Drama Is Conflict, Brand Is Character: Lessons from Nike, Airbnb and Apple with AKQA & Studio.one's Ajaz Ahmed

21 May 2026 · 38 min · 22 chapters

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In short

How great brands build enduring “character” through storytelling driven by desire and conflict, and how they should respond in crises; plus lessons for brand building and human creativity in the AI era.

Guest backgrounds

Ajaz Ahmed, founder of AKQA (creative agency behind Nike, Coca-Cola, Netflix; acquired by WPP for about $500m); later founded Studio.one, an AI-native brand studio.

Key claims

Great brands are great storytellers; every enduring organization has a desire to put right a wrong. Stories require conflict/crisis (e.g., Apple vs complexity; Nike vs inertia). The “true test of character” is crisis response, building a trust “reservoir.” AI will democratize creativity like the camera enabled Impressionism—optimism over fear.

Notable examples

Nike’s mission (“innovation and inspiration” for every athlete; “if you have a body…”), Apple keynotes simplifying complexity; Airbnb’s racism, trashed-homes, and COVID crises handled with short-term sacrifices; Adidas World Cup AI-enhanced storytelling; Impressionists after photography; Garry Kasparov vs IBM; “toy story/pixar moment” not yet achieved by AI.

Written by AI. May contain mistakes. Listen to the episode to check what was said.

Chapters

Tap a time to open that second in VO

Building Iconic Brands

0:45 to 2:14

Ajaz Ahmed discusses the essence of great brand storytelling and conflict.

“We'll also talk about where human creativity can survive the era of AI slop.”

The Role of Conflict in Branding

2:14 to 5:01

Understanding how conflict shapes the narrative of successful brands like Apple and Nike.

“And someone like Jim Collins, who's one of the most profound authors there is, like he wrote Good to Great.”

Case Study: Nike's Brand Success

5:01 to 7:25

Insights into Nike's branding strategies and its mission to inspire athletes.

“And it has amazing intentions for its audience.”

Nike's Transition and Future Challenges

7:25 to 9:35

A discussion on Nike's current branding challenges and shifts in strategy.

“And I think the other aspect that differentiates Nike is the, I kind of think of it as the organization as an athlete.”

Creating Authentic Brands Quickly

9:35 to 13:08

Strategies for building authentic brands rapidly in today's market.

“For people who haven't seen it, it's kind of an amazing use of AI where you see like a younger David Beckham and a younger Zidane Zidane.”

Memorable Branding Questions

13:08 to 14:02

Key questions to guide the creation of impactful brand memories.

“and the vast majority of audiences find it to be engaging and interesting or it's not okay and so Visually we're talking about.”

The Essence of Character in Storytelling

14:02 to 14:36

Explore how character shapes compelling narratives and brand identity.

“most profound films and TV series and books is because we can fall in love with the characters.”

Creating Memorable Brands

14:36 to 15:42

Learn what questions organizations should ask to build impactful brands.

“A simple question that any organisation can ask itself is, what's the memory we want to create and what's the feeling we want to evoke in the hearts and minds of our customers?”

Case Studies of Successful Brands

15:42 to 16:41

Examine examples of Gymshark and On as models of effective brand storytelling.

“And I think Ben with what he's done with Gymshark is an extraordinary example.”

Building Trust and Reputation

16:41 to 17:45

Understand the importance of trust and reputation in brand management.

“or PR thinkers think about the kind of reservoir of goodwill that takes many, many years to build up.”
Show all 22 chapters

Brand Resilience in Crisis

17:45 to 19:09

Discover how brands can turn crises into opportunities for growth.

“And I think when brands act with authenticity of their character, we admire them more.”

AI's Impact on Human Creativity

19:09 to 19:45

Discuss the potential of AI to enhance rather than replace human creativity.

“And so making those investments and making sure that there's incredible respect for the audiences and the customers is really what matters.”

Historical Context: Art and Technology

19:45 to 21:30

Learn how historical shifts in technology, like the camera, impact creative expression.

“How will we display our creativity when you've got things like claw design, which can spit out incredible looking video?”

The Role of FUD in Technology Adoption

21:30 to 22:31

Explore how fear, uncertainty, and doubt shape perceptions of new technologies.

“And there's a phrase that often gets used in the technology or did used to get used in the technology industry, which is FUD, fear, uncertainty, and doubt.”

