In short
Episode topic: Mark Normand discusses his “norm mcdonald light” vibe, stand-up writing process, touring pressures, releasing specials (especially during COVID), and comedy’s boundaries—plus a controversial moon joke and broader thoughts on political correctness and “just being funny.”
Guest backgrounds
Mark Normand is a touring stand-up comic known for short, punchy jokes and a “Norm Macdonaldy” delivery; he’s also referenced as having a “We Might Be Drunk” podcast with Sam Morril. Dana and Mark (the hosts) are comedians who book/cover comics early and compare Norm’s style to Norm Macdonald.
Key claims
Short jokes require constant output to fill an hour; specials can “oversaturate” and later audiences may judge new material harshly. “Out to Lunch” succeeded because it was free on YouTube during the pandemic. Comedy should avoid agendas; timing and audience familiarity matter. He says he’s “under the radar” and uses that to go “all in” on punchline/twist material.
Notable examples
“moon team” bit about letting a Black astronaut on the moon; “Out to Lunch” rejected by Comedy Central/Netflix/Amazon then released on YouTube; mugging stories in NYC; comparisons to Norm Macdonald, Bill Burr, Nate Bargatze, and Jim Carrey.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Chapters
Tap a time to open that second in VOMark Normand's Comedy Style
3:00 to 4:17
Explore Mark Normand's unique comedic perspective and his admiration for Norm Macdonald.
The Challenge of Stand-Up Comedy
4:17 to 6:25
Discuss the pressures and creative challenges faced by stand-up comedians.
“You tend to have skipping the night and just drinking and going to bars.”
Building a Comedy Career
6:25 to 8:00
Mark shares insights on growing his career and performing in different venues.
“I've always sort of watched from a distance.”
The Dynamics of Stand-Up Specials
8:00 to 10:05
Examine the evolving landscape of stand-up specials and their impact on comedians.
“I just got to say some Asian slurs and I'm in.”
The Audience Experience
10:05 to 12:00
Discuss the relationship between comedians and their audiences during performances.
“That's a great title for his next special.”
The Struggles of Stand-Up Comedy
14:00 to 16:15
Explore the difficulties comedians face when performing and writing new material.
“I won't take myself out just because to work and buff out an hour, as you know, as Dana knows is so hard to get it working.”
Analyzing Comedy Dynamics and Fame
18:07 to 24:06
Delve into the nuances of comedy, the impact of fame, and the pressure to stay relevant.
“So it's kind of interesting to watch why someone blows up and another guy seems to have just as good or woman jokes, but is not quite, you know, it's a fascinating sort of art form.”
Norm Macdonald's Influence on Comedy
24:06 to 28:00
Discuss the influence of Norm Macdonald and what makes his style unique.
“was the minute you're hot, you can feel yourself getting less hot.”
Norm Macdonald's Unique Comedy Style
28:00 to 28:30
Explore Norm Macdonald's distinct approach to comedy and frustrations.
Norm's Career Challenges and Charisma
28:30 to 29:25
Discuss the challenges Norm faced in his career despite his charisma.
Show all 30 chapters
The Toughness of Performing Comedy
29:25 to 30:20
Understanding the difficulties comedians face during performances.
Norm's Integrity and Humor
30:20 to 31:10
Reflections on Norm's integrity and his unique perspective on humor.
Memorable Norm Jokes
31:10 to 32:15
Dive into some of Norm's best jokes and their deeper meanings.
“Just being very, very personal, at least online, I just noticed how it's so monetizing if you really share every disease or every negative weird thing in your life.”
Riffing on the Moon and Comedy's Edge
32:15 to 33:34
A comedic riff on space travel and how it relates to humor.
“So when the view is like, hey, Norm, what are you doing?”
Navigating Controversial Humor
33:34 to 34:19
Discussion on the challenges of making controversial jokes.
Reflections on Celebrity Culture
34:19 to 35:10
Insights on celebrity culture and public perception.
The Nature of Comedic Conversations
35:10 to 35:55
Exploring how comedians interact and joke amongst themselves.
“yeah why did katie perry need to go to space i mean uh we tried to send lizzo we didn't have the fuel but um don't put your hand in your chin that was funny we didn't have the fuel anyway Brian Regan do a whole album.”
Pushing Boundaries in Comedy
35:55 to 36:58
A look at how comedians test boundaries with their humor.
“And I find it weird that some comedians don't like whatever problematic humor.”
Bill Clinton Jokes and Timing
36:58 to 37:45
Jokes about Bill Clinton and the role of timing in comedy.
“Oh, yeah, because part of being funny or what's funny is saying the thing you just can't possibly say.”
The Impact of Scandals on Public Figures
37:45 to 39:04
Discussion on the repercussions of scandals for public figures.
“Just at some point, can we, yeah, will it ever end?”
Mark's Early Comedy Journey
42:48 to 44:16
Mark shares his path to comedy and experiences in New York City.
“For licenses, see homedepot.com slash license numbers.”
Mugging Stories in NYC
44:16 to 46:13
Mark recounts his humorous and harrowing mugging experiences.
Discussion on Comedy Specials
46:13 to 48:56
Mark and the hosts talk about his various comedy specials and their reception.
“I did have one experience a little bit like that in New York, and I was up against a grate, and this guy was grabbing me and doing like that, and I said, Lorne, please.”
The Pressure of Success
48:56 to 52:09
Mark discusses the pressure of maintaining success in comedy after a Netflix special.
“There's 15-year-olds, men and women watching, or boys and girls watching your special right now.”
Creating a New Movie
52:09 to 55:22
Mark talks about writing a movie and the challenges of production.
“You're, that's why you're going to, you're going to keep getting better.”
Advice on Comedy and Creativity
55:22 to 56:05
Mark shares advice on originality and influences in comedy and filmmaking.
“I think there's a good kind of tentpole things I would say.”
The Influence of Classic Comedies on Filmmaking
56:05 to 59:06
Learn how classic comedies can inspire new creative projects.
“It's not copying, but allow yourself to be influenced by things that you loved, and then you do it in your own way.”
Challenges in Modern Comedy Production
59:06 to 1:00:27
Explore the difficulties faced in making comedies today.
“I think TikTok and memes have picked up a lot of slack.”
Nostalgia and Classic Movies
1:00:27 to 1:01:25
Discuss the impact of nostalgia in comedy and film.
Skateboarding and Celebrity Connections
1:01:25 to 1:01:41
Uncover connections between skateboarding culture and celebrities.
Transcript
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1:51iXL is used in 96 of the top 100 school districts in the U.S. Make an impact on your child's learning. Get iXL now. And listeners can get an exclusive 20 % off iXL membership when they sign up today at iXllearning.com slash audio. Visit iXllearning.com slash audio to get the most effective learning program out there at the best price. Well, that was an L.A. version, so we kept it a little queefy for you. I know you're old and delicate. Thank you. Queefy?
