In short
Mindy Kaling discusses her career journey (from comedy and writing to starring/producing), her experiences as a woman of color in male-dominated rooms, and her new Hulu show Not Suitable for Work. She also talks about representation, comedy education, and her character work (including Mindy Project’s OBGYN world and whether she could deliver a baby).
Guests
Mindy Kaling (guest). Avantika (guest/host guest star from Not Suitable for Work; known for Mean Girls the musical and appearing on Moxie). The host is Amy (Good Hang).
Guest backgrounds
Avantika is an actress who previously appeared in Moxie and is currently on an undisclosed set for Not Suitable for Work; she grew up with Bollywood experience after moving to India for early career work. Mindy is a writer/performer from Cambridge, Massachusetts, who wrote for The Office and created/starred in The Mindy Project.
Key claims
Mindy wrote more The Office episodes than any other writer; she describes herself as a “mogul” and emphasizes community/representation from Never Have I Ever. She says being a sitcom star requires being the “comedy engine” all day. She claims she could help with confidence during childbirth but not perform a C-section.
Notable examples
escargot lunch with Mindy at age 17; Dartmouth improv and acapella (Rockapellas, solo “9 to 5”); Mindy’s casting via The Office episode “Diversity Day”; Kelly Kapoor’s “main character energy”; Matt and Ben (a play Mindy co-created) moving from Fringe to Off-Broadway to LA.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Chapters
Tap a time to open that second in VOMindy's Career and Projects
0:03 to 0:38
Discussion on Mindy Kaling's career, her new show, and past experiences
“Well, she calls them Paris points and Hilton is helping her give them all away this summer.”
Mindy's Career and Projects
1:20 to 1:38
Discussion on Mindy Kaling's career, her new show, and past experiences
“Avantika, who you may know from the movie musical of Mean Girls, a talented young woman who is here to, well, to grace our presence, really.”
Mindy's Career and Projects
1:41 to 2:40
Discussion on Mindy Kaling's career, her new show, and past experiences
“Did you hear Paris Hilton has like a billion Hilton honors points?”
Avantika's Experience with Mindy
2:40 to 6:10
Avantika shares her experiences working with Mindy Kaling and the impact of representation
“You know, we first met on the set of Moxie.”
Mindy's Influence and Achievements
6:10 to 10:28
Discussion on Mindy's impact on young women and her achievements
“Like Mindy's just a really fun person to be around.”
Mindy's Influence and Achievements
10:32 to 11:00
Discussion on Mindy's impact on young women and her achievements
“Enjoy your freshly cleaned and completely destroyed earbuds.”
Mindy's Journey in Comedy
11:00 to 14:03
Mindy and Amy discuss their shared experiences in the comedy industry
“Took the red eye, which is, I just got to say, that's brutal.”
Women in Comedy: Shared Journeys
14:03 to 17:08
Learn about the challenges faced by women in comedy, particularly in male-dominated spaces.
“So it's very, very nice to see you and to have you here.”
Cultural Perspectives on Humor
17:09 to 18:36
Explore how cultural backgrounds influence perceptions of humor and acceptance in school.
“Well, my parents immigrated here in the 70s, and nobody in entertainment on either side of the family, but they did, like, love comedy.”
The Impact of Comedy Icons
18:37 to 21:01
Discuss how iconic comedians influenced their childhood experiences and perspectives on humor.
“Now, the majesty of Chris Farley, like I would only be so lucky as to have been like Chris Farley.”
Show all 31 chapters
Navigating College Comedy
21:02 to 23:26
Hear about their experiences in college comedy groups and the societal perceptions surrounding them.
“It was one of those things, you know, what's nice is like, I don't have a good voice, but I have like a, I can like carry a tune.”
Beliefs and Superstitions
23:27 to 25:06
Examine how personal beliefs and superstitions intertwine with their lives and careers.
“And you had some fun—I always love to ask people about their fun jobs, like their weird jobs.”
Creating 'Matt and Ben'
25:07 to 27:46
Learn about the origin and impact of the play 'Matt and Ben' and its themes of friendship and competition.
“I haven't been able to use it practically to make my life better.”
Radical Representation in Comedy
27:47 to 28:00
Discuss the significance of female representation in comedy through 'Matt and Ben'.
“I'm going to take all that good accountant money from you.”
The Radical Show Creation
28:00 to 29:05
Discussion of the unique experience creating a groundbreaking show.
“I remember even at the time, I was like, this is radical.”
Transition to The Office
29:05 to 30:30
Mindy's transition from theater to being a writer on The Office.
“It's competitive and it's like, and so I think that going into that room, like a lot of people now will be like, wow, I can't believe you got hired in the office.”
Groundbreaking Representation in The Office
30:30 to 31:40
Exploring the significance of diverse representation in The Office.
“The way that I got the part was I think BJ had written this episode called Diversity Day.”
Meme Culture and Kelly Kapoor
31:40 to 33:33
Discussion on the cultural impact of Mindy's character and meme culture.
“I also like love, and I'm sure you feel this way too.”
Creating The Mindy Project
33:33 to 36:21
Mindy talks about her journey in creating and starring in The Mindy Project.
“That's a good segue because you go from—I just want to say you ended up writing more Office episodes than anybody else.”
The Importance of a Good Writing Team
36:21 to 37:04
Mindy reflects on the significance of her writing team in her success.
“Like the day flows by because it's just like funny scene after funny scene.”
The Importance of a Good Writing Team
38:20 to 38:58
Mindy reflects on the significance of her writing team in her success.
“You know, reading the labels, checking the ingredients, trying to understand what all those letters, numbers, and long words mean.”
Mindy Project and Personal Influence
38:58 to 41:12
Discussion on how Mindy's character pays tribute to her mother.
“Brooke Shields leads an all-star cast in the hit original mystery series, You're Killing Me.”
Fun Stories from the Past
41:12 to 42:00
Amy and Mindy reminisce about their glamorous trip to Cannes.
“You're like, okay, like she's helping women through some of the hardest transitions of their lives.”
Reflections on Cannes and Press Tours
42:00 to 43:54
Mindy and Amy share memories from their experience at the Cannes Film Festival and the cultural differences in press interactions.
“We're going to get somebody to come in and finish it up.”
Generational Identity and Comedy
43:54 to 46:27
They discuss generational identities, how they relate to their careers in comedy, and the influence of Boomers and Gen X.
“when I was asking you a question, so I don't find you joyful at all.”
Body Image Conversations Among Women
46:27 to 48:50
Mindy and Amy talk about body image discussions and how women navigate conversations about their bodies.
“And that's where I first learned what comedy writers did.”
Creating Comedy: Mindy's New Show
48:50 to 51:25
Mindy discusses her new show 'Not Suitable for Work' and the themes that connect her various projects.
“for each other and to each other is they talk about their bodies to each other.”
Balancing Motherhood and Career
51:25 to 56:00
Mindy shares her thoughts on motherhood, work-life balance, and how her upbringing influences her parenting.
“And ambitious people and people with lots of big wants and needs, both like romantically and professionally and who feel like they don't have access to it.”
Reflections on Motherhood
56:00 to 58:20
Mindy Kaling shares insights about balancing motherhood, career, and expectations.
“I didn't know it was the last time I would pick him up.”