Creative Renaissance Following Disruption

22:31 to 23:55

Examine how technological advancements can spur new creative movements.

“is that there is no algorithm and there is no gene for the human spirit.”

Chess and AI: A Comparison

23:55 to 25:09

Understand the relationship between AI advancements and the evolution of chess.

“but a teenage Monet was painting in the 1850s and the Impressionist movement really got going in the 1860s.”

Cultural Shifts in Response to AI

25:09 to 26:42

Discuss the cultural reactions to AI technology and its implications for the arts.

“At the time, people were saying this is the end of chess.”

Democratization of Art Through Technology

26:42 to 28:00

Learn how AI tools democratize artistic creation and enhance storytelling.

“that if you're a young filmmaker, you wouldn't have access to the tens of millions of dollars required for CGI.”

AI's Impact on Creative Expression

28:00 to 29:12

Explore how AI tools are enhancing and challenging creativity in art.

“And that is a, you can imagine, is a response to AI because it so clearly wasn't done by AI.”

The Limitations of AI in Emotion and Humor

29:13 to 32:52

Discuss the challenges AI faces in capturing human emotion and creating impactful storytelling.

“Giles, where would you assess like the human's ability so far to use these tools for creativity?”

Giles Ahmed's Journey and Philosophy

32:53 to 36:18

Learn about Giles Ahmed's career journey and his innovative approach to building teams and companies.

“And it really is numbing people's brains.”

Creating a Legacy Through Impact

36:19 to 38:14

Understand the values driving Studio One and the importance of positively impacting others.

“So I suppose some of those inherent values, and the other aspect about Studio One, of course, is AI native.”
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Transcript

Automatic transcript. May contain errors.

0:00Ajaz Ahmed:There isn't a brand or any organisation that does not go through troubles, but how they respond to the troubles is an opportunity to either become triumphant and a hero in everyone's eyes or lose respect.

0:16Tommy:Today we're joined by Ajaz Ahmed, the founder of AKQA, the creative agency that helped build some of the world's most iconic brands, from Nike and Coca-Cola to Netflix. AKQA was acquired by WPP for half a billion dollars. Now the founder of Studio One, Ajars has gone again, building one of the world's most exciting brand studios. In this conversation, we talk about what makes a great brand, from Disney to Apple, why rivalries and conflict create stories, and why the true test of character is how you respond in a crisis. We'll also talk about where human creativity can survive the era of AI slop.

0:53Tommy:Ajars, welcome to Giant Ideas. Thank you for having me, Tommy. Great to see you. I've been wanting to do this for ages. You very kindly have helped us rework the giant brand and the giant storytelling for an amazing project, which has been so fun to work with you on. So I'm really excited to try and bring some of the magic to the world. Well, thank you for the opportunity. We're going to start by talking a little bit about how you build iconic brands. And you have helped build some of the most iconic you've worked with, all of the, I think, most iconic brands from Nike onwards. If you have kind of had to distill what you've learned about brand building into a pithy sentence or two, what would you say?

1:30Ajaz Ahmed:I think if you think about a great brand, they're also great storytellers. And I think that's true of every enduring organisation that exists. I would argue that Charlie Munger, the late Charlie Munger and Warren Buffett are phenomenal storytellers. And it's one of the reasons why Berkshire Hathaway is such a strong brand. And at the heart of every great brand and every great story is desire. So every great brand will have a desire where there's a wrong in the world that they want to put right. So that's what their motivation is. And someone like Jim Collins, who's one of the most profound authors there is, like he wrote Good to Great.

2:27Ajaz Ahmed:He'll say that the test of a great organization is if you removed the organization from society, what would be missed? So in short, great brands are great storytellers. So to understand what builds a brand, one has to understand the essence of story.

2:53Tommy:Interesting. So say more about that. What kind of storytelling? Because presumably it can be very, very different from someone like Berkshire Hathaway, a big investment firm, through to someone like Nike that you've worked with. How do you think about different ways you can tell great stories? So when you think about a great story, whether that's a song you love, a poem, film, TV series, whatever it is, book, one of the aspects that's true about any great story is

3:20Ajaz Ahmed:that if you have a story without conflict and crisis, you will bore your audience to tears. And one of the aspects of great brands is they are in conflict with something. so if you took for example apple apple story is it's in conflict with complexity and if you took nike nike story is it's in conflict with inertia so when something isn't moving forward it's in conflict with that and likewise with disney it's in conflict with with misery so is pursuing happiness so in every great story there's always a protagonist the lead and antagonizing forces which get in the way of the protagonist achieving their desire so when steve jobs used to present a keynote they're just beautiful storytelling because it would show you the conflict with complexity and how Apple's innovation will simplify your life and help you to achieve the goals that previously didn't exist because Apple simplified that for you.

