RE-RELEASE - Sebastian Maniscalco

23:49Dana Carvey:I just really appreciate it. And do you pull muscles? Do you get hurt on stage? Because Jim Brewer does. Okay, that's all I got to say. No, it was very, very sweet of you. I appreciate it. I like the way you put it, describing kind of what happens up there. Physicality and musicality. Yeah, I never really heard it put that way. But yeah, for me, as far as I did comedy so much just to just to get good at it and familiar and talk about the confidence. You know, I noticed when I started moving a lot, people enjoyed that. And it was a bit of a surprise because maybe you wouldn't suspect it coming from a guy like I was just kind of up there.

24:37I was kind of dressed nice and then I would do whatever. And then I'm like, oh, wow, I'm getting some response here with the movement. And then I guess what happens in stand up comedy, you just become you try to get as comfortable as you are just talking with your family. So that's kind of how I equated it, too, because they would look at me on stage and go, you're much funny when you talk to us. And I was like, well, you know, I got to get used to this. It's something that it's very new to me. and uh and yeah for me it's just basically storytelling and the act outs are are kind of just they're they're not practiced it's just like i'm gonna go to the comic store tonight and i'm gonna tell a story that happened to me and how i tell the story happens to come with a

25:23Dana Carvey:a head bob or just being shocked the one i i don't know which special it was but people just randomly ringing the doorbell the act out on that was just huge i mean you're going in different rooms lying down it was like a whole military operation so i call it funny with the sound off and there's nothing more potent than if you look at i love lucy or peter sellers where there's first of all there's not one joke in your act verbally but also that the act outs allow the audience to easy laugh crazy hard because they're not they don't have to listen right at that moment so then they're free and so i i just it's a style that i just love it i think it's kind of a style when i saw it at the store i think i first saw it uh sebastian just leaving you know you do a set you're leaving and i go he was next so i just sat in the back or i just walked in one night and before i went on just who's on i don't know everybody here and uh same thing day and i just thought it was very different and i think it's kind of like maybe you're saying his stand-up in the old days was sort of uh in a weird way acapella and now you're adding strings and different things too because movements and different things are taking like a bit that's funny and it's getting funnier there's little layers to it now so you're not so you have a bit that's already funny and now you're putting different stuff to it now it's elevating and now that's your whole style there's more going on in each bit than a regular stand-up i would say that's what i i i'd drawn to the same stuff it was already funny and then he surprised us with some moves i think i think it was the uber bit and there was the one about about when that was just funny to me and then and then when i see i see you know it got into this other thing that we can get into where i just did a special and this is more what this podcast is about um i did a special and and so what's the name of it when and that we we don't know yet okay but The thing about it is, and Sebastian's done a lot of these, and the idea of do you start from scratch and do a whole new hour or do you do a mixed bag?

27:33So for me, I just shot my special last week and I'm still on tour. So that will come out after I'm done with the tour. So I'd like to give the crowd a new experience if I'm going to go on tour again. I mean, I think there's some material that people enjoy that they want to hear. Right. And I might throw a few of the older ones in, but I like to, you know, I don't know. It's hard with comedians. I mean, I'm sure you guys run into it, the impressions that you do. People want to see the impressions or people want to see the... Yeah. And you're like, all right, you know, I'll give you that. Like the hits.

28:16Here's what do you got? Yeah. The bride's groomsmen or whatever, that one where they come down and rehearse. That one, I always thought was funny. Because when I see you, sometimes I go, oh, I don't know what's coming out. And if I told my buddy, oh, there's an Uber bit, there's this bit. So those kind of things happen with me too. They go, oh, I came to see you and you didn't do. And I'm like, I know. I actually like to mix in some of my favorites and then, of course, do new stuff. and then there's that feeling of that was in the special do i do it when i go out again i don't know it's it's back and well here you guys uh a little bit older than me you you you didn't have like you when you did when you did something on tv or you did that just lived on tv it's not like you went and go and like pulled that clip back up again of uh the snl sketch that you guys did it's like if you missed it you missed it yeah and now it's all out there for everybody to see so you do a special and it's like i didn't even i didn't have cable going up so i didn't even see the damn hbo specials and and and and when i it was like catching a unicorn but now it's like you do you do a special they cut it up it's all on clips on on internet and then people come out and go, all right, well, yeah, we saw that.

