Elle Fanning, Vol. II

11 Dec 2025 · 53 min · 19 chapters

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In short

Elle Fanning discusses her recent and upcoming work, especially Joachim Trier’s Sentimental Value, plus her experiences with directors, auditions, and acting “within acting.” She also talks about her career choices, scheduling challenges, and her sisterly partnership with Dakota for their Paris Hilton series.

Guests

Elle Fanning (main guest). Hosts: Josh (Happy Sad Confused). Other referenced guests/co-stars include Renan Reinsva (Sentimental Value co-star), Sam Heughan and Walker Scobell (upcoming podcast events), and Timothée Chalamet (Complete Unknown press).

Key claims

Trier’s rehearsal process empowers actors by shaping characters collaboratively and rewriting lines after actor input. Elle says she’s “instinctual” about role choices and that studios rescheduled to let her film both Predator Badlands and Sentimental Value. She notes “meta” emotional differences between acting on camera vs later breakdowns, citing Super 8 and Sentimental Value.

Notable examples

Super 8’s train scene; her Deauville Film Festival filming schedule; mistaken identity as “Dakota” and “Bill/Jack Hader”; Hunger Games casting as Effie; Francis Ford Coppola’s Twixt rehearsals and showing her The Red Shoes.

Written by AI. May contain mistakes. Listen to the episode to check what was said.

Chapters

Tap a time to open that second in VO

Podcast Introduction and Welcome

0:00 to 0:25

Josh welcomes listeners to another edition of Happy, Sad, Confused featuring Elle Fanning.

Celebrating Films and Patreon

0:25 to 1:40

Discussion about the film Sentimental Value and the importance of supporting the podcast through Patreon.

“Welcome to another edition of Happy, Sad, Confused.”

Elle Fanning's Journey and Career

1:40 to 2:48

Josh expresses his admiration for Elle Fanning and reminisces about her career growth.

“lots of cool stuff over on the Patreon, patreon.com slash happy, sad, confused.”

Conversation Transition with Elle Fanning

2:48 to 3:24

Elle Fanning joins the podcast, reflecting on her experiences and past appearances.

“She is just a great life force to have in all of our lives.”

Elle's Experiences and Upcoming Projects

3:24 to 9:48

Elle discusses her recent roles, the challenges of scheduling, and her experiences in film.

“So without any further ado, here is my conversation with the one and only Elle Fanning.”

The Reality of Auditioning and Awards Season

9:48 to 15:26

Discussion on the pressures of auditioning, watching roles missed, and the awards circuit.

“Like, are you able to kind of watch the movies that you nearly get or that you really wanted or do you need like distance or do you ever watch them?”

The Reality of Auditioning and Awards Season

16:10 to 17:10

Discussion on the pressures of auditioning, watching roles missed, and the awards circuit.

“What I love about them, though, is that they value quality and style.”

Working with Director Joachim Trier

17:31 to 20:05

Elle shares her experience working with director Joachim Trier and his collaborative style.

“Okay, so let's talk a little bit about the Joachim Trier experience because I've done a few Q &As with you guys.”

Navigating Character Casting and Fit

20:06 to 22:32

Elle discusses how actors often feel about their fit for roles and the process of finding their characters.

“So you're immediately empowered and excited like, oh, I've already affected change.”

Role Discussions with Family

22:32 to 27:30

Elle reflects on the discussions with her family regarding roles she pursued as a young actress.

“Like there were, I'm like, eventually, yes, there will be a time for that.”
Show all 19 chapters

Lessons from Super 8

27:30 to 28:00

Elle shares insights from her experience on Super 8 and its lasting impact on her career.

“There are different milestones and different turning points that I can pinpoint in my career life.”

Elle's Emotional Journey in Acting

28:00 to 32:20

Elle discusses her experiences and emotions while acting in various roles.

“And so it's a moment where my character, she gets emotional in the Super 8 film and all the boys are like, whoa.”

Sibling Dynamics and Film Production

33:13 to 35:06

Elle and the host discuss the close bond between her and her sister Dakota as they embark on film projects together.

“So it does feel like, I mean, I think you guys did the recent, was it Vanity Fair cover together?”

Nostalgia for Paris Hilton and Childhood Dreams

35:06 to 42:00

Elle reminisces about her childhood obsession with Paris Hilton and their new project based on Paris's memoir.

“scene on set, I don't know what it's, I don't have the schedule exactly yet, but I'm like, I feel like I'm just going to cry.”

Christmas Memories and Pink Trailers

42:00 to 42:55

Elle Fanning reminisces about her childhood Christmas wishes, including a pink trailer.

“That was on our Christmas list so we could properly play with the real props.”

Casting Challenges and Instagram Influence

42:55 to 43:40

Discussion on the complexities of casting and the impact of social media on actors.

“But that's, I mean, we would play that hardcore.”

Pursuing Meaningful Roles

43:40 to 46:09

Elle shares her desire for challenging roles that allow personal transformation.

“Like equaling, you know, viability as an actor.”

Audition Experiences and Fainting Stories

46:09 to 48:24

Elle reflects on memorable audition experiences, including fainting incidents.

“You got something out of this Joachim experience in a profound way.”

Rapid-Fire Questions

48:24 to 54:13

A series of light-hearted questions covering personal preferences and experiences.

“All right, we're going to end with the happy, say, confused, profoundly random questions.”
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Transcript

Automatic transcript. May contain errors.

0:00Last actor you were mistaken for? Mmm. I mean, it's always Dakota. Yeah. Some people could say... Well, Bill Hader, we know. That I look like Jack Hader. Jack Quaid also gets Bill Hader. Do you ever get Jack Quaid? Really? I could see that too! I could see that too! Prepare your ears, humans. Happy, sad, confused begins now.

