In short
Natalie Cassidy reflects on growing up in Islington while becoming famous as Sonia Jackson on EastEnders at age 10, her training at Anna Scher Theatre, the realities of celebrity and privacy, leaving and returning to EastEnders, and her later career choices including theatre and a family podcast.
Guest backgrounds
Natalie Cassidy is an English actress best known for 30+ years as Sonia Jackson on EastEnders. She trained at Anna Scher Theatre (described as equality-focused and “raw,” with casting directors watching classes). She later worked in theatre, including a Chichester Festival Theatre production of Chekhov (as Dunyasha), and has done reality/TV and brand work (e.g., Skipton Building Society campaign; Celebrity Big Brother; a Wonga-related fitness video).
Key claims
Fame “wasn’t pursued,” it “just happened,” and Anna Scher was “grounding.” Staying in the industry requires professionalism, kindness, and talent beyond luck. She says people confuse Sonia’s on-screen kindness with her real personality. She left EastEnders for work-life balance and to pursue other opportunities, returning at age 30 for personal security after difficult years.
Notable examples
Early life helping her newsagent father at St John Street; hospital visits entertaining nurses with Max Miller routines; Anna Scher rule against “fame/star” language; EastEnders casting at Elstree after a nod from casting directors; being petrified on stage but loving immediate audience reactions; breaking her sternum during rehearsals for the 40th live episode; Chekhov at Chichester with Maureen Lipman, Frank Finlay, Diana Rigg, Gemma Redgrave; leaving EastEnders again after standing under the Queen Vic Christmas lights.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Chapters
Tap a time to open that second in VONatalie's Early Life in Islington
0:45 to 1:40
Natalie discusses her childhood in Islington and family background.
“Dad was a news agent I think when you were born so he had a little shop in Islington.”
Life as a Newsagent's Daughter
1:40 to 3:01
Natalie shares experiences of helping her father in the newsagent's shop.
The Influence of Theatre
3:01 to 4:00
Natalie describes the impact of attending drama classes at a young age.
“I think they did, and I think they were very, very proud that they had this little girl, and I was extremely spoiled, if honest, James.”
Encouragement from Family
4:00 to 5:44
Natalie reflects on her parents' support for her performing interests.
“Before you got to Anna Sherz, what were you like at primary school and stuff like that?”
School Life and Acting Aspirations
5:44 to 7:30
Discussion on Natalie's school experiences and her aspirations to act.
“So I'm interested in this, because a lot of people that arrived at Anna Sherz would have been stepping into a world that they didn't know existed previously.”
Auditioning for EastEnders
7:30 to 10:00
Natalie recounts her journey and experiences auditioning for EastEnders.
“And I thought, fair enough, there's no swearing here.”
Understanding Fame
10:00 to 11:51
Natalie shares her thoughts on fame and the family dynamics surrounding it.
“But the guilt I feel because I lost mum at 19.”
Reflections on Career and Life
11:51 to 14:00
Natalie discusses her long career in acting and its personal impact.
“No, and it's an interesting one because people talk to me and they say, oh, you know, you're so lucky.”
Early Fame and Curiosity
14:00 to 15:10
Natalie reflects on her early days in acting and her inquisitive nature.
“I loved asking questions to the director.”
Understanding Fame at a Young Age
15:10 to 16:22
She discusses the realization of her fame and its effects on her life.
“yeah I was not getting away from it I was obviously not something that you were pursuing or something that you would be rubbing in people's faces but it was just a fact of life for you from an incredibly young age.”
Show all 31 chapters
The Impact of Soap Characters
16:22 to 17:54
Natalie explores the connection between her character and audience perceptions.
“You know, they come up, they want to hug you, they want to touch you.”
Family Influence on Success
17:54 to 19:35
She talks about the role of her family in keeping her grounded despite fame.
“I mean, because you were incredibly well adjusted, if you don't mind me saying so.”
Navigating Celebrity Culture
19:35 to 21:09
Natalie shares insights on the challenges of privacy and recognition.
Curiosity and Learning from Peers
21:09 to 22:33
She reflects on her learning experiences from older actors on set.
“I think it's absolutely fantastic now that there is more red tape with children, chaperones, more tutoring.”
Financial Realities of Child Stardom
22:33 to 24:12
Natalie discusses her early earnings and family spending habits.
“I'm thinking about those four who all had extraordinary careers before they arrived on EastEnders.”
Absence of Privacy in Fame
24:12 to 25:49
Natalie describes the lack of privacy and its psychological effects.
“No, you could never have, what are you going to compare it to?”
Dealing with Negative Media Attention
25:49 to 27:36
She opens up about her experiences with negative press and bullying.
“I've seen a lot of people over the years, you know, who have been to drama schools and what have you, and they're really desperate for it.”
Support During Tough Times
27:36 to 28:00
Natalie reflects on how her family dealt with media scrutiny.
“And you're talking about a 14, 15-year-old girl.”
Navigating Early Fame and Media Pressure
28:00 to 29:45
Natalie reflects on her experiences growing up in the spotlight and the impact of media scrutiny.
“Because you are looking after little you.”
Exploring Life After EastEnders
29:45 to 31:18
Natalie discusses her decision to leave EastEnders and pursue other opportunities.
The Challenges of Transitioning to Theatre
31:18 to 33:30
Natalie shares her fears and excitement transitioning from soap opera to stage acting.
“And you clearly do have quite a lot in common.”
Facing the Reality of Celebrity Life
33:30 to 35:39
Natalie talks about financial challenges and the importance of seeking advice.
“You are, it's like if you'd been put together by committee as an actress, you wouldn't be very different from what you're like.”
Lessons Learned from Public Life
35:39 to 37:50
Natalie reflects on the impact of her choices and the lessons learned from her experiences.
“No, didn't you do the fitness video as well?”
Returning to EastEnders: A Homecoming
37:50 to 39:48
Natalie discusses her return to EastEnders after a difficult period in her life.
“Because it attracted sort of weird attention as well.”
Memorable Moments in EastEnders
39:48 to 42:00
Natalie shares her experiences and memorable storylines from her time on EastEnders.
“I had a lovely little girl of three who's my world, who's 15, 16 in September.”
Natalie Cassidy's Journey in EastEnders
42:00 to 46:08
Explore Natalie Cassidy's experiences and challenges during her time on EastEnders.
“dress rehearsal and pushed so hard that I saw a little bone pop out here.”
Reflections on Leaving Albert Square
46:08 to 47:50
Natalie shares her thoughts and emotions about her departure from EastEnders.
“I remember standing on the lot looking up at the Queen Vic Christmas before last and having this real I know it's a bit woo woo but I just thought I'm not going to be here for any more Christmases and I love Christmas.”