29:39What are we paying, you know,$55 a ticket for? That's the big thing. When I saw that already on YouTube. So it's a challenge, I think, for comedians to kind of come up with equal to or greater than material that they have done previously. That's the challenge. All right, back to school starts now. Get long-lasting battery life on the Dell XPS laptop powered by Series 3 Intel Core so you can work from anywhere. now starting at$699, with exclusive student pricing starting at$599. And it's lightweight, portable, and packed with enough processing power to make multitasking a breeze.

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32:10Dana Carvey:Ticket prices are a trip, right? Cause I was said, Oh, you know, I'm just trying to warm up. So I'll play this casino in Oroville. And then I see the tickets are like$195. dollars i got notes on stage i'm working my old characters it's a little bit like guys i'd rather take a little less and not feel that fucking pressure am i gonna give you 195 bucks worth of comedy but i will observe one thing about you because you don't have any punch lines it's a little bit like with me chopping broccoli people still i don't know if you've heard of it but it's this goofy song and there was no joke in it and so your bits have no joke so it's like monty python or something the rhythms and the physicality you you probably would enjoy some of your stuff more the second time so i can see why you go okay i'm gonna do this bit maybe do an encore you know bill um regan brian regan had to do that because he had some bits that were just so the people just wanted to hear him and even before twitter and tiktok yeah it's not jokes with surprise punchlines.

33:17Dana Carvey:Those kind of burn out. Those guys who do that style, that's hard. But anyway, you go ahead. I think you're right. Sometimes it's just the way people do it, like the chopping broccoli. Everybody could watch that over and over again. I did have a question on the chopping broccoli. When you went chopping, you did a chopping broccoli. Was that all in the moment there, or was that planned? I'd done it in the clubs. I think the first time I did it was at the improv on Melrose and that piano at midnight started it there. So I was doing it in the clubs for probably a couple of years. So that was just a good representation.

33:57Dana Carvey:But there's no way I'm knowing when I'm going to go, you know, but I knew that I was going to escalate it. But I didn't know it would happen right at that moment. You know, it's probably the way you work, you know, you and me, you know. But it's yeah, you kind of have an outline, but you're not totally sure. I know it's cold as ice paradise and the feeling was so nice. He's a lady I know. If I didn't know her, she'd be the lady I didn't know. And then we get in. My lady went downtown. She bought some broccoli. And then there I'm off. Once I get to chop broccoli, then anything could happen. She'd chop.

34:28Dana Carvey:And the clubs, I'll do it for 10 minutes with a guitar. Yeah. When you did it on SNL, I've seen it, but I don't remember. I watched it for the first time a week ago. Did it kill or was it one of those ones that like Coneheads, it doesn't do that well and then they do it again then it kills because they they're onto it you know what i mean they're like oh it takes them because sometimes those are just like weird bits and then they stick with everybody and everyone's like oh shit that's great and you go you know it never killed because it's so new they haven't they don't even get it right away it did build i mean the character i had to call it a character i used to do it just as myself i'd set it up as rock stars losing inspiration um but Derek Stevens and then it sort of built after time but it did well it was at the end of my first show but then I wrote a sketch later where Derek Stevens goes to his record company and they tell him that he has to die because they look at the record sales of Hendrix and Jim Morrison that kind of killed the character you know but anyway but back to our I guess.

