RE-RELEASE - Taran Killam

12 Aug 2026 · 58 min · 28 chapters

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In short

Conversation with SNL alum Taran Killam about his path to Saturday Night Live, life after leaving, and behind-the-scenes SNL culture (read-throughs, “goodnights,” sketch pitching, and impressions). They also riff on fame, impressions (Trump, McConaughey), and what it’s like to be a working actor in comedy.

Guests

Taran Killam (SNL cast member; impressionist/actor/singer; Broadway performer; previously on Mad TV; later appeared in films including 12 Years a Slave). Host is Dana Carvey (frequent SNL-related interviews/podcast host).

Key claims

Killam says he started auditioning very young, trained via Groundlings, and joined SNL at 28. He describes SNL as both character-based (Groundlings) and joke-structure driven (standup). He says SNL’s pre-tapes and digital shorts changed the show’s relevance for newer audiences. He says he left SNL after a planned extension fell through, and he wasn’t blindsided.

Notable examples

“High School Astronaut” sketch; the “Gleiss” Justin Bieber–related sketch; Harrison Ford voice line request for Star Wars editing; Daryl Hammond’s Trump impressions; his McConaughey impression built from True Detective Season 1; a “finders keepers” Forte-related sketch; his “Booger Man” read.

Written by AI. May contain mistakes. Listen to the episode to check what was said.

Chapters

Tap a time to open that second in VO

Taran's Journey in Comedy

0:10 to 2:01

Taran discusses his experiences on SNL and his career in comedy.

“And it's lightweight, portable and packed with enough processing power to make multitasking a breeze.”

Taran's Journey in Comedy

3:20 to 5:27

Taran discusses his experiences on SNL and his career in comedy.

“I love authentic spade is my favorite spade.”

Space and Comedy

5:27 to 8:20

The hosts engage in a humorous conversation about space travel and celebrities.

“And that's the, oh, sorry, it was a fuse.”

Good Nights on SNL

8:20 to 11:13

Taran shares insights about the traditions and experiences during SNL good nights.

“And I'm like, I do not remember being on the good nights.”

Sketch Comedy Dynamics

11:13 to 14:00

The discussion covers the differences between sketch and stand-up comedy.

“But I love, I love what Chris rock says about it.”

Navigating Fame and SNL

14:00 to 16:20

The hosts discuss their experiences with fame and SNL, including their interactions with celebrities.

“We've been on a commercial for the last 12 minutes.”

SNL Overlaps and Reflections

17:26 to 23:35

Taran shares his experiences and reflections about overlapping with SNL cast members.

“I was there for two seasons with Wig and Sandberg, and then they left after my second season.”

Memorable Encounters and Acting Careers

23:35 to 28:00

Talking about memorable encounters with celebrities and their acting careers.

“I just saw Chris Tucker was going to be like Yamava or something in Palm Springs.”

Taran Killam's Early Career

28:00 to 29:06

Taran discusses his journey into comedy, starting with MADtv.

Pursuing Musical Theater

29:06 to 30:01

Taran shares his decision to attend a performing arts high school.

Show all 28 chapters

Impressions and Auditions

30:01 to 31:39

The conversation delves into Taran's audition experiences and impressions.

Sketch Comedy Experiences

31:39 to 32:06

Taran and the hosts discuss experiences with sketch comedy performance.

“explaining the rules of finders keepers at the beach and is he and it brings me so much joy and And it was pretty quiet.”

The Pressure of Sketch Cuts

32:06 to 34:18

The hosts reflect on the emotional challenges of having sketches cut.

“The worst is when you go in there like that's for a shortcut, but you still walk in the room like this.”

Manager and Career Decisions

34:18 to 36:58

Dana and David share stories about their experiences with managers.

“Everyone loves Lights Out, but I said never name a show that makes it easy to cancel.”

Taran's Iconic Impressions

38:13 to 41:25

The hosts discuss Taran's memorable impressions and their impact.

“There should be one called Dead on Arrival.”

Pitching Ideas in Comedy

41:25 to 42:00

Taran talks about the challenges of pitching comedic sketches at SNL.

“We're entrapping people, regressing, making America great again.”

Pilots and Performances

42:00 to 43:19

Discussion about comedy sketches involving characters and impressions.

“I was like, well, you know, I know you're in a movie with a plane, so that's great.”

Daryl's Impressions and Trump

43:20 to 44:46

Exploration of Daryl's impressions of Trump and their impact.

“You know, it was just very, it was none of the we're going to do this shit, all these different hooks.”

SNL's Evolution and Big Stars

44:47 to 46:16

Reflection on SNL's casting choices and the evolution of the show with big guest stars.

“But I said, that's just a totally different idea and choice.”

The Role of Relevance in SNL

46:17 to 47:55

Insight into how relevance and branding shapes SNL's success.

“You already booked a hotel, booked a ticket.”

The Lonely Island's Contribution

47:56 to 49:54

Discussion about the impact of The Lonely Island on SNL and sketch comedy.

“And then, and then also inversely like, Oh no, I was probably a weirdo about that aspect of the show.”

Leaving SNL and Career Moves

49:55 to 51:19

Personal experiences around leaving SNL and transitioning to other projects.

“And I had like one off camera line in a video called Booger Man.”

The Decision-Making Process at SNL

51:20 to 52:36

Insights into the decision-making process for cast members leaving SNL.

“And I think probably have made it known not always in the most gracious of ways.”

Reflections on Success and Regret

52:37 to 54:04

Reflections on personal successes and regrets in relation to SNL.

“because dana i mean i don't think dana had this exactly but they dana still has rose petals stuck to the bottom of his steams.”

Reunion and Nostalgia

54:05 to 55:49

Emotional reflections on a reunion during SNL's 50th anniversary.

“There is sort of, well, Well, it's such a bizarre psychosocial dynamic just for every reason.”

Audience Reactions and Impact

55:50 to 56:00

Discussion on the audience reactions and the impact of performances in SNL.

“I think Halloween is pizza rat one year.”

The Impact of a Memorable Sketch

56:00 to 58:58

Explore the significance of a particular sketch and its reception.

“It is factual because I was in that sketch.”

Camaraderie in Comedy

58:58 to 1:02:10

Discussing the bonds formed in the comedy world and shared experiences.

“But it is some kind of esprit de corps because you can get humiliated on that show.”
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Transcript

Automatic transcript. May contain errors.

