Daniel Radcliffe, Vol. V

13 Apr 2026 · 1 h 5 min · 26 chapters

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In short

Live Happy Sad Confused episode featuring Daniel Radcliffe discussing his theater career and his current one-person show Every Brilliant Thing, which addresses depression and suicide through humor and audience participation.

Guest backgrounds

Daniel Radcliffe is best known as Harry Potter, but he’s also a Broadway actor. He previously starred in Equus and How to Succeed in Business Without Really Trying, won a Tony for Merrily We Roll Along, and is currently performing Every Brilliant Thing. He has also starred in TV with Tracy Morgan (The Reggie Dinkins show).

Key claims

Radcliffe says his stage work has been “inevitable” since childhood and that surrounding himself with top talent (e.g., Equus co-stars) helped him thrive. He describes Every Brilliant Thing as both “deeply moving” and “joyous,” with catharsis for audiences. He emphasizes the show’s balance: it can be heavy, but it also includes jokes and recognizes complex family relationships.

Notable examples

Equus at age 17 in London; audience participation mechanics (numbered list cards like “ice cream,” plus five surprise audience members); his advice to young performers to “do whatever the fuck you want” after a big early start.

Written by AI. May contain mistakes. Listen to the episode to check what was said.

Chapters

Tap a time to open that second in VO

Daniel Radcliffe's Career Overview

0:00 to 0:30

Exploring Daniel Radcliffe's journey from Harry Potter to Broadway.

“You know back to school is coming in fast.”

Daniel Radcliffe's Career Overview

0:33 to 0:56

Exploring Daniel Radcliffe's journey from Harry Potter to Broadway.

“Listening to this podcast instead of doom scrolling?”

Daniel Radcliffe's Career Overview

1:16 to 2:32

Exploring Daniel Radcliffe's journey from Harry Potter to Broadway.

“Daniel Radcliffe joins us yes he's Harry Potter but he is also a Broadway all-star from Equus to Merrily We Roll Along where he earned a Tony to his latest one-person show, Every Brilliant Thing.”

Discussion on Theatre and Performances

3:24 to 5:32

In-depth discussion about Radcliffe's theatre experiences and upcoming shows.

“Patreon.com slash happy, say I confused.”

Live Taping at 92nd Street Y

5:32 to 6:50

The live audience reaction and atmosphere as Radcliffe joins the stage.

“Welcome to the 92nd Street Y, everybody.”

Radcliffe's Reflection on His Career

6:50 to 14:33

Radcliffe reflects on his career trajectory and acting choices.

“Thank you hello, hello, hello He's back.”

Radcliffe's Reflection on His Career

14:39 to 16:10

Radcliffe reflects on his career trajectory and acting choices.

“And then you're looking at huge out-of-pocket costs.”

Radcliffe's Reflection on His Career

16:14 to 16:36

Radcliffe reflects on his career trajectory and acting choices.

“Thousands of people are already using Rula to get affordable, high quality therapy that's actually covered by insurance.”

Daniel's Transition to Musical Theatre

16:36 to 19:26

Daniel Radcliffe discusses his leap from acting in Equus to performing in How to Succeed.

“So I want to talk about two other productions before we get to this current one.”

Reflections on Merrily We Roll Along

19:26 to 22:20

Daniel Radcliffe reflects on his experience in Merrily We Roll Along and its lasting impact.

“And then they sent me the clip of what they wanted me to do a week before I was supposed to do it.”
Show all 26 chapters

The Unique Experience of Every Brilliant Thing

22:20 to 26:05

Daniel shares how Every Brilliant Thing offers a special connection with the audience.

“And so when I read the script for Every Brilliant Thing, I was like, oh, that, this can, because there is like a forced authenticity in it because it's kind of baked into how the show works.”

Challenges of Audience Participation

26:05 to 28:00

Discussing the complexities of casting audience members in performances.

“for a performer as watching you in the half hour prior to a show.”

Navigating Social Awkwardness in Performance

28:00 to 37:20

Daniel Radcliffe shares his experiences with social dynamics while performing, including the challenges of misinterpreting relationships in audiences.

“Would you mind like playing my love interest to his wife with Josh there?”

The Duality of Comedy and Serious Themes

37:20 to 42:00

Radcliffe discusses the balance of humor and serious topics like depression and suicide in his show, emphasizing audience connection and catharsis.

“You know back to school is coming in fast.”

Daniel's Olympic Experience

42:00 to 43:11

Daniel Radcliffe shares a humorous experience of being recognized by his son during the Olympics broadcast.

“But then he, so we were watching the Olympics, and obviously the Reggie Dinkins show is on the same network as the Olympics were on, is on NBC.”

Reflections on Broadway

43:11 to 44:44

Daniel discusses his feelings about Tom Felton's success on Broadway and their shared history.

“He doesn't have a lightning bolt scar on his forehead.”

Handling Reviews Over Time

44:44 to 45:59

Daniel reflects on how he dealt with reviews of his performances as a child and young adult.

“And I hope it, I know he's just extended, and I'm sure, but I hope this is like, I hope he wants to keep doing theater after this.”

Bracket Challenge: Harry Potter Films

45:59 to 47:24

A fun discussion where Daniel ranks the Harry Potter films based on personal preference.

“If you ever want to curse an actor, tell them you like the way they said a particular line.”

Promoting The Fall and Rise of Reggie Dinkins

47:24 to 50:11

Daniel enthusiastically promotes his new show and shares insights about its humor and writing.

“I'm going to pit, since there happily are eight Harry Potter films.”

Working with Tracy Morgan

50:11 to 51:40

Daniel discusses the unique comedic styles of Tracy Morgan and Alan Rickman in their respective works.

“Arthur Tobin's something of a pretentious director.”

Daniel's Current TV Obsessions

51:40 to 54:05

Daniel shares his current favorite shows and discusses the final season of Stranger Things.

“What Tracy is and does, like, it can't be learned and it can't be taught.”

The Fate of Swiss Army Man's Dummy

54:05 to 55:26

Dan reflects on the whereabouts of the dummy from his film Swiss Army Man and past press interactions.

“Choking hazards Josh he's not there yet So still for me it'll be I'll be doing more Lego than him for a couple of years, but I'm very excited for him to get into all that as well.”

Auditioning in Daniel's Career

55:26 to 56:01

Daniel talks about his experiences auditioning over the years and how his approach has changed.

“And in fact, if I had got that, I don't think I would have been able to do Potter.”

Daniel Radcliffe's Audition Experiences and Favorite Directors

56:01 to 1:00:48

Learn about Daniel Radcliffe's views on auditions, his favorite directors, and his experiences in theater and film.

“We'd be doing the Equilibrium retrospective tonight.”

Rapid Fire Questions and Fun Insights

1:00:49 to 1:05:28

Listen to rapid-fire questions revealing Daniel's preferences, from pets to video games and humorous scenarios.

“We're going to end with the happy second fuse profoundly random questions.”

Podcast Wrap-Up and Special Announcements

1:05:29 to 1:07:20

The hosts reflect on the podcast's history, celebrate Daniel's fifth appearance, and share important show announcements.

“And that was, yeah, so that was, and it's a very traditional old English thing, but you don't need to try it.”
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Transcript

Automatic transcript. May contain errors.