2:20Dana Carvey:I'm going to look that up. I get that all the time. People say, kill yourself. You're no norm. You're like norm light. You're norm, but bad and gay. Did you kill yourself or did you take any of that advice? Nah, not yet. Later. But they're just going around the moon. They're not letting them on the moon, which I thought was messed up, but it might hurt the property value. And then I said, of course, they make the black guy do a drive-by. And I say, let them on the moon. I want to see that guy jump. Can you imagine that moon jump? And then I call it moon team. so we had some good times dana mark norman who's a very funny comic uh not on every single person's radar yet but that's what we like to do get someone like we did with shane get him a little early and pre-stadium yeah pre-stadiums he's always consistently funny uh when i see him do quick sets or on instagram or uh just talking to the dude he's got a great sort of norm mcdonaldy vibe uh well they talk about his love of norm yeah his love of stand-up uh and also he does a podcast called we might be drunk with sam moral is another great comic so two of them are out there killing it and he was a lot of fun and just a lot of jokes a lot of laughing and we really kind of dug deep with him too yeah you talk about the uh because he really writes a lot of jokes per minute and a lot punch lines for a minute and the pressure to keep coming up with material yeah little shorties yeah we probably got three jokes every minute you're right and it's just hard to fill an hour on stand up and then i think we talked about doing a special and how how much of that can you still use and you know how do you rotate inside baseball or what it's like to be a touring stand-up comic um it was a pleasure to hang out with him ladies and gentlemen enjoy way mark norman mark norman mark norman is our guest we start right away mark all right let's do it we're halfway through all right so this isn't a we might be drunk marathon where you're there for an hour five great how long are your how long are your podcasts on we might be drunk well we drink a lot so they can go from an hour to two and a half it gets pretty sloppy do you really drink when i was there did you drink well that was an la version so we kept it a little queefy for you i know you're old and delicate thank you yeah queefy i'm gonna look that up wait i know i'm old and what delicate i didn't want to hurt you yeah yeah you don't want to hurt me mark norman i was telling you such a riveting story like if you do a podcast we might be drunk which i've done and i actually like i didn't know because i'm frail and brittle that you were delicately leading me through a 22-minute podcast for my own safety.
5:15But I don't drink in the day anyway. That's the problem. I barely drink at night.
5:18Dana Carvey:Why not? Because I'm a fucking puss, dude. I used to be able to, but God dang. It is bad. It leads to horrible things. You tend to have skipping the night and just drinking and going to bars. So day drinking is evil. Don't do it. Yeah. do you when you drink do you i don't mean to cut i won't cut you i'll cut you off 30 more times i know zoom is tough i appreciate that you had offered to come in when you were in town it was very nice and then i was trying to find you i was in new york the other night and i saw my stupid instagram it's like mark norman is doing his hijinks at gut busters i'm like why am i seeing this and then i go oh he's in new york and then it scrolls down he's also doing flim flams he's also doing beep bops and i go oh he's not gonna have time to do anything you're like the new york guy going boom boom boom right oh yeah well yeah i gotta i run around like a psycho because uh my jokes are short so i gotta i gotta write a lot just to fill an hour and it takes forever so i gotta keep uh keep getting up and tweaking i did notice that very good joke writer uh very funny uh I've always sort of watched from a distance.
6:32I finally got the nerve to approach you on Instagram. But, well, I always appreciate a good joke writer. So does Dana. So when you're cramming in short ones, it is harder. I like to tell stories in my act. I'm trying to get one story that's an hour long, ideally. Wow. I don't think I have one. I can make a story an hour and it's fucking boring, but to get some tentpole laughs in the middle is very hard. That's called the moth. That's a whole different thing. Oh, that's a moth story from Norm? No, no. I like how Norm takes an old joke and then he's like, this is my joke. I'm like, it's a joke. It's like, Johnny went to school.
7:12I'm like, are you sure this is your joke? Just elongate it with facts.
7:17Dana Carvey:Yeah. I used to drive a tractor, you know, one of those tractor things, you know, driving that tractor. That's good. You have a little Norm. Do you hear that or not? I get that all the time People say kill yourself, you're no norm You're like norm light, you're norm But bad Did you kill yourself or did you take any of that advice? Nah, not yet, later I'll go with me, not for them If there's a million comics, you're gonna look like someone You're gonna act like someone That's just the way it is I get Dana at the fucking Car wash the other day The guy goes, isn't that special? And then he goes, I'm sorry I love Opportunity Knox I love all your movies and I go thank you I think Dana does the same thing I've aged out of our we used to really compare it a lot Joe Dirt anyway we've interviewed people on this we interviewed Shane when he was still in the clubs and he maybe had just put out the YouTube special and I was following your trajectory so based on the experience of this podcast you'll be headlining Madison Square Garden in 11 months Hey, all right.
8:28I'll take it. I just got to say some Asian slurs and I'm in. That's the trick. That's a shortcut.
8:35Dana Carvey:That's the thing is you go anywhere you want and it's never comes off. I mean, I don't know. It doesn't come off dark or weird or creepy. It's just sort of, you just flow by, but you go wherever you want, right? As far as just topics and stuff. Yeah, thanks. You know, you always hear these people like, what can you joke about? Where's the line? i think if it's got a punch line and a twist you can joke about anything and uh so i i go all in and yeah i've been told i'm non-threatening i'm
9:10queefy yeah you're asexual that's great this is a great quality to have in a comic you're on you're unoffensive even though you're offensive there you go so i think people told me early like you're no one cares about you you're kind of under the radar so i said all right well that's that's a detriment but maybe i can use it to say horrible things no you throw it away and you make it a
9:33Dana Carvey:little innocent you do that arm move something about you're almost sort of commenting on how dark it was well you know but it's all cheery it's all cheery delivery yeah yeah that's where comedy comes from because i had to remind audiences hey comedy we're doing i don't actually yeah oh by golly well i think you stumbled upon a really smart point um is if dana or i go to one of these gigs and say something too much we we can step in quicker but if you or shane on the way up for theo you're just saying crazy things quietly in the clubs and then you build up an audience and they're all used to it so it's all baked in by the time other people hear about it it's too late because you've already said all the stuff everyone's accepted it and you're not like a corporate working for these different big places so no one's telling you no and now that's just you and that's a great way to do it because if i if i'm only on sitcoms and pg 13 movies and then out of the blue and i also do corporate gigs and i do commercials so if someone i say something it jumps out more if that's if i'm making any sense sure people go whoa what are you doing but you guys i kind of get jealous of just like people go hey we're already fans we like this guy don't try to cancel this guy oh hey thanks yeah and i think you get known for it i mean like louis might be a bad example because he did get canceled but louis not not for his stand-up yeah now and now he's back he's got a netflix special he's back circle yeah but i think if you come off like a robert schimmel who's like, I'm the bum.
