Matthieu Rouif: How Photoroom Creates a Standout AI Product

6 Jun 2024 · 44 min

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Generative Now | Episode Summary: Matthieu Rouif: How Photoroom Creates a Standout AI Product

Podcast Overview Title: Generative Now Host: Michael Mignano, Partner at Lightspeed Guest: Matthieu Rouif, CEO and Co-Founder of Photoroom Focus: Insights into creating impactful AI products through the lens of Photoroom's success.

Episode Highlights

Introduction

  • The episode explores how Photoroom, an AI-driven photo editing app, differentiates itself in a crowded market.
  • Discussion of the importance of creating truly valuable AI products for users.

Matthieu Rouif’s Background

  • Early Career:
  • Started working on photo applications while at Stanford and Polytechnique.
  • Developed the first mobile apps for ski resorts and co-founded HeyCrowd.
  • Worked at GoPro, focusing on mobile applications and video editing.
  • Frustration with Traditional Tools:
  • Experienced challenges with photo editing software (Photoshop) and recognized the need for a more efficient solution, particularly background removal.

Photoroom's Development

  • Inception:
  • Concept born from the need to simplify photo editing for non-professionals.
  • Launched the first version of Photoroom in just two weeks with a focus on user-friendly background removal.
  • Finding Product-Market Fit:
  • Engaged directly with users to understand needs, particularly in the e-commerce space (reselling on platforms like eBay).
  • Rapid growth in user base, particularly during the COVID-19 pandemic which shifted commerce online.

Key Features and Technologies

  • Focus on Segmentation:
  • Core feature is removing backgrounds, utilizing machine learning for segmentation.
  • The segmentation capability serves as a foundation for additional features and enhances the overall user experience.
  • Expansion Beyond Background Removal:
  • Introduction of generative AI capabilities, including creating realistic backgrounds, retouching photos, and generating shadows.
  • Emphasis on storytelling through photography—helping users present their products in compelling ways.

User-Centric Approach

  • Engagement with Users:
  • Conducted interviews in everyday settings (e.g., McDonald's) to gather feedback on user habits.
  • Continuous iteration based on user feedback to enhance product features and usability.
  • API Development:
  • Recognized demand for an API to integrate Photoroom’s capabilities into other platforms, facilitating broader usage without requiring users to download an app.
  • Success stories with notable partnerships (Barbie, Netflix) leveraging the API for campaigns.

Building Culture and Team

  • Remote Work Philosophy:
  • Hybrid team structure with an emphasis on transparency and open communication (no DM policy) to foster collaboration.
  • Diversity and Inclusion:
  • Team consists of multiple nationalities, enhancing creativity and adaptability in the global marketplace.

Paris as an AI Hub

  • Discussed the strengths of Paris as a growing center for AI innovation, citing strong educational institutions and research labs contributing to a vibrant ecosystem.

Key Takeaways

  • Importance of User Feedback:
  • Direct engagement with users is crucial for understanding market needs and iterating product features.
  • Simplicity and Accessibility:
  • The success of Photoroom is tied to making complex photo editing tasks accessible to everyday users.
  • Continuous Learning and Adaptation:
  • The integration of new AI technologies and methodologies is essential for maintaining competitive advantage in the rapidly evolving AI landscape.

Conclusion

  • Photoroom exemplifies how understanding user needs and leveraging technology can lead to a successful AI product. As the company continues to grow, it remains committed to enhancing user experience through innovative features and maintaining a focus on community and collaboration.

Listen to the full episode on [Generative Now](http://generativenow.co/).

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Transcript

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0:05Hey everyone and welcome to Generative Now. I am Michael Magnano. I am a partner at Lightspeed. Now, there are great generative AI models, and then there are great products built with these models that ultimately deliver value to customers and users. And this week, I talked to the founder and CEO of a company that's delivering a ton of value. It's Matthew Reif, co-founder and CEO of PhotoRoom, a photo editor that uses generative AI technology that can alter everything from an image's background to a subject's shadows, making this the perfect tool for many small business owners and solopreneurs who are selling their products online.

0:41Matt and I talk about all the lessons he's learned as the founder of multiple startups, finding product market fit early, and the unconventional way in which he's discovered what's really valuable to customers. So enjoy this conversation I had with Matthew Ruif, co-founder and CEO of PhotoRoom. Hey, Matt. Hey, Michael. How you doing? Good to see you. Yeah. Good to see you again. Thanks for doing this. My pleasure. Thanks for inviting me. Of course, of course. So there's so much I want to get into. PhotoRoom has been one of these amazing AI success stories, right? There's so much talk about AI, about generative AI across enterprise, across consumer, large language models, photo models, video models, music models.

