episodes was James Eckhouse, who played my father on the show.

25:06He directed a bunch of episodes. Right. When you tell Shannon to try to not block the other girl with her shoulder, does she go, just relax? The cast revolt. You know, I was super lucky in that everyone was always very supportive of me wanting to drink. Oh, that's good. Yeah, I was. That's actually probably more rare. I think so. Certainly nowadays. Yeah, yeah, yeah. That's funny. Wow. Yeah, you have directed a shit ton. It's great. It's harder than you think. I mean, people say you ever direct to me and I'm like, I wouldn't even know where to start. It's so complicated. you have to really like be shadowing and really opening your eyes to what's going on in the set every day.

25:54Yeah, very much so. Yeah, it's a lot because everything's your problem. Heavy is the head that wears the crown, right? Yeah.

26:00Dana Carvey:Well, it's how big, I mean, it is big. Just tell your experiences with having a DP or director of photography kind of going, I'm thinking maybe this pan shot here and we come in and then you talk with them. I mean, if you have a team around you a first ad whatever that seems to take the workload off a little bit if you're in sync you know if you're so you can focus on the performance and the narrative yes you know yes but i but i i you know me as a director i like to be involved in all of it i like to you know i do i like i like to talk you know let's talk about how we're going to shoot it unless it might and then you know i can adjust the actors accordingly um and i think that's that that that seem to work the best.

26:42Well, people don't realize also the whole day you're looking at the monitor, someone's walking up going, which dress do you like better? This one or this one? Which carpet squares for the next scene? You like this carpet or this carpet? And you're like, ah, plush. Okay. And you're like, I would never, that's the part where I started going, oh my God, it is just nonstop questions all day. It is. Because that's the final answer. That's right. And they say you answer 400 questions a day. That sounds about right. It's a real thing, right? Question fatigue right you just you know like i don't fucking care dude and every actor i mean i'm on a movie right now and people all have so many questions and it's honestly like the energy to take to just respect the actor's questions and try to and some ask more than others and it just gets to i could just see at a certain point i gotta i go let me just save my questions for when they're

27:34Dana Carvey:very important i would assume you being an actor a lot of times that's a great director because you would kind of have experienced over direction like i've seen people melt down when there's like and do it like this and this and do this it's like seven seven notes readings yeah it seems like an actor would kind of know uh just a little more on for you know make it simpler that's my impression of it. Knowing I don't need five notes in my head. No, no. And I am pretty good with that. And I'm very sensitive to that always. And I do. Like being an actor, it's shorthand, right? Just do it slower. Take 10 % off of that.

28:16You know, like it's easy stuff like that. And like actors know how to talk to actors and get their point across.

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28:23Dana Carvey:Yeah, you know. Yeah. Yeah. You walk up and you go, hey, Tori, first of all, how was your weekend um listen how'd you how'd you got lunch in a half hour can we just kind of zip through these lines and you're like she's like oh i get that okay did you have did you have moves because i was a director once he'd go on the set no one was there but him and he'd go like this with his eyepiece and he would just walk around and kind of set the shots i don't did you have a thing with these things i want to come in like i i did i i had you know what was your thing of course i did Around your neck. We do it all on our phone, right?

28:56We like, everything's. I see the DP on ours going like this with their phone. They walk along and I go, I just try to get in even the phone pretend one.

29:09There's nothing in his hand, you mean? Yeah. He has a little phone. They're like going around. She, Dana, she.

29:16Dana Carvey:Did you ever throw your headset off in frustration and fatigue as a director? What the fuck? you practice this at home i don't think you would but you know directors do that i love it uh i i i'm i i have been guilty of that oh okay but it's he's a real person because it's rarely is because of the people doing anything it's like you know stuff happens right you know in the middle of a take is an amazing take all of a sudden the plane flies through. Yeah, yeah, yeah. Stuff like that. And also, time versus money, and you have to manage that. We only got 20 more minutes here. Oh, we got a semi-truck.

