In short
Podcast Summary: Front and Center - "DESIGN IS A LOT LIKE MAGIC: WITH GANDER"
Podcast Overview
- Title: Front and Center
- Description: Hosted by award-winning graphic designer Alex Center and co-host Kevin Batory, the podcast covers topics related to branding, design, pop culture, and more. New episodes are released every Wednesday.
Episode Details
- Episode Title: DESIGN IS A LOT LIKE MAGIC: WITH GANDER
- Guests: Katie Levy and Mike McVicar, co-founders of Gander, a Brooklyn-based design studio.
- Episode Description: The duo discusses their experiences creating impactful brands for consumer packaged goods (CPG) and advocate for a four-day work week, the importance of collaboration in the design industry, and showcase an impromptu magic trick.
Key Topics Discussed Gander and Their Work
- Gander is known for creating compelling designs for brands like Graza, Yellow Bird, and Magic Spoon.
- Katie and Mike emphasize the importance of thoughtful design that resonates with consumers on a deeper level.
- They discuss their significant projects and the influence of their work on contemporary branding trends.
The Impact of Design
- The hosts and guests reflect on how the design landscape has changed, especially for food brands.
- They highlight the shift towards innovative packaging and branding strategies that resonate with modern consumers and differentiate products on shelves.
- The conversation touches on "chaos packaging," where products are packaged in unconventional ways to change consumer perceptions.
The Four-Day Work Week
- Katie and Mike share their experiences implementing a four-day work week, which originated during the pandemic.
- The model aims to improve mental health and productivity, allowing employees to recharge while maintaining high-quality output.
- They discuss how this model has positively influenced their studio's culture and workflow.
The Challenges of Running a Design Studio
- The guests remark on the complexities of managing client relationships and maintaining creativity in a competitive industry.
- They stress the importance of working on brands they believe in, which fuels their passion and creativity.
- The discussion includes the difficulty of creating case studies and the pressures of client expectations.
Personal Insights and Humor
- The episode is punctuated with humor, including an entertaining magic trick performed by Mike.
- The conversation flows naturally, with anecdotes about their college days, personal lives, and shared experiences in the design industry.
Takeaways
- Collaborative Spirit: The importance of collaboration and community among design studios.
- Work-Life Balance: The benefits of a shorter work week on creativity and employee well-being.
- Branding Evolution: The evolving landscape of branding in the CPG space, particularly how innovative design can capture consumer attention.
- Passion Projects: The value of pursuing projects that align with personal values and interests.
- Humor and Connection: The role of humor and personal connection in creative partnerships and professional environments.
Conclusion This episode of Front and Center offers an engaging look into the world of branding and design through the lens of Gander's founders. Their insights on creativity, work culture, and the evolving nature of branding make for a thought-provoking conversation, while their playful dynamic keeps the tone light and entertaining.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Transcript
Automatic transcript. May contain errors.0:28Should we just get into the show, Kevin? conference nice gotta get your the usage out of that we came out to what did we come out to at the brand new conference uh riding my my pony by genuine that's hot we couldn't i don't know they didn't like stop us from like royalty we didn't show up and genuine didn't give a fuck about brand new conference 2018 coming out to music is a is a dangerous game because it feels really cool in your head like before you're doing it oh yeah i'm gonna come out it's gonna be like this moment and then like it's never really like that we were speaking at the brand new conference and the person that spoke before us was really fantastic um kind of a graphic design historian and he was had a very very serious talk about uh like nazism and symbols in design no i mean And then we were following that and it was like, you know, okay.
1:29And up now we're Mike McVicker and they were like, wow. You're like the most inappropriate. Like, whoa, here we go. Let's talk about fonts. That's a vibe shift. It was. It felt like offensive to everyone, I think. You're horny. Let's do it. Right here. My pony. Who likes fonts, baby? Oh, dear.
2:03One of Fast Company's most innovative companies in design. That's right. Boom, boom, boom. Boom, boom, boom. Number six. That's right. I don't know if it's in any order. Yeah. We were right above or below Adobe, and I was like, holy shit. You're like, is this an order of significance? And then we were either, I think right above John, what's his name from Apple's design studio, Frog Design. Oh, Ive, yeah. Yeah, yeah. Johnny Ive's studio. I was like, I don't know if we're that innovative. But okay, I'll take it. That's huge. I mean, those lists typically don't even have like creative shops, a ton of them, right?
2:40It's mostly brands or is this a different list? Well, this is fast companies, most innovative companies. And I love that they like subdivide it like 27 times. times it's like food food beverages that's right yeah yeah yeah food agencies right yeah yeah right in brooklyn we are the most innovative in actually ditmus park specifically um but so we are in design in general which is fast company has a great little design section on their their blog i dig fast companies design centric content uh and so you know it's respectable i think but they do choose a lot of brands. I think in our set, there's like brands, there's studios, there's a whole - It's a huge honor.
3:25Yeah, yeah. Huge honor. Congratulations. I was blown away. This year? This year. Amazing. Yeah, yeah. I mean, and well-deserved. You know why, Kevin? Because Katie and Mike are the creative duo behind Gander, a design shop in Brooklyn that creates thoughtful experiences for humans and propel brands with soul and substance. If you've been outside, you've seen their fucking work. Gander's work is everywhere. They are the creative force behind the iconic green squeeze bottle of Graza olive oil, the orange Bonsa pasta boxes, and Magic Spoon's nostalgic yet modern cereal branding, and so, so, so many more.
3:58Their work continues to capture the zeitgeist, earning them the spot on fast companies, most innovative companies in design. Welcome to the program, Katie and Mike from Gander. Thank you so much for having us. It's been a, yeah, I'm so glad we can make it and you're having us. It's cool. It's great. It's Friday. it's kind of like gray and overcast. Kevin doesn't like when I talk about the weather or the time, because who knows when this show will come out. But you guys are so prolific, and so, you know, we're such big fans of everything you do. Aw, same. And you do these projects where you're just like, you know, my only real reaction is jealousy, and that's like the highest form of love.
4:35Oh, wow. I feel that. I appreciate that. We feel that about you, so we can talk about it if you want. Graza, really, was, is still the brand, right? It's like, you can't go anywhere without seeing Garaza. Nope. Did you feel that way when you were doing it? Like, did it feel like you guys were building the brand that would be in every shoppy shop across America forever? No, I don't. I mean, we, I don't even know. Yeah, you never know. I mean, I think we naively just do put our heads down and do what we hope is right. And I think that's what following the process, following what we know leads to a good outcome has consistently led to good results.
5:20Not taking shortcuts, following your gut, those types of things. Shooting for the stars, I feel like I'm saying a lot of like, go big or go home. Yeah, what is it? A lagwire commercial? That's right, yeah. Don't conform, be unique, copy nothing, break the mold. just do it we've always said that yeah yeah yeah impossible is nothing yeah yeah uh was the bottle always a squeeze bottle yeah yeah well that was always the idea they came to us with just like we want to put olive oil in a squeeze bottle you take it from here wow brilliant was it always opaque or was it was nothing it was it was an idea just yeah We worked with them both on the structural design and the color and the shape.
6:07And that was after we had the brand identity kind of set in stone a little bit. And they were working with the manufacturers about what was possible. I mean, from the very beginning, we were like, do you want to do a squeeze bottle? I think we were almost like skeptical. Oh, yeah, because it was too different or too. It was plastic. And we were like, no one's going to buy plastic bottles of olive oil. Are you crazy? Everyone's going to like hate you for this. it has to be sustainable like we gotta think of something better and they're like we promise we'll get somewhere sustainable in like a year or two but like we have to do the squeeze bottle thing and they were right and we were like okay if you say so but like no one's gonna buy this all my homies hate plastic what do you mean yeah everyone loves it it doesn't matter it's far from single use plastic yeah it is a lot of times you know people might use a month or two or more and then now they luckily have refills in the cans that's right which was so clutch and we were like rooting for that from the very beginning and they were like we're gonna do refillables and cans we're gonna do it right and then they did them in like fucking nitro sealed beer cans which is like never been done and it's like was like the best you could possibly do like seal them and no light no air it's great chaos packaging is the term yeah I wanna chug that we didn't create that term they were just on TV recently The headline was like, they're using chaos packaging.