0:00Hey Chicago, class it up with Crocs. You know back to school is coming in fast. So why wait to find your new fave footwear? Step into a local Crocs store and step into your new look. Try it. Style it. Make it yours. Because the right pair doesn't just show up, it shows off. First day fits, handled. Walk out ready for whatever's next. Visit your nearest Crocs store today. This episode is brought to you by State Farm. Listening to this podcast instead of doom scrolling? Smart move. Another smart move? Getting help from one of State Farm's 19 ,000 local agents when you choose to bundle home and auto.

0:43Bundling. Just another way to save with the personal price plan. Prices are based on rating plans that vary by state. Coverage options are selected by the customer. Availability, amount of discounts and savings, and eligibility vary by state. Who's the last actor you were mistaken for? Come on. Elijah would every time every time from a car from people shouting like yeah yeah absolutely I did sign a copy of Lord of the Rings at stage door the other day it was great um yeah prepare your ears humans happy sad confused begins now hey guys it's Josh welcome to another edition of happy sad confused today on the show Daniel Radcliffe joins us yes he's Harry Potter but he is also a Broadway all-star from Equus to Merrily We Roll Along where he earned a Tony to his latest one-person show, Every Brilliant Thing.

1:34Hey guys, thanks as always for joining us on the podcast, for enjoying this on YouTube, on Spotify, however you're enjoying it. I appreciate you guys. If you've not subscribed yet, get with the program, two episodes a week, 700 plus episodes. Every actor and filmmaker worth their stripe pretty much has strolled by the happy, sad, confused microphone, I'm privileged to say, including Daniel Radcliffe making his fifth appearance. Number five today. Yes, you know what that means if you're a diehard, happy, sick, confused listener or viewer. He gets a free hat. He got the hat. You'll see if you're watching the video towards the end of this.

2:11Dan joined the Five Timers Club. Big special event at 92nd Street Y. A fun one talking about his theater career, Harry Potter, his TV show with Tracy Morgan, and so much more. Okay, before we get to Dan, though, as always, some quick reminders. All the updates I'm going to give you, as always, are on our Patreon, patreon.com slash happy say I confused. That's where you get the discount codes, the early access, the bonus materials. You can ask guests questions, patreon.com slash happy say I confused and get a load of some of these live events coming up. Well, we have the cast of Beef coming up in just a few days in New York City.

2:47All this information, by the way, is in the show notes. That includes Carey Mulligan, Oscar Isaac, Charles Melton. The show is fantastic. Season two of Beef. We're screening two episodes. We're chatting with all three of them and more from the cast and the creators. Also events coming up with Stanley Tucci, May 5th. With Billy Eichner, May 17th. with Marvel star that I can't announce yet on May 3rd. But mark the calendar. Someone you'll want to see me talk to. Lots of events and more to come. As always, like I said, all the discount codes and early access to all these events are on our Patreon.

3:26Patreon.com slash happy, say I confused. Or in our show notes, the listings are there. Okay, back to the main event. It is Daniel Radcliffe. And what can I say about Daniel Radcliffe? Except that he's a gem. I've said it before. I'll say it again. He is the creme de la creme of professionalism, of kindness, of a normal person that should not be normal in this industry. I don't know how it happened. Good parenting, luck of the draw. Dan is the best. He really is, considering that he was and is and always will be to many Harry Potter. Such a good head on his shoulders and to see what he's accomplished in his career.

4:02Amazing. If you listen or watch the podcast, you know we just had Tom Felton on, So we had a nice conversation about all things Potter and Broadway. And ironically, yes, Tom Felton's on Broadway. Dan Radcliffe is on Broadway. This show, Every Brilliant Thing, is if you get a chance to be in New York the next month and a half towards the end of Dan's run, check this out. It's an amazing piece of work. It is a one-person show about depression, about suicide to a degree. And I know that's not selling it hard, but this is a joyous show. This is a funny show. and it is a very interactive show. If you come to the theater, come early because you will see Dan Ratcliffe running around like a maniac enlisting the audience to be his cohorts in this show for half an hour prior to it.

4:52It's pretty unique, pretty special. I highly recommend it. I also highly recommend, if you haven't checked it out already, The Fall and Rise of Reggie Dinkins, which if you love 30 Rock and if you have any sense of humor, you love 30 Rock. This is the same creators, the same folks, Robert Carlock, Sam Means. Very, very funny stuff with Tracy Morgan and Dan Radcliffe. It's currently on NBC and Peacock. Check it out if you haven't already. Yeah, I think that's all I have to say, except this was a fantastic live event. Great energy in New York City at the 92nd Street Y. Always fun to talk to Dan.

5:26I know you guys are going to dig this one. Without any further ado, enjoy me and Daniel Radcliffe, new member of the Happy, Sick, Confused Five-Timers Club. Hello, everybody. How's it going? Welcome to the 92nd Street Y, everybody. Yes. Yes. Thank you. We like a good, enthusiastic afternoon audience. Thank you for being with us today. My name's Josh Horowitz. I host a podcast called Happy, Sick, Confused. And thank you. Whether you knew it or not, you're inside of it right now. This is a very special live taping of the podcast. This gentleman's been on the pod a few times over the years, and he is well worth every conversation.

6:07He is an amazing actor. He is a Broadway all-star. Let's give it up for Daniel Radcliffe in just a second. He's not coming out. Don't worry. But I just want to mention, from Equus, to How to Succeed in Business Without Really Trying, to his Tony Award-winning performance in Merrily We Roll Along, And now this remarkable performance in a very singular production every brilliant thing if you haven't seen it already get your tickets now He's in it through mid end of May get your tickets now. Trust me You will not be sorry give a warm 92nd Street. Why welcome to the one and only it's Daniel Radcliffe everybody

6:50Thank you hello, hello, hello

6:56He's back. You're like a staple here, man. Yeah, thank you very much. Yeah, thank you for having me back again. Congratulations on all things. I want to talk a lot about your theatre work today because stealthily or not so stealthily, nearly 20 years of work on stage now, starting way back when 2007 was Equus. Yep. When you think about the fact that it has been nearly 20 years, the trajectory that you've been on especially on stage it must boggle your mind was this a game plan at any point or what how did this happen Dan? Oh I mean I think it was always sort of um inevitable that I like I always wanted to do theater like my mom and dad like as a as growing up going to the theater and seeing shows was a huge part of my sort of cultural like intake um and my mom and dad were both actors when they were younger and they had mostly they'd done a lot of theatre so it was just part of being an actor was doing theatre.

7:52I don't think I ever thought that I would get to it so quickly when on the second Harry Potter film so the first actual play I did was prior to Equus there was one other thing that I had done which was there was a play in the UK called The Play What I Wrote which was by these two English comedians called Sean Foley and Hamish McColl and it was based on Morecambe and Wise who were an amazing English comedy double act who probably nobody here really knows, but look them up. They really are wonderful. And it was sort of a tribute to them. And Morecambe and Weiss had always had celebrities come on the show so they could make fun of them, basically.

8:31So when they were doing this show in London, they got people on to do it as well. And Ken Branagh directed it. He was in the second Harry Potter film at the time. We had just filmed that. And so he asked me to do that. And that was the first time I'd ever done stage. And then Ken originally directed the workshop of Equus and Ken was going to direct that and then that didn't end up happening but you know then Thea Sharrick came on and we did it but yeah no the idea that Equus was 20 years ago is is truly crazy also the idea that I did that in London when I was 17 is crazy can we talk about that for a second because that is quite a swing for a young actor especially given that you're Harry Potter at the time I mean what did the what What did the producers, the team of Harry Potter make of you doing that?

