In short
Sarah Sherman (Saturday Night Live cast member) discusses her raunchy “body horror” comedy, her path from Long Island musical theater to SNL, and how she builds characters and sketches. The conversation also covers her DIY Chicago performance-art roots, her confidence/fear of bombing, and the SNL makeup process led by Louie Zakarian.
Guest backgrounds
Sarah Sherman is an SNL cast veteran (just finished her fifth season) and star of the HBO special Sarah Squirm. Mitra Juhari is an actress/writer/producer known for The Bear, the show she created Three Busy Debras, and writing for Big Mouth; she’s Sarah’s longtime friend.
Key claims
Sarah’s persona blends warmth/coziness with grotesque, scatological material; she frames her work as “body horror” and “claiming” disgust. She says her confidence comes from expecting failure (“what more could happen?”) and from supportive parents. She describes SNL as a variety show with many voices, and credits collaboration for her Update breakthrough.
Notable examples
her “Russian Tsarina” costume-closet musical theater liberty; Helltrap Nightmare (clam chowder chug, trench-coat noise performance); SNL Update with Colin Jost; Louie’s “pit crew” bald-cap/prosthetics speed; her “face spa” unlimited-funds idea to remove her whole face quickly.
Written by AI. May contain mistakes. Listen to the episode to check what was said.
Chapters
Tap a time to open that second in VOIntroducing Mitra Juhari
0:02 to 0:29
Mitra Juhari shares her background and connection with Sarah Sherman.
“Everyone has stuff that no longer fits their lives, and selling on eBay is actually really easy.”
Introducing Mitra Juhari
0:45 to 2:33
Mitra Juhari shares her background and connection with Sarah Sherman.
“well, SNL, duh, and Psychoanalysis and Long Island and her insane, wildly original new special, Sarah Squirm, live and in the flesh on HBO.”
Mitra's Insights on Sarah
2:34 to 11:16
Mitra shares her thoughts and experiences with Sarah Sherman and her work.
“Mitra, where are we talking to you from?”
Mitra's Insights on Sarah
11:21 to 11:41
Mitra shares her thoughts and experiences with Sarah Sherman and her work.
“Checking Allstate first could save you hundreds on car insurance.”
Exploring Body Positivity
11:41 to 14:00
Sarah and the hosts discuss body image, self-acceptance, and humor in performance.
“Potential savings vary subject to terms, conditions, and availability.”
Feet Talk and Health
14:00 to 15:54
The hosts delve into a humorous discussion about feet health and balance.
“click click click click click because i can't walk in a heel i'm always clacking around and so something happened to my feet where I think one of my toes, I have no medical basis for this.”
The SNL Experience
15:54 to 17:46
Sarah discusses her experience as an SNL cast member and the joy of performing.
“And then when you're a host, you have the experience, which is like, you just wish you could immediately do it again.”
Table Reads and Comedy
17:46 to 19:15
The comedians share insights about the importance of table reads in sketch comedy.
“And you need me to talk about the differences between them.”
Exploring Comedy and Pregnancy
19:15 to 21:37
Discussion shifts to the challenges and humor of pregnancy while working in comedy.
“So sci-fi that there's a body inside of you.”
Growing Up in Long Island
21:37 to 24:09
Sarah reflects on her upbringing in Long Island and her family's influence on her comedy.
“I don't think I would have gotten on the show during your era.”
Show all 32 chapters
Musical Theater and Early Performances
24:09 to 27:57
Sarah shares her experiences with musical theater and her comedic aspirations as a child.
“When in middle school, when I started doing middle school plays, this orange who ran the costume department would let me kind of read.”
Sarah Sherman's Early Inspirations and Confidence
28:00 to 37:22
Learn about Sarah Sherman's journey into comedy, her inspirations, and the confidence she exudes on stage.
“And so I'm just, I didn't really think I even knew what that was.”
Sarah Sherman's Early Inspirations and Confidence
37:32 to 37:59
Learn about Sarah Sherman's journey into comedy, her inspirations, and the confidence she exudes on stage.
“of the things you buy for you and your family?”
Sarah Sherman's Early Inspirations and Confidence
38:00 to 38:39
Learn about Sarah Sherman's journey into comedy, her inspirations, and the confidence she exudes on stage.
“It's a powerful clean you can feel good about.”
Sarah Sherman's Early Inspirations and Confidence
38:43 to 39:35
Learn about Sarah Sherman's journey into comedy, her inspirations, and the confidence she exudes on stage.
“The Fryer's Deep Fried Turkey Breast, new from Boar's Head.”
Sarah Sherman's Early Inspirations and Confidence
39:37 to 40:24
Learn about Sarah Sherman's journey into comedy, her inspirations, and the confidence she exudes on stage.
“Tremphaya offers self-injection or intravenous infusion from the start.”
Sarah's Journey to SNL and Growth
40:38 to 42:01
Explore Sarah's experience auditioning for SNL and how her unique style evolved.
“And Sharna was the director who, in my case, just like put me on an improv team, said, hey, there's a woman named Tina.”
SNL Auditions and Personal Insights
42:01 to 44:40
Learn about the challenges of auditioning for SNL and the pressure of meeting expectations.
“All right, well now it's time, now for season six, Inside Out.”
The Fear of Success vs. Failure
44:41 to 46:30
Explore the nuanced relationship with fear of success and the reality of performance anxiety.
“And I go, why'd you wear glasses to the show so you could wear your pubescent set of eyes?”
Maintaining Authenticity in Comedy
46:31 to 47:15
Discussion on the balance of personal authenticity and comedy within the entertainment system.
“I have to say, like, what I find so impressive about you is you have managed to maintain yourself, your POV, and your sense of what you think is funny.”
Experiences on SNL
47:16 to 48:14
Sarah shares her initial experiences and adjustments to working on SNL.
“But you are like pressuring the powers that be that they might fuck up.”
The Role of Makeup in Comedy
48:15 to 50:08
Insight into the importance of makeup and prosthetics in creating comedic characters.
“But I wouldn't have done that if he didn't say so because it felt like presumptuous or something.”
Creative Challenges in Sketch Writing
50:09 to 52:38
Discussion about the hurdles in sketch writing and the desire for innovative ideas.
“When we're going to let the baby die, I don't think so.”
Stress Dreams and the Pressure of SNL
52:39 to 55:42
Sarah shares her unique stress dreams related to her experiences on SNL.
“Like, when you say that, my brain pictures it and I'm like, oh.”
Therapy and Personal Growth
55:43 to 56:00
Exploration of Sarah's therapy experiences and their influence on her life and comedy.
“grouse, it's like you're putting work out there and you're embarrassed.”
Analyzing Therapy and Performance Anxiety
56:00 to 58:52
Explores the relationship between therapy sessions, personal anxieties, and professional performance.
“disappointing, mine was about disappointing, like powerful figures.”
Bombing on Stage and Supportive Peers
58:52 to 1:02:06
Discusses the experience of bombing on stage and the role of supportive comedians like Adam Sandler.
“Butt sucking initiation, a computer enhanced butt sucking right now.”
The Origin of 'Sarah Squirm' and John Waters
1:02:06 to 1:05:09
Explains the creation of the persona 'Sarah Squirm' and the excitement of working with John Waters.
“And Lauren, when I got the job, Lauren called me and was like, you know, they were like, oh, Sarah, like Lauren's calling you.”
Comedy Inspirations and Influences
1:05:09 to 1:10:01
Discusses what makes the guest laugh, including shows and specific comedy influences.
The Joy of Safe Spaces and Humor
1:10:01 to 1:11:24
Explore the delight of finding joy in safe, playful environments with friends.
“I can't, like, I was laughing like a baby last.”
Shoes Off and Unusual Kinks
1:11:25 to 1:12:45
A lighthearted discussion about being comfortable and quirky topics like kinks.
“Can you believe that I've had my shoes off the entire time?”
