In short
Episode 6 of Cricket Clichés (hosts Daniel Norcross, Nick Miller, Dan Gallon, Charlie Reynolds, David Ronald Eric Tickner) is a “best bits” wrap-up with cricket-linguistics and lunacy.
Guests/backgrounds
No external guests; the “gang” are the regular panelists. Dan Gallon is noted as being in South Africa (contrasted with the others in England).
Key topics/claims
- “Caught and bowled” being “holed out” (from Big Bash commentary) is debated as effectively impossible/illogical; the panel argues it would require a boundary-style catch scenario.
- “Proper cricket shots” are discussed as a T20-era moralizing concept; the sweep and reverse sweep are used to show how “proper” changes over time.
- “Proper ways of getting out”: a hierarchy is proposed for “strangled”/caught behind down leg, slips/keeper, boundary catches, and unorthodox front-of-square positions (clever captaincy).
Notable examples
Harry Brook reverse sweep vs spin; Mike Gatting 1987 reverse sweep; Steve Smith leg-slip “trap”; Dennis Compton 1953 sweep; Michael Clarke/Andrew Strauss fielding; Benny Loughlin boundary catch; Nathan Astle bat “gunshot” crack; David Gower foot scream.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Chapters
Tap a time to open that second in VOThe Final Episode Feel
2:56 to 4:48
Discussion on the end of the podcast series and a light-hearted reflection on their time together.
“I mean, it was only like seven weeks ago, wasn't it, that we started this?”
Notable Dismissals in Cricket
4:48 to 6:39
Analysis of a surprising caught and bowled dismissal from a recent match.
“And I really can't believe what we're seeing here.”
Defining a 'Proper Cricket Shot'
6:39 to 10:10
A debate on what constitutes a proper cricket shot and its evolution over time.
“But if you run more than five metres, you can't hole out.”
The Sweep Shot Controversy
10:10 to 13:08
Exploring the legitimacy of the sweep shot and its perception in cricket.
“I think we know what these moralisers mean, the sort of Barry Davis commentators of the cricket world, when they talk about a proper cricket shot.”
The Evolution of Cricket Shots
13:08 to 14:02
Discussion on the acceptance of new shots in cricket and their classification.
“of thing it's it's a kind of um yeah all right fine you're reluctantly moving with the times but not really happy about it.”
Proper Cricket Shots Discussion
14:02 to 15:40
Exploration of what constitutes proper cricket shots and player expectations.
“And is the reverse strapple on the following page?”
Understanding 'Strangled' Dismissals
15:42 to 18:10
An in-depth discussion about why 'strangled' dismissals are considered unlucky.
“I guess that's however we try to pigeonhole him.”
Hierarchy of Dismissals
18:11 to 22:55
A ranking of different ways to get out in cricket and their perceived luck.
“to try not to play an aggressive shot to a short ball.”
Clever Captaincy and Fielding Strategies
22:56 to 27:30
Discussion on clever field placements and their impact on batting.
“burned out by scoring all those runs at that point so he just sort of fell straight into the trap Yeah, I think we all agree it's crap batting.”
Favorite Cricketing Sounds
29:05 to 30:01
Discussion on iconic sounds in cricket and their emotional resonance.
“Now we're going to move on to what is the main meat of today, and this is what we're going to get.”
Show all 23 chapters
The Barmy Army and Cricket Traditions
30:01 to 33:00
Exploring the significance of the Barmy Army's songs and cricket culture.
“Which doesn't really accord with the start of a cricket match.”
TNT's Cricket Coverage Issues
33:00 to 34:18
Analyzing TNT's cricket coverage and audio synchronization problems.
“You heard bowled before the ball had actually reached the batter, which was irksome, to say the least.”
Cricket Sounds and Player Grunts
34:18 to 36:50
Discussion on the various sounds made by players during cricket matches.
“Right, with a bit of luck, our producer may be able to lay a little something underneath this next email.”
Satisfying Cricket Audio Moments
36:50 to 38:49
Highlighting satisfying audio from cricket matches and commentary.
“against England of Graham Fowler at Lourdes.”
The Gunshot Sound of Cricket Bats
38:49 to 42:04
Exploring the 'gunshot' sounds of cricket bats hitting the ball.
“Now, those are slightly unconventional sounds that people love.”
Cricket Commentary Dynamics
42:04 to 44:30
Explore the unique audio experiences and commentary dynamics in cricket.
“I wish we could get the noise of that, but I fear that that is beyond our orbit.”
The Painful Sounds of Cricket
44:30 to 47:50
Delve into the humorous and painful sounds associated with cricket mishaps.
“Yeah, so Elisa Healy there giving us her, there's a very strict anatomical description of what's happened there.”
Memorable Commentary Moments
47:50 to 51:10
Reflect on iconic moments and sounds in cricket commentary history.
“It's Ashmanhor, if that's how you pronounce it.”
Crowd Reactions in Cricket
51:10 to 54:40
Discuss the significance of crowd noise and reactions during cricket matches.
“Benny Loughlin takes it, throws it back 30 metres, and the catch is taken.”
Ice Cold Jägermeister Tips
56:34 to 56:56
Understand the importance of serving Jägermeister ice cold.
“at zero degrees Fahrenheit, ice cold, like those frozen cavemen they find, which makes you wonder what would a caveman think of Jägermeister?”
Shadow Batting Antics
57:07 to 59:05
Explore the quirky idea of shadow batting and its imaginative scenarios.
“We couldn't finish this run without a quick update on your shadow batting antics, but it's not just batting.”
Practicing in Unusual Places
59:05 to 1:01:18
Discover the urge to practice cricket actions in unexpected locations.
“There's a discussion on the field and then you get Shadow called back by the opposition captain.”
Shadow Umpiring Tales
1:01:18 to 1:04:17
Delve into amusing stories of shadow umpiring and its mishaps.
“Jerry O says, sorry to keep the brilliant highlight of the pod.”
Transcript
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1:54Did he do that? Unbelievable! What about that? It wasn't just one of those where it might stick or it might not. Remember the name! There's so much elegance about it, and yet it was quite brutal. Oh, he's up to the river! What a river! What a good fish! Hello and welcome to Cricket Clichés, the podcast about cricket linguistics and lunacy. How can it possibly be episode 6 already? Coming up
2:34Clattering stumps and the Lord's hum your favourite cricket noises The proper way to get out And yes, more stranger cricket things from the Shadow Realm
2:54Hello, I'm Daniel Norcross and I've gathered the whole gang together for the final show of this run maybe even forever I guess that's probably up to the listeners at home or listener, who knows to decide all that It's a warm welcome therefore to Nick Miller, Dan Gallon, Charlie Reynolds and of course David Ronald Eric Tickner Hello one and all Hello Hello. Hey, Dan. Are we feeling a bit poignant? I mean, it was only like seven weeks ago, wasn't it, that we started this? I was in Perth. You were all in England. Maybe Charlie was in Australia. And now the tables have been turned. We're looking at Dan Gallon, looking about as South African as a Dan Gallon can get.