29:59Dana Carvey:Losing the light. Okay, we will lose the semi-truck crash. Alright, well, just have her fall over a rock. By the way, every time you have sound with a problem and you go, there was a little leaf blower. Did you pick that up? I didn't really hear it. So it's a good take. Probably do it again. It's like Everyone's scared of getting fired. And I'm like, we always err on the side of just fucking do it again. I did a snow movie once where they're shooting all the fake snowflakes and it's super loud. And I was so naive. I didn't realize later on where you're going to have to dub every single line. Oh, yeah.

30:39Dana Carvey:Horrible. That was that was a bad one. So what? So they put glassing. It's Jason. Oh, Jason, here's a new one. Do you, I always see, I don't see, sometimes on a set, we ask Ben Stiller this, the first AD yells action and cut. And how does that happen? Do you not want to do that? Is that what they, do they ask you about that? Yes. They will. Some directors prefer to have the first AD call action and cut. I prefer to call action and cut myself. That's the only fun. Exactly. That's the fun part of the job. Action. and what's your action just do it for us like it's a pretty big set pretty big scene you want everyone to hear you do you kind of gently or you what do you do i do i ease everybody into it i say okay okay everybody ready and action that's what i get very easy go down action with a little like this first i get like this then everyone waits what is he doing then i go what did you say yeah I go, you know what I said, just go And when the camera comes around and we're doing a shot I go, reaction Nice And how do you yell cut?

31:52Dana Carvey:And if it's a great take and you know it Does that inform the way you say cut? Yes, of course it does Of course it does Oh really? Again, that's part of the fun, guys It's a celebratory cut And let's cut it Fantastic Moving on Moving on That's the other one You take your cape off Moving on I can't help but yell When they yell cut I go, that's a cut I just help it a little bit And they all stare at me And then they go, moving on I go, moving on I had a director That would look at the monitor During a scene You know, actually He'd look at the monitor And then he would do this Like a conductor Right And then when the scene would end He would go oh god crescendo god so we cutting have you guys ever worked with directors that like when when the crew is setting up for the next shot they play music to try to set the mood of what's happening yeah yeah yeah for sure yeah sometimes it's throws me sometimes it's nice but everyone doesn't always agree on the music so some people are annoyed by it but sometimes adam walks by not with a boom box but he's got this thing that he carries that plays tunes but we have the same sensibility he has a little speaker so he walks through because it's always like so many people on the set and so much crew and it always takes so you know it's taken a long time to line up stuff but it is fun i do like that because sometimes you stumble upon a song that's good for the movie you know you go oh you know what this one actually is pretty cool because it goes in like shuffle anyway other than that i i have been around it um dana i would say i i like the idea that tarantino i think he's the only director just has no original music he takes music from other movies throughout history and puts them in his movie on the monitor he puts pictures of feet and just puts them on like a montage and then everyone gets to look at him and he goes, you guys don't like feet too?

34:06Dana Carvey:I don't know. Jason, just for a second, as a consumer for a second. Sorry, Jason, I'll explain that. I'll text you later. David's got low blood sugar right now. Yeah, I've got low blood sugar. I don't know where I am right now. I thought this was a pre-interview. David hasn't woken up yet. It's called sleepapenia and so he's not literally awake right now. He's dreaming. But as a consumer of film, television or music or whatever, what do you like? What do I like? Yeah, what do you like? I never say your favorite movie or favorite TV show, but what's something that pops in your head that you like?

34:42What have I been watching lately that I like? DTF. Lately is be good or all time. DTF St. Louis is cool. DTF? Yeah. Dude, that got so complicated for me. Oh, man. It's fantastic. I'm almost finished with it. I think it's fantastic. Okay.

34:56Dana Carvey:If you're pitching it to me, what would you say to me? Because it's on my radar, but I haven't clicked on it. Yeah, how do you explain it? How would you say why I should watch DTF? It's complicated. It is complicated. Yeah, five seconds. And it gets super complicated. It sounds so easy at the beginning. Like I go, I got this. And I'm like. But what's the byline? What is the. Jason Bateman. I do like Jason Bateman. Yep, David Harbour and Linda Cardellini. Linda Cardellini. All good. All very good. And from there, I don't know. And then from there, it just gets weird. It gets weird. Small town burgers.