11:13I'm the loser. I'm the underdog. What a great reference. You set that table. This is who I am. I am the creep. Yeah.
11:22Dana Carvey:That's a great title for his next special. No, I'll tell you, this is a reverse compliment. Did you think a special called Out to Lunch would get any views, let alone 15 million? He got 15 million. What a funny title. Out to Lunch. That's nuts. Thanks. Well, it was the pandemic. I put it out right as the pandemic hit. It was a complete failure because Comedy Central said no. Netflix said no. Amazon said no. So I said, screw it. Put it on YouTube. And it hit because people needed content. And it was free and all that. So I guess the timing worked out. But at the time I put it out, I wanted to kill myself.
12:02Dana Carvey:But you shot it yourself with your own money and then tried to sell it to other people? Yeah. Did you shoot yourself with your own gun? now you know um what about i think it's also you're kind of underplaying it because even though it was during covid they have to find it i see things on youtube that are great and they have 20 000 views and you go fuck how does it get to the point where it gets passed around enough or in the algo enough where people start going now it's at a million like that's a big deal you can't you can't time to get 15 maybe one you can't not 15 yeah that's good so something's working and then you play bigger places obviously over time you do clubs then you start doing some theaters and that's a little more pressure do you feel like it's harder or is it the exact same uh well i think well just to go back to the special i do think it got oversaturated that when i got it in there was still new and if you watch all these specials over time have gotten less and less views just because it's it's not what it used to be um so if i put one out now i I don't think it would hit as big.
13:07So timing is a factor. But, yeah, it sold a ton of tickets for me. Started doing clubs, adding shows, and we moved to theaters. But then here's the crazy part. You get the Netflix hour finally, and it comes out. That was in 2023. And everybody goes, hey, let's go see this guy in a theater. And now you have no material. And now you're kind of eating shit in a theater where people go, hey, this guy got a special. He sucks. And I go, I know, but I'm out of material. Yeah, this is the age old. We always talk about this, me and Dan. I'm from the school of don't throw it all away right away. I mean, you need some tentpole laughs.
13:43They're paying a lot of money. And as with a band, they only want old material. Yes. And they don't want new songs. And we always talk about this. Then your stand-up, you're going, I want to see people do jokes I like. I want to go to my friends, listen to this one. And I think specials get watered down over time. I may be myself included. I won't take myself out just because to work and buff out an hour, as you know, as Dana knows is so hard to get it working. Yeah. And to just go, let me start from scratch. It's fucking so hard to get things at work and you got to massage them and try them out.
14:19And, and then every time you're on stage, it's an audition. Dana knows that you're going, you don't want to bomb. He's, you know, Shane's in the back or one of your friends walks in. You're like, I don't want to do my new shit. They're like, he has nothing.
14:30Dana Carvey:Chappelle thought you were good, man. He was here? Oh, he watched you bomb miserably. But David Tell on this podcast, we watched his special, and people who write, you're a writer, and you're landing like four or five laughs a minute, probably at least. Deesh, deesh, deesh, deesh. And I'll just go gag, gag, gag, gag for like five minutes. So I'm in awe of that. And Dave Vatel, he did his special, it was like 35 a stand-up, and then he did some food thing at the end because he said, my God, because it is like this bam, bam, bam. And I don't know how you guys do it, but it seems like really difficult to turn it.
15:10It's a nightmare. It's a young man's game. It's so much tinkering, getting every, oh, that word's not hitting. Let me shorten it off a few syllables. Let me change that term. But I think Dave Vatel and I, he's the goat in my opinion. but I think that we're scared of doing stories. We have such low self-esteem that I don't feel like anyone will want to hang on to me with a story for a three minute story. Even three minutes are like, everyone's like, what the fuck is going on? I panic. So I want to get that laugh and move on. Yeah. I agree with you. That's very hard. And I like people that have patience up there and I see people that just, you know, even Nate goes slow.
15:47I like that. He did. I don't know when that started. Maybe it's always been that way, but they wait and his crowd is taught to wait. I know. I'm so jealous. Yeah, yeah, me too. He's molasses, but it works. He just has that southern drawl where you just get lulled to sleep like a big lazy boy.
16:05Dana Carvey:That's the name of his next special, Big Lazy Boy. My act is a big lazy boy. Brought to you by Apple Card. Apple Card users get 2 % daily cash back on purchases made in-store and online, whether it's for big-ticket items or everyday purchases, when they use their Apple Card with Apple Pay. Now that's a benefit that's just too good to pass up. You could be earning 2 % daily cash back when you use your Apple Card with Apple Pay to buy turmeric for your signature curry, 2 % back on flights to visit the family in Tucson, and even 2 % back on your kid's new tuba.
16:49You might even be able to get 2 % back on a tuba tutor. Not an Apple Card customer. You can apply in the Wallet app on iPhone. Subject to credit approval, Apple Card is issued by Goldman Sachs Bank USA, Salt Lake City branch. Terms and more at apple.co slash benefits. K-Pop Demon Hunter's Saja Boys Breakfast Meal and Huntrix Meal have just dropped at McDonald's. They're calling this a battle for the fans. What do you say to that, Rumi? It's not a battle. So glad the Saja Boys could take breakfast and give our meal the rest of the day.
17:24Dana Carvey:It is an honor to share. No, it's our honor. It is our larger honor. No, really. Stop. You can really feel the respect in this battle. Pick a meal to pick a side. And participate in McDonald's while supplies last.
18:06Dana Carvey:And a lot of it, you'd mention your wife and things like that, but there's a vibe you're pushing out. So it's kind of interesting to watch why someone blows up and another guy seems to have just as good or woman jokes, but is not quite, you know, it's a fascinating sort of art form. I'm going to call it that. Well, hey, I think you just got to use what you got. I don't know what the hell to do. I'm just trying to get laughs. And I don't want to have a message. Everybody's got a message or an agenda. and I think it's refreshing when, I don't know if you saw this Chris Fleming guy. He just put out a special.
18:41Dana Carvey:Yeah. It's hilarious. The tide's jumping around. Yeah, there's no point or agenda. It's just like, hey, I'm going to lay on the ground for four minutes and kick my legs up, and it's silly and fun, and I think we need that. I mean, who knows what Iran's doing right now? So let's have a chuckle. I couldn't agree more. I never wanted to find, be in that situation where you have a choir that has a certain point of view and then you're teaching. And you're getting roars of laughter because you're reinforcing political points of view. I like being just funny. Yeah. More than anything else. There's room for everybody.