0:30Hey guys, it's Josh. Welcome to another edition of Happy, Sad, Confused. Today on the show, one of our favorites, Elle Fanning, is back. And for a very good cause, she's starring in the new film Sentimental Value. Great film, great performance. One of my favorite human beings. This is a fun one. Thanks guys, as always, for checking out the podcast. Whether you're enjoying us on YouTube or Spotify or listening, wherever you get your podcasts, I appreciate you guys. Very busy time of year. so many great films to celebrate, so many great performances to celebrate. This film in particular, Sentimental Value, is one of my favorites of the year.

1:06If you had a chance to catch our episode last week, I had a great chat with Renan Reinsva, who is Elle's co-star in the film. Both of them are being awarded left and right by all these great critical institutions, Critics' Choice Awards, Golden Globes, etc. etc. So I'm really happy to help celebrate this movie because it's a special one. If you've seen Joachim Trier's work before, you know he's the real deal. And this one, if you haven't checked out yet, put it on your list. Okay, before we get to Aldo, I do want to mention, as always, lots of cool stuff over on the Patreon, patreon.com slash happy, sad, confused.

1:45Support us over there because it helps us make more stuff over here. And we've got so much cool stuff for you, early access to every single episode of the podcast, discount codes to live events, and some special treats just for the holiday season. So it's a good time to check out the Patreon if you are so inclined. Speaking of live events, Monday, December 15th, chatting with Sam Heughan, the one and only in New Jersey. We're taking our talents to Jersey to talk about his new cocktail book. Then next Friday, December 19th, do I have that right? Yeah, the 19th, I'm talking to Walker Scobell at the 92nd Street Y.

2:21That is virtually sold out, but there are a few tickets still available. And speaking of virtual, you can watch that one live virtually. There is that option on the 92nd Street Y website. All the information is in our show notes. More to come. January events are already cooking, so stay tuned for more really exciting announcements here. As for today's episode, not much more I want to say except to say that I adore Elle Fanning, both as an actor and as a human being. She is just a great life force to have in all of our lives. And I've been privileged enough to know Elle since she was a wee little girl.

3:00And now to see her all grown up and amazing in all these varied works, whether it's Predator Badlands or Sentimental Value, The Great, she's just killing it. I'm so happy for her, happy for us. And she's just always easy to talk to. So I know you guys are going to enjoy this chat about Sentimental Value, Predator, working with Dakota very soon, their Paris Hilton project, and much, much more. So without any further ado, here is my conversation with the one and only Elle Fanning. Enjoy. Elle Fanning, happy set, confused royalty, longtime Patreon member, longtime subscriber. That's right. That's right.

3:41Guys, if it's good enough for Elle Fanning. I'm Josh's biggest fan. feeling is mutual uh welcome back to the podcast thank you um the last time you did the pod 2023 you've only done it once officially before even though it feels like you're a veteran of it and we were in the bowery was that was it i think it was a hotel yeah and um that was for the end of the great that's right oh and i i remembered that i think like right before i talked to you i had just got a complete unknown yeah we talked about it a little bit yeah we talked about it a little bit maybe not on the podcast but it was like yeah I I told you about it like after yeah so I should say also for the record one of the last times we spoke on camera just to close the loop on predator Badlands and connected to the podcast not to toot my own horn but El you know this story Dan Trachtenberg did credit your last time on the podcast as helping getting you getting you that role all I'm saying is there's a lot riding on this conversation yeah like what directors are watching.

4:42I'm like, I can get my next job. We've got to make this good. Yeah, so be at your best behavior. I will. I'm like, la, la, la. Exactly. That just naturally comes up. I can dance, yeah. So he said to me in that he kind of bets actors by watching interviews sometimes to kind of get a vibe. Do you do that with potential co-stars or directors? Will you go down a rabbit hole for an actor or director you might work with to see what their vibe is? Or do you ask friends? Or what do you do? That's funny. I've actually I've done that before yeah I feel like talk shows are a really good kind of baseline for Actors or directors to get to know them a little bit.

5:20I've definitely done that Yeah, I'll watch like, you know Jimmy Fallon clip or something. How good are they at this game? That will determine whether they're a good actor or not. Exactly, exactly. Or how like relaxed they are, what their sense of humor is Yeah, I think that's a good thing to do. So let's take stock in the two and a half years since you've done you were on the podcast I've had a really impressive couple years. I mean, things are going well already. Thank you. Okay, so you had the Broadway debut, which I got a chance to see, which was amazing. You wrapped up The Great. You did work with Mangold and Chalamet on Complete Unknown.

5:53You're here for Sentimental Value, which is loved by every human being on the planet, or will be when they see it. Predator Badlands. You've knocked out a Hunger Games movie. You're working with Kidman soon. You and Dakota are finally getting together. Yes. I don't want to say you're peaking, but this has been a really good, fruitful couple of years. I mean, let's take stock for a second. When you think back to the last couple of years of just professionally speaking, is this where you were hoping to be? Is this matching the kind of stuff you were looking for or what? Yeah, I mean, I don't think you can ever predict what people are going to like or what is going to work.

6:32but I will say these last couple years I feel like they felt like like a grind like it's felt like a real push like a lot of hard work to also make you know scheduling possible so I could fit all of these things that I wanted to do in I was very like adamant and driven about like the parts that I wanted to do yeah I'm not very, you know, it's not completely thought out in a way that I feel like, okay, I'm going to do this and then I'm going to do this. No actor can really do that. No, I'm super like instinctual. But there was a time where I didn't think I would be able to do Sentimental Value or Predator or at least maybe not do Sentimental Value because I was signed on to Predator already.