Pop Culture and Comedy Preferences
58:20 to 1:00:39
Mindy discusses her favorite shows and comedians that bring her joy.
“I've been very entertained by previous episodes.”
Self-Care and Motherhood Insights
1:00:39 to 1:02:20
Amy emphasizes the importance of self-care for mothers and avoiding guilt.
“You're always so honest and forthcoming and funny.”
Transcript
Automatic transcript. May contain errors.0:00This episode is brought to you by Hilton. Did you hear Paris Hilton has like a billion Hilton honors points? Well, she calls them Paris points and Hilton is helping her give them all away this summer. Use them for that wedding or pleasure, that's business and pleasure, or maybe book a stay just for sleep. As Paris would say, that's sliving. Just make sure you're a Hilton honors member and follow Paris and Hilton on the socials to see how Paris points can be your points. When you want points that actually make your summer slay, it matters where you stay.
0:37Hello, everyone, and welcome to another episode of Good Hang. We have a great one today. We are talking to Mindy Kaling. Mindy, mogul. So good at so many things. And we get into it today. We talk about a lot of fun stuff. We talk about acapella groups. We talk about whether or not we think we can deliver a baby. we talk about um the fact that she has written more episodes of the office than any other writer and we get into her new show not suitable for work which is on now on hulu so um lots of great stuff to talk about and like always we we talk to someone who knows our guest and has a question for our guest and speaking of not suitable for work we have one of the stars from that show Avantika joining us.
1:21Avantika, who you may know from the movie musical of Mean Girls, a talented young woman who is here to, well, to grace our presence, really. Avantika, is my audio working? This episode is brought to you by Hilton. Did you hear Paris Hilton has like a billion Hilton honors points? Well, she calls them Paris points and Hilton is helping her give them all away this summer. Use them for that wedding or pleasure, that's business and pleasure, or maybe book a stay just for sleep. As Paris would say, that's sliving. Just make sure you're a Hilton Honors member and follow Paris and Hilton on the socials to see how Paris points can be your points.
2:07When you want points that actually make your summer slay, it matters where you stay.
2:20Hi, it's so nice to see you again. It's so good to see you. Congratulations on all the good stuff happening for you. And no surprise. Where are we talking to you from? I'm on set right now. My makeup looks a little scary. Are you shooting Not Suitable for Work right now? Is that the set that you're on? Can you imagine? I'm soft launching season two. No, this is not the set I'm on. I'm on an undisclosed set. Oh, exciting. I have not liberty to talk about. You are busy, busy, busy. You know, we first met on the set of Moxie. Moxie. Yeah. Yeah. How did we meet? Do you remember? I don't remember like the first initial meeting.
3:04I just have a really vivid memory of you, of like walking out of the school, like the classroom and seeing you and my dad like holding hands and jumping up and down together because you figured out you guys had the same birthday because he loves talking.
3:21You both had your IDs out. I was like, cool. Okay. Glad everyone's getting along. Oh my God. He's a September 16th girly. Sadly, I've learned it's a very common September birthdays are very common, I guess. Yeah. I guess people really get down. I know. What does it say about us? They get down in the holidays, I guess. I guess no, we got bored. We got bored and we're pulled. Well, I remember I directed a film for Netflix called Moxie and it was filled with an incredible cast. And I remember you came and joined us for a too brief scene, but a really fun day. And that's really cute that your dad and I bonded.
4:05I was reading up on you, Vantika, and you're so impressive in the stuff that you've done. And I didn't know that you did a lot of Bollywood when you were younger. Yeah, it's how I started out. I think at the time I was 10 and Indian parents like to make safe bets. And it was not a safe bet at the time to be like, let's haul ass to LA and do this for the rest of your life. But India was a more prospective place if I wanted to be in the film industry. And so we moved there for like four years. Oh, wow. You moved there for your career. Yeah, yeah. My mom really like, my mom left her job the day that I was born.
4:40And she was like, I want to spend all my time with my daughter. And she made a lot of sacrifices for me to be in this industry. So I'm, you know, very grateful that now she gets to like watch a TV show. And I like, I hope she enjoys. And yeah, she really is the reason that I'm here not to get all emo on everyone. I get seven in the morning for you. No, no, no. I'm ready to cry anytime, anytime. Okay. So let's talk about your boss. So we're, okay. So I'm interviewing Mindy Kaling today, whom I've known for a really long time. And I'm really excited to talk to her because, you know, we have a lot of similar experiences and paths.
5:21And one of the things that I really want to talk to her about is like, what kind of boss is she? So the first time I ever met Mindy was in a parking lot that she took me to in L.A. because I had DMed her when I was 17 being like, I love you. I love you so much. and she was like okay she was like yeah like she was like let me have my assistant schedule lunch and I was like oh my god it's like this is the most exciting thing happening right now and she took me to a French restaurant in a strip mall and and the seating is literally in a parking lot and my dad was like parked 300 feet away I love mentoring my dad my dad's like making a re-up career appearance in every story he's just always proximate and um he's actually in the room right now can you imagine um but she took me to this French restaurant and was like we need to try escargot if you haven't tried already so my first like one-on-one experience with Mindy was like eating snails and her being this very she was like tell me about your career she was like what do you want in life and I think the one thing that always stood out to me about her and is one of ever favorite qualities about her but having worked on this set is that she's such a curious person.
6:33Like she, Mindy asks so many questions. She's just like down to gossip. She's down to gab. Like she knows about my love life. She knows about all of our love lives. Like Mindy's just a really fun person to be around. I really wish this time around that she like, we don't, cause we're always scared of when we're going to lose Mindy. Cause like Mindy's first priority are her kids and like her life outside. And so this season, we're hoping that like, we're going to get our claws in her. And like, if we get renewed for next season, she won't let us go um but she's the best i think whether mindy knows it or like can really comprehend it or not she's like a present figure in so many people's minds that's like sort of you know like a lot of people view mindy as a friend and a and a role model or an idol whether it be kelly kapoor or any of the characters she's she's created yeah and as a young indian woman watching her what did it mean to see her you know representing her life and on screen like what What was that like as a young person?
7:32I loved Never Have I Ever. I mean, when Never Have I Ever came out in trades that it was getting made, I was like, this is the most insane thing like I've ever seen in my life. I was I was in that. So I auditioned for Never Have I Ever. And I was very young when I went out for it. But I remember being like in the waiting room, looking at the sign and sheet for and being like, who are all the girls? Like, I want to be friends with all of them. And so I remember telling my mom, I was like, can you please memorize the latter half and I'll memorize the top half. And then we can go and like DM their moms on Facebook because I really want to be friends with all the people in the industry.
8:08And we all know how well DMs work for you. It always works. And Maitrey was perfect for that role. And she did like so, so incredible. But all that to say, like she has a very odd, incredible way of bringing together community and bringing together. people, both off camera, but also behind the scenes as well. And I think watching her on screen meant the same thing as representation means to more anybody, which is that like, oh, people like me exist and people like me are deserving of being put on a big platform. Very cool. Okay. So we have, we always do this thing where we ask our guests a question from somebody who knows them, respects them, works with them, loves and adores them.