7:29Can we talk more? I don't actually know about this. I don't know what this is. Yeah, WTF. It is a trend where products are put into packages that come from other categories, essentially. Yeah. And so you put olive oil in an oil jug. Right. Or you, I don't think squeeze bottle is chaos packaging, but maybe it's sort of set the tone for it, which is like, it's really not that chaotic, but it is sort of a thing. Like there's like a soap that's, you know, sort of in this, or there's like a beauty brand that's in like a soap canister that they always use. So it's like essentially just using forms from other industries to change people's perception of a category.
8:11Okay. It's like putting cereal. Kind of sounds more like innovation rather than chaos, but whatever. It's a nice little branded term. Right. I like it. What's the line between innovation and chaos? That's true. Big question. as hell. Wow. Wow. We don't even know where to go from there, Kevin. So Mike, you're a magician? Let's get into it. Show us some tricks. I already asked him if he would. Oh, really? Is this close magic? What type of magic? I did a lot of magic in high school, not Magic the Gathering. That would have been, I think, cooler now. that's a wild statement yeah um but i did uh i did like magic in high school and uh it was very nerdy and then i kind of considered a little bit in in in college and so it's it's like amateur hand close-up magic and that kind of like card magic and other sleight of hand pressed you want me to find a deck of cards we have some absolutely yeah i mean it's a good party trick uh you know when do you break out the magic?
9:20Kevin's actually gonna go get you. Okay. He never does. It's only upon my request. No, I was gonna say, Katie, is there a sort of a - I'm like his biggest hype woman and he's always like, he's like, stop telling people about the magic. I'm like, if you didn't want people to know about your magic, you just never should have gotten into it in the first place. That's who you get for being a magician. Yeah. I, for his birthday one year, took him to the oldest magic shop in the world. It's in Manhattan called - That's great. What is it called? I don't remember the name of it. Magic. empire but like really cool magicians work there like people who are just like they're not at the mckittrick low-key that day so they're working at the magic shop but it is the coolest place that's sick uh it's cool to have a hobby i don't know what's that like yeah i mean it's it's very highly neglected and that's probably why i don't do it so very much is because i don't practice enough like when i a real magician comes around doing dope stuff i'm like uh couldn't find a a deck of cards, Kev?
10:17It's all right. No, I thought the beer ones were... Yeah, I was going to say. Best I got is a coin. Oh, okay. That's pretty good. Okay. People love magic tricks on podcasts. That's right. Yeah, yeah. Yeah, like everyone close your eyes. And listen to the sound of a coin shuffling between his fingers. Focus on that coin. That cone. Where the fuck did it go? That's right. Yeah, hold on. Shit. Whoa. Yeah, Kevin, check your front pocket. Oh my God, it's in there. Yeah, is the date on that coin 1980? 87. Oh my God. Yes, that's right. Yeah. Podcast magic is the best kind, it turns out. That's right.
10:51It's all in your brain. Do you enjoy watching magic? Is that another thing? Oh yeah, I love it. Penn & Teller? Penn & Teller's Fool Us. Okay. Love it. Yeah. Okay, if you're looking for a YouTube rabbit hole, which I know everyone is. Absolutely. Yeah, yeah. Look for Penn & Teller's Fool Us. It's a TV show. I don't know if it's on like TBS or something like that. It's a show hosted by Penn & Teller. they bring on dope magicians who do original tricks and they're trying to fool Penn and Teller. And if you fool Penn and Teller, I think you get a night at their, a show at their Vegas residency or something like that, or that used to be their prize or whatever.
11:27And you get like a trophy and they've had some amazing magicians on there. One of them is my favorite is Ozzy Wind. And I'm mind-blowing magic show. All right. Makes for a great studio outing. Really? A holiday party. A holiday party. We've done the McKittrick Hotel with our team and we've done this magic show with our team. McKittrick is fun. It's really fun. Yeah, that's a fun thing to do with a group of people. Yeah, their magic show is really fun. That's awesome. How many people are on the Gander team? Changes every day. Changes every day. You just fire and hire people? It's chaos businessing.
12:06Chaos business. Putting people into new roles. Yeah, constantly. that they don't have any experience. That's right. Chaos rolls. No, in Hong Kong, we have 14.
12:23Yeah, London, we have 27. In New York, we have two. No, Orlando, we have a team of 700. Oh, wow. It's kind of wild. Yeah, we're only in New York and we have a team of eight right now. I'm stealing that. Next time someone says how big is 100, you're like, well, our Shanghai office? Yeah, that's right. 45. 45, yeah. You guys are both from Florida? That's right. Oh, wow. What was that like? Oh, yeah, yeah, yeah. Give us the whole Florida rundown. By the way, can I just say that the Aussie Wind show, oh, it's in London right now, so next time you go to London, go check it out. We're just there. I'm going tonight.
13:01Okay, yeah, go tonight. Hop on a plane. Wow. Why not? Florida. Yeah, I mean, it was, I know it's a weird place. Speaking of magic. Yeah, yeah, yeah. Magical place. i grew up mostly in gainesville florida which is a pretty cool liberal ish place it's like the blue dot and the red sea kind of thing yep uh where the university of florida is and so for me like growing up there was pretty dope like especially once you get to like teen years you're kind of like sneaking into like punk rock shows borrowing your friends like older sister's id to like go see like a cool show against me at Common Ground.
13:35Hot water music. Did you guys grow up together or when did you guys? We're a brother and sister. Wow. Damn Kevin that's not in my notes at all. You also have a 12 month old kid. It's Florida rules. I'm just kidding. No we didn't grow up together. It's not weird at all. Fuck yes. I had to do it. We did not. We did not. We went to college together. Competing high school. Competing high schools in Gainesville. Okay. But we did not know each other in high school. We didn't know each other for the first two years of college. And then we got into the graphic design program at the University of Florida.
14:20Prestigious program. It's like a classic studio. Gators, the chomp. We chomped the fuck out of it. Tim Tebow was there. Oh, fuck yeah. Yeah. Not having sex with anybody. That's right. Yeah. But running all over the field. Exactly. That's right. A lot of sexual frustration getting taken out on the field. Yeah, we were there together and we did not date. We did a studio program together, staying up late nights, 4 a.m., working on packaging and type and branding and a lot of really cutting our teeth on what it means to conceptualize and bring to life branding and all sorts of things. And then both moved to New York, and that's where our real life began.
15:09And you guys both worked at agencies and then came back together. This is a really beautiful story. You guys are interested in selling this script for a rom-com, you know, Netflix? Yeah, why not? Yeah, it's beautiful. It is a beautiful story. You guys have a 12-month-old son, daughter? Daughter. Daughter. and a website that you guys also have been working on for three years. That's right. You said a new Gander brand and new Gander website. Is it out yet? No, it's not. It was supposed to be. I know it's such a lockdown. Shocking, right? Imagine that. When will it be out? When will this episode be out?
15:49Who knows? This is like a little... We're banking some stuff. I think it will, fingers Cross be out within the next week or two. Okay. We'll be later than that. Okay. Yeah. So go check it out. Yeah. It's dope. Isn't it so amazing that the brand I'm looking at right now? Oh my God. Yeah. I can send it to you. We can send a link to the staging site. I'd love to see it. Yeah. I love a staging link. Yeah. Well, I'm very excited for you guys. Have you also struggled? I imagine this is a universal struggle, a design studio designing their own brand and website. Or are we just particularly ironic? Oh God.