7:18and then right before I went to New Zealand Joachim called me and said he had a part for me in sentimental value and I wanted to do both very badly but there was a scheduling conflict and miraculously like two studios work together to make it happen that they kind of reschedule things and made it so I could do both it just meant that I literally had no days I had like one day off in between but that was a travel day for so I was I went to Oslo first had rehearsals because that's very important to Joachim right so we had that time for a week which I'm really glad I had and then I went to New Zealand for maybe three and a half four months and literally the day I wrapped I woke up the next morning flew to France drove to Deauville because for sentimental value there's a section in the Deauville Film Festival and Joachim had to film that while the festival was happening.

8:16So we knew those dates already so I had to drive to Deauville. I had a fitting that night to try on Rachel Kemp's premiere look and had that fitting and then I filmed the next morning. That was like also quite a sense of like kind of badass right now. I'm kind of like I just from Predator to Joachim Trier and I'm alive and I'm thriving. Yeah, there was something kind of like masochistic about it. I was like, yeah, let's go. I was like drooling, sleeping in the car and then I'm like slapping myself awake. I'm like, yeah, let's do it. But then again, there was also, I feel like coming off a big action film like that was actually helpful in playing Rachel Kemp because I felt like she had done a lot of action movies and I'd never fully explored that world before.

9:03So that was a real first. Yeah. And very meta, like where we find Rachel of then her wanting to do a gritty kind of auteur-driven foreign film. Well, it also strikes me, you say, like how very easily this couldn't have wind up if the studios hadn't worked it out. True. Like sitting here today, if we're like talking Predator, which you would have been happy to talk about. Yes. But like, and maybe another actor was reaping the rewards of sentimental value. I know. Not to go down that road, but like, could you imagine? Yeah. No. You'd be miserable. Yeah. I know. I mean, hey, Predator, Badlands is really, like, I'm like, I love Dan and I love that, but I'm, yes, I would have been, yeah, I would have been upset if it didn't work out and I didn't get to work with Joakim.

9:47Are you, we've kind of had this kind of conversation last time, but like, is that, you don't get all the roles you want. Like, are you able to kind of watch the movies that you nearly get or that you really wanted or do you need like distance or do you ever watch them?

10:04You know, it takes, I think it takes some time. I'm trying to think if there, if I ever have watched anything that I didn't get. Like I'm petty. No, I mean, but it's, you get emotionally involved and invested. That makes sense. I get it. Yeah, that can be hard. But then you're like, oh, you know, you might be curious. When you have the distance and then when you feel like, okay, because I didn't do that or that didn't work out, I was able to do something else, then you can kind of like put it to bed. You should also like take sauce and like I've had this conversation with filmmakers. I'm thinking of like Edgar Wright still has not watched Ant-Man.

10:44Guillermo del Toro has never watched like the Hobbit films, which he spent like two years in pre-production on. Which I understand. Yeah, it feels like it's like you have to relive a heartbreak all over again. Why are we putting ourselves through that? Totally. Totally. I mean, one of the cool aspects also of doing this silly award circuit, all these fun award shows, we're here at Gotham's or Tonight as we tape this, is you mix and mingle with all these actors and filmmakers. If I were you, not to be cutthroat about it, I would be networking like hell. This is such an opportunity to get the next Joachim Trier experience.

11:16That's true. Do you think about that? I mean, I think that's a positive. Why not have that conversation with that filmmaker you admire that's also on the tour? I agree. I mean, I do think it's an opportunity to get, you know, you're kind of riding that train together and, you know, the people that year, you kind of get close because you keep seeing them at all these things. And so 100 percent. Chloe Zhao, have a chat. Yeah, hello. I know I haven't, I don't think I've met her. Maybe I said hi to her in Telluride, but I'm like, I need to get close. Building blocks. Yeah, building blocks. Can I close the loop on one thing?

11:54When you were doing press for A Complete Unknown with Timmy, was it Timmy or was he Marty Supreme on that press tour? Oh, my gosh. Well, I've seen Marty Supreme. I actually watched it alone. They did a little screening for me. I got to sit in a theater alone and watch it. I think he is so phenomenal in that film. And there are pieces of him in that movie, too. I mean, he's such high energy. He's so dedicated and meticulous and is very familiar with that drive in and of himself. And I think that is so captured in Marty Supreme, particularly, like the strive for excellence and the strive for greatness, you know, which that movie is really about.

12:43And I think that, yeah, Timmy has that in him. He's like an athlete in a way. Totally. Yeah. Well, he got like, and I loved that speech. I think it was the SAG speech maybe. Yes, yeah, I was there. when he talked about wanting to be great. Yeah, he's such a good speaker. He's so like off the cuff. I'm like, he wasn't reading that. You know, I'd be like, blah, blah, blah. He's a good celebrity. He's like doing it right, I feel like. I know. I want a jacket. Oh, yeah, the Marty Supreme jacket. Hello. I haven't actually... I want the cruise cake. She wants the jacket. Yes, we get the cruise cake.

13:13Of course you do. This season is really rough on me, Elle, because everyone's getting it. Have you gotten it yet this season? I don't know, because it's normally... It's into our mom's house, actually. It will be coming soon. Great. I'm happy for you. It's really for Dakota. Yeah, but we reap the benefits. Have you considered doing this press tour as Rachel in full character? I feel like I have. I'm like, it's so meta. Stellan and I, you know, we do press mostly together. They always pair us together. So we're literally seated like our characters in the film. They're asking me, how did you like Norway?

13:48And I'm like, oh, it's beautiful there. I'm like saying the exact lines that I have in the film. Is he ever breaking down the journalist like the Netflix drunk in the film? Oh, yeah, to protect me? He hasn't yet, but I think he would. Stellan would.