1:32but like there haven't been that many success stories yet in terms of actual products like for as much hype as the category has gotten there's probably only a handful of actual products that have really broken out and perform really really well over a sustained period of time and photo room is one of them like no doubt hands down you've had a ton of success with photo room and i want to get into it there's so much to discuss with it but i think we should start with your background because it's really interesting you know uh you've been building in the app store and for the google play store for for kind of a long time right um yeah so i'm i'm an engineer by training uh i actually moved to the u.s uh to to do my master at stanford and that was like 15 15 years ago and basically i mean i had good um science math training which matches with AI.

2:28But I wanted to, at that point already, I wanted to start a photo business. So that's a long, long story. You know, it started early. Why photos? I like the technical part. I like arts and visual arts. So I've done a lot of drawing. I do that on my side, on the side. I spend a lot of time on photography and I like memories. I was building a ton of photo memories with books before, I think. And I wanted to print, actually, yeah, I wanted to print, we wanted to print like postcards and photos from travel back then with my back then co-founder. And so I came to Stanford with this idea of photo business.

3:10We're already having, I don't know, budget for printers, screens, digital screens and all that. And well, it was 28 and there was the first iPhone class. and for a graduate student it was so much an engineer on top of that it was so much more interesting to get into like okay i'm going to program a little app that does photo editing then negotiating contracts to print and install in some places in the world printers and that's i got into well photo first and mobile apps in the very early days i actually remember a friend of mine like back then 28 saying like oh yeah the early days of apps that apps are all over everything has been done it was six months in so to tell you how like it was not obvious at that time that uh there were a lot of things coming with the app but it was just fun for me to build software this way and basically that's how i got into uh mobile photo and yeah connecting i think already arts and science that's the thing that i love and really how do you mean very creative craft i think and how do you connect them to create something that's useful i i totally know what you mean about building mobile apps versus other types of software so i i was also uh i was a computer science major and yeah first few years out of school it was i i was totally bored you know i'm like programming these systems and these applications for things that i didn't even know what they did.

4:38And then, like you said, when the App Store comes out, all of a sudden, it's just a whole new lens. Before PhotoRoom, you worked on a bunch of different apps. Yeah. Talk to us about some of your early experiences. Yeah, I got into the App Store and iPhone development back, I mean, on campus at Stanford. I started my first company around, I wanted to do photo, but we pivoted and we did a bunch of ski resort apps. So we had a lot of apps for ski resort that will sell to ski resorts all over the world. And yeah, that was quite successful for 22 years old. After one year, I sold the company. So, wow, great experience.

5:17And yeah, a great way to get started into entrepreneurship and mobile apps. And then I started another company around social survey on mobile apps, A Crowd, that you would vote on questions. It was quite, we did that for three years. but yeah, I was missing a bit, I think, the visual part, so I came back to, I joined another startup in 2014 that was editing the Replay app. It's a video editor doing, yeah, like your photo, video memories from traveling, so back to my first love on photography, you know, traveling around the world, and they had this amazing tech and just pushing it after web to mobile, and so I joined the team, and it was quite successful.

6:03where we were on stage for the keynote app of the year also app of the year with Google yeah we were the first to do use AI to kind of make this video memories, stories of you automatically you're in the director's seat and not the editor's seat already 10 years ago and yeah it was a really amazing time using the beginning of AI at least on device and yeah and so it was very successful and gopro bought us in 2016 and i became in charge of the photo video apps at gopro for for two years that that's incredible i mean early in your career you've now already sold or been a part of two teams that have have gotten acquired i mean what's what's that experience like yeah i think it teaches you a lot i mean it first financially like it changed your approach to a lot of things to risk i mean you do believe in the story and that is possible um i i also think it makes you value a lot like what what was special in a culture because culture of a startup is not like a it it's not always concrete it's difficult to like uh materialize it you know it exists when you join that's why i mean that's So it feels special, but it's not always clear.