4:52Ajaz Ahmed:So every great brand is the protagonist of its story because it has a deep desire to improve the world. And it has amazing intentions for its audience. And it has amazing intentions for society. And they're the brands that tend to endure, the ones that think bigger than the others.

5:17Tommy:You've got my English literature teacher ringing in my ears from high school who said drama is conflict. And it's really interesting that you're talking about these brands, you know, they have to stand not just for something, but almost against something as well. You worked with Nike for well over 10 years, right? You did some really, really important work with them. Let's talk about Nike as a case study. So what do you think it was kind of in the early days that really allowed them to build this incredible brand? And then I'd love to hear if you're allowed to talk about it, some of the work that you did with them and what you think really worked and maybe where they are today and where you see some gaps.

5:49Ajaz Ahmed:We actually worked with them for about 25 years. So it's been over two decades of working with Nike. what's helped Nike achieve that success over a sustained amount of time is it has a very clear mission and purpose and the mission that Nike has is to bring innovation and inspiration to every athlete in the world and then it has an asterisk by that which says if you have a body you're an athlete so the point is that nike exists to bring innovation and inspiration to everybody in the world and when nike's doing that across its different categories that's when it's really winning great brands are great storytellers we've established that but also great brands understand that everything a brand does tells a story.

6:47Ajaz Ahmed:And these days, there's an infinite canvas, an opportunity to tell those stories. So you can tell stories through software and interactive services. And a lot of those interactive services, they enable athletes. So they help people achieve, give people guidance and coaching and community and connection. And some of those are about inspiration. So you'll see a film or some content that just fires you up and sparks your imagination. So the greatest brands are the ones that treat everything they do with love and care and curation to somehow have so much respect for the audience that they want to elevate their spirit and elevate their soul when they come in, when they engage with it.

7:46Ajaz Ahmed:And I think the other aspect that differentiates Nike is the, I kind of think of it as the organization as an athlete. And so what they have is they have these extraordinary, massive goals. So I remember 15 years ago, Nike made it very clear that we want to be number one. in football. And at that time, it seemed like one of the most audacious goals they could possibly have and almost beyond reach. But that focus on that audacious goal and the athlete's mentality really helped them to achieve it.

8:26Tommy:And what about today? Where does Nike stand today as just one example? And what do you look at there and go, yeah, this is what I would love to go in and maybe do differently?

8:34Ajaz Ahmed:I think Nike's going through a transition right now. So a few years ago, they went from being in categories. So where they're very clear with the categories like football, running, basketball, and that they had very, very, very clear categories to more generic, it was men, women, and kids. And that strategy is something, the strategy that probably works much better is the focus on the sports because that's where you can get authenticity. And if you can get authenticity, you can become an authority. And I think that's where the focus is right now in terms of the reinvention that the new CEO is putting in place at Nike.

9:28Tommy:Interesting.

9:29Ajaz Ahmed:Have you seen the latest Adidas Football World Cup advert?

9:32Tommy:With Timothee Chalamet. It's absolutely extraordinary. So good. For people who haven't seen it, it's kind of an amazing use of AI where you see like a younger David Beckham and a younger Zidane Zidane. And it's this incredible, you know, with Timothee Chalamet, an amazing actor, like a wonderful, a true story.

9:46Ajaz Ahmed:Well, he's a genuine football fan. Okay. Yeah. So he really means it. Yeah, yeah. Yeah, so it's like he's the right person to put in there. Yeah.

9:53Tommy:And just your point about focus in that case on football and like storytelling that appeals to, you know, my generation who would look at Zidane or Beckham and then new generation with the younger stars they've got, but doing it in this just wonderful storytelling method, which I think maybe is missing from Nike.

10:07Ajaz Ahmed:No, you have to respect Adidas for a lot of the work they've been doing recently, like the work they did with Oasis last year. Yeah. And this work with Timothee Chalamet, where it's crossing sport and popular culture as well. And the fact that you've responded so positively to it and it's inspired you and energized you is exactly the reaction that they're seeking to get in a World Cup year. Well, let's talk about founders.