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17:31Okay, so let's talk a little bit about the Joachim Trier experience because I've done a few Q &As with you guys. All of you love each other to a disgusting amount. And I get it. He seems like such a genuine article and is, you know, he's not in Video Village. He does the rehearsal process. It's very actor friendly, very collaborative, yet knows what he wants. It feels like he's found that sweet spot. Just talk to me a little bit about what was invigorating, what was unique about this experience versus others you've had. Oh my gosh. I mean, it's kind of like, it's exactly the experience you want to have as an actor.

18:07Like he creates this playground for you that is just a perfect environment for an actor to thrive and not shut down. Because I think sometimes you can, I don't know if you're working with a director that makes you, I mean, it's not about intimidation because I think nerves are really good. But almost that they like suffocate you too much or they overanalyze you too much. you can yeah you can get self conscious and shut down and get embarrassed or not try the thing that you wanted to try because then you get nervous that you're going to mess it up or you just don't feel free and Joachim is just like the exact opposite of that even though he is completely staring at you like 24 7 but I really enjoy that I like to be seen and that every little micro expression is he's clocking and kind of bringing more out of you or pushing things back in.

19:14And so he's like a conductor in that way. And you just feel, because you've also had the rehearsal process of sharing stories and personal stories, and then he shapes the character to you a bit. After that, Eskil and him go and rewrite the character, cut a lot of lines out that he He feels like, okay, that can be said inside. Right. So you just, yeah, you feel okay to be vulnerable because you also, you've shared these kind of personal things. You've already gone down the road. You've already revealed something of yourself. And so when you look at him, you know that he's seeing why you're so affected.

19:56Right. And that brings even more out. Well, and I would imagine also by the time you get to actually filming. So you've been through that rehearsal process, that script has changed, thanks to you in part, thanks to all the actors. So you're immediately empowered and excited like, oh, I've already affected change. He wants to hear from me. He wants my input. Yeah, to collaborate. So that's just like, it must set a great tenor from day one on filming. You're like, oh, we're all in this together. Yes. And it's a real, the set, I was trying to actively think in my mind while I was on the set, which I've never done this on a set before, of like what is making this run so smoothly and so great?

20:34There's something, I mean I think we had like 50 something days to film. So that was for an indie film. I mean is it, I guess it is an independent film. Yeah. We are, yeah. Yes. For an independent film that is like a really long time. Yeah. Really. But he, the crew is very pared down. He just kind of oversees everything. There's not something that he doesn't know what's happening. Yeah, he's attuned to everybody. He's very much attuned. Yeah. So we've talked a little bit about the meta quality too of the American in the cast, the American in the film. I mean, knowing you, your tastes run the gamut.

21:17You can happily do a Predator movie and do sentimental Yes. Are your fellow cast mates, do they have the highbrow, lowbrow, varied? Did you feel like, oh, I have to pretend to have really cool taste? Yeah, because I'm in Norway.

21:36But Stellan is kind of like me. Is he? I don't know him too well. You tell me. I mean, certainly his career would say such. His career would say such. Yeah. Yeah. I think, I mean, he definitely has highbrow taste. Sure. For sure. But Renata also doesn't seem, I'm about to talk to her, and I love Renata. Renata's very silly. And she's like such, she's so good at physical comedy. Like, I would love to see her in like a full out comedy. And I think she would like to do that, too. And she came from theater. Right. You know. She doesn't seem though like the person that's going to necessarily like do the Marvel thing or which is fine.

22:16That's true. Yeah so maybe I was like trying to like oh yes I love this silent film. Let's talk about Keenan and Chaplin today. Exactly. So Rachel feels miscast in this. Have you ever had that sensation like a week into filming like oh god they made the wrong choice yeah and how did you recover i mean i think that you honestly you always feel like that on the first day of set in in a way there is because you're still trying to find the like the character and so you feel like am i am i right for this like you know in every film you always think that just because you got to get over like a couple humps to like figure out okay how who is this person I've never like walked away from something so far down the line there were times that I would like I was offered you know scripts and things and I had like a seven-year-old child or something like wait wait wait I'm like I'm not there yet, so I can't do this.

23:30Like there were, I'm like, eventually, yes, there will be a time for that. But yeah, there were, I'm trying to think of these. There was one film that I felt like I was playing more like an adult. Okay, and you weren't quite there as a human being. And I don't, yeah, it was called Sidney Hall. It was with Logan Vorman. And there was like a, it worked there. I played younger and then there was like a time jump, where I owned my own. I was like bringing, I vividly remember I was coming up a freight elevator in New York, like my character, and I had groceries. I'm like, how old was I when I filmed that?

24:09I don't know. 10 years ago probably. Too young. I was like, how do, I'm like putting these groceries away like a woman, you know? How would a woman put groceries away? Yeah, and I was like, I don't know. I mean, I think we got away with it, but inside I was like, I might be a little young for this at that point. I'm like, now I can put groceries away. Now you're totally in the case of that. Did you ever, like back in the day, like when you're a kid, a teenager even, was there a lot of discussion or argument back and forth with your family about roles that you could or should take? Like were they always in sync with the roles you wanted?

24:43Because, you know, at a certain point, yes, you're calling the shots, obviously. But early on, it's a discussion. Totally. And it is, I mean, earlier on, it was mostly, obviously, I was auditioning. So it was, okay, these are the big movies that are out there. The child, there's also not that many child parts to go around. So it was, it was really also like director driven, which was, is still the way that I approach everything. But, you know, you're not gonna not go audition for Alejandro and Uri too. Or, you know, or David Fincher and Benjamin Button and Sophia. And so it was like, it was just knowing, okay, these filmmakers are going to make me better because I'm going to learn on their sets.