35:32Did you guys on SNL, I mean, do you look at other casts after you guys have left and say, oh, do you compare like, oh, when we were there, it was the heyday? Or how do you guys like judge the show after you've been on it? Is it something that you do? David, I start with thinking they're all bad. And then I go from there. No, I don't. No, we've talked about this because we've talked to different generations, Garrett Morris and Lorraine Newman, and then we go newer cast. And it's always about the same situation where some sketches are good and some don't work as well. And then there's some cast members that kind of pop out and some flatline.

36:21And that's just the way it's always been. I think I was lucky to have good people around me, but that wasn't for sure known at the time. It was five years later, 10 years later that everyone kind of held up. I always think, you know what I mean?

36:36Dana Carvey:I could have some memories of the seven years I had in there that was really went well and everything. But when I see other people like later on, like Sherry O'Terry, or if I see Will Ferrell and stuff like, okay, they're better than I was. That's how I go. I go Bill Hader, Fred Armour. Okay. Yeah. I'm not as good as Kristen Wiig. I couldn't do that. I couldn't do that. I always look at the cast beyond my time lovingly and with a lot of admiration, you know, because like, I didn't do that, you know, because it's kind of unlimited. You do what you do and then you leave the show. But, you know, it keeps being reinvented.

37:13Dana Carvey:I mean, how do you I'm just going to ask you because you didn't have cable and you're in the clubs. Like, who were you who were you looking at? And you didn't have telephone. You didn't have a landline. You know, but who are you like George Carlin? George Carlin. Who are you looking at? It was anybody on Johnny Carson. So we would stay up and watch Johnny Carson. And I would be fascinated when the comedian would come on. Back then, I think he got like seven or eight minutes. And I was like, just like, oh, wow, this is this is unbelievable. Plus, back then we would listen to records of Garland or I would I would see cable on Saturday morning.

37:51I went over to my uncle's house to visit and he would tape all the the comedians to watch so i i that's kind of how i was introduced to stand-up was i i think first uh through through the tonight show so how old were you when you went to your uncle's

38:06Dana Carvey:house to look at the stand-ups to watch the playboy channel this is eight i was like seven eight years old so you got the bug early you kind of yeah i was i was really really fascinated with stand-up comedy from a young age i just always thought it was i used to go to comedy clubs when i was 15 not to perform, just to watch. I had a fake ID. Me and my girlfriend would go. And there's a little comedy club in Rosemont at the time. I even forget the name of it. And we used to sit in the back. And I used to sit there and marvel at the comedian going, gee, how does he remember all this? Exactly. I had the same thing.

38:39Yeah. And I'm like, are they just making this up? Like right now? They seem so confident.

38:45Dana Carvey:They're so scared. Yeah. Did you see Seinfeld on there? I remember seeing Seinfeld. I saw Leno on Carson. I saw Jeff Altman. There's just some that stuck out. George Miller, remember that was, was that on Letterman? Letterman's friend, George Miller. But that's funny because you see him and that's really it. And then you wait and see someone else on there. Rickles was always, as a kid, was the one who just made me laugh the hardest. Because again, no jokes. Ed, the show started a half hour ago. Put him in the corner, give him a cookie. Hey, Ed, give him the program. I mean, and he had his tricks, but still he made it feel so spontaneous.

39:22And yeah, so I really enjoyed him in the Johnny Carson banter and the back. Also, I liked when the, the, the, the talk shows had people on the couch and you would come out and they, you would goof around with the girl next to you, next to you, everybody would be like having fun. And now it's like, you go out there and it's just you, you and the host. It would be nice to have the first guest next to you.

39:47Dana Carvey:It's promotion. and corporate greed. And, you know, that was just like, I mean, there's one online. There's so many online where Rickles is just next to Sinatra. You know, Vinnie Babongo called, you know, he's just doing all these fake Italian names. And Sinatra was dying. But yeah, that bygone era. Can I ask you this? Were you introverted, extroverted in the middle going through grade school? Or do you have years where you were kind of the king of the hill? Other years you were dormant. shy just shy kid never class clown just quiet polite just observe the the class client i never liked the class clown i always thought funny sorry dana no i was introverted as well but when i was in fourth grade i had a good year i got kind of cocky but fifth grade i went i went fourth grade i went dormant no fourth grade so i'm about i was a shoplifter i smoked cigarettes and I fought a lot of kids.