Shout Out to Influential Mentors
1:12:46 to 1:14:06
Amy shares a heartfelt tribute to her mentor, Sharna Halpern, and her impact.
“I think it's weird when people like stuff that's weird.”
Transcript
Automatic transcript. May contain errors.0:00This episode is brought to you by eBay. Lately, more and more people have been talking about selling on eBay, and we can see why. Everyone has stuff that no longer fits their lives, and selling on eBay is actually really easy. Just snap a few photos, write a description, and set a price. Suddenly, the stuff that's just been sitting around is in front of millions of buyers already searching for what's next. Find what you love. Sell what you don't on eBay.
0:29Hello, everyone. Welcome to another episode of Good Hang. We are very excited about our guest today. It is Sarah Sherman. Sarah is a current cast member on Saturday Night Live, and we could consider her a vet. She has just finished her fifth season. And I just want to file this one under not safe for work or for kids, because we do get into some fun and down and dirty topics like, well, SNL, duh, and Psychoanalysis and Long Island and her insane, wildly original new special, Sarah Squirm, live and in the flesh on HBO. So listen for Sarah, but before we start, right, we always like to talk to somebody who knows our guest, who has spent time with them and who can speak well and give us a question.
1:16And we're going to talk today to Mitra Juhari. Mitra is an amazing actress, writer, producer. You may know her from episodes of The Bear, from the show she created, Three Busy Debras. She's a writer on Big Mouth. And she's just incredible talent, came up with Sarah, her good friend. We're going to check in with Mitra, who is on her lunch break and get a question from her. So hi, Mitra. It's good to see you.
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2:34Mitra! She's on the set. Mitra is on the set. Mitra, where are we talking to you from? Netflix! Netflix. A lot of people don't know Netflix has beautiful offices. Really, really. They give you a free hanger. So. Incredible. You can hang anything on that. You can hang anything on that as long as it's not pants because the hanger is broken. I hear giggles in the back. I wish I was in there. On top of Mitra being incredibly talented, She's also like a real deal activist, boots on the ground person. And I was thinking about during COVID when you Zoomed with my sons to talk to them about the LA unhoused situation and what they could do about it.
3:29It was sweet. They were so cute and sweet. I loved talking to them. They were so thoughtful and had such good questions and were really making me laugh. remember that when we were all just like in that covid bubble of just like i guess we i guess well this is how we'll learn now i was living with patty and we were making some of the most fucked up cocktails imaginable like actively drinking them being like this is disgusting and finishing them patty harrison another hilarious comedian and actor okay we've got sarah coming in today That's why I'm sad. Another reason why I'm sad I'm not there. I want to be seeing her.
4:13I have so many questions for Sarah. Did you watch her special? Yes. I have questions for her too. Her nasty ass. Her nasty ass special. You have known Sarah for a very long time. When did you two first meet? 2015. And our mutual friend, Drennan, who knew her from Chicago, she was coming out to New York to do shows. and she guested on this show called Holy Fuck that I was a part of. And he was like, there's this freak coming named Sarah Sherman. And I think you guys would really like each other. And then we like hit it off immediately. And we went on a tour with this great comedian and writer named Jamie Loftus called the Sarah Meadron Jamie are Ugly Tour.
4:59And just like, she eventually wrote and appeared butt naked on Deborah. yeah so we we worked on a show together three busy Debras on Adult Swim that you wrote and produced and you were the star of uh along with other Debras Sandy and Alyssa that's right and Sarah was a writer on there which is where I first heard her and I and I was introduced to her as Sarah Squirm which is the name she was going by at the time which I remember thinking at the time it was unusual that a comic actor had uh like what felt like almost like a rock star name yes which and it makes so much sense because like she came up in these great music venues and like was like I feel like every time I would come to Chicago and do shows with her at the hideout it was always like with these really interesting bands that I would like I've never heard of would never have heard of and and she's like such a true fan of like live music and worked in radio and like just brings all of that so it like makes sense to me that this like person who's working in these DIY spaces, both like in music and standup and art would have this sort of like rocker character persona.
6:06Totally. My questions today for her are really like, when did that person start? When does that person come out? Because you know, Sarah really well, and I've gotten to know her from getting to work with her and her persona and her personality are like alike, but also very different. Yeah. She's like, I feel like it makes so much sense that she landed in Chicago because she does have this like warmth and like I don't know familiarity with people that feels very midwestern to me even though she's not from there but like she's just very cozy people feel very comfortable with her um which you wouldn't expect from someone whose like material is kind of exclusively about like her flapping labia exactly like for people that learning about Sarah here.
6:55Like her stuff on SNL is, you know, in the structure of SNL, but Sarah's material is like super scatological. She calls it body horror. It's like a ton of like dysmorphia on dysmorphia, shocking, shocking, shocking stuff. And, um, I want to ask Sarah, like the cutaways to her audience during the special, I'm like, who is this audience? I have the same exact thoughts. So many men, so many men laughing and being like ritually humiliated at the same time. It's amazing. Perverts. God, my favorite word, my favorite word. Would you say Sarah's your first pervert guest? Oh, absolutely not. No, but I love a pervert.
7:40I don't like a creep. There's a difference. Big time. And it's a fine line. I mean, you know, and it's very, it happens. Don't get me wrong. I'm not saying, but rarely are women creeps, but they can definitely be perverts. But if you're a perverted man, you have a high creep susceptibility, obviously. You gotta be really careful. You gotta be really careful. But a fun pervert, I mean, they kind of feel almost, you know, this is another thing that I want to talk to Sarah about is like the way she is a fun pervert and then turns on her audience and yells at them for liking it. It's so real. Well, cause it's like, it's such a relief to have someone obviously in such a heightened way, but like talk about all these, all these things that like, I also am like horrified by in my own body or I'm like, why does it do that?
8:33Why is there hair there? What is that substance? Having someone put words to it and show it in like such a, like it is so heightened, but it's also like how I feel looking at like these parts of me. And she, it like, she, she really brings it to life in a way that is like actually very inviting. I feel where it's like, I'm disgusting. Aren't you disgusting? We're all disgusting. No, you're the disgusting one. Perfect way to sum it up. In watching her stuff, I'm like, on the surface level, it's kind of like grotesque, almost performance art stuff. But then underneath it is like this idea of claiming the stuff that gets thrown at us all the time anyway, just kind of claiming it and like doubling down on it.
9:24Yes. The horrors of being a woman and having a body. So I always ask people to give my guest a question. What do you think Sarah would want to talk about answer small or big any story you want to prompt her to tell or anything you don't know about her yet okay I wrote down a few oh you're such a writer I really overthought it
9:52let's get the room in here and let's just keep pitching yeah I got together about 30 ,000 of my favorite writers to put together a few questions for Sarah. Okay. Um, I wanted to force her to talk about her, uh, child musical theater career because she was really, um, she has so many stories about like liberties she took with the characters that she was given. Amazing. Thank you. That's great.
10:24Okay, I had two like bigger questions. If you had a zillion dollars to make any disgusting practical creation, what would it be? Whoa, great question. We might have to ask all these questions. These are good. And then what is your biggest bomb and what's your favorite show that you've done? So it's like a, you know, best and worst. Because I feel like Sarah's had some like really high highs and some really low lows. So I think either of those I would be really excited to hear about. Great question. And then if there's time, where does she stand on The Real Housewives of Rhode Island? You know, if you're on, you know, if you're like hitting a wall conversationally.
11:02Okay, perfect. I can't wait to ask her these questions. Really good questions, Mitra. Thank you. Thanks for talking to us on your lunch break. I loved every second. Okay, bye. Thanks, Mitra. Thanks so much. Bye. Bye, honey. This episode is brought to you by Allstate. Checking Allstate first could save you hundreds on car insurance. Not checking your pockets before putting clothes in the washer? Oof. Enjoy your freshly cleaned and completely destroyed earbuds. Yeah, checking first is a good plan. So check Allstate first for an auto quote. It could save you hundreds. You're in good hands with Allstate.