7:30And then when you join another company with the acquisition, it's another culture. So it's interesting to see how the two collide, if it's working well. So that's been a very interesting experience. GoPro is an amazing brand and tons of huge fan base. So very interesting, but it's a very different culture with a strong brand and marketing and doing hardware. it's not the same way as you do with for software where you ship fast and you try things and it makes you realize what's what well things that work and things that don't that you were not really aware of i think that's a big learning for me what do you mean by that things that work and things that don't uh at like the bigger company what do you mean by that no i mean i think what we did is like we in software you often like you can ship a lot of stuff and sometimes it works sometimes it doesn't and it's not a big deal and when you are a gopro you can't ship things that don't work or uh and same with a brand and so you realize that it's a strength of a small startup to be able to try things and have the have some forgiveness uh no one you're not good losing a lot when you you you're shipping something new that might not work and so it it's one of the asset of small startups that we tend to underestimate and that's that's a big learning totally yeah you can take more risk right like maybe it's because like you said maybe there's more forgiveness from the users or to the general public because they know you're a startup they know it's early or yeah you can definitely try things at a smaller company that you can't really at a big company because you could like you could really disrupt the financials of the business if You ship something that's broken or, or you, you know, you damage the brand or something.

9:18So it's so true, like being able to take those types of risks, both, I think per your point earlier, if you've already maybe had an acquisition can take more personal risk and being at a startup where it's young, take some risk on the business side. It's like a really, really powerful combination for doing special things. What was it like integrating at a much bigger company? It's also, you know, wasn't your, your company that was being acquired. What was that integration? Like, is it painful? Was it easy? Yeah, a bunch of people didn't stay on the long term. So I don't think it was, I mean, the app is great, but it's sad to see that a few things, like because there are bigger projects kind of collapse and people leave because they were in love with the small team and not in the big team.

10:01So you realize that sometimes it doesn't take a lot to have a bunch of people leaving, I think, here. Yeah, per your point earlier about the culture of a startup, that experience the acquisition the integration like it really highlights just how fragile and how special that is and how like quickly it can go away right if the culture changes yeah well that acquisition i believe turned out to be really important for your career because i think photo room ultimately came from that experience so tell us tell us a little bit about the journey through gopro to to starting photo room yeah i mean the exception for me of the idea of Photorum comes from, we were still like very independent and I was in charge of the apps.

10:44And I think as a PM, you always need to tell the story of the product internally, externally. And really, I became frustrated. I remember this day of trying to build an asset and my designer wasn't here. And so the US are sleeping and you need to promote that for, well, for tonight or the next day morning. And yeah, I just picked Photoshop and I had this exact story I wanted to build in mind. And I mean, I've been using Photoshop for 15 years. And I'm reasonably good with computers. I'm a developer. I build designs. I'm a builder, I think. And I became very frustrated by this experience of spending the afternoon and especially spending time on non-creative tasks that you shouldn't be spending time on.

11:31And at the same time, like we were we had the good ai lab at gopro in paris and i could see the paper they were working on it was 2016 and you you're like you start to have like good detection paper good segmentation paper and and you can only use it as a scientist where you go on this like this special uh code and you need to run the code by itself and it doesn't make any sense to have like this non-generative that has uh for like the mass audience and all the only the scientists that can use all this amazing AI back then. So that's the inception where I say, OK, we need to make editing photo more accessible.

12:09Programming got easier with no code. Editing photo should be simpler now because we can understand what's in an image. And that's how the idea of PhotoRoom started. There are obviously, I hope you don't mind me saying this, there's so many photo editing apps out there. You and I have talked about this before. I used to work on a photo editing app a long time ago, Aviary. even back then so many photo editing apps how do you stand out like when you decide hey we're going to start a new a new photo editing app like how i guess it's this feature it's the ai uh it's the machine learning you were talking about really that were that was able to to to make photoroom stand out from all the others we we came with kind of this unique approach of you should be able to i mean one of the non-creative tasks is like removing background And there were good papers back then, and the state of the art started to be very good, but on the web.

13:03And I think most people tend to underestimate, especially developers, that most people are editing photos on their smartphone. And let's do the best photo editor and the best background remover as a starting point on mobile. And that's where we got started. Yeah, and so very good quality on this feature, background remover. And then how do you, so that's like your first approach and be the best at it, be fast, be very good at the algorithm, understand there is demand for that. So I knew there were a lot of people searching for that on the app store from being in the app ecosystem for 10 years.

13:41And so I think you can crack it and be innovative when you come with this unique feature that's important to people. I mean, from that, you can build like a sizable business. And I think the extra part that brings us after that to what's next and why Photorum is very, very big now and very successful is that fundamentally, and in the eye space, people knew it, like removing background is a task that's called segmentation. And segmentation is basically parsing photos. So what you need to be the best at this task is understanding what every pixel of photo is and understanding what's in this photo, what's silent, what people are focusing on.