10:35Tommy:So, you know, with Giant, the founders we're working with, they want to go very quickly from zero to tens of billions of dollars within 10 years. How do people think or how should people think about going about creating a brand that is authentic and enduring, but it needs to happen quickly. They don't have 30, 40, or in Apple's case, 50 years of building this brand up.

10:55Ajaz Ahmed:Well, there's a great book called Hitmakers.

11:00Tommy:Okay. And in that book, Derek Thompson, the author,

11:06Ajaz Ahmed:has this argument where he writes for The Atlantic as well, and he's got his own podcast. And what Derek Thompson says is, to launch something new, make it familiar. And to launch something familiar, make it feel new. So that's the formula that he would give. So you can see, as an example, an organization like Anthropic, where the way it communicates feels incredibly human and familiar, rather than synthetic and distant. And that's obviously that formula working. and i think it's the same with with with any great great organization is that they're able to articulate the values of the organization in a in a in a way that feels familiar even though they might have a radically new product and it's those contrasts that intersection

12:18Tommy:where the magic happens how much of building a brand from scratch as a founder today is about visual design and visual identity versus the core values and the value prop and the way you show up every day and your physical environment how do you separate those two things and and how yeah how important is the visual elements of all of this well the visual design is just one component

12:44Ajaz Ahmed:of the entire brand universe and i i'm one of these people who doesn't really believe in the idea of again what tends to happen is in our industries people say aspects are subjective but i tend to be more of the belief that either something is brilliant and it has this universal appeal and the vast majority of audiences find it to be engaging and interesting or it's not okay and so Visually we're talking about. I think visually or a story. Okay. And that's why you see sites like, or services like IMDB.

13:30Tommy:Yeah.

13:31Ajaz Ahmed:And if a film, well, it's the wisdom of crowds. Right. So if there's a film that scores above eight on IMDB, you're doing yourself an injustice by not watching it. Okay. because the wisdom of craft have decided that this is a and obviously there's you know and you said earlier you said drama conflict is drama conflict is drama which is obviously true but there's another saying in hollywood which is character is story and when you look at some of the most profound films and TV series and books is because we can fall in love with the characters. We admire the characters. We dislike the characters.

14:26Ajaz Ahmed:And that's what makes a story compelling.

14:30Tommy:What should people be asking themselves if they had to really distill, like creating a great brand? What should they distill it down to?

14:38Ajaz Ahmed:A simple question that any organisation can ask itself is, what's the memory we want to create and what's the feeling we want to evoke in the hearts and minds of our customers?

14:54Tommy:I love that. Have there been any brands that have done that for you? I'm really curious which brands you just love.

14:58Ajaz Ahmed:So I think when you take a look at what Ben Francis has done with Gymshark, which is in just over a decade, has built the greatest community for resistance and conditioning in the world. And the fact that that started in the UK is phenomenal. And before I talked about great brands are great storytellers. And that means they have to be good authors. And if you're a good author, you will write with authenticity and you'll become the authority. And I think Ben with what he's done with Gymshark is an extraordinary example. And likewise, I think when you take a look at the brand On and how they've reinvented a category that people thought couldn't be reinvented.

16:01And that's another superb example of brand building.

16:09Ajaz Ahmed:And they're both in the sports and fitness and apparel arena, which just shows you how much opportunity there is for organizations to compete within existing sectors. if you've got a fresh perspective and if you can build community and resonate with those audiences.

16:34Tommy:Yeah, so interesting. And then going back to your previous point, I love that description of the bank, Steve Jobs' thing of building up trust. And it is very similar, if not identical, to how I think the best reputation thinkers or PR thinkers think about the kind of reservoir of goodwill that takes many, many years to build up. and then it kind of draws down in times of crisis and could be emptied very quickly. And I think it's basically the same, isn't it? A personal reputation or a corporate brand, you've got to build that reservoir up and you have to take care not to let it leak away.