11:41Potential savings vary subject to terms, conditions, and availability. Allstate North American Insurance Company and affiliates, Northbrook, Illinois. And this is the food hall. I should have brought a little food for the wall. It's okay. You don't need to bring it. I don't want that to be. I don't want to bring food for the wall. I didn't want people to feel like they needed to bring. I could not brag. I could have contributed to this like crazy. I can only imagine what you would have contributed to this. So amazing. I actually, before we start, I wore these on behalf of you. Because I feel like you would like them.
12:17I wore a cheeseburger sneakers. That should be on the food wall. All right, we'll put one on the wall. What is, let me touch this. It's a cheeseburger sneaker from. It's Dolls Kill. It's Dolls Kill. And I feel like I'm not going to lift my foot up because I don't want any perverts. Perverts. Seeing our feet for free. Those screenshots would sell for a lot of money. Yep. And I'm wearing ice cream. I'm wearing ice cream. Okay, okay. I feel good now. Okay. I'm not stressed. I was stressed that I didn't bring food, but I came as food. You came as food. I came as food. Sarah Sherman is here. Do you feel weird now that you're wearing one shoe?
12:52That's such a good question. Let me take that in. Yeah, I'm going to take the other shoe off. Yeah, right. But now perverts are going to know that I'm barefoot the whole time. Can you see the feet? No, God, I would never let anyone see my feet. Have you seen? For free? No. Honey, for free? Who do I look like? Take me out to dinner first. Hello. Take me out to a plastic dinner first. Have you seen your wicky feet? Yeah. And what are we talking? I'm happy about it. Okay. All right. You know, I feel like with body parts, no one knows this more than you. Like you have to, some you make peace with, some you feel neutral about, some you have big thoughts about.
13:32I like my feet. How about you? I have like a, I got anxious recently. well as you know on the show we have to wear many different shoes many different hats many different shoes many different wigs i'm always put in sort of i think everyone's doing a practical joke on me by putting me in these big heels to the point where one of the writers asha ward shout out she puts like in the stage direction like sarah exits like tick tick tick tick tick because that's my heel shuffle like tick tick tick tick tick tick tick click click click click click click click click click because i can't walk in a heel i'm always clacking around and so something happened to my feet where I think one of my toes, I have no medical basis for this.
14:13I did not go to a doctor. I did not look this up. Interesting. I think that one of my toes is like, it's a toe. I love that we're talking about body stuff right away. I love it. You asked for it. I know I did. I asked for it. I don't know if I should look this up in my head. One of my toes is just the bones are loose, but inside of the toe sack. Well, I have a whole thing about, you know, like your feet. Oh my God, you have a whole thing about that. But your feet, now we're really giving it for the pervs who love feet. But your feet, your feet health are very important. Like now, because I'm getting to the age where I'm starting to read like.
14:47Barely 21. You're getting to the age of barely 21. Barely 21, always. That, what do you, what needs to stay healthy for you to like survive the next. And feet is a big one. Like meaning you got to be able to take, take care of your feet, have good balance. Do you have good balance? Can you balance on one leg? I'm saying this like so cockily. I feel like, yeah. Yeah. Right on. You did it. And I don't have, I'm going to say something again. This is more feet thing. I have a huge arch. That's very, so do I. It's crazy. And it's good to have it. Okay. Because not only does it make your feet look nice when you want to eventually sell your feet pics, which we're all going to be there.
15:29Well, I have tried, actually, and I have failed. Okay, we're going to get into that. Sarah Sherman is here. She is our first SNL, current SNL cast member on the show. I wonder if I have all the scoop. Do I have all the scoop? Well, you're a vet. Like, how many years have you been on the show? Five. Five. But you just wrapped SNL. You have a comedy special out. It's incredible. I cannot wait to talk about it. It's insane. It's quite insane. It's quite insane. right now you're in that like schools out summertime like you just finished your last show last week how are you feeling how's your energy level where you at i feel like i had so when you hosted this that was at the very beginning right and not to suck your butt but everybody goes who's your favorite host i go everyone goes amy poller like immediately that's such a bad stuff and i had a lot of questions for you i was like what i felt i would like like Like every, it's so funny as a cast member, you have such an experience.
16:31And then when you're a host, you have the experience, which is like, you just wish you could immediately do it again. Yes. Immediately. And I was just saying to someone, my favorite times are always the in-between times. Interesting. I love the, like the joking around between scenes. Yes. I like the, like the beginning of the week. Yes. The show is like the event, but I tend to remember and like the like weird middle times. And I have such a fond memory of me, you and Bowen. I know. Sitting on a couch and really like getting to know you in a way that I don't think I had in a fast amount of time.
17:09Yes. Laughing nonstop. I know. And a lot of giggles. A lot of giggles. Thank you for saying that. Okay. So I was your favorite host. Great. I appreciate that. And my favorite. like I wish people saw the table read like that is when I am laughing I'm like I'm and that was my favorite part of your week because listen okay I'm gonna the butt sucking is gonna commence you I'm usually doing that okay good well this is gonna be a good hang with Sarah I'm gonna try to receive I you like obvious so it's like obviously you're good at SNL like obviously but seeing you know how many sketches are at table read like 40 you have a different funny thing you were doing like fun new character voices for every sketch out of the 40 and it's like how many of those were cold reads and you were just like like the doll with the eye oh yeah that was a good sketch seth wrote that laughing he submitted a sketch for us and we didn't do it i try to watch so that i can organically laugh if i'm not in a sketch i try not to read those sketches ahead of time oh interesting okay yeah so i watch the whole table read like but that's very generous of you because you're actually providing an audience which people don't usually do like they you know everyone's in their own world at those read-throughs and everyone's tired and everyone's like waiting for their stuff to get on and so the fact that you could even do that means that you're like trying to actually stay present like you're a generous person and well i think it's also sucking butt right back i'll take it we'll human centipede ourselves all the way i mean come on That's a good trilogy.
18:43There's three. I cannot believe that movie was made. The movies. There's three. I know. There's three. There are three. Okay. And you need me to talk about the differences between them. And for some reason, because I am so aghast at that movie, I get it constantly on my TikTok. Is it having a resurgence? Yeah. There's like a lot of clips about, or like I just keep watching. Right. Because I'm horrified by it. Okay. Sorry. I digress. You are making it happen. I'm going to use your podcast platform to do something. tom six no if you are absolutely not a human centipede no do not we do not need a human centipede for no i'll do it i will she won't she will not and i will not allow her absolutely not black and white no color over no absolutely not we don't need it not now we did it most important cinema it's been made fucking disgusting and tom you are a freak okay but you're you're on your summer break yeah so you're like what do you do for your summer what are you doing i'm experimenting with something this summer i don't understand how anyone can do anything while SNL is happening right i feel like were you doing this no i can't well i even said because i was all consuming when when when i even said to you because you did work birth and it was about you being the sketch when you hosted about you being pregnant giving birth at work right and i was like okay so this actually was your life yeah the fact that you were pregnant there i can't even work there like if my contact is too dry i don't know what your life is and if you ever want to carry a child but pregnancy is wild and funny and fun because you are completely different body and you love body stuff and you're you scare a lot of people by walking around and it scares me yeah it's scary and i'm like what do you mean they're moving my organs around inside me they They have to stay where they are.