3:35We normally see him huddled under a beanie in the cold of England, assimilating perfectly into British culture, downtrodden and miserable. here he is in his natural habitat with two giant cucumbers sticking out of each bare shoulder a vest and a tattoo running down the side of his right arm um we're not going to ask dan this how do we all feel about seeing like the real dan gallen semi-naked i quite like it i mean i was less less of a fan of him turning around the computer a few minutes ago and showing us actual table mountain while we are kind of all shivering in england and i'm in a kind of windowless box in an office somewhere but you know i quite like the um the sort of the naked south african-ness of it all it's like seeing a polar bear when you're in the wild when you've only seen a polar bear at the zoo exactly well yeah i would say i mean polar bear is entirely inappropriate while you're sweltering in 35 degree heat i would i would say more like a crocodile i'll take that or baboon it's one or the other um anyway look i've had a quick look through today's running order and it's got a bit of an end of term feel to it as i suppose you'd imagine as we were commissioned to do these six episodes across the ashes so sort of think of it as like the christmas best bits version of your favorite tv panel show lots of callbacks to stuff we've done in the past we are going to start with something fresh though this has come through from patrick hall he says watching the big bash league matt renshaw lobs up a slow off spinner to ben manenti who gets through the shot too early chips it back for a court and bowl.
5:08Oh, catch! He's got him! It is staggering. Absolutely staggering. Minetti holes out. And I really can't believe what we're seeing here. No, it's a simple, simple dismissal. Again, it's just a regulation off the ground. And it's just bunted back to Matt Renshaw. Oh, catch! Couldn't believe his luck. Now, you see, I'm with Patrick Hall here. He's outraged. That was Andy Marr, incidentally, on Channel 7. Hole out? Is it possible for a caught and bold to be holed out? I mean, the only way I could see it is if it was hit way over the bowler's head and he ran all the way back to the boundary and then turned and then took it with his fingers pointing up.
5:53I can't see a caught and bold ever holed out, guys. I think even that's stretching it because I was thinking, with holing out, it's like you've picked out a fielder, specifically in the deep so even in your example which is definitely closer the bowlers still had to leg it to come anywhere close to qualifying as holding out it has to be you know long off long on something like that doesn't it holding out surely so to me it's also not it's not just the boundary it's in front of square i think i'm not sure can you hole out to find leg not sure don't think you can no no i think you're right i think you're right a push i'd maybe take like I don't know, like cow corner or something.
6:33Deep back of square, maybe. Yeah. Deep square. But you can't hole out to third man or final leg, I don't think. But if you run more than five metres, you can't hole out. Surely. It has to be, as Ticker said, you have to pick him out. If there's a diving catch on the boundary, then immediately renders it un-holed out. I know that's not a phrase, but you know what I mean. I'm just playing devil's advocate here because I'm not sure I do agree with it. But what if he goes for the big swipe, it goes high in the air, the bowler barely has to move a muscle, and still takes it like you would take a holdout catch on a boundary.
7:05Because he is, I mean, strictly speaking, that is where you would expect to find the bowler in his follow-through, if he doesn't have to move a muscle. No, I don't think so. I think it's kind of, you have to imagine, I mean, maybe I'm a bit too literal about this, but the field are down quite a small hole, like a well or something, and you've just hit it very high in the air, and it's unfortunately just plopped straight down into the well and been caught. and you know any any anywhere else it would have you know bounced off the edge of the well or whatever but you've just hauled out you've just you've hit it straight into the into the slot that's perfect that's exactly what it is Patrick Hall is absolutely right on this that is an excrucible piece of commentary is totally unacceptable should never happen and I'm not quite sure how it has happened there because Andy Miles a very fine commentator been doing it for years uh if if any catch is holing out then frankly you can get you can hole out to a diving catch at first slip one-handed by steve smith and that therefore invalidates the whole point of holing out patrick call you're absolutely correct uh red card for andy marr liam harrison has been in touch he says i'd love to know what makes something a cricket shot as opposed to not being a cricket shot is it just the traditionality of the stroke or something else completely now this has irked me for a long time in 2019 i had a bit of a rant on twitter about things i wanted to see gone forever like for example that's washington sundar doing washington sundar things possibly the most excellent well not because of washington sundar just anybody doing those things or uh this is zach crawley's world we just live in it never never expunge get rid of but proper cricket shots was actually my third least favorite phrase of that time because i want to put it to the panel that the advent of t20 has eradicated the the notion of the proper cricket shot we're all just playing shots now however and wherever we like it or am i have i gone too far there's a sort of moral haughtiness to as well with i think we saw well i noticed a fair bit with bethel's 100 in the fifth test in that it people were it's like there's an element of surprise to it it's like we scored 100 proper cricket shots as well not like you know this kind of young blonde thing had just kind of wandered in sort of whacking the ball everywhere he was actually you know it turns out he actually is a cricketer and he's he can play proper cricket shots as well so yeah there is a there is a sort of sniffiness to it and i suppose the intention is that there is like there's more um it's more deliberate and someone hasn't got lucky it's just like they are they're playing proper drives and they're playing um you know they're not doing any of this kind of fancy or kind of immoral or or you know gaudy stuff that you might see in white ball cricket okay so let's So let's take, for example, the sweep, because I think the sweep is an area where the boundaries get blurred.
10:11I think we know what these moralisers mean, the sort of Barry Davis commentators of the cricket world, when they talk about a proper cricket shot. I think what they mean is a drive, for the most part, a cut, well executed, a gentle leg glance. If you're going to go behind square, why can't your leg glance it? Why do you have to get down on your arse and try and flip it up and over to the left of the keeper? I think that's what they mean by proper shots. But the sweep, now this actually divides whole continents. Because as far as Ian Chappell is concerned, the sweep is an effete milk toast of a shot only played by wet-eyed Englishmen.
10:50And you should always just use your feet. Now the slog sweep is not a proper cricket shot. But we in England think that the sweep itself is a classical shot played most famously by Dennis Compton to win the 1953 Ashes at the Oval and sits in the proper cricket shot like Bucket. Where are we on the sweep? I think the sweep, it's one of those shots where it's the right decision until it isn't. It's almost like it's a zero-sum game with the sweep, like a heave or a pedal. You know, you can paddle your way to 99, but if you get out paddling on 99, oh, well, that was one too many. I think the sweep is the same sort of thing.