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2:13That's quince.com slash fly. Hey, David. Taryn Killam. um taron killum is an snl alum alum all-star great great cast member entered into our show and we had a lot of laughs with the dude um i just saw him i think i saw him at the 50th for sure and you see him on a lot of stuff out there we had a great chat with him i mean you might have were you there he wasn't there when you were doing all the um you know i think i was just left i was

2:47Dana Carvey:visiting in and i think he might have done a trump like people were doing different trump impressions yeah at that time then daryl hammond came and did one on church chat all right but taron is a great impressionist great actor yeah and singer he's on broadway a lot does a lot of stuff and he tells us his story yeah uh and it's always an interesting thing to find out how someone got on SNL, what happened on SNL, and how's his life now. Yeah. And we'll let him tell you. Here he is. Taron Killam.

3:25You look great. You look wonderful. Thank you. They pulled me from hair and makeup. I love authentic spade is my favorite spade. Yeah. Look at me. Yeah. It's awesome. It's a little dark. Yeah. Sharp. Good. No, there's texture. There's contrast. Taryn looks the best. Dana looks like a best because it's bright. Do you have the blur background, Taryn? No, it's a good camera, but I do have the touch-up filter on. Yeah, you look 26, so I don't know.

3:59Dana Carvey:If we could videotape this, I mean, your new nickname is high school senior. Shave the beard and go out. Just go out. yeah the beard is fake so i can get booze he was a family man that went back to high school he had a beard when he was 13 invest an apple trust me yeah damn that's too close to home i was told to do that in 2003 and i told the guy to fuck off i said no take your apple stock ideas it will never work you're the dana you're the anti-forest gum yeah you go back and get bad advice what is that obvious now you know what's what's the we can't tell right now because everything's just like whoa it's gonna exactly it's gonna be attack that that i don't even understand i got all my money in female space missions okay you're doing very well it's a big week for you one i'm yeah oh that's right well we'll we can talk about that if you want but i just went straight into the divine feminine just all divine feminine that's the future no I'd go to space.

5:10I'd go to space. Wouldn't you go to space? It's seemingly like the uproar is how they talked about going to space. They weren't acknowledging of the jet fuel enough, but I'd go to space.

5:23Dana Carvey:Well, the tension is that any rocket could blow up any second in the takeoff phase. I guess that would make me nervous. And that's the, oh, sorry, it was a fuse. We didn't trade it out. If we lost Gale that way, I'd never forgive us. Never. Can you imagine if Oprah just went full Oprah? If that thing exploded and she started beating the shit out of Bezos. That's her like John Wick movie. She becomes a one Oprah army. You try to pull her off. Anybody who drives a Cybertruck suddenly ends up dead. You want some of this, Oprah? But anyway, I like that Jeff Bezos, everything in his whole ecosystem looks like a dick.

6:03Dana Carvey:Like the spaceship does. Sure. The swoop on Amazon does. His head. His actual head. His own head. Sorry. His wiener surprisingly doesn't. It is. No, it's more square. It's square. It's more chode-like. They're rich and famous. Sharp edges. It's fun to shit on them. They're fine. They're fine, man. But seriously, would you go on the rocket? Yes. Because we could do an SNL alumni rocket. Oh, yeah. That's what we should do. All right, troops. Get ready. Fred Armisen, you'll be in the blue chair. who's your dream cast like no who's your dream astronaut yeah who's your dream rocket cast yeah yeah actually i would cast you as an astronaut i'll take it because you could play i'll take it you can act and you could play it and you could play that kind of whatever you call that astronaut vibe i'll take it dana i didn't know this was going to be an hour of my heroes complimenting me but i would have signed up faster it is well we just yeah you can run but you cannot hide sorry 10 killiam we're about to put a book you could use your bland bachelor sort of character to go up in space to be the everyman exactly i just watched bland bachelor what was it called the selena gomez yeah yeah yeah yeah i remember that how often does it happen where people bring up sketches that you have no memory of um it's never not happened yeah it's funny because i said there's i will remember everything i did on snl and i i wasn't like super sketch guys so i was in like one or two a show and i still cannot remember half of them yeah i remember my first week very well and seth being at the table talking about seeing an episode on vh1 or whatever and he's like it turned it on and amy puller was in it i was like oh i must have been changing backstage i don't remember this sketch and he walked onto the screen.

7:59He was in the sketch. And I remember thinking to myself, that'll never happen to me. There's no way. I will remember every second of this.

8:06Dana Carvey:Well, 127 shows is the main metric that I read. So probably, because you were ubiquitous on the show, 400 sketches? Yeah. Probably, maybe 500. A lot. Half of those high school astronauts. The high school astronaut. Wait, I've got a quick addendum. I have some film ideas for this dude before we get done but let's go through his let's go through listen to my transition to do a pitch i was at the good nights i saw a clip the other day and it was it was when nirvana was on either i don't know which time but i guess kirk cobain had purple hair and he turned around and started making out with chris novicek or dave grohl and it was a big story and you pant you pull back and i'm standing right there you know in the back waiting to hug someone or get it over with not I'm not really watching them kiss.

8:56And I'm like, I do not remember being on the good nights. And I do not remember seeing them kiss. And that was scary because that was actually something that happened instead of just being in the background of a sketch or something. So I realize it does happen. It's very real what we're talking about.

9:12Dana Carvey:It is. We're getting deep, heavy, and real. But I, yeah. Deep, heavy, and real. Dana's new special. Deep, heavy, and real. No, I know someone says that. You know, when you hug people on the good nights, it's kind of interesting. There's a traditional amount of hugging and hugging pressure. And then there's more pressure and longer. And like, geez, I didn't know you felt this way about me. It's like Heidi Gardner. It's fascinating to like. She feels that way about everybody. She's a lover. She's a lover. She is. It's fascinating how people project onto the good nights. You know, like I, the only thing I would do is that when the, when the beat would drop in the drums, I would like jump into the air and people caught onto that.

9:52but that was like a fun tradition oh that's cool but otherwise it's yeah it was nice it was and and not always on camera so sometimes you just see a shoulder hopping into frame or whatever um but it's so funny how people read into like oh look they're they didn't hug they're angry yeah they skip this is the host walks right by you to hug someone next to you oof on camera burn

10:13Dana Carvey:shame so you would go to the back and then snake your way toward the lens or would you snake i i it depends i wish i would like a regret is i wish i'd stayed in costume more because those are my favorite good nights to see yeah oh yeah especially when the 10 to 1 got cut and you're just like oh yeah you're dry why why is there some like robot clown on holding a hot dog and it doesn't make what did that what was that you're dressed like a llama the best part is yeah when you're still in your costume you're like barely made it to good nights yeah this is show that's live folks yeah i i do i love it um yeah but in terms of like any who hugged me who didn't like so much of i'm just speaking for myself like i'm in my own head about my week like i literally don't care about anybody else who did you hug the most though was it the host or was that's a good question was kristen wick there oh yeah kristen and i overlapped kristen kristen and i knew each other before the show too so she was always very kind to me with the groundlings yeah big G you're the coolest the groundlings are the coolest because they just come in loaded they've already done sketch comedy we're stand ups we're playing greasy spoons and shit boxes it's literally cheating when you go to read through the first day and I go this guy will suck and then they got a fucking perfectly buffed out groundlings sketch you can take it from groundlings and put it on 8H and old Jed's a millionaire it is the best training in terms of like the structure, like there is no other comedy platform, you know, second city is, is pretty close and similar, but Brownlings, especially the Sunday company is like new show every Sunday pitching ideas.