8:51So what question do you have from Mindy today? I'd like to know for someone who's accomplished so much, like what her personal like EGOT is, like what her four accomplishments that she wants to achieve in her life, like spanning four different categories. That's such a big question. I love the big question you'll get. So wait, so the question is what like, which is like, you've done so much. What more do you want to do? It's sort of like, like if I don't know, like a personally got what you may like have four kids get a phd spend like two years abroad like you know donating money and like the fourth one is like i want to skydive like it was like four things that you want to accomplish across like all sort of a breadth of categories yeah i guess that is like i'm sort of just like she's just she's just done so much that i'm like what more do you want that i mean it's it's an i bet she'll have an answer um also there is a part of me that's like or just rest.
9:51Rest now, darling. Right. Right. Right. Personally, God get put in a cryo chamber. Yeah. Yeah. Yeah. Okay. I love that. And, um, please tell your dad, um, that I can't wait to, you know, psychically spend my birthday with him again. And, um, it's so lovely to see you. And I know Mindy will be really happy that we talked. Congratulations on your new show, Not Suitable for work on Hulu. And thank you so much for talking to us and, and for all the great things ahead for you. And, um, such a pleasure to see you again. So good to see you too. You too. Thanks so much for your time. Bye, honey. Bye. This episode is brought to you by Allstate.
10:31Checking Allstate first could save you hundreds on car insurance, not checking your pockets before putting clothes in the washer. Oof. Enjoy your freshly cleaned and completely destroyed earbuds. Yeah, checking first is a good plan. So check Allstate first for an auto quote. It could save you hundreds. You're in good hands with Allstate. Potential savings vary subject to terms, conditions, and availability. Allstate North American Insurance Company and affiliates, Northbrook, Illinois. Mindy Kaling is here, everybody. Took the red eye, which is, I just got to say, that's brutal. Isn't it funny how in my 20s, it was the only way I would do things?
11:09I'd shoot The Office and then Friday night I was like, take the red eye, get into, I'd just be going back to Boston to see my parents. Yeah. And my dad would pick me up at Logan at six o 'clock. We'd go to McDonald's and I'd just sleep for four hours. Yes. And now. I was just talking to our friend Rashida Jones about this. It's the lack of recovery. It's like we can, we can power through anything now, you know, like you just suck it up and power through it, but it's, there's no day to sleep after. There's no day to sleep. No. So I just did a line of coke. Yeah, and we're flying. And that's how I'm doing great.
11:44We're going to brag about our careers, and then we're going to crash out in like 45 minutes. But thank you for coming. Thank you for being here. I'm so excited to be here. I know. Remember when we used to do David Letterman, and the producers would be like, do not compliment him. He doesn't know what to do with it. That's right. And you were like, oh, so it's like an insult to compliment a host. And then now I feel I felt like for other shows, too, I was like, don't do that. And then it feeds into a whole thing of like, it's not cool to compliment. It was very formative when that producer was like, don't compliment.
12:17So true. You're right. Hostile act. You're right. And yet I love compliments as a performer. And if someone came into my show and was like, I love the show, I feel like I love to give. I love to get. I mean, literally, what are we doing? I mean, like, what are we going to be like mean to each other? Like, the world is on fire. I love recognition, praise. So I just want to say that I love the show. Thank you. I watch it with my nanny on little clips on YouTube at night after the children are down. And it's such an intimate thing to watch in the dark, you talking to Ike Barron Holtz, Katherine Hahn.
12:54Our buddy. And then have our little ads on YouTube. You know, when I was getting ready for today, first of all, congrats on being a mogul, straight up mogul. um mogul um you don't have to explain you take it in you are a mogul mindy congratulations listen listen this is i know i'm interrupting you now no please are you a mogul if you haven't invested in a restaurant or sports team that's a great question just because i want to accept we know i love you do we need to buy some kind of sports team you're right and kutcher yeah you're right you know like he owns uber and geisha house like but i'm driven to call more women geniuses and moguls and all that stuff because I think we just need to claim.
13:36Okay. So let's claim that. I'll claim that for you today. Thank you. And as a fellow Boston girl, I feel like when I was looking at, you know, kind of like looking at all the stuff you do and just thinking thematically about what to talk about today. I mean, we've had a lot of very similar paths, you and I, and not just because we were born like, you know, in close proximity of each other, like, but, but, but we have really, I mean, we've been in this biz for a minute. Been in this biz for a minute. And we've been together in a lot of it. So it's very, very nice to see you and to have you here.
14:14I love being here and to even be someone that you would say is on a similar journey because you were a little ahead. Yes, I was the, I was 10, I'm like about 10 years older than you. For my generation, for anyone who came up in New York and took classes with UCB and everything, it was like you were the one doing it. Like you were the one succeeding with all the mean, unaccepting men in comedy. Do you know what I mean? Well, yeah. I mean, I think both you and I are used to, and I want to talk about it. You and I are used to being one or the only woman in a room full of men a lot, for a lot, especially in the beginning of our career and what, how that shaped us.
14:54Cambridge, Massachusetts, you're born and raised. Now, Cambridge was always where smart people lived and their smart parents. Yes. Did you have, were you considered like a smart kid in school? I was always considered a bright kid. Yeah. When I was younger, I think I was like kind of silent and chubby and friendly. And that was my vibe and not funny, but that was back. I don't know if you felt this way. That was back in the eighties when like girls weren't really supposed to be funny. Right. And they were kind of good laughers. Good laughers. Yeah. And if you were funny or tried to talk too much it was kind of like you were you had problems or you were like disruptive you're right like the the mischievous girls were the class clowns which I look back now and um they were just like feisty interesting young women but people thought they were kind of troublemakers totally at least in my school being Indian too so far from the but also like I felt like I was still just like observing.
15:54But I noticed that like it wasn't until I was like in middle school where I was like the class clowns or guys were just like kind of outrageous. They weren't really funny. But when you're 12 and 13, there is no difference between someone who's like willing to like jump off the side of the school building and being someone who's funny. It was like all just like one thing. Totally. No one was examining it. Right. Right. And I think that for my parents to like at that time, being funny in school was so tied to like kind of like an again, disruptive, like non-academic. Yeah. Like you don't have a good path if you're like a funny kid.
16:29That's what I mean. Yeah. You're kind of like you're speaking out in class. You're kind of not paying attention. And I bet you had the same thing. I mean, maybe maybe even more because your parents, you know, moved to the U.S. when you when your mom was pregnant with you. Yes. And so like, you know, they're like, we don't need you to be the one that's cracking jokes in class. And I had parents who were teachers. So it was like, don't like the funny kid is the one that's often like the teacher is having to deal with. Having to deal with. But they but they call you Mindy, your nickname, because from Morgan Mindy.
17:04So it was a real like. That's a real. It's like mixed message. Well, my parents immigrated here in the 70s, and nobody in entertainment on either side of the family, but they did, like, love comedy. Loved it. Like, and I think for us, too, where it's, like, it wasn't like we were coming home and having, like, these, you know, always, like, these deep chats. Yeah. But we would just, like, sit in front of the TV and watch musty TV. They love Seinfeld. They love Friends. They love the Cosby Show. Is that okay to say? Sure. I mean, we all did at one point. At one point, right? I can say that. At one point.