17:05Ajaz Ahmed:Yeah, well, again, taking the idea that character is story and taking the idea that every brand is a character, the true test of character is how we respond under pressure so you can see it in films all the time the the the the the people or the characters we tend to admire the most are the ones who had to make a decision under pressure and they chose the right one which is often a sacrifice for them or a difficulty for them. And I think when brands act with authenticity of their character, we admire them more. But when there's some kind of scandal and it reveals something about the brand where we didn't expect that from that character, that's when everyone becomes

18:04Tommy:disappointed. We had a really good example of that on the show with Nate, the founder of Airbnb. and he basically said that the making of airbnb as a brand was how they responded to very difficult crises so for example they had a racism crisis with some hosts turning away black people in the u.s they had a crisis around like houses getting trashed by by guests and then in covid you know their guests were like or their hosts were were not having their quick key income stream right and all three of those examples they did the non-economic short-term thing to build up the economics in the long term which was basically to come in and just go aggressively towards doing the right thing even if it cost the money in the short term and his view was that that built the trust which is the number one most important thing for airbnb as a business yeah that investment but

18:50Ajaz Ahmed:there isn't a brand or any organization that does not go through troubles but how they respond to the troubles is an opportunity to either become triumphant and a hero in everyone's eyes or lose respect. And so making those investments and making sure that there's incredible respect for the audiences and the customers is really what matters. And I think when brands do that and And the audiences can see they're making those sacrifices when we really admired them.

19:29Tommy:We've talked about some timeless lessons, I hope, for brands that will endure. And we've talked about building brands going back 25 years. Let's talk a little bit about what's going to happen in the advent of AI. And specifically, the impact of AI on human creativity. Will we still be needed as human beings? How will we display our creativity when you've got things like claw design, which can spit out incredible looking video? or presentations, ad campaigns, and also, I guess, what it means to build and maintain a brand in an era of AI. So there's lots to discuss there. I know you've written really thoughtfully about this.

Read the full transcript

20:07Tommy:The favourite thing that I've read from your writings is the example of the Impressionist and their response to the invention of the camera, which I think is such a great analogy, but tell us about that.

20:17Ajaz Ahmed:I'm an incredible optimist that these new tools and technology and this new energy that we call AI will give rise to a thousand creative flowers blooming rather than the way the common narrative is where it talks about it's going to take everyone's job and one of you know we're on a podcast today and one of the podcasts that i regularly listen to and love is ai reality check where what happens is he goes through in detail the perceived wisdom of the day and deconstructs it and i've been lucky that when I was 15 years old, I worked for the world's third largest software company. Then I got to work with an amazing gaming company.

21:24Ajaz Ahmed:And then I got to work with an amazing consumer electronics company. So I spent a fair amount of time in the technology industry. And there's a phrase that often gets used in the technology or did used to get used in the technology industry, which is FUD, fear, uncertainty, and doubt. And what you find at the birth of any new technology, there's a lot of fear, uncertainty, and doubt. So I would say that what we're going through right now is a phase where there's incredible scaremongering and panic rather than liberating and helping people to use their creativity and unleash their humanity using these tools.

22:27Ajaz Ahmed:And one of the reasons I feel so strongly about that is that there is no algorithm and there is no gene for the human spirit. And that's one of the reasons that I believe so strongly. But coming back to your example, so the camera was invented hundreds of years ago, but the first photograph was produced in 1826. And you can imagine that before the first photograph was produced, there was a lot of portrait painters and a lot of portraiture. And that's why you have a look at the art of that era and all the previous eras. And you'll see it was objects, so people and objects. and you can imagine and there were headlines at the time which would talk about how the arrival of the photograph means the end of painting so the the the point was that people would say why does anybody need a painter anymore why does anyone need painting because this photograph now does what the painter used to do.

23:50Ajaz Ahmed:So the first photograph was here in 1826, but a teenage Monet was painting in the 1850s and the Impressionist movement really got going in the 1860s. So the point is that the Impressionist movement was as a direct reaction to the photograph being produced. And so what it did was it gave rise to an incredible creative renaissance. So the whole idea of abstraction where painters like Picasso and Rothko and Kandinsky and all of these painters were suddenly liberated to instead of making something realism, they could then have a completely different interpretation to it. And if you go back to 1997 as another example, in 1997, Garry Kasparov was beaten by IBM, the chess computer.