19:20Dana Carvey:I don't know. Sure. I think, Mark, also, is there that kind of Chris Fleming, when he comes around, if the timing's right, everyone's ready for it. Like they just went through the kind of serious comic and then the guy that has no audience. And then there's all these tricks because as you know, specials are put out almost every weekend. I mean, a big one like Amazon, Hulu, Netflix. So to stand out and YouTube, I mean, it's such a blur. Right. I'm not saying it's pointless anymore. It's just hard because they, if my, my, my managers, I was like, got a special ready? I go, I just released it. He goes, I'll make a deal right now.
20:00you what do you hate money state doesn't like money everybody tells the office i go no i'm just saying i like the money i don't want to do the work just give me the money geez dave you can just say jew
20:15but yeah i know what you mean they just want you to put stuff out and you go hey i'm an artist you you douche leave me alone don't rush picasso right so i'm picasso in that scenario and uh So I'm like, I have to work on my booger jokes. Come on. You can't rush these things. I know. I know. Leave me be. But they want that money. I'm so jealous of these. Like, I don't know if you know Ari Shafir. He's like, I'm going to go to Machu Picchu for nine months and do ayahuasca and blow a pygmy. And then his agent's like, all right, we'll see you. And it works out. I don't have the balls. I'm such a wutz that my agent's like, we got you$18 to play for Raytheon.
20:55You want to do it? I'm like, I'm in. You have to perform in front of the bombs before they get dropped. And you're like, sure, whatever. I'm willing to look the other way. I'm scared of adults. I'm 42 years old, but I'm still like, oh, this man is calling me with a tie on. I fucking agree. My managers are more like, we want you to make money because it's so hard to keep the balls in the air because Dana and I are both over 40. and after 40 in anything in showbiz, they're like, What are you getting? Dana looks like a little worn. Dana looks like a fresh daisy.
21:30Dana Carvey:I'm inside a ring light. You can't see the ring light. He lives in a ring light. I'm literally in a bubble of light. If you sat in my light, Mark, 19. You'd look 19. You'd look 19, 20, yeah. Oh, look all up, Steve. It's hard. You just want to keep working. And you look at people that blow up quickly and you go, it's probably harder. I sort of got known over time gradually, and it was weird enough. But these people, like the Jim Carrey thing where they get so famous, like overnight, so fucking huge. Well, 15 years overnight. I mean, yeah, Jim, he did have living color. But to have Dumb and Dumber, The Mask, and Ace Ventura in a row, you go, how do you?
22:11It's another level.
22:12Dana Carvey:Well, yeah, that's a whole explosion. But just because of, for history's sake, when he showed up in LA, I was around, and he was at the improv and Jim was just doing pure impressions like Rich Little. And he would act out on Golden Palm with Henry Fonda and Catherine Hepburn with perfect voices. James Dean, look. And then we know his whole evil... I remember that. Well, it's Bruce Dern. I mean, his talent level, just pure raw talent is insane. He was on like an old comedy story, Young Comedians or something, maybe by Dangerfield and I was like this fucking guy, every time he turns around he looks exactly like he was so rubber faced, Jim Carrey very memorable and then you're right Dana, he did that which I was already floored by that, then in Living Color but I think you're famous and when you do 300 million movies in a row, especially back then that's about as high as you can get as far as how do you stay what I was saying is how do you stay around for 20, 30 years and that's you want to keep making money you want to say somewhat relevant it's just a weird biz so my guys are like hopefully you can do this hopefully you want to do this but i'm in your same spot do i want to take six months off i don't even know if i know what to do i know you feel worthless comedy is really my only like self-worth i have a child and a wife but i'm like ah that's second and third yeah yeah but do you guys worry about uh that's the thing about fame or making it once you make it you're like hey i made it this is great now how the hell do i hold on to this like i used to open for jerry and uh he would say like thank god for comedians and cars or i'd be irrelevant i'm like dude your show's on 11 times a day what are you talking about 44 channels i know jerry jerry look at letterman he went back out so yes exactly he's doing interviews lorne michaels one of his quotes was the minute you're hot, you can feel yourself getting less hot.
24:16Dana Carvey:And a career is like a pendulum. You're hot and it swings and then you're in the dark side of the moon and then you come back. It just comes with a turf. I'm just curious about, do you think, well, two things I want to know about your process. Are you like Jim Gaffigan or like Jerry Seinfeld has a panic attack, if that's possible, because he needs to get to his room and work on his stuff an hour each day, every day yeah Jim Gaffigan brilliant he he records everything at the and then he goes in and he listens to it the kids are sleeping and fixes how meticulous are you or is it just from reps on stage or oh I'm a psycho I mean I got four sets tonight in the city jumping around from club to club and uh yeah same set with new stuff filling in and then I go this line isn't working So I'll kind of just dissect one line and go, all right, the next set, just focus on that line.
25:10And I just do that for months and months. And hopefully it's gradual.