17:39But I remember so distinctly when I was like 11 or 12 and I was, of course, like obsessed with Saturday Night Live. Yeah. We would watch Chris Farley. That was that your like cast? Yes. It was like Sandler, Chris Farley. But honestly, like from Dana Carvey to Bill Hader feels like the time, which is a long span. Yeah. Yeah. But we would see, is it Matt Foley? Yeah. Matt Foley. Yeah. And that character, Chris Farley's character, Down by the River. Down by the River. Classic iconic character. Yeah. And he's like, I think one of the funniest people of all time. I agree. And when he, you know, he'd fall on the coffee table.
18:14And I remember laughing at it so, so much and showing it to my parents, like recording it. And I remember my mom being very worried and being like, because I was overweight. And I think she was like, and so she was like, I don't, she once sat me down when I was like 14. I was like, I don't want you to be like that. Oh, that's really interesting. Right. Like, don't, don't feel like you need to be a clown. And I think she thought that like, OK, my overweight daughter, who is not fitting into like the mainstream of culture, will feel like the way to be accepted and funny is to be like Chris Farley.
18:47Now, the majesty of Chris Farley, like I would only be so lucky as to have been like Chris Farley. But as a girl in the mid 90s, that was like not a great path. I love that we're talking about this because it's such an interesting point, which is young women, especially in the late 80s and 90s, their way into comedy, like how you get in, was really fraught in a way that men just did not have to worry about. They didn't have to worry about being physical and not seeming like it was putting people off. They didn't have to worry about like them being too sexualized. They didn't have to worry about a ton of stuff.
19:24I think that much like you watching comedy at a young age and being like, I don't know, I want to, I want to live in this world. I don't know how to get into it. Yeah. And it was inhabited by really loud physical men for the most part. And then finding the women who I loved, who I just kind of studied. And for me, it was like, okay, where did they study? Where did these women start? So it was like, oh, I'm going to go to Chicago. Like, I'm just going to go there. And when you were like, did you do comedy at Dartmouth? Yeah. Did you do improv? I did short form improv. We all did. You know, it's so funny.
20:02The two things that brought me so much joy in college are so mortifying to me now, but it's where I made so many great friends. I did short form improv with the Dog Day Players at Dartmouth. And I was in the Dog Day Players. Are the Dog Day Players still there? Dog Day Players is still there. And they're so, and every so often, like every couple of years, I'm sure you feel this way. Like they'll come to LA and I'll meet them or I'll see them at Dartmouth when I go up. And they're so cool now and they do long form and they they also have that like studying thing where they've seen every episode of Parks and Arrested Development, Larry Sanders, you know what I mean?
20:34They know everything. A kinship to these people that are 25 years younger than me. But the difference is that like the guys in the Troop are feminist. The women are unafraid to be what to be who they are. They're all sort of activists. like all the stuff that I struggled with back then to do because it wasn't um appealing yeah we all did I wanted to be as like funny as Adam Sandler and do opera man but I also wanted a boyfriend and to lose my virginity and in the late 90s it was like those two things were maybe like did not they seem mutually exclusive oh yeah acapella group you were also in I love an acapella group yes yes I was in an acapella group and what song did you ever have a solo?
21:21I had one solo. And what was the song? Nine to Five by Dolly Parton. Yes. Sing it badly. It was one of those things, you know, what's nice is like, I don't have a good voice, but I have like a, I can like carry a tune. I think I have a good enough voice for a comedy person. And it was like that nice thing about being in a group of women because they're like, clearly one person should have all the solos, but they're like, no, no, no. Of course. That's not nice. Like let Mindy have a solo. So we would, I would sing Nine to Five. Yeah. And that acapella group's name was? Hey, man, it was called the Rockapellas.
21:54Okay. I mean, I just, I love, I love a pun. It's called the Rockapellas. At the time, it was considered to be the coolest, the coolest group if you were a woman at Dartmouth. Of course. And I mean, I, from my humble opinion, it was. I think acapella is very cool. And also now I would say it is cool because. Amy, this is such a bunch of bullshit. Like you're being so nice here, but it's so lame. No, no, I disagree. I don't, here's why, because even then, I don't even mean in hindsight, anyone who tries something. Yeah. Okay. That's cool. I guess if you apply like the golden rule of like, we should all be putting ourselves out there, then it is cool.
22:35But it's like a bunch of people being like shooby-dooby-be-bop. I know. That's that. I know. It was the same thing with improv. Like improv, like, you know. Short form improv. And I, again, on my formative years, some of the, all the boys I had crushes on in college were doing like short form improv. Terrible, terrible. And yet it's so lame. Long form improv is cool, though. Stand up is the coolest. Back then, like if you were an improv or sketch group, you'd have your like costumes and wigs or you'd be warming up and stuff like that. You're right. Acapella and improv, both you have to warm up, like usually outside.
23:14You're like zip-zap-zopping. That's not a cool art form. And I used to be like, we're cool. But then I'd see like a stand-up, just literally like throw their cigarette on the ground with a leather jacket and go on stage. And I'd be like, oh, okay. After you left Dartmouth, did you move to New York? I lived in New York for three years. Okay. And you had some fun—I always love to ask people about their fun jobs, like their weird jobs. You had some good weird jobs, right? I had some really good weird jobs. What were some of your weird jobs? The weirdest job I had was that I was a PA crossing over with John Edward.
23:46Right. The psychic. The psychic. Right. And he would do readings in the room and be able to tell if someone had like a dead relative who was trying to contact them. What was weird about it? All that. I can't believe you're asking. What was your like? Now, do you believe in, have you ever had a psychic experience? Do you go to psychics? I am not, I don't, I don't go to psychics, but I would. Same. And I've gotten, as I've gotten older, even though I know more, I've gotten more superstitious than I used to be, to quote Michael Scott. I'm not superstitious, but I am a little stitious. I kind of feel like, you know, there's, there's all different levels of like woo woo, as Rachel Dratch would say, like, like, and whether or not you're open to it in your life.
24:36Yeah. And it is kind of a funny catch 22 where people are like, you have to be really open to it for it to like you have to open your channel for it. I have the most losery astrological sign and the most losery number on the Enneagrams. Wow. I love to because there's no loser number in the Enneagram. No, you have to say that. What would you think is a loser number? I'm a Cancer and I'm six. Well, but I would say six is very sharp. Like a six is like. Thank you, Amy. But I have to say, I don't know that much about sixes. Yeah, because it's, you know. But it's the most common number. It is. Yes.
25:11Yeah. I definitely think it's accurate. Yeah. I feel seen. I haven't been able to use it practically to make my life better. I'm going to send you some fun GIFs or GIFs, however you like to say it. Please send me some GIFs or GIFs. I'm going to send you some fun Enneagram 6 GIFs or GIFs that you're going to love. I think they're a lot like the Harry Potter homes, you know, where everyone's like, I'm a Gryffindor. What's your Harry Potter thing? I'm a straight up Slytherin dude that's cool Slytherin is cool I wish I was a Slytherin what are you? I want to be a Gryffindor but no I think I'm a Hufflepuff which is also fine I want to refute it but listen alright say I'm right back at you but back to okay so you had some interesting jobs but I want to talk about Matt and Ben for a second because that show was I remember when that show for people that don't know what was Matt and Ben Yes.