Pursuing New Paths and Podcasting
47:50 to 50:49
Discussion on Natalie's transition towards podcasting and new career opportunities.
“what crystallised the decision this time around?”
Life Reflections and Alternative Paths
50:49 to 53:24
Natalie reflects on her life choices and alternative possibilities outside of acting.
“You wrote your memoir a lot, which came out last year, Happy Days.”
Financial Advice and Future Aspirations
53:24 to 56:00
Insight into Natalie’s views on financial advice and her thoughts on future projects.
“that you started noticing things from your own past that you hadn't actually noticed at the time, things that you could value.”
Reflecting on Reality TV and Future Possibilities
56:00 to 56:40
Natalie Cassidy discusses her experiences with reality shows and the unpredictability of future opportunities.
Transcript
Automatic transcript. May contain errors.0:02This is a Global Player original podcast.
0:12Hello and welcome to Full Disclosure, a podcast project conceived entirely to let me spend more time with interesting people than I would ever get on the radio. Natalie Cassidy, welcome. Why have you got me on then? Well, don't be ridiculous. You must be one of the most recognised people of your age in the country. i reckon we're probably right actually it's a strange thing isn't it it is a very strange thing we will begin at the beginning which was in islington in in north london in 1983 let me be the millionth interviewer to observe that you came along after the family was pretty well established both of your brothers are quite a lot older than you that's right yeah david he's 60 and tony's 57 so mum and dad had their two boys 15 and 18 and mum decided that she felt quite alone I think and wanted someone else to care for and then I came along.
1:05Dad was a news agent I think when you were born so he had a little shop in Islington. Yeah that's right, St John Street. It's every child's dream that isn't it? It was great. Did you just go in and help yourself? I did but also on a Saturday morning I used to get up at 4am with him and go down to the shop and help him. I used to really really enjoy it actually. And get the papers? Papers, early deliveries all the magazines back then and what did mom do mom was a housewife and a carer to my nan she looked after everyone yeah she did massively um that strikes me as a sort of i mean a central community family then everyone in the area would know who you were would know who your dad was i mean you'd have everyone passing through the shop um yeah the shop wasn't on our doorstep however okay so it wasn't kind of shopping upstairs we lived so to speak um we were quite private people until i landed the job i landed what does that mean what do you mean just my mum and dad were people they kept themselves to themselves yeah they did yeah so you were you fell quite far from the tree then i did when did this side of your when did this side of your personality first manifest itself Natalie?
2:17I think it was when I was eight and I a friend of mine used to go to Anna Sher theatre and my mum as I said cared for my nanny Liz who lived with us right from when I was born from as long as I can remember we had nanny there so mum didn't do a lot we couldn't go out we never went on holiday never did anything but in a nice way it was fine yeah this opportunity arose to sort of walk up to barnsbury road and pay two quid chuck it in a tin and go to a drama class and i thought you know i'd quite like to do that i always liked playing the fool acting up a little bit at home making people laugh making people laugh especially in hospitals believe it or not again nan's in hospitals my some of my evenings were Wednesday night we're going up the hospital now to visit Nan and I'd sit and entertain the nurses or the other patients and nurses and give them a song or a few lines of Max Miller from Dad's vinyl records so I went to Anna's and a world opened up for me Let's not run ahead because I'm interested in whether or not Mum and Dad encouraged this, they quite liked it because they weren't telling you to wind your neck in or to stop being a show-off or to stop drawing attention to yourself.
3:34They quite liked to see you. I think they did, and I think they were very, very proud that they had this little girl, and I was extremely spoiled, if honest, James. Well, you had three dads, effectively. Yeah, that's true. I think you've said, haven't you? So spoiled rotten by your brothers. Mm-hmm. Mum would dress you up like a little China doll. Absolutely. So you probably just did think that the world was full of people who would bend to your will. Sort of worked out in the end.
4:01What about school? Before you got to Anna Sherz, what were you like at primary school and stuff like that? I've always enjoyed learning. Have you? I enjoyed school. As soon as I got the part in EastEnders... So you were 10 when you got there? So you were 8 when you went to Anna Sherz? Yeah. I'm trying to think of all the people who've been on Full Disclosure that had a stint at Anna Sherz. Cathy Burke. There's quite a few. There is quite a few. Cathy Field, Daniels, Martin Kemp, Gary Kemp. Lots and lots of people from EastEnders. Of course. Pauline Quirk, Linda Robson. It was an amazing place for working class people.
4:34And that's a crucial point about it, isn't it? It wasn't a kind of fancy pants, stage school-y. No, it wasn't. She was teaching something quite raw, I think. She was the best teacher that I've ever had, and I believe I'll never have somebody like her in my life. She was an Irish Jew who cared deeply about equality. we learnt so much within that hour and a half I walked into a room and suddenly poetry, art, language, words the influence of kindness within 90 minutes I just couldn't believe what I was learning From day one? From day one So did you feel like, I don't know, not coming home because you had a very happy home life No, but my world opened up Did it?
5:24And the friend that you went with? How did they respond to it? Yeah, she enjoyed it, but there was something that was deep-rooted in me. I don't know what it was. Again, I think it is that learning, being a bit of an autodidact, that I was a sponge, and I've taken all that with me. I love my poetry. I love my art. I love... You know what I mean? Of course I know. I'm not amazing at it, but I enjoy it. And again, there's no... So I'm interested in this, because a lot of people that arrived at Anna Sherz would have been stepping into a world that they didn't know existed previously. whereas you kind of, you embraced it immediately but you, I don't know.
6:02But I never went there to become someone on the telly. Did you not? No. But you knew that other people who'd been there had become people on the telly. Yeah, but that was not the point. The point was I can get out of the house for an hour and a half because mum can't take me anywhere. And you could have fun and you'd be safe and you'd be looked after and the rest is gravy. The rest is just a bonus. That's just what happened. So there's a difference between enjoying making people laugh and being a show-off. Yes. Were you a show-off? No, I don't think so, because to me a show-off is quite annoying.
6:33That's what I wonder. Yeah, and I don't think I am an annoying person. I don't think I ever have been, but I think I enjoy entertaining people and I think I enjoy making people smile. So when did things begin to crystallise? Because that's only about an 18-month window. We'll talk later about how incredibly young you were to turn up in such an enormous window. but when did you start thinking about acting as something a little bit more sophisticated than just doing Max Miller routines if that's even the right word to use. I didn't, I didn't, it just happened. There was no thought process behind it I'm afraid.
7:08And you were good at it though? I think there was something there, i.e. I don't think I would have got this audition. Because she treated everyone more or less the same. Absolutely. First thing I learnt when I walked in there as she stood in the centre of the theatre and she said, for any newcomers tonight, we do not use the words beginning with S and F. And I thought, fair enough, there's no swearing here. OK. But fame and star, she would not tolerate. Really? Would not tolerate. Because some people will go off and do a job and then come back and they'd be treated exactly the same. Absolutely.