16:24Kevin will tell you, we are redoing our website. Can we just have your old one? Well, I just killed the new website. Oh. Just killed it because I don't like it. Okay. Wow. We've done that so many times. We can just trade. Was it fully done in dev? Yeah, yeah, yeah. No, I didn't fully kill it. I'm combining it with our current website, which is basically I'm just like, I have love for our current site and there's lots of flaws. So I'm like, oh, we'll take some of the good pieces of the new site and some of the core elements of our current site and we'll have a refresh instead of a new site is the thinking as of this recording.
16:57But yes, I definitely feel that also terrible feeling of indecision, but also just like, it's your own brand. And so it just like, I can make decisions all day long and go with my gut and instincts for other people's brands. When it comes to center. I just I just it's not the same. Same for you guys. Yeah, exactly. It's the same thing. And I think the best move that you have advice for anyone is to just like not overthink it and just fucking go for it. so much easier yeah i knew it's so much easier like good luck yeah we don't even follow that advice you just gave i know exactly but i wish we had i i just sent it to you all it looks so good you have a new logo yeah yeah yeah wow it's so fun and funky oh thank you i love it can you turn your screen what if it was bad and you were like you had to say yeah no i'm i mean i haven't really looked at the whole thing but um oh hell yeah it's fucking sick i love a big ass logo yeah yeah And it squeezes too.
17:55It squishes. That G is mad funky. When you scroll up. Oh, it stacks. Yeah. Guys, see, I told you this, mate. You're jealous. Jealousy. It's the highest form of compliment. I'm like, look at this beautiful site. And I will say your website that you guys currently have, I think, don't take this the wrong way. I feel like it's deserving of this level of love. Oh, my God. It's been like five years. Oh, yeah. It's beyond. I think we've lost many projects because of that website. like these guys want to charge us money for something i don't think so can we just have you seen that website you made yourselves like that looks pretty shitty that is the whole point like we want people to pay us money so like we gotta look like we cost more yeah i don't think so honey you guys want money uh yeah this site looks really good and uh i you guys have some things on your new website that we have on our website nice uh which we're bringing in but it's like i just yeah it's so hard right when you're like i care so deeply i'm so proud of all the work that we do and the place that we built and and and putting that all onto a url yeah and i don't want to like even like case studies are the bane of my fucking existence case studies designers out there who just want to design case studies please come knocking on our door please come please right now i mean we just did two back to back and i i just i can't even hear the word case study.
19:13Yeah. Why are they so hard? If you have great assets to work with, they can flow like, you know, flow like wine. But... That's true. It's always the cobbling together. Like the client that didn't want to do a photo shoot so you're just working with like a million horrible digital assets and things that never got created. And then you're like, make this look great. Comps and renders. Yeah. And then I guess we're doing our own photo shoot. Yeah, yeah. I won't name names, but yes, we just... We all go through this. Yeah. It's like, it is, it is, it's nice to hear it because you're right. Like it is the bane of LL Studios existence and everyone, you know, people care as much about the case studies as the work.
19:49And sometimes those work streams, they're not the same. It's like different teams or different times. And, uh, do you guys know Brent from moniker, the, uh, San Francisco Bay studio? He once said this to me, he's like, what if we all just agree to just like chill out with the case. Yeah. I was like, I like this. Yeah. Can we all agree to, to image limit? and no fucking cheating the system no collaging images together I was thinking three to five two is low let's limit it though let's scale it back I also think we should all charge the same amount for work are you with me? yeah yeah let's charge a lot though it's called price fixing I think it's brilliant because I'm tired of people shopping around if we're all the same then it's just pick who you like Oh, wow.
20:40This is bold. This is bold. I think if we all agree to it, there's nothing they can do. They, meaning all the clients. Yeah, all the clients. They'll have to pick based on how much they like us as people. That's right. Good old-fashioned American market fixing. That's right. Yeah, that's right. Is there something wrong with this? Yeah, this is great. I like this a lot. Bribery on the side or something like that. Yeah. No big deal. I mean, everyone else is doing it. Yeah. Yeah. Why shouldn't we? We could strike until they bend to our will. Absolutely. Yeah. I read a story today of the potato industry is doing it right now for frozen french fries and other things.
21:13Price fixing? Yeah. Fuck yeah. Apparently. Center. You've heard it here. Yeah. Digital handshake. We're now the same. Don't bother asking us both for anything. We're going to be a frozen french fry conglomerate of the design industry. Yeah, we're going to do package goods. That's right. So we can set this market. I like the way we're thinking. That's right. This is big brain thinking. Kevin turn off these microphones I'll edit that out but yeah I guess so when does when do you guys come back together and you form a union in life and then we're like let's make a business it was kind of more like let's just do some freelance work yeah yeah that's typically how it goes yeah that was in 2015 15.
22:03Yeah, we're coming up on our 10-year anniversary. March of 2025 will be our 10-year anniversary. Wow. Congrats. Do you guys still feel like you're just getting started, or do you kind of feel like 10 is maybe - I feel tired like I've been doing it for 100 years. I think we're just wrapping up. But I feel - That's great. I'm just about done. We're ready to shut this thing down. This was fun. Had enough. Yeah, yeah, yeah. You've got, you know, there's enough sauces. Yeah, yeah, yeah. Yeah, exactly. You get the idea. but we, you get the point, you get the point. Yeah, yeah, yeah, a little bit of this, a little bit of that, yeah.
22:39A little oil, a little cereal. Are we good? We're good? Cool. No, honestly, we're tired, but it does feel like we're just getting started, because I just feel like we're still learning so much, and it's probably, we should probably be all talking to each other a lot more. I think we're not great at like learning from each other, and like learning from each other's mistakes, and life experience or whatever. We're just like over here on our own struggling. We've never had any mistakes. Yeah, I figured. So we can't contribute much. Hard to relate? Yeah, I get that. Hard to relate. I don't know, just do it right.
23:17Yeah, yeah, yeah. We try. Don't fuck up. Yeah. Oh, you guys make mistakes? Yeah. That was the first mistake. Could it be us? Do something the client wants the first time and don't. That's a good point. Like, yeah, so that's how we actually start most of our kickoffs is like, so what do you want? We just have them do a sketch and we're just like, perfect. Yeah. You know what's funny? Like on some real shit, if you just let the client like mostly do it and then you just kind of take it and like really make it great, you would probably be like 90%. Projects would go 10 times smooth. Oh, yeah. If we just let them be at our office all the time watching our screens and like pushing our hands around when we work.
24:00Yeah, yeah, yeah. Yeah, that's a good idea too. I do think that like sometimes designers introduce like an unnecessary amount of friction because we don't - Well, we're like creatives and we want to - Yeah, it's like our idea. Right? Yeah, this needs to be ours. Oh yeah. Yeah, get out of here. I was kind of being serious in some ways where I do think - No, of course. You're right. Like you said it much more beautifully, which is like there is a friction that probably is self-imposed sometimes. Yes. The ego, man. It's resistance. Yeah, it's resistance. This is like Buddhism in a nutshell, which is just like don't resist.
24:27Sometimes guys are like - Yeah, do nothing. They have good ideas. you're like oh squeeze bottle you're like that's really cool like let's figure out what the right one is and a cool one and right it's like smart as hell going from being a junior designer like naive intern like when i was an intern i was so like man these bosses they don't these clients suck i like you know clients from hell or whatever that like blog used to be that used to be like clients that suck or whatever it was called like i used to we used to love that when you're a young designer because like oh my god these clients are the shittiest uh and then you get older and you you become the boss and you become the art director and you realize oh the things that they talked about like it was it was more than fonts it was actually the fonts were not the most important thing that was in this you know in this scenario was not the largest consideration uh because i was like an intern like whipping out uh like bottles for captain morgan i was doing like Captain Morgan Black Spice Rum and like Red Stripe and Smirnoff at Landor Associates back in the day.