9:18Were they supportive of you doing what you did every night on stage with a horse? I don't know if they supported those specific actions. But yeah, I think they were... I honestly don't know. I think at the time I was always told like, everyone's fine with it, don't worry about it. But that could have been just my agent shielding me from what was actually being discussed. I think there was probably a moment of panic at Warner Brothers. but then I think they sort of if there was genuine panic it never got back to me and I think probably Warner Brothers were smart enough to know that sort of any publicity is good publicity like it wasn't like I was and there was nothing that you know it's a very prestigious play like it's not I'm not doing anything that's like damaging the brand in any significant way so yeah there was I don't think there was any sort of huge consternation about it.

10:14But yeah, and then I remember there was a headline, which I have misremembered this, because a journalist brought this up in an interview with me at one point, and he told me the actual headline, and I can't remember exactly what it is, but there was something to, in some paper, there was some headline of like, you know, crash, what's that? The sound of a career coming to a grinding halt. And I remember sort of, I think it genuinely, I was not going out and looking for copies of the Daily Mail or Daily Express, whatever that was. I think it had been left open on a table in the canteen of where we were rehearsing.

10:50I saw that and I was like, oh, okay, great. Then I remember looking around the room at Thea Sharrock and Richard Griffiths and all these amazing actors and John Napier and David Hersey, our amazing production and lighting designers, and thinking, well, if I'm screwing up, I could not be screwing up with better people around me. And yeah, and luckily, you know, it wasn't as great. And then I got to work with, you know, I loved doing Equus. I love what it started off for me. But truly, when I look back on it, the thing that I treasure more than anything else is being able to have had the relationship I did with Richard Griffiths for as long as he was just such a spectacular and special human.

11:31And I'm so glad I got to work with him that deeply. I guess that if there is like a secret handbook for any young actor, it's kind of what you just alluded to is like surround yourself with the best then you will yeah you will sponge off of them whether you want to or not it's going to happen absolutely like what work with great people work hard and and and you know and also i i was lucky enough to i've met a few of the uh stranger things kids recently and and i'm very it's always lovely to meet them and see how great they all are and how well they're all doing but like i give the same piece of advice to all of them i was just like do can i swear yeah i'm like do whatever the fuck you want like you have you You have done the thing.

12:08You can now use that. You are now at like, you have the most amazing jumping off platform and Gaten, you know, doing multiple Sondheim shows and like doing the pizza movie with Nick and Bryant. Like, it's like, I think that they're just, you know, they're making smart choices, but they're all like just doing whatever they like and that should be the goal. If you've had that kind of a start in your career, now you are free to have fun. Yeah, I mean, we've had this conversation. This is the Daniel Radcliffe handbook. if you ever wrote it, is basically like, you had license, you had that rare license.

12:40Like, I have security, monetarily I'm fine for whatever, I can be creative, I can just fly my freak flag. Yeah, absolutely. And like, no actors are ever in that position. Like, if you, you know, are in the industry, you know that most actors will never have that level of autonomy over their career where you can say, like, I want to do this. And where some things that you do stand a better chance of happening because you're doing them, like, that's, not a position that any of us will be in forever, but it is, it's, it's a really, you know, while you're in it, just make hay while the sun shines.

13:14We'll be right back with more Happy Sad Confused. Well, it's August guys. So it kind of feels like the perfect time for a reset right before the fall comes. And a fun place for me to reset is with my closet and Quince makes it easy and affordable. That's why I'm thrilled. They are a sponsor of Happy Sad Confused. Quince specializes in those everyday staples that you get a ton of use out of. What I love about them, though, is that they value quality and style. All of their pieces are versatile and timeless. You can seamlessly use them at work and then for a night out just hanging with friends and family.

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16:43So I want to talk about two other productions before we get to this current one. Because How to Succeed must have also been just a huge... Thanks. A huge leap. As much as Equus was a leap, I mean, singing and dancing like a madman every night in that iconic musical. Getting naked is easy. You just take your clothes off. Anyone can do that. Literally anyone can do that. Dancing was, I would always say, when someone's asked me, like what's the scariest thing you've done on stage? Like dancing, 100%. Like there was a, yeah, I mean, but again, so I sat down like, so one of the weird facts of my life around the time Potter was ending.

17:24So like if I, during the last Harry Potter film, I could essentially tell you, because I knew that How to Succeed was happening and I knew that Woman in Black was probably gonna happen afterwards and in between those things. I at some point at the beginning of the last Harry Potter film I could tell you what I was doing for the next like three years of my life and how to succeed I sat down with Rob Ashford the director you know two years before because on Equus okay right I'm remembering this now in real time sorry for having to you have to watch me figure that giant therapy session so when I was doing equus the first thing I do in the first scene is I come in and I sing not show tunes jingles advertising jingles and so the people that would then Craig Zaden and Neil Merrin who would then produce how to succeed they saw me in equus and they said oh you can sing and I was like I mean I can sing the double mint gum theme tune I'm not exactly you know and so they started pitching things and eventually we landed on how to succeed I talked to Rob Ashford the director and I said to him, I was like, you know, I can sing okay, I can carry a tune, you know, hopefully the acting will, you know, I feel like fairly confident of that, but like, don't, you know, I will not dance, like there is no, there is a zero chance that you will get me to dance in this show, and he was like, well, you know, we've got at least 18 months before we even start rehearsals, so let's just start you having dance classes, and I still, I'm not like, I'm not, I'm not a great dancer, but I can learn choreography.

19:02It's actually been a real problem in my career recently is because I've done stuff like How to Succeed and a couple of like, there's the coming around the mountain thing and Miracle Workers. There's been a couple of dance moments in my career that have led to people thinking that I can just dance. And it means that when I was doing it on the Reggie show, on the Tracy Morgan show that I'm doing at the moment, they just wrote something in about me dancing. And then they sent me the clip of what they wanted me to do a week before I was supposed to do it. And I was like, guys, this is, I had 18 months to learn some very, like, but we, you know, we made it happen.

19:36But yeah, I just want to put it out there now. I can't dance. Don't ask me to, if you ask me to dance, give me a lot of notice. You are not being your own best advocate here. I never am. Every actor lies and says they can do everything. Sure. Yeah, yeah, yeah. No, I should lie. But, you know, I look, I both can and I can't. You know, I'm not going to be, I can't do it spontaneously. But yeah, if you give me time, I can get good. I feel like I have to be like Jonathan and Lindsay on the stage and be like, you can dance, you can sing. They're your boosters. They are very, very good hype people. And without them, I do just do a lot of self-deprecating.

20:10You know, I'm English. It's just what we do. It's how we talk about ourselves. Let us talk a little bit more about Merrily because that was the last time you and I were on the stage together. And Merrily, we roll along for those of you who saw it. I mean,

20:25what a performance, what a production. It won you the Tony. I mean, I know that cast, that production will be always a singular experience for you and working with these Broadway thoroughbreds, like these Lindsay and Jonathan are just made to do this. With a little distance now, I mean, you were loving it and knew how special it was in the moment, but has the experiences looking back at it changed a couple of years out? or? Yeah, I mean, just, it's just been confirmed by how all of our relationships have sort of carried on after the show. Like, I'm still really, really close with Jonathan and Lindsay.