11:31And I think it's one of those shots where it's 100 % the right decision until it isn't. Whereas, I don't know, a drive, you can nick off. One can chop on cutting. One can maybe pull straight to the short mid wicket. It's like, well, the shot was on there. But no one's ever said, oh, well, it was the right decision to sweep and go out to york yourself or to hole out at the man down at the boundary. So it's one of those ones where you paint a bullseye around the already shot arrow. Okay, but how about the reverse sweep? Because you see, I see in the reverse sweep a shot that used to genuinely not be a proper cricket shot, now becoming an accepted proper cricket shot on the basis that it moves fielders about.
12:12So you remember when Harry Brook got out of Adelaide in the unlikely run chase to a reverse sweep? There was genuine uncertainty in the box. Now, five years ago, he would have been pilloried, banned from playing cricket for England for at least 10 years. And a bit like Mike Gatting, it would have gone down in folklore, Mike Gatting's reverse sweep in the World Cup final against Australia in 1987. Now, people are genuinely questioning whether actually the reverse sweep is a proper cricket shot because it puts the spinner off their lines and lengths, forces a change in the field and allows you to play a proper cricket shot into the onside for a single having moved the field it's like a precursor to a proper cricket shot it's a gateway cricket shot it's a gateway unproper cricket shot to the proper cricket shot it feels a little bit like um allowing the reverse sweep in as a proper cricket shot like um like a sort of quite posh restaurant reluctantly accepting that you can go in without wearing a blazer kind of thing it's it's a kind of um yeah all right fine you're reluctantly moving with the times but not really happy about it.
13:18Oh, so letting P Diddy into a fancy Mayfair restaurant? Well, I mean, you could not possibly have chosen a worse example there. So where do we stand? Where does the point come? And do we think, actually, that proper cricket shots are going to be re-evaluated over time? Or is this something that's going to be set in stone? You know, like the MCC coaching manual is the first and last word on what constitutes a proper cricket shot. and every other shot that sits outside that, you know, your dill scoops, your ramps, your switch hits. Well, do we know that those shots aren't in the book anymore? It's something I've been curious about.
13:56Oh, that's Jeff Boycott. We often say, oh, that's straight from the coach's manual. I would love to see a 2026 coach's manual. Is the dill scoop on page 73? And is the reverse strapple on the following page? I would love to know if things have been updated. Maybe, I mean, the obvious answer is that any shot on a cricket field where the cricket bat is a proper cricket shot, which is what we're kind of talking around. But yeah, have they updated the coaching manuals? Who's played the fewest number of proper cricket shots in this, Ashish? Because I would argue that Joffre Archer played the most number of proper cricket shots.
14:29Harry Brook played quite a lot of extraordinary shots, but he balanced it out with some normal ones. But there were some that you sort of thought, well, you worried that something had happened to him. I think that's the thing with Brook, though, isn't it? is that his not cricket shots attract the ire that they do because we see him play cricket shots all the time. We know he can play proper cricket shots. It's the same reason that people get a bit stressed out with Root's reverse ramp, isn't it? Because Root doesn't need that. He doesn't need that. He's better than that. And so I think there's something there that...
15:13It's not so much the number of non-cricket shots you play, it's how necessary they feel for the player in question. So Glenn Maxwell gets a pass because we don't think he can actually play proper cricket shots. We expect him to have to play improper cricket shots. But say Virat Kohli, Kay Williamson, Joe Root, Barba Azam, they've all got to be, if they get out not playing a proper cricket shot, then that is somehow worse. I think that probably works, doesn't it? Or if Maxwell nicks off trying to play a proper cricket shot. I guess that's however we try to pigeonhole him. Yeah, good point, actually.
15:48Why didn't he just Maxwell ball it? Yeah, exactly. Stop playing proper cricket shots. I was there for the reverse scoop. Look what he's done. Right, well, that's proper cricket shots. But how about proper ways of getting out? Glenn's been in touch. He said, I've always wanted to know why strangled is the only way of being out caught behind down the leg. and you cannot be strangled out in any other way at all. Tom picked up this and ran with it. Why is it considered unlucky, he says, to be caught at leg slip stroke, strangled to the keeper down the leg side? In fact, there's a clear hierarchy of where it's okay to be caught and this is Tom's hierarchy, which we shall grade in a moment.
16:29One, leg slip down the leg side, unlucky. Two, in the slips or by the keeper, most likely to be put down to good bowling unless it's a batter who everyone has it in for. Three, on the boundary or via a big shot that goes straight up regardless of the map situation. Arrogance stroke ego, especially if English and especially if Northern. Four, at an unorthodox position in front of square. Clever captaincy. I like this hierarchy. I like it a lot. Let's start, though, with the original issue of strangling. I've never been quite sure why it's strangled. Why is it strangled? It's just accepted. I've always had an issue with this.
17:11It's one of the clearest this is a batter's game things for me, that it's considered deeply unlucky. You've nicked it. You've nicked it down the leg side. The bowler might be lucky because he might not have been trying to bowl it down the leg side, although sometimes I think it is a legitimate tactic. But it's always considered a little bit unlucky. but you've played a false shot. You can leave the ball down the leg side just as easily as you can leave it outside off. There's no absolute compulsion to play at those. If you get a little thin nick through to the keeper, you've got a little thin nick through to the keeper.
17:50It's not unlucky. Well, I need to understand, though, at what point it ceases to be a strangle because my understanding of strangling is that it's always when somebody's trying to catch up with the ball, turn the wrists on it, do the little flick, get the inside edge, gets caught down the leg side. But I want to give you an example of one that happened in the Ashes where Harry Brook made, well, one of those rare decisions to try not to play an aggressive shot to a short ball. Might have been even at Perth. He'd been batting quite well. Do you remember it? And he tried at the last minute to get his gloves out of the way.
18:22His gloves were round about shoulder height. It brushed the glove, went down the leg side through to the keeper. Is there a point at which the ball is too high and you're playing not quite the right shot for it to be a strangling, even if what has kind of happened is a ball down the leg side that you should have and could have left ends up in your dismissal court by the keeper. I think you have to be actively working it down the leg side to be strangled. I think you're kind of strangling it down the leg side. But can you be strangled on the front foot? Oh, yeah. Yeah, I think so. You can, okay.