11:57But I love, I love what Chris rock says about it. And that like standup people come in and they know how to write jokes. That is the difference. That's the difference is that like the joke, I, I, that was something I structured. I struggled with, um, Um, groundlings are character based. So it's behavioral comedy, right? Like, like to pare it down. But, and the standups, I was always so envious and covetous of the, of just knowing. How to get laughs, how to get laughs. That was, that's helpful.

12:27Dana Carvey:I don't know how to write jokes. Spade's a great joke writer, monologue writer, but he's telling a story and then he has all these laugh points, you call them. But, but you have little tiny tent poles. You are my sketches are tougher. Go ahead. Well, the way what Taron, what you lean in on is what I still find my favorite, where it's like, I did see one, I went through, because that's the cool thing, YouTube, best of Taron, you know. So I will go into a lot of them, but the one with Justin Bieber, where he says Gleis, and you're totally carrying this sketch with attitude of the asshole brother who's really fucking with the date of his sister.

13:06Dana Carvey:Aggressively insecure. And played all the beats and committed so hard that it was just so much fun to watch. Oh, thanks, man. Yeah, that was a groundling sketch for sure. Oh, it was? Yeah. And tell me about it because I didn't see it, but it was just a beat. Yeah, just explain it. Do a little bit of the attitude, but no. Yes. So the premise is that Nassim brings home a boyfriend from college, Justin Bieber, and And he has to meet her older, like way past his prime, still living at home brother who like tries to act intimidating, but it's pretty pathetic. And Justin's first line is like, it's nice to meet you.

13:46I meant to say, I'm glad to meet you. And it's nice. But I said Gleiss. And then my guy's like, Gleiss, what the hell is Gleiss? You sound so stupid. And then throughout the sketch, all these details about my life come out about how I was pathetic. with it and then he can't let go of it he can't let go of the one thing he has against this beautiful charming young man who's come home of a jerk and the rhythm in there it's like a joke

14:11Dana Carvey:in a way that you're going to glice all that and then you kind of break it down again oh no i'll get me wrong man you're a cool brother yeah there's like a big laugh in it that was just me saying remember yeah like i said glice and i say remember and it happened 30 seconds ago yeah he seems pretty cool though was he fun that week he was yeah he was young he was young and he was he's entering a phase but i had i had good experience with him whatever that means that's a good cloak he's yeah he's it was it was like uh i feel like it was pre-roast post um you know post believer documentary right um but yeah but but but you know it's so interesting like the currency in snl where i'm so desperate for last speaking of laughs but in many ways it's better to get like a whoop like a to get like the girls screaming you know that was like a big big part of like timberlake's currency and stuff is like they're not necessarily howling or side splitting but they're just like when they would scream for justin did you wave also like yeah exactly some of it's for me yeah some of it's for me it's kind of a split crowd I won't point to which ones because I'm humble, but part of this is for me.

15:26Dana Carvey:Yeah. All right. Well, did you and B? Bye guys. Oh, sorry. I got all these lists. We've been on a commercial for the last 12 minutes. We're going to record. We're going to start recording. This is called our warmup. Now you should have talked to Bieber about what it's like. You understand the quick fame. Yeah. Yeah. Let me, let me let me get you out for you. Man, I've been there, dude. I just want to give you some advice. yeah i mean i started on the show a little bit older like i was 28 when i started which is but i know that keaton he pete davidson and and beaver connected and were like we're friendly for a while but i was i was already a dad when i started on the show so weird i wasn't very good at like the hang the post hours hang here yeah weird man i just moved dana and i know let me tell us you realize how bad your bedding has gotten until you until you try to put it to the next spot and it's falling apart you gotta replace it i used to wrestle with the sheets they completely slipped off the corners pillows i thought i needed a new mattress but the fix was upgrading what actually touches my skin i switched to bowl and branch difference is immediate their signature organic cotton bedding is completely breathable and remarkably soft.

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17:31Dana Carvey:So who did you overlap? Like you went in in 2010. So Hader was still there. Yeah. Correct. And Sudeikis. Yep. So when did they lose? I was there for two seasons with Wig and Sandberg, and then they left after my second season. And then Bill, Jason, and Fred stayed one more season. And then I did another trip. That long ago, Kristen Wig, was it 2012, you're saying? 2012? Yeah. That was when she left? Yeah, yeah. Shit. Hey, time flies, man. I mean, my God. I left in 1888, so I guess it's all relative. Yeah. I can see the musket on your wall. right after the constitution came out we had one bit about that and then i split so and live from new york it's saturday night reload i like when people quit the show for like they got a commercial and they're like i'm out i hit the big time and you're like well that's it i'm done now they do commercials of sketches while you're watching the show and i'm only envious they have the californian sketch i go right we will we had to kevin neil and i were forced to turn down a nike campaign just do it in 1988 it was gonna be jaz do it so now they're like doing that i mean i'm so i'm jealous but i'm happy can you can you ask him again can you hit up phil knight and be like hey hey man we're still pissed we're still funny yeah let me tell you we still have the sweatshirts and pillows they still fit hey man those guys are evergreen i wanted to go on the 50th before i got the flu as hans and franz and and i'm just it would have been awesome oh you were so missed great yeah you were so so you guys were fully loaded but thank you taryn i thought you no dude i mean you are you are a legend and yeah so that it was felt it was felt it certainly was did i I host the show when you were there and you did a Harrison Ford at read through, which kind of impressed me.

19:32Dana Carvey:Yeah. The attempt is I go, who is this? Who is this kid? We got it on. We got it on. You did host and I got to be in a church lady, which was a highlight for me. And as Ted Cruz, less of a highlight for me. But then I got Harrison Ford on and I'm such I'm a really big Star Wars nerd. jj abrams reached out and he was editing the first new star wars like the the one that they brought back and he said hey will you do me a favor i need a line of dialogue off camera by from harrison oh my god and i can't get him for two months so we just want it for the real so that doesn't take you out of it it's like a special effects thing will you do it get it so i got my plate you take care of truly you get to the fountain and like you got it that's great and he used he said he used it up to literally the final mix.