21:02I'm still really close with people like Brian Sears and Liana Ray Concepcion, like other members of the cast who I grew, and also like the stage management team from Merrily, they're all working on Every Brilliant Thing as well. I took all of them with me, you know. I, some, I've been very lucky in my career I've had very very few jobs that I would term like you know bad jobs but there's there's most jobs are just like really really good jobs and then occasionally you have one happen that's so sort of formative and huge in your life that it isn't it becomes less a job and just like a period of your life that you refer to like merrily accounts for like three years between off broadway and broadway of my life more or less um and to get to work with those people to To get to do that show and for it to be received as it was, was just so special.

21:52And I feel like we kind of all felt like we were in this extraordinary moment in time even as we were doing it. And it's very rare that you have a sense of that, of like, oh, we're doing something incredibly special and we can all, while doing it, we can all still manage to kind of appreciate that and enjoy that. And yeah, I, and kind of indirectly, it was why I wanted to do this show with every brilliant thing because there was something about the freedom of the way I got to act in Merrily which was I didn't really have to like I loved Jonathan and Lindsay and so many of the other people in the show so much that I didn't really have to like manufacture emotion or authenticity it was just genuinely there every night and suddenly I was like oh I never want to have to fake emotion again like I never want you know I just spoiled myself.

22:45And so when I read the script for Every Brilliant Thing, I was like, oh, that, this can, because there is like a forced authenticity in it because it's kind of baked into how the show works. It made me really excited to do that. And it felt like the only thing I sort of could have done after coming off working with Jonathan and Lindsay. And yeah, I just got to see Jonathan again just before he closed in Just In Time. And just, just the best, isn't it? I know I'm not in it, but yeah, clap for Just In Time. What a show. Just amazing. What's the last rambling voice note you got from Jonathan Groff?

23:19What was the subject? I think we've been asking him about how he's doing after not having been doing the show eight times a week. And I think he's coming to Every Brilliant Thing in the next couple of weeks. I already have an audience participation plan for him. So I'm excited about that. All right, let's talk about this really special show. I got a chance to see this the other day. I'm sure some folks have gotten a chance hopefully to see it, yes.

23:47I mean, you know, it takes a lot to say, like, I've never seen anything like this on stage. I've never seen anything like this on stage. Talk to me a little bit about, I mean, you alluded to a little bit what the appeal was for this, but as the material was presented to you, what did you respond to from a performing perspective, from a subject matter perspective? What got you involved? I mean, it's first and foremost a deeply moving play. I cried so much as I was getting to the end of it the first time, and also cried in the middle at things that were not, like there's a sadness to some parts of this play, but there's also such intense joy that this play finds in the world and in life as we sort of find it on a daily basis.

24:29that I there's one of the brilliant things on the list 1010 for anyone who cares is reading something which articulates something that you believe but you, wow I'm screwing it up, I don't have to say this one somebody in the audience says this, I just say the number reading something which articulates something you believe but you could never have said so beautifully yourself and that's what this play does for me actors are mostly interpretive We're not creative. So when you find something that does say something that you want to be a part of saying, it's just a really, really special feeling.

25:08And so I loved the play itself. If it was just a straight play about this character, I'm sure I probably would have been very attracted to doing it. But the thing that, as you alluded to, pushes it over the top for me is just that there isn't anything else. The first set of stage directions says, you know, if the show starts at seven, the actor is in the house half an hour before meeting people as they come in, handing out list entries for people to shout later and kind of getting to know the audience and cast the show. And I read that and I was like, wait, what? What is happening? Like, what is this?

25:46And there is something about the relationship that I, as the performer, get to have with the audience that is so special and unique and honestly, very stressful before the show starts every night, but then really just the most rewarding and fulfilling thing that I think I've probably ever done. Can I just say, I have never been so stressed for a performer as watching you in the half hour prior to a show. If you haven't been there, Dan is running around with some assistants trying to find the right key performers. You're really performing with about five actual audience members. For anybody who hasn't had the chance to see the show, and thank you so much for the people that have, there are sort of two levels of audience participation.

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26:30There's a list which I hand out cards which have a number and a thing on it. So number one is ice cream. And I give the card to somebody and I say, you know, when I shout one, you shout ice cream. And so there's probably, I'm going to say like 75 or 80 of them that we hand out. I probably account for 30, 35 of them being handed out. and then David and Laura, our associate directors, do the rest and we all kind of work together. And so that's the kind of the basic level of audience participation. There's another couple of fun jobs, like somebody gets to throw confetti and I stash a chocolate bar with somebody.

27:08There's bits and pieces like that. But then there are five people who play really significant characters in the show and we cast them out of the audience that night.

27:20Nobody plays those parts who thinks they're going to at the beginning of the night. that is always assigned to somebody who has no idea that they're going to be doing that when they come into the theatre that night. And it's great. And it's so much fun to do. It is very stressful beforehand, as you are finding people, and very often it does always seem to kind of come together in the last five minutes of every pre-show that we find, like, you know, we've been looking for a Mrs. Patterson or we've been looking for somebody to play my love interest. That's a uniquely awkward thing to have to find in the audience every night to, like, be approaching.

27:52I apologize to Josh, Josh got a panicked voice note from me because after he sat down with his wife in our show I approached them and I was like, hey, I haven't found anyone yet Would you mind like playing my love interest to his wife with Josh there? And I like, it's just a very awkward thing to ask people, even though I like I know Josh But like and I could tell his wife was kind of going like, oh, I don't really want to do this But I feel like I have to because like my husband has a work relationship with you And we didn't end up, we didn't end up using you guys that night and it was fine but I did, I feel really bad.

28:21Like there is parts of the show that are uniquely suited to me. And there are parts of the show that are uniquely like speak to the, the most socially awkward, anxious parts of my brain where every night, it sort of feels like you are, you're hosting 900 people every night and you kind of want to make sure that everyone goes away having had a really nice time. And I, um, I remember I said, I, I would be going back after each show going like, Oh my God, I said this to this person. Or I said that like, you know, I, One of the things I've learned is I am really bad at working out the relationship between two people sitting next to each other.

28:56Like the amount of people I've gone up to and been like, are you a couple? And they were like, we're mother and son. I'm like, oh, I'm so sorry. There's been, so there's been a lot of that. And I'll go home and I'll say to Erin, like, oh, I said this to this person. I mistook a mother for somebody's partner or, you know, I did. And then before we opened, I said to her, I was like, I think, just so you know, because I was coming home talking a lot about it every night, I said, I think after we open, I'm going to be a little bit more settled and a little bit calmer. And she just went, Dan, I've been going to parties with you for 14 years.

29:27This is, and this happens every time we get home. This is not going to change. And indeed, it has not. In terms of also, I mean, so that's one huge aspect of it, that it differentiates it. And you alluded to the other that this is a show about depression. It deals with suicide. It is also a joyous, very funny show that you must be reminded of. But I guess I'm curious, does making a show about depression, about suicide, about the subjects that we don't necessarily feel comfortable talking about, does it make it easier to talk about these things for you? Have you reconciled more of your own feelings about these subjects, living through it every night after night?