25:32And it's like, you can't, those are, they're the top, you know? So I'm like, I want to try to get in those parts. So I would audition for those things. And the Beyond Demon, I guess, you know, that was pretty gnarly. Yeah. I'm trying to think if there was like a discussion. I mean, I'm sure there was like a discussion with, you know, your team and your, you know, family and stuff of reading the scripts. But I'm almost wondering if my mom even ever read that script. Because there was a time when she would read them, you know, when I was young. She wasn't our manager or anything. But just to, you know, when we were kids, she had to know what we were doing, of course.

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26:16But I was 16. I turned 17 on that film. Yeah. And even though the subject matter was like, you know, intense, there wasn't anything like overtly, you know, I didn't do anything. And my mom was on set every day for that too. I've been walking out in the blood and I'm like, what's that I'm doing? But yeah, I mean, there was like more of a, okay, we'll protect and, you know, when I'm younger. But there was also no talking me out of things. Like when I set my mind to it. Like when Neon Demon came, I remember reading it in my bedroom. And I had seen Drive. And I knew who Nick Refn was. And I was like, I have to do this.

27:06But I also had to get the part. I didn't audition, but I had a meeting at his house, I remember. Unique guy, to say the least. Oh, yeah. Oh, yeah. Here's a question about Super 8 that one of the podcast listeners sent in, Jenny. She wanted to know if there were any lessons on that film that you applied to your current projects. Is that a turning point film for you in some ways? It was. There are different milestones and different turning points that I can pinpoint in my career life. And I think that I feel like I'm experiencing one right now for sure, where you just feel a shift. and Super 8 actually marries into sentimental value in a way because I've been thinking a lot about that experience because of something JJ told me when I was 12 I filmed it when I was 12 and it literally there's a scene in it that emulates kind of exactly what I did in sentimental value sentimental value was a little more so but I think it works together because there's a train scene in Super 8 where my character plays, she's in the play or in the Super 8 movie with the kids and she surprises all the boys by actually being good in the scene.

28:20And so it's a moment where my character, she gets emotional in the Super 8 film and all the boys are like, whoa. And then it's like a switch. I'm like, oh, was that okay? You know, was that good? And And so the meta of acting within acting. And I remember JJ telling me on set the emotion that she's feeling in that is a different emotion from when we see her break down and cry later in Super 8 when she's talking about her dad and watching Super 8 footage of telling that story. And I was like, at 12, I was like, right. I was like, okay, that's a different, that's like authentic emotion. but when I'm playing, you know, the acting, it's still emotion, but it's like there's a little bit of facade and a filter.

29:09And so, and Joakim and I talked about the same exact thing for Rachel with her kind of monologue. And then when she walks away from the film later, it's two different, you know, coming from a different place. Which, yeah, it's like sounds obvious, but it's just funny that I'd done it before. Been there, done that. I don't know if there are any connections to be made here, but I've never talked to you. This is a random one that people, most people haven't even seen probably, but Coppola, not Sophia, Francis. You were in Twixt with one of my favorite actors, Val Kilmer, the late, great Val Kilmer.

29:39And you had the rare Francis Ford Coppola experience. I don't know, what comes to mind when you think of that experience of Francis or Val? I have many. So it was, okay, that experience, I wish, and it's somewhere. I've got to ask Francis to maybe give me one of these tapes. because we would do rehearsals because we stayed at his house. Right. Do the games, the sound ball, all that stuff, like those things. It was more actually, I forget what play it was, but he would give us pages to, there was a play. I was like this Southern girl. And he would video like home movies of these scenes, which that was not in Twix.

30:24I don't know if this was just, I guess it was exercise to like have us all kind of play together. And then my grandmother was with me and he, she is like the most shy person ever. And he made her play my grandmother in one of these home movies. So I'm like, my grandmother's been directed by Francis Ford Coppola, which I'm like, I haven't ever seen that footage. And it was me like screaming, crying. And I was like chasing after a car and like, please come back. Like I was like a southern girl. And he's like, what clothes do you have? Like I put together my costume for it and things like that. And then we, I remember Francis, I don't know if I've told you this story before, but he showed me the red shoes for the first time.

31:17And we would, you know, he would make dinner for us like most nights and we would eat with him. and he said he knew I did ballet so he's like I want to show you this movie that I love it's called the red shoes and so we like had a movie night and he showed me the red shoes for the first time which I will never forget that and then I looked I heard something and I looked over and he had fallen asleep he was snoring really loudly and I was like do I stay or do I go I was like do I finish the movie and I stayed. Yeah. Took some video, took some photos. I was sleeping. I know. And Val was, gosh, so nice to me.

31:56Amazing too. Yeah.

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33:43So it does feel like, I mean, I think you guys did the recent, was it Vanity Fair cover together? That's so cool. And I love the lie detector test, all the stuff you've been doing together. It does feel like you've obviously always been very, very close, but there's more of like the last couple of years as you've been trying to get this off the ground and COVID was involved, et cetera. Like a willingness and excitement to like finally like, let's just rip the bandaid. We got to just do this. I agree. Yes. And it wasn't so, I mean, when we didn't do it last time, it wasn't because, oh, we weren't ready.

34:10you know what it was just like scheduling and directors changed and COVID really derailed things but I'm actually really glad that we are doing it now that we have more time and we've been thinking about it and just the place that we're at now and working together and we get to produce the film now which is huge and yeah we're just I think we're both we're nervous about it whenever we look at each other we're like oh we're going to do that and we're just like we're excited but we just don't it's gonna be well unlike those situations where like a married couple does a film and then half the time they break up you can't break you guys up it's not gonna happen you're blood sorry no and we are incredibly close but I think we'll bring you know all those sisterly emotions to it and I think that it's gonna be really cathartic and interesting and our first scene on set, I don't know what it's, I don't have the schedule exactly yet, but I'm like, I feel like I'm just going to cry.