20:25Wow. And Harrison went, who the fuck is this? Who the fuck is this? Get out of my house. Get out of my house. He's the coolest, man. He is the movie star.

20:37Dana Carvey:He goes, get off my plane. Then he goes, get out of my ship. Then he goes, leave my coffee shop. Give me back my whip. Stop sharing my parachute. Don't even share my password. Stop being a working girl. that was a good one oh i you were a whore and milk money yeah yeah why stop being such a witness can i get a witness and of course the the iconic trailer chewie get me out of here chewie chewie take care of chewie yeah chewie your fleas are getting on me um but you were great danny you were a great host and spade you've always been so so kind to me thank you The first time we met was like the day that the Sandman, and I haven't earned saying that, but I like to say it because that's what everybody calls it.

21:27I love that. On Grown Ups 2, we came out for a day. Oh, with the car wash? The car wash scene. Oh, it was one of the best scenes. That was such a fun day, and you were so nice to all of us. And Schneider was sitting that one out. You were sort of filling us in on why. Oh, he was sitting Grown Ups 2 out. He sat that one out. Oh, yeah. and then and then i don't know if you remember this david but at the 40th you were in the end of the californian sketch and cecily did the device and it was saturday rehearsal and you and i got to talking and you and i walked up to like the rainbow room to the party together and you were telling me like beat for beat the eddie murphy exchange oh yeah did i and you're telling me that and you're like yeah and i you know it was stressful and and we're sitting at top of the rock i don't know if you remember this but i i couldn't believe it it was like we live in a scenario uh we live in um a universe like we live in in a matrix like a matrix like made up yeah um you're telling me the story you're telling me basically the end of the story like eddie came and then and he walks in with brett ratner yeah he walks in over your shoulder and made a beeline for you and shook your hand and and you were so gracious to each other and it was such a cool moment that like clearly you've made peace and it was all good but i couldn't believe it i was like i'm watching yeah like the made for tv movie i love it simulation i saw him and he was nice again so uh yeah i'm sure he's annoyed by that story it's so dumb but it's it's kind of a good little juicy one even though it's too far back is it done now is it really done

23:07Dana Carvey:or is it still 100 it still came up like a few months ago don't be surprised if you see the two in a spaceship going somewhere yeah yeah flying in the rocket together it was so cool in that moment like at the 40th like he like you were the first person he walked up to and shook your hand he was so cool and it felt good and it was like oh brett ratner's here too you know you got excited about brett radio not quite as excited but you know tell me everything about rush hour oh yeah Yeah, Rush Hour. God, he had it made, Rush Hour. Rush Hour. He's got back end. Chris Tucker does stand up. I just saw Chris Tucker was going to be like Yamava or something in Palm Springs.

23:46I'm like, I would love to watch Chris Tucker do stand up. I don't even know what his stand up is like.

23:52Dana Carvey:Let's have him on this podcast because he's interested. I would love it. He did three Jackie Chan movies, 20 million each for the last two. And then he's been a little mysterious in his own lane. But then he came out recently and is doing something. Kind of an interesting move to turn down 20 million for something, for literally anything. And then my OnlyFans, when it hit 20, I thought I'd stop, but I'm addicted. Now you just do it for the passion. No, I just do it. Oh, you know who's on? Amanda Bynes. You know Amanda Bynes? I was on the Amanda show back in the day. I know, that was a trick question.

24:29I'm only telling you this because she announced it yesterday, but she said, which is smart up front, it's not going to be sleazy stuff. Sure. It'll be my day and stuff like that, which is still interesting because she's very interesting. But it's 50. So I did a little stutter step. Yeah. Is that a lot? I don't know OnlyFans as well. I would say that seems high. High. Now, you wonder why they're all making$20 million. I don't know how, but it must be a volume thing. But, uh, oh yeah, Amanda, uh, who, uh, you worked with way in, how old were you guys then? Yeah, I, it was my first job, literally the last week of high school.

25:11I got, I got cast on her show. Um, and so I, we worked together for like three weeks then. And then I went away to college and like, I didn't have an agent anymore. I was focused on school and they called me back to do more. And they helped me get an agent, like being on the Amanda show kind of like started my, my grown-up acting career um and we were friends and then we did a movie together big fat liar um and she was the best she was it was a very important relationship to me in my life and and yeah she's i was she like how old we when you started what's the mandat show is she like 11 or like really young she's she's 14 15 when she wouldn't choose and then she got movies and that was one of the movies she did where like she's the man was one of course i remember is that what's called she's the man the soccer one yes yeah exactly channing tatum hilarious and uh i always thought she's so great so she's one of the most talented people i think she's one of those people everyone pulls for like britney like yeah it's a very tough world out here in showbiz at whatever level and they are they were at a high level and uh yeah she seems like that age too like to be a full like lucille ball carol burnett dynamic and and and had the good you know she's truly one of the best right i should good at it good at it funny very cute uh yeah and it's just such a weird world out here that we're and when they're young you're right you just don't know

26:36Dana Carvey:ariana timberlake yeah oh yeah just talent well i was gonna ask you because you think okay high school senior and then you go do that like in the in the sort of neurosis fear paranoia whatever how are you mentally navigating show business like were you super scared getting on snl or Or you'd done so much that you maybe were more confident? I'm just curious. Yeah. Like I started auditioning very young. Like I think I was five years old when I did my first commercial audition. And fortunately was not successful at all. I'm Terrence SAG-AFTRA. I love milkshakes. Yeah. Your mom took you. Four, six SAG-AFTRA.

27:20Slate, please.

27:21Dana Carvey:Buckwald and Associates. That was Buckwald. Is that really what it was?

27:30but but so like was always adjacent and enough exposure but um but without any of the trappings of success thank goodness and then all the hassle don't worry yeah all that all that 20 million yeah yeah um and then in high school i went to the performing arts high school here in la locksa and so started doing theater and really loved musical theater uh in particular and was going to college for musical theater and then in that sort of like reconnection with the amanda show and getting representation i started auditioning again and on a fluke got mad tv when i was 19 oh that's right yeah like like just like doing lots of impressions of wb stars and stuff like that and then my characters were just impressions of my teachers you know that i didn't like who's on with you that we would know right around that i was there for sasso's last year and and and board alex borstein and then i was with mo collins and michael mcdonald and stephanie weir already landrew daly already had already had come and gone already i was like the seventh season so i was like kind of deeper deeper in um and was just in way over my head and like what is this and sketch gone i i'm a i'm a theater actor and then loved it so much and so many of the people particularly on the writing side that i love like michael hitchcock and jennifer joyce were groundlings people so i left mad tv and started taking classes at groundlings and and kind of then had my eye on the prize for snl and did that help you knowing a little bit about it was a similar yes snl and mad tv in that they're like yeah just in that they're sketch comedy shows but i think you know where mad tv probably had a lot more chefs at the top level snl has lorne you know and i think that that's probably the biggest chef he's got an aura i just have to back up for a