30:11I mean, honestly, there's something really beautiful about getting to do this show that, you know, there is catharsis in it for me and an audience every night. It's really, you know, and I am talking to people a lot at Stage Door about their experiences with it, or, you know, there's a couple of moments in the show itself where there's a moment where I talk about, the line is something along the lines of, I'll remember it tonight, I'll get it wrong now. But it's something along the lines of children of depressed parents can actually have a heightened reactivity to stress. I learned recently that growing up in a house with an emotionally unavailable or inconsistent parent can actually change the chemistry of the brain.

30:51And every night as I'm looking around, I can see somebody just like nodding. And it's the sweetest, and it's so sweet and sad. There's a line in a Mary Oliver poem called Wild Geese where she says, tell me about despair, yours, and I will tell you mine. And it does feel like there's this very real and honest exchange happening between me and not. And I do think the show is, it will affect you differently depending on what you are bringing into it and what your history with these issues are and what your experience of, if you haven't dealt with it yourself, but people in your life. I think there's a wide range of how this show might make you feel.

31:33but at best there is I think like genuine catharsis in it for audience members and and I also appreciate that like for some people the issues are so heavy that there shouldn't be jokes anywhere near them and I I completely sympathize with that point of view it's just not how I work I think and I think this play tries to tries to hold both of those things in a really beautiful balance like and it's also it's the you know the experience as I have talked to people about you know the the character in the show um his mother is is the person in his life who is most directly dealing with sort of um depression and suicide as an issue um and there is also things alluded to about that character that she's incredibly fun at times and there are great moments with her as well and that's something that as I've spoken to people particularly who people whose mothers who have a similar relationship with their mother, they've really enjoyed that part of the show, that it's appropriately sad at the moments when it should be sad, but there is also a recognition of it's not sad all the time.

32:41Like sometimes having a crazy parent is really fun. You know, like there are moments in when if particularly if that person is bipolar, you know, I'm using the word crazy, obviously very glibly, but there's like, there is moments when people, you know, it's just, it's complicated. And I think this show tries to sort of factor in all those sides of those relationships in a way that hopefully I think we do a pretty good job of. And in terms of like, as much as you're comfortable speaking on, I mean, you've spoken before about dealing with depression at times in your life, and we all have to certain degrees.

33:14None of us are immune to that. I mean, what have you felt, what have you found has helped you in the years since that you dealt with it in a more debilitating way? What's been your... Yeah, I mean, look, I've been very lucky. The people I've met in my life at the moments when I've met them, both in terms of, you know, I'm very, very... Like, I have quite long-term sort of sobriety from alcohol now, which is drugs and alcohol, which is wonderful. I'm very, very grateful for that. And, you know, I met people at key moments in that who influenced me in dealing with that. and also like I think there's something about one of the most moving parts of the show to me is that there's a moment when I'm talking about my love interest and I'm talking about how well they know me and there is something about being truly known and understood and seen by another human being that is you know it's why love exists I feel like you can't emphasize like how wonderful that is and so you know I met my partner Erin 14 years ago.

34:23I always add a year accidentally, so I think we're at 14. I want to say 15, which I think means it's 14. And we've been together for 14 years, and so she's obviously been a huge part of my happiness. And then having a child, I will say that there's a moment in the show where I talk about the idea of things getting better. and keep going because you never know, you know, let the future, I don't say this in the show, but like let the future prove you wrong about what you think it's going to be. And there's something, you know, I was, there have been moments in my life in my late teens and early twenties when I was really sad and didn't know and scared and didn't know what the future would hold for me or how I was going to look back on my life.

35:13And if I could have, you know I would never have believed then that I would be experiencing the happiness that I am now with my partner with my son and with my life in general and so I feel like there is something about being in a show which allows me to try and very directly say that to people that is the kind of like honest connection that you is I don't know you don't get to do that a lot as a as an actor in your work but also I don't know particularly as like a person that like people think of as famous like I know that sounds like a weird way of saying that but like I'm not famous to the people in my life like they are aware of it obviously but like they just know me and I think that there's something about the idea of being a famous person that puts a huge amount of distance between you and people and actually like half of the my energy that I'm expending in my relationships when I meet people is kind of breaking that distance down and I think that this show allows me to do that in a way that I've never experienced before and probably never will again.

36:16I mean, I think it's huge. It shouldn't be diminished how hugely powerful the stuff you just said was because I think for people listening, it's like, especially young people that are dealing with these issues, it's like, if Daniel Radcliffe dealt with this and I know timeline-wise, it was kind of like towards the end of Potter where things were kind of hitting the fan and having that degree of material success and to still feel isolated and lonely and uncertain about the future and then to come out on the other side of it is hugely impactful and hugely inspiring, I think, for everybody. Well, thank you.

36:49And I will say, I don't, you know, I think it's very easy to draw a line and probably many of you, not incorrectly, are in your head between that timeline and what was happening in my life, sort of publicly and what I was going through. And you're not wrong to do that, but also I don't know that it wouldn't have happened if I had never been cast in Harry Potter. Like there's definitely a world in which I'm dealing with some version of this in sort of any timeline. And so, yeah, I just wanted to add that. More Happy Say Confused coming up.

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38:05bundling just another way to save with the personal price plan prices are based on rating plans that vary by state coverage options are selected by the customer availability amount of discounts and savings and eligibility vary by state on another note in terms of like the structure of the show we kind of alluded to this i mean the nature of the show is it's different every night it's hugely different i mean you're essentially improvising with like non-actors every night. Did you ever improvise a line on Harry Potter once? Was there anything? I don't think so. I mean, yeah, I don't know. Maybe.

38:45I think I would have always been too scared of screwing up a take. Because also we were shooting on film at the beginning and we really didn't want to... I probably would always have asked. I don't think I would ever have fully just made something up. I would have been asking Chris Columbus like, can I say this? And he'd be like, no, that's a bad idea. No, he wouldn't have been there. He was very generous, but I'm sure a lot of my 11 and 12-year-old ideas for lines, I would add, were not great. Let me just rewrite Steve Clovis' script over here. No, I don't... Yeah, no. I don't think... There's not been...

39:17And it's interesting, because there's some improvising in the show every night. Some of it's very, very structured. There's sort of a monologue with a few breaks for more improv-y sort of bits. But yeah, there was not... improvising has been a huge... I think I do still have reticence about doing it, even on the Tracy Morgan show, because I still don't want to... I want to get the take as scripted first, and I always feel like, oh, actors... I've been on sets where actors think they're really funny, and most of them are not as funny as writers. And so I've been on sets where actors are just amusing themselves with ad-libs, and the crew is just like, can we go home?

39:57like um so i i'm sort of always loathe to to be one of those guys in terms of so we alluded to this you you've you've done so much great work on stage and like it seems like you is it fair to say you like the rhythm of theater i mean it's conducive to your lifestyle you're a parent now i mean does it all kind of work together it's satisfying it works for the personal life yeah I mean I think it it is I guess and you know I love working in New York and it's lovely to be on Broadway and have the sort of you know be able to go home at the end of the night and particularly with my kid at the age he is now I think that's a really you know it's great I think there'll be a time when he's in real school where it's going to be really hard to do theatre because that's the place I would means we will not overlap on time and I will never see him but right now it's sort of great and I also think I have, theatre's been a huge thing for me in my career in terms of I have always gotten better as a result, like I've never left a theatrical experience like anything but having like learned a lot and become a slightly better actor for having done it and I think there's something about the adrenaline of it as well that is like ensures that you can't get too comfy and you are still challenging yourself and And I feel like most of the places that I've been able to find sort of the greatest challenges, certainly over the last few years, have been in theatre.