35:16Like, it's not, it's just, yeah. Was it tense when you got taller than her at a certain point? Was there like, did you see that happening in real time? Like her starting to resent you a little bit? I know. I'm trying to think when that happened. I mean, I was always, you know, when you went to the doctor or whatever. I was always on like the 90th percentile of height growing up. So I think she, she, and she was always on the low end. Right. So I think she knew the day would come. What's the most excited you ever were for her to be cast in something? Like when she gets like Twilight, like were you into, maybe you were probably too young at that point.

35:49No, that was, yeah, that was a time for me. I was, my friends and I were freaking out. I'm team Edward all the way. Thank you for, yeah. Yeah. With apologies to Taylor, it is the correct answer. Yeah, it is. I mean, he's a nice guy, but let's be real, guys. It is. Yeah, what does he say when he's like, oh, God, what is the, he says like, what's up, Loka? Or like some, it's like some cringe lines. Yeah, there are a bunch of them. Well, Spider Monkey isn't a great one either. Spider Monkey's not great either. Spider Monkey's not great. But that was, like, my best friend and I were big Twilight heads, and so she got to come to the premiere with me.

36:27She got to meet Robert. So I was like a big deal at my school at that time. Is Kirsten an honorary fanning at this point? She is. She's a lady of the lake, we say actually. What is that? Which is so my sister and her live in Toluca Lake. Oh I see. And I live in the valley too. So I'm technically not a lady of the lake. But they're ladies of the lake. I do feel like Kirsten and Jessie are kind of like goals, like a cool couple goals. They are. They're so good and they're so fun and they're just the best couple ever and she is a fan she's the third sister that's what we say is there is there a dedicated whatsapp or text group of just the three of you yeah we have like it's not a it's yeah we just have like a group we haven't named it actually but we yeah we have a group we'll drop photos and lots of gossip in there so we talked uh off mic last time you did shoot your it's a relatively small just a few days for hunger games yes i did So were you a Hunger Games person growing up?

37:24I was. I was an OG Hunger Games person of the OG films. And I always loved Effie. Who doesn't love Effie? So this is like a dream come true. But I feel like the fans cast me. When the studio called, they were like, okay, we're getting hounded by the fans. We don't actually want you. We just want them to stop talking to us. Yeah, we just want them to stop messaging us. They're like, would you do it? Because it's like driving us crazy. But Francis had directed you in something I saw. He had, yeah. In a commercial, right? He directed me in a Tiffany commercial back in the day. Yeah, yeah. That I have a song with A$AP Ferg.

38:05Sure. I could have guessed that, obviously. On Spotify. But yeah, it was like two days of that, and he directed that commercial. And I loved him. We had a great time. And then, yeah, we had a Zoom where he kind of had sent me the Hunger Games script. And we talked about kind of how we saw Effie in this movie. And he's so nice. And he's so able. I mean, those films are so huge, just the production of them. Yeah. And he's just like cool as a cucumber. Yeah. I know. It's like with ease, you know. And you still feel like you can have fun. It's like, okay, let's, yeah, do it again. Do whatever you want.

38:43Ad lib. He's like, say whatever. like because I think that also Elizabeth Banks and Stanley Tucci they really added a lot of ad-libs and things And so I was trying to come up with some good. I was like becoming a writer on At night I would like try to come up with little quips of things that maybe people would like for her to say So who is most of your stuff with can you say that it's I mean, it's true to the book I mean, I really worked with a lot of like not everyone but Joseph yeah yeah who plays young Woody so we're not to be the youngest person in the cast at this point when you're like so weird well they were all younger than me like apart from you know Glenn Close and Jesse it is and I've had that experience I first felt that on the Beguiled where I was 18 and so as my I didn't have a teacher or did I maybe I was still in school at the time but I because I was 18 I didn't have to do like the school hours on set and like there were kids that were with their moms like my mom wasn't there and it was kind of I was like oh it was sweet like looking back like and they were looking up to me or I'm like whoa like the roles have reversed for sure yeah yeah so okay another random one that sounds like it's a little ways off but so you and Dakota are producing this Paris Hilton we are This is a series based on her memoir.

40:09Yes. So what's the, was Paris always a mutual obsession? I mean, I feel like there has been this reappraisal, thankfully, of Paris. Like it was a part she was essentially playing for the public for many years. Well, she's like taken, you know, her power back that we've gotten to see. And she's, I think with her book and the documentary that she had and just to see what she's been through and kind of the defense mechanisms that she's had to put up to be able to cope with, especially during that time in like the early aughts of paparazzi and the magazine. I mean, just how, hey, it can be nasty now too, but it's in a different way.

40:47Yeah. And we were talking about this, like my sister and I, where she would be like, you know, not like afraid to go places, but there was like this fan site called like Ocean Up. It was kind of like a Perez Hilton, but for like teens. Like Miley Cyrus and Dakota would be on there, Selena, like trying to catch them be like bad or like Ocean Up. It was like lived in fear of Ocean Up. She's like, I'm just trying to like grow up, you know? And so it was just, yeah, like Paris, obviously on like a massive scale, but dealing with all of those things and what she had to, the PTSD, I think she had too from, you know, the horrible schools.

41:30I mean, we can call them that, but places that she went to. But we were in her, you know, in the early aughts, like Dakota and I were young and obsessed with The Simple Life and obsessed with her and Nicole. Dakota always got to be Paris. I had to be Nicole, which is fine. But we would dress up and we would play The Simple Life. And we wanted the exact dog carriers. We didn't have a dog, but from Fifi and Romeo, it was like this pink with white polka dot dog carrier for Christmas. That was on our Christmas list so we could properly play with the real props. Commitment to the authenticity. I appreciate that.