25:31And I would throw out shit that was crazy that they were never going to do. And you're like, these fucking clients, they don't get the vision. Get it, man. I was designing like - They're all focused on their business. Right. Their customers. For some reason, they want people to buy this. Fucking sellouts. Yeah. It's not funny. And then you become the guy that's running a business and you're like - You're like, I can't sell this. Yeah, that makes sense. They kind of want to make money off of this. That's all point of all this. Do you think that this is actually solving a business problem that this business came to us to solve?
26:03And if not, then maybe we should not suggest this. It does sound a little less romantic when you put it that way. They came to us to solve a business problem, not to create art and culture. That's right. And you're like, oh, man, we're just a service. That's right. Yeah. But you guys are a very successful service. I'll say that. And the brands you work on, we use them. And I think that's the coolest part. It's like these brands are a part of culture, but also great products like Yellow Bird, Amazing Salas. Oh, yeah. We got Yellow Bird. We got Yellow Bird. Yeah, nice. We've been Yellow Birding it up.
26:39And yeah, I was telling you before we started recording, Happy Viking. Shout out to Venus Williams. Yes. I'm a big fan of the berry. I'm a big fan of the – I've been getting my protein up. Yes. Yeah, everyone's getting their protein up. It's hot right now. Yeah, protein maxing. Oh, yeah. Oh, yeah. Hot, hot, hot. Hot, hot, hot. It's so good. I've been eating 12 eggs a day. Yeah, yeah. Yeah, yeah. Protein cramming is like in right now. Yeah. Like, how much protein is in that apple? Because I'm not going to remember. Mike for like two weeks was on a real protein kick. Two weeks? Two weeks. And all he would do all day is like, hey, Siri, how much protein is in a fill in the blank?
27:15Whatever it was that he was about to eat. How much protein is in a slice of avocado? How much protein's in a piece of bread? Hey, Siri, how much protein's in a marshmallow? Asking for a friend. No protein in a marshmallow. I just eat my protein from whatever hot brand is out there in the market, in the design world. So Happy Viking for a while. Now I'm on to David. Yes, that's right. Yes, that's right. Protein bars, that's right. Yeah, whatever comes out in the next couple of months, that's what I'll switch over to. That's really, it's the combination of design and protein. Yeah, that's right.
27:50That's right, yeah. The intersection. Yeah. Yeah, yeah. I mean, at the intersection of protein and branding. I think that's an important intersection. Yeah, it actually is. And I'm half kidding. I actually do like both of these products. Oh, I mean, I appreciate that. We try to, you know, give a shit about the clients we work with. And we try to not work. Yeah, yeah, yeah. This is crazy. But no, we really like to work with people we believe in. And that was one of the reasons that we started Gander was that like, not that I didn't believe in Captain Morgan or Jose Cuervo or Smearoff, but I didn't really give a shit.
28:29Um, and I worked on some great projects at like Red Antler back in the day and there was some cool stuff, but ultimately like, you know, like working with brands that we truly believe in products we loved, um, felt really important to us. We started hyper local, you know, working with like Brooklyn based brands and that was really fun. And that has been, you know, we've kept that pretty true. Like if we wouldn't use the product, we're probably not going to work on the project. You guys really set the tone for this like new world of branding for consumer packaged goods. And, you know, I think there's the world that we live in now, the snack shotification of the pantry aisle.
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29:08It's like, you know, she used the word yassification. but it's really just like making good designed and better looking and more fun brands for everything and shelves and like i remember when i started center and actually like at coke in my later years just seeing like bonza and like some of the very early projects you're doing i was like these are the next wave of brands in the supermarket yeah it was so cool and so it's so cool that you guys are like behind so many of those brands and it's like there's a clear delineation between the past and and and the present that we're now living in but also these businesses like they're still around and they're still thriving and they're they're they're they're just multiplying and expanding i think that's such an important thing to know because i feel like there's this uh thought that like we just create like viral internet brands people clients say that sometimes like like i love your work do you have anything that's like just like a little you know it seems like you create a lot of like really fun like millennial brands i'm just like well Well, Bons has been around for nearly a decade.
30:11They haven't touched their packaging once since we did it. So maybe more than that. And they're also the number five pasta brand in the US. We're talking like Barilla, whatever one, Big Pasta. Big Pasta. Bons is an alternative chickpea-based pasta in their number five, which is crazy. And really good, too. Yeah. Also, again, I consume a lot of these products because they're better for you products. A lot of times, better for you products taste pretty shitty. They're better for you health-wise, but not better for taste-wise. Banzo is one of those ones where it's like, if you put enough sauce on it, I can't tell the difference.
30:51You don't eat dry pasta for noodles. Put that on a billboard. That's right. Also, their mac and cheese is really fun. I think I probably go to the mac and cheese pretty often because by the time it's covered in cheese, you're like, what do you, give me some more protein. Nothing to complain about. Yeah, just here for the protein. Yeah, no, it's just protein, so hook it up. We also had Mesa on the show. Yeah, we were listening to it on the way here. She's just one of the - Yeah, she rocks. Gems, yeah. And you guys crush it with her brand. Oh, man. We love it so much, yeah. And just, yeah, hit after hit after hit for you guys.
31:25It's just really something. I think to contextualize it a little bit, I'm not an actual historian of design or grocery stores, but I do think that when we started Gander nine years ago, there was like a kind of perfect convergence of both food science and like a shift around branding. So like we had just kind of come out of this like contemporary, like new movement of brand creation for both startups and like, oh, like even small startups come out of the gate with high production, ready to go. Like honestly, Red Antler did a lot of that back in the day. like the casters of the world. But there was like more of a pivot from like the startup being in like other like tech or financial to like food and like so many food founders.
32:11Apparel and like all these things. And we took an approach that like these alternative food brands were coming to us and they were like, you know, their food is different. It is literally like, you know, this food science had kind of updated. And so taking a traditional approach to healthier food or alternative foods was kind of like unheard of. And so we thought like, well, the branding should be not like you would expect for healthy food. And so bringing kind of like this sense of like a design brand centric focus to the food industry had not happened as much. Like, again, I'm not a historian of the grocery store and we were probably influenced by other brands doing this in different spaces.
32:48But like Bonza really broke through as this kind of like brand centric. Yeah. You know, it was an identity if you got Bonza, you know, it was like that kind of thing. Pantry items deserve to be seen, you know? And I think that's another Andrea sort of quote. And I think that you're totally right, not to get all history lesson, but it's true. There was a moment in time where every product on shelf was being reimagined from a product perspective. And the ability, the wall or the barriers to entrepreneurship for a lot of these companies were being lowered so that you could kind of put out a product or put it on the internet or sort of get into some of these smaller stores and not have to be like a giant conglomerate sort of uh totally you know craft to have a sort of brand in that space or something like that and then it's like how do we differentiate how do we show that we're new and different and you guys really set the tone for what that looked like and in in the food world we've created a monster now you have created a fucking monster and now shoppy shops globally that's right and and brands that are more than just products to be consumed i think that's also something like i worked on vitamin water for many years talking about it on every show uh so i have to bring it up but yeah vitamin water was just a water with sugar and vitamins yeah oops water down right on cue uh kevin drops his water bottle also wants a show that's also that's a bit we do we're good we're good let's tell you some physical prop diversion I bring a vitamin water bottles go down our walls get stolen show's over but it was something like you know you want it to be seen with a vitamin water and I think there's something about like having a shelf of products that are not just like you know the pastas for the only for the purpose of just cooking them and it's like it's cool to have magic spoon it's cool to have you know behave or not just like the old kind of the old guard of candy like how did you find the right people because I think a lot of this is like about the right opportunities and the people that are like mesas and I'm you know the magic spoon greg and like like other the bonds of mr.