14:20And at the same time, you're building something that's very valuable as a feature-only company, but you also have many adjacent possibilities because you're understanding better than anyone on market, any other photo editor what's in the photo. And you can build so much from that. And that was kind of a bet, but we were confident it would make sense in the long run. So my takeaway from that is so many people on mobile at the time were just focused on like really basic stuff, right? Applying a filter, maybe, you know, messing with the saturation, messing with the content, like very, very basic sort of single double tap sort of things.

15:00Whereas on the desktop with programs like Photoshop and Lightroom, people are getting into more professional style work. But nobody was really doing the stuff that was really hard to do on mobile, but maybe easier to do on desktop on the mobile phone. But as you said, it was pretty clear to you that there was demand. So it was like, hey, let's just nail this feature, segmentation, something you can't really do on a phone. And we're going to base the product on that, at least initially. Yeah. Yeah, it's really smart. And you do have like tons of like, the question for a product manager is like, do you have depth on that?

15:37So are they like, are they tons of creatives that like by removing background, like segmenting that you can build that are unique and more accessible that all the other photo editor out there. And you go in the street, like you look at the ads, you look at the marketing assets, you look at many things. Like it's so common to be able to segment an object because you tell a story of many objects, and it's everywhere. So if that's at the top layer of your product, then there's going to be a lot of depth on the templates, the features that you're going to put forth to all the users. And this is going to be so much easier in PhotoRoom than in any other photo editor, because you start by that.

16:19In PhotoRoom, you import a photo, we segment it, so we remove the background, and you start from the object and not from the square of pixels. and that well maybe we're not going to be the best at like 100 of what you do but for 20 10 of all the possibilities we make you one step closer to make something amazing and that's good enough on a vertical photo editing that's like concerning five billion people yeah so what were some of those first use cases that you saw that maybe proved that you really did have depth to this feature right like i'm sure like you said there's you see you see segmentation everywhere but in photo room like what were the ways people were using it to start where you're like oh wow we you know we really have something here maybe we found product market fit yeah so we we we something we did very well that comes from the zenly teams uh team in paris is we would go to mcdonald and interview so we'd go in the line we would pay for a meal in exchange they were ordering in exchange for answering five, six questions on what their photo editing habits and testing the app.

17:26So it helped us remove a lot of friction in the outboarding and create an amazing outboarding experience. Make sure people get to understand why Photorum is special. But it also got us tons of ideas of what we can do that's special. A few things that resonated with the user in these interviews were, for instance, ID photo, passport, YouTube cover, YouTube thumbnail, But the biggest one by far was reselling on marketplaces. So the Poshmark, Zpop, eBay of the world, where some of them actually require a wide background that you do by background removal. And that's where we found product market fit.

18:08In early 2020, just before COVID, we started to have Gary Vee and other eBay influencers that talked about us, did YouTube videos about us, because, well, not of eBay sellers were hustling. They were doing like photos on the spot and they needed an app to go faster here because for them, time is money. And we were saving so much time for them. The quality of the algorithm was much better than what was out there on competition. And so that's where product market started. And did you learn that in McDonald's? Like you learned about the reselling need just by talking to users in McDonald's or did you already have that as a hypothesis?

18:45us? It's a good question. I think it's a, I mean, like product market fit is a bunch of things. But I definitely remember this user telling us like, my girlfriend would kill for an app like this to sell on Debo. And one thing we did very early, like we shipped the first version of the app after two weeks of programming, like and we put payment right there in the app subscription, right in the beginning. And the we listened a lot more to people paying than people not paying. And we realized a lot of people were coming back to us paying and asking about commerce, reselling features, eBay integration.

19:23So this part helped us a lot. And so this is like, I think it's a mix of things. We also did the product market fit survey where it was clear that some people would really miss the app. They would be very frustrated. So a bunch of things, but I definitely remember this deep up interview in McDonald's. So you're at product market fit. You find all these use cases and this depth of product segmentation. Where do you go from there? Right, so that's 2020, February. Basically, one month later, COVID hit. And that's, I think, I mean, startup, unsuccessful startup in particular, you have like also timing and luck is a big part of it.

20:01So while COVID was very tough personally and with the kids and all of that, for PhotoRoom, it meant like everyone needs to sell online because you can't, well, first, you can't take photos with photographer because you can't get contact. And then you need to go online because no one is going in physical store anymore. So that's like massive growth. We did YC remotely two months later. And really we got to 1 million in AR very fast like in the first year of 4 Term Story. So that amazing growth with YC, COVID and eating product market fit in one year. And talk a little bit about the algorithm for doing the segmentation.