42:11We had stuffed chihuahuas, and I also really wanted a, I never got it, I wanted a pink trailer. Like the actual trailer? For Christmas, because I thought, because they would travel around in the trailer, like sleep in the trailer in some of the later Simple Life. They had like, yeah, the van that they would drive around in and sleep in. And I, that was on the Christmas list every year, never got it. Always thought I'd wake up in the morning and it'd be in the driveway outside. Christmas is still a couple weeks away. We don't know. That's true. And I think, look, I don't want to jinx it. Maybe an Oscar nomination equals future pink trailers.

42:51Future trailer. Put it in the rider. Yes. This is a new era for Elle Fanning. Yes. But that's, I mean, we would play that hardcore. So it is a pinch me moment because Paris is working with us and been to her house. Now, do you know between, you haven't said who's playing. We haven't. We're still trying to figure it out. We're trying to figure it out because also in her memoir, it spans a lot of years. Right. There's, so to hit that sweet spot, to tell the story, there's, because then she's a lot younger. Yes. As well. So we're like, hmm, would we be able to put like, so we're trying to, we're trying to crack the code on all of that.

43:32It's still being written and everything. Here's something from our last podcast conversation that really resonated with audiences that really traveled a lot. Something similar that you and Maya Hawk told me too. Okay. Which was about Instagram followers. Oh, yes. Yes. Like equaling, you know, viability as an actor. You were talking about like a kind of a franchisee role that you were up for that you think maybe you didn't get because of that. And Maya essentially said the same thing, that she's very much made aware of that. Are you feeling any change in that? Is that something you're still keenly aware of?

44:05I feel like it was definitely more of a thing. I don't know if it is as much anymore. I don't know why. But I do feel... But then also... Someone told me the other day, a director, Because we were actually talking about this exact thing. And they said they didn't feel like it was about Instagram followers. But they were kind of peeling behind the curtain talking about what does go on when you're trying to cast someone. And what people put into consideration. I'm sure you're digging, but you're telling me more and more. I want to know everything. Yes, yes. But they said that it was also who will promote the movie well.

44:53Right. which I'm like, that's just a kindness I think that we all should support and promote. But that is something apparently that's talked about, which I'm like, whoa, I didn't know that. Good for you. I'm glad I'm sitting here. Okay, so as you sit here, next phase, you're busy. You have a bunch of things that you're going to be doing, 90 Yale soon. You're producing Paris, et cetera. Is there a specific kind of experience that you are chasing right now compared to where we were a couple of years back? This is the manifest moment on Happy, Sat Confused. This is your Predator Badlands casting moment.

45:25Yes. Okay. I mean, it's so boring. I mean, but I'm thinking, I want something that feels very meaty. Yeah. That it's, I get to feel like I really can transform myself. Not, it doesn't have to be physically. No, physically, okay. I mean, it can be, but it doesn't have to be. It's just that, that feels like a real challenge or a stretch and that it's, I don't know, like, it'll come satisfying. It feels like a satisfying kind of… It'll come satisfying, yes. Yeah. It is all that satisfaction in whatever form it takes. You got something out of this Joachim experience in a profound way. In a different way, you got something out of the Predator experience.

46:20You checked that box. You're like, I can do that. So I feel like once that is there, it's like, oh. And I felt that before in other parts that I've done. If people haven't seen the movies or not. But I have felt that feeling. I remember when I did Ginger and Rosa. And I was young. I was like 12. But that movie was like so profound for me because it was like the first time I really didn't feel like myself And it was like kind of like very emotionally like driven and like okay, I'm like I want that Yeah, I just want that experience just sink into something I mean, I do think the Nightingale will be that are you do we again We talked before I think about you're not the biggest fan of the auditions the self tapes all of that are you?

47:04Have you had any whether you can name them or not memorable experiences? that will haunt you or feel good in recent last year or two? No, I haven't had to really... This is the incentive to really rise up the ranks. I haven't had to audition in a while. Or at least if they'll say, will you? And I'll be like, what? I don't know if that's going to do me any favors. I know. But I mean, hey, if something really did come along with the director. But I mean, I fainted at an audition. Remember? I think I told you that. The Chastain one, right? Was it? Yes, it was. Yes, it was. That was it. And I was like, oh crap.

47:43I mean, I fainted and I didn't get that part. You also fainted at Cannes? Yes, I've been known to faint. There was a time when I grew, I was growing so tall. Your body couldn't keep up. Yes, that's what my doctor said. It was like you were growing so much in that time. And so at school, like I would faint and things. And at Cannes I was just like on my period. And then like my dress was like too tight. Got it. But I, yeah, I just went boop, I went down. And then who was, it was Colin Firth was standing above me. If you're going to have a gallant actor, it might as well be Colin Firth when you're going down.

48:18Yes. Yeah, he was like, are you okay? He was like, what just happened? I don't know. Made an impression. Yeah. All right, we're going to end with the happy, say, confused, profoundly random questions. Some of these you've answered, some of these you haven't. Okay. I think I know the answer to this. I haven't asked you this. Dogs or cats? Dogs. Right. Do you have a dog? I know Llewellyn was... I don't. Llewellyn was our late, yeah, our family dog. But, no, my sister has a dog, Bunny, who looks exactly like Llewellyn. Not a clone. Not the Barbra Streisand route. No, but it is the same breed as the Barbra Streisand dog.