25:11Ajaz Ahmed:At the time, people were saying this is the end of chess. And that's not what happened at all. If you have a look at chess today, it's bigger than it's ever been in its 1500 year history. And if you have a look at some of the amazing prodigies like Magnus Carlsen, one of the reasons that he's so brilliant was when he was a kid, he could practice against these supercomputers and it would really refine his work. So you can see the crystal ball gazing often is just looking in the rear view mirror. and because we just have the natural tendency to think about the world as it is today and the materials around today rather than the human the way the humans will react to that and respond to it and just to kind of bring this up to date to now i would argue that we're already seeing in the culture, we're already seeing an incredible reaction to AI.

26:25Ajaz Ahmed:So you use the Adidas example where AI is used to enhance the storytelling. And that's a brilliant point of view and a brilliant way to use these new tools and technologies. And likewise, that if you're a young filmmaker, you wouldn't have access to the tens of millions of dollars required for CGI. You can now take your story and have the same kind of special effects that you would in an incredible blockbuster production for a fraction of the amount. And so this democratized production in an incredibly profound and brilliant in a brilliant way especially for new filmmakers who want to unleash their ideas so that's one way that people are responding and and using these new new tools to create art forms that wouldn't have existed before right and And that's where AI is becoming a real assistant when it comes to production.

27:39Ajaz Ahmed:But there's another incredibly exciting aspect taking place as well. So you might have seen the video that the Swedish artist Young Lean produced. and in that film you've got an incredible dance choreography that's taken place which clearly wasn't done by ai this is the one outside the school exactly whereas it's like it looks like a school photograph and it it ends up being this extraordinary choreography by Damien Chalet and Romain Gavrat. And that is a, you can imagine, is a response to AI because it so clearly wasn't done by AI. So I think having these, this is a wonderful time to have these tools and technologies, because on the one hand, people are using them to enhance their storytelling.

28:47Ajaz Ahmed:And on the other hand, people are responding to it with new forms of art and exciting forms of art. And both of those are making an incredibly important contribution.

28:59Tommy:So I guess it increases the level of everyone, democratizes the access to the cutting edge tools, and it makes people want to have humanity shine through and human creative spirit shine through even more. Giles, where would you assess like the human's ability so far to use these tools for creativity? Are you impressed by how far we've come with them or not so much?

29:21Ajaz Ahmed:I think it's impossible to fail to be impressed with so many aspects of AI. So I use it every single day and there are all kinds of applications that like, you know, it's become a completely and utterly indispensable tool for me in my day to day but there are limitations and over time maybe a lot of those limitations will be superseded and they'll be there'll be there'll be it'll be it'll achieve even more but one of the aspects that ai tends to be quite weak at is emotion and humor and to me it's fascinating that a lot of these tools have been around since 2022 and yet we still haven't had our toy story pixar moment of a great work that everyone agrees is a is a wonderful film that that is completely produced by ai so i find

30:39Tommy:that fascinating almost the opposite right in terms of like some of the some of the big ubiquitous internet moments coming out of uh ai people have been quite negative about them quite quickly like for example when we saw those um beautiful japanese drawings that were aping the great a Japanese creator, they were flooding the internet. And that was a very negative immediate response of people going, this is kind of derivative, it's ripping the artist off. It's been the opposite of that Pixar moment, I would say.

31:05Ajaz Ahmed:Yeah, and related to that, again, very lucky to spend time with some amazing organisations. I was with the CEO of one of the biggest gaming companies in the world a couple of weeks ago. And one of the aspects, again, is fascinating, is that every time they've produced a character that's been created by AI, the testing with humans has been that the character has failed. And the humans don't know it's made by AI. So I think that's also pretty fascinating that until AI is brilliant at ideas and storytelling and some of those aspects that I think that obviously humans will continue to have it. But I think what's tending to happen is that humans are being made to feel claustrophobic about these new tools rather than be liberated by them and what they can help them to achieve.

32:18Ajaz Ahmed:And I think that's where there's an opportunity to change the narrative. I found this brilliant quote from Frank Herbert, who wrote the Dune movies. And the quote is, once men turn their thinking over to machines in the hope that this would set them free, but that only permitted other men with machines to enslave them. And I think that's what we really have to be careful of. Wow. Okay. Very, very powerful. It is, isn't it? Because the thing that's powerful is the brain scans they've done on people who have used AI to write their essays versus the people who didn't use AI to write their essays.

33:06Ajaz Ahmed:And it really is numbing people's brains.

33:09Tommy:That's kind of terrifying.

33:11Ajaz Ahmed:That's exactly what Frank Herbert's saying. But that only permitted other men with machines to enslave them. But I think everyone has to have agency to use these tools to achieve their dreams.