35:31Not just foot fetish weird. It just gets weird. Yeah, thank you. You got that one. But what about -

35:37Dana Carvey:Here's Jason Bateman. Sorry, David. Jason Bateman on Ozarks. Wendy, just hear me out. Ozarks was good too. You had to have seen Ozarks. I did. I saw Ozarks. I loved it. Ozarks was great. Okay. Anyway. That was also Peter Pan talking to Wendy. Also - It was a bookmark impression. I'm not saying it's a perfect tonal impression. It's still cooking. You're workshopping it. Yeah. It's wet. Also, DTF Dana stands for down to fuck, and it's a dating site. Oh, okay. They try to get each other on DTF. Yeah, it's kind of cool because if you know the term, if you don't, it just breezes by you. But anyway, let's get more to private guys.

36:22Are you making a note of that, Dana? Yeah, Dana is. Yeah, can't you see them? he's like what are the hip things i should say when i go to the general store today all right

36:32Dana Carvey:why don't we why don't we talk about the new show for a second because your pr people are are listening and going uh when are they going to talk about you know no i want to talk about because i was watching cw the other day and i was like what's coming up because i knew you were on a show called privatize it was coming out i guess it's gonna be october 5th but i was like let's let the man tell us about it because we saw the preview but let's hear well the history to the previous private eyes now the reboot reboot yeah so this is a reboot of a show that we wrapped uh about five years ago uh that we used to shoot in toronto that was on uh that was on global up there and it was on ion i think down here um and and the show for five years it was the it was the number one scripted show in canada the show did very well down here for ion and then and then the show got canceled and uh and then and then off genius move it's doing too well forget forget this show i don't know what the i don't know what the the reasons for them passing the show were but they must have had a good reason um and then they came back to us last year and asked us if we would consider uh rebooting the show and sort of picking up these characters uh five years later and see and see where they're at.

37:48And, uh, and so we, uh, we, we thought about it, uh, long and hard. Um, and we said, yeah, we'll try it. So we, uh, so we went and found, uh, a couple of, uh, showrunners, a couple of Canadian women, um, uh, Sarah Dodd and Jennifer Kasabian, and then they wrote an incredible pilot script for us. And, uh, and so we went and made, uh, 10 episodes and it's, the show is super fun. Anyone who's familiar with the show, it's familiar enough that, that OG fans of the show will like it, but it's also new and fresh. And yeah, you don't have to have been a fan of the original or even seen the original show.

38:25So there was a young lady you do it with. That is Cindy. Yeah.

38:31Dana Carvey:that's right. Cindy Sampson, Angie. So the first private eye season, there was a, you were a hockey player. She's a private eye. And then you do, And then you have a kind of a tease of maybe a relationship. Yeah. The first version of the show was really, it was, you know, it was like moonlighting. It was a will they won't day kind of a, kind of a setup with the two. And now in the second incarnation, what has happened? Well, in the, you know, we, we pick up. Did you do it? Oh yeah. A lot. Did you, did you DTF her? Between the five years. Yeah. Dana, you got what's going on. DTF Vancouver. That's it.

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44:07Yeah, so we pick up this show five years later and Shane and Angie are married now and they're living in Victoria, British Columbia, as opposed to the bustling metropolis of Toronto. And they they have a baby they've got a one year old kid and and it's it was a great act the kid stole every scene he was in it was unbelievable

44:29Dana Carvey:well in the preview I saw it really made me laugh out loud because I guess you guys are kissing and they cut to the baby and it's sticking its tongue in and out and it was really I hadn't seen a baby used that way in a TV show or movie Babies are really getting better. So now you're trying to be privatized. You've got this little baby. So it's all that stuff. Yeah. It's definitely an escalation. Yeah. So now we're juggling being married and being parents and, you know, trying to, you know, people who live together and work together, you know, being together that much, you know, it's all that stuff.

45:03Dana Carvey:Yeah. All the stuff. You take the baby, you hold a guy down on the side. The baby sprays diarrhea. All right. You want to change the diarrhea? change the diaper or investigate the serial killer one of us has to do it throw me the gun throw me the talcum powder now would you carry a gun do you fight in this do you yes is it that kind of yes so we don't we don't carry guns because we're canadian canadian you have batons exactly yeah baton exactly carrying a bear spray that's about it I use that Montana. That's like, well, if you're going for a walk, bring this. I go, really? So I'm just 50 feet away.