26:02Okay. So I was babysitting at the time and my friend was a substitute teacher and your public school substitute teacher, my friend Brenda. And we were kind of miserable and I had applied to be a page at the NBC page program and I was certain I was going to get it. And then I didn't. And so we were just kind of like low level depressed post 9-11 just like in jobs. Like why am I even in New York? Like I have no access to anything. and we started just improvising and I kind of adopted this character of like Ben Affleck in quotations because obviously we didn't know them at all and she did Matt Damon and then we were like we'd just be doing these characters for like 10-15 minutes and we're like could we do something with this actually as opposed to just like entertaining ourselves and all of our friends thought it was so stupid yeah great and we just said like let's write a little play about the creative process between friends and competition, which has been interesting to me for a long, long time and competition between friends who you dearly love each other, but you're also looking out for yourself.
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27:06And, um, we were, we were 21 or 22 writing about what we imagined Matt Damon and Ben Affleck were when they were 21, 22. It's so psychotic. Like if I was Matt Damon and Ben Affleck, I'd be like, this is, have you ever talked to them about it? I have met Matt Damon once and Ben Affleck like a handful of times. And I think they think it's weird. This is a real person. They've been nothing but gracious. Of course. For this very strange thing. I would not be nice if someone was playing Mindy Kaling in a play. Oh, and you? I would try to destroy them with my lawyers. My team of lawyers would descend upon them and crush them.
27:41But to their credit, Matt and Ben Affleck But what if Matt and Ben played... What if Ben played you? That would be pretty fun. I'd be... I'd try to crush them with my lawyers. That's smart. Yeah. Just cease and desist, babe. Just right away. Like, we'll padlock the theater door. I'm going to take all that good accountant money from you. Yeah. And accountant too. I remember even at the time, I was like, this is radical. Because it was exactly, it was like two young women kind of assuming what would be like in the heads of like, you know, they were, Matt and Ben were archetypes for just like young men like working together and figuring out life together.
28:20and I remember you guys making that show and I was like this is radical this is like oh my god that's so it was it was very cool well thank you for saying I mean it was so liberating to not have to worry about being pretty like we were dressed as men yeah it was um obviously we didn't invent camp but we got to discover how fun it was to just play men but really real yeah um and it was great to just we didn't have to worry about any of the things that our contemporaries were kind of worrying about because we wrote the script we directed it ourselves yeah and um it went to like fringe right so we did it at um the fringe festival we got into the fringe festival we won the fringe festival then it moved off broadway and that's when it started getting like attention that's when like like a couple celebrities came and saw it and that's how it moved to la and how i got hired on the office you go from matt and ben to basically being the only woman in a writer's room at the office, you are not the only woman and the only woman of color in a incredibly smart, hyper talented and nice group of men, but yes, who, um, but still it is your first job.
29:28Yeah. I mean, you come from that world. It's competitive and it's like, and so I think that going into that room, like a lot of people now will be like, wow, I can't believe you got hired in the office. You were so young. You must feel so great. And you were like looking, when I look at the people who were, I was working with, they had been working since they were 21, you know, and had already had Emmys. So I still felt like I was behind. So I think, but I will say also, like, I was such a workaholic. It helped that I was like friendless in Los Angeles and had no hobbies because I was just obsessed with work.
30:02I was dazzled by like Mike, BJ, Paul Lieberstein, Greg, you know, and who wouldn't be like, I had never been in a writer's room. And then I'm with these guys who are like, Like even to this day, I consider some of the very best comedy writers. Then later, like Lee Eisenberg, Gene Stipnitsky, like just as dazzling. Yeah. And so I really wanted to impress them. Yeah. I really wanted to date some of them. Yeah. Right. And I was varying degrees of successful in those. And when Kelly Kapoor was that written, like how did how did you find out you were going to be on the show? The way that I got the part was I think BJ had written this episode called Diversity Day.
30:41and one of I think one of the funniest episodes in the office ever and Greg decided that it would be the second episode and in order for it to be funny that like Michael Scott was offending a room of people it didn't it wasn't as funny if it was just like all white like you needed to be offending some people right and so I was so lucky to be in the writer's room and being Indian because he's like, would you play someone that he offends and then slaps him? And I was, I mean, I was just content to be a comedy writer for the rest of my life. That was like my dream come true. So to be on camera was like, just like outrageous.
31:20The one thing I think is so groundbreaking about The Office was that at that time, the aughts, like to be on a show where you didn't have to be like a straightforwardly hot woman. Yes. Like the whole point is, you know, and this is a real Greg Daniels thing. It's like, what is beautiful is what is real. Yes. And that wasn't very many shows. That's right. That's right. I also like love, and I'm sure you feel this way too. Actually, maybe you don't, but I love being a meme. It makes me feel young. Are you kidding me? It's my dream. When people send me a meme, like I've actually been like, can I send people my own memes?
31:55Oh, do it. It's such a mic drop. It might be too weird. But there's no higher compliment. I send people memes of Kelly saying this day is bananas all day long to Dave and Ike. I mean, Kelly Kapoor is the, to me, the definition of what the young people would say, like someone who has main character energy. She is in her own world, her own show and in that show. It's fun to be a nice, I think, to be, you know, she is a tertiary character, but believe she's a main character. That's like a really nice. Yes. She has one line every three episodes. Yeah, but she's in her own very, like, intense play and drama forever.
32:35And then the show does, like, I would say, like, any good character, like, the show, like, you know, and you know from writing, like, you start to realize, like, what people's strengths are and you start to write to it. The show starts to realize, like, oh, what Kelly can do is, like, be in this kind of fierce competitive fantasy world that can allow us to, like, like, you shoot a lot of threes in that show. because you, like— Thank you. That character is able to go to some really sharp and funny places. Well, she thinks she's the hottest person at the office and, like, feels bad for Pam. She is.
33:13You know, and thinks, like, Ryan's a huge catch and that she's, like, destined for, you know, fame. And so that is a fun— I mean, it's so fun to play, like, delusional characters. It's the best. characters. Yeah. And then to be able to then be delusional on the Mindy project with a different character was fun. Okay, good. That's a good segue because you go from—I just want to say you ended up writing more Office episodes than anybody else. Thank you for saying that. Okay, so everybody needs to know that. So all your Office episodes that you love, that everybody's watching every night, there's high probability that Mindy wrote it.
33:48Like my publicist was like, this is a talking point that needs to come across, Amy. I mean, I could talk about this with you forever, and maybe it's too kind of inside baseball, but the way you enter the business, you entered the business as a writer and then like in that same time became a performer and you're also a producer and all those things have like different pros and cons. You really did do it for Mindy. You created, you were like, I'm going to write, create, and star in this show. And there's nothing harder. There's nothing harder. And there's nothing more gratifying. Like I was so obsessed with it.
34:23I I mean, and then coming from the office where I had been there for eight years, had like a line every episode. You know, I was thinking about like recently just like call sheets. Yeah. And to be like the call sheet for people who don't know, but they might know is, you know, it's every day it just announces the hierarchy of the production. I love a call sheet so much. Yeah. I could stare at it forever for people that don't know. It's one piece of paper that tells you your entire day, week, month, and in many ways your life. You're exactly right. It tells you who is number one, who is number two, who is number three, who is number four.