7:44I like this. I'm quite jealous, actually. It must have been an incredible thing to do at that age. It was very grounding. in and did you start i mean did you develop ambition did you start thinking i want to go up for auditions not in a kind of pushy way there used to be a wall james go on with bits of paper up um little little post-it notes so to speak and it would have people's auditions on there right so i remember zoe ashton and um there's a girl called nancy who got loads of auditions but she was brilliant and um we'd have a little look and thomas orange would be up there and i think oh I wonder if I'll ever have a post-it note.
8:19That's really where it started, thinking, I wonder if I'll ever, or a casting card, because it would say if people's jobs were out on telly or if people were in the theatre. And that was the first sort of time I thought, God, I'd love to have a post-it note. How did it work? How did they decide who got a post-it note? Would she decide? Because it was like an agency as well as a school. It was, but producers, casting directors would come into Anna's on a Friday evening, sit at the back and watch classes. Every week, pretty much? Pretty much. There'd be someone in. And then a little nod would be given.
8:51Nod. And someone would be called in for a... And then you'd have an audition, yeah. So go on then. What happened? So this one week, it was the casting director of EastEnders and they were sat at the back, I think. Tony McHale, the creator of the family of the Jacksons, he was sat at the back. And yeah, they got me up and they said, oh, you quite think this one's a bit of a character. Say your name and what colour you like. and I went, my name's Natalie Cassidy and my favourite colour's red because I support Arsenal and you know, blah, blah, blah and then a couple of days later mum got a call to say we'd like to see Natalie up at Elstree and I went up to Elstree again, not really knowing what was going on I knew it was an audition for EastEnders but on that night Top of the Pops was filmed as you know next door and there was a queue a cue that I've never seen since maybe that is because I was little and it seemed much bigger but take that one performing Never Forget that Thursday evening and I remember driving in and being let into this place where everyone was standing outside thinking wow this is a bit special and did the audition and got to sneak in and watch Never Forget being rehearsed so for me I went home and just thought I've had the best day of my life so I like this so it's not a stagey family there was no history in the family of showbiz or anything like that the only thing I would say um I think my granddad who I didn't meet um he was a tic-tac man and apparently extremely entertaining bit of an entertainer so I think that's the only sort of link from what I know so no pushiness from your parents no trying to live out their dreams through you no pressure on you to do this or to do that probably slightly I mean but lovingly bemused absolutely by what you were becoming and what absolutely and quite naive I think okay what do you mean by that I'm not sure mum would have let me go into it if she would have known she was going to lose me so young well um I I struggle with guilt and I am getting much better at it coming I'm coming up to 43 now, James.
11:04No. But the guilt I feel because I lost mum at 19. Oh, I'm sorry. There's a lot of guilt around growing up a bit too quickly and wanting to be out all the time and living my life and losing her so quick. Because you come back. You come back to your mum and dad. And it was out of the blue as well, I think. It was, yeah. So you don't have that time to process things. No, no. But every kid did that. I know, absolutely. My brothers say, you know, we've got the chance to come back. Yeah. Not your fault. You were out. But it's a struggle, you know. Of course it is. Of course it is. But by naive, you mean that none of you, I mean, you couldn't have been expected to, and nor could they really, to appreciate, A, how big it would be, but crucially, how long it would go on for as well.
11:48Absolutely. Because that's often the point, isn't it? There's no guarantee of longevity. No, and it's an interesting one because people talk to me and they say, oh, you know, you're so lucky. and actually I have learned to say luck is absolutely the beginning and played its part of being in the right place at the right time but you don't get to stay in a job for over 30 years without professionalism, kindness and actually a bit of talent and I feel quite comfortable saying that now Good for you It's the same with what they call Nepo babies They might get through the door You might get through the door because of who your parents are but that's luck, that bit is luck but you don't stay in that world unless you can actually do what you I've been paid to do.
12:3130 years. It's a crazy business. Yeah, it is. Is it true that mum and dad didn't really know how big EastEnders was because you were more of a Corrie family? We were all Corrie family, yeah. Yeah, mum and dad didn't like EastEnders. Because there's no escapism for people in Islington watching Albert Square. Yeah, that's right. Whereas Corrie, which was, I mean, I suppose it was a little bit funnier as well. It was. It was lighter. Yeah. The days of Jack and Vera and all of that sort of stuff. It was fabulous. So, what, the phone rings or does Anna tell you? No, the phone rang mum. I was at school, I went to school in Hanover Hanover school, Hanover street and the phone rang, mum knew I think she told my brothers before she told me and picked me up from school acting a bit strange and went home and then she told me there was a big bunch of flowers waiting for me And what did you feel?
13:17Can you remember? No So long ago and so huge So long ago Hard to process I just got on with it, like I do everything really And then how big a slice did it immediately start taking out of your life? Because you're out of school for a lot of the time. Not too much, to be honest, because of the legal requirements. It was 40 days a year. Okay. So they'd split those up into kind of mornings, afternoon slices. It didn't interfere too much. I was still at primary school enjoying my primary years. And did you love it? Did you love being in it? Did you love acting? Or was it all just a bit of a blur? You did genuinely love it from the get-go.
13:54I loved it. Why? I loved asking questions. I loved the technical side of it. I loved the cameras. I loved asking questions to the director. Lindsay Coulson, who played my mum, often recalls a story and we laugh. And she laughs. Tears come into her eyes. Because she said, I'll never forget. Ten and a half. You on set. And we'd all be there. And we'd go, right, okay, we've done a line run. Are we all ready? And you'd go, no, actually, excuse me. I've got a question. I'm not quite sure I'd like to do that. and she said you were so inquisitive and so brave she said it was so sweet it's lovely it's amazing combination of confidence and curiosity yeah which is I mean they're powerful things for an actor to her when when did you begin to understand when did you begin to understand what a big deal it was I think when I turned 13 you then go up to 80 days a year so then secondary school life you know I knew that I wanted to be more at school at more at work than I was at school oh really um people were jealous of me having days off I just I just loved going to work I didn't really want to be at school anymore I got on with it and you were famous that's the f word yeah I was not getting away from it I was obviously not something that you were pursuing or something that you would be rubbing in people's faces but it was just a fact of life for you from an incredibly young age.
15:21Yeah. I can't remember not being recognised, which is a weird thing. That is a weird thing. But then it's all I've known, James. No, of course it is. This is one of the things that I find so fascinating because it's coupled with that thing I just touched on about you not actually having gone looking for it. No. It just became your life. It's who you are, who you always will be. And people also... So I'll tell you who else has been sitting in that chair. It's Daniel Radcliffe. Yes. And when I was talking to him, it occurred to me that everybody else gauges their age by you. Everybody else feels their own passage of time by watching you on a screen or an actor like you and him on a screen because you kind of grow up in parallel.