29:27Dana Carvey:second so you're going to high school you tell your parents well yeah i'm gonna go to high school and you were living in Big Bear right that's right okay great where you want to go I want to go to a performing arts high school and I want to pursue musical theater and you knew this at 17 18 and they went and they were in support of it if anything my mom was encouraging of it she kind of you know her great uncle was Robert Stack and her cousin David Bowe is an actor so she knew On February 27th If you can't do the Yamaha Studios Chris Tucker turns down 20 million No one knows why Yamaha Studios But I love anyone who does an impression Not well and just says the name I'm Robert Steck You kind of hypnotize people I guess it's good Why are we saying it like that I'm Robert Steck He did that in his audition One of his audition moments for SNL was hello i'm martin sheen and if i don't sound like myself it's because i have a cold but if you do think i sound like him great and that was the whole bit well that's will forte has his own lane and at snl he's got his own man he's the the potato chip sketch he was surprised how big a fan i was of of that sketch where him and sudeikis go shithouse over a bowl of potato chips and just full tilt commitment to drama and crying because he thought he took one of his potato chips it's anyway it's just bill ford the best perk of the job is going on the server and seeing like cut for time sketches and he had a sketch called finders keepers it was a season finale and alec baldwin was the host and baldwin is coming back from the beach and he's like where's my car i just parked my car here and and forte has a metal detector at the beach and he's sitting on the hood of his car that's covered in sand and he's like sorry buddy finders keepers and alec goes what are you talking about that's my car get off the hood and i think there's three lines of dialogue in the full exchange and then forte launches into a full song called find finders keepers losers weepers it's the law of the beach and the whole the whole sketch is just this song explaining the rules of finders keepers at the beach and is he and it brings me so much joy and And it was pretty quiet.

31:54I think thank goodness. The nice thing about a musical sketch is the music's playing. So at least seems loud, like things are happening. There's some decibels being achieved, but decibels happening. Yeah. How sickening when it doesn't work. Yeah. The worst is when you go in there like that's for a shortcut, but you still walk in the room like this. Huh? Yeah. 1 % awful. Like it's on the right. Did they think it was so funny that no one.

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32:16Dana Carvey:They should do a short film of people coming in because now they're back on into Lauren's office and they glance over and you can tell by their attitude that their sketch is to the right. They should have a camera in the wall, Dana. Yeah. When we walked in and my first time they opened Lauren's office, I don't know how they do it now, but we wait outside. It's so thirsty and gross. And I had my Yakov Smirnoff outfit on my first, my first update. And Dennis was in there for some reason, Dennis was in there and they opened the door and I see like downing them all pouring out and Dennis puts his hand on me and goes, you can take off the beard, Spud.

32:55And I was like, what? And I walk in there and my knee has moved over. Sickening. Is that helpful? Is that a nice thing? No, I would have found out in three more seconds.

33:05Dana Carvey:Yeah, you can lose the facial hair at this point. Just no one connecting eyes tells you something. I never housed more handfuls of popcorn than with a cut sketch. And small talk. So who's the host next week? Yeah, exactly. Yeah, act like you're not hurt and kind of clap for you on a sketch. Great. Yeah, part of the process. Not personal. Part of the process. Wayne's World Code Open stayed in. Oh, good, good, good. No, I wanted to see it again. Good, good, good, good, good, good, good. Yeah, I got cocked. If my stuff was cut, I'd just walk slowly over to Lorne, get right up in his schnoz and go, seriously, dude?

33:40Dana Carvey:I don't think so. Come on, man. Oh, let's move it back over. Worst mistake. Like, you know, that reminds me when I tried to get a manager, reminds me of that scenario. And I got, Gurvitz. But back then, Dana, we have the same manager. Mark Gurvitz. And back then, it was between him and someone else. And he goes, and do the right thing. Just call him. You know, it's always do the right thing. By the way, I never want to do the right thing again because the right thing never is like the fun thing. And he goes, I wish I could have texted him. but now he goes just call him he's a big boy you know and just hey it went another way because you never know you know i said hey man i you know it didn't work out i want to try this other guy who knows he might suck and you know whatever the guy goes you just made the worst fucking mistake of your life and i was like god dang and that scarred me forever i was not ready for it and i was new in showbiz going i don't want to make any enemies he goes he's a big boy he was not a big boy he's a small boy i still feel guilty about that reaction i had with that manager was dana carney it was it was those breakups are hard i had one of those too and i got what i got was like well yeah hey you know like uh like i'm like i had to break up with someone i'd been with and he's like you know um listen people get jobs and and they like to move on and shake it up and some people stay loyal um and that's okay that you didn't want to go oh he threw that in and they We just had a kid.

35:09I have children to feed. Am I going to be here? Have you seen a picture of my baby? That's my responsibility. And my house. Here's my child.

35:18Dana Carvey:Yeah. Yeah. And here's my chart from my doctor. I'm going to put them on. Ooh, your kid. Yeah. Tell him. You tell him. I can't break his heart. Hello, Mr. Spade. I love you. Oh, thank you. Listen, I'm out. Never miss an episode of Lights Out. I would just say. Oh, you like Lights Out? Everyone loves Lights Out, but I said never name a show that makes it easy to cancel. Hey, Lights Out. Sure. Lights Out for good. You want to do a show that's like seventh season. Fall's right around the corner. Is it? Yeah, it is. Yeah, my living room was completely trashed after busy summer. Oh, I heard that. And I desperately needed a home refresh.

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36:33Dana Carvey:That's right. And if you want extra peace of mind, you can shop Wayfair verified pieces, which are hand fitted by product specialists using a 10 point inspection, testing material quality and build time. It helped me create a space I love without overspending, giving me top tier style on a realistic budget. Join Wayfair rewards today to get 5 % back on every purchase and start saving on your next home upgrade. Head to Wayfair.com and shop all things home. That's W-A-Y-F-A-I-R.com. Wayfair. Every style, every home. Wayfair, every style, every home. Hey, before we jump back into the show, let's take a quick break, all right?

37:13Not just any break. This is a refreshing break with Snapple. We all know about Snapple's iconic real facts. So let's take a minute to go over some of my faves.

37:23Dana Carvey:Snapple, real fact, 455. Movie trailers used to come on at the end of the movies, but no one stuck around to watch them. I've heard that. Snapple Real Fact 831. Adults laugh only about 15 to 100 times a day, while preschoolers laugh an average of 300 times a day. Snapple Real Fact 1983. The first player drafted to play pro football never played in the league. That's interesting. Snapple Real Fact 1274. kickball is referred to as soccer baseball in some parts of Canada. Hmm. So, grab a Snapple. Take a second. Enjoy the moment. Because let's be honest, this might be the most refreshing part of your day.