20:44What were you doing back then, technically speaking, and maybe compare that to what's happening today on the imaging side? Obviously, there's been so much innovation in terms of innovation models just over the past year or two. So maybe explain to us what you were doing back then compared to today and maybe how have you changed as a result? yeah so i think our approach is really talking to user as i said and i remember this like uh i mean the way we pitched but photoreum is uh special because we do useful machine learning and that was our our pitch before gnai or anything but i think it's still very true today like we we do useful machine learning in the sense that we talk to user and try to understand how the ai is helping them more than starting from what's possible from the tech.

21:33We just try to be the best and use AI to fix the problem as best as possible. How do you do useful machine learning? We start from open source because we want to understand what's the pain from user. Well, the design school I did at Stanford is like show, don't tell. You want to show the AI to a user and understand what sticks with them, How did they project themselves? What's good? What's not good enough? Do you want to make it faster or more accurate? And you can't invent that. And certainly if you're in a lab and trying to do the next general purpose AI, you're not optimizing for that. So our strategy at Photoream is we start from open source.

22:15We put that in the ends of user as fast as possible. Then we understand what are the pains and the blockers of this special architecture. and then we train our own model that's best on market for this specific use case. So today, for the background remover, our tech is best on market. You can use it in the app, in the API, but any benchmark will tell you what's best on market. And that's because over time, we built data from our user participating and training a special architecture, using open source to improve it, participating in open source sometimes, to really adapt to our user use case, which is, well, photo editing.

22:54So it's not like, you know, self-driving cars. Like if you take some general purpose AI, like SAM from like segment anything from some model from Meta, it's like, it's a segmentation model that's made for everything. It's for robotic, it's for self-driving cars, it's for software, it's for many different things. And it's not optimized for what the user wants. And that's, I think, the value and why, I mean, the user, in our case, using software, what Photorum does is so valuable. And so that's the background remover. Then we moved on to other AI. So obviously, today, Photorum is much more than the background remover.

23:36It's a full photo editor with a lot of Gen AI features. And, well, that's the second part of the story where we, after being really good at a wide background, we started thinking of what's next as a photo editor. And that's just what is now called Gen.AI, but wasn't back then. We had the first DALI first version. We started playing and we realized, OK, sometimes what background or segmentation is not the best for users. They want a visual story. So they want for jewelry, for cars, for furniture. They want something that tells the story of the subject. And that's where we started investing in Gen.AI.

24:15So that's how we started investing in our Gen.AI models. So when you say tell the story of an object, are you referring specifically to the object in maybe the use case of reselling? Of, hey, these sneakers, this purse, this bag, let's give people Gen.I.I. tools to help tell the story of this item, this product that somebody is going to sell? Is that specifically like the use case and service area you think of or you think of other types of objects and use cases as well? No, I think, I mean, our mission is to power commerce photography. So really we're thinking of, okay, you come with an object and as a business, like you're showcasing, you're telling a story, you're selling, you're telling the story of your product.

25:02And you tell the story with multiple things. Well, first, even how you look at the seller, how is your profile pic, but also how do you put your object in situation? So sometimes you're showcasing in your shop, like in the physical store, you showcase in the window. And that's like, you really want to have like a, you do lifestyle, you have story that people can project themselves. And there's the same on photos on the internet. And then there's, when you go in the shop, you have like, okay, you have the full catalog. And then, so here it's about like seeing the different features, zooming on the material, if you take the fashion, zooming on the product itself.

25:38So that's more like catalog listing. You want a wide background, just want to focus on the product itself. So you really have very different kind of photography you want to do in the marketing life, in the marketing materials. And they're all different, but your scene that GNI enables is telling this story. And that's what we started doing with GNI. The white background is great for a catalog and product listing, but then all the lifestyle photos are supposed to tell the story of what you're doing. If you're going for sneakers, for instance, or you want to see them in the outdoor, so you want to see them in the mountain, how do you do that?

26:20Are you taking a full crew in the Alps to shoot that and you pay like 100K? Or are you doing that with Gen.AI? And Gen.AI enables so many things for that and to try things, to start A-B testing the different stories you want to do. what are some of the Gen.ai kind of technologies or model approaches you need to build to unlock some of these features? I mean, are we talking things like in-painting, out-painting? Like, how do you accomplish some of these things? Yeah, so today we have a full set of Gen.ai features. They come from our photo room instant diffusion model. So we train from scratch. And then from this model that's trained to do any photography, We do multiple things, AI backgrounds.