16:02It's really interesting, the audience that I have and people that talk to me when you're shopping in a supermarket or walking along. Sonia's a very kind character. Yes. She's a giver. She's a carer. She works for the NHS. I've been very, very lucky. I've never had rubbish. But I do have people really think they know you. You know, they come up, they want to hug you, they want to touch you. Sonia, you know, they really want to... They see her kindness. And you're all right with that? Very much so. It's part of my job. Always have been? Yeah. From a very early age? Very much so. I've always seen it as part of my job.
16:38When you have the children with you, maybe you're eating, and the children may be uncomfortable with it, that becomes a little bit of an issue but I have to explain to them mummy's done this for a very long time and mummy has to be nice to people and have a chat with them everyone's like that no I know it's quite the opposite absolutely I find it bamboozling do you? I think I do as well but it's a negotiation as well when you're with your family when your children are with you it is or if people are taking pictures of you without asking I don't like that or videoing you there's lines but that didn't exist when you were younger no did it?
17:12that weird thing of having a camera pointed at you wherever you go was not not really a thing no back then and do the kids get it the children get it they do joanie's nine nearly 10 in august she hates it does she yeah she's a bit of a character you'd quite like her but she's um doesn't mince her words and she really you know she'll roll her eyes at someone she'll say they've stopped you and i said please don't be rude so well she doesn't want to share you no she doesn't like it no and she thinks it's weird it's of why strangers talking to you the other thing because I think the first person I ever heard talk about this was Liz Dawn who played Vera Duckworth and people really do fail to understand where Natalie ends and Sonia begins do you blame them?
17:56I know but four times a week you're in their living room they see you more than their own family members yeah I know they do but they genuinely think that's you and you've been through this thing that's a bit strange Yeah. People loved soap. They used to love it.
18:15Did they look after you? I mean, because you were incredibly well adjusted, if you don't mind me saying so. There's no guarantee that you would be. But that shines out from every interview I've ever seen you give and everything I've read in preparation for talking to you today. How much of that was luck? How much of it was mum and dad? And how much of it was the BBC? I think a bit of everything. More than anything, it's family. Is it? Definitely. Mum, dad, brothers, sister-in-laws, nieces, nephews, you know, we're a very, very tight-knit family. I'm very, very lucky at how close we are and how grand did they keep me.
18:52The conversations we have. Yeah, I just don't see myself as any different. My brother's a builder. The other one has worked for Barclays for a very long time. Both very successful in their own right. I'm no more successful than them. So no as and graces? No. I get embarrassed by people that are divas, people that have an ego. I don't understand it. In fact, I've got no tolerance for it at all. That's probably the most strident that you've been, or at least the sort of strongest negative opinion that you've expressed, is that these people really, really wind you up. You must have worked with a few.
19:25I wouldn't dream of asking you to name names. Yes, yes, absolutely. But there'll be people who've waltzed onto the set and behaved as if they're the big I am. Or in other shows you do. quizzes or this and that you meet people that you might not come across before and you think oh good lord and they're often the people who who haven't actually smashed it no the people that feel they've got something to prove that they're not proving through the work um never never remember not being recognized and so matter of fact it's it's one of those strange things about celebrity that you either live it and get it completely or you don't get it at all there's no middle ground is it ever lonely that is it ever lonely to to have that emotional space that nobody except people who've had comparably ridiculous childhoods can actually grasp or understand in which i don't know them so i can't share that conversation with them one or two from yeah from work but otherwise nobody that's even more lonely because yeah it's a great question I suppose it can be lonely the recognising thing that you just get on with it and do it but again I'm not an over thinker I'm a bit of a doer and I think if you really sat down and thought about all of it you could go mad so when did the autodidact thing start kicking in because you've already decided you prefer work to school yes however you clearly have a rich inner life and you and you want culture in your world and you want to be absorbing things hard to do if you're not in formal education or at least you're not as engaged with your formal education as you would have been if you hadn't got the job in EastEnders when did you start letting that side of you flourish I suppose um being at work surrounded by you know it's a very rare job to have where you are surrounded by adults from a very young age and going back to the 90s, mid 90s, late 90s when I was there, there wasn't as much red tape.
21:31I'm not saying it's wrong. I think it's absolutely fantastic now that there is more red tape with children, chaperones, more tutoring. But it wasn't like that back in my day. I was very, very fortunate. I had a brilliant time. And I spent a lot of time with the likes of June Brown, Wendy Richard, Barbara Windsor, Pam St Clement, all these wonderful matriarchal women. And I was sat there at 13, 14, listening to them. where they'd been, what they'd done with their lives. And I think that's what started my curiosity for learning. Quite an old soul. Yeah. Did you go on holiday with June Brown at one point when you were about 18?
22:07Yeah, I was about 18. She was about 75. Where did you go? Malta. What did you do? We sat in a jacuzzi. Did you? And had a glass of wine. Naked, I think, James. But we were good pals. And age has never been an issue to me, I think, because of, again, my mum and dad were 44 and 46 when they had me. My brothers were older. Then I went to work with all of these adults. So I think it's hard not to be an old soul in that situation. Yeah, I guess so. I guess so. I'm thinking about those four who all had extraordinary careers before they arrived on EastEnders. As you got older, were you conscious of that?
22:42Were you conscious of the fact that you were growing up in one job, in one role? Only very recently have I thought about all of those things. Right in my book, I've thought about those things. and one of the reasons I left last year, I know we're not there yet, but you go, oh, do I want to just remain here and is this going to be it? Yeah. As much as I'm grateful for it, always. No, I get that. You go, is this all I'm going to do? I love it, but going backwards and forwards here, let's be brave and let's do something else. So what are the milestones then? The step up to 80 hours, to 80 days a year.
23:18Yeah, that was a milestone. Also, we haven't talked about how hard the Jackson family landed. I mean, that was big. I mean, everyone must have been delighted and people are high-fiving actually or metaphorically. So you're part of something, even within EastEnders, you're part of something quite big within something quite big. But I don't think because of my age, none of that landed. It did not register to me. I'd just pop along in a car, stand on the lot with a puffer coat on. Someone would give me a trumpet and I'd play it badly. I love the trumpet. And so The money must have made a difference to your life, though, did it?