25:15Dana Carvey:Bill Burr told me that he doesn't write it down. I know. What is that? He does it so much. Yeah. But I guess that that's, you know. You know, I saw him the other night, Dana. He went after me. I introduced him. Of course, I blew it because sometimes, Mark, you ever notice there's an emcee and sometimes there's not. So I'm at the store and I go, good night. and no one comes out and i go what am i doing they go bring up the next guy i go who's the next guy is it bill and then i go i did an encore because no one was back there and so i and then i go oh am i supposed to so i bring anyway bill comes up and i'm in the back so i watch a little bit and then i like type i text like just lines i liked and then he hit me on the way home he's like oh you like that yeah i was just working on that and now that you tell me he doesn't write it down i was like writing the wording when i text it going this is great knowing if i did it i would be like i have to remember how i said that right that was what made it work the only reason it works because you've done the bit the next night and you go i know what that is and you go i've done it with heather here and i'm like can you transcribe this because i hit it one night and now it is just not working what did i say that said that's another jerry ism you know something stops working you know check the setup okay is it clear i mean he is a scientist i'm just curious because people were mentioning that you had norm vibes or was he kind of one of your inspirations in a sense or or who so yeah because there's some ribnick stuff there's something in there it's a great thing to be influenced by so anyone else besides david or is norm your true north true north star uh well norm to me is the just the funniest guy like his stand-up is great but he was funny everywhere he's funny on the couch he was funny on a podcast he was funny in movies which i liked bill burr has that too some guys are just funny on stage but then you put them on a podcast and they're kind of boring you've you've done you've seen these normette a unique and you think when he was on conan and stuff it's like he's he's always smile was always smiling in such an intense way yes like his eyes are really happy and he had these big cheekbones and so it's very potent it's like he's laughing the whole time but not out loud because he knows where he's going with it but yeah it's his stuff you see the youtube clips of him on conan and it's like uh we haven't seen anything quite like yeah yeah he's lucky as conan because conan or letterman those guys invite a guy like norm because they want him to be weird and a lot of people won't put up with this don't get it so when you go on the view and he's weird he's talking and they're like oh the best i'm like why are they letting this guy in the fucking view do they know anything and then he does his thing and they're like huh yeah that bill clinton guy you know he the only problem was he killed a guy right didn't he rape that one girl everyone's like hey whoa whoa whoa whoa barbara walter's like oh i thought it was a matter of public record i i once had a two-hour phone conversation with norm driving around i was driving and uh he you know put down his comedy kind of vibe you know and he had a lot of frustrations with his career you know really a lot of a lot of pilots didn't work out and this guy and that and so forth and so on you know so he's a little frustrated you know because like he's so charismatic and he's like norm mcdonald you know probably wanted a few more norm movies or norm tv shows you know dana was there was there a pilot with lovitz and norm for happy madison because i don't know but i will ask him because i think it was about a mayor i do remember hearing this and somebody pulled the plug on it but i think they wanted to do it something weird but that that's the hard thing is like norm is tough he was tough to book because he wouldn't sometimes he wouldn't come or he would walk people and you know as a manager we have to say manager gervitz of course he's norm's too he's like norm i don't know you never know because one time he was i told this story but we were on the road with sandler and you know mark i think sam did it more oh yeah with us you know he rotates some people in just to make it more fun so in the old days norman on and then and we were in seattle or something and he and he just walks everybody and then well the ones that don't want to wait for sandler like i can't take this it's excruciating and then when he gets off schneider's mc goes there's norm mcdonald you never know which norm you're gonna get and tonight you got that one and then norm is on the group chat going hey what the fuck did schneider just say just so people it's so true though just so people understand we're listening if you say the cumul how did the comedian do uh he walked the audience that they well what do you mean well they left they got up and left the room oh yeah and and uh they stopped laughing for a while the comedian does not change gears at all he keeps going and they finally go i can't take it i'm forfeiting this and leaving voluntarily well if i see one person go to the bathroom you see someone go to the bathroom don't you go oh fuck they're leaving of course i want to kill myself it's the worst exactly i don't have the he was so strong he was such a tough guy he doesn't get his due i mean the whole cancer thing he hid that for years i mean most people to use that they would have been like here i'm the victim let me uh spin this into a ted talk you know end of life tour yes exactly he just kept it quiet like the integrity that takes Just being very, very personal, at least online, I just noticed how it's so monetizing if you really share every disease or every negative weird thing in your life.
31:29Dana Carvey:Oh, you got molested. Oh, aren't you special? Yeah, yeah, move on. Could you say that but say, well, isn't that special? You got molested. Norm was just fucking funny. He had a good joke about cancer. Remember that one he says? Oh, yeah. What was it? Everyone always says, this guy lost the battle with cancer. He goes, I think it was a tie. I think cancer died with the guy. Yeah. Cancer's not standing there going. Right. Something like that. And I was like, God, that's a smart way to look at it. Yeah. His dad died. He's saying the joke while he has it, by the way. He's like, my dad, your dad's in a better place.
32:10He's like, he's on the floor. Great norm joke. He was funny everywhere. And he's what a comedian is to me. So when the view is like, hey, Norm, what are you doing? I'm like, he's being Norm. He's the guy you booked. Yeah, that's the hard part.
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32:24Dana Carvey:He's just got a bigger grin on his face. The manner they would get. He just has this huge smile. He's also his secret weapon. He's a great looking guy. As a guy, I didn't know. And all these women were like, he looks like Paul Newman. I'm like, he does. I'm not usually studying guys, but now I do. And he was really look maxing. Yeah. yeah hey nice nice way to hit the youth clav dude clavicle so um now are you guys working on ai with all this yeah we're not here now uh what are we doing with ai what do you oh i had a question about the moon i heard you talking about the moon oh i got shit for that one what did you say let me hear it let me hear the joke i mean i just went the i was riffing on stage about the moon and uh somebody brought it up in the crowd and i said well they had a first black astronaut this is so cool but they're just going around the moon they're not letting them on the moon which i thought was messed up but it might hurt the property value and then i said of course they make the black guy do a drive-by and uh i say let him on the moon i want to see that guy jump can you imagine that moon jump uh and then i call it moon team so we had some good times you got grief for that how online yeah the black community he was uh pushing back and i said i'm just joking around i think it's great he's on the moon i'm a comedian i'm just zinging and zanging i make fun of honkies i make fun of jews you know now it's your turn i don't like it when you make fun of honkies so i get it sorry you're like any joke where i don't say a specific race it's a honky so just know they're taking the most beating yeah i saw the moon drive by i guess it was just a a slingshot because i saw a funny meme where it goes the moon's like this and you hear hey why don't you hear a rap song and then it goes away like it's just someone dropping by and you go and the moon's like this wait it's been 20 40 years 50 years and they're just driving by and beeping or something i don't know that's funny those five years from now those astronauts are going to be at a cocktail party and the conversation will be like no seriously dude you did you didn't land on the moon right right i got the big question is does that get you any pussy and i know everyone's thinking this but going to the moon yes driving by is it a shoulder shrugger or do people go hey you know that's cool that's it's like the girls that went up in space and they go no no no it's not no we went farther and they're like right all you guys went up and came down yeah like quit quit putting us with the origin right they're like you katie perry you guys were they on your flight he's like no these are two different things yeah why did katie perry need to go to space i mean uh we tried to send lizzo we didn't have the fuel but um don't put your hand in your chin that was funny we didn't have the fuel anyway Brian Regan do a whole album.
35:25Dana Carvey:I walked on the moon or something. It's all fun. It's all fodder. That's what's great about the news. You can do 18 gay Ayatollah jokes. It never ends. Well, a comedian can't be offended. We're incapable of being offended, I think, because we know it's a joke. We've heard everything. We understand it. When comedians are off camera or hanging out, trying to top each other with the most foul, politically incorrect thing you can say that's you know so we're we can't it leaks out dana's right it leaks out but like if i said something you guys and you guys laughed like if we were at lunch and i go oh and then i say it my act everyone goes what the fuck and then you go right oh those guys i just this was funny a minute ago and then they go no that's what's your filthy comedian friends i'm like oh yeah i guess uh right do do you have bits you do only for other comedians that are so foul you don't have to repeat but i used to do burt lancaster and kirk douglas having sex and that was the writer's room at snl would say can you come in here and do that for us again just to kind of 2 a.m yeah patrice said it years ago he said any any man who tells me something is inappropriate to talk about i immediately have lost respect for.