34:57It lists the importance and descending order of the people that are there. And so for years on that show, as is obvious and should be, like, Steve is number one playing Michael Scott. And Kelly is number 11. And it's not like, you know, to come at the—we just talked about the first season when I was just lucky to have that first, you know, in episode two, being able to be in that scene with Steve and to be able to be in SAG and be able to actually do all that. That's huge. But eight years later, I was like, number 11 gets a little old. And I was like, I really want to see what it's like to literally just have more lines and to be able to take on the thing of like being the comedy engine of a show.
35:39And I, you know, I talked to Ike a lot about this and I think you did this with Parks and probably on SNL too, but like, it's a skill to be able to be the star of a sitcom and come in and just be like my engine is on from seven o 'clock in the morning until we wrap yeah and i am just like i had to bring the best out of other people and wake them up first thing in the morning and kind of like a constant host yeah yeah and it's and you're watching people leave all day that was the other thing that was so sad on friday night you're just waving everyone's wrapping and they're like have a good weekend And you're like, you too.
36:14Like, it's just the saddest goodbye. But at the same time, I felt like the days were so much shorter than when I had one line at the office. Yeah. Like the day flows by because it's just like funny scene after funny scene. Entire departments who are there to help you do your job the best. Yeah. You know, and that was like such a joy. I mean, it's so obvious to say this about being a star of your own show. But like that was it was what I was longing for to assemble my own writing staff. so many of whom like Lang Fisher, Tracy Wigfield, Ike, Dave, Matt Warburton. Who are doing a great new show right now.
36:47Four Seasons with Tina. And so to be able to work with all these people that made me better, inspired me. And let's talk about our friend Ike, Baron Holtz, who was here and who you met on that show. Yeah. And Dave Stassen. Those guys are, I mean, let's just, Ike is listening. So we should say something nice about him. We should say something nice about him. Um, look at us making sure that the white guy is taken care of. Feel comfortable and seen. Look at us. It's just because, you know, his personality is that like he would, he would do that for us. He would.
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39:31The other thing is that I love that you've spoken about with Mindy Project is like in many ways it is a tribute to your mom. Yeah. And because your mom was an OBGYN nurse, doctor. Doctor, yeah. Yeah, sorry. OBGYN doctor. For Indian people, that's a huge distinction. I know. I was so sexist. Daddy wanted him to come for you now. No, no. Okay, so she wasn't a doctor doctor though, was she? Oh, she was a doctor. She was a woman doctor. Surely she was taking notes and the male doctor was. Yeah, the male doctor was coming in for the baby. part yeah no but um but your your character was kind of a tribute to her and your mom um uh can you speak a little bit about your mom you spoke you speak about her all the time and she seemed just talking about my mom so the character on the mindy project i mean she was she couldn't have been more different than my mom's personality um but i loved the world of playing an ob-gyn my mom's had such a great personality because she spent her entire day with women telling who told her the most personal things about their love lives and reproductive hopes and just everything and all their problems.
40:35It's such a personal relationship. And to have a world like that, I, it was like, honestly, some of it was laziness. I didn't have to research that much. I just understood what the office looked like and what the nurses were like. And so, but so that was that. I also think it's nice for a lead character in a show, particularly when the character is so out there and sort of selfish and flawed to have such a selfless job. Yeah. You know, helping women. You were like, inherently, she's a good person, even if all she says all day is that she wants to get married and get railed by hot men. You know what I mean?
41:12You're like, okay, like she's helping women through some of the hardest transitions of their lives. Do you feel like you could, after doing that show, do you feel like you could deliver a baby? Do I feel like I could deliver a baby? Do you think you could? I feel like I could affect the confidence that could really put a woman at ease. Oh, yeah. Do you know what I mean? And I think this is like a real stupid actor over a confident talk. I feel like I could figure it out. I think you could. I've had three kids. I feel like— I was watching. Yeah, I feel like you could deliver a baby. Thank you. I think—I mean, I have a problem where I think I can do things that I wouldn't be able to do.
41:49What? Like what? Deliver a baby. Deliver a baby. I feel like I could. I don't want to, but I feel like, I feel there's a part of me that's like, I could at least be enthusiastic about, like, getting people to push. I think there's some parts that would freak me out a little bit. Sewing a lady back up. Yeah, we don't need to do that. Let her nurse do it. We're going to get somebody to come in and finish it up. I just mean the delivery part. Yeah, I don't think I could do a C-section. Like, I have a, yeah, no, a C-section. Forget it. No, I'm not going to do that. You know what? I take it back. we shouldn't do it um we shouldn't do it we shouldn't be around anyone who's pregnant um um oh and then before i move on to um your more tv stuff i do want to talk about we had a really fun trip one time you and i where we went to can together yeah for inside out and it was like i've never been before or since i've never been back to can really glamorous and it was very Very glamorous.
42:45Yeah. And it was the first time I had ever been on that kind of like international like press tour, like on the steps of the. Amy, I think about that press tour so much. I do too. I think about it a lot. One, it was so hot and sweaty. Yeah. Very hot and sweaty. Like we were always like in the beating sun. Yeah. And like, but beautiful. Yes. But like always like I was sweating through my clothes constantly. And I remember this distinctly, and maybe this is offensive, that we would be doing like an international junket. And unlike an American junket, it would be like, the questions would be like, I don't know, maybe because of, I don't know, culturally it was just a...
43:24Ruder, let's just say it. Why are you, you are so fat. You're smiling, but your face is not nice to look at. Your face is not nice. Why do you think that people like to look at your face? In America, a fat and smiling woman can be starved. we've read you can, you have your own sitcom, but you are fat. Yes. You are obviously Hufflepuff, and yet you believe you're Gryffindor. Stuff like that. You play Joy, but you are not in your 20s. Yes, and you didn't smile at me when I was asking you a question, so I don't find you joyful at all. And so, okay, remember, you know that Javier Bardem clip when he's on a junket that has gone viral where someone's like, he was working with Penelope Cruz, and he's a European journalist, is like, so you work with your wife you must be crazy to work with a woman like that you're married to most people would want to kill themselves if they had to do such a thing and he's like I find that very offensive and I was like watch that and I was like oh like if only like can you I can never imagine sticking and being having a spine in an international press junket and being like how dare you sir I was like just laugh I mean I feel uh let me ask you what are your generational pronouns, how do you identify?
44:39Are you a millennial? Do you identify as millennial? Hey, this is a, this is a very sore topic for me. Okay. Because for a while I was considered a zennial. Okay. Which was a, have you heard of this? Zennial? Zillennial? Zillennial. Zillennial. No, I don't, I'm, this is making you be a millennial. This is making me be a millennial. But I was like, oh, thank God. Because when I was growing up, like when I was like in middle school with like the movie Singles was out. Yeah. And I was like, that's to me, Gen X. That's Gen X. You know, Ben Stiller. Yes. That's Gen X, right? Yeah. And then now Zaniel went away and now they're just like, people are just like, you're Gen X.
45:18Like Ike and Dave are like, we're all Gen X together. That's not true. They're making themselves younger than they are. You have a lot of Gen X qualities, I will say. And I love Gen X. I love Gen X too. But you have, but you're 10 years younger. So you might be like millennial. To your point about pleasing, like getting somebody who's hard to please. I realize I have that with boomer men. Interesting. I'm just a little bit like in there, like mid 65. I'm like, you know, it's a little like boss situation. You saying that may, it so resonates with me because I felt that way about Greg Daniels. Greg and like Conan.