35:04bonza like that like are like oh they're gonna like do it yeah my grandfather's mr. bonza actually that's how he found it that yeah no nepotism yeah yeah yeah heir to the bonds of fortune that's right there's so many layers to that yeah I mean it's like do you have a system for how to like weed out the like I mean well we have like a form that's like when people are but for real like it's like there's like a certain like your product has to be kind of like interesting we'd like for there to be some kind of like deeper you know it's not just like I'm trying to make you know speaking of protein or whatever like if somebody's just like I'm trying to make this like whatever thing that's just like okay I don't know I feel like the health angle is nice like sustainability even better there's of course like are they just getting started we've gotten so many emails lately from like jennifer at gmail.com that's just like i'm starting a business just when i'm already i'm already like i love you so much however like you probably are not the right fit just because you're emailing me from your gmail account you haven't even this is just an idea that you've yeah we're redesigning our site because i'm like i gotta get i saw i gotta get i cannot keep getting emails yeah so there's like certain things like that but then like there's personal fit like values alignment.
36:21In early days, success begets success. How we got each client one after another is completely based on success. We worked on early days with June Wine Bar, which is in Carroll Gardens. They're dope wine bar. Natural wine bar. So good. That was a really fun project. Even before we quit our jobs that we finalized that project. um and then like you know that like core street grocers which fire some soda yeah so we did their soda bottles years and years ago um and those are really fun to do um and like that was like a foot into the food space and so like we you know bonza comes to us and then we've worked with fire yeah yeah the uh the that you know bonza comes to us and we have like this little foothold in food like Katie and I are a bit of foodies ourselves.
37:19And then Bonzo takes off really successful. And, you know. But like that was total, they were totally taking like a risk on us. Like we're going to hire you guys, but like, are you legit? This was like one of our first projects. Yeah, yeah. Really? Bonzo was, yeah, yeah. We were like just becoming a studio. In our apartment, in our bedroom. It was just Mike and I at that point. Yeah, we did the entire project ourselves. Before the Shanghai office. That's right. Before, yeah. And even before Orlando and London. The Orlando factory, yeah. Honestly. but like project and then like that led to doing the branding for exo which was magic spoon greg and gabby's previous brand the cricket yeah cricket protein brand and then like they uh we did a rebrand and because we did that rebrand and we increased the value of their business so incredibly much just kidding um we they got acquired and uh and then like a year later they came back just like they're like remember that keto cereal thing we were talking about doing and And we did that.
38:15And before we knew it, we were launching Magic Spoon. And then that took off to the stratosphere. And then we did like Gotham Greens. And we did Coconut Bliss. And then some other ones. And in the meantime, we've been also working with like nonprofits and other organizations. But the food was really like kind of rolling. That's been the thing that's been kind of rolling. Has there been a project that you were like, oh, we don't see the vision. We don't really get it. Yes. And then it's a huge deal. Yo, what do you got? Okay, wait, not a huge... I don't know if... Or just like... I don't know if...
38:47Okay, the Reshovenator. What's that? Oh. Okay, look up Re... Wait, shoe... Is it like VN8R? Yeah. Oh, Reshovenator, like the shoe cleaner? Yes. Yeah, yeah. Can you show me what you're looking at? I'm looking at it right now. They have a dope brand now. They came to us. Okay. Is that it? This keeps growing. A shoe cleaner? I think their website's not as dope as it used to be. Okay. Their brand and their packaging, If you look at the branding case study, it's going to look way cooler. Yeah, sure. Whoever did the brand for them did a great job. But that was like one where I was like, okay, this is a great example of how like if you can just like go with it and just be like, I'm going to make a dope brand.
39:28I don't really care what it is. Yeah, yeah, yeah. But you didn't see the vision. No. I was just like, this product seems so silly. I just couldn't see it. And then as soon as I saw the brand, I was like, oh my God, it is so good. Could have been us. Could have been us. Yeah. But that happens though. So, I mean, you can't guess the right 100%. I mean, also sometimes you just don't get them and you're just like, there's that thing. And maybe you didn't take it quite as seriously and then all of a sudden it becomes fly-by-jig. Not that I have any experience with anything like that or anything. No, shout out to the channel.
39:56Yeah, wait, what's yours? Or not that it becomes like Omsom. Oh, yeah, we were talking about Omsom. Oh, yeah, yeah. What other brands did we talk to and then they become like huge, huge things or things that we're like, oh, yeah, there they are. You always forget and it's like two years later. Oh, yeah, we talked to them. That brand kind of looks like we designed that. Yeah, yeah, yeah. They gave it to Gander, but it was going to play someone else. Now I'm blanking on all of them, but I had a list, and it was like I would go around to supermarkets. I'd be like, oh, fuck. Yeah, that one got away from us.
40:28Yeah, but that happens. I mean, because I imagine people, I'm starting a brand in the food and beverage space. I'm like, I'm going to talk to Gander. I'm going to talk to other agencies. I'm going to talk to Center. and then like, you know, because we, you know, we don't have the fixed pricing model. Yeah, yeah. You know, it goes in one way or the other. Do you guys have aspirations to do brands that are not in CPG or do you like, are you guys just like absolutely dialed? No, no, no, no. No, we want to get so far away from this. Yeah, okay. We share that in common. Yeah. Well, it is like a little bit of an existential crisis.
41:01We did a talk at the Dye Line one year about how like designing packaging for goods that essentially get tossed in the trash is like a pretty huge like bummer sometimes. Right? I love what we do, but it's just like - At the end of the day, it ends up in the recycling at best. Can I, you just reminded me of something. You guys did a talk, I believe it's some Thailand thing, and you were going through the names of your companies that you worked on. Yes. And it was so fucking funny. Yes. It was like, Zuzu, Ba, Beep, Beep, Beep, Beep, Beep, Beep, Beep,
41:38I'm glad that you got it because I'm not sure anyone else did. And then we were like, mama, dada, gaga, gaga, gaga. And I was dying. One death, success. Yeah. It's kind of funny. Like there is like this weird, like, yeah, if your name of your company has two syllables and it has a Z in it, we probably did the private thing. I mean, listen, it just works. Right. And you guys do naming, right? That's right. Yeah, yeah, yeah, exactly. We'll do something, Amy. But we did the Locavore branding, which is a New York City guide. Shout out to Locavore. If you want to know where to bring your receiver that needs to get repaired or your turntable for your record player, and you're like, where do you find that kind of person these days?
42:29Google Maps is not going to be reliable information. There's a website called the Locavore. um caroline is a fantastic she used to have a pencil shop in the city if you're what was that called the pencil shop i think it was like her name it was it was like she sold pencils and um she's just like a real um champion for local businesses and uh and now she has like her own variety store uh in the west village i'm looking at it right now on your new website that's right you can go there and buy things from within like 100 miles from you yeah that's right very cool yeah and so that's a fully digital brand that's not based on you know we did celebrate brooklyn food and bev the brand identity for the for the last three years we've done their brand identity yeah it's tough right because it's like you do enough of these things yeah i think we both share this and that's why i wanted to ask because i was curious if you guys like we're like this is our thing we're going for it we probably should be yeah i mean we've come to terms with it is that it will always be a part of our business.
43:29At least I have being like, this is something now I've done for 20 years almost. Yeah. You're good at it. It comes naturally based on experience. And we do like doing it. Yeah. But it's not the only thing we want to do. Yeah. And that's the challenge. But the opportunities will not stop knocking on your door. Jennifer.gmail.com. No, she's going to keep coming. She keeps coming. She will not stop. I love what you do with Ayo. and make my own line of sauces as well. Yeah, I'm just getting started, but I figured I'd start branding right now without having developed a single thing. I just had an idea brunch.