36:47And I find it weird that some comedians don't like whatever problematic humor. But I'm like, it's just us. My text thread, if you saw my text thread with a couple of comics, I would go right to the gulag. You'd go to prison, man.
37:01Dana Carvey:Oh, yeah, because part of being funny or what's funny is saying the thing you just can't possibly say. Yeah. No one should ever say that. So, of course, a comedian wants to say it. but you know well you want to outdo the other comedian you want to be like i yeah this is isn't this horrible what i just thought yeah we're messing around we're not doing the things right we're not doing the things it's never like against you if there was any hate under it it would be different but you go i'm just saying stupid shit to try to be funny i made a pedophile joke but bill clinton is is reminiscing over old photos he's having a great time so like let's get more at it bill it was funny that he was he was fucking giggling looking like at his memories on his iphone yeah he's like oh these are the days yeah i know and the picture of him was it the hot tub or the swimming pool and oh i heard him i heard him leafing through the photo book i was only in there for about five minutes i just swam around a little bit and nothing happened i farted we You're laughing at the bubbles.
38:06Dana Carvey:Just at some point, can we, yeah, will it ever end? I mean, Hillary is just like, I know. Dude, I like when they talk about the Epstein files, and I look, and they go, and about every day on Instagram, someone's reading another email that's so horrible. And I go, where's that guy? Like, I don't know if it's like illegal to write an email, or that there's something where you go, this guy, something was going on. The shit they say, and then you never hear, like, did they? Did he get scolded? Maybe a slap on the wrist? Anything? No. No. And you got to hand it to Hillary because Bill Gates' wife left toot sweet.
38:42She was like, you're involved in this guy. I'm out of here. Hillary's like, hold my beer. I mean, I'll tell you about Monica. I'll tell you about everything.
38:50Dana Carvey:Bill Gates' wife was like, I'm going to take$80 billion and get the hell out of Dodge. She goes, I'm the bravest woman you've ever seen. Me, my backpack, and$70 billion. Yeah. On my own. I think all the richest women in America, it's all divorce. What was their name? Bezos' ex. Look at your jar glass. Jesus Christ. I don't want to keep refilling, so I just get a giant. Holy fuck. This is the bullet. Oh, it's the upside down bullet. Yeah. Okay. What a good eye, Spade. Good eye. Is that a cue card on your door? Oh, yeah. That's an old Conan. I have all those. Look at this wall I got here. I'll walk you around.
39:32Look at the wall of fame. look at this shit we've got Norm oh is that Burt Reynolds what yes yes this is me with Carlin oh you just saw Carlin wow George I met him at a book signing nice Joan Rivers there you ever seen Blue Food Joan Rivers Liz Taylor can we talk dog everybody needs Is that your set list?
40:04Dana Carvey:Yeah, I'm a big nerd. You missed it hysterically. I saw gay porn in the middle there. That's it. I got a bunch of them. Oh, that's so funny. Functioning alcoholic. Big nerd. I used to say this, Mark. I go, my friend goes. Who's that? Fallon. Is that Fallon coming in? Hey, you're on soon. Hey, you're being insane. You're getting me to be.
40:33How many Fallons do we got? Four Okay I have a legitimate question You have gone on Rogan how many times? Well we have a thing called Protect Our Parks where we go on And just get drunk with Shane and Ari And uh Just joke around for four hours So I think we've got 11 of those or 12 Fucking hilarious that's a great idea Who's in that gang? You, Shane, who else? Ari Shafir and Joe And it's just, we used to listen to Open Anthony and all these other crazy radio shows. And those have kind of gone away. So he said, let's just dick around, be idiots, say horrible things, get drunk, do mushrooms, smoke cigars, and just be a bunch of dudes.
41:14That should be the number one radio show. It probably is, actually. You actually do mushrooms. When you're the one, does Joe move the needle? Do you plug gigs? Or is it, that's got to be at least some push for something. Because it's the biggest one. That sells crazy tickets, and we're just literally making fun of each other, gay jokes, fat jokes, and mushrooms. Ari puked on one. Joe whipped it out on one. I had a meltdown on mushrooms and puked all over the mothership. So, yeah, it's a wild time. A long way from I Love Lucy. What? It's a long way since I Love Lucy. That was entertainment.
41:55Dana Carvey:So I understand you take hallucinogenics, you vomit and expose yourselves to each other. Sounds like a great time, Ed. Yeah. Oh, yeah. Ed, can I see your, I haven't seen your dick recently.
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43:25Dana Carvey:So when you're eight, ten years old, are you one of those young people who's like seeing comics on television or whatever and thinking, maybe, or did it come to you later? When did it hit you? Maybe I'm going to do this. Well, I got no self-worth. So I was obsessed with comedy. I was obsessed with Groucho and Bill Murray and Carlin. And then I never thought I could do this. It was like you'd see Steve Martin on TV. You'd see Bill Cosby and you're like, that's like an astronaut. I can never get there. Of course. Of course. Agreed. Failed out of college three times, three different colleges. And I had such little going on that I said, screw it.
44:06I'll try an open mic. And I immediately fell in love with it. And I moved to New York and the rest is history. Got mugged three times. Got bed bugs. That city tries to spit you out. But then the bed bugs mugged me. Jesus.
44:21Dana Carvey:was it after doing a club date like in 1 a.m or something i mean i lived there eight years i never got mugged really mugged you're saying someone's gonna beat you up take your money and what what's what was it exactly what is a mugging well three times but again i lived out in brooklyn like way out and i was also an alcoholic so i was in a blackout most two of the three times i got mugged i was blacked out drunk sleeping on the street so oh well now i understand thanks for the clarification would they pull a knife on you or do they just beat you up and say give us your shit oh you're blacked out they just it was bad i was like tiger woods without the car i was just stumbling down the street but i just uh one time i fell asleep on the subway and i woke up and a guy had cut my pockets with an exacto knife um so that was that was pretty harmless he got my keys my wallet my joke book it was crazy my phone one time what if he's doing your act yeah that's what i was gonna say i know yeah i can't believe jake johansson would do that too what's your what was the third time you said one time something well one time i fell asleep i was drunk at a bar called rudy's and i walk home or i'm walking down eighth avenue in hell's kitchen and i see a little alcove like a doorway three steps down and i said let me just take a nap there for like half an hour and then i'll go home because i lived way out in brooklyn it was a long ride so i fell asleep in this little alcove and i woke up to three guys going through my shit so i tried to be like what are you doing and then one of him goes he's waking up and he hit me and i went out again took everything and then one the craziest is the third time fell asleep on the train woke up way past my stop and i said screw it it's a nice night i'll walk it back to my apartment deep brooklyn i see five guys on the corner shooting dice drinking 40s listening to music out of a out of a central casting this is like a movie you walk up like steve martin hey black guys yeah hey jive brother um and i see them and i cross the street i'm like i'm gonna walk on the other side of the street they look pretty shady and an older guy comes up to me and i had an ipod at the time and he goes give me that radio and i was so drunk i was like it's not a radio it's an mp3 player and he goes all right he yanks it so i'm yank we're both yanking the cord he picks me up starts slamming me against the uh business with the the metal gate that closes yeah and i'm freaking out and before i know it those five guys run over and beat the hell out of them oh really they did you can't saviors don't judge yeah and i grabbed my ipod i said thank you and i ran home wow what is your height and weight i mean you look pretty big on stage i mean for someone to just pick you up there must be pretty pretty skinny though i'm skinny i'm 5 10 i'm not that big of a thin guy you know what's a good noise when they hit you against that steel it goes yeah it's thunderous um i think uh i talked to a cop later and he said those were drug dealers and they can't have a white kid getting killed in the neighborhood but it's bad for business.