18:57Yeah, in the kind of the example that you cited there, Daniel, it's a kind of, there's more of an element that that could be like good bowling because maybe it's got a bit big on the batter or, you know, they have sort of targeted the ribs or something like that. There's sort of an element of he's in two minds, he's changed his mind, whereas the strangling is your the shot you're always trying to play is the one that you play but instead of getting enough bat on it to get four you just flick it to the keeper because if it's short enough you'd be you'd be bounced out right trying to play the pool it gets big on you that you're a credit for bowler yeah there's some way where i don't know what length is it when you're tucking it off your hips you're saying it can be up around the armpits you can be strangled around the armpit can you i think if you've got a little tickle of a glove on one down the armpit if you're just if you're sort of like thinking about trying to just flick it into the onside but you get a little bit of glove instead i think that can be a strangle all the way through that's all the way through to like knee high i mean i'd even go so far as to say because you have seen it occasionally where it's not quite a half volley length but they go to flick it they get a little inside edge back in front of pad taken down the leg side i mean it seems to me we were consider that a strangling because we'd think of it as bowler error, which is ultimately where, well, that tickers his point, isn't it?
20:28And I think that is kind of key to this. It's the idea that that isn't the line the bowler wanted to bowl. And as soon as it's anything approaching a bouncer, it's much more, well, yeah, he's tucked him up and drawn him into a mistake rather than the batter just committing a mistake against a ball he shouldn't have. Well, yeah, I mean, Simon Hughes is massive on this. As a self-described pace bowler of the past, he genuinely believed that it was a legitimate tactic to bowl around waist high down the leg side every now and then because occasionally batters will just get a little feather on it because it's actually quite hard to get full face of the bat on it.
21:11So he thinks that some bowlers, including himself, actually tried to do that. I just wonder if it's because Simon didn't have perfect control of line and length outside the off stump. It's very hard to prove but it is as soon as there's a leg slipping there's an element that this is clearly some form of plan however desperate a one it might be to Steve Smith on 157 or whatever but as soon as there's a leg slipping there there's at least some thought of the odd ball down here is not a bad shout. I had a bit of a meltdown about this on twitter the other day but the real problem is when they're like oh that's unlucky when they've hit it straight to leg slip there's nothing unlucky about that you've specifically placed a fielder there for them to do that that's it's the opposite of unlucky i mean eventually they stopped saying it about carrie in this series after he did it about three times but it's ridiculous it took more than i mean it's ridiculous it took more than one time but i don't know it makes me mad i should stop talking about it flicking one straight to leg slip when the leg slippers are you know it's there if roadrunner ran straight into the the hole in the mountain the uh guile coyote had painted you can't you know it's not unlucky it's you've just fallen into a stupid trap well especially because we always see a leg slip and go that's just a tricksy position the ball never goes there so if you're the klutz that it's straight to leg slip then the acme fielding position yeah there's always i think it was it was steve smith at the oval in 2019 yeah it was the end of that series where no one could get him out yeah it couldn't get him out all series so they said well fuck it let's just try this and then the key is the kind of the look on the fielding team's faces the kind of i can't believe he fell for it uh look and as they kind of celebrate so yeah i think he the excuse was that um he was just kind of burned out by scoring all those runs at that point so he just sort of fell straight into the trap Yeah, I think we all agree it's crap batting.
23:09But to get back to the hierarchy, so leg slip stroke down the leg side is considered unlucky. We've cut that off and decided it comes down to ineptitude. Then number two, in the slips or by the keeper, most likely to be put down to good bowling. As we know from Dan and his shadow nicks, that's obviously the cool way to get out, isn't it? If you're going to get out, you don't want to be bowled, but getting a ripper that takes the outside edge, that's a dismissal with honour, isn't it? I think it is the coolest way to get out, yeah, definitely. But as you suggested earlier, Daniel, there is a sort of cut-off point because if you're Zach Crawley or you're James Vinson, it feels like it's inevitable that you're going to serve one up to second slip after you've scored a stylish 30, then that becomes a stick to beat with.
23:55Well, there's a difference between them getting turned into an S and wafting at one. The result is the same, quarter to second slip. But if you're wafting at one, totally uncool, you idiot, you might as well get caught down the legs side for how uncool you are so do you have to be playing a defense you have to be playing a defensive shot in order to be caught in the slips if you're caught in the slips driving in any way is that bad yes i i would go with that because even even if you're trying to force it off the back foot i mean i remember Jacques Cullis went through the stage where he just kept trying to play that that back foot cover drive that he played so well but when it started getting him out you're like just stop doing it there's this thing very uncool about trying to force it through the covers yeah get turned into an s that's fine walk off the field with dignity and your head held high but if you're doing the crawley if you're doing the vents if you're doing the Cullis as I just alluded to yeah there's something a bit annoying about it.
24:38He then has third caught on the boundary or via a big shot that goes straight up regardless of the match situation. I don't know I think sometimes you know in white ball cricket you'll often hear a commentator say he had no choice but to go after that. Or bat him with the tail. Yeah and also you know maybe pace off. And there can be a sort of noble sacrifice element to it can't there. Yeah and I think there's also sometimes you can give credit to the bowler on those ones can't you because You know, if they bowl the slower bouncer with Europa needing 32 off two overs, deceived by the pace, gets underneath it, caught on the boundary.
25:16But then I do like the last one, an unorthodox position in front of square, clever captaincy. Now, this was one that Michael Clarke kept on getting out to, didn't he? Did he not keep on getting caught in front of square? Was it in like 2009, Ashes, Andrew Strauss having a short, short extra cover? Sounds familiar, yeah. Yeah, and that was always good captaincy, wasn't it? If ever you're caught at a catching cover position, that is genius captaincy. Is that fair? With those, there's always a thing about being in the batsman's eye line as well. I think it was in the 2005 Ashes, they had those kind of odd short mid-ons and mid-offs that were apparently kind of genius because they were in the batsman's eye line, which I've never quite got.
26:01but they are still, as you say, on the umbrella of clever captaincy. I actually hate the short mid-on because I think it serves only to disrupt the non-striker and be in the batter's eye line. I just think if you're a batter, you think, oh, brilliant, that means there's a great big gap somewhere else. I'll have a look at that gap, put the gap in my eye line and then hit the ball there. There's never a gap in the eye line, is there? You just use your sunglasses to pot off Steve Smith. Was it Stokes who had the first basketball series when you had the three men on the offside and three men on the onside.
26:33And it was just basically this umbrella of fielders all in the batter's eye line. And I thought that was genius. I think that's a fantastic field set. I think you use that at Edgbaston and Old Trafford, don't you? Because the pitches are glacially slow and completely rubbish. Should be dug up and thrown away. I quite liked it. I liked the look of it. Could put that on a t-shirt. One with sleeves, hopefully.
26:56But there's a sort of like closing in, like claustrophobia element to that as well isn't it yeah when i was in australia we went to a big bash game and they have the the power surge or whatever where you have to bring in basically all of the fielders and every single time they got no runs whatsoever because they're just a whole load of fielders in close and actually it's quite intimidating and they they didn't you know the field is suddenly rather on top of you and actually it's quite hard to hit boundaries so i think the umbrella sort of field works quite well
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29:03What time has it been? It's clobber time!