41:24Have you planned out your son's first film of yours? Will it be Swiss Army Man or Harry Potter? Which would be more traumatic. If I had a choice, it would be Swiss Army Man, probably. I mean, like, I don't know. Yeah, so we had this moment for the first time the other day. Right now, I'm just his dad, and he has no idea what I do. which is, oh, he's starting to because we, and first of all, you know your job is a little bit bullshit if you can't explain it to a kid. He understands what policemen and doctors and firemen do, but you act, you're like, well, we help tell stories, like the stories in your books, you know, but we sort of act them out.

41:59That's sort of what we've landed on as an explanation. But then he, so we were watching the Olympics, and obviously the Reggie Dinkins show is on the same network as the Olympics were on, is on NBC. and so it was advertised heavily during the Olympics. Apologies to everyone who had to watch a lot of the trailer. And I had left the room and apparently I popped up in the corner of the screen and my son just went, Dada! With like a tone of, I'm not crazy, right? And I had... Is everybody else seeing this? Yeah, and then actually what happened, it happened like a bunch of the kids in our building that was their first time seeing me pop up and stuff.

42:43So like our friend's daughter, who's like five, was just like, I saw you on TV. What were you doing there? Like, it was very, it was great. It was very funny. And I think, I don't know. Kind of a big deal, guys. I don't know. I don't, I don't, I don't lead with that. I really, I let them, and you know, I think there's a world where, you know, my son watches the, like the HBO show of Harry Potter now instead of the films. And I'm also sort of happy with that. I, as much as I can do to just be his very uncool, unimpressive dad for as long as I can is the goal. He doesn't have a lightning bolt scar on his forehead.

43:20I hope not. There's also, talk about serendipity, the weirdness of the world. Tom Felton is currently on Broadway. Yeah, yeah. I mean, I know he attended your show recently. I just talked to him for the podcast. he's so, you know, he speaks so well of you, I know vice versa. Very sweet, yeah. What's it like to, I don't know if you've been through Times Square and see a giant billboard of Tom Felton as Draco Malfoy on Broadway. What's that experience like for you? I mean, it's surreal, honestly. It is. It's so, I'm just, I'm genuinely just so happy for him to be doing it and to be having the experience that he's having on Broadway.

44:03Like, I love doing theater and I love that this has allowed him to do it. And also, I mean, he is, you know, there is definitely a double bill going on for people right now of Cursed Child and Every Brilliant Thing because I am signing every night. I'm signing stuff that, like, it's me and Tom are both on it. And there's something wonderful about, like, you know, we met as teenagers outside, you know, in Watford, outside London when we were, you know, younger than teenagers, you know, but we were, and then grew up doing all sorts of stuff that we shouldn't have been doing, but together, and friends.

44:40And then to now both be on Broadway at the same time is like, yeah, it's surreal and lovely. And I hope it, I know he's just extended, and I'm sure, but I hope this is like, I hope he wants to keep doing theater after this. I think he will because he's having a great time doing it. I was going to ask you this. You kind of answered it earlier. I was going to ask, did you ever read reviews back in the day when you were a kid? It sounds like you were shielded from that, thankfully. because that would have been... Yeah, no, I definitely, I didn't ever, yeah, certainly not when I was very, very young.

45:11You know, there was a moment when I was like 16 and logged onto the internet for the first time and like Googling yourself was an option, which I do not recommend. And, you know, that was bad. But like I, yeah, generally speaking, everybody in my life actually did a really great job of shielding me from them, but without making me feel like I was being shielded from anything. Like, you know, when the films would come out, my mum and dad would just go like, the reviews were good. You don't need to worry about them. They're good. You're fine. And I sort of still have that relationship now with either my dad or Erin, my partner.

45:48I will basically get them to read all of them and give me a pricey of how it's gone. Because good or bad, it affects you. And it does. If you ever want to curse an actor, tell them you like the way they said a particular line. They will never be able to say it that way again. Like anything good also can screw you up. Is there an example you can cite of someone saying? Somebody the other day, I don't mean to say this because actually one of our wonderful stage managers said it to me the other day. They were like, you said that line tonight in just the most perfect way and in my head I was like, damn.

46:23Goodbye to that perfect line reading. The good news is, I don't know if again you're following, maybe Aaron or someone else has told you, retroactively Andrew Garfield apparently just watched the Potter films and said how great you were in them all these years later hey cool thank you Andrew Garfield you're awesome he's awesome he's so fantastic that's really that's cool I disagree with him about my performance in Potter but that's really but that's really nice thank you you've had this conversation before you know but it's like I haven't more time now for me in the early films like when I was 18 I would cringe watching the earlier films now I think the early films are sweet and now I cringe watching myself when I was 18 or 19.

46:59And I assume that I will just keep, you know, those dates will just keep changing as to what I find palatable of my own work. Is there one sweet spot or the negative of a sweet spot that you're purposely avoiding? Like one age, one moment? I mean, I haven't seen any of them for so long. So all of them, I guess. This is kind of a cruel challenge for you. I do this with actors about their filmography. I kind of do the bracket system to use the sports analogy where I'll pit their own films against each other. Oh, great. I'm going to pit, since there happily are eight Harry Potter films. Yeah. I'm sorry, I'm gonna do this.

47:29Do an all Harry Potter bracket? Yeah, you ready for this? Okay, so Dan Radcliffe ranks... And is this my performance or the film? You can do however you want. How do you want to do this? Okay, let's do the film. Do the film, okay. Sorcerer's Stone versus Chamber of Secrets? I would take Chamber of Secrets, those two, because I love the Basilisk. Okay. Azkaban or Goblet of Fire? That's a tough... That's actually tough. I know, I know, I know everyone wants me to say Azkaban. I know that's how everyone else feels, but I love the stuff I got to do on the fourth movie. It was awesome. I got to... Yeah, I would like...

48:07So I'll say Goblet of Fire. Order of Phoenix or Half-Blood Prince? Order of Phoenix. Far and away. Half-Blood Prince is probably the bottom of the bracket for me. And that's my own stuff. That's not the film. I don't know what the system I'm using is here. I'm kind of going back and forth. Like I said, this is a therapy session. Deathly Howe is part one versus part two. Part 2? Part 2. Part 2 is my favorite of all of them. Okay, so we'll see. You're ruining it. Oh, sorry. Chamber of Secrets versus Goblet of Fire now. Goblet of Fire. Order of Phoenix versus Hallows Part 2? Hallows Part 2. And now, Goblet of Fire, definitely Hallows Part 2.

48:46Definitely Hallows Part 2. Wow. I'm fascinated. I wouldn't have said... Yeah, interesting. I don't think I knew that Goblet of Fire would have been my second favorite film. Although it would have survived if the bracket were different. It would have gone a different way. Okay, I see how this works. Yeah. What a journey that was for all of us. You alluded to this before. I want to give some love to this fantastic show. It is so damn funny. The Fall and Rise of Reggie Dinkins. Guys, check this out if you haven't yet. On NBC, on Peacock. It's from the brilliant minds of 30 Rock, Robert Carlock, Sam Means, you and Tracy Morgan.