20:32So sci-fi that there's a body inside of you. You're never alone. I can't even imagine, like my body can't even take being at the job regular. Not that pregnant isn't regular. New normal. New normal. Hey, watch it. Watch it. But like if I have like a bad burrito and I'm like bloated, I'm like, I can't write. Well, this is what I mean is like the idea of like everyone knowing when someone has a stomach ache, that's new. that that is new that's new you know what i don't like and i'm i'll say i'll stand on my two feet buckle my shoe and say i don't like it it's like hot girls with ibs it's like i'm not proud yeah of the diarrhea that i have every single day chronically and we're about seven minutes in we got to diarrhea yeah i was hoping we would to the morning i just think that like more and more there's a oh there's an acceptance that everyone has a different way to work yeah within the system yeah and i would say that you being on the show is also i think another example of like how the show has smartly remembered that it is a variety show right with a million different voices and different styles and so there just was i think a little bit more it was just like a more homogenous same way to do it same people writing it same people on it and it just keeps changing i actually think about this a lot because i'm like this is not even to say it's self-deprecatingly said that with an accent.
22:00I don't think I would have gotten on the show during your era. No. Yeah, no. That's not controversial. But I would have, I would like to be a more talented sketch performer. Okay, let's discuss this. I find myself to be quite limited. Oh, okay. Do you know what I'm saying? Well, okay. So I'm thinking Let's Call Me Stars. I was not born, I was born when I was born. Okay, Sarah Sherman, let's go back. We're going back. We're going back to Long Island. We're going back 18 years. I'm 18 now. Just turn. 18, okay. Carry the one. You're 21. So you're in Long Island as a little. Yeah, as a little. As a little.
22:45Your mom is a public school teacher? Yeah. So was mine. And your dad runs a children's clothing company? Fascinating. Fab. like of course you love clothes of course you dress but i'm like addicted okay it is his fault yeah so he's so he has like he's like a garmento yeah he is like old school jewish schmata business so it's like everyone saw uncut gems was like the diamond district in my hand it's all those jewish guys running around two blocks over is the garment district and schmata is yiddish for rags so it's like all the same kind of jewish guys running around with clothes right long island seems like it has produced some really complicated interesting characters well i saw uncut gems yep and i go huh that's about my dad i just the vibe right so i stalked the writer and i was like you wrote a movie about my dad and he goes well this is actually quite interesting because i'm from your neighborhood i went to a high school near your high school and my dad is in schmata so yeah I did.
23:50Whoa. I know. Long Island. What is fifth grade Sarah look like? So annoying. I was like, because I was like the clothes thing. Like my dad was in schmata. I grew up around clothes. So like I was addicted to the nanny. Yeah. Golden girls. And like my big thing. When in middle school, when I started doing middle school plays, this orange who ran the costume department would let me kind of read. the costume closet. Okay. This makes sense. And you were into that. Okay. We, we, um, we, we, we always speak to people who know our guests really well. We get a question from them and we talk to Mitra. So Mitra gave us, she's the best.
24:36And she gave us a couple really good questions. So throughout this interview, I'm going to pepper them in because of course, Mitra, good girl, giving us so many good questions. Oh, I'm sure. I'm sure. I'm sure the list is long. And this Miss Orange reminds me of one of those questions, which is you did a lot of musical theater as a kid. I did. And you took liberty with some parts. And, Mitra, you know what you have done. Mitra knows what she has done. Okay, she's helping out her friend. I just, I, let me explain myself. I'm going to defend myself here. I always wanted to be a comedian. Like, grew up watching it.
25:17Why do you think? Funny family? Funny family. Okay, yeah. Really funny family. Funny dad. Funny, like, you know, love expression was like mean, bullying, funny. Yes, got it. Was addicted to, like, Seinfeld, SNL, all of that. Brothers and sisters. Younger brother, also funny. But I was kind of like a bully, but it was funny. Yeah. So, you know. That's when bullies were funny. I know. Right. And I had a big science room skeleton in my room. My parents were always like, why'd you end up like this? You're normal. And I'm like, you got me a giant science room skeleton when I was like. You know, my brother was like three on April.
25:57I loved April Fool's Day because that also felt like the comedian's day to shine. It's like clowns Christmas. He was like three. And I put this giant life-size science room skeleton in his bed and he woke up crying. You know, right. So it's like stuff like that. I loved April. My bat mitzvah was on April Fool's Day. Whoa. What was the theme? It was April Fools. It was April Fools. It was the theme. And the invitation was snakes in a can that I hand delivered to everyone's house. You learn so much about people when they talk about their bar and bar. You really do. You really do. Like Ike Barron was in here and his was like, I like Ike.
26:33Like he was running. He was like running for, you know, president or whatever. You learn so much about what their hopes and dreams are. That's amazing. Snakes in a can, incredible. We'll be questions on every seat. and like you know you're on in a bat mitzvah you're like on the the bima the stage at the synagogue and i had a rapt audience of like 80 year old old bald jewish guys i was going off that was my first like i crushed at my bat mitzvah oh my god do you remember any of your material of course it's like because it was my first you know i was i've been what is it chasing the dragon or whatever ever since like the high yeah was i went to a very conservative synagogue And it's like the service is like eight hours intense Hebrew.
27:19I didn't know a word I was saying. And they go like, and now the sisterhood of the temple would like to present you with your gift. And like these two conservative women came up with candlesticks. I go, great. Just what I always wanted. And my mom was in the front going. And then not to brag, it was kind of the talk of the town for like a second. I bet. It was kind of like, everyone was like, oh, he's killed him. Great. Turning to a camera that's not there.
27:56Okay, so what liberties did you take as a musical theater kid? How did you interpret the parts? You're so evil. Is this a non-PC story? So I just wanted to be a comedian. I wanted to be a performer. So it's like I would do any play. like I would do like I couldn't sing or dance but I'd do the musicals because I just wanted to do it yeah and I could never get a part because it wasn't good but I was like in with the costume closet Miss Orange would let me like that's I got addicted to like 80s little like sequin jackets because like grandma yet on the nanny would wear them and that's she and Miss Orange let me keep the jackets I know the one that looked exactly like grandma yet a sequin jacket and so she let me kind of i didn't have a part i was in the chorus and into the woods oh yeah which was behind a screen you were in the woods i was in the woods in silhouette sure so i was just basically uh a little outline yeah but i was in the costume closet i found a red and black lace gown with a firm hand muff oh yeah and i went to the director and i said so this is my costume i am my character is the Russian Tsarina.
29:08And so I'm just, I didn't really think I even knew what that was. I didn't have any words. I didn't have an accent, nothing. And so in the playbill, it would be like all the leads listed. Yeah. And then like the chorus. Yes. A whole list of all the faceless people behind the scrim. And then Sarah Sherman will be playing the Russian Tsarina. That's incredible. You created your own. What's a personality disorder? What? But it's such a, I mean, that is the thing about you, Sarah. is and like we'll get to it with snl but like there is an innate confidence about you that and i say that because i i want you to know to me that's like the what distinguishes people on snl right away sure whether the content doesn't matter it's like are we worried about you when we're watching you i'm never worried about you anytime you're ever performing like and it's not like cocky like because you're super self-deprecating all the time you're very honest you're very like Like your feelings are right up front and center.
30:08But there is a confidence that I feel like you just were born with. This idea of like grabbing things and wanting them. I think I am so used to bombing. Yeah. Even though it sounds like I crushed my first time at bat. I'm so, it's like everything that has, every bad thing that could happen to me on stage has already happened kind of thing. So it's like, I don't even know if it's like confidence. It's like, I'm going to fucking crush this shit right now. It's like, what more could happen? I bombed at Madison Square Garden. What more could happen? But ambivalence is confidence, too. Yeah, sure. It is.