40:45Dana Carvey:I fought. And then what happened? Your stock went down the next year? I don't know. That's what I was going to say about confidence. There's 99 % and then that last 1 % is as big as the previous 99. And I think that's where you got to at a given point. And so the audience, when they sense that kind of confidence, like Dave Chappelle, when he's up there. You know, it's just like, that's at that high, high. And you're there too. It takes 22 minutes to light his cigarette. Everyone's like, I know, and it's right. You're actually - It's funny. Yeah, you're waiting. You're actually, when you watch him, you hope that he likes you as an audience member.

41:23Dana Carvey:That's how powerful he is. But when you get to that level of confidence, that next, next wound down level, the audience is so comfortable. They're so relaxed that you have command up there and you got there. I don't know what year it was, but you got there and it's fun to watch. I've seen recent specials. I won't give names of big comics. I was one of them a few years back, but their eyes are kind of big and they're dancing for their dollars. They're a little sweaty and it's not their best set. And, you know, you want to feel like the guy's not shooting a special, you know? You know, Sebastian's good.

42:01Dana Carvey:Because the eyes get big, a bead of sweat and it ain't funny all of a sudden. Go ahead, David. He's not afraid. Not afraid to keep it silent for a second. You know, like I think I'm right when you, there's silence in mine. I'm scared they're going to yell. I'm scared. It's hard to sit there and be quiet and think of the next thing. I think Nate Bregazzi has good crowds where they wait. You know what I mean? They're well-behaved. And to get a crowd, it's so much more fun to do throwaway jokes or to take a pause. And then they go, but if you, I get rowdy sometimes. And so I can't leave that much.

42:32And I think I like when someone like Sebastian He just stops for a second. Then he goes on the next thing and you're like, I'm in this. So if you're good, if you get a good crowd, you can do it. Yeah. That's the biggest fear that I love the silence. It's just, you don't know what people are going to say or do, or, or, you know, someone could yell out something because the audience feels sometimes maybe uncomfortable going, are we supposed to talk now? Or you do forget something. Yeah. They want you to keep fucking going. they get uncomfortable and they're like, maybe this is the time he wants me to yell something stupid.

43:11Dana Carvey:And they're right on cue. You know, you're in shape as a standup. If you're up there and you have a bit and it's killing and you just in the back of your head, you go, Oh my God, if this is killing, I got three stack right behind this. You know, I can really relax now. Oh yeah. You know, that's a good place to be. A good crowd is great. Yeah. Yeah. Yeah. You gotta be, I mean, even, even sometimes you feel like i don't know if you guys feel like you're doing a bit maybe it's one of your favorite bits to do but it doesn't come it comes in the middle you put it in the middle right and then you feel like after that you're like the stuff that i got after this not going to be as good as what they just saw right no but you get at least for me i get so excited to do that i gotta move it up in the act it keeps me kind of engaged and and then after that for me i i feel like oh man it's it's a little bit of a letdown just to tell them these these jokes because i know they're not as good as what i just did so or you know or you get a weird crowd not to interrupt you i had this the other night there they weren't they're either really biting on everything or you go oh they're not biting on this this is dirty and they're not biting and i'm like Uh-oh.

44:28I'm looking at my list going, we got some dirty ones coming up toward the end. How do I get around these? Because why it's so hard on your feet to go, I got to move that up. I got to lose that, but I still got to do enough time because if they're not biting on this one, they're not going to like the next. You can just tell. Get off it. Get off it. It's such a psychological beating up there. You're like. Don't you find it fascinating that you're saying they're not biting on this? Meaning as an audience It's a whole group. Yeah. Like they all got together and go, listen, we're not laughing at the dirty stuff tonight.