45:56Yes. You know, and then obviously all the SNL people that were there when you were there, like I feel exactly the same way. But now I'm technically the same generation, which is breaking my heart. Yeah, that's a little weird. But I do feel that way because they were the gatekeepers. We didn't talk about Conan. You were, you were, you did get that page job. I was an intern at Conan. Oh, intern. So I didn't, when I was still in college, I applied to be an intern at Conan. That's actually, that job is what made me thought that I maybe would get the page job. Yeah, got it. Because those internships were like considered hard to get.
46:30And that's where I first learned what comedy writers did. Although like a variety show comedy writer is like such a different job than like a sitcom comedy writer. And I actually think the personalities of a variety show comedy writer is very different than a sitcom guy personality. How is it different? I think that there's, well, I think of one as like a quintessentially New York job. Although, of course, there's variety shows out on the West Coast and one is like an L.A. job. Yeah. I think they are both very funny, but there's like a more, this is not true, but this is the way I thought of it.
47:02But like there was more of like a cerebral darker energy to New York variety show writers, right? Where it was like joke, joke, jokes. How do we get the best jokes? Monologue sketches. Like it's got to be like quick and funny and then you're done if you live or die by hard jokes. And then the sitcom writers, which is like story and let's think about the characters. and so as someone who wanted to be in the New York world, but that was slammed, the door was slammed shut in my face. I kind of came up in this other world. And so I always thought like, oh my God, that's so intimidating. That's why I guest wrote on SNL.
47:39Right. Which is where I think that was the first time I met you. Okay. I was trying to remember the first time we met. Was it when you were guest writing? I was a guest writing at 2005. Yeah, sure. And that was when I met you and Tina. and I remember this and I don't know why I remember this story and I'm not proud of it. And I don't know why I would possibly come up with two women that I admire and just came up. I don't know, but we were somewhere and I was like, yeah, I just want to lose 30 pounds. And the two of you stopped and were like, what? That is too much weight. And I remember I was so happy for like three weeks after that.
48:15I was like, wow, Amy and Tina don't think I'm a fat load. Like I was so happy. No, Mindy, never. even in the odds like you guys are like what are you crazy but i was thinking like why would i have told that to them that's so weird i would say because if we're to get real it's because that's how women talk to each other is that i think it is like i think we all like weight watchers it was because at the time there was a conversation about weight watchers i think you know we were like we just like everybody else were like constantly trying to figure out um everybody's relationship to being on camera.
48:47Yes. And I do think that for better or for worse, what women do for each other and to each other is they talk about their bodies to each other. Like we are, we like, you know, it's one of the things I love so much. And I, I am sure you're the same way. Like I love about my female friends is I can really say like, I'm feeling this way and that way. And it's kind of how we like say hello. No, I mean, I think to be able to be with two of my heroes and have them acknowledge because you could have easily been like we don't ever think about it we're naturally thin do you know what I mean imagine yeah people are like I don't know what you mean I don't understand I just it's I just eat whatever I want I mean for you to say that that you weren't just like we are naturally thin we eat whatever we want you didn't and so I think that that was a I think a really it was a kindness for you to acknowledge like oh yeah that so I could I could see that in my heroes but it is really it is really fascinating and nice that culture has changed so much it has but it hasn't it hasn't right because we're still asking people about their weight we're still asking people about their bodies I mean I actually really try I I have a couple like rules that I never say out loud on this podcast but one of them is I try not to talk about people's bodies because it's like people's bodies are their own business if you had the male cast of off-campus here yeah i don't want him i just want him to throw me against that bookshelf yeah and i guess and they'd flex and they'd be fine with it i know it's a fine line you can't you can't yeah you can't um but but you and it's good it's good that you can't it's good that okay but this is a good segue into the okay because you have made into well into non-suitable for work okay okay yes yes what you can't do yes what you can't do yeah i'm so surprised like I was wondering what is this a segue to but you're you're you have a new show out on Hulu not suitable for work and it is you've called it kind of the third in a trilogy can you I'm really trying to get that I have a trilogy that I'm like Peter Jackson you're a mogul you have a trilogy I have a trilogy just like me and I mean one of the things about being a mogul is you have to start talking like everything you did was like a perfect you know it's all part of a master plan that I master plan I have to embody that more yeah that things are not just like accidental no it's just not a series of moments whatever's happening no making it up on the spot this makes sense because this is the third in the installment but you have made three tv shows never have I ever um sex eyes of college girls thank you and um not to do a workplace all three are like I mean I they're very very different but what would you say is a unifying theme in all of them?
51:29I think I love writing for underdogs. Yeah. And ambitious people and people with lots of big wants and needs, both like romantically and professionally and who feel like they don't have access to it. And that's sort of, I think, the thing in common with all three of those shows. Yeah. A lot of horniness. Working on Not Suitable for Work. I mean, this cast is, they're so funny they're so good and they were all none of them were unknown they'd all had like a lot of success but I wouldn't necessarily say that they were like super super well known yet but Will Angus was in a very popular sketch troupe Ella Hunt was on that wonderful show Dickinson Avantika was in Mean Girls but this is just a a way to have them all together and they're super funny they're super appealing and I I loved working with them Avantika is who we spoke to today to get the question for you.
52:25Really? And Avantika is, so we did, you know, we do this thing at the beginning where we talk well behind our guests back. And I really wanted to speak to Avantika for a couple of reasons. One is she is like, you know, you are the example of what she watched growing up. You were representation in real physical form. Somebody who wrote their own parts, who created their own stuff for themselves and who also, like you said, like enjoy, like you enjoy being entertained. Your shows are not homework. No, I think I'm not writing shows for like television studies professors. Yes. Do you know what I mean?
53:10Not that I don't think that's an important job and things, but I'm, I want to do something that's like when times are hard. That's right. You know, when like my mom was sick and we wanted to watch something, it's like we watched Modern Family. It was like, I want to watch something that's like legitimately so funny. Yes. Yeah. And I like seeing people fall in love and I love like great costumes and doing something in the city. I also love The Office where it has not those qualities, but it's super funny. But I do know what you're saying and I take it as a compliment. And she spoke about being around you and like your curiosity and also just like your curiosity about other people's lives and young lives and like really like your support as a as a producer and as a person.
53:54And also, Mindy, just what I think is so impressive about you is you feel like you're working within the system and you're also still a person like the rest of us, I guess. So it's like you are this mogul who also is like just along for the ride like the rest of us. Like it's very hard to do both of those things. And I think you do it really, really well. Thank you. Oh, my gosh. And she speaks about that. And it's funny. Her question is so cute. It was like, what is your EGOT? But she was like, what are four things that Mindy wanted? Four? I know. I said, that's too many things. That's so many things.
54:36I agree. Do you feel this way where if you see a movie you love or you listen to an album or you see a Broadway musical, you're kind of like, should I try to write a Broadway musical? Podcast. Or should I? Like, I'll listen to it. I'll go to it. Which you're nailing. So now you should do the next thing. I feel you. I see something and I'm like, should I try it? Should I try that? And that's, I think notoriously how bad art is formed, right? When people do stuff that they're not equipped to do, but have this delusional feeling that they can. And I've done that many times. But you know what I'm really impressed by is like, I always think about Jordan Peele and Greta Gerwig.