30:43Like, this idea of, like, I'm just going to float a little bit. A little dissociation, too. But, like, I'm going to float above this moment so that you're going to have to come find me. I'm not going to, like, be like, like me, like me, like me. Right. That's the difference. But you went to Northwestern. Yeah. And, oh, this is what I find so interesting when you talk about, like, I want to have more experience in sketch and improv you try out for like the sketch group don't get in which was like I was is devastating that's devastating and I had tried stand-up like I dabbled a little bit when I was like 16 like I like going to doing an open mic at like a barbecue restaurant because you know I couldn't do a bar yet like I dabbled a little but that was my first big like you know all i wanted to do is be a comedian and it when someone was like my peers were like no i was like are you kidding me yeah and so i'm full of i could be motivated by spite but then you started a comedy show in chicago called hell trap nightmare yeah how would you describe that show um like the first i like that you rolled your eyes because it's like how could i even okay this is the first show yeah this is my friend's basement we were of course it was chicago has like an amazing diy electronic noise crazy performance art comedy scene and like you know there there was like comedy at like there's all this improv in chicago and whatever but it's like the funniest people to me were these like freaks yeah so like my friend Mike Sugarman was performing as under this noise moniker Shug and the first Helltrap Nightmare Nightmare was at my friend's basement the poster was like a woman's face was see-through and you could see her teeth and brains because I was like you know that's the trigger warning yeah and you know I hosted I did like 10 bad minutes of stand-up and then my friend Shug came out in a trench coat in a wig um sunglasses flashed everyone and he had chorizo tape to his dick and was you know smashing light bulbs but that was music of course yeah and i think i did a uh i don't even know what these bits were like it was like a stretch to call it comedy like well it was like performance art right yeah but with but with like the intent was to be funny but yeah when i i chugged a can of room temperature clam chowder i think the joke was literally like oh you like a woman who's a tall drink of water i'm a tall can of clam chowder and then chug the whole thing and everyone's like cool okay you know it's we don't need to look back on our bits and explain them they were just like moments they were moments babe you were experimenting of course but you were you were like i mean i i think it's one of the things that you've brought to the show like just your aesthetic not only outside but like your influences like you are very very interested in all types of media and art i am we talk about in your special like like paula poundstone fucked spongebob you also talk about like yeah like barely makes sense by the way and gave birth to what oh sometimes i just say stuff and i'm like it's going on um but also ren and stimpy and like peewee like what were your like what what kind of stuff were you like when you think about all that stuff that jammed in your head when you were younger what jam what got in there i think like i always um i loved doing art and making stuff and i also loved performing comedy and for some reason i didn't know that you could do both at the same time like when i started so it was like 2015 like you know there's not like the internet and the way it is now like i didn't realize i could blend art like i was doing all the posters for my show like because it's like it was very you know raunchy blue like horrific comedy so i'd make the posters be like lungs with nipples on it and be like you know what the show is gonna be whatever right um the letters are like a tampon with poop on it so i remember it wasn't that creative but i was like oh that was like a trigger awesome my mom by the way to my special taping wore my old hell trap nightmare shirt which was a uterus with ovary eyeballs and a severed finger shoved up into the and a smiling like open gashed vagina with like a butthole what do you guys do insert picture here
35:20what do your parents think like how do they hit it is so intense it's intense it's intense And I don't mean to be misogynistic because like if it's a man, it's they get a different past. But like your stuff as a parent, because your parents love you and they love that. They love the work. How did they like do they invite their friends to your show? Yes. They they're down. It is. It's literally like Paul Schrader hardcore. The my daughter, no, turn it off when he has to watch his daughter doing porn. it is that but um but um they love it they love it they are really supportive and i do think i have to say that i think that's like what the confidence is a little okay i i think that that's true i i didn't want to say it but like i'm learning about like loving parents privilege like if you have parents who are like you're great you that really creates a scaffolding for the rest of your life obviously when you try things where you're like well i guess my parents will still love me.
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36:25No, I there's not a threat of losing my family. Yeah. And like maybe this is TMI, but I did a bit. I've done a lot of like updates where I'm in a big animal costume. And that is Lauren's idea. Yeah, because I think I'm like, he's like, what am I going to do with her? She's crazy. She's like a wild animal. Oh, I'll just make her be a wild animal. I don't think people know that he pitches bit like he was like, you're going to play a squirrel. I'm like, OK, whatever you want you're my boss okay boss he said like after i did i think a squirrel or some fucking animal he said when you did that i could tell you were loved as a child and i was like
37:08clocked clocked he has very oh yeah oh yeah i i remember being like oh yeah yeah he he he as the kids would say he can read you really fast. For filth. For filth. For filth.
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40:38okay so you have this this way of performing and then you auditioned for snl first when you're really young don't get in what was that like well like was it a real audition we did like did you go into the studio okay it was um sharna halpern from i.o shout out girl shout out charna let's talk about charna for one second charna halpern ran improv olympic a theater in chicago now called i.o because the Olympics sued and made them change their name. The Olympics. The Olympics. That's right. And Sharna was the director who, in my case, just like put me on an improv team, said, hey, there's a woman named Tina.
41:19You're going to really like her. You guys, Sharna arranged that marriage. And Sharna was in charge of so many of us and like launched so many careers. Oh my God, I didn't know that. So Halpern, Sharna got you in front of the, Sharna, she's always had an eye. She knows. That's great because I just wanted to do comedy. I couldn't get into the fucking college thing. And so I was like, oh, I'll go do it in Chicago, stuff in Chicago. And I was like kind of a bad fit. And I'm like not, again, I feel self-conscious about my limited range. It's like you kind of need a little bit of range for improv. And I was kind of not a good fit there.
41:55And I would also wear like, they would be like, I'd have to get talkings too. It's like, hey, you're wearing a big shirt with the brain on it. it's a little distracting i'm like fair um i was like i'm kind of a bad fit there yeah but she was like you're gonna do the snl audition and at that time i was like i was 22 and i was like uh that's a bad idea because i was doing these shows with the chorizo penis whatever right i was like i just didn't and she was she was like you're gonna do that she's like you're gonna be great like if you need help with it and i was like well everyone tells you i didn't know anything and they're you know everyone's like oh your your five minutes has to be like characters and impressions or whatever so i did that it was obviously terrible like it was just like i was trying to do what i thought the assignment was sure and i bombed really badly um i wore like my i remember what i wore i wore i know this is we're actually finding out i'm a clothes addict i had all my memories are marked by like my outfit well i would say that you're you like work from the outside in yeah i do And actually this is a problem at SNL.
43:02All right, well now it's time, now for season six, Inside Out. I've been trying, it's really hard. I would love to see you just in a, I would love to see you in a neutral dress, a slip dress, hair natural, no makeup. Yes, leaves blowing. Hello, children. Your homework's late. Big recurring character. Your homework's late. Can somebody write that down? It's amazing. but this is Lauren's big thing with me he's like just let's just yeah get it and I'm like okay it's okay it's okay don't don't beat yourself up I mean it's a lot to ask it's a lot it's hard it's hard it's hard to show any especially when you're it's like playing with it's like practicing with your backhand like you're really your forehand is really strong and you're like I can score and someone's like now hit it with your backhand you're like now I know season six three you don't think i was trying yes okay i try like you know ashley padilla started two years ago and i'm like oh my god like character and like everyone every character she has is like an internal world and like the jokes come kind of easy to her because she has like inside she like knows what the character wants and there's like there's a motivation there and i feel like i've been doing it all wrong for like six fucking years because i'm like oh what if the wig is weird and then you have to come like writing the joke because it's so much harder because you're like forcing it from the other way around it's it's outside in so it's a little harder i'm gonna say something right now i think you're not afraid of the failure i think you're afraid of the success because i actually think you can do it i actually think you are a good actor and you can't do it you're afraid of being successful at it so like i don't want to cast me i'm not afraid of being an actor i am free people say that thing where they're like oh my god you're stand-up that's so brave i'm like it's it's cowardice it is true yes it is true cowardice like i you know so many things even in my special are like people are like oh my god you're like loose and riffing that's all written down you think i would riff during my hmail comedy no i have a pre-planned bit, I'm like, I'm going to find someone in the crowd wearing glasses.
45:22And I go, why'd you wear glasses to the show so you could wear your pubescent set of eyes? It's okay. We'll edit it. Here we go. Don't edit it. Show my failure. I'm actually a vulnerable Santa.