23:54Or did mum and dad sort of...? At that sort of age, you're getting 30, 40 quid an episode. A lot more than most 10-year-olds, however. But it wasn't bundles and bundles of money. It all went away. Mum and dad were very loving, kind people. They weren't fantastic with money. They liked to spend. They were spenders. Oh, really? and I'm a spender unfortunately but yeah I'm learning to be more sensible what about ownership we've talked about people who think that they own a little bit of you and you never knowing anything different from that and this I'm intrigued by this idea of what's the word that I'm looking for it's not an absence of privacy is it an absence of privacy because you talked about right the first thing you said when we sat down was that mum and dad were quite private people and that's never been an option for you and something here between never having known anything different and knowing that what you have and what you have had is extraordinary but you can't compare it to what you would have had otherwise because you never, you weren't even I wasn't able to.
25:09No, you could never have, what are you going to compare it to? Because you can't remember what life was like before. No, that's right. So from a psychologist point of view, you're not actually that interesting.
25:20I'm no psychologist, but I'd have thought that the really interesting bit would be the path not taken or, you know, imagine you'd been 16 and you'd had this life and then suddenly it had all been turned upside down. But you don't. You're just that you have always been who you are today. Well, thanks for making me seem really bloody boring. No, I don't think you're boring. I didn't say that. I mean, it's like... No, it's just black and white. It's just simple. It's just who it is. It's what it is. It's how it's been. And that's the way it is. I love that. I've seen a lot of people over the years, you know, who have been to drama schools and what have you, and they're really desperate for it.
25:57Yeah. And then they come in and they get it at 17, 18, 19. Yeah. And you can see that change. And sometimes you can see that desperation. And I think I've been really lucky to fall into it when I did. Yes, I think you're right. And in some ways, it sounded like a masterclass in serendipity. Like everything happened at exactly the right time. So let's talk about some of the negatives. It must have been hard by the time you're 13, 14 to trust friends. It must have been hard to tell the difference between someone who wanted to be friends with the famous girl and somebody who just wanted to be friends with Natalie.
26:32I wasn't very good at that. Were you not? No. I'm sorry to hear that. No, I wasn't. Well, I say I'm sorry to hear that, but I'm also glad we're going to get a bit of gristle now in your life story. No, I think there were many friends over the years that have taken advantage of me that are no longer friends. again, like I say, I like to treat people. And again, it wasn't showing off. No. I just really like giving people things and watching them be happy. Yeah. But sometimes you can do that to the wrong people. Yes, of course you can. So that's a bit of a shame, but again, you live, you learn, you look back on these things.
27:04And they are the swings and roundabouts of this mad life that you're leading. Yeah. And that some of the positives you get that no one else is going to get are balanced out in part by some of the negatives that nobody's going to experience. Very much so. What about, do people ever tell stories on you? Do people ever sell stories about you? Oh yeah, I've had stories sold before now. Some lies, some not. I've had lots and lots of people write negative things in the papers about me when print was at an all-time high. How ugly I was, how fat I was. And you're talking about a 14, 15-year-old girl. And grown-ups would be writing that stuff.
27:43And that must affect you a bit. Again, I know you'd like me to say it has. No, I wouldn't. I've got elephant skin. I wouldn't. I've got elephant skin. Genuinely. Yeah, very much so. Now I have daughters. Yeah. When I look back at that, it makes me very angry. Because you are looking after little you. Yes. And feeling for her. And thinking, are you going to be really sensitive? What if an adult was writing those things about you? What would I do? How would I feel? Yeah. so I worry about what mum and dad went through then. And family, more than myself. Did they talk to you about it at the time? So you dealt with it on your own?
28:24Yeah, and sometimes I didn't really know what was going on. It was usually one of my friends, in inverted commas, that would say, have a look at this. And I think, why are you showing me that? I don't need to see that, really. That's a shame. I could have got away with that and skipped that. Yeah, my life has not been in any way enhanced by you bringing this to my attention. Absolutely. And then, of course, again, as a benefit, I suppose, it was before social media became the cesspit that it is now. Yes. Did the Beebe look after you on that kind of side of things? Because there's no preparation for this.
28:56You're either in it or you don't know anything about it. We had a great press team at the time. I'm just trying to remember them. I was a showbiz journalist during this era, but I am 110 % certain that I never... Didn't write anything bad about me, did you, Mr O 'Brien? I categorically did not write. Because, I mean, my tummy turns over a little bit The thought of people who would have been, so I'm 10 years older than you, writing, you know, about someone who was still a child. Lazy, isn't it? It's really lazy. It's lazy and it's nasty. Yeah, agreed. But they, so the press office would look after you, they wouldn't let.
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29:30We had a company manager, we had a press office, obviously you'd have your execs. And it was a good place to work. I think I was very, very lucky. It really was a huge, big family. and when did you first start thinking i i like the first time you left when did you first start thinking maybe i should do something else at some point well i'd been there for 12 years yeah so 93 uh yeah i was getting i was in my early 20s and i just thought oh i was bored you know not in a bad way just like gosh i want to see a bit of the world now this is great what if i do other things and meet other people and so i left for the first time um and i was 22 how did you tell them um i just went to the office it was lovely deirdre santa who's amazing he's brilliant boss and i went up and just said i think it's time to have a go and he was really supportive he said we're sad to lose you but i get it you're 22 go and have a great time come back soon so it's really nice and you did i had eight years off yeah and did some brilliant things someone I'll tell you a story that I think you might like I'm not going to mention his name but someone who was in EastEnders at the time I came down from my meeting and I said I'm going to leave and this guy said what on earth are you leaving for he said it's not as if you're going to go and do Chekhov is it and one of the first things I did when I left was a Chekhov play playing Dunyasha at the Chichester Festival Theatre I was like, hey, there you go What a wanker Seriously though Say it out loud, even if you're a big enough dick to think it quietly, to actually say it out loud Is that elephant skin territory again when people say that?
31:15Because you obviously enjoy the revenge of sorts I do, I do enjoy it I do enjoy getting one up on people But you weren't lying awake at night worrying about what you've said or crying about it Not at all
31:31for people who don't know about acting he says having just done five classes at city very very impressed thank you very much i'll show you my edmund after this what are the different challenges so you must have been quite scared's not a word i'm going to associate with you but you must have been to make that move to come off a job where you you know you bled into the character you played and she'd bled back into you. And you clearly do have quite a lot in common. You're not one of the soap actors who plays completely against type. Absolutely. Even if you could do all of the years that you're doing.
32:04And then, for the first time in your life, let alone your adult life, for the first time in a long-acting career, you're completely outside your comfort zone and you're walking onto the stage at the Chishis the Theatre. I was petrified. Were you genuinely petrified? Absolutely petrified. And do you know the first thing I had to do? Go on. I was the first on stage playing Dunyasha the Maid. Yeah. I had to light a candle. And my hand was like this every single night, shaking like a leaf. I was petrified, but I loved it. And I was with Maureen Lipman, Frank Finlay, Dame Diana Rigg, Gemma Redgrave.