29:14Now we're going to move on to what is the main meat of today, and this is what we're going to get. We're going to get barraged by noises. So we put out a question. We wanted to know what your favourite cricketing sounds are. thanks to everyone who sent them in here are a few atmospheric notions to kick us off from Ollie Warren my favourite noise in cricket is when the first trumpet notes of Jerusalem blast out on the first morning of an away ashes so much hope and excitement of what is to come before the inevitable collapse into despair
29:52it's you have to be quick to enjoy that one it's uh it's it's a strange one for me that that that is that is it's a sort of very stirring tune and i i agree with this sort of symbolism that this is you know we're starting a new this is the start of a brand new day anything could happen kind of thing but it is for me it is also kind of tied in with the barmy army very sort of self-importantly making everything else must kind of everyone else must pause while we sing our song and then after that the day may commence mitchell stark rude yeah yeah this is there is a sort of implication that this this pesky cricket is getting in the way of our singing one of my favorite things uh a test match ever i think it was old trafford i think it was in the last ashes series a bloke about two rows behind us who when the Barmy army started singing Jerusalem just bellowed no at the end of each question well it is true it is the most remarkable poem in so far as the answer to every single question is no isn't it yeah I've just never heard anyone actually issue the response to the Barmy's in that way well you know they start every single one of their events with a rendition of Jerusalem I did 8 or 9 Barmy events during the ashes and before we're allowed to commence with the Q &A or the balmy bingo or whatever it may happen to be Finching the Trumpeter starts us off with a rendition of Jerusalem which is always sung incredibly stirringly but a little bit like Swing Low at the rugby I have a doubt that most of the people who are singing it recognize the political significance of the words that are being sung because there is one of the most radical socialist anthems composed in the 19th century, isn't it?
31:51Which doesn't really accord with the start of a cricket match. I didn't know about the... That's quite Freemason-y, isn't it? We must... Proceedings must not begin, even if we're playing fucking bingo, without singing the song. Or Trump's America. Yeah. It's the Pledge of Allegiance. Yeah, but at least, you know, it's William Blake and it's stirring. Oh, it's a wonderfully stirring kind of, you know, piece of music and poem, but it's just how it's been co-opted that irritates me. Here's a quick one from Neil Weatherstone. He says, his favourite sound in cricket is a sound that is in sync with the pictures, which I'm presuming...
32:34Satire. Yes, it might be a dig at TNT. Charlie and I didn't really get to see any of it, So maybe you three can give us a quick summation of the highs and lows. There was a sound-seeking issue with TNT's coverage whereby you would quite frequently hear what had happened before you saw it. So there was one particularly egregious one at, I can't remember which test match it was, but someone got bowled and the... Steve Smith. Smith and Bargham, there you go. Bowled tongue. Bowled him! You heard bowled before the ball had actually reached the batter, which was irksome, to say the least. I don't know if it's full circle, but if we got to the point where I sort of feel bad, I feel like that Simpsons meme, like, stop, he's already dead.
Read the full transcript
33:19I mean, are we still giving TNT shit or do we just now feel kind of bad for everyone involved? I think we always did, to be fair. Yeah, I mean, the real victim is obviously the consumer and you pay for TNT and good luck to the guys earning a lot of money who go out there and get an amazing job. But I don't know, like a part of me does kind of feel bad for everyone i feel i feel certainly feel bad for the people who are kind of on air who broadly speaking despite a few you know slightly less excusable mistakes seem to be seem to be doing their best particularly the the kind of pundits were actually doing a reasonably good job it's just they were kind of set up to fail slash hung out to dry by by a kind of rather shambolic uh setup yeah well i won't hear words said against any of them because the lovely Rob Hatch took most of the BBC team out for a free Korean barbecue while we were in Sydney.
34:11So, thanks Rob. That's all it takes, is it? And then he took them for another one two minutes later. Oh, there you go.
34:21Very good. Right, with a bit of luck, our producer may be able to lay a little something underneath this next email. It's come through from Will Marshall who says I'm not a massive fan of Lords generally well said, Will, but the Lord's hum that you only really get when it's sold and packed is so comforting so much so that Sky and as it happens to BBC piped it in during the 2020 lockdown series in empty Southampton and Old Trafford right then we've got a couple here from Dan C and Simon B so I'll give you them both and then then we can respond the signature grunt says Dan C of a bowler that gets picked up on Stump Mike when they send down a delivery particularly an effort ball gives you a feeling of how much these guys are exerting themselves adds to the theatre it all and Simon B says my favourite sound in cricket is a fast bowler who charges through the crease and creates a distinctive whooshing scraping sound in the process nobody for this beats Dale Stane
35:39Got him! That's him! Gone! Steyn gets the skipper! Oh, look at Dan. I remember that. He's welling up there. He's lost in reverie. I'm interested in this, the grunt thing. When poor old Monica Seles grunted, everyone went completely mad. do we like the grunt of an effort ball? I don't know. I don't know if I like the grunt of an effort ball.
36:06I think the difference with tennis is that because it happens, I grunt, then you grunt, then I grunt, then you grunt. It happens six times in one play. A cricket bowler grunting, it's just one. Do you know what I mean? It's just enough of it, I guess. I mean, I wouldn't want every bowler to grunt, but I think if the bowler grunted and then the batter grunted and then the fielder grunted and the keeper who caught it grunted and then the umpire grunted. I think the grunt would get quite old. The umpire grunting. The umpire grunting is, oh, raising their finger. Oh, Jesus. Oh. I mean, yeah, you can imagine that's the kind of thing that Billy Bowden would do if someone wasn't looking at him for five minutes or something.
36:46Maybe bring that out. Do you know, there's a story of the 1984 West Indies series against England of Graham Fowler at Lourdes. there came a point about halfway through his hundred when Desmond Haynes at short legs said to him, hey, Foxy, can you stop making that noise? And he had no awareness at all that he was actually screaming as the bowler was bowling. No! And I think that's the thing. I think if batters should do more noises, it's like when Carlisle Best used to commentate himself. Do you remember that story? Carlisle Best used to say, you know, here comes Willis Flamehead running in for the pavilion end and Best strikes him through the covers for four.