38:07Snapple, make your break more interesting.

38:13Are there versions that have worked of like a negative sounding title that's been successful? No, Dana's positive. Deadwood is good. There should be one called Dead on Arrival. That's a good one to critique. DOA. DOA got resuscitated.

38:31Dana Carvey:Dana's got Critics' Choice. Critics' Choice, my special from the 90s. I just called it Critics' Choice. There was no online, nothing. And so my sister would call me and be in the TV guide or wherever. You got Critics' Choice again, man. Congratulations. That's awesome. Critics' Choice, four stars. Me and my siblings know the Ross Perot scat like Can I finish? Can I finish? Can I finish? Can I finish? Can I get a tuna fish? One time. I distilled it to Ross Perot's James Brown. Can I come in on the one? Can I come in on the one? Can I come in on the one? Yeah, it is just a song. But, you know, to that, one of my favorite impressions all time is your Matthew McConaughey.

39:28Dana Carvey:And I felt the first time he saw it, then I saw it a second time and then you were so... Bless. Well, because... Bless your soul. Did you audition with it? Praise from Caesar. Sorry to interrupt. No, it's better than even a great impression. It's like a character. It's an extrapolation into a character. And you had so many hooks. And I wish we could just play it right now because. Oh, thanks. Don't you get reaction to that? I haven't seen anyone do that. People like that. Yeah. People like that one a lot. That came out of, because everybody has a McConaughey. Like it's pretty overdone. Not like yours.

40:04You kind of, you own it. I mean. It was watching True Detective. I was obsessed with that first season of True Detective. And it was so indulgent. Out there in the stars. Celestial. Bing bang. Shooting round. what do we do when we're cosmic light you know it's just like him just like that's a good one

40:23Dana Carvey:yeah that he's all these hippie references and all these little sound effects yes and it's and and when he won the when he won the oscar maybe for dallas buyers or whatever he's like talking out there to my wolf pack yeah hunting groups of us primal getting the meat roasting on the spit on the fire but there's plenty of spots for people to come around what are you saying what are you saying um it's fun but it but like it he's always so positive too i always like doing like like positive energy ones because like i i would struggle if it was a criticism you know or if you were like no it's if it was a takedown it's a little bit harder and that was so fun because he was just being full uncut authentic mcconaughey um and i remember writing that one that's one that like you know you sat down for 30 minutes and improvised 50 different wild lines and like people responded to it and then spent six hours and didn't go home and slept on the floor for my rape stomping sketch or whatever and of course that tanks at the table yeah i heard about that bombing it was a bad one it was it was infamous it got out here all right i was terrible at pitching too i i i was really bad at the pitch and i actually did um because i I have like a small role in 12 Years a Slave, which doesn't make sense.

41:42I remember you pop up in that movie. I remember that. It was like, there's a Taron cameo. Hey, did you had a... All right, what are we doing here? We're stealing liberty. We're entrapping people, regressing, making America great again. No, but I, so I did a bit for almost an entire season where I would start to pitch the host on an idea. I was like, well, you know, I know you're in a movie with a plane, so that's great. and I thought we could play pilots. Because, you know, when I was in 12 Years a Slave, what I found about the process that was most rewarding and then I'd go really indulgent and it got some chuckles at first and then it was terrible and then Brian Tucker had to tell me, he's like, don't do that anymore.

42:24Don't do that. Lauren has said something. Don't do that anymore. Why is he doing it? It's funny. I mean, it's like,

42:28Dana Carvey:yeah, I don't understand all that. That place can be a little... It made Chrissy Teigen uncomfortable. By the way, when you did Ted Cruz, I don't think I... I don't think I was hosting that time. I think I was doing Fallon. And then Lauren said, and you'll do church lady. You know, he tells you it's a Thursday. I thought I was flying tomorrow. You'll be in the outfit. You'll wear the church lady wig. You'll wear the dress. You'll wear it on the flight home. You'll do clever put downs. Lauren, I can't. I know how to do it, Lauren. But the interesting thing about that was that Daryl came on and did the Trump that we all knew before the new Trump.

43:05Dana Carvey:Yeah. Which was great. I love. And Daryl was Trump, looked like Trump, incredible Trump. But then Trump in 2016 just came in with all these different hooks, you know, and all the stuff we see today. And so that's why he didn't he sort of felt bad that he didn't get to do Trump. Well, it was old. It was Trump from the 90s. You know, it was just very, it was none of the we're going to do this shit, all these different hooks. We're going to do it. We're going to do the bragging. you know it was all kind of new um yeah my favorite daryl one was the domino's pizza commercial he would do this commercial one yeah like here's what we're gonna do i'm gonna tell you the thing and they say oh mr trump can you focus the camera i think i'm gonna focus the camera i think that was a good idea that i had like it was all that bluster and james which i just i just like i think james austin johnson is just a full genius like it's a yeah i would watch his videos before he was hired I would say for people might get the reference.

44:06Dana Carvey:He's the Miles Davis of that impression. It's better than an impression. It's got so many, it's like jazz that you're missing all the hooks, but Daryl's, we did a charity event together where he did karaoke as Trump and is just so hard styling in between verse. And it's amazing. He's good at improv as Trump. He's so good. Very hard to do. Yeah. You can give him any TV show from the seven. When he was on our podcast live in Texas, he just any any the Brady Bunch. And then he's right on Trump. He knows that. So, Peter Brady, Peter Brady likes to criticize himself. He's doing it to get friends. I don't need to do that.

44:44No one wants to criticize Trump. Yeah.

44:47Dana Carvey:But Daryl's feelings were hurt because they went with Alec Baldwin. But I said, that's just a totally different idea and choice. Yeah. So it wouldn't be it wouldn't be a competitive thing. It's just like, that was just, you know, I think. But what a weird thing. Start off with a cast member or start off with a big star. I think that's when Lauren finally was like, a cold opening with a big star guaranteed that's not the host helps. Yeah. Is it fair? We don't know, but it helps. Well, did that start? Because I just went and did Biden. And before I did it, I made sure it was Steve Hoog. And this, I swear to God, I would have backed out.

45:25Dana Carvey:I said, does anyone want to do Biden on the cast? And be honest with me, because Mikey Day was doing whatever. And he said, no, no one wants to do it. Trust me. So then I did it. But this thing of like, you know, older cast members and movie stars coming in. Did you have some of that? When did that start? It's gone beyond a launching platform. It's now an institution. And you have to maintain an institution. And there's equality to that. Right. I can have Bob Lilfy do the state attorney general, or I can have like Matt Damon. Lisa, I mean, there's so much to speak to the brilliance of Lorne. You know, having just celebrated the 50th, which was like such a joyful weekend other than your absence.