45:39Oh my god, you should make your own vulnerable blooper reel. I'm showing my pit sweat. Hey guys. Why did you wear your glasses to the show so you could see my pre-pubescent body better? You pervert. Everyone goes, oh, you think I thought of that on the spot? No. I wrote it down eight years ago, and I've been saying it every day since. Sucks. I feel like once you get the confidence of knowing that you're not getting fired from the show, basically, like, which is true. Like, you're at that point. Congrats, babe. You're at that point. I was crazy this season a little bit. Well, you might get fired from something you say for sure, but not for lack of like, we don't need you.
46:22Right. But yes, you might get fired. Yeah, yeah, yeah. I'd be saying. Yeah, HR did want me to talk to you. Yeah. Yeah. And I'm sorry for what I did and who I touched. Yeah. Yeah. Yeah. Yeah. I have to say, like, what I find so impressive about you is you have managed to maintain yourself, your POV, and your sense of what you think is funny. Yeah. And you worked within the system. Yeah. i.e. like you coming at Colin and update is a perfect example where you're like okay I'm gonna use this structure I'm gonna hit Colin who's like the ultimate like alpha straight white punching bag successful punching bag and he can handle it yes and why it's so satisfying to watch because to me it also and you do this a lot in your comedy especially in your in your in your special where you like play around with what I like to call like the millennial threat like This idea that like someone's going to get something wrong.
47:18Yes. But people are very scared to screw up. Yes. And I have. Of course, we all have. Yes. But you are like pressuring the powers that be that they might fuck up. It's very exhilarating to watch because obviously it's also talking about like cancer girls are like misogyny and like patriarchy and all that stuff. But it's not. It's just funny. Right. And it's like as mean as I'd be to Colin calling him a pedophile, whatever, whatever. I'm really mean to myself. Yeah. So, you know, but even that, it's like I got lucky on the show because he, I had joined the show as a complete, I was shocked that I was there.
47:57All my friends, like the inside joke was like, okay, Sarah's going to show up as a waiter and say, you know, want some water, ma 'am? And I got fired. You know, that was a big joke with all my friends who are apparently like love me and are nice to me or whatever. but so it was like so I was just happy to be there and I wasn't expecting anything to happen like I was writing sketches but I didn't really know I didn't even have final draft until midnight on writing night like I didn't know about any of this and then um so I wasn't getting any sketches on the show but I didn't really care but then Colin was like why don't you come on update and do like your yourself and I didn't even know that you could do that there is some version of getting known on the show and it doesn't stamp you forever, but like where people see you as a person with a face.
48:41But I wouldn't have done that if he didn't say so because it felt like presumptuous or something. Right. Like I really was there to be like a good sport and just do whatever the job was. Okay. But I just want to gently say to you that you should just take credit for that success because even though it wasn't your original idea, perhaps we all know that we're collaborating, we're all collaborating, working together, but you have to deliver. One other thing I want to ask you about, and then we'll jump off SNL, but Louie. Let's talk about Louie Zakarian. What is there to say? Louie runs the makeup department, and he is incredible.
49:19It's crazy. Like, let's talk about him for a second and what he's made for you. What hasn't he? He does. Prosthetics and makeup takes time. Yeah. And, like, I think I've seen people describe the SNL makeup experience as a pit crew. there's like eight people putting on a bald cap at once. I've moderated Comic-Con panels for him where it's like it'll be a guy in a Grogu suit or whatever being like, sir, what's your fastest bald cap application? And he goes, two minutes. And you hear the crowd go. Yeah. You see like every X-Men character in like a blue man group. Like they should make a TV show like The Pit.
49:57Yes. And they should make it in the makeup room of Louis' room because the way that they like in the pit, the way they like save people by like stabbing them in the heart and like yeah like that's how louie has to do makeup yeah he's ripping a bird beak off and putting googly eyes on my eyes he's get out there but by the way he he's having so much fun like yeah he never says no he's having so much fun he films the whole thing and it's like we could have like 45 seconds to get me looking from jessica rabbit into like miss grinch or whatever and he still is like one selfie and it's like hilarious he like gets off on the thrill of it he he like my favorite we did a thing where it was like it was supposed to look like me and michael b jordan got stuck on a roller coaster and it like it blew our like hair and mouth open and i was like i was like can you make it look like i have a speculum in my mouth like blowing my mouth out but you don't see any plat like it just has to look like it's naturally like that and he doesn't say no right well that's what an Emergency room doctor is like, we'll see what we can do.
51:02Yeah. When we're going to let the baby die, I don't think so. And it's the same stakes for a comedy show. It's the same stakes. It's the same stakes. And that's, if there's any takeaway, it's that what you do is as important as people that work in the ER. No one banged their pots and pans for me. Exactly. This is another meet your question. If you had unlimited funds and you could make any disgusting creation, what would it be? I don't know if I want to ask you this question. yeah maybe let's say on SNL so we have to say that it passes like you have it like because because there have been that isn't this is another reason why I working outside in I love that taking that I'm gonna write my book about that okay um so you have fun with your book I'm taking outside in it's like it's such it can be such a hindrance because like me and Dan Bulla had like this idea for like maybe a sketch that's like at um like a facial spa or something and when they take our sheet masks off it just pulls the whole front of our face off and for years i me and louie have been like how are we gonna do that because like when i first started the show i was in like one sketch every six and a half months so like was it but now it's like maybe maybe i'll be playing Trump right beforehand.
52:20Who knows, James? I'm coming for your breakfast nachos. So it's like, if I had unlimited funds, it would be like I would be able to do something like that really fast. I just want to take my whole face off. Why do you want to? I don't know. It's really weird. And it's not normal. It is. Like, when you say that, my brain pictures it and I'm like, oh. Sarah, you just made your life so much harder but i know i'm but if that is just it also is like there is a there is such a incredible performance art artist like like you have a cindy sherman vibe you have a like you have a growth you have a like a a dance with the grotesque that's super interesting and it's always like what level is like gross like what does what grosses you does anything gross you out the other day literally i like you know how people like chew on their like sleeves or like oh yeah like wet wet fabric on my teeth like i got grazed on on the train on the tooth with my own sleeve and it like give you a chill that's like my nails on a chalkboard is like stuff like that okay but any kind of like your face peeling off you're down all good all good all good and and then my last question in that SNL space is because we all have them.
53:46What does your SNL stress dreams look like? Oh I actually wrote a sketch about this. Okay incredible. It is oh my god I wish I could remember the sketch because it was like you know when you stay up all night you're like I'm getting a Nobel Peace Prize. Classic sketch. Classic sketch. They always win the Nobel Peace Prize. I'm like if I read it two years ago I'm sure if I read it today I'd be like what? You know what I mean? my stress dream is always writing night okay and it's always i get to i'm at writing night and i'm the clock says it's like midnight or one in the morning and i don't have anything yet and i'm going from room to room with like my tin can being like what are you with me and everyone's like no i'm already busy i already have my thing for the week and i'm going door to door down the hallway and the hallway gets longer very okay christopher nolan don't steal this odyssey 2 um the human centipede don't tempt me with a good time amy polar and the hallway just gets longer and longer and i'm like does anyone want to write with me and that's like that's what i'm the most anxious about all the time it's like bombing on live tv is one thing bombing trying to get someone to write a sketch with you is a fate worse than death i have one more stress stream that was my first year okay which was there's a prop toilet on the floor of 8h this i have this stream two times there's a prop toilet on the floor of 8h i know it's not hooked up to any pipes i know it's a prop and i shit in it anyway and everybody's looking at me like the last shot and murder on the orient express there's like a shot where they're like all looking down at this dead body and you see the pov of the dead body looking back at everyone and i see everyone looking at me going, the toilet's not hooked on something.