37:25the crowd rise as one. No ways. Yeah, yeah. He's a little bit marmed. Yeah, well, that's what I like to think. In the most, you know, the series we just finished, one of the things was how much Wetherald seemed to be talking to himself while the bowl was coming in. Presumably it was just kind of, you know, repeated affirmations or whatever, but I like to think it was commentating on, you know, the bowler coming in and so on. um anthony goodmaker which is another great name we've had some great names in this haven't we i mean we had panther from the mighty panther anthony goodmaker says when in the short gap between overs sky would show all six balls from an over using the hawkeye ball tracking tech culminating in all six balls then being shown as bowled at the same time um we have we i think we have been able to get a version of that haven't we i think there's i think there is a version that that our producer ollie has got and it is a very very satisfying noise let's have a listen yeah that's nice that it's nice i think this is a brilliant shout this is my favorite one of all the submissions because it's i've not thought about it in ages but it was a very satisfying sort of yes when they'd show that graphic yeah it's a bit like when they do a dramatization of the battle of agincourt and like six Frenchies.
38:47Get it all... I was just about to say that, actually.
38:55Now, those are slightly unconventional sounds that people love. But how about bat on ball? Here is the sound of Virat Kohli in the nets from a Cricket Australia video that did the rounds on social media. And this is a beauty.
39:29I mean that that just has me in mind as spaghetti western so I mean all it actually needs is also for the occasional ricochet noise there's some good grunts in there as well yes boy yeah you're Do we just love that because we're boys and it sounds like rifle fire? I'm slightly concerned about the love of that noise. Because I do love that noise, but it does sound a lot like a gun. There was one when Nick asked on Twitter for sounds, the Damien Martin one, which I think sounds even more like a gun going off than that one does. which in it like you do feel a little bit is it okay that that sounds amazing because it sounds amazing i think it's a it's a um it's a way of expressing a sort of primal male urge but in a safe way you know because if you if you do find the actual noise of a gunshot going off pleasurable then you there are some questions to be asked about you i think well this is all wars war minus the shooting yeah there you go yeah yeah it is if it's this noise in a sporting context then you're fine i should have known that england's ashes were doomed really because we we spent quite a lot of time obviously watching them in the nets and there was a real lack of i sort of thought oh you know we're right up close here's some nice cracks off the bat but it was all i don't know i i at the time i thought oh maybe they just sound better on tv or kind of you know i dismissed it but really i I think that was where it was all going wrong.
40:59There wasn't that crack off the bat. Let us finish on gunshots with possibly the apotheosis of the gunshot crack. This is from Alan Perry. The amazing echoey gunshot sound of Nathan Astle's bat as he mowed his way to 222 against England in Christchurch in 2002. With a more orthodox feel. And so Astle's just going to advance and just nail anything. Six more. 83 84
41:39that's another six massive blow slower ball from Flintoff and crunched over long arm by this completely extraordinary performer yeah now that's that's pretty quintessential isn't it i don't know whether it's like new zealand that does that everyone talks about the light in new zealand i don't know maybe the the audio dynamics are different there as well it's a combination of quite a concrete venue and from memory it wasn't there weren't that many people in the ground so the the echo will really kind of you really kind of go around if you have kind of those conditions it's definitely given a little bit extra with with the mark nicholas on top as well i think yeah it's very brave of him to stay in the commentary box when that ball was coming at him yeah i was wondering where how what the specifics of the into the con box were was it a kind of economy literally into the there was no satisfying kind of breaking glass breaking nicholas might have exaggerated something for effect you know i want i want if it's into the con box i want to hear breaking glass i've been in a comm box when there was when there was there was a breakage it was at wormsley for women's test match it was smashed and we were only risen a little bit above like ground level in this kind of pagoda thing and it was smashed and it hit um mel farrell's cup of coffee with and broke it which is yeah that was an absolute beauty but not quite as good as my favorite one for that which is joss butler smashing one into the point yeah i told you this before hit someone's wine glass Hit someone's wine glass.
43:18I wish we could get the noise of that, but I fear that that is beyond our orbit. So, look, we've had bat on ball. How about the sound of ball on ball? Sebastian Cooper has said, I don't know what the best sound in cricket is, but I do know the worst. Liam Livingston getting hit square in the nuts. Not the first time, the second. Slip and play. Oh! Oh! Oh! And that wasn't because he missed the ball. If you're not laughing, you cry. Everyone on the whole ground and in the crowd finds this funny, except for you. Watch the eyes here. You almost went cross-eyed.
44:09I've got to gather myself here. So does he. oh no
44:21oh no he might not get up from this yeah that is an absolute beauty but before we before we go back and analyse that I just want to do another throwback as we discussed in one of our earlier shows it isn't just the boys here's a snippet of the all over bar the cricket podcast featuring Alyssa Healy I don't want to go down Blue Town but I'm just quoting and she wouldn't mind me quoting, Elisa Healy copped one in a similar area and she's given the, oh, right in the veg. Oh, right in the veg. Yeah, so Elisa Healy there giving us her, there's a very strict anatomical description of what's happened there.
45:04I'm not going to repeat what I said in, I think it was episode two, because my wife told me off for it really badly. But, you know, Elisa Healy's done the hard work for me. Ben Stokes did something similar didn't he didn't he say been hit right in the cock. Oh me dick. I love it when oh me dick. This is what I love I love it when they give you an actual commentary of what it is that you can very plainly see. Just in case there was any doubt that was my genitals yeah I think an underrated part of it as well is the crowd noise progression because you get the kind of initial ooh but that's kind of the crowd's not quite sure of it hit them in the stomach which obviously is still painful but then you know it's it's in that area and then you see the replay on the big screen and there's the big kind of oh and then they show subsequent replays and that there is a sort of echo dying down each one gets slightly less attention yeah i mean it's it's a beauty we sort of covered the absurdity of the commentary on it but I don't think you can beat that that noise of flabbergasting pain that is also entirely identifiable with so look we've had ball on ball now but the last one for these surely is ball on wicket Dave T specifically said don't send in Jones Bowling Michael Clarke but a couple of you did anyway it is lovely to be fair and you've heard it at the start of our credit sequence of course.
46:31So here's a different example of the genre. And on a podcast about rich, velvety sounds, it's time for a bit of Elgar.
46:49Oh,
46:52that is a ripper. Cartwheeling stumps for England's number one. make that number six the dean elgort
47:07i mean that is an absolutely beautiful noise dan i think jim wallace wrote about a piece on the the back of that did he not which is all about delicious sounds yeah yeah credit credit to jimbo i mean that the ball on wickets and i think we've spoken about this in a previous pod where the modern wickets don't quite have the same echoey hollowness. They may be a bit too light. There's not enough wood in the wicket. So, yeah, Anderson Bowling, Elga might be the last of, you know, this might be the last we ever hear of it. But, yeah, there's nothing like it. I mean, obviously, unless you're the one batting.