33:32Tommy:Right. Giles, I want to end by asking you a little bit about your journey. So you've got this amazing life story. You founded AKQA incredibly young and built it up over many years. You ended up selling it to WPP. I think eventually you did over a billion in revenue. You stayed at WPP a long time, an unusually long time for the founder of an acquired business. Most people kind of run away as soon as they can. They've done their own now and they leave. You stayed there and continue to build the brand and the business within WPP. You're now left to start your own business against Studio One. What do you think it is about you that has allowed you to have this extraordinarily successful career over such a long time across different technology eras, helping to build brands?

34:18Ajaz Ahmed:Where I've been extraordinarily lucky is the team. The team that we've built Studio One with is just an absolutely extraordinary and brilliant team. And that team of incredible individuals is what motivates and inspires me. And it was the same at my previous, the previous organization that I founded. And it's always the, you're very lucky where, you're very lucky if you get to work with people that genuinely inspire you. And that's certainly been the case in my career. that I've been, I've had amazing clients and amazing people to work with.

35:06Tommy:I definitely agree. You have had an amazing client so that can attest to the quality of your team at both organizations. I've worked with both of them, but you're being way too modest. I'm going to push you. What do you think it is about you specifically and your strengths that has, that allowed you to, maybe if you go back to the early days, like you must've had an extraordinary amount of self-belief at that age. Were you 19 when you started it? 21. 21, okay, yeah.

35:29Ajaz Ahmed:I suppose, you know, when we started the first company, we had a desire which was to end what we called multi-mediocrity that we just look at a lot of the work and just thought that audiences deserve better and and i think you know with launching studio one we're launching this as a you know partly as an antidote to what exists already And our belief is that clients deserve better, employees deserve better, and most importantly, the work deserves better. So by having the singular focus on the work we produce and the contribution we're making, it has been an extraordinary journey and it's given me a new lease of life.

36:18Ajaz Ahmed:and it's also there's a lot of other aspects of studio one that i'd always wanted to do in the previous place which we couldn't do for whatever reason so you know one of the aspects is that everyone in the company is a part it owns equity in the company so i love the fact that everyone is an owner in the company that makes me happy which is very common in sort of technology

36:45Tommy:startup world but less so in exactly ad world and creative exactly so and and that ownership

36:50Ajaz Ahmed:you know people talk about giving people agency well if you want to give people agency make them an owner yeah so they can act like an owner and so that that and then you know there's other aspects for example we don't have any time sheets time sheets just waste a ton of time for the employee and and it also means that you can continue to craft the work until you're until it's ready until you're proud of it rather than working to a clock. So I suppose some of those inherent values, and the other aspect about Studio One, of course, is AI native. So we've been able to build the company with these AI tools as part of what we do rather than needing to retrofit them.

37:33Ajaz Ahmed:And so everyone is on the tools and everyone has embraced the technology.

37:39Tommy:So, Jaz, if you look forward with Studio One, what do you want the legacy of the company that you build to be?

37:46Ajaz Ahmed:So I think the legacy, the only legacy any of us ever have is how we've impacted other people's lives. And as long as we're impacting other people's lives in a positive way, then that's a wonderful legacy to aspire to have.

38:09Tommy:Love that. Awesome place to end. Giles, thank you so much for sharing your giant ideas. Thanks, Tommy.

From the publisher

On this episode of Giant Ideas, Tommy sits down with Ajaz Ahmed, founder of AKQA and now Studio.One, to decode what truly iconic brands have in common — from Nike, Apple and Disney to Gymshark, and how founders can learn from them.

Ajaz argues that “great brands are great storytellers” with a clear desire to right a wrong in the world. He shares lessons from two decades with Nike, why authenticity and category focus still win, and how founders racing from zero to billions can build brands that feel both familiar and radically new.

Plus, more on his new project Studio.One: an antidote to “multi‑mediocrity” with ownership for everyone, and work that earns its place in culture.

Building a purpose driven company? Read more about Giant Ventures at www.Giant.vc.

Music credits: Bubble King written and produced by Cameron McLain and Stevan Cablayan aka Vector_XING.

Please note: The content of this podcast is for informational and entertainment purposes only. It should not be considered financial, legal, or investment advice. Always consult a licensed professional before making any investment decisions.

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