55:35Why'd you do that? And I'm going, I know. I have no idea what happened. And my Jungian dream analyst at the time said that when you poop in a dream, grouse, it's like you're putting work out there and you're embarrassed. I work hard. Whoa. And also, do you have a Jungian dream analyst? Do you do a lot of therapy? I do. Many times a week. oh fun doesn't seem to be working online or in purse i'm on the you're on the couch i'm lying down on the couch and the whole time yep whoa i'm doing like analysis i'm calling i'm doing and now that's old school yeah and um just i just noticed recently because i don't look at my therapist and sometimes i'll be like yeah male or female therapist of course it's a man it's not fixed it's a man it's not working a woman would fix it like this and i said something and i heard his laugh behind me and i went like he wasn't he forgot he was there yeah and i was like stop i don't know why that was so i Immediately I was like, I never looked at him.
57:00And I was like, get it together. You're making me think about like my stress dreams for SNL were less about like, will you guys, you know, like where, where can I get in here and write with people or like, oh no, my, my, my, the shit in my toilet you guys don't like, which is your work, your work. But mine was disappointing. disappointing, mine was about disappointing, like powerful figures. It's a very Gen X-y stress dream. So mine was always, mine was always about, uh, I would often have it, which is I'd hear Jenna Rossitano, as we talked about the great AD calling me and I would realize, oh my God, I'm not on stage.
57:43Like I, I I'm missing my, my, um, cue. Yeah. And I had it more than once where I'd be running down from nine to eight. And I'd pass everybody whose opinion I cared about. And they look at you. And they would go like this. And it was everyone you could imagine. It was people from my past. It was people working on the show. It was always, of course, Lauren. And everyone was just like, wow. Like, you really let us down. Oh, my God.
58:16It's like, Amy Poehler, you are late for hot. hot dog bar mitzvah. Where is your prosthetic butt? Your funny wig. It's so crazy. What gives us literal anxiety trauma is like you running to go do like Mr. Butt and the hot dog hospital. And Lauren going, you're a disappointment to your father. Like, wait, I have to go be Captain Crutch the musical.
58:50it's so stupid so stupid okay and the last question that that mitra wanted me to ask you she had so many good ones was like the and you're talking you've talked about it a little bit but like the biggest bomb and the best and the favorite show you've ever done because we talk about you must have bombed big time and i'm kind of fascinated about your time opening with adam Sandler who talk about what a terrific, lovely person and like nicest person probably to be around and open for, but the audience might not have been that ready for you. He is so good way to say it. Thank you. And thank you. I'll take it away from here.
59:35Okay. Exactly. It is. Okay. Butt sucking initiation, a computer enhanced butt sucking right now. you and Adam and there have been other cats like Fred you guys are so menschy that it's like I'm thinking of people who have like how could anyone do SNL without the mensches like I have Adam being like you're doing great kid like I would have blown my brains out from here to the western seaboard if I didn't have him being like you got it dude yeah he's so every time you see him how's your mother how's your father the house hanukkah what's going on i love you how are you so menchie and like opening for him i have bombed a lot yeah because people have paid good money to be there they have hired babysitters they drove all the way from hack and sack they are six drinks in they are there to see adam sandler not long island presents sarah sherman someone they don't know who's sweating up there they have paid good money to see the wedding singer well honestly when i was watching your special I was fascinated by the audience because I was like this audience.
1:00:44So your special, um, Sarah squirm live in the flesh, live and in the flesh, live plus in the flesh. Thank you. That was a big, that was a big thing. Live plus in the flesh. Um, and I, and first of all, why is it Sarah squirm? That was how I like when I was doing these basement shows with the tree zone stuff, it was just like the poster was like, you know, I wrote written in guts. It was like a kid. Also, I was like performing with bands like piss, piss, piss, moan, moan, moan. Rest in peace, Alejandro. He has passed. That's a crazy thing to say. But like I was like, so I was like, I don't want to just be like and Sarah.
1:01:21And then there's Sarah. So like I was kind of like. Yeah, it was like your punk persona. It was like X-Ray Specs or like Alice Cooper or something. It's very music. It's very music. But that's like the show. That's like it was the shows that I was doing because I was like I just, you know, it was it was the vibe yeah and um did you get pressure to like did people say it should be sarah sherman so then when i got so so like i auditioned for when i auditioned for snl doing you know they or no i was doing i was just performing sarah squirm at the time and i wasn't really like thinking about it and then when i got so that that's on all my snl paperwork is just they found me at a show as sarah squirm so that's still on my paperwork you've never been paid I've never been paid.
1:02:06I don't work there. Yeah. My alter ego works there. Point to another ghost over here. My alter ego works there. And Lauren, when I got the job, Lauren called me and was like, you know, they were like, oh, Sarah, like Lauren's calling you. And I was like, hello. And he's like, we think squirm is a little distracting. And I go, say no more. You can have whatever you want. And you know who liked that? Your parents. Yeah. My mom is still to this day. It's like people will be like, hi, Mrs. Scorm. And she's like, no, don't call me that. They want to hear Sherman. They want to hear Sherman. And so when I was doing the special, like not, you know, people don't know me from stand up really.
1:02:46Because I know the ticket sales show. Pittsburgh.
1:02:53They like, you know, everyone's like, it should be like Sarah Sherman live and in the flesh. But I'm like, but that's not the character. Yeah, I get it. And it really helps set like the table. Like you said, like you set the table really fast. In fact, the table is set. It's set. It's got the floor just coming up. The special starts with something I've never seen in a comedy special, which is like, it's like, there's like a warning of graphic violence. There is. It's like, there's a warning of graphic, like there's so many warnings. There is. And you also start with John Waters. I know. Which is the ultimate trigger warning.
1:03:28Yes, you're so right. If he's going to kind of put a stamp on something, you know that like there's going to be so much poop talked about for sure. And also just like he's like this. I mean, he's. What does he mean to you, John Waters? Everything. How did you get him? I wrote him a letter. You wrote him a letter. I wrote him a letter that was like I drew like everything. thing what's so helpful with visual art or like all this it's like you can provide your own trigger warning always so I wrote a like for the posters for hell trap it's like there's a butthole that's bleeding with an eyeball like you know what you're getting into oh my god uh Sarah enough enough okay so I wrote him a letter and there was like intestines all over it and I was like do you want to like you know there's this do you want to play the stage manager in my stand-up special and I was like your scene partner will be this and then I drew a little picture of me as like the bones and guts on the floor and I'm like this is who you're gonna be talking to and then I put my number at the bottom of the letter and I was like if you're interested call me or whatever and then I was getting into therapy on a particularly devastating read of a day I had just bought a loaf of sourdough bread and I was literally walking down my block ripping off pieces of bread and eating it like an animal or a raccoon.
1:04:50Good job, Lauren. You knew. And I got a call from an unknown number, Baltimore area code. Hey, Sarah, it's John Waters. I'll see you on set. What? Yeah. And I said to my producers, because I had written this stage manager character. What a cool way to say it. I'll see you on set. No, I was like... That's an old school, fun way to say it. I'll see you on set. I'll see you on set. And I was like, do you want me to... Is there anything you want to say? And he's like, I'm not writing it you wrote it i'm saying what you wrote and i go that's professional yeah yeah he doesn't have punch-up he's like i'll be i bet he had about like a two-hour door-to-door right like he was like you gotta hard out i'm gonna be out here in an hour and a half he was being hilarious and he was pitching jokes because he couldn't he couldn't have and guess what they made it in yes okay you want some visine because my eyeballs out that was a john waters original riff yeah it's like i'm the luckiest girl in the world that's the crazy thing i keep going back to snl but you're bringing it out of me girl i if i didn't have snl i would be a random crazy person but i want to say something i don't find you crazy i don't think you're crazy that's why you're interesting because if you were truly detached in like in a way not to name names but like others sometimes like performers who are kind of in your milieu or vibe are then it's hard it's then it's kind of hard to attach sure it is hard like it's like okay they're in their own like creative world but like yeah i don't know we're just gonna kind of watch it from afar but you you aren't so it's interesting it's very interesting because you have command of what you're doing in a way that's right there is but i'm like without snl would i have been able to do this crazy comedy special where there's like a clay butt that she parts out of ghost would john waters have agreed like i don't know probably not thank god and for people that have listened all the way to the end i mean there is a clay but that happens right in the beginning if you don't like it turn it off yeah turn it off um speaking of comedy as we end what do you who are you listening to laughing because you know you do comedy all day for a job who what do you watch yes to laugh like what is your checkout like is Is it a video?