49:21Is that basically like the pitch? That was the entire pitch. Yes, that really was. Robert Carlock just said, we find the idea of you and Tracy together really funny. And we find the idea of Tracy referring to you constantly by your full name, Arthur Tobin, as really funny. And that was initially all I knew. And I read the pilot and I was like, and it was just, you know, it's one of their scripts. So the joke density is insane. There's stuff that I've only noticed on like, you know, I would be learning my lines and then it'd be like the fourth time looking at the scene. and I'll be like, oh, right, that's a joke.

49:54I've missed a joke on a headline of a paper or something. But yeah, it's just the best. It really is an unbelievably funny show. The joke writing on that show is so, so good. I am reticent to even plug my own stuff, but do watch it. You'll really like it. It's a really good time. Arthur Tobin's something of a pretentious director. Obviously, you've never worked with anyone like that. No inspiration for this? No, not directly. I've worked with yeah, no, I've been pretty lucky Arthur's not based on somebody, I think he's more based on just like pretentious English people that I've known but not necessarily directors or particular people that I've known in my life yeah, he's the when we were making the show we were kind of trying to figure out who is the analogous kind of version of Arthur and it sort of is Louis Theroux, like in terms of a person that's in their own documentaries in a way that features them.

50:50But I don't want to say that because Louis Theroux is great and Arthur's really annoying. I don't want to disparage him because he's fantastic. But in terms of an intellectual British documentary maker who also appears in his own stuff, he would be the comp, I guess. Who's got more idiosyncratic line readings? You think Tracy Morgan or Alan Rickman in your career working with him? Tracy Morgan. Alan is completely you know iconic and you can't do it everyone's got an Alan Rittman impression but no one can actually do it like he was amazing Tracy is otherworldly Tracy like there are line readings available to Tracy that just most actors could not make work in a million years and I still don't know how he does it a lot of the time like it really is you know the word But when you read it on the page, when I read, like, books are brain movies, which is a line in the show, I was like, I couldn't say that and make it sound like a real thing, but it just works coming out of Tracy's mouth.

51:55Like, he really is. What Tracy is and does, like, it can't be learned and it can't be taught. Like, it's just being naturally one of the funniest people on the planet. You also get to mix it up with none other than Megan Thee Stallion. Yes, yeah. In a pairing everyone saw coming. Was that on your bingo card? Was this something you manifested? It was not. Robert Carlock phoned me up and said, Hi, just so you know, how would you feel about Megan Thee Stallion being in episode 5 as Denise the Male? We'd just done the read through and it was like, oh, that's a really fun episode and a fun storyline.

52:33And then he was like, how do you feel about Megan Thee Stallion playing that part? and I was like, we should be so lucky. I mean, you know, most of the time, you have to be like a successful show and up and running for a couple of years before people that famous will come and do a guest star. So we were just, you know, overjoyed that she wanted to and she was fantastic and funny and yeah, we got her back for episode seven as well. Not that you have much time in your life, but what are you watching? Film, TV, anything you're obsessed with? The Comeback, new series of The Comeback. Incredible, amazing.

53:06What about Top Chef? Also incredible and amazing. Yes, thank you one person. What else? I am, we, not to give a plug to something that's obviously on the same network, but St. Dennis Medical, it's great. Just such a great, lovely comedy. It's awesome. What else? I'm sure, I mean obviously like, see all my cultural, I was about to say Stranger Things. I know it was months ago, but that's pretty much the only TV series that is not a half hour comedy that I have watched from beginning to end so I'm very proud that that was still recent and I can reference it. Were you watching it from the beginning?

53:44Did you catch up? No, I watched it from, I got into it very, very early on and it was just amazing. Yeah, I loved it. I think people are so, I know as always when anything finishes there's going to be discourse but I thought they landed the plane amazingly well like considering all the stuff they have set up over that time like yeah like amazing is 11 still alive is she out there um i mean yeah like we're kind of allowed to believe the nice version if we want to right so yeah for me that that watching those guys have to shut down rumors about another episode is the most tiring thing i'm tired for them i'm just like oh my god you poor guys um well you've secretly done another harry potter film right yeah that we just haven't released and yeah what else I mean most of my cultural diet now is just 101 Dalmatians on repeat with my son 101 Dalmatians we've just watched A Little Mermaid we're kind of going we're just doing some nice early Disney and it's just great Who's playing with Lego more you or your son?

54:52Choking hazards Josh he's not there yet So still for me it'll be I'll be doing more Lego than him for a couple of years, but I'm very excited for him to get into all that as well. Here's a random one. No segue. Where's the Swiss Army man dummy at this point? Do you have it? Great question. No, I don't know where that is. I'm going to assume it's either in the house of one or other of the Daniels or maybe A24's offices. I know the dummy did like a press tour. I would occasionally make appearances with my own dead mannequin on that press tour so maybe it's just like in a warehouse somewhere that A24 owns yeah did you ever I don't know if you ever had to given like your unusual trajectory did you ever have to audition along the way in the last like 20 years yeah how were you at auditioning pretty bad like I'm pretty nervous about it like I definitely I've only done it like a couple of I did obviously a bunch before Potter when I was a young kid actor I auditioned for Equilibrium, the Christian Bale movie.

55:59And in fact, if I had got that, I don't think I would have been able to do Potter. So that was lucky. We'd be doing the Equilibrium retrospective tonight. Yes, yes, yeah, absolutely, yeah. And yeah, I said that movie like everyone remembers it, like it's Christian Bale's main thing.

56:16And, but yeah, no, and I've auditioned for a couple of other things over the years. one was a musical that ended up not happening is that the only one? I haven't done a lot of it if I'm on, you know, I've been which is good because I did get so nervous doing that one but yeah, I definitely like, I don't mind it I always say like, if there's ever a barrier between me getting that and getting a job I love I would absolutely audition, like I don't have a thing about not doing it So yeah, who are like the short list of directors that's like, yeah, Chris Nolan, I will happily audition for. Yeah, I'll do dummy sides for Chris Nolan.

56:56Like, you know, I'll do some fake scenes written for something else. Yeah, I mean, there's loads. I mean, Christopher Nolan, Paul Thomas Anderson, Wes Anderson, all the Andersons. You know, there's obviously a list of many directors I would happily audition for. I mean, you've found so much success both in theater and especially television in recent years. I mean, you've done great film work throughout, but it seems like the film world now is a strange place, to say the least. I mean, you were in Lost City, which you were fun in, and Weird, which I love, the Weird Al movie was fantastic. He came to the show last night.

57:34Al has, bless it, since we've worked here, Al has seen everything I've ever done, every show I've ever done. He came last night to every brilliant thing. I did not make him participate. But yeah, he's just the best. I was going to say, actually, because I remember you said when we did the Merrily talk, you were one of the cast members who didn't like knowing who's in the audience. By virtue of this, you know who's in the audience. Yeah, I really know who's in the audience. I was trying to recruit a man to play a part on stage the other day and I looked to my right and Patti LuPone was sitting next to Susan Sarandon was sitting next to Jessica Lange.

58:02And I was like, oh, how cool and intimidating that you three ladies all hang out. But they were great and they came back afterwards. And yeah, we had Ian McKellen was in the other day and again it was like oh cool you're here great better be good and he again was lovely he got up and did the high fives I was so impressed honestly like Ian McKellen and Anna Wintour getting up and doing the high fives in that section of the show is an achievement I will take to my brain it was so cool and so yeah it is a negative knock on effect of the show that it's much harder to be unaware of people you admire being in the audience, but I'm getting better at it.