44:08I'm still kind of drunk, but whatever. I'm four or five mimosas in, and I have an idea. Like a mayo. With other ingredients. And so I just started looking for design agencies. on the internet and I love your work. That's right. Yep, that's exactly it. And you seem super affordable so like do it for free? Yeah, yeah, yeah. Ironically, I had a call three hours ago. And I was like, I'll feel for it again. So you don't have pre-screenings of any kind? Oh, we do. Okay, okay. Just making sure. Sometimes it's like you want to believe. Someone's not true, I guess. You want to believe. You want to believe too.
44:50And I do enjoy those conversations. Yeah, it's true. There is a part of me that's like, what if Jennifer's got a big idea? Yeah, that's right. What if this is the next resuvenator? I mean, exactly. It's tough. And we feel like we are like a little bit of like, you know, standing in front of the fire hydrant with like emails. We get like multiple emails a day with people reaching out to us wanting to work with us, which is like an embarrassment of riches. Yeah, so grateful. So grateful. I remember when we didn't have any of that. Right, yeah. And it's like success begets success, right? Exactly.
45:19Or it's like you get these wins and then people are like. Yeah. Right. I got something for you guys. And it's like, I always think like, I don't want to lose that spirit of like, I'm grateful and I'm excited and this is amazing. But anyone is emailing us and finds us. But I have to do work sometime. I have to have time to do something else besides new business calls or vetting things or making proposals. It's so hard. How does it break down? Like you guys split duties? Like do you guys focus on, you guys are both designers. Uh, we were, yeah, by trade. One's a magician. Yeah, one's a magician.
45:58Yeah, one's more magic. One takes care of snacks. Heavier magic. Well, design is a lot like magic, actually, when you think about it. Chief magic officer. That's right, yeah. Totally. CMO. Yeah. I mean, yeah, we're both creative directors, and so we kind of split. We just split projects. Really? You guys don't work together. No. Was we falling out of some sort? Oh, yeah. It's for the sanity of ourselves. It's for the sanity of our team. We used to work on every project together. How inefficient. If you can imagine staffing two creative directors on the same project for nine months, you'd be like, whoa, we went over on billing.
46:36We have a two creative director per project minimum. Okay, wow. So we're doing it wrong. Yeah, we like to have three or four in there. As many. Everyone who works here is a creative director. That's true, yeah. We're very top-heavy. It's a flat organization. That's right, yeah. we find lots of opinions that all matter yeah yeah yes exactly key to great some of us are more like instagram creative directors okay yeah yeah fresh out of college yeah uh just got a degree i got a shirt with it on creative director on it so that's that's my that's my bid right it's like i thought you were gonna do the work no no i thought i was the creative director i thought you were doing the work no i'm the creative director you're doing the work yeah yeah just lots of directing.
47:19That's right. That's how it used to be. And then we're like, maybe we should split projects. And it was just like a numbers thing. Like there are too many projects for Mike and I to possibly be on everything. So it was kind of like, I guess we have to do this. And it was really for the best. You guys ever like swap, you know, like just like a fun day where it's like, let's just like swap for the day. I mean, we do a lot of, a lot of just like, I'm so stressed about this. Like, I just don't know what the answer is. can you please like look at this for me? And a lot of that. How do you not bring it home with you?
47:55No, we do all the time. No, there's no difference. There's no rules. You don't like. We tried one time to have rules. Okay. We were like, no talk at the dinner table. No, there's no difference. That's why, yeah, I couldn't imagine like that. And again, like there's so many creative partnerships from married people. Yeah. And it must work. It works. I actually can't imagine it the opposite. Do you all have life partners? We both have life partners, I guess. Yeah, mine is married for almost 10 years. My wife has her own business. It's a designer shower cap company. Oh, right. And so she's got her brand.
48:34So she's entrepreneurial as well. Yeah, it's kind of. I feel like that's why it works, to be honest, because I've seen some. because when you own your own business or even if you just care a lot about your work, like it comes home. It comes home no matter how hard you try for it not to. And so I feel like if your partner, not everyone has that relationship to work. Some people are just like, hey, listen, I'm just here for a paycheck and that is totally fine. But if you've got that, plus somebody who like lives, breathes work and they're together, it probably creates some like tension. So I honestly can't imagine doing what I'm doing with someone else.
49:07It would be so hard. You're probably right about that because the disease-less passion that we have, which is our work is more than just work. You're going to have to share that, I think, or it would be weird if the significant other maybe didn't get it. So I get that part, but it's also the like, hey, we're having dinner. Hey, Bonza, just email it again and they're looking for some changes on that mac and cheese. right we don't yeah it's less that and it's more just like we're constantly talking about like our business and like what do we do we got to do reviews we got to do there's always something that you're like thinking about wanting to talk about and like thank god i can talk to mike about it because if i just couldn't i would just be like in my own little brain yeah so when does the uh the gander baby uh hit the uh the sticks you know start designing stuff yeah we're starting early we have the cards that she can identify typefaces and we're having her do baby kerning baby loves kerning she just pushes the letter over a little bit and we're like a little bit too tight between the O and the E but it's okay you're just getting started branding for babies actually it would be pretty tight we'll talk about that off mic it's a great idea a little green point corner office, a studio, it's a business, you bring your baby.
50:35Yeah, teach them. Oh my God. You would make so much more money than running an agency. You know how many parents would love their kids to be branding experts by the age of five? Oh my God. Let's do this. Under tapped market. Yeah, yeah, yeah. And they could do a little DJ class too. A little break from branding. Put them on the decks. I've thought about this idea before. Don't steal it. It's mine. Make it happen. We're here for it. Brooklyn babies. Yeah, Brooklyn. Yeah, I mean, listen, creative people make creative kids or they want to. She does have a little artist book that she really likes.
51:11It's all about like artists through time. Yeah. She likes that one. How has that changed your relationship with work? Having a baby. Yeah. Is that disease? Pretty immensely. Yeah. Like, well, let's start. like after we had her I feel like I'm pretty immediately a pretty big spike in creativity like I think you work so hard at work but like you can get really burnt out and then feel like oh I'm not even really like a creative person I'm just kind of like moving this machine around and like making sure it's flowing but like feeling truly creative and I feel like I feel like you know a month after she was born we came up with like three business ideas like new things that we wanted to do instead or like in addition to or whatever um so i don't know that's like one thing so it makes that uh part of us i think like ignite even more um but it also makes like the work that we do even more important that we care about it because if i'm gonna be like working instead of hanging out with her all day like it needs to be for something i care a lot about and yeah having kid just also makes you like question everything you're like what am i what what am i doing here on earth like why am i here um what's my purpose uh i'm still asking myself these questions all the time it's beautiful um not trying to be the greatest graphic designer that ever lived you know for the for the design competition that doesn't exist right that's right uh and do do you guys um do you guys have aspirations to just going off of what you just said like do you have aspirations to start other businesses.
52:49I know you guys have Meadows. Do you like want to get into being entrepreneurs with product ideas? It sounds like maybe Baby might inspire Baby product, business, design by Gander. I see the future. Yeah. We have like four different books that we want, kids books that we want to create. Which by the way, I mean, again, like I feel like we could just make a killing designing like a good kids book because there's so many that are horrible. Their favorite ones are just like images of like stock images of like other kids doing things. Not even joking. I was so surprised. Getting images? Yes. Is that the book?
53:27She's like, hands can touch things high and low and it's just a kid touching something high and a kid touching something low. Yeah. And it's like, she loves it. And they can't even see the watermark either. No, no. So you don't have to buy the image. No, you don't have to. That's right, yeah. So can make a killing that way. So books? We have a few books that we are really excited about that we don't have any time to make because we're running Gander. And then we have another, it's kind of funny because I was like, I don't really want to do like CPG stuff so much. But we do have a couple products that we're trying to create, which is very hard.