46:19That was probably the biggest blemish.

46:21Dana Carvey:Hey, man, I'll just say it. I'm just going to say it, 60th. That's all I'm going to say. You already booked a hotel, booked a ticket. We'll use filters. You'll get your neck whoopie tape back. You have to use real glass. That's the truth. But yeah, I maintain, just to start the conversation, that no one else could have done what Lauren's done. And there were so many episodes of Saturday Night Live intrigue or whatever, where the masters in charge basically would say, you got to do an hour, you got to pre-tape it, you got to change the theme. So Lorne stayed with the brand, but also was very flexible with the brand.

46:58Dana Carvey:You know, as it changed, the culture changed. So go ahead. What were you going to say? No, I completely agree with that. I think that's right. And I think that one of the many aspects of his of his insightfulness as a producer is, you know, you've got to get people talking about you. and and if they're not talking about it then then it's it's wasted air a little bit you know what i mean so i think like a baldwin hire gets people talking about it gets eyeballs now you get it yeah too late way too late we were in the analog stage early analog that it was just a small bolton board with a few letters on it and now it's blasted on youtube so yeah the the paradigm shifted will evolve with the moment yeah well i mean something i love about your podcast and any sort of like SNL focused podcast is it's this free therapy to be like, was I a weirdo?

47:54Was I okay? No, there's at least five more people that had a similar feeling or experience. And then, and then also inversely like, Oh no, I was probably a weirdo about that aspect of the show. Um, but the, I'm really enjoying the lonely Island, Seth Meyers podcast too, because I, I, for the same reason, but I also feel that those guys, the lonely Island will never get as much credit as they really deserve for, for adapting the format for a new generation right yeah that's probably the biggest change speaking to what you you were talking about dana of like you know maintaining quality maintaining its brand identity and yet now there are four guaranteed pre-tapes per episode yeah there's a

48:37Dana Carvey:full studio yeah and they'll get the host will do uh pre-tapes on all day friday get them up at 6 and do a whole pre-tape all day it is hard sketch but so that is uh yeah and andy and and his his lazy sunday was the beginning of going wait what is this and then and you realize right away oh my god this is what plus he's a good looking dude everything hit it was like cool good looking video then people start watching you're like they're watching it where like that was beginning of youtube i think yeah no i think you're exactly right in terms of like an injection of relevancy no one has had a more direct effect yeah i'm with the show in the last 30 years show and i got to get to know andy better just doing the it was like a pete you know you need a good looking dude in there that younger people kind of go oh why would i watch snl oh okay yeah yeah they need a reason uh it's all i got a question it's just really smart i do love musical i would love to be in one i just do love uh when andy's even the stuff he did recently i not even the stuff he did recently was fantastic and it is something fun were you in one of those pre-tape the anxiety video is so smart and he did it for the 40th it was great too the breaking video about about people who break they're just they're they're incredibly smart but they're joyful i i love those guys i i respect them so much um and i got to i think like my first week it was like I'm going to be in a digital short.

50:08I have made it. I have arrived. And I had like one off camera line in a video called Booger Man. There you go. That's SNL. You know, I was like, okay, all right. They're not all, they're not all lazy Sundayers, but. I'd read for Booger Man.

50:28Taryn, when you, when I left SNL, it was sort of decided toward the end of the season when adam and farley left it was a little weirder like vague um yeah where i had heard later they were fired i didn't even hear it from them i heard like two years ago um and when you left the show what is the way you get information is it direct from lauren is it is it an agent calls an agent or business affairs how does it work yeah my manager at the time called me but But they were doing the Marty and Maya show during the summer. And I was directing a film that summer. So I was in Canada. And I was wisely or unwisely ready to move back to LA, ready to be with my family, ready to be done with the schedule of the show.

51:25And I think probably have made it known not always in the most gracious of ways. and they asked for like an extension that summer they said hey we need more time we're producing marty my my before we made our decisions and i pushed back i said like no tell me now or let's be done and through people it was like no no no no no no they're it's they're doing it for everybody they're doing it and and so we said okay with some caveats of other jobs and like clearing my post schedule for editing the film and blah, blah, blah. Um, and they, so we said, okay, two week extension. And then three weeks goes by and you don't hear anything.

52:03And then, and then like in the fourth week, my manager calls and goes like, I think I've got good news. Um, and they've decided not to pick up. It was phrased to me. I mean, at least you're ready to go and you're not totally blindsided. Like moving back to like, I would move home every summer back to la yeah lose the apartment everything because they just would not tell you and they wouldn't say of course but it's a technicality they're like we have no idea and they wouldn't you know encourage you to say you're coming back just let us you know so but that is a weird process because dana i mean i don't think dana had this exactly but they dana still has rose petals stuck to the bottom of his steams.

52:45Fucking A, my God.

52:46Dana Carvey:Once the bitch came out, you know, it anchors the show. I mean, you know, but anyway, I just wanted to say that we've talked to people recently who just auditioned two or three times, and these are great comedians, to get on SNL, and really feeling such regret that either they pushed at their audition, and so then when you look at you, with a baby and a movie, and you're already in the Hall of Fame, in my money, six seasons. So it was just odd because you probably would have maybe done one more or not, but it sounds like you were on the fence. Six was enough for me. I mean, everything you just said, Dana, means a lot to me, and I'm very grateful to you for saying it.

53:35It's true. I've done the work, I've made peace, And I've also really been able to take more responsibility for, for my participation in that, in that it, I got what I asked for quite honestly. Um, and it's not fair of me to go like, I, you know, yeah, but I didn't want it in that way. No, because the truth is if it's between like two cast members and they're like, you know, this would kill the one guy and you have one foot out the door. They're like, I think he'd be fine with it. Yeah. And we just move on. It makes it easier.

54:04Dana Carvey:I do think, I think so. There is sort of, well, Well, it's such a bizarre psychosocial dynamic just for every reason. And Lorenz said that part of his aloofness was to protect himself, you know, because everyone would want to go in and what about this and that and so forth and so on. But I just see it run as a total success, obviously. Oh, thanks. I mean, how many people really got on there, really landed and had reoccurring characters? And it's hard. do you take you know i would imagine kind of happened with me where you're so burned out but after a month or two when the show's back on you get your legs back and you're like it would be fun to go in but you also you realize don't think like that because it's a day-to-day new host what are you writing what do you got if you could pick and choose when you came on that's different sure but man every week is just such a stressful well i would put this in the because you were just there and i think you should come on and do matthew mcconaughey for for a reason that he you know whatever lit off a firecracker or something you know i think yeah i i mean i i being back for the 50th was was truly like healing and joyful like it was it was really positive and and i i have to assume almost everyone like me went in with your defenses is up like your dukes up a little bit and from word one it was just like appreciation and reflection and gratitude and you know swapping stories um and then mulaney put me in his musical piece for for one line which i was not uh expecting and that felt yeah and so what was the costume yeah yeah as pizza were you pizza rat that's great i was pizza we were there that's history now man I think Halloween is pizza rat one year.