32:36I mean, it was an incredible cast. I don't know how I ended up there, quite frankly, but it was wonderful. I mean, I don't imagine you did, but if you'd said to yourself, why am I doing this? I never got nervous in my old job. and it had a lot of the trappings that people who are much older than me want to get out of acting. Why am I doing this? What would you have said? Because you have to be brave, you have to push yourself. And to learn about theatre, I had to go and do something like that. It was out of my comfort zone completely. And I don't know, even now when I look back, I did feel like a competition winner.
33:16I thought I should not be in here I should not be in this situation little old me but I did it and I loved it and people said it was good and what is the difference in satisfaction then because I suppose if you're it's a bit of a hamster wheel doing a soap opera doing a regular on a soap opera it's relentless, it's such hard work so what is the difference in your sense of satisfaction from when you did theatre work which you will presumably be doing again now Well, it's the audience participation. You can hear them gasp. You can hear them sigh. You can hear them laugh. It's immediate. Yeah. And that is just such a special thing.
33:53And you know if you've had a good show. You are, it's like if you'd been put together by committee as an actress, you wouldn't be very different from what you're like. It's absolutely in your bones, isn't it? The love of the art, the love of the craft, the actual love of the acting. Very much so. Which is why it's so interesting. your granddad notwithstanding it's so interesting that it doesn't have any roots in anyone in your family that you ever even met you could be because you mentioned the red graves sometimes you may not realise this you could have come from a dynasty of actors the way you talk about acting it's just so natural to you it's very kind of you what I would say is people I don't watch a lot of film I don't watch loads of drama I just loved being there doing it so you're out did we take eight years and you did a lot I did a lot I made again some mistakes wasted a lot of money I've been very honest I've been working with Skipton Building Society as of late doing a little campaign to help people avoid some of the mistakes that you made well yeah it's about seeking a little bit of expert advice It doesn't hurt anyone.
35:09No. In those eight years, I took up the challenge of Celebrity Big Brother. Yeah. Because I landed quite a large tax bill. Right. Unexpected. And it always makes me laugh because people say, gosh, that's honest. I say, yeah, it is honest. I think people should know. A lot of these shows always sort of appear around the tax period. So they can get good people on. That's what I think. because of course and this is often what happens to people in the in the public eye when you're doing your tax you presume you'll earn as much next year as you did last year so you spend as if you did and then you come off a job like eastenders and and your income is going to plummet but your tax bill is not because you're still paying tax on the income that you had in the year when you were yes in the big job correct milud your honor so i like this campaign that you're doing with skipton because it really speaks to the fact that despite having lived this quite rarefied existence you are somebody who still completely understands what it's like to be entirely no f no s to be entirely normal yeah of course and also it's all relative to your life doesn't matter what you earned does it doesn't matter the bills your outgoings where you live your mortgage schools whatever you're deciding to do with you and your family life's hard at the moment for everyone who did you go to for advice when you were young in any area of life people at work people in albert square um steve mcfadden told you to buy a flat he did which you did i did that's good advice he did he said get yourself on the property ladder yeah um wendy richard sat me down at about 14 15 and she said you need to get a pension as soon as you can and she showed mum and dad all what to do and i look now and i think always think of wendy and think how brilliant she tell me to do that and i've got a nice pension you know so you've got an interest in doing this sometimes when a when a celebrity is is partnered with a brand it can look a little bit cynical or i try not to do any campaigns that don't align i find it so terrible when you're watching someone do something you think you haven't got a clue here you're only doing it for wonga you know but actually it's important it's important to care about what you're talking about You did do one thing for the Wonga.
37:26Celebrity Big Brother. No, didn't you do the fitness video as well? Oh, gosh, yeah, and that. Well, you needed, I mean, that was a big old payout, wasn't it? It was, yeah. That was more for, someone came up to me and said, right, you can lose four stone. Yeah. We're going to pay you loads of money. What do you think? We'll get fit and do, and I thought, wow, it's a great job. I'll have a go at that. And here's a very big check. It was awful. For your trouble. It was awful, wasn't it? Because it attracted sort of weird attention as well. Well, again, completely my fault because I decided to do it.
37:55But I lost four stone in just under four months. Yeah. Very rapidly. And once that deal is shook and you've done your this morning with your large jeans going, look how skinny I am, everyone buggers off and suddenly you're left in the kebab shop. And I put on all the weight quicker than I lost it. And people can't wait to point this out, of course. Absolutely. On page seven, probably. Or maybe even a little sidebar on the front. Very much so. Yes, indeedy. so during this eight year period when you left did you think I'll come back because also there's no guarantee I mean without wanting to blow smoke up your bum you're clearly a brilliant actress so I don't think there would have been any risk of them bringing back someone completely different to be Sonia Jackson but you're absolutely right you have no idea you could get an executive producer who's got an absolute hatred of Sonia Jackson and kills her off screen that can happen it has before so as you say you can't be arrogant I always had a surfing accident in California Absolutely.
38:51It's fallen under a bin truck in Burnley. I think the bin truck's a feather. So you knew you were, there's a risk, there's an element of risk. Always an element of risk. There hadn't been much risk in your life before you left. No, not really. But again, young, carefree, stupid. Yeah. Off I went. I didn't know I was going to go back, but when I did go back, when I was 30, I needed it more than ever. Meaning? Well, just I'd had a very, very hard few years. Right. With, I don't talk about it openly too much, but with Eliza's birth father. Okay. And that relationship was a horrendous one. Okay, I'm sorry.
39:34Yeah, all four. But for Eliza's privacy, I don't go into it too much. No, no, I don't. Nor should you. But yeah, it got to, Eliza was three at that time, and I went back to EastEnders, and I had finally my family back there, which I needed. I had a lovely little girl of three who's my world, who's 15, 16 in September. But also I needed that familiarity and I felt that I needed to be back somewhere secure. And I got that. And then I met the love of my life there as well. He was behind a camera. He was. But he'd had a bit of a crush on you for years, I think. Yes, he had. That's another nice bit of the story, isn't it?
40:15But from a psychologist's point of view, it's fucking no use whatsoever. Boring to see it.
40:22I'm talking as if I am a psychologist, but I'm a fan, I suppose. It's odd to be a fan of someone who's quite a lot younger than you. It doesn't normally work that way around, but I suppose as we all get older, it gets more and more commonplace. I'm extremely honoured because, honestly, listening to you in my ears most mornings at 10 o 'clock it's uh wonderful to be a james thank you i am i love the idea of a world which many of us associate with uh difficulty like being a child star this isn't a phrase that springs to mind in your case but it is technically correct and yet it is it is the warmth and the security and the safety of eastenders that you were craving by the time you were 30 you were coming back to a safe place you weren't sticking your head back in the lion's mouth or anything like that and it felt completely right from the first minute you got out of the car completely normal oh jeff the chippy he wanders through you think oh i'm home and and and you were welcomed i mean not just by them but by the broader audience and by the media as well it was a it was a very positive very much popular homecoming yes yes it was yeah and it was lovely to be asked back do you have favorite storylines do you have things that you because i mean the last one you were involved in was arguably the most sensational well it was it was uh i mean the live episode do you know i broke my sternum no i didn't know that on the wednesday we were rehearsing for the 40th live episode where sonia gives birth on the floor of course in the middle of a bomb site and I went a bit over the top, James, with my dress rehearsal and pushed so hard that I saw a little bone pop out here.