45:49Dana Carvey:I got to spray this charging grizzly. Is this a vacation I'm on? I say to the bear, I'm going to give you a light dusting just so you know what's going on. You're not going to like it. It's going to go like this. You know, they don't like it. I'll hit you harder if you start coming at me. I think it's used mostly for people, to be honest. In LA. In Hollywood. So, Jason, you started shooting. It comes on the 5th. Have you been doing it for a while? October 5th. They got 10 done. We shot one season, and we're going back to start shooting our second season in the fall. Oh, you did the whole season already?

46:23Yeah, yeah, yeah. We did 10 episodes. Wait a minute.

46:25Dana Carvey:Oh, okay. They're giving you a second season before the first season premieres? Yeah, it's crazy, right? That's pretty complimentary. It's testing well, Dada. It's testing well. We like what we see. just we need more private eyes let's do 50 so how long do you want this to go do you love it as your favorite job yeah I do you have great chemistry we have a great time we have a ton of fun at work Cindy and I are really good friends so we have fun making these episodes yeah it's super fun it's hard to be out of Nashville you get to be funny it's a comedy it's very light hearted So that's fun That's really fun It's a fun, upbeat set And I think this version of the show is even funnier than the first version we did Which is really fun We get to amp that up Well, I think they're playing it really great with the baby and the two of you Not trying Yeah, thank you I haven't seen this exactly like this And I think that makes it just fun And makes for a lot of fun To try to be a private eye and raise a little toddler Well, you can take five years of feedback from the show when it was on and go, here's what everyone liked.

47:40Here's what they didn't like, maybe. Now we have all the data. Let's play into what was working the best. Because you don't get a lot of chances to go back and tweak like that. No, no, you hardly ever do. So, yeah, it's a great opportunity. We're really having a good time with it.

47:57Dana Carvey:I think it's like hanging with your friends. if you get hooked on a show and you like a show, especially if it's lighthearted. So the chemistry between you and Cindy is already there. You know, you already did five seasons. The guesswork is out of it. So they know you like each other and they can feel all that makes it feel good. Yeah, I think so. Oh, I have a question for you. You did a, you directed a movie with Richard Dreyfuss and is Richard Dreyfuss tough on the set? I've heard he's, he can be a little rascally. Dick Dreyfus? Yeah. He was fine with me. He was fine with me. I mean, there were, you know, I don't know.

48:41There wasn't really anything happened. Is it hard because he was in Jaws and Good Bye Girl, these huge movies? That's hard to direct. It's hard because, you know, you're sitting there and, yeah. with guys like Richard they're so accomplished and they know so much and they've been doing this for so long you know you really it becomes more of a partnership and it becomes an exchange of ideas instead of a director certainly a director of my caliber going over and saying well Richard I think you should do this and you need to do that you know it becomes much more of a collaboration I was one of the 50 most beautiful people in America no you listen here but honestly it turns into it's it's a lot of uh i find on there with directing when i get directed bedside manner there's a way to give notes that doesn't you can see someone getting a note and going that's not going to go well i feel it already because the director's too sharp or too harsh and it throws because you know we're all very fragile so it throws it off but if they can kind of, like with someone like Richard, you have to kind of come in a little soft and say, hey, man, let's maybe try a different way or whatever, whatever.

49:59Right?

49:59Dana Carvey:That's probably it. I mean, I was in a movie once where the director, this was Wayne's World, Penelope Severe, there'd be a thing that I was going to do, and she says, well, what do you want to do here? That was the direction. Because I was the character that I played on SNL, so I said, what do you want to do here? and she would just say, could you do it five seconds faster? So with Richard Dreyfuss, it would probably be a little bit of that. What are you thinking, Richard? Or a little bit of collaboration. It's a collaboration always, yeah, it has to be. You know what's funny, Dana, is I've gotten that before where they go, can you go a little faster?

50:38It sounds mean, but they go, we want this in the movie. Yeah, that's what they say. And you go, if it's too long, they're just going to go, fuck, this is a good scene. also they'll say to like dana or me or you they'll say uh hey what do you want to do in this and i might say i'm going to get up here can you go can you get me if i'm this far away and they go okay thanks for telling us because that first take wouldn't have worked we got a wide now you're going to move and then they go oh you want to jump around or add level you go okay and then they're ready and that's a good back and forth where everyone's cool with it if it doesn't work it doesn't work i tell them i'm going to try something this one doesn't work get rid of it.