47:32Oh, really? They picked him. Oh, I love it. They don't want any trouble in there. Oh, I love it. They don't want any attention.
47:39Dana Carvey:I did have one experience a little bit like that in New York, and I was up against a grate, and this guy was grabbing me and doing like that, and I said, Lorne, please. So it was Lorne Michaels. Lorne, our new church lady. Oh, you're really not. Lorne's nickname for me was he's a fucking show pony, because I'd be out there and I get that. Guilty as charged, sir. Well, it works. Hey, you're special. What was the special called where you did the every time a guy changes chords, he makes a different face? The Ross Perot? Yeah, I don't know. What was that title? Come on. Well, I did the first one was Comedy Central.
48:24Dana Carvey:Critics' Choice. And this was before online stuff. So my sister, every time it would come on, she'd say, you got Critics' Choice again. She thought it was an award that I got. And then there was one that was a ridiculous title, Squatting Monkeys Tell No Lies. And then the most recent one, I don't know why I named it this was stupid, but Straight White Male 60. That's because no industry wants that. Put those three together and then we would have the one third the amount of jokes you landed in None Too Pleased. No, that special was huge for me. Absolutely. Well, that's good. There's 15-year-olds, men and women watching, or boys and girls watching your special right now.
49:09Dana Carvey:Yeah. Going, I might want to do that. It still is a fever dream, just that this is your job. Yeah. This is what you're doing. Your dreams came true. You're making good money. I looked at your, you know, you're making good money. Yeah, I looked at your bank account. Don't ever believe that. This is your job. well it's all about the next thing the next special i remember the first time i made a million dollars and with all the agents and managers and they're like okay he made a million now let's go on to these two i go wait a minute can we just take a second to say yes i made a fucking million dollars so if you talk to your younger self you know your 23 year old self you know you'd be like it's gonna be okay man all right thank you it feels like being a mailman where you put the mail out, then you show up the next day and they're like, we got a lot more mail.
49:58You're like, God, it never ends. It's like Groundhog's Day. Yeah, you just go, I didn't, did I get anything done today? And you feel like you're always feel like you're getting too old. I used to, of course, every day. When I was 30, I'm like, I didn't even do enough when I was by 30. I'm like, I want to do more and more and more. And everything takes so much time. And every agent says, it's pretty slow right now.
50:18Dana Carvey:they're not doing much our job is part of our job is when people see you on a screen or something it kind of looks like you're not really working right a lot of the work is when you're not on camera and it's this weight i mean i felt it i talked to dennis miller about that when i first sort of committed to this and it was my job i was making 600 a month just this little bit of weight and i still have it like i gotta write another joke or i bet david and i are gonna play this theater and it's just it's just an interesting mind game and you always want to do good or you might be out yes so it's just double whammy of like gotta have content quality but also content and now everybody wants more content than ever the the hunger for content do you do you do crap stuff online on like instagram i only i hate where you're from what do you do uh how long you guys been together i can't stand all that shit so i just do um what race are you what's your least favorite race i just do um shout out some new stuff so then moon or they shout out iran and i can go off on that and that's my clip just and so you do clips to push gigs to get people in the door okay that that's the name of the game now it's it's a nightmare but the clips really spread like herpes and uh that that can uh save your tickets because we can't put out a special every week i know when you can't put material to get them to see your special right right horrible yeah damn so let's talk about none too pleased because that's all right here it's on netflix is number six or seven or eight i mean it's i looked at it it's something the comedy or whatever It's hard to get.
52:05Dana Carvey:It's doing extremely well. Hey, thanks. We're, we got lucky. Yeah. Got lucky. You've worked your eyes off. I can't take a compliment. And now today I'm like, I understand. You're, that's why you're going to, you're going to keep getting better. I know the next day they're like, congratulations. You're in the top 10. You got a new act yet? Exactly. You got funny. Tell some jokes. I thought it looked good. I liked the, lighting i like the way it was shot in the size of the theater thanks yeah boulder theater it was a new orleans theme that was the uh from new orleans and it was in boulder well the the green yellow and purple is all new orleans colored it was new orleans music so i tried to show a little love to the hometown but yeah thank you i i really uh pinched some pennies on the last one and i think it hurt me so so this one i really put some money into it the money that no one sees Yes.
53:02They're like, do you want to pay for a big blue light? I'm like, I don't give a shit. Give me a black curtain. How about that? I know, I know.
53:10Dana Carvey:Okay, we have 11 cameras. What? Yeah, we're going to have 11 angles on you. Usually, Dana, they go, here's how much you're going to get. And I go, that's good. And now you have to go pay for it. Yes. They got us by the balls. It's pretty impressive. It's genius because they know they have the eyeballs. Yeah. Did you have a moment in your career so far where afterwards you were just high as a kite? Because I know you're kind of self-deprecating and you're pushing yourself like better, better, more, more, more. Do you have any kind of moment you're like, fuck, I landed that? Yeah, yeah, for sure.
53:44You get the little wins because everybody thinks, oh, you got a Netflix special. You must be ecstatic. And I'm like, no, now I'm worried about it doing well. I'm worried about killing and people watching it. Did you work on a movie that you might do with Sam? All right. Well, we're all over the place now. Hold on. Yeah, me and Sam wrote a movie, and we got a backer. We got financing. So we're hoping to shoot this summer.