42:07I thought, we'll crack on, we'll carry on. That's method, is it? That was a bit weird. I had an x-ray and the guy said, you fractured your sternum. I've never seen anyone do that apart from in a car accident. Be careful. Go and rest. I said, I've got to do it live tomorrow night I'm afraid. And you did? So you did. Did they know? Did you tell everyone? I mean, people must have been looking out for you. Yeah, they were. They were, yeah. I'll ask that question again. Did you have storylines where you would go, yes, and then little periods where you'd go, flipping it, I haven't done much for a while?
42:41I mean, how invested are you in the unfolding plots? You're absolutely right. Peaks and troughs. I never sat and read a full script. No. I read my bits. I took my bits out. I didn't have time. my favourite is when an episode landed and it was myself and June for most of the episode doing a two hand day for me that's sort of you've made it then if they trust you with that half an hour and to do it with June with June Brown who's acting pedigree she was of an interesting age wasn't she in that people probably didn't appreciate just how much she had done theatre wise extraordinary career unbelievable career which brings me to the question of snobbery and and people not realizing doing a two-hander with june brown on eastenders is i mean that is absolutely top draw from a thespian point of view from an actor's point of view even people who are on eastenders don't appreciate that because of the dickhead who made the checkoff comment to you but if june brown thinks this is worthy of her time and her energies and thinks you are worthy of her collaboration and her energies and you're you're in a very special place it was very very special we'd sit together with a bottle of red wine pajamas on crafting that script yeah talking about it noting it blocking it through together and she just used to be she said every single line you say is a song every line you you just remember tonally the way you breathe you're making music and she used to say and listen for God's sake listen it's half of acting reacting that's all you need to know it's your training really yeah it was my training Anna Cher June was a tiny kid but then these people June probably more than anyone Wendy Barbara also acting wise June was the lady that I aspired to be like and listen to the most Barbara for etiquette professionalism being on time knowing your stuff talking to people Wendy was being kind to the crew well I've taken that as far as I could go I'm marrying one aren't I that is an extraordinary we've said it before such an extraordinary collection of strong women who were also brilliant actors who had also really just been everywhere and got the t-shirt let's talk about June a bit because she's a very good example of what we touched on earlier about someone who's playing very much a games type when she was playing as Dot Cotton she's arriving at work and pulling on a completely alien identity.
45:19Absolutely. Nothing like that. Nothing like it. At all. Modern. Jeans, shirt, little bob. Still had her fags. Yeah, okay. Yeah, we'll be hard to fake that. Yeah, yeah. No, she still had her fags, but she was completely different. Was there a point at which, because again, we're back to you being an old soul, when you kind of clocked how lucky you were to be in the presence of these people, or had that just become part of your existence as well? it had become part of my existence and it's only now when i look back really and they're all not with us anymore and you go i was so lucky to have those women in my life and actually you know every a lot of time spent with these women and i've been brought up by these people really yes in a way it is quite extraordinary
46:08so then the the the return um in the nick of time as you've described it for personal and and professional reasons um they came to you i think you didn't yes so this is dominic collins who how did he phrase that what did he say to you when he sort of sounded you out he said do you want to come back and i said yeah i'd love to of course i would we had dinner somewhere or drinks somewhere i said i will but can it not be for six months i want it to be for ages yeah i did yeah it wasn't an ultimatum no no it's six months or nothing you just said but i said come on can we did you yeah and i got a year and it and it lasted how many uh well with maternity and then it was another 12 years another 12 years to now to now effectively to the end of last year and the decision to pull the plug again talk me through that that was probably the hardest thing I've done because for some reason felt very final did it?
47:09I remember standing on the lot looking up at the Queen Vic Christmas before last and having this real I know it's a bit woo woo but I just thought I'm not going to be here for any more Christmases and I love Christmas. I like it when the trees go up and the lights go up. It's really pretty. And I remember standing there in the dark thinking, I'm going to take this in because this is the last time I'm going to do this. Now, whether that's true, I don't know. Because again, Sonia hasn't been killed off. She's in Bali living it up. Someone could kill her off. We don't know. But personally, for me, as a human being rather than Sonia, I just thought, I don't think I'm going to be on Albert Square anymore.
47:49And it was a very sad moment. What forced your hand? what crystallised the decision this time around? I wanted to be brave. I wanted to be brave and I wanted a bit of a work-life balance. And as much as I love that job, it's very strict, it has a lot of red tape around it, I was beginning to get offered a few bits and pieces that I had to keep saying no to. I thought, hang on, maybe I've got to do this and so I can just start doing other things. What if nothing comes in? What if it dries up? I've got to have a go. I'm going to have a go I'm over 40 it can't just be this it's tricky isn't it because some of the stuff you'll be offered is as a consequence of being honest then because you're very fresh in people's minds of course and then when you're not on it suddenly some of those offers won't materialize but some things hopefully do that you wouldn't have been able to do otherwise do you have criteria I mean are there things that you are particularly keen to do or are you just very much thinking let's see what comes up and then I'll decide ad hoc on what I am a little bit ad hoc but my podcast that I do with my family is something I wanted to create.
48:55I wanted to do a podcast which didn't rely on celebrities and I wanted it to be, if you like, a soap opera, a little bit. Where did that idea come from? Well, it was just an insight into my life but with the people that I love. And I wanted to be at home because I love being at home. So I built this little studio in my spare bedroom and my sister-in-law, Linda, comes over, my brother, Tony, my nieces. And because my nieces are like my sisters and I'm like their nan and it's just very strange because I was an auntie at three. We've all got a very lovely relationship and people really like it. I know they do.
49:33What made you think they would? Because I think people are sick to death of perfection. Yeah. And listening to bullshit. And that's something I won't do. So if you want to talk about the mundane things in life, you know, do you wash your feet in the shower every time, James? I'm your girl. And it's doing really well. It is doing really well. What else is going on? What else have you kind of... I've just done a Level 3 MVQ in health and social care. Have you really? For BBC Daytime. Learning to Care is the working title. Okay. That should be out at the end of May. That was on brand. I know. That's too cynical a phrase.
