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FT Tech Tonic

27 Aug 2025 · 2m

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Coming soon: Will AI ruin music?

In short

A coming-soon Financial Times “Techtonic” two-part series investigating the spread of AI-generated music and its impact on the music industry, including jobs, streaming, and a legal battle over how AI music generators are built and who owns the music they make.

Guest backgrounds

The transcript only identifies the host, Ludovic Hunter-Tilney, FT pop critic. No other guests are named yet.

Key claims

AI music generators are spreading and improving; they could be a “next frontier” for some musicians, but an existential threat for others. It may put people out of work and make it harder to earn money. The episode frames current AI music as relying on “theft” of music without consent, calling it a “moral travesty.”

Notable examples

“Absolutely horrific” AI music described as “a bizarre Guns N’ Roses,” contrasted with AI that can sound “really quite good.”

Written by AI. May contain mistakes.

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Transcript

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0:00Ludovic Hunter-Tilney: What happens when you let artificial intelligence make its own music? That was absolutely horrific. That was like a bizarre Guns N' Roses. AI music generators are spreading across the internet, and they're getting better and better at producing their own songs.

0:27Ludovic Hunter-Tilney: That was actually really quite good. That is a winner. For some musicians, generative AI is the next frontier in music making. That's kind of how I see these AI models. I see them as a grand collective human accomplishment. But for others, it could spell the end of music as we know it. AI music is everywhere. Of course, it puts people out of work. It's going to make it incredibly hard to make any money at all in this industry. You make that sound like an existential threat to the very practice of music itself. I think it is. I'm Ludovic Hunter-Tilney, the FT's pop critic and in a two-part series of Techtonic I'm investigating the spread of AI-generated music and asking what the impact might be on the music industry from the studios of working musicians to the streaming platforms that deliver music to the masses and we'll be finding out about the legal battle over how AI music generators are built and who owns the music they make AI music would not be able to sound like it does today if it wasn't for the fact that there's been a big theft, basically, of music without consent.

1:33It's a moral travesty that that's been allowed to happen.

1:35Ludovic Hunter-Tilney: In a world where technology is continually transforming popular music, is the fear of AI just technophobia? Or could AI music end up replacing human music altogether? That's Tectonic from the Financial Times, coming soon wherever you get your podcasts.

From the publisher

AI music generators - platforms that use artificial intelligence to create new, original music from scratch - can make songs that are almost indistinguishable from human creations. For some musicians, they’re the next frontier in music-making technology. But for others, they represent a grave threat, flooding the world with low-grade AI music, stealing the jobs of working musicians, and even spelling the end of the creative process as we know it. Is this just technophobia, or is music facing AI annihilation?


In a new two-part series, the FT’s pop critic Ludovic Hunter-Tilney explores the emerging world of AI music, and the impact it could have on the industry.


Tech Tonic is presented by Ludovic Hunter-Tilney. The producers are Lulu Smyth and Josh Gabert-Doyon. Edwin Lane is the senior producer, Flo Phillips is the executive producer. Sound design by Breen Turner and Samantha Giovinco. Original music by Metaphor Music. Manuela Saragosa and Topher Forhecz are the FT’s acting co-heads of audio.

Hosted on Acast. See acast.com/privacy for more information.

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