58:45So somehow I segwayed out of it, but the film side of things, are you finding, it's tougher for everybody, I feel like, finding rewarding material in films nowadays. What are you finding? I mean, definitely the two things that I've been the most excited about recently have been this play and then the TV show. And you don't get a TV show like this made unless you are Tina Fey and Robert Carlock. And there's a lot that this has going for it that most TV shows don't have. Yeah, I think it's a weird time in film. I am hopefully, you know, over the summer, going to shoot a film that I've been attached to for about three years, and it has...

59:23Oh, I probably can't say who's going to be in it with me, but it is somebody that this room would find particularly exciting. You're making it worse. I know, I know, I know. But it's something that I've been attached to for three years, and it's the most beautiful... It's called Trust the Man. It's written and directed by a guy called Will Graham. It is a beautiful story covering something in history that I don't think I know a lot about, which is about homosexuality in the military in the Vietnam era. And it's also kind of like an espionage drama along the lines of a film like The Lives of Others.

1:00:07and it's just extraordinary. It's the script I have loved the most in a long, long time and we have been pushing that rock up that hill to get it made for a long time and it looks like it's about to but that's going to be the culmination of three years working even longer on that on the part of the writer and the director. So yeah, it's a weird time but stuff still happens. You can still get stuff made if you try really hard. Not all the time and there's definitely other things that have fallen by the wayside over the years but I'm lucky to get any autonomy over any of this and hopefully be a part of these things.

1:00:44So yeah, I'm just going to keep going and trying to make weird shit. Please do. We're going to end with the happy second fuse profoundly random questions. I think you've answered some of these, but let's see what we got today. Dogs or cats? Dogs. She's trying to get me cancelled like Jesse Buckley. It wasn't my fault. I know. She went so hard. Off that question. Yeah. Yeah, okay, wow. It's a one-word answer. You could have just said it. That's really funny. What do you collect?

1:01:16Now, toy dinosaurs. Again, it's all just answers for a three-year-old. What do we collect? Wow. Books, I guess. Books, yeah. Do you have a favorite video game of all time? Probably Madden. or any of the, a lot of the EA Sports games would have been what I played the most growing up. I was always really bad at video games, which probably saved me from just becoming obsessed with them. Yeah. The EA Sports hockey game was always great because it was both hockey and sometimes boxing. Because you would throw the gloves to the ground and then just the controllers turned into the controls for a boxing game.

1:01:59It was awesome. The Dakota Johnson Memorial question, she asked me this, I ask everybody, would you rather have a mouthful of bees or one bee in your butt? Ooh.

1:02:12Like you've never thought about it, guys. They're all alive? No one's asked me that. Congrats. Because, like, one bee in your butt, dead. I don't know. That's probably fine. Like, a mouth... It'll probably die once it's there. Okay, bee in the butt. Okay. What's the consensus on that? It is be in the butt. Okay, right, good. 90 % be in the butt. Yeah. What's the wallpaper on your phone? My girlfriend on holiday with me on our baby moon before we had our son. Lovely. Who's the last actor you were mistaken for? Come on. Elijah Wood, every time. Every time from a car, from people shouting. Like, yeah, yeah, yeah, absolutely.

1:02:53I did sign a copy of Lord of the Rings at Stage Door the other day. It was great. Yeah. I had Elijah on the podcast the other week. I have a message from Elijah Wood. Oh, no, really? Yeah. Let's play this. Hello, Daniel. Congratulations on the show. I'm sorry I can't be there tonight. I know you're a New York resident. I only just recently realized this, but you've been here for ages. Listen, as someone, we are two people that get mistaken for one another a lot. My thought is just this. why don't we just work together? I would love that. So I don't know what the idea is. I don't know if it's a buddy cop movie, if we just lean in.

1:03:40But anyway, all of this is to say, I hope you're well. Lots of love, my friend. Have a good night. Oh, bless him. That's the thing. It's so nice to be mistaken for someone so genuinely lovely and talented. And just like, it's a really, like, it's very nice. I mean, he's just the best, isn't he? I guess I have to shave the rest of this and just have a mustache now so that we're still twins. You're going to be playing Frodo again soon, I hear. Right, exactly. That's so exciting. I'm totally up for, yeah, buddy cop, or is it something where we're playing ourselves locked in some sort of fight to the death?

1:04:14There can be only one, like a Highlander situation. Yeah, I don't know what it is, but somebody, if anybody out there has pitches, get them to start writing that script. I guarantee someone will. You answered me this one once in a while, Let's see if it's the same answer. Worst note a director has ever given you? Oh, it would probably still be the same. It would be just like feel it. Just feel it without expressing like which emotion I should be feeling. Was tough. Yeah. And in the spirit of happy, sick, infused, an actor who always makes you happy. You see them on screen, you're in a better mood.

1:04:48Steve Pachemi. Yeah, just immediately. Movie that makes you sad.

1:04:55I I It's made me feel a lot of things But the wild robot As a new parent Don't do it Unless you want to feel those things But like the minute They establish the premise Of like Oh she's going to have to let it go It's like Oh my god This is Yeah The wild robot And a food that makes you confused You don't get it Jellied eels It's a thing that you If anyone if you're ever in the UK and somebody's like, oh, you want to try a jelly deal? Say no. It is the most, it's, I guess, like, you can be like, okay, I see why this was a delicacy in the Tudor era, but, like, it's really, like, somebody gave it to me, and the instructions they gave me were, you don't chew it, you suck all the jelly away until you get to the bone, then stop.

1:05:45Yeah, right, disgusting. We're disgusting people. And that was, yeah, so that was, and it's a very traditional old English thing, but you don't need to try it. Available at the concession stand at every brilliant thing. Yeah, absolutely. Cockles, Winkles, and Jelly Deals. They're all there. Well, before we wrap this up, I just want to say a quick thing. We've been talking for a thousand years since you were just a kid, and I, sadly, was still an adult. But I did the math. This is your fifth time on the podcast, and you know what happens when someone's on the podcast five times? No, I don't. Oh, what is this?

1:06:24You get a free hat. Hey! Awesome! Five-timers club, baby! Five-timers club, Daniel Radcliffe, happy, sad, confused. Wear it with pride. Thank you very much, I will do. Thank you for having me. Before we go, quick reminders, guys! Every brilliant thing, you still have time to see Dan on this. Mariska Hargitay is going to take over late May, but see Dan if you can, because he's unbelievable in this production. and make sure to check out The Fallen Rise of Reggie Dinkins on NBC and Peacock. It's fantastic. Give it up. Dan Radcliffe. Thank you so much, everybody. Thank you.

1:07:01And so ends another edition of Happy, Sad, Confused. Remember to review, rate, and subscribe to this show on iTunes or wherever you get your podcasts. I'm a big podcast person. I'm Daisy Ridley and I definitely wasn't pressured to do this by Josh.

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From the publisher

Sure he'll always be Harry Potter to some but for those that really know, Daniel Radcliffe is a theater beast -- with nearly 20 years of experience now on stage, a Tony award on his mantle, and consistently daring and impressive performances on his resume. He joins Josh in a live recording at the 92nd Street Y to chat about all of it including his latest one person show (kind of) EVERY BRILLIANT THING, mixing it up with Tracy Morgan in THE FALL & RISE OF REGGIE DINKINS, and to finally once and for all rank the Harry Potter films.

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