47:44But what a sound. Which we prefer, ultimately. I mean, the problem with the Simon Jones one is it also comes freighted with mark nicholas's commentary i think that rather i think that rather adds to it yeah him that there's him talking about working the oracle which was an expression that i wasn't aware of and i don't think i've ever heard anyone ever i mean it is a real expression but i don't think i've ever heard anyone ever use it ever again so i you can kind of imagine or allow yourself to imagine that it's just sort of specifically crafted for that one moment and that's its only use is that ball and i suppose the circumstances as well 2005 ashes i mean you know uh she and arnott has said and i like this one because this is this takes us into a different realm because we're always looking at top level professional cricket she and says the pregnant pause between a catch going up and being taken or dropped especially in club cricket We found an example on the web.
48:45It's Ashmanhor, if that's how you pronounce it. It's probably Ashmanhor, and Barton Wanderers Cricket Club against Old Ipswichians.
49:05Now, that is the noise of not expectation, but real genuine hope mixed with surprise isn't it and that's the noise that we get most of the time when we're playing cricket it's it's hope mixed with the kind of like fear that the the um that they're gonna not not just bollocks it up for the team but embarrass themselves i think there's a pleading yeah yeah catch yeah please they're also always made better i feel by the fact that that it's kind of usually a static camera so you can't you can rarely actually see where the ball has gone or who how high it's gone or who's underneath it so you too are kind of the expectation is is heightened by the fact you can't actually see what's going on and it's usually a slightly rotund man waddling backwards and not in the right position who somehow catches it behind his head and then falls over but clings on which is why that's my favorite well that silence if you're the one under it is is generally one of the most terrifying things you can ever experience you're just it's you almost would wish that people kept shouting catch it which is obviously you know one of the most obvious things to shout catch it catch it catch it but as soon as it goes quiet you think oh my god it's me it's i'm i'm the guy oh my god what am i gonna do and yeah if you hold onto it it's a joy but for that half a second you just want the earth to swallow you would you prefer it if i shouted all the best dan make peace with your god literally i would prefer it if you just swore at me in a you know and just like said the most insulting things to me then dead silence that dead silence which i've literally got shivers now just thinking about it that's so south african of you now the purists might not like this but t20 cricket has added some nice variations to all How about the rollercoaster ride of this boundary straddling effort from Benny Loughlin?
50:57He's going to take this a little bit more circumspect than what he would if he had a couple left. Nope, or not. It's a high ball. Man deep on the rope. It's not an easy catch. Oh, he does everything he can from. The best catch you'll ever see. Benny Loughlin takes it, throws it back 30 metres, and the catch is taken. that is an absolute special that is unbelievable I mean it's an absolute special so we're absolutely delighted for a little bit of absolutism as we come to the end of our run but what I love about those ones the boundary catches are the commentator anybody who's ever done it is guilty of it because you're going up when you think that it's going to be a spectacular catch anyway but then you've got to go down and then up and beyond so you're not going
51:51entirely lose. All notion of register. Your commentary becomes nothing more than a series of noises, which you hope somehow imparts the final moment, which is the catch. Dogs gathering for some reason. It's an absolute beauty. It's also completely inexplicable. No one who's listening knows what's going on. They just hear commentators bellowing. This was my favourite sound in all of cricket. This is cricket's own Wilhelm Scream, as suggested by Hugh Bainon. Batting in the subcontinent can be a draining business. This is New Zealand's Mark Richardson succumbing to the effects of dehydration in Mahali in 2003.
52:35This is probably one of the most funny things you'll ever see in Test cricket history. Look at BBS Latchman in the background. He can't control himself. People are laughing all around because he smashed that 70 yards and hasn't been able to move an inch Well, he's looks in trouble Haven't seen something like this This is hilarious He won't think it's hilarious The sound, I've got to say, I mean, cramp is not funny. At least these guys are laughing with us It is absolutely hilarious seeing someone with that much pain. Now let's play the number one for me. It's well known. It's David Gower's foot.
53:23And let's decide which of the two is the preferred scream.
53:29Well, so far, so good then for England. Ah! Excuse me there. That was someone putting a chair on my foot. I'll give you a clue. That was Nasser Hussain. Well, then now I'm coming, Michael. Now, for me, the reason why, I mean, I think the scream of R. Richardson is actually technically better. But the fact that Gower's interrupts a piece of fluid commentary kind of does it for me. I don't know where the, what's the panel think? It's the speed with which Gower regains his composure and explains what's just happened. It's like... and he's back in the room a very gowr apology for you know for someone putting a chair on his foot I simply adore it I had the same thing happen to me at Trembridge because they've got a really annoying little lip that goes from underneath the desk and every time you wheel your chair in it smashes your knee against it and there's an involuntary which you then have to suck up and hope that you can regain your composure before the ball is bowled right those are favorite noises we've got we've given you loads to choose from if you let us come back who knows how many more extraordinary noises we can find in the entire canon of ridiculous noises related to noises in cricket can i just i feel like i'm an expert on being able to tell what the crowd noise means when you're behind the stands or not in view of the pitch and then kind of I feel like if I was on if I was sort of avenging Monte Panesar on some Australian mastermind my specialist subject would be name the name that you're like oh yeah that's a that's a you know a high catch that's been put down or that's I mean there's there's been an expert level added to it by the fact that if England are playing India there's quite a there's quite a sort of strong Indian support in the crowd so you have to gauge whether, was that a four or was that a wicket for India?
55:37I don't know but that I feel like I could. You should go on UBET that's what you do put you on UBET there'll be 15 different sounds, one of which will be an overturned DRS
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57:07We couldn't finish this run without a quick update on your shadow batting antics, but it's not just batting. Roy Mundy says, listening to all the brave folks shadow batting, I can't surely be the only one who shadows a whole delivery. Starting from the last two or three paces in the approach to the crease, the delivery, being beaten outside the off stump or the leave, following to the take by the keeper, ending with passing the ball through the offside field, back to the bowler via the designated ball polisher. The ball polisher? is shadow polishing a ball that that is insane does he make the noise
57:49is he shadow throwing it and shadow catching it is he shadow putting spit on it yeah shadow popping a little bit of sandpaper down his trousers yeah shadow ball tempering i mean is so the assumption from that is he's performing all of those roles like alec guinness in that film where he played 12 characters. Or he's not just the batter kind of standing there watching all of this happening. I'm not sure what's more insane. I think he's just standing there imagining other participants. Is he shadowing the guy's fine leg? He's shadow adjusting his gloves, the straps on his pads. If we've learned anything from this, in answer to his question, he says, I can't surely be the only one.