27:07So you start from an object and you generate a realistic scene that adapts to the light and the shadows of the product. We have a retouch feature where you use an AI to either erase an object from the photo or actually redraw, fill with a new object that you can specify. We have an AI resize feature where you can use any material. So you have a square image and you want to create a story. We just expand that to a new format. That's always a problem with stock photography or photos you have. They don't fully fill the space you have. Or maybe you want to use it in multiple places and you don't have all the pixels you would need.

27:56And so we also have an AI shadow model that's a specific model that's trying to create realistic shadow. And the value really gives volume to your product. But you can control the color of the background if you have a brand or you have a specific backdrop that you want to use for this one. So at the end of the day, it's like five different AI features that are used on top of our photorealismant diffusion model. What you talked about earlier with starting with open source is really, really smart because my interpretation of what you were saying was it basically allows you to test and validate hypotheses really, really quickly before training your own models or investing in your own technology.

28:36Will you even, like with some of the features that you just mentioned, will you even do that in the actual production product to test things before investing in building your own tech? Yeah, we do test off-the-shelf. If they are interesting, we have many different AI features that we put in either in beta internally to test them or try with user and do user testing to understand what they would value in that. So yeah, we do test many different models to see what the user value. At the end of the day, the goal, I mean, it's a bit provocative, but I don't really, I mean, I think there is value in owning the vertical stack.

29:22So because you can reinforce and use the user feedback to improve your model, But if the goal is to learn and improve your model, then you should ship as fast as possible with what's off-the-shelf or open source to understand the user need and really build from that. And if it's not our tech, if it's valuable for the user, I mean, the number one priority for us is our users. So we build our own tech because we think it's what's going to bring the most value to our user. But if it's someone else tech, we're fine using it. I think that's a really, really smart lesson that other teams should follow for sure.

29:58The other thing I'm thinking of as you're telling me all these features is, you know, by verticalizing all these features into a single app, PhotoRoom, there's probably just a tremendous amount of value you can unlock for your company and your product. But these features probably would also be really valuable in other products and other experiences as well. I believe you have an API. How did you land on the API? Like, talk a little bit about that. Yeah, it started as an hackathon, like many features, and we built like a, you get tons of ideas from that. It's kind of hackathon.photomall. We call them photo hack, some of the best part of the year for us.

30:41But basically, we did a quick prototype of the, yeah, for background remover page, and it used our API. and it started like this and we realized well back to our like to our being doing useful ai we understand that some people they told us like i don't want to download an app for that like for white background for instance especially as we were talking to like uh marketplaces where for them the flow is super important and we were super proud of our tech and the result but they told us like activation flow for a seller is just a single most important metric in the company and I'm not going to block the user by telling them you need to download an app now.

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31:23So it's kind of a disillusion, but we realized okay, maybe it makes sense. And at the end of the day, we want to be ubiquitous and we want to help our users. So if they are not downloading the Fortrum app now but we help them with our tech, it matches our mission. So let's start with the API. And it was kind of the side because it's difficult for a year or so. It's a bit difficult to optimize for two metrics. But what happened with the API is we do support, everyone does support at PhotoRoom. And one day, my co-founder, he was doing support and someone was saying, like, I would need the API, you know, and the app support.

31:59I need the API for this project. Like, can you help me? And he helped them. They integrated very fast. And they asked us, like, are you sure you can handle a big load? Yeah, sure. I mean, we have like millions of photos every day. It should be fine. And well, one day, the server started to like hit a bit and and we just learned that they told us like okay we're launching the barbie campaign so are you are you sure you're ready and we did like 20 million almost 20 million like uh users in three weeks with barbie oh my goodness and that's like at that point and they at that point they were actually it was a partnership they were using photoreome logo there and like big big featuring and super successful and that started like uh the api and they just used us because they tried a few API for that and it was the best tech.

32:49So I guess, I mean, I think entrepreneurs should be a bit more deliberate in new product, but that was a bit of luck there. And we started doing Barbie. We worked with Netflix for Black Mirror. We worked with LPMH. I mean, big brands for marketing, they started using Photonormon. That was quite interesting. And also like other apps in GNI where they didn't want to invest, but one removal was important. They also started to use Photoshop, like Printify, like Mojo, where they were an app with Shopify too. So it started to take off, and I think it makes sense. At the end, not everyone is going to download the app.

33:31Sometimes people have existing workflow and they want to do amazing photo, and they really want to scale the photo creation. And the API is great for that, and it's really taking off. So that's the new part of Photoremafter, the mobile app and web app, is the APIs. And it's starting to be very powerful. We have the background mover API that sits on top of our background, yeah, our section tech. And now we have the Gen AI where you can reposition, relight, create an AI background, use the shadow. So it's a very complete endpoint where you can do anything with your photo, like edit with just a parameter.