55:15Oh, yeah. And how, as does the rest of the world. But I love that Jordan came from sketch comedy. Yes. And with Greta, like coming from being an actress and like the muse of Noah Baumbach and then being like, well, I want to direct. And then taking something like Barbie and making it like this great movie about feminism. And so and now doing the Narnia stuff like so I'm always really inspired by them. I think that's the thing is I'd love to be able to write and direct movies. Yes. Yes. Another thing, and this is not creative, but like, I feel like my feed on Instagram is just always about how fleeting our time with our children is.
55:56It's just like, it's just like frightening post after frightening post about how like you have 18 summers with these people. I didn't know it was the last time I would pick him up. Exactly. It's like Jesus Christ. These haunting things about these wonderful children that I love. And so I really want to be able to hang with them and be with them in a real way where they look back at it and they're like, how was mom able to do that? But then also do these other be there for us so much at the time. And I know I'll fail, but like I really want to try to be there. My mom really set the bar. She was so busy.
56:31Like we missed Thanksgiving's because she was delivering a baby. She wasn't there for the school play. and I was the perfect match for her as a daughter because I just thought it was like glamorous. Yeah. And I was like, wow, mom's like really doing a lot. But I have three kids. I don't know that they're going to think maybe one of them will be that way and the other two won't. So I got to really, I got to really invest in being them. So that's the second thing. What else would I want to do? I don't want to hold public office. No. I don't want to adopt like seven kids. I love the people who do that.
57:02I can't. Three is enough. Three is a lot. I don't think I want to like teach at a college you don't know that don't rule that out think about this think about this future though that you get to come in I often think about the next decade think about coming in like a beautiful sweater like Dartmouth let's say drive in at 10 o 'clock in the morning have your coffee you you know you create the door creaks open and there's like 150 like kids staring at you and you start your class nobody gets to interrupt you're done in an hour you know you write a book about it then you write a movie about it that's all i'm saying i think that that sounds that does sound good doesn't that sound good we don't have to grade papers no papers nothing like that well it'll all be like robot there'll be no paper yeah i will be doing it right yeah there'll be no i I like that or I also like when they, you get to a certain age and then like TV shows just want like that kind of like decrepit grand dame.
58:07Oh, yeah. To come in, you just say a couple lines and everyone's like laughing. They just like lift you onto a seat. Yeah. I want to get to the point where people are like, she looks good. She looks good. This has been so fun, Mindy. Has it been? Yeah. I'm so. That's very Enneagram 6 of you. It is. That's very Enneagram 6 of you. No, I'm stressed. I'm stressed. Tell me why. No, I just, I love this so much. I've been very entertained by previous episodes. And I just, I'm just fast-forwarding to my nanny Jenny sitting on the sofa. Yeah. And hoping that she doesn't click away. No, she's going to have.
58:44I mean, she's going to be, she's going to be wrapped. She's going to be wrapped. Okay. And also, my last question to you is like, what are you, because I know you are like, you're a pop culture consumer. Yeah. Who is making you laugh these days? What, what, when you, when you want to, like, you know, I know for me, it's hard for me to kind of watch comedy. Like it's like, what do you watch to check out, tune out, laugh, like feel like, is it a video? Is it TikTok? Is it a show? So I'm not on TikTok for no real reason. It's not like a decision, but I think it's tied to in some way like productivity.
59:23Like I'm worried I'd be too into it. Damn, that's so true. But for me, the biggest thing that I'm into, I mean, I do like a lot of dramas. And like your friend Emily Spivey, love murder. But I think for me, I loved The Curse. Is that, that's the right name. It was the Nathan Fielder show. Yes. Really strange and interesting. Really, let's talk about Nathan Fielder. And Nathan Fielder, who is like, I think for people my age or women, he's a real heartthrob too. He's a millennial heartthrob. He's a millennial heartthrob. a big time. And I'm happy for him. He's so funny and talented. With Emma Stone, I loved that show.
1:00:01Yes. That was a really good weird show. Weird show. And then, I mean, it's honestly like, it's like, what don't I like? Like most of the time I, I like stuff. Like I like all the things that you would expect. Like I love Abbott and I love Hacks and I like all the dramas, like who doesn't like the pit? It's like, I like those things. And I, that's like, I love, it's such a delight to watch them and see people who are really good at their craft doing things. Yeah, you're able to enjoy still knowing how things work. You're able, like, kind of like in the very beginning when we started talking about it, which is, like, you know how hard it is to make something good.
1:00:38Totally. Mindy Kaling, thank you for being here. Thank you for taking the red eye. Only for Amy Puller. I'm so happy you could do this. Thank you so much for doing it. Thank you, Amy. It was such a good thing. It was so good. Thanks, everybody.
1:00:52Thank you so much, Mindy Kaling. You're always so honest and forthcoming and funny. And it was really great to have you. And, you know, Mindy and I got into a lot of really interesting topics, including being a working mother and deciding to just do the things you love and try to, as best you can, avoid the things that you hate. And I have a strong feeling about that. I feel like in motherhood, there's things that you like, you love, you feel neutral about, and you really don't like to do. And if you can try to avoid the things that you really don't like to do, then the rest, you know, the rest might come a little easier.
1:01:28So some people get stressed around, you know, bath time. Some people don't want to go to the park. Some moms hate taking their kids to get shots. I mean, who loves that? But you know what I mean. Either way, I would just say, give yourself a break. You're not supposed to love everything. And it doesn't make you a bad mom if you don't. Try to offload anything that you really, really, really have a hard time handling. And don't ever feel guilty about it because, God, we just really beat ourselves up. And enough's enough, you know. So I guess that's my polar plunge today. I don't know. I just am thinking about all the ways in which we make it harder for ourselves and are harder on ourselves.
1:02:12Let's try to take some lessons from this interview and do a better job this week. Do a better job of not doing a good job. Okay. Bye. You've been listening to Good Hang. The executive producers for this show are Bill Simmons, Jenna Weiss-Berman, and me, Amy Poehler. The show is produced by The Ringer and Paper Kite. For The Ringer, production by Jack Wilson, Kat Spillane, Kaya McMullen, and Alaya Zanaris. For Paper Kite, production by Sam Green, Joel Lovell, and Jenna Weiss-Berman. Original music by Amy Miles.
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From the publisher
Mindy Kaling is a mogul, and she has a trilogy. Amy hangs with the creator of 'Not Suitable for Work' and talks about looking up to Chris Farley as a kid, whether she's a Hufflepuff or a Gryffindor, and the joys of being made into a meme.
Host: Amy PoehlerGuests: Avantika Vandanapu and Mindy KalingExecutive Producers: Bill Simmons, Amy Poehler, and Jenna Weiss-BermanFor Paper Kite Productions: Executive producer Jenna Weiss-Berman, coordinator Sam Green, and supervising producer Joel LovellFor The Ringer: Supervising producers Juliet Litman, Sean Fennessey, and Mallory Rubin; video producers Jack Wilson, Belle Roman, and Aleya Zenieris; lighting director Caroline Jannace; audio producer Kaya McMullen; video editor Drew van Steenbergen; and bookers Kat Spillane and Paige GarbariniOriginal Music: Amy Miles
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