58:31If it's about anything to do with shadow batting, you're not the only one. I love that. That's my favourite. I think it's actually the right way to do shadow batting, though, because really, you should be trying to replicate conditions out in the middle, shouldn't you? Build a shadow innings. Build a shadow innings, exactly. So you've got to take your time, because the bowlers don't come at you every 10 or 15 seconds, otherwise the overrates would be through the roof, wouldn't they? So, you know, you're going to have to get yourself in the right frame of mind. Is he shadowing at the non-striker's end with his shadow gloves off, leaning on his shadow bat, walking in, and then, no, okay, going back.
59:01Does he shadow punch? Shadow punch. Shadow backing up. Shadow backing up. Do you think you get Shadow Mancadded? A huge Shadow controversy here. There's a discussion on the field and then you get Shadow called back by the opposition captain. Shadow Twitter's gone off. Oh, I would love that. If you sort of replicated the Ian Bell dismissal when he gets called back from the run-out. I mean, this is a one-man play, basically. I would go and watch a Shadow one-man play of five overs of cricket. Quite short, but yeah, someone must have done that in Edinburgh. I mean, there's kind of more pointless stupid shit that's happened there.
59:45Hey, if not, we're the ones to do it. I think so, yeah. We've got more to go through. Ganesh says, shadow batting in the kitchen. Three quarters of the way through the imaginary bowl has run up. Pulled out of my stance. Asked for an imaginary spectator to get out of the way of the imaginary side screen. Anyone else? Shadow asked for a distraction behind the boulder's arms removed i haven't yeah how would you do it though it's because so like if you've had to do it more than three times in your shadow innings do you start to get really tetchy and do you put your arms to either side like come on um come on because the first time it's just sorry and then you make a gesture with the left arm don't you but then like if this shadow shadow spectator keeps on moving around there you know you've got to ask for him to be removed haven't you you've got to get the the shadow security team in and just take him away if it was our first correspondent he would also be the shadow man in the stands who kept getting in the way it's alec innit so far no one suggested a shadow streaker but that is obviously that's gonna come at some point um dave bushel says i was in the hospital for a few days over christmas as my wife gave birth to our twins oh congratulations dave and whilst travailing the long empty corridors i was struck with an urge to practice my full speed 30 yard run-up bowling action am i the only one who can't resist when presented with such an opportunity now i'm not a bowler i mean i do occasionally shadow off spin um with the occasional deuce for a thrown in but then i get called for chucking shadow dowel hair standing behind you but bowlers amongst us do you do you ever do the proper like proper running oh yeah yeah yeah i was i i i was visiting a hospital in the summer that had one of those very very long corridors on a sunday when there were a few people around or i almost did this but then someone just came around the corner and i couldn't quite face the shame um but yeah the the urge is there the urge is there every time it's a little embarrassing isn't it like you don't want to be caught imagine if you'd done it and that other person had shadow batted back yeah what a moment that would have been like the episode of spaced where they have the uh they could pretend gun yes everyone just everyone just is sort of attuned on the same same shadow frequency yeah superb i think that actually might be a situation where it's acceptable to shadow nick off yeah if you're facing if you're i could get on what if you're facing a shadow bowler like a real person then then that's a kind of noble oh yeah you got me yeah that's kind of there's dignity in that brilliant not insanity no no i wouldn't walk there'd be a huge appeal i guess i've got nowhere near it mate nowhere near it shadow cheat i mean my question my question to the shadow bowlers is do you bowl a full over and you know because because if you're only bowling one ball presumably take a wicket every time if you're only bowling one ball but if you're bowling like an over are you doing a setup oh oh are you are you dragging the the the batter further and further away and then duck one back into the pads and then do like the shadow definitely i i for the life of me i can't bowl an away swinger my my natural in real life i only ball in swingers but in the shadow realm i go in in in in and that away swinger is just a gem so yeah i i do the shadow setup definitely there's something satisfying about that for me do that the that shadow shane warnover where he set alex stew up with a couple of long hops and then did with the flipper.
1:03:12Gorgeous. Perfect. Okay. Jerry O says, sorry to keep the brilliant highlight of the pod. Shadow cricket chat going. Don't apologise. We've loved it. I can't be the only one. Here we go. Who's shadow umpired, surely. Obviously, certainly lots of force, but I've had to correct my not out decision on a tight LBW a few times. Oh, my God. So, hang on. It's the shadow nicking off. So, Jerry's basically given it, right? and then the shadow batter at the other end has made the t sign who's not there and then he's had to then turn around go upstairs and then overturn his decision by the sounds of it i mean that is staggering shadow bad umpiring you're on screen now i'm gonna have to get you to shadow reverse your decision yeah okay well i mean i think that might be the maddest of all the shadow of all the shadowings that there have been I think we've ended on a very very high note there, a man who overtones his own decisions got it wrong sorry it's the fragility of man isn't it yeah I suppose it is well I think that's it lads it's the end of a wonderful six episode run I've loved every minute of it, it's been absolute joy having you alongside us can we do it again do you think?
1:04:34let's yes please let's do it many more times tell all your friends listen to it loads I mean we could always do a shadow podcast if worse comes to worse oh my god am I just simply going to be wandering around the streets of London going hello welcome to Cricket Clichés Dave Tick and Nick Miller Dan Gallen Charlie Reynolds shadow technical problem we'll have to start the recording again yeah because I mean we've barely scratched the surface of so many of the things that there are in cricket. I mean, we've had some holing out today. Thoroughly enjoyed that. But there are so many other ways to get caught.
1:05:10We've had some bucket hands over the weeks. We've had plenty of shadows. And we've had an enormous amount of fun. It's been great. Thank you to the listener. Thanks to the football crew for letting us loose. Especially to Adam and to Dave. And most especially to our absolutely strung out looking producer Oliver Bellwood. He's just like run his hands over his forehead there. He's looking absolutely exhausted. Because what the listeners probably don't realise is that he has to cover up a multitude of technical complaints. We are basically the TNT of podcasts here.
1:05:44Where I say things long before I'm supposed to.
1:05:50But it has been a joy. Thank you to Tickers, to Nick Miller, to Dan Gallen and to Charlie Reynolds. We hope to be back at some point. Don't forget there's a T20 World Cup coming up. and there's an entire cricket season about to unfold from the beginning of April where we'll be able to get our teeth into loads of county commentators if we really wanted. There's a rich, rich seam to mine in there. But that is for the future. For now, from us all, thank you. And we hope, just for now, goodbye.
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From the publisher
It’s the final outing of the winter for Cricket Cliches, the first branch line of the Cliches network, and there’s an end of term feeling as the full team assembles to see us home.
We’ve got egregious commentary and a hierarchy of acceptable ways to get out before we get all ASMR and dig into some of your favourite sounds from cricket.
And, of course… of course, there’s another dip into the murky, and surprisingly expansive, world of shadow cricket. It’s very much not just batting.
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