1:07:08Is it a, are you watching old movies? Are you like, what's making you laugh? Most recent, always Real Housewives. I'm laughing. The last question Mietra had for you is, are you enjoying Real Housewives, Rhode Island? Listeners, Sarah is just like, she's just, she's aghast at the obvious yes. Did you grow up watching soaps? Yeah, I watched General Hospital, which was. My favorite show of all time. Weren't you on a soap? I begged to be on General Hospital so I could bring my mom. And we met Sunny Corinthos and sobbed for days. Yeah. Okay, I just talked to Paula Pell, who also loves soaps and has not been on one.
1:07:48And I feel like Paula should definitely be on one. I think they were like, are you kidding? And I was like, no. Who did you play on the soap? A woman.
1:08:01A Russian. Yeah, the Russians are, you know. Yeah. I love talking about what makes me laugh. I was watching home movies the other day. Hysterical laughing. Like, ha, ha, ha, ha, of your family. No, I wish. Actually, that would be nicer. The cartoon. Oh, home movies. Oh, yeah, yeah. Okay, I don't know home movies. It's fucking funny. And it's very crude animation. My kids love it. And it's Brennan's mom. Yeah. It's so funny. Okay, who are you? Dying laughing. Oh, we've got some friends in there. We got some friends in there. H. John Benjamin. Okay, got it. Laughing. And it's animated to come, created by Brendan Small and Laura Bouchard, who made Bob's Burgers.
1:08:45Got it, got it, got it. Home movies. Laughing. So are you a big animation girl? No. You're not. No. Because I bet people are like, you're like animation. Like, you look like a cartoon, you fucking bug-eyed bitch. Jesus. Jesus. Sarah. Apologize. Sarah, you said that to yourself. I know. I apologize to my friend Sarah. Bad. I patted myself on the back. But you're not a cartoon person. No, because they can't emote or anything. Like, I love Red and Stimpy. I'm not, like, laughing out loud. Yes. So I don't know why this was getting me. Yeah, that's good. Getting my ass. And then. That's really funny.
1:09:26I just did. Do you know Hollywood Handbook, the podcast? I love Hollywood Handbook. I was sobbing. Okay, I shout out to Hollywood Handbook. Those guys are hysterical. I saw them recently in a restaurant and asked if I could be on their pod. And I watched you and they were like, no, they were like, we're booked. And also I watched you on Hollywood Handbook and that bit went on forever. It was 45 minutes. Yeah. It's just one long bit. Just one long fat joke. And it, it was so, I love a bit that goes on that long. I love it. And they were like acting like they hated it. I love it. They say, like, Sean will say one word.
1:10:05I can't, like, I was laughing like a baby last. Like, I was going like. Laughing so hard, sweating through my pants. Sweating through my hat and my pants. I know. I think there's some delight. And it's kind of, I'm going to bring us back. There is some kind of delight that you have that I share, which is if you get to be around like like-minded and safe people and you guys are like playing like and going like just on the corner and edges of things but it's with people that are like not just like nice people that you like basically there's no greater joy because it feels like you're actually like I guess I imagine it would be like entering dangerous terrain with people who are really skilled that will take care of you that's the closest I mean we're not athletes.
1:10:57My body is relaxed. But I love that too. I love a family that teases each other. That to me is a sign of intimacy. And it's a sign of safety. It obviously has to be the right people in the right way. But when that happens, it feels like a special kind of magic. And like, yeah, we're making fat jokes. Is that amazing? No, but it's safe. You can be a little scary when it's safe. Yes. You're so right. Well, congratulations on being a vet. Was that an abrupt goodbye? What should we do? I'm going to put my shoe back on. Oh, I forgot. Can you believe that I've had my shoes off the entire time? How did it feel?
1:11:43Did you feel grounded? It didn't feel bad. I don't mind it. It didn't feel bad. It didn't feel bad. I didn't. Yeah, I know what you mean. Like, was I grounding during that time? Like, did you, or were the whole time you were talking to me, were you like. Are you a shoes off person in your house? People have to take their shoes off. I like my shoes on and I like Frankenstein boots all day. Yeah. I'm not even wearing them right now. So you think I'm a fucking liar. I'm wearing little shoes. You got little cuties though. But let's not show them for free. Yeah. Let's not show them for free. No, ma 'am.
1:12:09No, you got to pay for that. Yeah. That's correct. A lot because we're on TV. Yeah. And AI is going to take everybody's job. So we're going to, the only thing robots don't have, human feet. And when they show them, they have an extra toe. And that's kind of interesting. And if you were listening at the very beginning, Sarah has a weird condition where her big toe is just a sack of bones. Right. So if that's your kink, then you've got to go to her toe channel. And if you were only listening to the end of this podcast, weird. Why didn't you listen to the beginning? Did you just like scrub through?
1:12:41And if that's your kink, then we're not kink shaming you. But you might want to think about listening a podcast the entire way through because it also might be satisfying. Right. Or I like to kink shame. I think it's weird when people like stuff that's weird.
1:12:55sorry thank you for doing this thank you for coming thank you so much sarah squirm sarah sherman um it was so fun to um talk to you and you're so fast and funny and um yeah what a delight and um you know sarah and i talked about a lot of people that we've had the pleasure to work with but i just want to give a little shout out again to a woman in my life who really shaped my career. And I know a lot of people in Chicago could say the same. And that is Sharna Halpern. Sharna was the creator and the person who started a theater called IO in Chicago with Del Close. And Sharna was just one of those people that if she saw something in you, she put you in front of important people and she put you on stage.
1:13:51And in my case, she changed my life. So thank you, Sharna, for helping me meet most of the people who I still work with today. And for those of you that are in Chicago, go see improv and go see it in any city. Support it today and every day and support the arts. OK, thanks. Bye. You've been listening to Good Hang. The executive producers for this show are Bill Simmons, Jenna Weiss-Berman and me, Amy Poehler. The show is produced by The Ringer and Paper Kite. For The Ringer, production by Jack Wilson, Kat Spillane, Kaya McMullen, and Alea Zanaris. For Paper Kite, production by Sam Green, Joel Lovell, and Jenna Weiss-Berman.
1:14:32Original music by Amy Miles.
1:14:41That's the sound of zero sugar, 200 milligrams of caffeine, and the power to burn body fat. Storm, energy for life. Storm Energy Blend helps boost metabolism, which in combination with exercise and a healthy diet helps burn fat. This product alone does not produce weight loss. Individual results may vary.
From the publisher
Sarah Sherman knows that you can't show your feet for free. Amy hangs with the 'Saturday Night Live' star and talks about why we need a fourth 'Human Centipede' movie, playing a Russian tsarina in her school's production of 'Into the Woods,' and what her Jungian dream analyst told her about pooping in a dream.
Host: Amy PoehlerGuests: Mitra Jouhari and Sarah ShermanExecutive producers: Bill Simmons, Amy Poehler, and Jenna Weiss-BermanFor Paper Kite Productions: Executive producer Jenna Weiss-Berman, coordinator Sam Green, and supervising producer Joel LovellFor The Ringer: Supervising producers Juliet Litman, Sean Fennessey, and Mallory Rubin; video producers Jack Wilson and Aleya Zenieris; audio producer Kaya McMullen; social producer Bridget Geerlings; video editor Drew van Steenbergen; and booker Kat SpillaneOriginal music: Amy Miles
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