51:14Let's just try that. Why don't you, don't you try those things in rehearsals so they can be ready? I try a few, but when we start going, they go, let's screw around more, you know, like, Oh, I thought maybe I'm going to get up. That is rehearsal, Jason. Yeah. And we'll take out the part where you just admonished me in front of Dana.

51:34Dana Carvey:One time I had to get, they, this director say, we don't want to fire you. everyone wants to fire you i don't we i don't want to fire you you have one take i'm saving your job um one thing i i did find interesting about you uh is the uh your whole connection to uh race cars and f1 or the indianapolis 500 and you did have a wicked crash apparently you were going 180 miles an hour this is 2002 or they get that yeah back in 2002 yeah is it a bad memory you look great so i don't know i don't have any memory of it i lost i lost that's even better across about three and a half weeks where i you know because i i suffered three skull fractures and it was probably my 12th or 13th concussion so i i lost a few weeks um but i i don't think those were three weeks that i really wanted to be able to remember to be perfectly Yeah.

52:32Wake me up for the pain. Yeah, there was a lot of bad stuff happening and surgeries and stuff like that. And what were you in, a Supra? No, I was running Indy Lights at that point in time. So they were basically 200-mile-an-hour open-wheel oval cars. Oh, full-on open-wheel.

52:47Dana Carvey:Who is it? Is it a group? Who are four actors, actors and directors that race cars really fast? There's one guy from, I can't remember. Long Beach Grand Prix comes around. Well, you've done that before, haven't you, David? I did do that. I might have seen you down there. Yeah, I did do that. How'd you do? Did you like it? I didn't do it again because I go, shit. Plus, it's three days of training. Oh. He knows. Uh-oh, Amazon. All right, we'll wrap it up. This pre-interview was going well. We can't wait for the real show. We'll see you tomorrow morning. It's going to do an 8 a.m. call. Tomorrow morning, 8 a.m.

53:28Dana Carvey:Okay, all right, perfect. You can just, anything left for this young man before the dog? No, I'm glad you're safe. No. Thank you for doing it. The dog is talking. It just said, fly on the wall. You texted the dog and said, get me out of this. Say there's an emergency. Time to wrap this up. Jason. So we'll say that we're going to do private eyes. Private eyes. In summary. Yes. privatized cw privatized west coast yes and we're going to go over the figure skating cold open we'll put that in there for tomorrow oh oh no oh no this this was the interview okay no this was the interview yeah okay uh and then we've got uh the trailers online if you want to see the trailer yes and uh sounds good cw october 5th and it seems like just a funny funny fun show yeah so So you have kids watch it too.

54:29Absolutely. Co-viewing opportunity for sure.

54:32Dana Carvey:Yeah. The babies will relate to the babies. Well, congratulations on surviving show business and thriving in show business. Still doing good, yeah. Expanding your career and doing all these things. And it's just great. Thank you, guys. My pleasure. It's great to see you both. It's been way too long.

54:52All right, listen. If you're enjoying The Fly on the Wall, of course, hopefully you are, Click follow. We don't want to be desperate, but obviously smash that goddang button on your favorite podcast app. Leave a review, a good one. Leave a five-star rating, nothing else. Whoops. And maybe even share an episode with a friend. If you're watching this episode on YouTube, please subscribe, Dana. What do you think?

55:16Dana Carvey:I'm going to tell you this right now. Hit me now, believe me later. Fly on the Wall, believe it or not, is presented by Odyssey. and executive produced by, hold for it, Dana Carvey and David Spade or David Spade and Dana Carvey. We don't write this stuff. Heather Santoro, Greg Holtzman, and Leah Reese Dennis. The show is edited by Evan Cox with production support from Phil Sweetech. Talent production and booking by Sophia Lepore.

From the publisher

Jason Priestley joins Dana and David to talk about his SNL figure skating cold open, directing episodes of Beverly Hills 90210, and season two of Private Eyes on CW. Also, living in Nashville, directing Richard Dreyfuss, and playing hockey with Mike Myers.

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