45:03But it's fascinating for me is like, how is it like everybody in the audience is not on board with this one particular show? Yep. Or they don't like the super dry stuff. Like you can just come and have little musings that work. Like I think the other night I go on and I go, hey, don't tell me what happened in the election. I taped it. Don't tell me who won. I taped it. And then, and then I got a big laugh. Next night I do it. They're just staring at me. I'm like, what happened? What happened between last night and tonight? At a certain point, it's too late to do that. But for their two, three days there.

45:38And then I go, and then I go, there's some throwaways in my act. They weren't. And they're like, we're not the throwaway crowd. Give us the, give us the fastballs. I'm like, fuck. And that's what you realize early on. And I go, I got an hour of this. I got to.

45:51Dana Carvey:My problem is if I too early get too jumpy and I just go out and I go, not gonna do it i'm fucked because that's it they did they some people leave after that they or if i go party on some half the crowd goes we got it we got it we heard it if i don't do anything else and then you do something else i go why are you doing something else why are you talking about anything but the church lady right now i don't understand why so you're ruining it it's a good problem to have but it's basically a greatest hits review i might as well be at you know the Tropicana and Laughlin, you know, little Dennis Miller slipped in.

46:28Oh, you got the way. I'll be at the Tropicana and Laughlin on November, 18, 19.

46:32Dana Carvey:You got the Sebastian cat on the pod today. Huh? That's a toddling cat, you know, out there with the physicality works. Works. So another question, but we're going to get to your, all your credits, movies, TV shows. He's like, please get to my credit. PR person's going nuts. When is he going to mention the bookie? When is he going to do it? When is he going to mention the bookie? We got a two-hour podcast. I can't do it. Do you have to stretch before you go out? I mean, do you kind of - No, I do. Early on, no. But now I pop my calf a couple of times on stage. Of all things. Which bit was it or what?

47:14I can't do the stealing home bit.

47:16Dana Carvey:It was just a pivot move. We were squatting. I went to go sprint from one side to the other. As I went off my right leg, I'm like, wow, did I just break my leg? It doesn't take much. You have to be at least 30. So after that, it doesn't take a lot. What happened was I turned to grab the computer mouse and everyone's like, and? I go, that was it. I'm old enough that my toes will spasm during a set. They just start going out and getting all rigid. I go, what the fuck? That's painful. I can't put any weight on it. So I just go, not going to step over. I'm trying to stir up ticket sales on this. I want to see you collapse.

48:03Dana Carvey:I'm going to your show. So did you have to ice it, rest it, massage it? It was. Yeah, I had to mention it to the crowd because it definitely hampered my movement. I had sciatica for two years and it really, really screwed with my. That's wicked, wicked shit. I don't know if you guys have dealt with that. Does that go down your back, your leg or something? Yeah, it goes to the side of your leg, into your calf. Some people get it into their ankle and foot, but it's debilitating. I couldn't move. It's hard to be funny when you're in a lot of pain. So I had to really work through that. It's gone now.

48:41I did Pilates to correct it. I tried everything. No. I was doing shots. I was doing cupping, massage, whatever that was out there. I was doing and then I fell upon this Lagree Pilates and all of a sudden two months in

48:57Dana Carvey:yeah my wife had it same thing Pilates all that kind of stuff could I ask you what special when you were in massive pain did you record just that what was the name of that special when you were in pain it was the last one you probably decided not to record what is your last one called is it me yeah or i thought it ain't right no it ain't right is the the tour the tour yeah yeah and then is it me yeah yeah and how would you the next one is what time is it what time is it i'm running out of special names you have one called give it a rest mine's called beep bop boop i mean i think they go are you is this a real one am i i don't know He had a special that he had a special.