54:02We need help. Turns out, very hard. Turns out it's a lot more fun to do the branding than to start the actual company. Yeah, our clients made it seem so freaking easy, launching brands left and right. Yeah. It is hard, actually. We should give them more credit. Especially putting beer into cans. I guess they know something. Yeah, I guess fine. Building businesses and putting products on their shelves isn't as easy as it is. It's not easy. Supply chains, manufacturers. Cost of goods. It's crazy. Well, I guess one thing now that I'm still on your website, I did notice is here. Open for biz Monday to Thursday.
54:37You guys got Fridays. That's right. That's why we're here. We're here on our day off. You should be writing your kid's book right now. Exactly. Exactly. We appreciate it. Yeah, why you got to do that, guys? Hey, that and the fixed pricing, we can be, we can unite on this front. It says currently we're closed because it's Friday. That's right. That's pretty cool. Don't let my team see this. What do you want to know about the 4-Day Work Week? I am an evangelist for the 4-Day Work Week. I'll take this out, Alex. Clips it, sends it to the group chat and Slack. I'm sorry. No one will see this. Check out Gander's new website.
55:09I love this little piece in the corner, right? If anyone from Center is looking for a job where you don't work on Fridays. Shut it down. We're hiring. Beep, beep, beep, beep. If anyone for a beep is looking for a beep. That's why they're all not here today. Well, I guess, Alex, the only thing to do is, you know, you gotta follow. Yeah, shut down the microphone. No, yeah, we gotta close on Fridays. Close on Fridays. What do you want to know? Let's talk about it. Yeah, let's talk about it. That's so important. Today work week. Yeah, 2020, the heat, the midst, the depths of the pandemic, um we realized that like you know people weren't taking pto because they couldn't go anywhere they couldn't go anywhere like not only were you like waking up turning over to your computer and doing some work and then like finishing your day then turning over and getting in bed and going to sleep it was like people were working living breathing work and um we had already been doing summer fridays for a while and had kind of i you know played with the idea of doing a four-day work week and we were like, you know, could we do this full time?
56:11And like, let's try this as an experiment, give people like a real mental break. Cause like, there was a lot of like lack of mental health that was happening during COVID and, um, and you know, work-life balance is really out of balance. And so, um, that just was enough to push us to try it. And we started out with a six month experiment and then that six month experiment led to the last four years. We haven't stopped it. And so we've done it for four years now and in the midst of that we got named Fast Companies. Fast Companies. Most native company 2024. If you want to make lists, Alex. Yeah.
56:46Yeah, yeah, yeah. Yeah, think of all the cool brands we've launched. It truly felt like it was His lists, man. You know, the creative boom one. Most popular ones. Oh, yeah. Yeah, we got snubbed by that too. Oh, yeah, that's right. You guys aren't on there either. I actually saw something that made me feel good which was agencies that got snubbed and it was like Gander Center. Oh, there's a follow-up article. No, no article. just someone on LinkedIn. Yeah, hell yeah. LinkedIn is, love the drama. And I was like, oh, you know what? We weren't the only ones who got snows. Not that we care about lists.
57:13We've said that on the podcast. Yeah, yeah. We don't give a shit about the list. But if you want to put us on a list, we would love to be on one. You know, specifically that one. Specifically, because we're voted on by their peers, but we're not upset about it. Who are the peers? We should be mad at them. That's what I'm saying. We didn't vote. Did you vote? No, they didn't ask us. Yeah, exactly. I would have put gander. Yeah, yeah, yeah. Sorry, I would have put centra. Yeah, yeah, yeah. Gander yourself. But yeah, four days. Four days. You can get it done is what you're saying. It's possible. I mean, it's an intense four days.
57:44Don't get us wrong. And that is probably part of the - You're like having intense four days. It's intense. It's an intense four days. How late do those days go? They don't go late. Okay. But there's like no time for lollygagging. There's no like, I think it does create a little bit of like, we're here to like get something done every single day. I will say we also do like an hour long dedicated lunch break every day at the same time. Okay, it helps so much, right? It's new for us. Oh, okay. Yeah, it's really good. It really makes sure that everyone eats. 1230 to 130. Nice. We do one to two. One to two.
58:18Nice. I like that one better. Yeah, it feels more like a round number. 1230 to 130 is a little. I didn't set it up. What's with the half number? I don't know why, but it is. I like 1230 to 130. Yeah. It's a little early. Sometimes I feel like ours is a bit late. I usually take mine one or two. That's the whole point, Kevin. It's 12.30 to 1.30. We do it as a group. You're breaking the rule. Oh, whoops. But I will say, I like it. It's nice because everyone's just taking lunch at different times. And like half the time, you wouldn't eat at all. You would just like, because you're not on the same schedule.
58:45And like there's a client meeting, then you're starving. People schedule shit over things. And it's like, well, if I have a meeting that starts at this time and then a meeting that starts at that time, there's no fucking way I'm eating lunch. So yeah, it was really self-preservation. Well, there's nothing worse than sitting in a meeting just hungry. Tummy rumbling like crazy. Yeah, in a meeting right when you're supposed to be eating lunch. It's worse. Worse. Nothing makes me grumpy. And like if you don't put a time block, then someone will just take it. Yeah. Savages. You get – Savages. With the – Clients.
59:16Yeah, savages. Clients are – Savages. No. Clients are savages with gander is the podcast title. That's right, yeah. So our theory is that like you will take the amount of time that you give yourself to do something. Generally, that's the case, right? Like if you give yourself five days, you're going to take five days to do it. You're not going to like finish it on day one. If I finished it, it's like, no, I'm going to probably take my time. I'm probably going to procrastinate a little bit. I'm going to, you know, lollygag. And I think that we found that if we give ourselves four days and also the math to think about there is that like our timelines might be a little bit longer.
59:53but like you know it's not like we took all they actually aren't though yeah they've gotten shorter overall over time we also yeah that's right that's what i mean like i i think that it doesn't really dramatically affect our projects we've found a lot of efficiencies like one thing that would always throw us off is like you can present any day of the week you're waiting for client feedback for who knows how long right if we try and like present more toward the end of the week or like midweek right Wednesday Thursday then clients have Thursday Friday weekend because they're they have the disease like us they work on the weekend and then we have feedback in our inbox on Monday we hit the ground running again versus before it was just kind of like you present on a Monday they take four days to get back to you you've wasted the whole week now it's the end of the week you have to dive back in on a Friday no so do you have any clients that are like fuck your schedule we're savages like we're just gonna like I think we do have to like yeah we do have to like Like, check things.
1:00:53Well, we are flexible. You know, like, the idea is that the four-day work week is a privilege, not a right. And so, like, you know, the idea that, like, if you have to do a photo shoot or if there's going to be a last-minute meeting, that we're going to make ourselves available for that. Things have to go to print on this day or there is a typo in the print files. Or a site's going live. Yeah. You're going to need to jump in and do it. And like, it's better to do two hours of work that you knew was going to happen or whatever than to, you know, still it's better than a full day of work. Or, you know, sometimes we need to do a photo shoot on a Friday because that's when we have the most availability.
1:01:28So it does actually open up Friday to, you know. To podcasts. To podcasts. To photo shoots. Privileged on a right though is, you know, is a good way of thinking about it. And I think, you know, I mean, we are, Fridays we are certainly less and we're trying to continue to like do keep that going and like we're often not like today we don't have many meetings like i think it's it's definitely like a a bit of a wind down yeah versus the rest of the week which is certainly more full-on as you can tell our office is completely empty yeah but people are working and they're you know it's a you think they're hard at work right now yeah all of them they're fucking grinding yeah yeah now on the bands of the future have you thought about doing a four-day work week?