55:55Spade had, and I've heard multiple people say this now, and it was true from the first blocking rehearsal. Spade had the laugh of the entire show. Oh, I love you saying that. Well, we've heard this. And that's people. It's factual. It is factual because I was in that sketch. So I watched it. We're like rehearsing downstairs, not even for cameras. Yep. And I got a feel for it. Everybody laughs. we do it in front of camera i've got it every crew member laughs and that's always the best indicator if something's gonna work of america just seen it all and they're so yeah and every there was not a time you delivered that line that it did not get a full voice laugh from everybody

56:37Dana Carvey:in the room it was and i watched it i watched the show live and i remember how funny that was and then i didn't know if milaney could quite hear it but there was this other secondary laugh that's on the soundtrack you know the audiences because it's it's so dry and weird and quirky and so unexpected because the musical is so effusive and there's one guy which is in the stands and it goes on forever we got we got it it's long so many setups every part of the stage so you're not the only one who said that and writers Higgins told us all the writers that was their favorite line of the whole 50s so there you go David listen to see to even get a line like you said to even be in that sketch because you're in nothing when you land and I said Higgins don't worry about me I'm coming I'm not and then Mulaney goes hey Mulaney might want to throw you in something I'm like done whatever it is uh same thing so to get one that actually like that was super fun and to be weird enough to go in the audience and yeah but but also so tailor made like there isn't a cast member past present future that was perfect that could have landed it as good as you like it was tailored to the point where people ask me after the fact like I'm telling you in my own life they're like so what happened did he actually leave like during rehearsal and they came up with it I was like no that was by design from the outset it's his specialty that you know not pushing it's very lucky to have something like that where yeah it would fit me because uh yeah I you know also the pressure of going one line they go and Wally goes you need a cue card for this and he's like rolling his eyes I go I guess I don't he's like you don't And I'm like, all right, I don't like, and to over dissect it, like it's true to your voice.

58:19No, I like it. This is what we do professionally, but it's true to your voice. It also, it also breaks the fourth wall. So it speaks to it being live. Yeah. It also speaks to the generate. We're celebrating the generations and like, this is your thing. This is different from my time. Like it just was like perfectly constructed and layered. I appreciate it. And always got the biggest laugh. I love it. There you go.

58:41Dana Carvey:That's a pretty, pretty nice feather in your cap. Thank you. It's only the 50th. Because that's the best. Yeah, it is. In the end of the day, you know, it's just when we look back on our time there, you know, we never, ever want to do a military analogy. It's like being in the Marines. Forget that. But it is some kind of esprit de corps because you can get humiliated on that show. You can crush. You can get any kind of emotion you can imagine. And it's hard to get on. And everyone wants to be on it in the comedy world. And so I think I'm, I'm sure that was the vibe of the 50th. Like anyone who did it and did it well, it's just respect.

59:20Dana Carvey:You know, I think the 50th for us, the camaraderie is more akin to like, we were in the blue origin together. The space thing that just went up. We've been in space for 12 minutes. That's, that's how tight we were. The bond. Yep. Yep. Yeah. So it's not the army. We were all Katy Perry that night. Yeah. We were all Katy Perry. The stress, the ups, the downs. you have to buckle yeah you have to unbuckle we had the training up well thank you buddy thank you nice chatting uh had a great time thank you thanks for having me hey are they gonna pick up that animated pilot we did together or what oh yeah taryn and i did what was it called we were in a booth somewhere doing this animated thing and i guess it just didn't go but it was It's not the Tina Fey one, is it?

1:00:09Dana Carvey:No, no. It goes back before that. You were like an evil billionaire. I was an evil billionaire. Yeah. Yeah. It was precious. There's so much. I was hoping that's what this was about, was you telling me we got picked up. Oh, the pickup? Yeah. Well, you're - But this has been great, too. Yeah. Just one last thing. You're going to be in a show on ABC for the second season. I mean, there's so much show business. Obviously, understatement of the year, but yeah, everybody works. because everyone's doing an animated thing or whatever thing, and no one knows what anyone's doing unless it's some massive, gigantic whatever, you know?

1:00:42Dana Carvey:Totally, totally. Yeah, no, High Potential, ABC. Oh, High Potential, okay. And you got to do Spamalot, fucker. Yeah, dude, dude. That was the best. Well, and Eric was there. Eric was there, and when he first started rehearsing, they're like, well, he may not be around much and stuff, and then we do a first dress rehearsal, and he's backstage, and he's like, I think we can beat that joke. I'm like, okay. Okay, Python. Yeah, just to be anything Python. Anything you want. And you are perfect for that. You are, that is your lane. You can do that whenever you feel like it. Musical Broadway. Yeah, it was a beautiful marriage.

1:01:19I think the first movie I ever quoted was Holy Grail. What is that? It's only a flesh wound. Yes. Nearly a flesh wound. Oh, yeah. Was that Life of Brian? Come back here and bite your legs off. That's Holy Grail. Yeah. And then yeah Having started wanting to pursue musical theater It was really like this perfect marriage

1:01:41Dana Carvey:In New York You're still incredibly young So you're going to have to do this for a long Long time Great David do you have a final joke No I appreciate talking to him And I had a good time today I admire you both I respect you so much I've been a fan my whole life Rubbed elbows is a great honor too and thanks for all the free therapy right now yeah while we say this zoom hug special thank you dave spank dana carvey tony mccartney all right see you bud peace out

1:02:23all right listen if you're enjoying the fly on the wall of course hopefully you are click follow We don't want to be desperate, but obviously smash that goddang button on your favorite podcast app. Leave a review, a good one. Leave a five-star rating, nothing else. Whoops. And maybe even share an episode with a friend. If you're watching this episode on YouTube, please subscribe, Dana. What do you think?

1:02:48Dana Carvey:I'm going to tell you this right now. Hit me now and believe me later. Fly on the Wall, believe it or not, is presented by Odyssey. and executive produced by, hold for it, Dana Carvey and David Spade or David Spade and Dana Carvey. We don't write this stuff. Heather Santoro, Greg Holtzman, and Leah Reese Dennis. The show is edited by Evan Cox with production support from Phil Sweetech. Talent production and booking by Sophia Lepore.

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