48:53It's a Catan de Tullier. I've thought about it for my dog. I will never do that. I will never do the clonvy. I love my dog so much. But, like, I did go down the road of Googling for a bit, and then I'm like, no. Yeah, it's like, we can't do that. No. But I'll get a dog eventually. I want a Cocker Spaniel. Nice. Do you have a favorite video game of all time? Oh, gosh. And I know, hey, I'm in Death Stranding 2. I know. And that, you know, video game world. But I am not super video game. I mean, I played a lot of Wii Sports. I like Guitar Hero. That counts. Yeah. What's the current wallpaper on your phone?

49:28Last time it was Llewellyn. Yes, this time it's my boyfriend and I. We're holding hands. Very sweet. Yeah, photo of our hands. The last actor you were mistaken for? Mmm. I mean, it's always Dakota. Yeah. Some people could say, well, Bill Hader, we know. That I look like Jack Hader. Jack Quaid also gets Bill Hader. Do you ever get Jack Quaid? Really? I could see that too. I could see that too. And there's also, not that I don't really, but, and I've never really gotten mistaken for it but I feel like Emma Stone there's something yeah it's in the nose Bill Jack Emma me it's like it's in the you know it's in the nose we all are like we live in Whoville a little bit I'll take it last time you gave me let's see if this is a different note worst noted directors has ever given you what jumps out oh see if it's changed I wish gosh I probably had some real like doozies Also, I would imagine directing kids, some of the things that come out of people's mouths are like...

50:38Yeah, well also it's like they, I think with kids too, they want to like, not all, but something like talk down to. And then you're just a little like, no, it's like I know what the story is. I know I'm playing a character. Yeah. I mean, I was a kid that knew that, you know? Some kids don't. Sure. But it was like you don't have to like pretend that you're filming me. Yes. Do you know what I mean? You don't have to trick me into this. I know that you're filming me. I see the camera. I'm not an idiot. I'm a child, but I'm not an idiot. Exactly. I'm like, I know. So if you want me to, you know, I know that.

51:08But yeah, I don't know. Yeah, when it overanalyze, like I like, and I probably said this, but it's like I like, okay, weirder, sadder, more angry, like just specific and yeah, succinct, I think. What's the current movie that makes you happy or recent movie that makes you happy? Ooh, recent movie. Well, it makes me happy. Yeah. I'm just watching TV shows. We'll do that. That's the thing. I mean, I am watching Pluribus. I was just watching it over the weekend. Yeah, I mean, I'm caught up. So now I'm like, it's definitely dead bodies in there. I've seen a couple episodes ahead. Oh, you have? It's even worse.

51:52No, I mean, I'm not saying that. I didn't say anything. I want it to be as bad as possible. But Pluribus, I mean, not that it's like, ooh, making me in a great mood, but I'm enjoying it. Also, Never Have I Ever. Have you ever watched that? I've never watched it. People like it, yeah. Okay. I'm like, it was, it's like, I don't know, it's just a fun idea. Like, John McEnroe narrates the whole thing. That's right. Yeah, yeah, yeah. And I'm just in it. I'm invested. It's making me happy. It's putting me in a good mood, for sure. A movie that makes you sad? A movie that makes me sad. Well, I always I mean arrival which I probably said last you didn't he said about time Arrivals a great call arrival makes me.

52:33Yeah every time arrival. Have you seen Hamnet yet? You know about the music I have okay, so actually with Hamnet I was in Telluride and we all went together right and I don't know if it was the altitude though, but I got So I could have I was on the brink of fainting It was like midway right when it happens. And I had to, I think the altitude there is bad, so I had to get like the oxygen. But I had to leave midway through, which I did not want to do. The movie is so beautiful. But I think it was just working me up. Yeah, that makes sense. I mean, it's very emotional. But yeah, so I actually, I'm going to, I'm actually not even just going to finish.

53:20I need to, I'm going to watch from start to finish. I think it deserves that. When you see it from start to finish you'll see there's a connection with a rival. Oh, okay. I don't want to say any more. And finally, you said pickles last time, a food that makes you confused. Is it still pickles? Anything else? Cucumbers are adjacent to pickles. In the family. Or like celery. They're all connected. Celery is, I'm with you. Like it's all water. It just takes up space in the salad. Why are we doing this? Yeah. I agree. It's not nutrients, really. No. Yeah. She said it. I think we talked about sentimental value a little bit, too.

53:56It's a great movie. Thank you. You know I adore this movie. You're fantastic in it. We're in month four or five of The Run. It will continue. The Run. It's a worthy cause to spread the good word of this one. Congratulations, as always, and thank you for the time. Thank you. And so ends another edition of Happy, Sad, Confused. Remember to review, rate, and subscribe to this show on iTunes or wherever you get your podcasts. I'm a big podcast person. I'm Daisy Ridley, and I definitely wasn't ready to do this by Josh.

54:33The war is over and both sides lost. Kingdoms were reduced to cinders and armies scattered like bones in the dust. Now the survivors claw to what's left of a broken world, praying the darkness chooses someone else tonight. But in the shadow dark, the darkness always wins. This is old school adventuring at its most cruel. Your torch ticks down in real time, and when that flame dies, something else rises to finish the job. This is a brutal rules light nightmare with a story that emerges organically based on the decisions that the characters make. This is what it felt like to play RPGs in the 80s, and man, it is so good to be back.

55:16Join the Glass Cannon podcast as we plunge into the shadow dark every Thursday night at 8 p.m. Eastern on youtube.com slash the glass cannon with the podcast version dropping the next day. See what everybody's talking about and join us in the dark.

From the publisher

She's an amazing actor and a self-proclaimed Happy Sad Confused fan to boot so of course we love Elle Fanning around here. She returns to the podcast to chat about her amazing 1-2 punch of SENTIMENTAL VALUE and PREDATOR: BADLANDS, plus finally working with Dakota Fanning, and much more.

UPCOMING EVENTS

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