1:02:11I've thought about it because Kevin can't keep stop talking about it. No, Canada's a four-day work week. Have we considered that? A lot of people are doing four-day work weeks. Really? All of Sweden. I think all of Finland does it. We have a hard 10 to 6 policy in terms of like our work day with an hour-long lunch. So 6 o 'clock people, it's over. Yeah. And it's like... That's good. And I think that was hard for me for a minute where I was like, we have so many hours left in this day as someone who has a disease. And I think what I've learned though is, is by kind of making that a definitive end and listening to the kids who, uh, it gives you a couple hours at night for yourself.
1:02:55And I get to watch real housewives of New York and like, there's like really important stuff that I do after work. Yeah. That is, it builds my brain. Yeah. And that's right. It's going to feed your work. That's right. And it feeds the work in the vicious cycle. Before we get you guys out of here, anything on the horizon? Anything looking forward that you guys are particularly excited? Obviously, a new website. Yeah, go to takeagander.com. In two weeks from now. Yes. It's probably out by the time it's podcast. Yeah, that's right. It's out. It's still out. Yeah, it's definitely out. It's already won a few awards.
1:03:29It's on a few lists, actually. Best website in the world. That's right. Today. Yeah, in Dimmis Park. Yeah. i i love the footer the little dots in the uh the counters yes yeah they they follow you i'm having a lot of fun on this website cool yeah it's really nice nice i'm so glad that it seems like you're having a blast i think the studio the studio page is probably my favorite with the animations uh we got those are like kind of like it's a little bit wacky and fun and like the header animation is probably one of my favorite things that we did um on the site and our process animations are all like shout out to benji and our team who uh those are all like just stop animations you know drawn on an ipad cool yeah so cool oh your team photos are also incredible nice they're very uh like um mall yes like mall chic that's right that's what we're trying that's our aesthetic florida mall core that's right yeah that's it strip those photos will be on the final site to be honest have you ever it's very hard to like keep up with the people that work at your yeah our our team photo has multiple people that do not work here okay so we're right there okay yeah uh anything else that you want to promote or share just kind of just like hey um well yeah uh meadows i do think we want to that's one of our things for the year we want to make that like an actual a thing right now do you want to explain what meadows is because i show that speak where speak.
1:04:58I saw that talk where you guys went through meadows a bit. It's very cool. Yeah. Make meadows. It's all about native plants and rewilding and dismantling the American lawn because we got inspired about the potential for our soil to heal the planet and draw carbon down through the roots of lovely plants. And so we didn't really know where to start with it. So for now, it's just like an Instagram account, educational post, fun hub of content. Go check it out. Make Meadows. Make Meadows on Instagram. Yeah. If you have a lawn, consider getting rid of your turf grass and planting native plants instead.
1:05:41The whole mission is for us to kind of like provide resources and information on, as Katie said, replacing like non-native turf grass with native plants that are like more meadow-like. Meadow is, you know, in the plant cycle or like, you know, development cycle is like a meadow is like we're like shrubby, shrubby kind of like medium sized plants, wildflowers, those types of things that have like much deeper root systems and allow for better soil health because they're literally like fixing our soil better. and for carbon sequestration because plants draw down carbon from our atmosphere and actually positively affect global warming by pulling it out of our atmosphere.
1:06:25And there's a really great documentary called Kiss the Ground that really inspired us. And, you know, soil health is one of those things that in our country has been really like wiped out by, you know, all these companies that yeah the lawn is the number one uh most irrigated crop in america yeah the lawn the grass the lawn yeah the american that's my new york yeah yeah the one lawn i thought it was corn or soy i had a lawn on long island i was growing up yeah it's right yeah there you go question for you guys uh before you get out of here you're really trying to get us out of here no i mean no i've been recording for a while and this is really fun and yeah we could talk for we could talk forever and I actually the question I'm about to ask is like a question I probably shouldn't ask onto the microphone or on the podcast.
1:07:13I'm judging an award show and apparently I got asked to field a team of other people that are going to judge with me. Would you guys be down to do it? Yeah. Okay, cool. I'll talk. Yeah. I'd love to do it, Alex. Yeah, yeah, yeah. I'd be honored. They did actually say I could bring my own team and I was like, absolutely not. Can't be trusted. Not interested in sharing with my team. I mean, we'd be honored. Thank you. Yeah, it's core 44 if you guys are familiar with it. Yeah, yeah. It's only going to take like 45 to 80 hours of your life. Perfect, perfect, perfect. Judging the dye line was like a bit intense.
1:07:47Oh, man. Yeah, that's a lot of work. That actually does sometimes take – I can promise you they've promised me that it's a – That's fine. There's only four awards. Oh, perfect. So yeah, yeah, yeah. We'll just have to like pick them together. It'll be fun. Cool. Fun. But see, this is like we're getting shit done. Yeah, that's right, yeah. We're making things happen. And we should hang out outside, you know, the podcast. We really should. I think, honestly, like, we were having this conversation last night with Lisa Smith, who was on the podcast a couple weeks ago. Time, time. Thank you for keep mentioning this.
1:08:17It may have come out and probably did come out, but who knows? Maybe in this podcast world that we live in. But we were saying that, like, in the past, right, agencies would be, like, in tough competition with each other. Right. Like, battling. And I think like our generation of design studio owners, like I don't think we feel that way. You guys have been so sweet every time we've, you know, massacred one of your brands. Yes. And, you know, and we should just, you know, we should hang out more and we should go bowling. Price fix and everything. And talk about our big price fix idea. And, you know, just enjoy and talk about the lives that we live.
1:08:57Yeah, I would love that. commonalities because there are so many guys just you know we're fans here and just keep crushing it and putting out brands into the world that made me say damn it i wish we we did that so fucking good and the latest one is your websites because it's really really well done and i know how hard it is to do so sweet thank you and our thank you guys so fun
1:09:50I'm just a bachelor Looking for a partner Someone who knows how to ride Without even falling off Gotta be concomitant to grow Switch me to my limits Girl, when I break you off I promise that you won't wanna get off Let's get it Right in my style My saddles, baby, come and just go there Get on and mess that up, ride it My saddles, baby, come and just go there Sitting here frosting, keeping your steel You know, just once if I have to change, the things I would do to you. You and your body, every single portion, century yields up and down your spine. Jesus, flowin' down your spine. Go on it, let's do it, ride it, my saddle, my saddle, baby, come in, jump on it.
1:11:25Go on it, let's do it, ride it, my saddle, my saddle, baby, come in, jump on it.
1:11:51We're gonna get nasty, baby First we'll show you two Till I reach up for me two We'll crawl over and through you, baby Until we reach the shame You'll be on my junkie too Let's go Go on it Let's do it Ride it My saddle My saddle Made it Come and jump on it Go on it Let's do it Ride it My saddle, my saddle, baby, coming just for that. Go for it, let's do it, ride it. My saddle, my saddle, baby, coming just for that. Go for it, let's do it, ride it. My saddle, baby Coming just on it Your four names, let's do it Riding my saddle, baby My saddle, baby Coming just on it
1:13:35Thank you.
From the publisher
Take a Gander, and give it a listen! We've got Katie Levy and Mike McVicar in the house! Katie and Mike are the creative duo behind Gander, a design shop in Brooklyn that creates thoughtful experiences for humans and propels brands with soul and substance. They are the studio behind some of the hottest CPG brands like: Graza, Yellow Bird, Pop Up Grocer, Magic Spoon, Behave, Gotham Greens, Banza, June Wine Bar, and many other bangers! Katie and Mike bring the energy as they advocate for the 4 day work week, rally for studios to come together and charge the same amount for work, plead for designers to come and work on their case studies, and shock Alex and Kevin with an on-air Magic trick! Check out their new website, which conveniently coincides with the episode launch! TAKE A GANDER! WOULD YOU LOOK AT THAT!