34:10It's very complete. How do you weigh sort of the trade-offs of letting someone sort of have complete control over the experience in their own product versus trying to, you know, maybe leverage API integrations to drive usage back to, you know, your own first party photo room app? Is that something you think about or do you think about them as two distinct businesses and strategies? So the API, I mean, what's important is it uses the same AI models and the same rendering engine as the app. So it's like anything you do in the app, you can transform it in an API call. And I think what we've seen is there are very similar needs at different scale.

34:54And it really, they relate to each other because we specialize in product commerce, like marketing photography. I think that's a very important similarity to start with. We do have a partnership plan in the API where basically it's not white label. You mentioned Photoroom, you link to Photoroom. And so it drives traffic to the app. So that's kind of the easy way. It's been quite successful. We did that with Netflix. We did that with Barbie.

35:27It's more brand, but people start to use Photoroom from that. And then I think on the long run, we can have more, we can have deeper integrations where if the API doesn't work, you can open your edit like in PhotoRoom. So for 95, 99 % of the case, like your workflow is not broken. But for the one person that doesn't work, you'll have more UX because at the end of the day, an API is kind of a text box on top of a model. it can be more advanced but you can't, I mean it's difficult to edit photos with just you know comments and so if you want to go deeper you want to move things around you'll open the photoreom app and I think that's where when you go back to the story of like Jpop or Poshmark they say I'm like blocking the flow of my user, I'm not going to ask them to download an app but maybe for 1 % of the case where well they could have like a standing an image that stands out But if it's just one person, it's not going to break their metrics.

36:28So I think that that would make sense at the end of the day. So Matt, obviously, the business is doing really, really well. It's easy to see from the outside. But what about what are you really proud of? What are some of the recent highlights that you might want to share? Yeah, it's been growing very fast. We reached 150 million downloads. And it's not only downloads. We are like 30 million monthly active users. So it's a lot of people editing photos on Photorum. And we're very proud of that. Big names. Yeah, like, you know, Barbie, Netflix, LVMH using the API. So business is thriving on top of the AI now.

37:09That's awesome. Congratulations. Thanks. You're based in Paris, the company. Is that right? Yeah, that's correct. Is everyone there? Or is the team distributed? Or how does it work? We are a hybrid team. We were born in COVID, you know. So everyone is working from Europe. We meet once a month in Paris in the Photogram HQ. Otherwise, people can work from wherever they want in Europe. We have like 15 nationalities. And it's important because, well, Photogram is number one photo editor in many countries in the world and having a lot of nationalities in Paris or in Europe is quite important. And it's actually a little easier, I think, to get that in the Bay Area or New York than in Perth.

37:55So Remote is helping us a lot for that. One of the things I think I saw you tweet, which I found really, really interesting, especially knowing that you're a distributed team, you're not all in the same offices. You have a no DM policy on Slack, I think inspired by Stripe, you said. How do you make that work? That's got to be so hard, especially when people aren't in the office together because people got to have one-on-one conversations. Maybe they're collaborating, working on a project. Like, how do you make it all work? And I'm sure it has like a really positive impact on the culture as well.

38:30Yeah. I mean, before COVID, the video editor startup, I was at, we had like some people remote. And I remember like having some people very frustrated that they did not have the full context of the office conversations. And as we started with COVID and we start, like you start to learn from stripe experience and i had like good friends working at stripe you understand like like having context is very important it's a way to feeling included in the company and so very being very transparent here it matters a lot especially as you're remote during covet because when you don't know and you there are things that happen that happen because of another conversation people assume the worst you know they feel like it's maybe it's because they don't want to work with me anymore but it's just like you just go to the fastest sometimes so being open by default is really like it's about building trust and i think building trust is a single most important thing when you're hiring new people and when you do it remotely it's quite challenging so we started with this very open uh and transparent culture and the other thing is we want to hire like we're very we hire very we hire very senior people and when you hire very senior people it's It's for, well, you don't tell them what to do.

39:42It's a famous quote. Like, they tell you what they want to do. But to do that and make good decisions, they need context. So to make local decisions, they need good context. And that's transparency. And it's all about being able to search. Like, you don't want to have to search something twice. You don't want, like, that was one of the, Gustav is a YC partner, and he was telling us all the time, like, you don't want to answer and write something twice because you want to be impactful as a founder. but I think it's also true internally. You don't want to have to write something twice. And being open about that is maximizing people having context and making sure that the best opportunities happen because you have access to all the information and from all the best information, if you have good people, they'll take the best decisions.