54:10Dana Carvey:Interesting, because, you know, David has a movie coming out that he did the same way. I saw Busboys. That's going to be a big. I think it's the same director, so that's why I knew about it. Oh, Jonah? Jonah, yeah. He's a good egg. So I think He told me it would be probably around New York Yeah we're going to shoot in New Jersey To save a couple bucks Oh that's better than the IM Yeah That's okay everything's about Saving and what's the best way Because all people want to do is really focus on Are you guys funny At the end of the day same with Buzzboys Is the movie funny I don't care what the dishes are In the background It's just go try to be funny And even that's really hard but it's a fun thing to do because it's you guys I think you'll have fun doing it because it's just one more challenge yeah and we didn't get the money we wanted we wanted this amount of money we got about half of that so we just went back into the script and made alright let's make the warehouse on the sidewalk let's make the yacht in a cab let's make the airplane in an Uber let's make Fresno, Afghanistan let's make the Statue of Liberty I think there's a good kind of tentpole things I would say.
55:24Dana Carvey:One is make sure you have some things that would work if the sound was broke. Funny with the sound off. Make sure that it's tracking, that no one has to think, where are we now? Right. It's the clarity of what's going on. That's all. Clarity, funny with the sound off. and then you know when you have your final read through make sure you click off surefire killers and you got six of them set pieces that's good advice put everyone in the trailer and then the movie will just go flat no that's a hard part i mean even doing ours we think we're so fucking hilarious but it's so hard to make scenes work and then you're you're a slave to the fucking plot and like our plot is as wispy as you can get so good understand they want to be waiters but they're losers it's like we got it so turn down the volume and then just go okay it looks like they're doing something funny here i'll turn it up again i have one more piece one more piece of advice originality this is not an absolute originality is the death of creativity you want to make sure that you let The Hangover or whatever or Tropic Thunder or these classic Will Ferrell comedies, let them wash over you.
56:48Dana Carvey:They're not starting from scratch. It's not copying, but allow yourself to be influenced by things that you loved, and then you do it in your own way. But if you try to reinvent the wheel completely, it's like if you were going to remake an Agatha Christie movie, but it wouldn't be exactly like that. There'd be a murder, the lights go out so just allow yourself to be influenced look back at those movies and don't think you're copying spend a lot of time looking at wayne's world one that way one i watched all those re-watched all those just to yeah great taste yeah also new eyes because you're going why is this funny when do they do an act break how are they going to bring it together i saw anaconda on the plane with jack black and it was pretty pretty well done because now i just did it And I was more involved in like, how much is that set?
57:40Where are they going? Is that doubling for this? How much was this person? Oh, that cast member did this much stuff. And a lot of stuff was landing and it was pretty simple to understand. And they had some twists and I was like, oh, I didn't see that coming. That's good. So overall, I was like, this is pretty good. And it looked that had a bigger budget. Obviously they have big stars. Yeah. But I thought it was good. It looks great.
58:03Dana Carvey:Yeah, I mean, it's like this director, old-timey Gary Marshall, he did a movie because Script Supervisor was on Wayne's World. He did a movie, and it just didn't work at all. He had started Happy Days. His next movie was Pretty Woman, which was a massive hit. And I said, wow, to the Script Supervisor, how did he get so much better? She goes, well, you know, just learned. So it's almost like you want to make the movie in your head or storyboard ahead of time, like learn. Because you always look back and go, oh, we could have done it that way or this way or that way. It's hard, the first one. So I'm only telling you this because in case it's slightly useful, you probably thought of all of it.
58:47Dana Carvey:No, we'll take anything. It's fun. I mean, if you love movies, movies are just fun. I love movies. They're hard work, but I love them when they work. Yeah. And they're falling by the wayside. We used to get like five, six comedies a year in the 90s. And now it's just like few and far between. Also, R-rated is hard to come. Yes. I think TikTok and memes have picked up a lot of slack. And I think executives are just nervous about making a certain movie or a certain theme. And so we're trying to go around them. But I think people are craving it. I mean, Busboys is going to be a hit. I can tell. and you know the joe dirts all these movies we we grew up loving so like i saw wayne's world 2 in the theater yeah yeah big silly silly movies yeah i do think and it's maybe pretty much a cliche but uh people probably are craving it in a way yeah i go in and just laugh my ass off and just relax and not escape uh yeah i think exactly well we the dvd sales are gone now so you lose all that yeah yeah and that that hurt it but i think executives are just like they they love an office space they you bring it up to them at a cocktail party they go i love that movie and you go you want to make one just like it and they go well no one's gonna see that so it is hard i think they're frozen they're like they want to do it no one wants to get fired so no one's making big moves they're like i just i could push it off or redevelop it and develop it until i just don't get fired because what if it comes out and offends people that i'm out you know exactly a little bit of it there's always the old-fashioned mock documentary which costs like five cents shaky camera yeah well mark we appreciate you coming on buddy none too pleased on netflix check them out it's been a pleasure and i'm gonna i'm gonna keep an eye on you i'm gonna watch your trajectory because you thank you it's an honor you guys are both uh big fans and take the hit was huge for me and all that so uh hey don't forget police academy yeah i would love no one's mentioned that before that's great it's one of david's favorite so much fucking fun oh my god i was innocent did you see how hot erin stone was in it oh unreal i was like who and she was so nice on it now she looks like you but uh yeah I'm just kidding that's still go down on our fun we're both offended thank you see that's the your back thing and your double take of course I'm just kidding and then yeah I'm just kidding it's jokes it's comedy we gotta talk skateboarding one day Spade oh are you a skater okay yeah I skated for years oh fuck yes do you know Whitney's husband yes Chris Cole he's a killer he rips yeah okay buddy alright alright
1:01:49Hey, guys, if you're loving this podcast, which you are, be sure to click follow on your favorite podcast app. Give us a review, five-star rating, and maybe even share an episode that you've loved with a friend. If you're watching this episode on YouTube, please subscribe. We're on video now. Fly on the Wall is presented by Odyssey, an executive produced by Danny Carvey and David Spade, Heather Santoro and Greg Holtzman, Maddie Sprung-Kaiser, and Leah Reese Dennis of Odyssey.
1:02:16Dana Carvey:Our senior producer is Greg Holtzman, and the show is produced and edited by Phil Sweetech. Booking by Cultivated Entertainment. Special thanks to Patrick Fogarty, Evan Cox, Maura Curran, Melissa Wester, Hillary Schuff, Eric Donnelly, Colin Gaynor, Sean Cherry, Kurt Courtney, and Lauren Vieira. Reach out with us. Any questions to be asked and answered on the show, you can email us at flyonthewall at odyssey.com. That's A-U-D-A-C-Y dot com.
From the publisher
Mark Normand joins Dana and David to discuss David’s appearance on the We Might Be Drunk podcast, being compared to Norm Macdonald, and building momentum from a breakout special to a new release on Netflix. He shares insights on sustaining a career in comedy and refining material on a daily basis. They also cover his takes on the moon, Lizzo, and Katy Perry, along with a tour of his office, before wrapping up with a discussion on what makes classic comedy films endure.
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