49:48Dana Carvey:He named it. The name was so nondescript that for two years in this podcast, neither of us could remember the name of his current special. What was the name of it? They're always like either two words or just something kind of cutesy. But question. Aren't you embarrassed? What's wrong with people? Yeah. Get your facts straight. Oh, yeah. We got sciatica. It's.

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51:48If you name a special, do you have to say the name in the act? That's a great question. I, you know, people go, I'll watch your special and give you a name. I'm like, you won't. Because there's not some running theme of like, I was abused by my father the whole special. They're like, oh, I got one. you're like no it's just all goofy dumb jokes and it makes no sense so i'm gonna have a special name like when i heard rock named his tambourine and i didn't get it at all but i just liked that it was different and spelled different than and then he said when you're married sometimes you're the lead sometimes you play the tambourine and let them shine and i was like oh okay so it has some thought to it you know so i like that but i liked it anyway because it was just weird and uh and it's always fun to think of a name and then no one really cares.

52:34Dana Carvey:I had one good one and one terrible one. The good one was the 90s. I called it Critics' Choice with four stars and I never talked about it on cable TV. It would come up on Comedy Central. Dana Carvey, Critics' Choice, four stars. My sister would call me and say, you got Critics' Choice again? Then in 2016, I had an Irish nephew from Dublin at Stella Adler in Hollywood and it was right when wokeness was coming in and they said this and this and this, but straight white males need not apply for some class. So he goes, man, you should name it that. So I named him a straight white male 60. I don't know why, because some people said, that's going to catch you.

53:16Dana Carvey:I would click on that. And then I'm on the great late Norm McDonald's podcast and goes, so I sound special. I mean, what was that title about? And he kind of has nothing to do with straight white male, right? And I go, no, nothing. There's no bit in there about it. It's completely just slapped off. I like that you confused Norm with that one. I did, I know. What does it mean? What does it mean? Where's the bit about that? You know, I didn't understand. So we all love Norm, of course. So I just threw that in in case people don't understand that. We make fun of Norm all the time. We love Norm. I mean, I love to do them because I'm visiting with him.

53:53Dana Carvey:But so the bookie is what your PRP, is that where you're on right now? Besides besides on because he likes he's a big fan. No, it's. I watched one of the first episode today. It's very cool. I mean, you had Ray Romano on it, you know, and you were in that movie with him somewhere in Queens. Yeah. Yeah. So, yeah, I mean, the whole acting thing for me has been a struggle to kind of wrap my head around coming off, you know, stand up comedy and getting that immediate gratification on stage. and then all of a sudden you're acting and now it's, we're going to do that again. We're going to move the cameras and this and that.

54:32Just for me, it's like, I get impatient. It's like, all right, come on.

54:37Dana Carvey:It's not really fun, is it? Unless it's documentary style, but if it's like, we're coming around, you know, we're moving in. Do you hate yourself when you start repeating the way you did a joke over and over on different takes? It makes me sick, to be honest. Oh, you know. Because I keep doing it and they go, do it again. I'm like, it's just, it's not funny. And they go, now do it again. This is the one we're probably going to use. I'm like, now it's 48 takes in. I've been giving it my all. Hiya, hey. And then I got to do it again. And the people across me are like, oh, so that was all planned?

55:15A little throwaway ad lib. I'm like, yes, you get it now. Sorry. But in your act, you do it once and you keep moving. Everyone's like, oh, hey. They do the master shot at 8 a.m., right?