40:24So that's where we start from. It's quite challenging to maintain, especially as you grow, but I think it's very for the best and people are joining for this culture of transparency. What's going on in Paris? I haven't been in a couple of years. It just feels like this amazing place for AI companies, both on the application layer as well at the foundation layer. Talk to us about Paris. Why is it so special right now? I mean, it's obviously one of the world's great cities, but why is it so special for AI right now? I think the engineering schools are quite good, like the UK or California. but it's very specialized in math, which I think is the first asset for AI with a lot of matrices.

41:12And even if you do physics, you do economics, you just do math. It's a very annoying part of engineering in France, but it turns out to be quite useful here. There are amazing labs started by Yann Lequin for Meta and the Inria. There are other DeepMind and Google now is a good lab. So a lot of labs in Paris. with a lot of people doing their PhD here. And then the startup ecosystem has been 10 years in the making and has reached escape velocity where you can have very good AI engineers and a good startup ecosystem that's big enough. You have financing here. So I think that's all the conditions to reach escape velocity and to be good enough as an ecosystem that you don't need to leave and go to the US to build an amazing company.

42:05So, I mean, some people will do, but it's good to be kind of autonomous here and have enough talent to build amazing things. There's a lot of optimism also with the AI space and the momentum that is important at the startup level, but I think also as an ecosystem level. GingFace is here too for the open source community, so it's quite important. That's awesome. That's probably a great time to ask you, are you hiring either in Paris or elsewhere in Europe? Yeah, we're doubling the team. So in the next year, and especially the AI team. So we released our foundation model for thermo-institant diffusion two months ago.

42:48And we're already preparing. I mean, we're already training the next steps. And yeah, the model needs to get better. the more you give to users, the more it's normal for them and they're asking for new features so we're really ramping up on the AI side and training a lot more now, so yeah hiring all across Europe for now and especially AI computer vision talent, we want to train like a very powerful foundation model in a small team and also scaling our B2B part with the API and also So actually, we didn't talk about it, but collaboration features where you can work together on AI designs. Awesome.

43:32Well, Matt, thank you so much for making the time today. This was awesome. I learned a ton. I'm sure the audience did as well. We got to do it again sometime. Yeah, it's amazing. Thanks. Thanks again for the opportunity. Thank you so much for listening to Generative Now. If you liked what you heard, please rate and review the podcast on Apple Podcasts and Spotify. Also, please subscribe if you haven't already. And if you'd like to learn more, follow Lightspeed at Lightspeed VP on YouTube, Twitter slash X, LinkedIn and everywhere else. Generative Now is produced by Lightspeed in partnership with Pod People.

44:04I am Michael Magnano and we will see you next time. Thanks so much.

From the publisher

What makes AI truly useful and impactful for users? That’s the question that drives Matthieu Rouif, CEO and co-founder of Photoroom, the AI-first photo editing app for mobile. This week on Generative Now, Lightspeed Partner and host Michael Mignano talks to Matthieu Rouif about what he learned from his previous ventures in app development, how Photoroom found product market fit early, and how Photoroom went from a feature to a product with more than 150 million downloads and 30 million monthly active users. 


Matthieu started working on photo apps decades ago while studying at Polytechnique in France and Stanford in the United States. Matthieu created the first mobile apps for ski resorts and co-founded the HeyCrowd app to make surveys more social. He later was a product leader for Replay Video Editor (Awarded ‘Best App of the Year’ by Apple and Google). While working as a Product Manager at GoPro, he became frustrated with the time-consuming process of manually removing backgrounds in Photoshop and realized that there was a demand for a better solution on the App Store. This led Matthieu to study machine learning, and he met with Eliot Andres, a machine learning expert, and together they created the first version of Photoroom in just two weeks.


Episode Chapters

00:00) Introduction to Matthieu Rouif & Photoroom
(01:57) Matthieu Rouif's Entrepreneurial Journey
(04:44) Early Startup Successes and Lessons Learned
(10:30) The Creation of PhotoRoom: Bridging AI and Usability
(16:45) Finding Product-Market Fit & The Power of User Feedback
(19:40) Scaling PhotoRoom Amidst COVID-19
(21:05) Unlocking User-Centric AI with Open Source
(23:30) Evolving Beyond Background Removal
(30:19) Wider Application of the APIs and Success Stories with Barbie and Netflix
(37:12) Building a Remote Team Culture & “No DM” Policy
(40:37) Landscape of AI Innovation in Paris


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