50:09You know what I mean. Because of Sonia. Well, no, not just because of Sonia, but also because of you. And what your mum did with your nan and the environment you grew up in. That's how it came up. I spoke to a production company, lovely company from Northern Ireland. And they do the don't know what you're passionate about. And I spoke about these things, being in hospital, singing to my nans. Caring is so important. My dad lived with me and I gave him the best five years of his life before he died. I was with him when he died. I cared for people and I loved it. It was an honour. So they said, well, why don't you go and do this course?
50:39And I did. And it's a lovely insight into carers, volunteers, charities, care homes. You know, it really is from birth up to palliative. And no way you could have done that if you were still in education. No, no way. You wrote your memoir a lot, which came out last year, Happy Days. I was going to say you're quite young to write a memoir, but you've crammed an awful lot into your 43 years, haven't you? I started early, didn't I? You did start very early. So, I mean, you enjoy the writing, you enjoy the presenting, which isn't the acting, but I sense that... Presenting I enjoy. I'm a terrible live person.
51:12Are you? I'm fine being interviewed live, but I think people who think they can just go and present this morning or whatever, it's crazy. It's a real craft, isn't it? yeah it's a craft I mean autocue is harder than people think so you're just staring at a camera and reading I'm not bad at autocue well because you come across as natural when you do it but not everybody does but you've got like this sort of like a selection box then in front of you and you can do what you want up to a point depending on what offers come in but I sense that in your soul you're an actor yes and I do love it but if you want to be at home and bring up your children it's hard acting's hard Last few things I've been offered are tours.
51:50And you've said no? I've said, because I don't want to be away from home really. So you've got a four or five year window while the kids are the age that they are. Yeah, and then maybe I can go off and be a, you know, Brenda Blephany, character actress. Is that what you'd fancy? Yeah. You can see that. It'd be great, wouldn't it? It wouldn't be bad. Plus I haven't got the boat, I haven't got the boat race to be the pretty one. I've never been the pretty one. So I think as I grow older, the parts will get better for me, which is a sad thing to say, I know. I think it's quite realistic I suppose so I mean you're also very good at acting which is probably the most important element of what you've just described and you can you know you bring something to to whatever it is you do because I usually end by asking about specific ambitions but I think you've already answered that if you could write the chapter after this one of your life then you'd be coming back in a recurring role central to a cast in a part that you really liked yeah Or doing a bit of stand-up perhaps.
52:48Yeah? Have you flexed that muscle? No. Not at all? I'm absolutely petrified, but I'm obsessed with stand-ups. You've already come across in this conversation as someone who sometimes does things precisely because you're petrified. There we go. So you're obsessed with it in terms of going to watch it? Yeah, I love watching it or watch it on the telly. But to try it out, I just think, nah, he's brave, isn't it? Standing and making someone laugh on your own. There's another BBC documentary there. That's correct. That's it followed around by a camera crew. I don't need that pressure. No, I'd like to do it on my own.
53:17Cheers. Do you ever do the path not taken? I know when you were writing Happy Days, you started, because you've just told us as well, that you started noticing things from your own past that you hadn't actually noticed at the time, things that you could value. We've talked about the influence of people like June Brown and Wendy Richard and not really knowing at the time because you can only live the life that you're living. It's only when you get the benefit of perspective, you take a step back. But do you ever think about what your life would have been like if you hadn't been on that post-it note that day or if it hadn't unfolded?
53:51Very much so. And? It's not good. Is it not? Not really. I would have been down the canal, this Linton Green Canal, doing that God knows what. You wouldn't have been a nurse? Maybe. Maybe. But I think I'm a bit of a wild spirit. Do you? And I think if I hadn't have gone down the path I had, who knows what might have happened. But I was a learner. I did like learning. I did like school. Yeah, let's have your path. I'd have ended up a nurse. No, I'm much more interested in yours. No, no. I just don't know what would have happened. There were a lot of people around me that were a little bit stupid.
54:30Would I have just followed on with them? Impressionable. Yeah. Head turned. Head turned. A bit lonely. bit of a you know only child because the boys were older yeah you know would i have got my head turned would i have been ended up you know i don't know what i would have ended up doing do you have friends your own age now oh yes yeah a few school mums yeah i can count them on one hand my family are the people that i see the most um yeah i'm i'm happy with a few friends i haven't got time for it really and and of course the people you've been closest to throughout your life have always been much much older than you both family and and work and the same thing as well let's talk a bit more about what you're doing with skips and building society because it is as you said not something that you enter into lightly and you don't say yes to everything that you're offered no who's it aimed at well it's aimed at everybody for me um the research that they did they it showed that 28 38 percent of people the worst advice they get is from their mates and that really resonated with me because it's true isn't it you sit there and you go should I buy that coat?
55:34And they go, yeah, you could die tomorrow. Chuck it on the credit card, get a credit card. And I think it's so easy to skirt around money and skirt around the subject of money and not talk about it. But what this campaign is saying is it's good to talk. It's good to be open, but it is good. And I know it's boring, but I'm just trying to put a really gentle spin on it for people. It may sound boring, but it is good to go and get a little bit of expert advice. And you've learned it the hard way. I have, yeah. but I think perhaps you're not going to get ambushed by another big tax bill because you've got your own house in order does that mean we'll never you're not going back on a reality show never say never James, you never know what's around the corner do you?
56:15No you don't I'd rather not eat kangaroo bollocks I have to say but you never know some big old checks on offer around there you never know it's lovely to meet you it's been so lovely to meet you thank you, really lovely and I don't want to be one of those people who says I feel like I know you. But you do. Yeah. But now I do. At least I hope so. Thank you, Natalie Cassidy. Thank you so much.
56:51This has been a Global Player original production.
From the publisher
From a childhood in Islington to more than three decades on one of Britain’s biggest television shows, Natalie Cassidy’s life has unfolded in public for almost as long as she can remember.
In this episode of Full Disclosure, James O’Brien sits down with the actor to trace a journey that began in a close-knit working-class family, took shape at the Anna Scher Theatre, and changed forever when she was cast in EastEnders at just ten years old.
Natalie reflects on growing up surrounded by adults, losing the privacy her parents had valued, and navigating fame before she was old enough to understand what it meant. She speaks movingly about family, grief and guilt, the loss of her mother at nineteen, and the grounding influence of the women who helped shape her, from Wendy Richard and Barbara Windsor to the incomparable June Brown.
They discuss the strange psychology of child stardom, the realities of soap acting, and the courage it took to step away from a role that had defined her for so long. Along the way, Natalie talks with warmth and honesty about money, motherhood, class, friendship, ambition and the need, now, to be brave enough to try something new.
Funny, candid and deeply perceptive, this is a conversation about identity, resilience and what it means to build a life when the whole country thinks it already knows who you are.
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