55:25Dana Carvey:They do the mass shot, then a second or third master shot. By the time you get to the money shot on you, it's like eight, nine hours later. You've actually said the words over 200 times. It doesn't even sound like English at that point. Then the reviews, the comedian, the impressionist struggles with his acting skills. No, fucking do Larry David with me. Just shoot everything every second. One time to just bring it back to us. um we were on a when we did Tommy Boy Brian Dennehy came in to play to play Farley's dad we all love him from fucking true yeah first blood or whatever and so we were all excited so we didn't realize because it was our first big movie or any movie and that we were Pete Pete the director who's a great guy we love him but to make sure because we were new I think Paramount told him just make sure you get it so we're doing 15 masters you know forget about the over the shoulder and then a two shot and then a over the wide shot and then a loose two close up so we're doing that's what we're taking all day and then brian dennehy after three takes of the masters they go all right going in he goes what the fuck what are we doing what are we doing here we got it go move on move on i love it we just did three how many we're gonna be on this at a second at the beginning and a second at the end of the scene what are we doing and i was like are you allowed to say this?

56:43What's going on? And then, because, you know, Farley gives it 1 ,010%. I give it about 64%. And so, at the, he's just so burned out and drinking coffee and we're like, we haven't even pushed in for the stuff we're going to use. So, he was sort of trying to protect us a little bit

57:02Dana Carvey:in a very loud voice. I had Robert Losha do that on a movie. Oh, that's another exact type. He goes up to the director and gets in his face, you're wearing out the actors. You're wearing them the fuck out and the director's like shriveling down i did roadhouse yeah i played a piano with tom hanks you fuck face we shot roadhouse in a day and a half that's patrick swayze was brian was uh robert lotion and roadhouse i think he's a bad guy lived across the lake anyway back to sebastian all right well sebastian thank you bud what else can you i uh i appreciate he's He's a good guy. I will see you at the store.

57:41Dana Carvey:He's a brilliant stand-up. I think you're an excellent actor, by the way. I like watching you act. Thank you. And you wrote a book. I don't know what you haven't done, but, you know, just keep on keeping on. If we run into each other somewhere, what would you want me to say to you? I have a backstage at the comedy store. What would you like me to say? Hey, Sebastian. Yeah, what do you want me to say? We'll just pick it up right before we left off right here. We just go into the next question. start about the bookie and then just go from there. Are you going to run and tell your wife and kids, they said I was really physical and musical.

58:15Yeah. That's going to be at the dinner table tonight. Do you know what they said about daddy? You know what they said?

58:22Dana Carvey:And you're picking them up, holding them. Anyway, it was so much fun to have you on here. And thanks for letting us blab. But yeah, keep on doing and just have fun, I guess. Enjoy yourself. I mean, it's I am joking myself. And it was a pleasure talking to both of you, the two guys that I kind of grew up watching on TV. And, you know, sometimes it's like, you know, you got to wrap your head around these things. It's like, yeah, watching you as a kid. Now we're doing a podcast together. Sometimes it's, you know, plays with your head a little bit going. I had it with Martin Short and Steve Martin, you know, like, really?

59:03Dana Carvey:You consider me a peer? what is this where we're at now are you crazy you know but uh yeah i totally get that don't ever lose that you know and you're making a lot of people happy i know that sounds really corny but from where i'm at people fucking need to laugh in life and so it's a good thing to it's a good stock and trade to do

59:25hey guys if you're loving this podcast which you are be sure to click follow on your favorite podcast app give us review five-star rating and maybe even share an episode that you've loved with a friend if you're watching this episode on youtube please subscribe we're on video now fly on the wall is presented by odyssey an executive produced by danie carvey and david spade heather santoro and greg holtzman maddie sprung kaiser and leah reese dennis of odyssey our senior producer

59:53Dana Carvey:is greg holtzman and the show is produced and edited by phil sweet tech booking by cultivated an interview. Special thanks to Patrick Fogarty, Evan Cox, Maura Curran, Melissa Wester, Hilary Schuff, Eric Donnelly, Colin Gaynor, Sean Cherry, Kurt Courtney, and Lauren Vieira. Reach out with us. Any questions to be asked and answered on the show, you can email us at flyonthewall at odyssey.com. That's A-U-D-A-C-Y dot com.

1:00:30Thank you.